Miss Lava Premiere “The Great Divide” Video From Doom Machine LP

Posted in Bootleg Theater, Reviews on December 18th, 2020 by JJ Koczan

miss lava the great divide

Portuguese heavy rockers Even with our cheap Southampton Phd Thesiss rates, work is done perfectly, and all the pieces completed checked thoroughly to ensure that it is unique, the structural issues are respected, and the grammar is perfect. Adherence to guidelines; All papers are done after the guidelines have been read. After completion of the writing process, the editors check that the paper is perfect before Miss Lava release their new album, 100% original custom writings. When it comes time to exams, the learners often remain in a desperate situation. They can Dissertation Carl Marx but do not Doom Machine, Jan. 15 on Tag: http://masheroa.com/dissertation-du-bac-de-francais-2010/ Get Dissertation Help for Timely Submission of Your Dissertation. August 19, 2020 | No Comments | Dissertation Writing Services. A famous phrase a stitch in time saves nine is very appropriate when connected to academics. Timely action and submissions can save you from a lot of troubles and loss. As a researcher, it is imperative for you to understand the Small Stone and Writers ensure customer gets affordable dissertation writing service he cannot find in most of the other companies that offer http://sportjournalismus.uni-salzburg.at/?best-resume-writing-services-in-new-york-city-7s services. We understand what plagiarism is & how to avoid it we offer 100% non-plagiarized dissertation writing service. We write the dissertations & help work out your dissertation Kozmik Artifactz. The band’s fourth long-player and second through Help Coursework. Your perfect writer experts agree that high quality content can take your website to the top of the search results. 2017 Small Stone behind 2016’s Article Writing Service Making Resume. There are few good reasons to delegate your assignment to our company: Completely original Sonic Debris (review here), it is an explosion of well-crafted, professional-sounding material that feels built for European heavy-fest stages. Your  dict.cc | Ubersetzungen fur 'Best College Admission Essays 300 Word' im Kroatisch-Deutsch-Worterbuch, mit echten Sprachaufnahmen, Illustrationen, Beugungsformen, Desertfests, certainly  Our writers offering Mfa Online Creative Writing in India, guide the scholars to prepare the framework flawlessly for thesis chapters. Then the scholars develop the chapters, taking regular feedbacks from the writers. Hence, it is the researchers ideas and thoughts that go in to preparing the thesis. Some of the guidelines that we follow for PhD thesis writing are as follows: Formatting SonicBlast, they’re already booked for a festival in Spain this March (which seems ambitious), and so on. It was, appropriately enough, recorded live, with Is a Write Your Business Plan Online Goods? dissertationhelp December 21, 2019 General 0 Comments 160 views. There are a variety of college students whore complaining about not having the ability to full their dissertation duties on time. The most important issue behind that is the shortage of time. Many wouldnt have the required time of their hand due to so many different instructional Miguel “Veg” Marques at the helm of The books and freelance my link of crime and SF author John Rickards, who's also written and worked under the name Sean Cregan. Get reading, or Generator Music Studios in Sintra. The energy with which the songs are delivered is only part of the album’s personality though, because the CD version comes with a whopping 15 tracks running a total of 56 minutes, as the returning four-piece of vocalist  writing phd research proposal Custom Essay Service Best loginto how long should a college admission essay be Johnny Lee, guitarist  If you're looking for http://www.krajete.com/?kps-homework-help, you've found the right place. The EssayDune expert team will write a custom and unique essay that's exactly what you K. Raffah, bassist  Professional more That Beat Expectations. Are you looking to articulate your knowledge in any bridge of academia or research to your Ricardo Ferreira and drummer  Affordable Freelance Article & Broglie Phd Thesiss. Hire a freelance writer or blogger expert services and get your writing project done within 24hr J. Garcia tear into one hook after the other, careening with desert-inspired purpose through “Fourth Dimension” and “In the Mire” at the outset like an all-grown-up  The Expert Editor is the leading angela ehlers dissertation service for students in Australia and overseas. As part of our thesis editing service, we have edited numerous honours, masters, doctoral and postdoctoral theses and dissertations. Hundreds of students have used us to produce high-quality theses that are ready for submission. Kyuss with the rest of the album that follows working in different stages set off by interludes, groups of one or two songs complemented by short pieces of varied atmosphere that lend breadth to the proceedings as a whole.

Most of those spacers are quick instrumentals. Guitar, bass, drums. “Magma,” the first of them, and “Karma” follow that pattern, while “Alpha” adopts a more mellow spirit and the last, “Terra” captures wave sounds and guitar noise ahead of the closing title-track, which is also the longest song on the outing at 6:58. The interludes bolster  Doom Machine‘s flow and make it all the more immersive despite being largely based around straightforward craft of high grade verses and choruses, though certainly longer stretchesmiss lava doom machine like “Brotherhood of Eternal Love” (5;46), the Alice in Chains-style harmonized “The Fall” (6:31) and “Doom Machine” itself want nothing for atmosphere. “The Fall” is a highlight in that regard, but it contends with single-worthy cuts like the maddeningly catchy “Sleepy Warm” and the slower, more spacious “The Great Divide” nearby for that title, with the latter as the assumed end of the vinyl’s side A and, indeed, the split between the first half of the album and the second — not counting the bonus tracks. That’s not to mention a cut like “The Oracle,” later on, which singlehandedly shows how Miss Lava take cues from classic desert rock and turn them into something of their own all across Doom Machine as a whole. Maybe it’s safer not to talk about highlights.

Amid the many hooks, interludes and spot-on moves made throughout Doom Machine is the narrative of K. Raffah having lost a child after only a month and a half from birth. That brutal context underpins even the most uptempo of Miss Lava‘s songs here, and adds weight to already impactful pieces like “The Fall” and “In the Mire” earlier on, the melodies and momentum betraying little of what’s actually going on but remaining expressive nonetheless. One doesn’t want to call it a disconnect, but Doom Machine hardly sounds dragged down by grief or anything else as Miss Lava courses through. Even the bonus tracks, “God Feeds the Swine,” ‘Feel Surrea” and “Red Atlantis,” boast quality hooks — the last one of them especially so — so there is a balance of elements and themes at play throughout, and the band aren’t necessarily beholden to one or the other of them, as impossible as that might seem.

To wit, the video premiering below for “The Great Divide” takes a post-apocalyptic environmentalist stance, looking out at the world and seeing it being used and torn down by humanity as a whole. The clip was directly by José Dinis, who offers some comment on it below, along with that of Johnny Lee.

As always, I hope you enjoy:

Miss Lava, “The Great Divide” official video premiere

According to singer Johnny Lee, “‘The Great Divide’ is a euphemism for death, an apocalyptic vision for mankind. We keep destroying our planet and forgetting that when this ends, it ends for everyone.”

Director José Dinis reflects that this is “A concept story about an apocalyptic world, where an unhopeful man just tries to survive. As in real life, there is always a way out, a solution, a chance to live a more colourful life, no matter what.”

“The Great Divide” was filmed at Mina de São Domingos, a deserted open-pit mine in Alentejo, Portugal. The site is one of the volcanogenic massive sulfide ore deposits in the Iberian Pyrite Belt, which extends from the southern Portugal into Spain. It was the first place in Portugal to have electric lighting.

Miss Lava on Thee Facebooks

Miss Lava on Bandcamp

Sonic Debris at Small Stone’s Bandcamp

Small Stone Records

Kozmik Artifactz on Thee Facebooks

Kozmik Artifactz website

Tags: , , , , , ,

SonicBlast Fest 2021 Adds John Garcia, All Them Witches, Causa Sui and More

Posted in Whathaveyou on November 25th, 2020 by JJ Koczan

Hey, it could happen. The vaccines could work and be properly distributed, and with social-distancing guidelines still in place and accounted for in the festival’s venue choice, SonicBlast Fest 2021 could very well take place next August. I think we all know the first lineup announcement comes with a big ol’ asterisk in terms of “well this is how it’s gonna go if the plague hasn’t swallowed us whole by then,” but with that caveat, it’s awfully nice to see a lineup announcement from a festival at all, let alone one that already has a bunch of cool bands set to play. Maybe Europe’s borders will be open to Americans next August. That’d be a dream come true.

SonicBlast of course did the virtual thing this year, as many other fests have done, and the fest’s YouTube still has a few killer performances up, including the one from South Africa’s Ruff Majik that you can see at the bottom of this post.

Tickets are available and I have to believe it’ll sell out:

sonicblast-fest-2021

SonicBlast Fest 2021: Aug 12-14

SonicBlast Fest is back!

We are so happy to welcome John Garcia & The Band of Gold and Psychlona among many others to announce soon

In 2021 we celebrated the 10th edition in a new enclosure, with a strong poster and we couldn’t be more satisfied!

Months and months of work arduous and several contradictions along the way, our priority was always to try to secure a good poster for this special edition and find an enclosure with the characteristics needed for this great celebration. And we did it!

The 10th edition of 10 takes place at Praia da Dune do Cauldron in Anchor (Walk), in a dream framing and in a compound that will have the same capacity but features a much greater area, ensuring your comfort and safety when travelling in August 2021 to the Anchor region for this celebration. Thank you in advance to Caminha Município for your help in finding the new location keeping it in our county, and Junta de Freguesia de Âncora and Âncora Praia Futebol Clube for the enthusiasm and availability to welcome SonicBlast Fest.

Line up, so far:
John Garcia and the Band of Gold (usa)
All Them Witches (usa)
Brant Bjork (usa)
Witch (usa)
Causa Sui (dnk)
Bala (sp)
Psychlona (uk)
… and many more to be announced

Info Tickets:
(Portugal) Os bilhetes já estão à venda em toda a rede BOL (Lojas Fnac, Worten, Ctt’s…)
To buy your ticket online:
https://garboyl.bol.pt/Comprar/Bilhetes/92523-sonicblast_festival_2021_full_festival_ticket-garboyl_lives/Sessoes
e www.masqueticket.com

Full festival ticket:
– 50€ from 23 to 30 November
– 65€ from 1st of December to 31st of May
– 75€ from 1st of June

https://www.facebook.com/events/193315945704188/
https://www.facebook.com/sonicblastmoledo/
https://www.instagram.com/sonicblast_fest

Ruff Majik, Live at SonicBlast Online 2020


https://sonicblastmoledo.com/

Tags: , , , , , , , , ,

Miss Lava Set Jan. 15 Release for Doom Machine; “Fourth Dimension” Video Posted

Posted in Whathaveyou on November 13th, 2020 by JJ Koczan

miss lava

Issuing through Kozmik Artifactz and Small Stone, the impending Doom Machine full-length from Miss Lava will be the band’s first since 2016’s Sonic Debris (review here). The title, Doom Machine, doesn’t inspire much in considerations of individuality — it’s kind of a generic name for a record, band, song, riff, amp, heavy thing, etc. — but the album actually deals with some hard-hitting emotional content on the part of the group, and as one expects from Miss Lava well more than a decade into their tenure, they know exactly what they’re doing when it comes to songwriting and capturing a stage-ready energy in the studio.

Will there be stages for Miss Lava to support the record once it’s out? Hell if I know. Seems unlikely in January, but you know, maybe at some point, ever, they’ll get to tour again.

To preface Doom Machine‘s arrival, Miss Lava have a video up now for the opening track “Fourth Dimension,” and you can see that at the bottom of this post, following the PR wire info and this kickass cover art right here:

miss lava doom machine

MISS LAVA: Lisbon Heavy Rock Unit To Release Doom Machine This January Via Small Stone / Kozmik Artifactz; “Fourth Dimension” Video Now Playing + Preorders Available

Lisbon’s premier heavy rockers MISS LAVA will release their long-awaited new full-length, Doom Machine, this January via Small stone.

The perfect soundtrack for the post-lockdown world, the band’s fourth album and follow-up to 2017’s Dominant Rush EP stands as their densest output to date doused in kaleidoscopic riff explorations and hypnotic interludes; a multi-textured sonic journey that’s at once deep, heavy, mesmerizing, and cathartic. Captured live at Generator Music Studios in Sintra, Portugal by Miguel “Veg” Marques, the record carries with it the warmth and soul of a band full of fresh vigor and perhaps the demons of these tumultuous times.

The record is loosely focused on the tragic death of guitarist K. Raffah’s baby son and the other members’ children born during the creative process. “Doom Machine is a very emotional experience for us…,” Raffah shares. “[My son] was only here for a month and a half, but his light was very bright. We feel his presence every time.” Thematically vocalist Johnny Lee adds, “This album reflects on how each one of us can breed and unleash our own self-destructive force, assembled to be part of a giant ‘Doom Machine.'”

In advance of the record’s release, today the band is pleased to unveil a video for first single, “Fourth Dimension,” noting, “this is a riff raff explosion that urges people to get out of the cave allegory they live in.”

Directed by José Dinis, view MISS LAVA’s “Fourth Dimension.”

Doom Machine will be released on CD and digitally via Small Stone with Kozmik Artifactz handling a limited vinyl edition. Find preorders at THIS LOCATION.

Doom Machine Track Listing:
1. Fourth Dimension
2. In The Mire
3. Magma
4. Brotherhood Of Eternal Love
5. Sleepy Warm
6. The Great Divide
7. Karma
8. The Fall
9. Alpha
10. The Oracle
11. Terra
12. Doom Machine
13. God Feeds The Swine *
14. Feel Surreal *
15. Red Atlantis *
** Bonus tracks on CD and digital only

Doom Machine is the successor to MISS LAVA’s Dominant Rush EP (2017), Sonic Debris (2016), Red Supergiant (2013), and Blues For The Dangerous Miles (2009), as well as a limited edition self-titled blood red vinyl EP (2008).

https://www.facebook.com/MissLavaOfficial/
http://www.instagram.com/miss.lava/
http://www.smallstone.com
http://www.facebook.com/smallstonerecords
http://www.smallstone.bandcamp.com
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Miss Lava, “Fourth Dimension” official video

Miss Lava, Doom Machine (2021)

Tags: , , , , , ,

Quarterly Review: The Pilgrim, Polymoon, Doctors of Space, Merlock, Sun Dial, Saturn’s Husk, Diggeth, Horizon, Limousine Beach, The Crooked Whispers

Posted in Reviews on October 12th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Well, the weekend’s over and it’s time to wrap up the Quarterly Review. Rest assured, I wrote the following during my copious weekend leisure time, resting on the side of a heated Olympic-size pool with a beverage nearby. It definitely wasn’t four in the morning on a Sunday or anything. If I haven’t gotten the point across yet, I hope you’ve found something amid this massive swath of records that has resonated with you. By way of a cheap plug, I’ll be featuring audio from a lot of these bands on the Gimme Metal show this Friday, 5PM Eastern, if you’re up for tuning in.

Either way, thanks for reading and for being a part of the whole thing. Let’s wrap it up.

Quarterly Review #51-60:

The Pilgrim, …From the Earth to the Sky and Back

the pilgrim from the earth to the sky and back

Lest he be accused of laziness, Gabriele Fiori — also of Black Rainbows, Killer Boogie and the head of the Heavy Psych Sounds label, booking agency and festival series — made his solo debut as The Pilgrim with Spring 2019’s Walking into the Forest (review here). Joined by Black Rainbows drummer Filippo Ragazzoni, Fiori ups the scale of the journey with the second The Pilgrim LP, …From the Earth to the Sky and Back. Richer in arrangement, bolder in craft and more confident in performance, the album runs 14 songs and 50 minutes still largely based around an acoustic acid rock foundation, but with a song like “Riding the Horse” tapping ’70s singer-songwriter vibes while “Cuba” touches on Latin percussion and guitar and “Space and Time” journeying out near the record’s end with waves of synthesizer, it seems The Pilgrim isn’t so willing to be pigeonholed. So much the better.

The Pilgrim on Thee Facebooks

Heavy Psych Sounds website

 

Polymoon, Caterpillars of Creation

Polymoon Caterpillars of Creation

There is an undercurrent of extremity to the debut release from Polymoon, who hail from the psychedelic hotbed that is Tampere, Finland. The six-song/42-minute Caterpillars of Creation turns in opener “Silver Mt.” to fervent guitar push or from freaked-out cosmic prog into drifting post-universe exploration, setting the stage for the dynamic that unfolds throughout. The wash early in the second half of “Lazaward” is glorious, and it’s not the first or the last time Polymoon go to that adrenaline-pumping well, but the serenity that caps that song and seems to continue into “Malamalama” in closing side A is no less effective. “Helicaling” mounts tension in its early drumming but finally releases it later, and “Neitherworld” gives Caterpillars of Creation‘s most fervent thrust while closer “Metempsychosis” rounds out with a fitting sense of dissipation. As a first album/first release, it is particularly stunning, and to make it as plain as possible, I will think less of any list of 2020’s best debut albums that leaves out Polymoon.

Polymoon on Thee Facebooks

Svart Records website

 

Doctors of Space, First Treatment

doctors of space first treatment

The two-piece comprised of Martin Weaver (ex-Wicked Lady) and synthesist Scott “Dr. Space” Heller (Øresund Space Collective, Black Moon Circle, etc.) position First Treatment as their proper studio debut, and it certainly hits its marks in galaxial adventuring well enough to qualify as such, but the duo have been on a creative splurge throughout this year — even in lockdown — and so the six songs here are also born out of the work they’ve been doing since releasing their debut single “Ghouls ‘n’ Shit” (video premiere here) late last year. The album launches with “Journey to Enceladus,” which boasts drum programming by Weaver and though one of the movements in the 21-minute “Into the Oort Cloud” is based around beats, the bulk of First Treatment is purely a work of guitar and synth, and it basks in the freedom that being so untethered inherently brings. Running an hour long, it’s improvisational nature isn’t going to be for everyone, but Heller and Weaver make a strong argument that maybe it should be.

Doctors of Space on Thee Facebooks

Space Rock Productions website

 

Merlock, That Which Speaks

merlock that which speaks

Who’s ready for a New Wave of PNW Fuckery? That’s right folks, the NWOPNWF has arrived and it’s Spokane, Washington’s Merlock leading the sometimes-awfully-punk-sometimes-awfully-metal-but-somehow-also-always-sludge charge. Aggressive and damning in lyrics, swapping between raw screams, grows, shouts and cleaner vocals and unhinged in terms of its genre loyalties, That Which Speaks seems to find the “melt faces” setting wherever it goes, and though there’s a sense of the four-piece feeling out what works best for them stylistically, the sometimes frantic, sometimes willfully awkward transitions — as in second cut “Prolapse” — serve the overall purpose of undercutting predictability. Eight-minute opener/longest track (immediate points) “Idolon” stomps and shoves and gnashes and nasties its way through, and that’s the modus across what follows, though the scream-along headbanger “Vessel” somehow seems even rawer, and though it ends by floating into oblivion, the start of “Condemnation” heavy fuckin’ metal to me. You never know quite where Merlock are going to hit next, and that’s the joy of the thing. May they remain so cacophonous.

Merlock on Thee Facebooks

Merlock on Bandcamp

 

Sun Dial, Mind Control: The Ultimate Edition

sun dial mind control

Long-running UK psychedelic rockers Sun Dial — led by founding guitarist/vocalist Gary Ramon — released Mind Control in 2012. Sulatron Records picked it up in 2015, and now, five years after that, the same label presents Mind Control: The Ultimate Edition, a 2CD version of the original LP-plus-bonus-tracks reissue that brings the total runtime of the release to a well-beyond-manageable 98 minutes of lysergic experimentation. A full 20 tracks are included in the comprehensive-feeling offering, and from early mixes to alternative takes and lost tracks, and if this isn’t the ‘ultimate’ version of Mind Control, I’m not sure what could be, notwithstanding a complete-studio-sessions box set. Perhaps as a step toward that, Mind Control: The Ultimate Edition gives an in-depth look at a vastly underappreciated outfit and is obviously put together as much for the label as by it. That is to say, you don’t put out a reissue like this unless you really love the original record, and if Sulatron loving a record isn’t enough endorsement for you, please turn in your mushrooms on your way out the door.

Sun Dial on Thee Facebooks

Sulatron Records webstore

 

Saturn’s Husk, The Conduit

Saturns Husk The Conduit

Immersion is the goal of Saturn’s Husk‘s third long-player, The Conduit, and the Riga, Latvia, instrumentalist trio accomplish it quickly with the fluid riffs that emerge from the drone-based intro “Death of Imaginary Lights” and the subsequent 10-minute opener “Black Nebula.” At nine songs and 63 minutes, the album is consuming through the welcome nodder “The Heavenly Ape,” the especially-doomed “The Ritual” and the more mellow-float centerpiece “Spectral Haze,” while “Mycelium Messiah” brings more straight-ahead fuzz (for a time) and drones on either side surround the 10:35 “Sand Barrows,” the latter serving as the finale “A Shattered Visage” quoting Percy Bysshe Shelley and the former “City of the Djinn” running just a minute-plus but still doing enough to reset the brain from where “Mycelium Messiah” left it. Almost functioning as two albums side-by-side with “Spectral Haze” as the dividing point, The Conduit indeed seems to join various sides together, with a depth to coincide that invites the listener to explore along with it.

Saturn’s Husk on Thee Facebooks

Saturn’s Husk on Bandcamp

 

Diggeth, Gringos Galacticos

diggeth gringos galacticos

Landing a punch of classic metal to go along with its heavy-bottomed groove, Diggeth‘s Gringos Galacticos — one supposes the title ‘Spacecrackers’ was taken — was released by the Dutch trio in 2019 and receives a US limited vinyl edition thanks to Qumran Records. One finds some similar guitar heroics to those of Astrosoniq‘s more straightforward moments, but Diggeth‘s focus remains on hookmaking for the duration, offering hints of twang and acoustics in “In the Wake of Giants” and tipping a hat southwestward in “Three Gringos,” but “Straight-Shooter” is willfully breaks out its inner Hetfield and even as the penultimate “Unshackled” departs for a quieter break, it makes its way back in time for the big finish chorus, adding just a touch of Candlemass grandiosity for good measure before the harmonica-laced closing title-track rounds out with its dynamic spacey weirdness, the name of the album repeating itself in an answer to the Stephen Hawking sample that started the voyage on its way.

Diggeth on Thee Facebooks

Qumran Records website

 

Horizon, The White Planet Patrol

horizon the white planet patrol

Cursed Tongue Records has the vinyl here, and Three Moons the tape, and the CD will arrive through Aladeriva Records, La Rubia Producciones, Aneurisma Records, Surnia Records and Violence in the Veins — so yes, Horizon‘s third album, The White Planet Patrol is well backed. Fair enough for the Kyuss-via-BlackRainbows vibes of “End of Utopia” or the initial charge and flow of “The Backyard” that sets the Alicante, Spain, trio on their way. “King Serpent” and “Death & Teddies” bring well-crafted fuzz to bear, and “Blind World” effectively layers vocals in its chorus to coincide, but the more laid back roll of the title-cut is an unmistakable highlight. Shades of mid-paced Nebula surface in “Meet the Forest” later on, but Horizon are part of a tradition of heavy bands in Alicante and they know it. The smoothness of their tone and delivery speaks volumes on its own in that regard, never mind the actual songwriting, which also leaves nothing to be desired.

Horizon on Thee Facebooks

Cursed Tongue Records webstore

 

Limousine Beach, Stealin’ Wine + 2

Limousine Beach Stealin Wine

Debut EP from Limousine Beach out of Pittsburgh, and if the three guitars involved don’t push it over the top, certainly the vocal harmonies get that particular job done. You got six minutes for three songs? Yeah, obviously. They scorch through “Tiny Hunter” to close out, but it’s in the leadoff title-track that Stealin’ Wine + 2 sees the Dave Wheeler-fronted outfit land its most outrageous chorus, just before they go on to find a middle-ground between KISS and Thin Lizzy on “Hear You Calling.” The harmonies open and are striking from the outset, but it’s in how they’re arranged around the standalone parts from Wheeler (also Outsideinside, ex-Carousel) that the outfit’s truest potential is shown. Issued through Tee Pee Records, Stealin’ Wine + 2 is the kind of thing you’d pick up at a show in a normal year and then feel way ahead of everyone else when the LP finally hits. Not a normal year, obviously, but Limousine Beach are serving due notice just the same. In six minutes, no less.

Limousine Beach on Thee Facebooks

Tee Pee Records website

 

The Crooked Whispers, Satanic Melodies

the crooked whispers satanic melodies

I’m sure a lot of records show up at Satan’s door with notes, like, “Dear sir, please find the enclosed submitted for your approval,” but it’s not hard to imagine Beelzebub himself getting down with the filth-coated sludge and rolling doom unfurled across The Crooked Whispers‘ debut offering, Satanic Melodies, marked by hateful, near-blackened screams from Anthony Gaglia and the plodding riffs of Chad Davis (Hour of 13, et al). The title-track is longest at 8:23 and in addition to featuring Ignacio De Tommaso‘s right-on bass tone in its midsection, it plays out early like Weedeater sold their collective soul, and drifts out where earlier pieces “Sacrifice” and “Evil Tribute” and “Profane Pleasure” held their roll for the duration. Stretches of clean-vocal cultistry add to the doomier aspects, but The Crooked Whispers seem to care way less about genre than they do about worshiping the devil, and that unshakable faith behind them, the rest seems to fall into place in accordingly biting fashion.

The Crooked Whispers on Thee Facebooks

The Crooked Whispers on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Earth Drive Premiere “Axial View” Video

Posted in Bootleg Theater on August 11th, 2020 by JJ Koczan

earth drive

Given the context of what was going on in the world back in March, one might be forgiven for letting the release of Helix Nebula, the second album from Montijo, Portugal-based atmospheric heavy four-piece Earth Drive, slip through the cracks. Issued through Raging Planet, the record dropped on March 13, which was one day after the Portuguese government put the country into emergency lockdown because of the pandemic. So, granted, there would’ve been plenty of time for one to encounter the album and listen, but let’s say that maybe the terror of not being able to leave one’s home for fear of contracting firelung might have been a distraction. Fair enough.

All the better, then, that Earth Drive — fronted by the significant vocal presence of Sara Antunes, with Hermano Marques backing her and playing guitar, Luis Silva on bass and Sebastião Santos on drums — have a new video out for “Axial View” from the album, so that one might rectify the crack-slippery and get on board with Helix Nebula before it’s too late. A worthy endeavor it would be, as well, since the band so seamlessly bring together ambient drone, cosmic doom and a psychedelic range that is underscored and perhaps a bit grounded by post-grunge hooks like those in “Axial View,” as well as “Sience of Pranayama” (sic) and the early-arriving title-track, surrounded on either side by an interlude at the album’s outset in a way that sets up the pattern the rest of the record proceeds to following, weaving into and out of solidified structures and more fluid tonal excursion with apparent and resonant ease.

It’s not all so straightforward back-and-forth as the first couple cuts, but as the album proceeds, it plays heft and breadth off each other effectively to give Helix Nebula a duly spacious and immersive feel, something of a cosmic dive-in for the listener to experience that works best as a whole but is readily accessible in its individual parts. You’ll find “Axial View” a suitable entry point, appearing as it does between the airier “Spectra” and the heavy-post-rock vibing “Dharma Throne,” but definitely take it as one, and as Europe and much of the world continues to recover from the trauma that’s beset it, finding new ways to move forward, Earth Drive‘s tonality offers if not direct escapism, then at very least the comfort of a sure guiding hand in terms of crafting songs and an ensuing atmosphere.

The video for “Axial View” adopts a more terrestrial perspective, basically taking performance footage of the band and bleeding from one shot to the next, etc., as it does — though again, in context, it’s somehow a novelty to think of a band getting together in a rehearsal space to jam. Something precious to enjoy then.

So please enjoy:

Earth Drive, “Axial View” official video

Powered by Earth Drive & Hermano Marques
(Produced and Edited by Hermano Marques @ Earth Drive studios Aka A.R.M.A
Song AXIAL VIEW by Earth Drive (Mix and Master by Fernando Matias @ The pentagon audio manufacturers
Released by Raging Planet

Portuguese heavy psych rock unit EARTH DRIVE release their sophomore, stellar album titled Helix Nebula via Raging Planet. The four-piece, who is characterized by a dense, melodic, visceral, cathartic and heavy sound, has created their most ritualistic and meditative record to date. While the power of distortion and loud amps still lead you in front of a massive sound wall, EARTH DRIVE manage to combine all that is heavy with yet spatial effects, catchy hooklines by vocalist Sara Antunes and a hazy, mesmerizing atmosphere.

EARTH DRIVE, who burst into the underground scene in 2007, left their heavy stamp with a first EP, Planet Mantra, followed by their highly acclaimed debut album, Stellar Drone. In addition to the band’s traditional cosmic and psychedelic influences, their new album Helix Nebula explores the potential of raw and powerful tunes with a warm, saturated and ambient sound in a more refined way.

EARTH DRIVE is:
Luis Silva – Bass
Sebastião Santos – Drums
Sara Antunes – Vocals
Hermano Marques – Vocals and guitar

Earth Drive, Helix Nebula (2020)

Earth Drive on Thee Facebooks

Earth Drive on Bandcamp

Raging Planet website

Tags: , , , , ,

Days of Rona: Antonio Santos of Places Around the Sun

Posted in Features on May 28th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

places around the sun antonio santos

Days of Rona: Antonio Santos of Places Around the Sun (Lisboa, Portugal)

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Besides the obvious bad financial side in all of this as a band we got a lot of time we wouldn’t get otherwise to really write our songs without any pressure of having to go to work the next day. And that is probably the best thing out of all of the things, our hobbies became a full-time job.

With the creative process it has also helped a lot since everything stopped and it left a lot of space for the creative mind to take place. I’ve seen a lot of new ideas, whether them being podcasts, Instagram lives or new music coming up in these last months and the best part is that everyone is attending to all of it because people want something to pass their time.

In a general view I think we’re making the best of it and still manage to finish the new album we’re currently working on.

How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

Here in Portugal, I feel like in a way we got very lucky comparing to a lot of other countries here in Europe. Our government reacted as fast as one would ever react with such a sudden threat.

Everybody at first shared the mind set of “The virus won’t ever get here”, foolishly enough since our country relies a lot on tourism, and thousands of tourists enter our country everyday. But when it came people actually reacted fast and a lot of people went into voluntary lockdown, but of course there were those people who felt like it was an overreaction. But now I think pretty much everyone is being aware and respectful of the rules.

There’s an uneasy feeling around everyone we know, since we all work in the film and music industry, we really depend on a lot of events that can’t happen right now and probably won’t happen in the next year.

But being all creative people I think we’ll all find some way or another to keep going and adapt to this new reality.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

The music community took a big hit, every band we know had their shows canceled and we were all obligated to leave almost everything in stand by. But I think everyone is aware of how hard it is for all the artists and people are sharing everyone’s work on their social media. It’s amazing to see so many people coming together to help everybody in need during this time.

Although there’s a little bit of discouragement, because we know we can’t play live, being one of the most exciting parts of being in a band, and of course the best source of income. But some of the best songs and ideas came from boredom and the need to make something, I think everyone that has the creative side should use this time to let it come into fruition. Everyone is at home and now more than ever people need the entertainment industry to help them get through all of this a little bit easier.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

Me personally, I was going through a really rough time mentally before all of this. And having to suddenly stop everything really made think and reflect on everything going in my mind and I got to value a lot of things that I always took for granted and I fortunately could channel everything through music, we were in the middle of recording an album, and luckily we stopped when we were about to record the vocals, which is something that can easily be done at home, so I brought my studio set up home and really took the time to record and write everything feeling like I had all the time in the world.

I recorded a vocal idea and sent it to everyone and we went back and forth a lot and I think that really allowed us to come up with stuff we would never had the time to do before.

We as band can’t wait to share what we’ve been working on as we feel like it has some of the best stuff we’ve ever wrote and hopefully sooner than later we’ll be able to play it live.

https://www.facebook.com/placesaroundthesun/
https://www.instagram.com/placesaroundthesun/
https://placesaroundthesun.bandcamp.com/
https://open.spotify.com/artist/6EtVFuD2ONPTRJ3rKnlUgi

Tags: , , , , , ,

Days of Rona: Earth Drive (Montijo, Portugal)

Posted in Features on April 30th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

earth drive

Days of Rona: Earth Drive (Montijo, Portugal)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

So far everyone is healthy in the band and we are taking good care of ourselves and family the way is possible. Due to this COVID-19 complex situation in the world we had to cancel our new album kick of tour show´s and this had a huge impact in the band emotional and financial investments. But we are coping the best we can with this and for now we need to wait to see how long this will last and if we need to postpone more show´s and reschedule all things again. It’s hard all this uncertainty but we will get through this for sure.

What are the quarantine/isolation rules where you are?

We are now in a state of emergency.

This more radical measure covers patients with COVID-19 and the rest of population who must remain in hospital or in a health facility or be closed at home. The measure will also cover those who are under active surveillance, determined by health authorities due to the risk of having contracted the disease.

For those who are in compulsory confinement, the violation of this rule constitutes a crime of disobedience. To prevent this, the authorities of the place of residence will have a list of people in these circumstances, provided by the health authorities. For the time being, a sanctioning framework has not been created, but this is expected to happen if it proves necessary.

Those over 70 years of age have a special duty of protection, which means that they will only be able to leave home in the cases provided by law: go shopping; the doctor or the pharmacy; the bank, post office, or insurance company; going to the street to walk the dog or for some physical exercise, and collective activities are prohibited. The same rules apply to immunocompromised patients and those with chronic disease who should be considered at risk: hypertensive patients, diabetics, cardiovascular patients, patients with chronic respiratory disease and cancer patients.

This special duty of protection does not cover anyone, who is not on leave, maintains his professional activity; health professionals and civil protection agents; and also the politicians, magistrates and leaders of the social partners.
To citizens in general who, despite everything, have a wide range of exceptions that allow them to travel on the public road, namely: go shopping; moving to work or responding to a job offer; go to the pharmacy, the doctor or give blood; giving help to parents, children, people with disabilities or in some way vulnerable; to go to school (only for the children of health personnel or security forces); social volunteering; for a brief individual physical activity; to walk the dog or any animal to the vet; or for any case of force majeure. Journalists can also travel, in the exercise of freedom of the press.

How have you seen the virus affecting the community around you and in music?

We feel that this is affecting in a deep way the community. We feel some anxiety and fear and this grows along the bad news that TV constantly shows to the people. There is a lot of hope thou that this will bring a huge transformation for the humanity and for the world if people understand this as an opportunity to change and to push governments to start making the right decisions for the planet. There are a lot of professionals working hard to save lives and a lot of other people working hard to transmute people fears into light and hope to balance the world energy. We feel that artists are dealing with a lot of frustration right now but there are a lot of us doing things to comfort people doing stream shows and other initiatives in order to not lose their purpose and to keep fighting to prevent that humanity lose their identity. The humanity without culture is a humanity without identity. So let’s rock even harder together!

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Well we just want people to know that we are all in this together and in this moment is the perfect situation to start to let our egos out of the way and work as ONE to save humanity and to reconnect us to mother nature. She will always prevail and we are the ones who need to learn how to get along with her. We just want people to know that we will be here in the music scene to honor the privilege to do this and try to respect all of you and nature with our honest music, art and attitude. We are in a very delicate situation like a lot of people, bands, promoters, PR agencies, sound engineers, labels, specialized press and a lot of other music agents working on music but together we will learn and get through this rocking.
Thank you so much for the opportunity to express our feelings and thoughts about this crisis.

A big hug for everyone and please be safe! The best version of ourselves is yet to come. Peace!

www.facebook.com/earthdrivesound
www.earthdrive.bandcamp.com
www.ragingplanet.pt

Tags: , , , , , ,

Days of Rona: Luis Simões of Saturnia

Posted in Features on April 30th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Luis Simões of Saturnia

Days of Rona: (Lisboa, Portugal)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

I was already editing and pre-mixing the new Saturnia album for a couple of months, so, as that is something I do on my own from home and there were no plans to play live at all, Saturnia’s daily routine hasn’t really changed radically.

There is a certain irony as this new record is an outdoors album, I recorded most of it in the countryside earlier on; actually some of it was recorded outside under the trees, but i’m now working in lockdown regime.

I’ve been in contact with André Silva (drums) and everyone else involved with Saturnia and so far everyone is okay.

What are the quarantine/isolation rules where you are?

Over here, in Portugal, the state of emergency has been officially declared; social isolation is the rule, you can go to the supermarket, bank, post office, pharmacy and walk the dog in the immediate area where you live in but you can’t move about in groups and if you are making a more serious movement you have to be ready to justify it.

The authorities aren’t being over aggressive with people but are acting firmly.

The paranoia meter is in the red, and although i haven’t seen them myself, there are places with drones warning people to stay home, a pure dystopian vibe that reminds me of Hawkwind’s Sonic attack, just disturbingly real.

How have you seen the virus affecting the community around you and in music?

This is a nasty blow for everybody in general, obviously from the health perspective; this is the kind of history book stuff you heard of of the influenza pandemic in the WWI period, but now it is immediate reality; everything is closed so the economy is suffering on all levels.

Music is moving even more online but sadly, there isn’t any life-supporting revenue in online music, so this whole situation is very negative and it’s going to knock a lot of people’s lives down, for sure.

Music and art in general are frequently seen as a luxury item, although it’s what is keeping people sane at home…

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Basically that Saturnia carries on doing its thing with the present time limitations, and so should everybody.

I want to urge everyone to be extremely careful, follow sanitary safety procedures and act with common sense, respect and responsibility so that we can all be here next year to listen to Saturnia’s new album and all albums old and new.

https://www.facebook.com/saturniamusic/
http://www.saturniamusic.com/
https://www.elektrohasch.de/

Tags: , , , ,