I must feel ways about The Obelisk turning 15, because I’m having a hard time starting this post. Of course, it’s also five in the morning, so falling asleep is a factor. I’ve spent years at this point nodding off in front of the laptop. You wake up and there’s a string of 10,000 spaces since your last quarter-of-a-sentence. Laying out images and links for news posts. Trying and generally failing to slate a review by the release date, screwing up lineups, release years, cropping press shots, on and on. You’ll know it’s not my favorite part of the experience when I tell you it’s a snoozefest.

The actual writing — what I consider the ‘work’ to which all the other labor is building toward — is why and how you wake up, though you be exhausted of spirit and middle-aged of body. I have said for years now that the simple fact of The Obelisk is I need it, and especially after this recent winter break, I think that’s still the case. I took a couple actual days off around Xmas, including the 26th, which I’ll admit felt brazen, and had a taste of what life would be without this site, but it turns out this site is a lot of my connection to the outside world.

The Obelisk has become a huge piece of my life. Not just dividing 42 by 15 and realizing I’ve spent more than a third of my time on earth doing this by now, and there are times when I don’t know where I end and it starts. I probably feel ways about that too, I guess. But I do need it. I don’t know where to put myself otherwise.

Thank you for your time, your attention at any single and all points in the last decade and a half. Thank you for reading, for being here and for making doing this at all worthwhile. I promise you this site wouldn’t still be going without your support. You are why it exists as it does, so if you like it, good work. And thank you.

Thank you to The Patient Mrs. for respecting what I do here even though it’s ridiculous. Also for staying married to me even though every two weeks I’m asking how much it would be to fly to some other festival. Thanks for driving me into the city to see Elder last week or whatever day that was.

Thank you to Slevin for helping me 15 years ago launch this site, for the year-end poll and for pretending to be impressed with my recent Zelda accomplishments. Thank you to Behrang Alavi for hosting the site. It is a load off my mind to know I can send a message 24 hours a day and any issue that arises as they inevitably do will be addressed quickly and professionally, and most important of all, by someone I trust. I do not take that lightly at all.

Thank you to Dave and crew at Made in Brooklyn Silkscreeners, and because I feel like maybe he’d (rightly) roll his eyes if I didn’t share it, here’s the link to Obelisk merch: https://mibk.bigcartel.com/

You should be aware that I don’t do crap for that. In almost all instances, Dave chases down the art (Steven Yoyoda!), does the printing, the shipping. I get half of the money; the only difference is he earns it. I won’t say I’ve never embezzled to pay a late fee or buy weed, but proceeds from merch for The Obelisk are specifically allocated in my mind as buy-music money. That goes back to the bands because it’s the bands that bring it in. Ain’t nobody sticking around here to see how long I’m gonna make the next sentence. They’re here for music. That’s as it should be, and MiBK Dave makes it easier/possible for me to have merchandise to sell in the first place, and I am eternally grateful for that. He makes the site real, and my mom wears the shirts. That alone. Thanks to my mom (and entire family) for wearing the shirts.

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“He peaked a decade ago.” — Me, on me. Probably said a decade ago.

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I don’t know yet what this year will bring. I have a couple festivals lined up — Freak Valley, Bear Stone — but I’m doing other traveling with my wife and daughter this year as well, to see national parks with my wife’s mother, and to spend a month in Budapest, Hungary, over the summer, so there will be more beyond the normal routine happening around here and I’m curious to see how it goes and how I handle that. Hopefully by then I have a new laptop to replace my recently busted one that was the best ever. I should put “replace” in quotes there.

So that’s it. 15 years and back to work. I had big plans. I wanted to do an all-dayer on the West Coast. I was going to ask Sandrider to headline, see if I could get Grayceon, Snail (yes, again), Brume, and a few others, but it didn’t happen and I only have so much capacity and that’s pretty low in general. So no, no anniversary party except in my head. I couldn’t even manage to get to Vegas this past weekend, and Spaceslug were there.

I know nobody reads blogs anymore. This is an outdated medium. I should be running a substack and begging everyone for a dollar. And you know what? Maybe if I did that, I’d have enough dollars to have booked that flight, or some other one, or maybe I’d have some kind of capitalism-bred feeling of validation that I don’t have now bringing in some kind of salary from this work. Or maybe I’d resent it as a job and stop and have ruined this thing that I’ve apparently now worked for 15 years to build.

Okay. So here’s my last chance to say something about The Obelisk turning 15. I’m glad people get something from this site. If that’s you, please know you have my entire heart’s appreciation. Every now and then, somebody on the internet says something very nice either to me or about me or about what I do here and it’s incredible. For a sphere that can be so incredibly terrible (i.e. the internet/social media), that I should feel so much a part of anything and so supported in this is astonishing and a better outcome than I could have hoped for in that 33-plus percent of my to-date lifetime.

Thank you. The Obelisk will not last forever. Nothing does. I might decide it’s too much or it’s been too long, drop the whole thing and never write another word, or I might get hit by a bus. One of these years I’m gonna pull the plug on this whole thing and go write like three reviews a year for Lee at The Sleeping Shaman. I tell him sometimes he’s my retirement plan. Honestly I’d be lucky if he’d have me.

Lucky if anyone would, which is kind of the hazard when you get as dug into a thing as I seemingly am here. But I’ve seen outlets come and go in the time that I’ve been writing The Obelisk, and I’m still here and I still stand by everything I write in this space — notwithstanding the plentiful typos, lineup screwups, etc. — and if I died tomorrow, I would just want you to know that to my very, very core, I value your support to a degree I can only call existential. Thank you.

15 more years? That would be absolutely insane. So maybe.

Thanks for reading,
JJ Koczan

…And yeah, it’s Monday, but here’s FRM anyhow:

The Obelisk Collective on Facebook

The Obelisk Radio

The Obelisk merch

We have arrived at the beginning of a new year, and it is accordingly time for the results of the 2023 Year-End Poll. I don’t know what 2024 will hold, but if I had to hazard a general guess, I’d say probably a bunch of cool-ass music? Just going by the last however-many years, mind you. Underground heavy rock, in new and established artists and bands, is flourishing now, on multiple continents and across multiple generations. Still waiting to see more 25-and-unders, but youth wants to play fast. It’s how punk rock happens.

But whether you’d obliterate yourself against a wall of bong-hued tone-age or spaghettify your brain in a cosmic impulse wash, your back was covered in 2023, as individual bands and whole styles continued a forward progression toward ends it’s not possible yet to know. A big part of the story for me is and just-about-is-always the interplay between newer and older bands — who puts out what, who tours with whom, etc. — but on pushing sound into different stylistic grounds alone, 2023 was a headspinner.

I could go on here, but there’s a lot to do. Here are the rules for the thing:

As ever (and I mean that, since this part is cut and pasted from last year), two polls were posted. Raw votes and points. For reference, here are the same rules that I’ve been cut and pasting for however long: You submit your list of up to 20 favorites. Anything from the start of 2020 to the finish is eligible. There are two lists, one of the raw votes, and one in which a 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one.

And here’s the thing:

Top 20 of 2023 — Weighted Results

1. Acid King, Beyond Vision (438 points)
2. Dozer, Drifting in the Endless Void (410)
3. Howling Giant, Glass Future (360)
4. Green Lung, This Heathen Land (355)
5. Domkraft, Sonic Moons (267)
6. Baroness, Stone (214)
7. REZN, Solace (211)
8. Church of Misery, Born Under a Mad Sign (207)
9. Hippie Death Cult, Helichrysum (182)
10. Dopelord, Songs for Satan (178)
11. Graveyard, 6 (150)
12. Ritual King, The Infinite Mirror (150)
13. Black Rainbows, Superskull (146)
14. Mutoid Man, Mutants (144)
15. Saint Karloff, Paleolithic War Crimes (127)
16. Hail the Void, Memento Mori (122)
17. REZN & Vinnum Sabbathi, Silent Future (120)
18. King Potenaz, Goat Rider (119)
19. Fire Down Below, Low Desert Surf Club (117)
20. Mondo Drag, Through the Hourglass (105)

Honorable Mention:

Restless Spirit, Swan Valley Heights, Kind, Desert Storm, Gozu, Bongzilla, Khan, Kanaan, Margarita Witch Cult, Kadabra and Spirit Adrift were the next bands on the list. Queens of the Stone Age were there as well, spelled 75 different ways across different lists.

Notes:

Not much to argue with. No ties. I’ve gotten used every year to there being one or two ties in each list, and it’s kind of a way for me to sneak in a couple extra releases here and there, but not for the points tally this year. Remember, this awards points based on where people rank a given record, and Acid King were pretty unanimously the top pick throughout the month. They took the top spot and were given a challenge both by Dozer and Howling Giant at various stages, but it was clear Beyond Vision would come out on top. Obviously I agree as well.

I’m glad to see up and coming bands — Howling Giant, Green Lung, Domkraft, Hippie Death Cult, Ritual King, Saint Karloff, Hail the Void, REZN, Fire Down Below — taking up so much real estate on the list alongside the returning Dozer and familiar names like Acid King, Baroness and Church of Misery. Look for some of these to become headliners in the next few years, and the records they put out in 2023 will be part of why. And thank you for taking the time to send a list if you did.

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Top 20 of 2023 — Raw Votes

1. Dozer, Drifting in the Endless Void (108 votes)
2. Acid King, Beyond Vision (104)
3. Howling Giant, Glass Future (93)
4. Green Lung, This Heathen Land (91)
5. Domkraft, Sonic Moons (74)
6. REZN, Solace (59)
7. Church of Misery, Born Under a Mad Sign (58)
8. Baroness, Stone (55)
9. Dopelord, Songs for Satan (51)
10. Hippie Death Cult, Helichrysum (48)
11. Black Rainbows, Superskull (47)
12. Ritual King, The Infinite Mirror (43)
13. Graveyard, 6 (40)
13. Mutoid Man, Mutants (40)
13. Saint Karloff, Paleolithic War Crimes (40)
14. Fire Down Below, Low Desert Surf Club (35)
14. Kind, Close Encounters (35)
15. Mondo Drag, Through the Hourglass (33)
16. Hail the Void, Memento Mori (31)
17. Margarita Witch Cult, Margarita Witch Cult (30)
18. Gozu, Remedy (29)
19. Bongzilla, Dab City (28)
20. Swan Valley Heights, Terminal Forest (28)

Honorable Mention:

Tidal Wave, Khan, Kanaan, Kadabra, Acid Magus, Slomatics, Borracho, Dead Feathers, Kadabra, Blood Ceremony, Desert Storm and REZN & Vinnum Sabbathi were close here.

Notes:

This is the first time in the however-many years I’ve been doing this poll — I think I started asking people for favorites in 2010? — that the ranked submissions and raw votes tallies don’t match in the top spot. That is to say, what happened here is that Dozer got more votes than Acid King, but enough people had Acid King in or near their top spot that it ranked higher than Dozer on the other list. That’s a new one. Both bands are legends. Take your pick, call it album of the year and embrace the utter lack of argument you’re likely to get.

The same applies about up and comers here, and I dig the spread of styles across the list, though we’re definitely in heavy rock territory with that top five. It’s encouraging how universal the Howling Giant record turned out to be, and Domkraft’s strong showing is indicative of how much that Swedish trio got very much right in their sound this year. Look out for Hail the Void and Margarita Witch Cult over the next few years, as their next releases will tell the tale of who they are as bands, and I’ll say the same for Saint Karloff and Ritual King as well. That Ritual King album was a gem. I’m glad to see it here.

Hard to ignore the influence of Jadd Shickler here. Dozer, Acid King, Howling Giant, Domkraft, Dopelord, REZN & Vinnum Sabbathi and Restless Spirit were all Blues Funeral Recordings and Magnetic Eye Records releases, and those names are everywhere. It was a landmark year for both labels in which Shickler is directly involved.

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Thank you. That’s the last thing I want to say. Thanks to you for reading, to The Patient Mrs. for staying married to me, to Slevin for making this thing, and to everybody who puts out and promotes this music that helps make days worth getting through. We keep going. Help each other. Thank you.

After the jump you’ll find the lists that were turned in. Thanks again to everyone who took part here and shared the link throughout December. Happy New Year and new music to come.

Read more »

[PLEASE NOTE: This post will remain on top of the page until the poll ends in January. New posts will appear directly underneath. Thanks.]

Best post, best time of the year. I’ll admit the year-end poll kind of snuck up on me in 2023 because, well, that’s pretty much everything, but I’m glad we’re here and I know there’s a ton of music that’s come out in the last 11-plus months worth celebrating.

I’m extremely excited to see what people select as the best offerings of the year, not the least since I don’t consider Album of the Year to be a settled issue for me personally. It’s always a pleasure to watch the lists roll in and see the frame of the year take shape. 2023 has been overwhelmingly packed with releases, and I can imagine a tight race for the top spot. Our maybe I’m wrong and everybody will just turn in the same five records over and over. That’s fun too.

Every year is different. What were the highlights of your 2023?

Rules and whatnot follow the form below:

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Thanks for reading and taking part. Please share the link if you can.

Same rules as always and here they are cut and pasted from last year: Anything from Jan. 2023 to whatever’s coming out between now and Dec. 31 is eligible. If something is out digitally now and physical later and you want to include it, do so. Two lists are tabulated; one of the raw votes, and one in which a 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one.

I said this last year too: If you’re not sure what counts or what to include, please know that the intent here is to be as open as possible. In all things, when you can, err on the side of inclusion. If you’re the only person who votes for a thing, so much the better to turn other people onto it.

As ever, I extend deepest gratitude to you for participating and to Slevin, who even amid a move to Chicago and needing this crap like a hole in the head generally continues to support the site and help it run every now and again. Thank you.

Poll runs until Dec. 31, 2023, unless I decide to give it an extra day. Barring disaster, eesults will be out Tuesday, Jan. 2, 2024, along with individual lists.

Have fun, and thanks again!

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I have to admit, I feel a little silly. This post should have been written to go up yesterday. In my defense, I’ll note that it was an extraordinarily busy weekend, involving monster trucks and family birthdays and a brunch and everything. But either way, yeah, I let it slip, and it wasn’t until I was tagged in a post in The Obelisk Collective on Facebook that I even realized, egads, Michael Jones was right! It is The Obelisk’s birthday, as of this past weekend. To think, I even hung out with Slevin — who built the site those 14 years ago — on Sunday. He was the brunch. Go figure.

To tell you the truth I’ve been pretty disoriented generally. Just kind of one-day-at-a-timing it, and I completely lost track of what the date was. I know, it’s right in the corner of my laptop screen, but I also got an email yesterday canceling jury duty that I wasn’t even thinking about yet because it wasn’t until something like Feb. 2 and that was eons from now. So I got to realize what week it was and not have to go to jury duty, and it’s The Obelisk’s birthday. The wins just keep coming.

The point of this post is to say thank you for your support of The Obelisk. Whether that’s commenting on a post (mostly it isn’t, I know) or sharing something on this or that social, being in the above-linked group, buying merch or sending music or even just reading once, forgetting the site exists for like three weeks, then reading again. Or reading every day. Or not. I don’t know. Thank you.

I don’t have any grand plans to reveal. More work? I know the Sandrider and REZN albums are killer if you want to do a top two of 2023 so far list, which I honestly thought about doing just as a joke making fun of basically my own lists let alone those of anyone else. But beyond that and what’s in my notes for the rest of this week and down the line in the calendar, I don’t know. I hope to travel this year. I’ll be at Freak Valley in June and Høstsabbat in Oslo in October. I’ve got my eyes on Heavy Psych Sounds Fest in March in Joshua Tree, but we’ll see. Monolith on the Mesa this year is a maybe if I can make it happen. Always love to be at Maryland Doom Fest when I can.

There have been a couple other invites — one to Iceland for Doomcember, which I was stoked on but couldn’t go this past December; one to Bear Stone in Croatia which I would fucking LOVE to do but for the camping because the bands are good, the people seem awesome and the vibe is right, but I’m no camper — that are kind of nebulous, and I suppose on some level driving the two hours with traffic to New York is supposed to be more convenient than flying to Germany, but I’ve sat at the Holland Tunnel in my life and legitimately been convinced otherwise, never mind actually driving in the city, which I’ve never particularly enjoyed. Gonna get my ass there for Desertfest though, I’ll tell you that.

That kind of travel will probably be the bulk of the shows I see this year, which is odd but just kind of how my life is organized at this point. Speaking of organized, I’ve got 175 emails waiting in my inbox, and, well, not everybody’s gonna get an answer. I hope you understand that even if I don’t go to every show, or review every record, post every press release and Bandcamp or social media update, or interview every band — or any bands beyond Questionnaires — that I’m doing my best. I’m trying to make this site a thing worth coming back to — for me, every day. For you, once if I’m lucky?

I won’t dismiss the amount of effort it is doing this. It takes up a significant portion of my time and brain capacity. My life would be easier without it, in many ways. Not trying to play Johnny Martyrblog, but I think it’s fair for me to say that running The Obelisk takes a lot of work. I’m doing my best to do as much as I can, all the time.

14 is cool. 15 will be cooler. We’ll get there. I’ll set a reminder in the calendar so I don’t let it slip, and hope to thank you again then.

All the best in the meantime,

JJ Koczan

First, happy new year. There’s an element of ‘whew, we made it’ behind that and plenty of ‘here’s looking forward to more good music,’ so take from it what you will. In any case, I hope you’re well and whenever you find this or it finds you, that continues to be true.

This post is a big deal for me. Like I said when the poll went up on Nov. 28, I use these posts, these lists, for years after the fact, sometimes just to find bands for a Friday Full-Length, sometimes to check out how ahead of me other listeners are (generally very) and invariably to help me get a glimpse of where the people within The Obelisk‘s reach are when it comes to what’s been enjoyed most over this stretch of time. This poll has run for well over a decade now, and I love it every time. That is only because of your contributions to it, so thank you.

As per the back end of the poll app, there were at least 1,700 separate album entries (more actually, but I’m trying to account for typos on lists, etc.) and 420 (ahem) total list entries to the poll in 2022 (that’s up; I was stoked to pass 400), about 20 of which, including mine, came in just yesterday. I’m going to take that as a reminder to share the link on New Year’s Eve again and hope to remember. I can’t say the results are a surprise, but it was exciting to watch them unfold, and I’ll try to explain a bit of why in the notes below. First, a refresher on how this works:

As ever (and I mean that, since this part is cut and pasted from last year), two polls were posted. Raw votes and points. For reference, here are the same rules that I’ve been cut and pasting for however long: You submit your list of up to 20 favorites. Anything from the start of 2020 to the finish is eligible. There are two lists, one of the raw votes, and one in which a 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one.

That’s how the magic happens. Here’s the magic:

Top 20 of 2022 — Weighted Results

1. Elder, Innate Passage (676 points)
2. King Buffalo, Regenerator (647)
3. Clutch, Sunrise on Slaughter Beach (274)
4. Wo Fat, The Singularity (260)
5. Messa, Close (228)
6. Cave In, Heavy Pendulum (201)
7. Colour Haze, Sacred (197)
8. The Otolith, Folium Limina (179)
9. Earthless, Night Parade of One Hundred Demons (170)
9. Sergeant Thunderhoof, This Sceptred Veil (170)
10. Freedom Hawk, Take All You Can (163)
11. Psychlona, Palo Verde (155)
12. Sasquatch, Fever Fantasy (155)
13. Conan, Evidence of Immortality (144)
14. Telekinetic Yeti, Primordial (138)
15. Steak, Acute Mania (135)
16. Nebula, Transmission From Mothership Earth (131)
17. Vitskär Süden, The Faceless King (125)
18. My Sleeping Karma, Atma (118)
18. Samavayo, Pāyān (118)
18. Valley of the Sun, The Chariot (118)
19. Russian Circles, Gnosis (116)
20. Ruby the Hatchet, Fear is a Cruel Master (113)

Honorable Mention:

Mammoth Volume, Half Gramme of Soma, Somali Yacht Club, Birth, Motorpsycho, Cult of Luna, Smoke the Light, Ecstatic Vision, Caustic Casanova, Geezer and Gnome were all pretty close here.

Notes:

You can see the story for yourself here in the numbers. All along, it was Elder and King Buffalo vying for that top spot, and the reason they’re so close in the points tally is because one or the other was regularly on the top of somebody’s list. That was consistent the entire time the poll was up, and everything else was behind it, almost to a different scale. I can’t remember another time when poll results were so much about two bands with such a clear drop-off to everything else. The moral of the story I guess is people really liked Innate Passage and Regenerator.

Those were my one and two as well, so I ain’t arguing, but you can see a ton of stuff behind that that’s killer as well. I was curious for most of the year how Telekinetic Yeti would end up, and they did well. That’s a band I expect big things from their next time out, and no, I’m not just talking tonally, though certainly that as well. With the backing of Ripple Music, Vitskär Süden’s The Faceless King also seemed to provoke strong feelings from its listeners, Psychlona killed it, and I was glad Steak’s Acute Mania made it here, since the scope of that record/comic book/maybe-movie/etc. is still fleshing out. Plus some standards in Clutch, Wo Fat, Cave In, Colour Haze, Earthless, Freedom Hawk, Sasquatch, Nebula, My Sleeping Karma, Valley of the Sun, Russian Circles and Ruby the Hatchet? Nothing wrong with that.

Top 20 of 2022 — Raw Votes

1. Elder, Innate Passage (160 votes)
2. King Buffalo, Regenerator (144)
3. Clutch, Sunrise on Slaughter Beach (77)
4. Wo Fat, The Singularity (75)
5. Messa, Close (65)
6. Colour Haze, Sacred (55)
7. Cave In, Heavy Pendulum (51)
8. Earthless, Night Parade of One Hundred Demons (49)
8. The Otolith, Folium Limina (49)
9. Psychlona, Palo Verde (48)
10. Freedom Hawk, Take All You Can (47)
11. Sasquatch, Fever Fantasy (45)
11. Sergeant Thunderhoof, This Sceptred Veil (45)
12. Nebula, Transmission From Mothership Earth (42)
12. Telekinetic Yeti, Primordial (42)
13. Valley of the Sun, The Chariot (39)
14. Conan, Evidence of Immortality (37)
14. Ruby the Hatchet, Fear is a Cruel Master (37)
14. Steak, Acute Mania (37)
16. Mammoth Volume, The Cursed Who Perform the Larvagod Rites (35)
16. Russian Circles, Gnosis (35)
16. Somali Yacht Club, The Space (35)
17. My Sleeping Karma, Atma (34)
18. Vitskär Süden, The Faceless King (31)
19. Samavayo, Pāyān (30)
20. Geezer, Stoned Blues Machine (29)

Honorable Mention:

If the list went to 21, it would include Motorpsycho, who got 27, if it went to 22, it would have Stöner and probably others who got 26 votes, and if it went to 23, there’d be room for Birth, Ecstatic Vision, Gnome, Hazemaze, Naxatras and Stone Nomads, who got 25. Everything else was fewer votes than that, but there were still strong contenders throughout, and I’m sure my tally is imperfect.

Notes:

Can’t argue with this list, though it’s different from my own once you get past the top two. About those, you can see pretty clearly the drop in votes after King Buffalo. I watched the tally for all of December — because that’s precisely my idea of fun — and it was Elder and King Buffalo all the way, right from the start, and only really in the last week that Elder began to pull ahead to as much as they have here. This kind of consensus is rare and a thing to be appreciated.

Incumbency I think helped Clutch, Earthless, and others here, but it’s cool to see Wo Fat get a good look since their album ruled and though I’m not into Cave In, I know a lot of people are, so good for them too. I had The Otolith higher, but admittedly, that record’s pretty dense, and cheers to Psychlona’s desert style for catching ears, and to Freedom Hawk for living up to their own e’er-reliable standard. And though it’s just outside the top 10, one shouldn’t discount what Sergeant Thunderhoof accomplished on This Sceptred Veil either. Put them on tour with Boss Keloid stat and hail an up and coming legion of British heavy prog. Two or three more bands included and some clever critic is inevitably going to start calling that a ‘wave.’

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Now we get to the (other) good part. The lists. Before I turn you over to that, I want to say thanks again to everybody who participated in this year’s poll. To Slevin for managing the back end of it, to The Patient Mrs. for, well, her patience with my dedicating time that I’d otherwise be probably doing more useful things with to it, and to you one more time for reading. I’m humbled and crushed as if by Conan’s bass tone by your support. Thank you, thank you, thank you.

All lists follow after the ‘read more’ jump. Who’s ready to be overwhelmed?

Read more »

My favorite post of the year, every year. It never fails that, now even a decade after starting to do these year-end polls, I always go back and can find something new. Or a band comes up and it turns out they’d been included in someone’s list all along. Or even just watching the votes come in throughout the month of December. This is raw fun, as far as I’m concerned. I hope for you too. What’s the point otherwise?

Take however many of your favorite releases of the year you want (up to 20, sorry; gotta draw the line somewhere) and list them below. Careful of spelling, etc. All results are tallied and will be posted on Jan. 2 with everyone’s list. It’s going to be a blast. This has been a great year for music in a wide variety of styles.

That said, whatever you want to include is welcome. Doesn’t have to be heavy, or rock, or whatever. It’s all welcome, and thank you. I can’t wait to see the results.

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Thanks for reading and taking part. Please share the link if you can.

Same rules as always: Anything from Jan. 2022 to whatever’s coming out between now and Dec. 31 is eligible. If something is out digitally now and physical later and you want to include it, do so. Two lists are tabulated; one of the raw votes, and one in which a 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one.

If you’re not sure what counts or what to include, please know that the intent here is to be as open as possible. In all things, when you can, err on the side of inclusion. If you’re the only person who votes for a thing, so much the better to turn other people onto it.

Persistent, deep gratitude to Slevin — as always — for his efforts setting this up every year. I don’t have a lot of friends. Dude is a treasure, a scholar, and someone I love dearly.

Poll runs until Dec. 31, 2022. Results go up Monday, Jan. 2, 2023, along with all the individual lists.

Thank you.

Might as well say what I want to say first and in bold. That’s what it boils down to, really. Thank you.

It was 13 years ago this past weekend (I always celebrate the last weekend in January) that the esteemed Slevin, a good person and friend of long-standing even then, laid out the back end of this site in WordPress, installed the theme, registered the domain and all that. Left to my own devices, The Obelisk probably never would’ve happened. I get a lot of ideas. Very few of them ever come to fruition. Let me tell you about wanting to sell homemade specialty nut butters at the Denville Farm Market. Anyhow, 13 years after the fact, I still consider The Obelisk a work in progress, but it’s humbling to think of all it’s brought into my life. Music, people, experience.

The Obelisk colors everything I do. It’s a part of me. If I write a review and I don’t feel like I said what I wanted to say, or if there’s something I need to get caught up on, I’m intolerable. Just ask The Patient Mrs., who has watched over the last 13 years as this thing has become such a monumental piece of my everyday. I get out of bed for it. I did this morning. Even beat the alarm. It’s not always easy, and it’s not always fun — what is? — but the satisfaction I get from it is existential. I need it.

Thank you for reading. I promise you that without your support I’d probably have dropped the thread a long time ago, whereas last month I felt pretty guilty not getting posts up for a couple days before Xmas while I was doing my year-end coverage behind the scenes (gotta remember to put up a placeholder post if the same thing happens this year; a couple people mentioned the post-less days). Seeing folks on social media wearing Obelisk merch, or just liking posts and commenting, commenting here — there are comments here, you know! — sharing stuff, talking about music in the FB group, all of it is astounding. I break my ass working on it, but a lot of people work hard for a lot of things. I recognize that I am deeply, deeply fortunate to have the community support I do. It means everything.

This is important to me. If it’s important to you too, even a little as a part of your day of thumbing through the internet, or if you stumbled on it because of a track premiere at some point, or whatever, any of it, thank you. It’s a small thing — a niche within a niche within a niche; a microgenre of music that just happens to also be a microcosm of sounds — but it’s become my own place where I go as much as I can, and honestly, if I told you how much time of the day I spend thinking about The Obelisk, you’d laugh.

I’ll stop soon, but bottom line is the same as the top one. Thank you.

Behrang, Slevin, Wendy, Pamela, Joseph, Suze, Cate, Vadim, all the labels and PR and everyone who sees these words. Please know your time is much appreciated.

More to come.

Love,
JJ Koczan

Welcome to 2022. If you’re here, congratulations, thanks and good luck. The future rolls forward with us, over us. If we’re lucky, good music does the same.

The poll ran a little shorter than in 2020, when it started after Thanksgiving, and it ended a day or two sooner as well, but no matter. There were still 374 lists contributed and 1,687 separate album listings. Invariably that includes duplicates, but still, quite a number for a year at least half of which was thrown down a well of plague, canceled tours and pressing delays. Thank you to everybody who added a list or a pick or two picks or 10 or anything. You made my year, I shit you not.

As ever, two polls were posted. Raw votes and points. For reference, here are the same rules that I’ve been cut and pasting for however long: You submit your list of up to 20 favorites. Anything from the start of 2020 to the finish is eligible. There are two lists, one of the raw votes, and one in which a 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one.

That’s how the magic happens. Here’s the magic:

Top 20 of 2021 — Weighted Results

1. King Buffalo, The Burden of Restlessness (542 points)
2. Monolord, Your Time to Shine (360)
3. Green Lung, Black Harvest (349)
4. Greenleaf, Echoes From a Mass (335)
5. King Buffalo, Acheron (318)
6. Domkraft, Seeds (269)
7. Mastodon, Hushed & Grim (235)
8. The Age of Truth, Resolute (218)
9. Kal-El, Dark Majesty (204)
10. High Desert Queen, Secrets of the Black Moon (199)
11. Kadavar & Elder, Eldovar: A Story of Darkness and Light (167)
12. Delving, Hirschbrunnen (160)
13. Thunder Horse, Chosen One (158)
14. Stöner, Stoners Rule (154)
15. Maha Sohona, Endless Searcher (137)
16. Hippie Death Cult, Circle of Days (124)
17. Jakethehawk, Hinterlands (121)
18. Jack Harlon & the Dead Crows, The Magnetic Ridge (117)
19. Spelljammer, Abyssal Trip (114)
20. Red Fang, Arrows (108)

Honorable Mention:
DVNE, Etemen Ænka (107)
Khemmis, Deceiver (106)
Alastor, Onwards & Downwards (104)
Heavy Temple, Lupi Amoris (104)
Plaindrifer, Echo Therapy (100)
Acid Mammoth, Caravan (97)
Blackwater Holylight, Silence/Motion (97)

Notes:

There were more in the 90s, but Acid Mammoth and Blackwater Holylight were the highest I could find and I figured that was enough. Good list. Some results here show bands campaigning, others not so much, but I’d see this list somewhere and nod agreement, so I’m not gonna fight it. In any case, the one-two seems pretty much undeniable, though the race between King Buffalo and Monolord was closer than these numbers make it appear. It wasn’t until the last week or two that The Burden of Restlessness really pulled ahead. My own list was much the same in terms of placement. For a minute there, I thought Green Lung was going to sneak into the number two spot as well.

I have to think Kadavar & Elder, Weedpecker (who were in the 80s, I think) and pretty much everything that came out last month other than King Buffalo’s Acheron was somewhat hurt by arriving late, but on the other hand I’m not going to delude myself into thinking release dates are or should be scheduled around Obelisk polls. Still, I’d have put a few of those higher, but then, there’s only so much room, isn’t there?

Top 20 of 2021 — Raw Votes

1. King Buffalo, The Burden of Restlessness (126 votes)
2. Monolord, Your Time to Shine (98)
3. Green Lung, Black Harvest (93)
4. Greenleaf, Echoes From a Mass (86)
5. King Buffalo, Acheron (78)
6. Domkraft, Seeds (71)
7. Mastodon, Hushed & Grim (57)
8. Kal-El, Dark Majesty (56)
9. The Age of Truth, Resolute (54)
10. Kadavar & Elder, Eldovar: A Story of Darkness and Light (50)
11. Stöner, Stoners Rule (44)
12. Delving, Hirschbrunnen (43)
13. Hippie Death Cult, Circle of Days (39)
13. Thunder Horse, Chosen One (39)
14. Maha Sohona, Endless Searcher (37)
14. Spelljammer, Abyssal Trip (37)
15. Jack Harlon & the Dead Crows, The Magnetic Ridge (36)
15. Red Fang, Arrows (35)
16. Jakethehawk, Hinterlands (34)
17. Acid Mammoth, Caravan (32)
17. Heavy Temple, Lupi Amoris (32)
18. Khemmis, Deceiver (31)
19. Blackwater Holylight, Silence/Motion (30)
19. Weedpecker, IV: The Stream of Forgotten Thoughts (30)
20. Alastor, Onwards & Downwards (28)

Notes:

A couple ties here so I’m nixing honorable mentions — I’m fairly certain you get the point anyway. Everything else had fewer than 28 votes, but if you want to correct me on that and go through all the lists, please know you’re welcome. As always, some discrepancies between the point system and the raw votes, but even the top three were locked in, and if you want to switch Greenleaf and King Buffalo’s Acheron on a given day depending on your mood, well, I can relate to that too. Glad to see stuff like Acid Mammoth and Hippie Death Cult do well here, ditto that Kal-El and the Delving record. It was a good year. I’m not sorry it’s over, but that doesn’t make the music and less killer.

—

All the lists submitted will follow the ‘Read More’ tag below. There are plenty of them, so dig in as you will. Thank you to everybody who submitted, to the people who shared the link, even to the bands out there hustling to get people to add them as picks. I think that’s a perfectly valid way to go. In any case, your ongoing support is very much appreciated. Thank you, about 374 times over.

And a final thank you to The Patient Mrs. and to Slevin, the former of whom indulges me daily with time to work on this site and the latter of whom I bug for shit all the time and usually feel pretty terrible about it. Both of them, suffice it to say, have better things to do, so thank you.

Lists follow. My heart goes out to whoever listed their name as three poop emojis.

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