Quarterly Review: Monkey3, Asthma Castle, The Giraffes, Bask, Faerie Ring, Desert Sands, Cavalcade, Restless Spirit, Children of the Sün, Void King

Posted in Reviews on September 30th, 2019 by JJ Koczan

quarterly review

Call two friends and tell them to tell two friends to tell two friends, because the Quarterly Review has returned. This time around, it’s 50 records front to back for Fall 2019 and there are some big names and some smaller names and a whole lot of in between which is just how I like it. Between today and Friday, each day 10 album reviews will be posted in a single batch like this one, and although by Wednesday this always means I’m totally out of my mind, it’s always, always, always worth it to be able to write about so much cool stuff. So sit tight, because there’s a lot to get through and, as ever, time’s at a premium.

Thanks in advance for keeping up, and I hope you find something you dig.

Quarterly Review #1-10:

Monkey3, Sphere

monkey3 sphere

It’s a full-on Keanu Reeves “whoa” when opening track “Spirals” kicks in on Monkey3‘s sixth album, Sphere (released by Napalm), and that’s by no means the last one on the cinematic six-tracker. The long-running Swiss mostly-instrumentalists have been consistently, persistently underappreciated throughout their career, but whether it’s the aural scope of guitar and keys in “Axis” or the swaps between intensity and sprawl in 14-minute closer “Ellipsis,” their latest work is consuming in its sense of triumph. Even the four-minute “Ida,” which seems at first like it’s barely going to be more than an interlude, finds a thread of majestic cosmic groove and rides it for the duration, while the proggy immersion of “Prism” and the harder drive of “Mass” — not to mention that shredding solo — make the middle of the record anything but a post-hypnosis dip. I won’t pretend to know if Sphere is the record that finally gets the Lausanne four-piece the respect they’ve already well deserved, but if it was, one could only say it was for good reason. Blends of heft, progressive craft, and breadth are rarely so resonant.

Monkey3 on Thee Facebooks

Napalm Records website

 

Asthma Castle, Mount Crushmore

Asthma Castle Mount Crushmore

When you call your record Mount Crushmore, you need to bring it, and much to their credit, Baltimorean sludge-rocking five-piece Asthma Castle do precisely that on their debut full-length. Issued through Hellmistress Records, the 37-minute/six-track outing is a wordplay-laced pummeler that shows as much persona in its riffing and massive groove as it does in titles like “The Incline of Western Civilization” and “The Book of Duderonomy.” Trades between early-Mastodonic twists and lumbering sludge crash add a frenetic and unpredictable feel to pieces like the title-track, while “Methlehem” trades its plod for dual-guitar antics punctuated by metallic double-kick, all the while the vocals trade back and forth between growls, shouts, cleaner shouts, the odd scream, etc., because basically if you can keep up with it, Asthma Castle wouldn’t be doing their job. One shudders to think of the amount of Natty Bo consumed during its making, but Mount Crushmore is a wild and cacophonous enough time to live up to the outright righteousness of its title. If I graded reviews, it would get a “Fuckin’ A+,” with emphasis on “fuckin’ a.”

Asthma Castle on Thee Facebooks

Hellmistress Records website

 

The Giraffes, Flower of the Cosmos

the giraffes flower of the cosmos

Some day the world will wake up and realize the rock and roll powerhouse it had in Brooklyn’s The Giraffes, but by then it’ll be too late. The apocalypse will have happened long ago, and it’ll be Burgess Meredith putting on a vinyl of Flower of the Cosmos in the New York Library as “FAKS” echoes out through the stacks of now-meaningless tomes and the dust of nuclear winter falls like snow outside the windows. The band’s tumultuous history is mirrored in the energy of their output, and yet to hear the melody and gentle fuzz at the outset of “Golden Door,” there’s something soothing about their work as well that, admittedly, “Raising Kids in the End Times” is gleeful in undercutting. Cute as well they pair that one with “Dorito Dreams” on this, their seventh record in a 20-plus-year run, which has now seen them find their footing, lose it, find it again, and in this record and songs like the masterfully frenetic “Fill up Glass” and the air-tight-tense “Like Hate” and “Romance,” weave a document every bit worthy of Mr. Meredith’s attention as he mourns for the potential of this godforsaken wasteland. Oh, what we’ll leave behind. Such pretty ruins.

The Giraffes website

The Giraffes on Bandcamp

 

Bask, III

bask iii

In the fine tradition of heavy rock as grown-up punk, North Carolina’s Bask bring progressive edge and rolling-Appalachian atmospherics to the underlying energy of III, their aptly-titled and Season of Mist-issued third album. Their foot is in any number of styles, from Baroness-style noodling to a hard twang that shows up throughout and features prominently on the penultimate “Noble Daughters II – The Bow,” but the great triumph of III, and really the reason it works at all, is because the band find cohesion in this swath of influences. They’re a band who obviously put thought into what they do, making it all the more appropriate to think of them as prog, but as “Three White Feet” and “New Dominion” show at the outset, they don’t serve any aesthetic master so much as the song itself. Closing with banjo and harmonies and a build of crash cymbal on “Maiden Mother Crone” nails the point home in a not-understated way, but at no point does III come across as hyper-theatrical so as to undercut the value of what Bask are doing. It’s a more patient album than it at first seems, but given time to breathe, III indeed comes to life.

Bask on Thee Facebooks

Season of Mist on Bandcamp

 

Faerie Ring, The Clearing

fairie ring the clearing

Listening to the weighty rollout of opening cut “Bite the Ash” on Faerie Ring‘s debut album, The Clearing (on King Volume Records), one is reminded of the energy that once-upon-a-time came out of Houston’s Venomous Maximus. There’s a similar feeling of dark energy surging through the riffs and echoing vocals, but the Evansville, Indiana, four-piece wind up on a different trip. Their take is more distinctly Sabbathian on “Lost Wind” and even the swinging “Heavy Trip” lives up to its stated purpose ahead of the chugging largesse of finisher “Heaven’s End.” They find brash ground on “The Ring” and the slower march of “Somnium,” but there’s metal beneath the lumbering and it comes out on “Miracle” in a way that the drums late in “Lost Wind” seem to hint toward on subsequent listens. It’s a mix of riff-led elements that should be readily familiar to many listeners, but the sheer size and clarity of presentation Faerie Ring make throughout The Clearing makes me think they’ll look to distinguish themselves going forward, and so their first record holds all the more potential for that.

Faerie Ring on Thee Facebooks

King Volume Records on Bandcamp

 

Desert Sands, The Ascent EP

Desert Sands The Ascent

Begun as the solo-project of London-based multi-instrumentalist/vocalist Mark Walker and presently a trio including Louis Kinder and Jonathan Walker as well, Desert Sands make their recorded debut through A Records with the three-song/half-hour The Ascent EP, a work of psychedelic existentialism that conveys its cosmic questioning even before the lyrics start, with an opening riff and rhythmic lurch to “Are You There” that seems to throw its central query into a void that either will or won’t answer. Does it? The hell should I know, but The Ascent proves duly transcendent in its pulsations as “Head Towards the Light” and 11:45 closer “Yahweh” — yeah, I guess we get there — bring drifting, languid enlightenment to these spiritual musings. The finale is, of course, a jam in excelsis and if drop-acid-find-god is the narrative we’re working with, then Desert Sands are off to a hell of a start as a project. Regardless of how one might ultimately come down (and it is, by my estimation at least, a comedown) on the question of human spirituality, there’s no denying the power and ethereal force of the kind of creativity on display in The Ascent. One will wait impatiently to see what comes next.

Desert Sands on Thee Facebooks

A Recordings on Thee Facebooks

 

Cavalcade, Sonic Euthanasia

Cavalcade Sonic Euthanasia

Say what you want about New Orleans or North Carolina or wherever the hell else, Midwestern sludge is another level of filth. To wit, the Carcass-style vocals that slice through the raw, dense riffing on “Aspirate on Aspirations” feel like the very embodiment of modern disillusion, and there’s some flourish of melodic guitar pluck there, but that only seems to give the ensuing crunch more impact, and likewise the far-back char of “Freezing in Fire” as it relates to the subsequent “Dead Idles,” as Cavalcade refute the trappings of genre in tempo while still seeming to burrow a hole for themselves in the skull of the converted. “Noose Tie” and “We Dig Our Own Graves” tell the story, but while the recording itself is barebones, Cavalcade aren’t now and never really have been so simple as to be a one-trick band. For more than a decade, they’ve provided a multifaceted and trickily complex downer extremity, and Sonic Euthanasia does this as well, bringing their sound to new places and new levels of abrasion along its punishing way. Easy listening? Shit. You see that eye on the cover? That’s the lizard people staring back at you. Have fun with that.

Cavalcade on Thee Facebooks

Cavalcade on Bandcamp

 

Restless Spirit, Lord of the New Depression

restless spirit lord of the new depression

Long Island chug-rockers Restless Spirit would seem to have been developing the material for their self-released debut album, Lord of the New Depression, over the last couple years on a series of short releases, but the songs still sound fresh and electrified in their vitality. If this was 1992 or ’93, they’d be signed already to RoadRacer Records and put on tour with Life of Agony, whose River Runs Red would seem to be a key influence in the vocals of the nine-track/39-minute offering, but even on their own, the metal-tinged five-piece seem to do just fine. Their tracks are atmospheric and aggressive and kind, and sincere in their roll, capturing the spirit of a band like Down with somewhat drawn-back chestbeating, “Dominion” aside. They seem to be challenging themselves to push outside those confines though in “Deep Fathom Hours,” the longest track at 7:35 with more complexity in the melody of the vocals and guitar, and that suits them remarkably well as they dig into this doomly take on LOA and Type O Negative and others from the early ’90s NYC underground — they seem to pass on Biohazard, which is fine — made legendary with the passage of time. As a gentleman of a certain age, I find it exceptionally easy to get on board.

Restless Spirit on Thee Facebooks

Restless Spirit on Bandcamp

 

Children of the Sün, Flowers

Children of the Sun Flowers

An eight-piece outfit based in Arvika, Sweden, which is far enough west to be closer to Oslo than Stockholm, Children of the Sün blend the classic heavy rock stylizations of MaidaVale, first-LP Blues Pills and others with a decidedly folkish bent. Including an intro, their The Sign Records debut album, Flowers, is eight track and 34 minutes interweaving organ and guitar, upbeat vibes and bluesier melodies, taking cues from choral-style vocals on “Emmy” in such a way as to remind of Church of the Cosmic Skull, though the aesthetic here is more hippie than cult. The singing on “Sunschild” soars in that fashion as well, epitomizing the lush melody found across Flowers as the keys, guitar, bass and drums work to match in energy and presence. For a highlight, I’d pick the more subdued title-track, which still has its sense of movement thanks to percussion deep in the mix but comes arguably closest to the flower-child folk Children of the Sün seem to be claiming for their own, though the subsequent closing duo of “Like a Sound” and “Beyond the Sun” aren’t far off either. They’re onto something. One hopes they continue to explore in such sünshiny fashion.

Children of the Sün on Thee Facebooks

The Sign Records on Thee Facebooks

 

Void King, Barren Dominion

void king barren dominion

Having made their debut with 2016’s There is Nothing (discussed here), Indianapolis downtrodden heavy rock four-piece Void King come back for a second go with Barren Dominion (on Off the Record Label), a title of similar theme that finds them doom riffing through massive tonality on “Burnt at Both Ends,” asking what if Soundgarden played atmospheric doom rock on “Crippled Chameleon” — uh, it would be awesome? yup — and opening each side with its longest track (double immediate points) in a clearly intended vinyl structure hell bent on immersing the listener as much as possible in the lumber and weight the band emit. Frontman Jason Kindred adds extra burl to his already-plenty-dudely approach on “Crippled Chameleon” and closer “The Longest Winter,” the latter with some harmonies to mirror those of opener “A Lucid Omega,” and the band around him — bassist Chris Carroll, drummer Derek Felix and guitarist Tommy Miller — seem to have no trouble whatsoever in keeping up, there or anywhere else on the eight-song/46-minute outing. Topped with striking cover art from Diogo SoaresBarren Dominion is deceptively nuanced and full-sounding. Not at all empty.

Void King on Thee Facebooks

Off the Record Label BigCartel store

 

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Void King to Release Barren Dominion Sept. 13; Stream “The Longest Winter”

Posted in Whathaveyou on August 7th, 2019 by JJ Koczan

void king

Last I heard from Indianapolis’ Void King, they were taking off for Europe to support their first album, There is Nothing (discussed here), alongside Louisiana’s Boudain. Good company. The four-piece will present their second record through Off the Record Label on Sept. 13 and they’re streaming the with-burl-to-spare closing track “The Longest Winter” from it now, showcasing a somewhat darker take on the heavy vibes of the prior offering. They opted to have Bongripper‘s guitarist master the thing, which will no doubt account for some of the inherent volume involved, but one way or the other, it’s a pretty fierce groove they’ve locked in. I haven’t had the chance yet to dig into the full release, but certainly what “The Longest Winter” has to offer is an encouraging argument to do so.

The PR wire brings art, gets informative, rocks out, like this:

void king barren dominion

U.S. Stoner Doom and Roll Practitioners VOID KING Releasing ‘Barren Dominion’ September 13 on Off The Record

Stoner Doom and Roll practitioners VOID KING are proud to announce the forthcoming release of sophomore album Barren Dominion on Off The Record. On Barren Dominion, the band has harnessed raw emotion and embraced a darker, heavier sound to express three years of personal and group struggles and victories.

Barren Dominion will be available for mass consumption on September 13 via voidking.bandcamp.com/ and all major digital platforms, as well as on CD. A vinyl release is planned to follow at a later date.

“At the heart of it, this record is who we are. Jason and I have been through some pretty trying times in the last couple of years and managed to rise above it all”, says guitar player Tommy Miller. “I wouldn’t go so far to call this a concept record, but there is a theme running through the entire thing.”

Barren Dominion was recorded with Bloomington, IN artist Niko Albanese, and mastered by Dennis Pleckham of Comatose studios and guitarist for the band BONGRIPPER. “We needed people working on this record that understood not just the sound that we were going for, but also the vibe that we wanted to hit. Dennis and Niko really hit that perfectly on both fronts”, says drummer of VOID KING, Derek Felix. “We talked a lot about making sure that this record was massive. Between recording the drums in an empty warehouse and having the guitar player from BONGRIPPER master the record, I would say that this album is exactly what we were looking for.”

Track Listing:
1. A Lucid Omega
2. Leftover Savages
3. Burnt At Both Ends
4. of Whip And Steed
5. Temples Made of Bone
6. Learning From The Ashes
7. Crippled Chameleon
8. The Longest Winter

Album Credits:
Recorded/Mixed – Niko Albanese
Mastering – Comatose Studios
Album Art – Soares Artwork

VOID KING is:
Derek Felix – Percussion
Chris Carroll – Bass
Jason Kindred – Vocals
Tommy Miller – Guitar

http://voidking.bandcamp.com/
https://www.facebook.com/voidkingband/
https://www.offtherecordshop.nl/

Void King, “The Longest Winter”

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Descendants of Crom III Preliminary Lineup Announced

Posted in Whathaveyou on March 4th, 2019 by JJ Koczan

descendants of crom iii banner

The first lineup announcement from Pittsburgh-based Descendants of Crom III is a doozy. The headliners are apparently still to be announced — though would anyone complain if Solace or Valkyrie headlined a night? — but between them and the likes of IrataArgusBackwoods Payback and Foghound, it’s already shaping up to be a killer three-dayer this September. Awesome to see Sun Voyager on this bill and the likes of Void King and Fox 45 getting a look. Pale Grey Lore might even have their new record out by then — Solace too, for that matter — but either way, there’s a lot here to dig immediately, and of course for this kind of announcement that’s the whole point.

They’re selling early-bird tickets this month, so you know, get out that calendar and add another one to your already-absolutely-slammed festival schedule. It’s madness, but, you know, the good kind of madness. Here’s hoping the universe doesn’t collapse between now and then.

Thus-far confirmations follow, as per social media:

descendants of crom iii poster

DESCENDANTS OF CROM III – Announces 2019 Event For Sept. 20-22; Bands Incl. VALKYRIE, BACKWOODS PAYBACK + More!

– A GATHERING OF THE HEAVY UNDERGROUND –
– SEPTEMBER 20-22, 2019 –
– STEEL CITY, USA –

The third annual DESCENDANTS OF CROM will be held once again in Pittsburgh, Pennsylvania, spanning the weekend of September 20th. The PGH underground scene of heavy rock and metal is healthy and thriving and the location is perfect. Feeding great regional bands to a hungry crowd and serving up internationally legendary fan-favorites to entice music lovers in the door to experience these amazing local artists.

Descendants of Crom came out of the gates running with the first event in 2017, becoming a strong contender among other established regional music festivals. The 2019 events begin on Friday, September 20th, with a Pre-Gala evening at Howlers, followed by two full-day events on Saturday and Sunday at Cattivo.

Shy Kennedy has once again hand-picked and curated a beautiful mixture of acts for Descendants Of Crom III. While a few more updates will complete the lineup for the full schedule of events over the weekend, a most incredible roster of bands is included today. All are invited to become part of the experience at the 2019 Pre-Gala and Weekend Events!

After all, we are all DESCENDANTS OF CROM.

Remember to visit our site www.descendantsofcrom.com and to the official event pages on Facebook!

https://www.facebook.com/events/216035832675553

Lineup so far:
Solace
Valkyrie
Argus
Irata
Backwoods Payback
Enhailer
Icarus Witch
Brimstone Coven
Foghound
Kingsnake
Sun Voyager
Witchkiss
Leather Lung
Frayle
Tines
Spacelord
Pillärs
PALE GREY LORE
Lightning Born
NIGHT VAPOR
Pyrithe
Riparian
Fox 45
Void King
Official: COMA
Action Camp
White Alice
Old Dream
Motometer

https://www.facebook.com/DescendantsOfCrom/
www.instagram.com/descendantsofcrom/
https://www.facebook.com/events/216035832675553/
www.descendantsofcrom.com/Tickets.php
http://descendantsofcrom.com

Solace, Live at Descendants of Crom 2017

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New England Stoner and Doom Fest II: More Lineup Announcements; Pre-Party Added

Posted in Whathaveyou on February 5th, 2019 by JJ Koczan

new england stoner doom festival 2019 art

It’s time to talk about the real potential of the New England Stoner and Doom Fest. No, I don’t mean the lineup. That’s awesome. You know it and I know it. I’m talking about the acronym. That’s always huge for a festival. How is it abbreviated? Think MDDF or SHoD or any of the DFs spread around the universe. These things matter.

I’ve seen NESDF tossed around for New England Stoner and Doom Fest, and that’s cool, but it’s missing the opportunity. You could have a festival abbreviated NES! Who the hell wouldn’t buy that t-shirt? I hereby cast my vote in the imaginary referendum on festival abbreviations for New England Stoner and Doom Fest to henceforth and forthwith and withhence be known as NES fest. Second the motion?

There’s reportedly one more band to be added and reportedly several in the running for that slot, so this might not be the final update before May 3-5 gets here and NES fest kicks off (see me using the acronym already?), and the lineup for a pre-party at 33 Golden St. in New London has been announced as well, which will be headlined by Fox 45, so, you know, more of a good thing and all that.

The full lineup as has been revealed follows. Note the Wretch reunion. NES fest!

New England Stoner & Doom Fest II

The New England Stoner and Doom Festival will make its return in 2019 on May 3,4, and 5 at Altones in Jewett City, CT.

Earthride
Brimstone Coven
Wretch
Kings Destroy
+1 TBA
Foghound
Pale Divine
Vessel of Light
Spiral Grave
Solace
Black Road
Curse the Son
Shadow Witch
Hell Camino
Clamfight
Eternal Black
Thunderbird Divine
Stonecutters
When the Deadbolt Breaks
Mourn the Light
Entierro
Bone Church
Buzzard Canyon
The Age of Truth
Void King
Horseburner
Scuzzy Yeti
Witchkiss
Cortez
Benthic Realm
Faith in Jane
Conclave
Set Fire
3 Parts Dead
Insano Vision
Old Earth Analog
Pinto Graham
The Stone Eye
Sentinel Hell

Pre-party @ 33 Golden St.:
Fox 45
VRSA
Dark Ritual
Owl Maker
Feed the Beast

www.newenglandstoneranddoomfest.com
https://www.facebook.com/events/1613285008788252/
https://www.facebook.com/NewEnglandStonerAndDoomFest/
https://www.saltoftheearthrecords.com/

Wretch, Bastards Born (2017)

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Void King and Boudain Touring Europe this Month

Posted in Whathaveyou on October 3rd, 2017 by JJ Koczan

You’re just going to have to take my word for it when I say I don’t mean this as condescendingly as it might sound: but I think it’s fucking awesome that Void King and Boudain are teaming up for European tour dates. Seriously. If either band winds up seeing this post, good for you guys. Way to live the fucking dream, get off your asses and make it happen.

The Indiana and Louisiana-based acts will head out beginning in Den Haag on Oct. 26 and make their way around Belgium and Germany en route to Kampen, back in the Netherlands, for the Off the Record Festival on Nov. 4. No question the fest is the occasion/impetus behind the tour, since both bands head abroad supporting 2016 releases that came out through Off the Record Label, and while it’s not the longest run, and they’re not the biggest bands in the world, for every US-based group I’ve ever had talk to me about how perfect life would be if only they could get over to Europe and do shows, it’s awesome to see two bands actually putting it together like this. Warms my heart. I mean it.

Info from the PR wire:

void-king-boudain-tour-poster

VOID KING / BOUDAIN to Launch European Tour in October

Indiana’s VOID KING and Louisiana’s BOUDAIN will embark on a European Tour in late October. The Stoner Rock Double Threat will perform in The Netherlands, Germany, and Belgium, including Kampen’s (NL) Off The Record Festival. Tour dates are below.

Oct. 26 – The Hague, Netherlands @ Vereniging de vinger
Oct. 27 – Wommelgem, Belgium @ JH Wommel
Oct. 28 – Antwerp, Belgium @ Kid’s Rhythm ‘n Blues Kaffee
Oct. 29 – Osnabrük, Germany @ Dirty Dancing
Nov. 2 – Gouda, Netherlands @ StudioGonz
Nov. 3 – Arnhem, Netherlands @ Brigant
Nov. 4 – Kampen, Netherlands @ Off The Record Festival

If there is nothing, as we have long suspected, then let the Void take us there. Let the volume of the oncoming storm compel us forward, into what can only be considered to be our one true calling; to praise the riff.

Void King is:
Derek Felix – drums
Chris Carroll – bass guitar.
Jason Kindred – voice.
Tommy Miller – electric guitar.

BOUDAIN’s Way of the Hoof is a storm of Space, Pork, and Riffs! Recorded at SpaceLab 420 studios, the follow-up to the band’s 2013 EP is perfect for anyone who enjoys the kind of groove that makes you want to smoke out, grill out, and chill with the swine.

Boudain is:
Brian Lenard – guitar
Chris Porter – bass/vocals
David Karakash – guitars
Stephen Jester – drums

http://voidking.bandcamp.com/
https://www.facebook.com/voidkingband/
twitter.com/_VoidKing
https://boudain.bandcamp.com/
https://www.facebook.com/boudainla/
https://twitter.com/Boudainmusic

Void King, There is Nothing (2016)

Boudain, Way of the Hoof (2016)

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Void King Perform There is Nothing in Full in New Video

Posted in Bootleg Theater on August 30th, 2016 by JJ Koczan

void king

It’s amazing more bands don’t do this. What does it take — a couple friends with DSLRs and some rehearsal? Indianapolis four-piece Void King, who just released their debut album, There is Nothing, on CD via Off the Record, have posted a new live clip of them playing the record front to back from a (relatively) recent hometown gig that served as the release show for the tape version (given away here). And yeah, the concert DVD has kind of gone the way of network television — still there, but rarely breaking new ground — but something like this, for the effort of getting a few cameras together, booking a space, and editing to a rhythm, Void King have managed to capture in its entirety a pivotal moment for the band.

I mean that. We live in a multimedia age. One tends to think of albums as documents charting a given act’s growth. Why can’t live videos be the same thing? Throw them up on YouTube, sell burnt DVDRs at the merch table if you want, but even if the number of people willing to shell out for such a thing is limited and the number of people who are going to sit through all 47 minutes of the video and watch it front to back is limited, if you were a band, wouldn’t you want to have that document? Even if it was something you never looked at again when it was done, why wouldn’t you want that behind you as you continued to move forward?

Of course, Void King rose to the occasion of the tape’s public arrival, as you can see for yourself. They reportedly have vinyl in the works for There is Nothing as well — as the PR wire says under the video — so this may not be the last release show they play for their debut.

Enjoy:

Void King, There is Nothing Live in Indianapolis, July 16, 2016

Indianapolis Stoner Rockers VOID KING have released a video of the band performing new album There is Nothing in its entirety. The performance was captured by Heavenridge Films during VOID KING’s Cassette Release Show July 16 at the 5th Quarter in Indianapolis. Live audio is courtesy of Niko Albanese.

There is Nothing is out today on CD format via Off The Record. A vinyl LP version is also in the works.

The monstrously riff-tastic There is Nothing was released earlier this summer on digital format.

Track Listing:
1. Skull Junkie
2. Raise the Flags on Fire
3. Brandy Knew
4. Canyon Hammer
5. Healing Crisis
6. Box of Knives
7. Release the Hawks
8. That Was Not An Owl (DFI)

VOID KING is:
Derek Felix – Percussion
Chris Carroll – Bass
Jason Kindred – Vocals
Tommy Miller – Guitar

Void King on Bandcamp

Void King on Thee Facebooks

Void King at Shiny Beast Mailorder

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Void King Announce There is Nothing CD Release

Posted in Whathaveyou on August 16th, 2016 by JJ Koczan

void king

In under two weeks’ time, Indianapolis burl rockers Void King will issue their debut album, There is Nothing, on CD via Off the Record. It had previously been available digitally and on tape, and I for one have yet to look at the title and not think of what was easily the best scene in the 2012 film Prometheus, in which the corporate manipulator Peter Weyland says to the android David, “There’s nothing,” as he’s dying, only to have David answer back with a sort of glib C-3PO-style courtesy, “I know. Have a good journey, Mr. Weyland.” Brilliant scene in an otherwise mediocre movie. I don’t know if that’s where Void King got the title from, but that’s certainly where my head takes it.

The album has been streaming for a while now, and you can partake below if you’re so inclined. Preorders for the CD are also available, as the PR wire informs:

void king there is nothing

VOID KING to Release ‘There is Nothing’ on CD via Off the Record

Indianapolis Stoner Rockers VOID KING will release There is Nothing on CD format August 26 through Off The Record. Pre-orders are available at this location. A vinyl LP version is also in the works. Stay tuned!

VOID KING recently released the monstrously riff-tastic There is Nothing on digital format. Stream/Purchase: https://voidking.bandcamp.com/album/there-is-nothing

There is Nothing is also available in limited edition cassette format (both green and red versions) at this location. Tape purchases come with a free MP3 download of the album.

There is Nothing was recorded by Carl Byers of Clandestine Arts Recording. The artwork was created by Maia (aka “The Glitch Witch”).

Track Listing:
1. Skull Junkie
2. Raise the Flags on Fire
3. Brandy Knew
4. Canyon Hammer
5. Healing Crisis
6. Box of Knives
7. Release the Hawks
8. That Was Not An Owl (DFI)

VOID KING is:

Derek Felix – Percussion
Chris Carroll – Bass
Jason Kindred – Vocals
Tommy Miller – Guitar

http://voidking.bandcamp.com/
https://www.facebook.com/voidkingband/
twitter.com/_VoidKing
http://www.shinybeast.nl/item/435920/void_king_there_is_nothing.html

Void King, There is Nothing (2016)

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GIVEAWAY: Enter to Win Void King’s There is Nothing Tape

Posted in Features on August 4th, 2016 by JJ Koczan

void king there is nothing tape-700

[TO ENTER GIVEAWAY: Leave a comment on this post with your email address in the form. Specify whether you prefer the green or red tape. You’ll be contacted at that address if you win.]

Go ahead and enter now to be considered for a free copy of Indianapolis stoner metallers Void King‘s debut album, There is Nothing. The burly full-length is out now in limited numbers on red or green cassette, and one winner will be selected to receive the color of their choosing. There are only so many of these to go around, so if you want it, get in on the giveaway now. My understanding is they only made 30 copies available to the public.

The album itself was released back in June and you can get a taste of its riffy heft by streaming it in full below. Please note that, as ever, no personal information from anyone who enters will be kept or sold or anything like that. I don’t have time for that kind of shady shit even if I was remotely interested.

Ever trusty, the PR wire sent over the particulars for the album. Thanks to Void King and Clawhammer PR for letting me host the giveaway:

void king there is nothing-700

Indianapolis Stoner Rockers VOID KING have just released one Hell of a riff-tastic album in There is Nothing. Get your riff by visiting the following link to stream and/or order the album: https://voidking.bandcamp.com/album/there-is-nothing

There is Nothing is also available in limited edition cassette format (both green and red versions) at this location. Tape purchases come with a free MP3 download of the album.

There is Nothing was recorded by Carl Byers of Clandestine Arts Recording. The artwork was created by Maia (aka “The Glitch Witch”).

Track Listing:
1. Skull Junkie
2. Raise the Flags on Fire
3. Brandy Knew
4. Canyon Hammer
5. Healing Crisis
6. Box of Knives
7. Release the Hawks
8. That Was Not An Owl (DFI)

VOID KING is:
Derek Felix – Percussion
Chris Carroll – Bass
Jason Kindred – Vocals
Tommy Miller – Guitar

[TO ENTER GIVEAWAY: Leave a comment on this post with your email address in the form. Specify whether you prefer the green or red tape. You’ll be contacted at that address if you win.]

Void King, There is Nothing (2016)

Void King on Bandcamp

Void King on Thee Facebooks

Void King on Twitter

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