Astral Witch Premiere “Embodied” Video from Self-Titled LP

Posted in Bootleg Theater on April 17th, 2020 by JJ Koczan

astral witch

Featured as the second track on  Writing Literature Papers - Write a quick custom term paper with our assistance and make your teachers amazed Best HQ academic services provided by top Astral Witch‘s soon-to-be-issued-on-vinyl 2018 self-titled debut, the cut ‘Embodied’ began its life as — well, probably as a riff, since that’s how these things go — but also as “Embodied by the Stars” from the Hamilton, Ontario, three-piece’s 2015  research methods qualitative Phd Thesis Report On Sanitations order system thesis cotton dissertation Bang-Over EP. The later incarnation, is longer, slower and somewhat clearer — though both it and the record it comes from want nothing for a blown-out sensibility — and with  get more's profile on Trulia. Assignment Doer works in Lake Worth, TX. Find the best real estate agents in 76135 on Trulia. DHU Records in the Netherlands and Its no secret that Academized.com offer the best cheap essay writing service. Our website believes in providing a good value for money service. Place your Fuzzed and Buzzed in Toronto standing behind the LP edition of  master thesis business intelligence Best news dissertation service business continuity plan help desk Astral Witch‘s  how to write research paper in management Tinkers http://www.coogansbluff.de/?certificate-of-assignment-san-bernardino antje petzold dissertation mit sloan essays Astral Witch in the requisite limited and oh-so-FOMO-able numbers as they are, the revision the band works only highlights how purposeful the abiding rawness of their debut actually is, and how much that rawness becomes a part of their aesthetic throughout. It sounds rough because it wants to and it wants to sound rough because it does.

The PR wire — blessings and peace upon it — calls them “occult space grunge,” which is brilliant enough to quote directly, the way I see it. I’m not sure I 100 percent agree on the “space” front, but if you want to sit here with me for half an hour and split hairs between what makes something space-doom and what makes it cosmic-doom, we can do that. I’m on quarantine lockdown — I’ve got the time. If, however, you’d prefer to spend your next six minutes in inevitably more constructive fashion, you’ll find the video for “Embodied” premiering below to highlight the fact that preorders are going live for the vinyl from all three parties involved — both labels and the band — tomorrow, April 18. The details of who gets what version of the album are below that, mostly because I think they’re interesting, and I’ve included the full stream of  How To Write A Short Story Essay. Ranked #1 by 10,000 plus clients; for 25 years our certified resume writers have been developing compelling Astral Witch from the band’s Bandcamp too, because I know that after I heard “Embodied,” I wanted more, and hearing the direct lyrical juxtaposition between “Embodied” and “Love,” which follows, is definitely worth the additional effort it takes to, say, click another thing.

Rumble, grit, attitude and mastering by  Help On My Essay - work with our scholars to receive the excellent coursework following the requirements receive the required review here and put Tony Reed. Some bands have it all.

Please enjoy:

Astral Witch, “Embodied” official video premiere

Occult space grungers Astral Witch release their debut album on wax via Fuzzed and Buzzed Records in North America and DHU in Europe.

Sounding like a Sabbath worshipping L7 or Babes In Toyland, these Babes in Doomland bring the heavy on the vinyl version of their debut mastered by the legendary Tony Reed the mastering master of Mos Generator fame.

The wax comes in three different colorways including the Band edition, the DHU edition and the Fuzzed and Buzzed edition.

Pre-orders will be on April 18 at Noon EST and 6pm CEST from fuzzedandbuzzed.com in North America and darkhedonisticunionrecords.bigcartel.com in Europe or straight from the band https://astralwitch.bandcamp.com/

Side A:
A1. Rune
A2. Embodied
A3. Love
A4. Blood III

Side B:
B1. Black Denim
B2. 86ed
B3. Witch Knife

Our academic Homework Packets For Kindergarten service company is the one responsible for the quality of your essay papers. We guarantee a premium one. Visit our site to order DHU Records Edition
Limited to 100 copies
Single sleeve w/ 3mm spine
Black flood inside
Full color double sided insert
Black polylined innersleeve
DHU Bside label
A3 poster by Shane Horror
Comes on Bone/Black Aside/Bside 12″ vinyl

When the need arises to Read More Here, care should be taken to ensure that you get only from a reliable source that can promise a positive result Astral Witch Edition
Limited to 100 copies
Single sleeve w/ 3mm spine
Black flood inside
Full color double sided insert
Black polylined innersleeve
Astral Witch Bside label
A3 poster by Shane Horror
Comes on Purple/Black Aside/Bside 12″ vinyl

essay writing examples introduction How To Write Conclusion For Dissertation cv writing services vancouver essay writing service reviews Fuzzed and Buzzed Edition
Limited to 100 copies
Single sleeve w/ 3mm spine
Black flood inside
Full color double sided insert
Black polylined innersleeve
Fuzzed and Buzzed Bside label
A3 poster by Shane Horror
Comes on Green w/ Black Smoke 12″ vinyl

Astral Witch are:
Alyssa – vox/guitar
Jon – vox/bass
Jen – drums/vox

Astral Witch, Astral Witch (2018)

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Astral Witch on Instagram

Astral Witch on Bandcamp

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Witchrot Premiere “Strega” From 8″ Single out June 12

Posted in audiObelisk on April 3rd, 2020 by JJ Koczan

witchrot

With the premiere of its title-track, the new two-songer proposal and dissertation help gantt chart http://www.nutritiamea.ro/?about-essay-writing dissertation sur le cinema dissertation que desire t on Strega from Toronto doom-drifters The http://www.nexusinstitut.de/revise-my-essay-for-me/, which is started under the user account with SYSDBA privileges, runs separately from the database instance. Witchrot is streaming in its entirety. By that I mean the other song was already streaming.

The release, cartoon-boobs cover and all, will see issue as an 8″ single — that’s right: “it’s one more, innit?” — through the cross-ocean partnership between Toronto’s  The Solution? doctoral dissertation assistance qualitative. Unlike in the recent past, do my homework for me requests are exceedingly becoming more acceptable. This trend is directly favored by rising numbers of people who are working as they study. In such cases students get overwhelmed with responsibilities that overrun their schedule. Fuzzed and Buzzed Records and the Netherlands’  We propose Define Personal Essay in UK to help undergraduate. Our cheap price assignment help services are renowned due to online writing quality. DHU Records, and to be sure, it puts that extra inch above the standard to good use. With a total 13-minute runtime, “Strega” and “Hey Hey My My” dwell in a realm of hypnotic riffy largesse. With the guitar and bass of  Peter Turik clearly attuned toward maximum density, drummer Shane Tyrer brings forth a slow march on the B side after conjuring a pointed thud on the leadoff, in both cases giving Lea Reto a not-at-all-missed opportunity to cut through the morass as only melody can.

For added intrigue, not only does Reto do this, but she plays into the hypnotic aspects of both tracks almost entirely, patterning lyrics around a few repeating lines rather than whole verses and choruses. “Strega” is just “La strega/Hit me with her evil eye” — though certainly there’s a story behind it, as you can see in the quote from Turik below — and even “Hey Hey My My,” which derives straight from Neil Young, chooses one of the most distinctive progressions of his long career and reinterprets it as almost a religious chant. The attempt isn’t to turn it into the stuff of cult rock cliché — despite the fact that the band have “witch” in their name, I don’t actually get much of that kind of “I’m a spooky supernatural being and I live in the woods” vibe, thankfully — and neither does it need to be. Witchrot are plainly able to conjure the ethereal without hyperperformance of genre tropes. All they need are the riffs, and clearly they have those.

One would be tempted to call Strega deceptively memorable if there were anything deceptive about it. Rather, Witchrot are up front about what they’re doing and ask little indulgence on the listener’s part other perhaps than a definitely-earned nod along. So get to it.

Enjoy “Strega” below, followed by a few words from Turik about the song, and “Hey Hey My My” under that, for completeness’ sake:

Peter Turik on “Strega”:

This song was recorded at Candle Studio by Dylan Frankland. He has become the ultimate behind-the-scenes man for our band. He always knows what works and what doesn’t. Of course Lea belted it all out on this track with minimal effort. There is never a time when she goes into the studio with something set, she is in a constant state of experimentation.

I wrote this song about an encounter my Nono had with a witch back in Italy. She asked him for a ride on his donkey and when he denied she cursed him with some sort of paralysis. Apparently he was bed ridden for weeks and nearly died. His family eventually had to get another witch to reverse the spell.

DHU Records is releasing the song on a special edition 8″ vinyl with our Neil Young cover as the B side. So heavy a 7″ wouldn’t cut it! We also had a tour planned for May which would have been our first time heading to the USA, as of now I can only imagine that will be postponed. Along with that, Fuzzed and Buzzed was going to help us finish recording our first full-length. Of course that will be put off as well.

The state of the world is completely fucked up right now and I can only hope that there is a way to reverse this curse laid upon us.

It seems we’re doomed. Time will tell.

Stay safe… stay heavy.

Witchrot are:
Lea Reto – Vox
Peter Turik – Guitar/Bass
Shane Tyrer – Drums

Witchrot, “Hey Hey My My”

Witchrot on Thee Facebooks

Witchrot on Instagram

Witchrot on Bandcamp

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Fuzzed and Buzzed Records on Instagram

Fuzzed and Buzzed Records store

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Quarterly Review: Slift, IIVII, Coogans Bluff, Rough Spells, Goblinsmoker, Homecoming, Lemurian Folk Songs, Ritual King, Sunflowers, Maya Mountains

Posted in Reviews on March 26th, 2020 by JJ Koczan

quarterly review

Thursday. Everyone doing well? Healthy? Kicking ass? Working from home? There seems to be a lot of that going around, at least among the lucky. New Jersey, where I live, is on lockdown with non-essential businesses shuttered, roads largely empty and all that. It can be grim and apocalyptic feeling, but I’m finding this Quarterly Review to be pretty therapeutic or at least helpfully distracting at a moment when I very much need something to be that. I hope that if you’re reading this, whether you’ve been following along or not, it’s done or can do the same for you if that’s what you need. I’ll leave it at that.

Quarterly Review #31-40:

Slift, Ummon

slift ummon

The second album from French space/psych trio Slift is a 72-minute blowout echoshred epic — too aware not to be prog but too cosmic not to be space rock. Delivered through Stolen Body Records and Vicious Circle, Ummon is not only long, it speaks to a longer term. It’s not an album for this year, or for this decade, or for any other decade, for that matter. It’s for the ongoing fluid now. You want to lose yourself in the depths of buzz and dreamy synth? Yeah, you can do that. You want to dig into the underlying punk and maybe a bit of Elder influence in the vocal bark and lead guitar shimmer of “Thousand Helmets of Gold?” Well hell’s bells, do that. The mega-sprawling 2LP is a gorgeous blast of distortion, backed by jazzy, organic drum wud-dum-tap and the bass, oh, the bass; the stuff of low end sensory displacement. Amid swirls and casts of melodic light in “Dark Was Space, Cold Were the Stars,” Slift dilate universal energy and push beyond the noise wash reaches of “Son Dong’s Cavern” and through the final build, liftoff and roll of 13-minute closer “Lions, Tigers and Bears” with the deft touch of those dancing on prior conceptions. We’d be lucky to have Ummon as the shape of space rock to come.

Slift on Thee Facebooks

Stolen Body Records store

Vicious Circle Records store

 

IIVII, Grinding Teeth/Zero Sleep

Two LPs telling two different stories released at the same time, Grinding Teeth/Zero Sleep (on Consouling Sounds) brings Josh Graham‘s aural storytelling to new cinematic reaches. The composer, guitarist, synthesist, programmer, visual artist, etc., is joined along the way by the likes of Jo Quail, Ben Weinman (ex-The Dillinger Escape Plan), Dana Schecter (Insect Ark), Sarah Pendleton (ex-SubRosa) and Kim Thayil (Soundgarden) — among others — but across about 90 minutes of fluidity, Graham/IIVII soundtracks two narratives through alternatingly vast and crushing drone. The latter work is actually an adaptation from a short sci-fi film about, yes, humanity losing its ability to sleep — I feel you on that one — but the former, which tells a kind of meth-fueled story of love and death, brings due chaos and heft to go with its massive synthesized scope. Josh Graham wants to score your movie. You should let him. And you should pay him well. And you should let him design the poster. And you should pay him well for that too. End of story.

IIVII on Thee Facebooks

Consouling Sounds store

 

Coogans Bluff, Metronopolis

coogans bluff metronopolis

Following the initial sax-laden prog-rock burst and chase that is opener “Gadfly,” Berlin’s Coogans Bluff bring a ’70s pastoralia to “Sincerely Yours,” and that atmosphere ends up staying with Metronopolis — their fifth album — for the duration, no matter where else they might steer the sound. And they do steer the sound. Sax returns (as it will) in the jabbing “Zephyr,” a manic shred taking hold in the second half accompanied by no-less-manic bass, and “Creature of the Light” reimagines pop rock of the original vinyl era in the image of its own weirdness, undeniably rock but also something more. Organ-inclusive highlight “Soft Focus” doesn’t so much touch on psychedelics as dunk its head under their warm waters, and “The Turn I” brings an almost Beatlesian horn arrangement to fruition ahead of the closer “The Turn II.” But in that finale, and in “Hit and Run,” and way back in “Sincerely Yours,” Coogans Bluff hold that Southern-style in their back pocket as one of several of Metronopolis‘ recurring themes, and it becomes one more element among the many at their disposal.

Coogans Bluff on Thee Facebooks

Noisolution store

 

Rough Spells, Ruins at Midday

rough spells ruins at midday

An underlying current of social commentary comes coated in Rough Spells‘ mysticism on Ruins at Midday, the Toronto unit’s second LP. Recorded by Ian Blurton and presented by Fuzzed and Buzzed and DHU Records, the eight-track LP has, as the lyrics of “Chance Magic” say, “No bad intentions.” Indeed, it seems geared only toward eliciting your participation in its ceremony of classic groove, hooks and melodies, even the mellow “Die Before You Die” presenting an atmosphere that’s heavy but still melodic and accessible. “Grise Fiord” addresses Canada’s history of mistreating its native population, while “Pay Your Dues” pits guitar and vocal harmonics against each other in a shove of proto-metallic energy to rush momentum through side B and into the closing pair of the swaggering “Nothing Left” and the title-track, which is the longest single cut at five minutes, but still keeps its songwriting taut with no time to spare for indulgences. In this, and on several fronts, Ruins at Midday basks in multifaceted righteousness.

Rough Spells on Thee Facebooks

Fuzzed and Buzzed store

DHU Records store

 

Goblinsmoker, A Throne in Haze, A World Ablaze

goblinsmoker a throne in haze a world ablaze

Upside the head extreme sludgeoning! UK trio Goblinsmoker take on the more vicious and brutal end of sludge with the stench of death on A Throne in Haze, A World Ablaze (on Sludgelord Records), calling to mind the weedian punishment of Belzebong and others of their decrepit ilk. Offered as part two of a trilogy, A Throne in Haze, A World Ablaze is comprised of three tracks running a caustic 26 minutes thick enough such that even its faster parts feel slow, a churning volatility coming to the crash of “Smoked in Darkness” at the outset only to grow more menacing in the lurch of centerpiece “Let Them Rot” — which of course shifts into blastbeats later on — and falling apart into noise and echoing residual feedback after the last crashes of “The Forest Mourns” recede. Beautifully disgusting, the release reportedly furthers the story of the Toad King depicted on its cover and for which the band’s prior 2018 EP was named, and so be it. The lyrics, largely indecipherable in screams, are vague enough that if you’re not caught up, you’ll be fine. Except you won’t be fine. You’ll be dead. But it’ll be awesome.

Goblinsmoker on Thee Facebooks

Sludgelord Records on Bandcamp

 

Homecoming, LP01

homecoming lp01

Progressive metal underpins French trio Homecoming‘s aptly-titled first record, LP01, with the guitars of second cut “Rivers of Crystal” leading the way through a meandering quiet part and subsequent rhythmic figure that reminds of later Opeth, though there’s still a strong heavy rock presence in their tones and grooves generally. It’s an interesting combination, and all the more so because I think part of what’s giving off such a metal vibe is the snare sound. You don’t normally think of a snare drum determining that kind of thing, but here we are. Certainly the vocal arrangements between gruff melodies, backing screams and growls, etc., the odd bit of blastbeating here and there, bring it all into line as well — LP01 is very much the kind of album that would title its six-minute instrumental centerpiece “Interlude” — but the intricacy in how the nine-minute “Return” develops and the harmonies that emerge early in closer “Five” tell the tale clearly of Homecoming‘s ambitions as they move forward from this already-ambitious debut.

Homecoming on Thee Facebooks

Homecoming on Bandcamp

 

Lemurian Folk Songs, Logos

lemurian folk songs logos

Tracked in the same sessions as the Budapest outfit’s 2019 album, Ima (review here), it should not come as a major surprise that the six-track/49-minute Logos from Lemurian Folk Songs follows a not entirely dissimilar course, bringing together dream-drift of tones and melodies with subtle but coherent rhythmic motion in a fashion not necessarily revolutionary for heavy psych, but certainly well done and engaging across its tracks. The tones of guitar and bass offer a warmth rivaled only by the echoing vocals on opener/longest cut (immediate points) “Logos,” and the shimmering “Sierra Tejada” and progressively building “Calcination” follow that pattern while adding a drift that is both of heavy psych and outside of it in terms of the character of how it’s played. None of the last three tracks is less than eight minutes long — closer “Firelake” tops nine in a mirror to “Logos” at the outset, but if that’s the band pushing further out I hear, then yes, I want to go along for that trip.

Lemurian Folk Songs on Thee Facebooks

Para Hobo Records on Bandcamp

 

Ritual King, Ritual King

ritual king ritual king

Progressive heavy rockers Ritual King display a striking amount of grace and patience across their Ripple Music-issued self-titled long-player. Tapping modern influences like Elder and bringing their own sense of melodic nuance to the proceedings across a tightly-constructed seven songs and 42 minutes, the three-piece of vocalist/guitarist Jordan Leppitt, bassist Dan Godwin — whose tone is every bit worthy of gotta-hear-it classification — and drummer/backing vocalist Gareth Hodges string together linear movements in “Headspace” and “Dead Roads” that flow one into the next, return at unexpected moments or don’t, and follow a direction not so much to the next chorus but to the next statement the band want to make, whatever that might be. “Restrain” begins with a sweet proggy soundscape and unfolds two verses over a swaying riff, then is gone, where at the outset, “Valleys” offers grandeur the likes of which few bands would dare to embody on their third or fourth records, let alone their first. Easily one of 2020’s best debuts.

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Ripple Music on Bandcamp

 

Sunflowers, Endless Voyage

sunflowers endless voyage

You know what? Never mind. You ain’t weird enough for this shit. Nobody’s weird enough for this shit. I have a hard time believing the two souls from Portugal who made it are weird enough for this shit. Think I’m wrong? Think you’re up for it and you’re gonna put on SunflowersEndless Voyage and be like, “oh yeah, turns out mega-extreme krautrock blasted into outer space was my wavelength all along?” Cool. Bandcamp player’s right there. Have at it. I dare you.

Sunflowers on Thee Facebooks

Stolen Body Records store

 

Maya Mountains, Era

maya mountains era

Italian heavy rockers Maya Mountains formed in 2005 and issued their debut album, Hash and Pornography, through Go Down Records in 2008. Era, which follows a narrative about the title-character whose name is given in lead cut “Enrique Dominguez,” who apparently travels through space after being lost in the desert — as one does — and on that basis alone is clearly a more complex offering than its predecessor. As to where Maya Mountains have been all the time in between records — here and there, in other bands, etc. But Era, at 10 tracks and 44 minutes, is the summation of five years of work on their part and its blend of scope and straight-ahead heavy riffing is welcome in its more heads-down moments like “Vibromatic” or in the purposefully weirder finale “El Toro” later on. Something like a second debut for the band after being away for so long, Era at very least marks the beginning of a new one for them, and one hopes it continues in perhaps more productive fashion than the last.

Maya Mountains on Thee Facebooks

Go Down Records store

 

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Häxan: Debut Album Aradia Preorders Start Tomorrow

Posted in Whathaveyou on March 13th, 2020 by JJ Koczan

haxan

The latest pickup for collaboration between Fuzzed and Buzzed Records in Canada and DHU Records in Europe is Häxan, a Toronto-based four-piece whose debut album, Aradia, is set to come out on April 11 with preorders going live, oh, how’s tomorrow sometime in the afternoon sound? That work for you? Good. We’ll roll with that. I haven’t heard the full release, but the track “Baba Yaga” is streaming below and is right on in its balance between raw classic doom and cultish-style melody. The album was produced by Alia O’Brien of Blood Ceremony, and of course Häxan complete the trilogy of artists whose releases will have been backed by Fuzzed and Buzzed after appearing on the label’s ambitious 7″ compilation The Altar Box — the other two being Astral Witch and Rough Spells. Clearly working on a theme.

Three different versions of the record being pressed. Dare you to collect ’em all:

haxan aradia

Fuzzed and Buzzed & DHU present Aradia the debut album by hex groovers Häxan

Heavy groove hexers Häxan release their debut album Aradia on Fuzzed and Buzzed Records in North America and DHU in Europe.

Produced by the high goddess of heavy enchantment Alia O’Brien from Blood Ceremony, Aradia is the grooviest hipshakinest story of a Tuscan witch ever committed to wax.

That wax comes in three different colorways including the Band edition, the DHU edition and the Fuzzed and Buzzed edition.

Pre-orders will be on Mar 14 at Noon EST and 5pm CEST from fuzzedandbuzzed.com in North America and darkhedonisticunionrecords.bigcartel.com in Europe or straight from the band haxanto.bandcamp.com/ who will release Aradia digitally that same day.

Aradia will officially drop on wax on April 11 with a celebratory party that includes special guests epic dume metallers Smoulder (https://smoulder.bandcamp.com/) celebrating the release of their latest EP Dream Quest Ends and beats & riffs party doomers NLP (https://nlpmusic.bandcamp.com/).

Party details can be found here: https://www.facebook.com/events/monarch-tavern/aradia-record-release-h%C3%A4xan-smoulder-nlp/622294925225623/

Häxan are:
Kayley Bomben – Vocals
Paul Colosimo – Lead guitar
Eric Brauer – Bass
Paul Ciuk – Drums

https://www.facebook.com/Haxantoronto/
https://www.instagram.com/haxanto/
https://haxanto.bandcamp.com/
https://www.facebook.com/Fuzzedandbuzzed-631019733954614/
https://www.instagram.com/fuzzedandbuzzed/
https://www.fuzzedandbuzzed.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Häxan, “Baba Yaga”

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Rough Spells to Release Ruins at Midday LP March 7

Posted in Whathaveyou on February 14th, 2020 by JJ Koczan

rough spells

Originally released by the band last year and still up as a name-your-price download on their Bandcamp (see below), the Ian Blurton-recorded debut album from Toronto heavy-’70s-meets-heavy-’10s-style cultish rockers Rough SpellsRuins at Midday, will see vinyl release through Fuzzed and Buzzed Records in cooperation with European imprint DHU Records. You might recall the two labels aligned previously behind the Astral Witch LP, and Rough Spells won’t be their final collaboration either, as Fuzzed and Buzzed informs below its intention to release full-lengths from all the bands included in its The Altar Box 7″ collection, which included Rough SpellsAstral Witch and Häxan in a gorgeously realized ambitious first release for the Canadian label (which they’ve since followed with the more glam-minded The Powder Box). So there’s one more to go, and then who knows.

March 7 is  the exact release date for the vinyl, and there’s a release party with Lousy Riders and Witchrot that is a thing that’s happening, and everyone knows happening things are where it’s at.

Behold:

rough spells ruins at midday

Fuzzed and Buzzed and DHU present Ruins At Midday the debut album by witch ‘n rollers Rough Spells

After the successful release last year of The Altar Box featuring Rough Spells, Häxan and Astral Witch, Fuzzed and Buzzed will be co-releasing with DHU Records in Europe, debut albums by each of these bands.

The first will be the Rough Spells full length LP Ruins At Midday.

Check it out here:
https://roughspells.bandcamp.com/album/ruins-at-midday

Ruins At Midday will be released on March 7 with a celebratory party including special guests Lousy Riders (https://lousyriders.bandcamp.com/) and Witchrot (https://witchrot.bandcamp.com/)

Party details can be found here: https://www.thedrake.ca/events/rough-spells-album-release-party/?date=2020-03-07

Womb doom witch ‘n rollers Rough Spells present a night of occult riffs and ritual delights as they celebrate the release of their debut album Ruins At Midday, a co-release of up and coming local label Fuzzed and Buzzed Records and dark hedonistic European label DHU Records. Joining Rough Spells on their journey to the center of the mystical mind are diabolical local Doom duo Lousy Riders and the seventh best band of all time (narrowly pushing the Beatles out of the top ten) Witchrot. This is an early show, so be there on time to brew the cauldron, take the potion and ready the brooms to fly off into the midnight witching hour.

With a successful EP and a forthcoming hit album, Rough Spells blast out of Toronto by way of Montreal, Vancouver and the Maritimes with a sound best described as Heart fronted by Stevie Nicks.

Already notorious for an Instragram band breakup post that went viral, Witchrot are now set to capture infamy with their killer combo of ethereal vocals, crushing riffs and heavy bottom end dredged up from your local graveyard.

Hailing from Eastern Europe, Lousy Riders are here to drop an Iron Curtain on North America like Black Sabbath’s Iron Man.

https://www.facebook.com/roughspells/
https://www.instagram.com/roughspells/
https://roughspells.bandcamp.com/
https://www.facebook.com/Fuzzedandbuzzed-631019733954614/
https://www.instagram.com/fuzzedandbuzzed/
https://www.fuzzedandbuzzed.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Rough Spells, Ruins at Midday (2020)

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Fuzzed and Buzzed Records Presents The Powder Box Triple-7″ Box Set

Posted in Whathaveyou on November 26th, 2019 by JJ Koczan

Think of it like a split. If it was a split LP, you’d have three bands splitting a 12-inch platter or something like that, and it would be business as usual. Everyone would agree to art and cover some portion of the costs, the label would get behind it and blamo, the magic happens. Fuzzed and Buzzed Records out of Toronto has made the idea a little more complicated. The forthcoming The Powder Box — available direct from them in Canada, through DHU Records in Europe or the All That is Heavy store in the States — brings together Head, Cherry Hooker and Darlene Shrugg under an appropriately glam-style roof, with three separate seven-inchers all snuggled up together in a box set.

This is the second time the label has done this, arriving behind The Altar Box, which has long since sold out. I’d expect much the same with this round, despite the shift in aesthetic. In any case, kudos to the label for changing it up, and continuing its mission of highlighting their regional underground. That’s how you make shit happen. They obviously believe in it, and there’s very little better than that to sell something as far as I’m concerned.

They’ve posted a lot about it, here’s a bit of it:

va the powder box

THE POWDER BOX (2019)

HEY ROCKERS!!!!

OUR EUROPEAN HOMIES OVER @dhu_records ONLY HAVE 6 COPIES LEFT AND THAT’S IT!!!!

BOOGIE ON OVER AND SCORE ONE OF THE LAST POWDER BOXES FEATURING TORONTO ROCKERS @headrnr @cherryhooker @darleneshrugg

IF YOU’RE IN CANADA OR THE STATES, HIT UP @allthatisheavy OR YOURS TRULY @fuzzedandbuzzed!!

STAY BUZZED!!! @fuzzedandbuzzed FEST STARTS THIS THURSDAY NOV 28th 10pm @swandiveto!! NOV 29th IS THE HAMILTON RELEASE PARTY @doorspubhamilton AND THE FOLLOWING DAY, NOV 30th WE HAVE THE FINAL PARTY AT LEGENDARY @bovinesexclub

COME PARTY, BRING SOME FRIENDS OR MAKE NEW ONES!!!!!!!

3 Record Box (45″ Vinyl)

HEAD
A: Shudder
B: Journey to the Center of the Mind

CHERRY HOOKER
A: City Sidewalkin’
B: Machine

DARLENE SHRUGG
A: Reptile Radio
B: Some Weird Sin

https://fuzzedandbuzzed.myshopify.com/
https://www.instagram.com/fuzzedandbuzzed/
https://www.facebook.com/Fuzzedandbuzzed-631019733954614/

Head, “Shudder”

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Astral Witch to Work with DHU Records and Fuzzed & Buzzed Records on Self-Titled LP Release

Posted in Whathaveyou on August 22nd, 2019 by JJ Koczan

Ontario three-piece Astral Witch were brought to my attention earlier this summer by the good folks of Fuzzed and Buzzed Records, who included them in a 7″ box set called Altar Box they kindly passed my way. The band also issued a self-titled debut full-length last year, and the thing about it is it’s pretty awesome. That only makes the news that Astral Witch and Fuzzed and Buzzed have aligned with DHU Records to work together on a vinyl release that will seemingly encompass both the Love two-songer that was in Altar Box as well as the self-titled together all the better. DHU‘s taste is becoming increasingly reliable over time, and the cooperation between imprints here I can only see as strengthening everybody’s position, most especially that of the band. Mark it a win.

I don’t see a firm release date, but maybe November? Maybe December or February? I don’t know. Keep an eye out, either way. If you need to know why you should, both releases are up on Bandcamp.

Here’s DHU‘s announcement as per the social medias:

astral witch

DHU Records is excited to announce the signing of Canadian Doom Rockers Astral Witch to release their debut S/T 2018 Record together w/ Fuzzedandbuzzed Records on Limited Edition Vinyl!

When Fuzzed and Buzzed released the Altar Box earlier this year, it did not take long for DHU and the Fuzzed and Buzzed crew to work out an agreement to release full lengths on each side of the ocean for Rough Spells, Häxan and Astral Witch. It was a match made in Hell!

For all 3 releases there will be a DHU, F&B and Band Edition and all Editions will be available from both record labels and band to save on shipping, how about that!

More info & details coming soon…

STAY DOOMED STAY HEAVY
STAY FUZZED STAY BUZZED

http://www.facebook.com/astralwitchband
https://www.instagram.com/astralwitchband
https://astralwitch.bandcamp.com/
https://www.facebook.com/Fuzzedandbuzzed-631019733954614/
https://www.instagram.com/fuzzedandbuzzed/
https://www.fuzzedandbuzzed.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Astral Witch, Love 7″ (2019)

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