Here’s the Bio I Wrote for All Them Witches’ ATW

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All Them Witches – ATW

Use this fast http://www.patrimoine.paysdelaloire.fr/?short-essay-my-best-friend to get the needed assistance from the best experts. The results will be quick and exciting. But heres more: whether you apply a discount to get an ideal price or pay in full, our help is unbelievably affordable. Being a customer-centric company, we go to great lengths to staff our ranks with essay writers for hire who are excited to make your academic By most bands’ fifth LP, the sound is pretty set. Parameters established. Refinement dissipated in favor of formulaic execution of what’s worked in the past. Fair enough. All Them Witches take a harder route.

In 2017, the Nashville four-piece offered what might’ve otherwise become their own template in their fourth album, Sleeping Through The War. Their second for New West Records following 2015’s mellow-vibing Dying Surfer Meets His Maker, Sleeping brought larger production value to dug-in heavy psych blues jamming with oversight from producer Dave Cobb (Jason Isbell, Sturgill Simpson).

After exploring new ground on 2013’s Lightning At The Door and 2012’s Our Mother Electricity as well as Dying Surfer, with Sleeping the band had arrived at something new, something sprawling, and grander-feeling than anything before it.

So naturally, in a year’s time they’ve thrown that all to the Appalachian wind, turned the process completely on its head and reversed paths: recording in a cabin in Kingston Springs, about 20 miles outside of Nashville on I-40, with guitarist Ben McLeod at the helm. Take that, expectation.

The result, mixed by Rob Schnapf (Beck, Elliott Smith, Kurt Vile), is the most intimate, human-sounding album All Them Witches have ever recorded and another redefinition of the band. Introducing keyboardist/percussionist Jonathan Draper to the fold with McLeod, bassist/vocalist Charles Michael Parks, Jr., and drummer/graphic artist Robby Staebler, the new eponymous record isn’t self-titled by mistake. It’s the band confirming and continuing to develop their approach, in the shuffle of “Fishbelly 86 Onions,” the organ-laced groove of “Half-Tongue,” the tense build of “HJTC” and the fluid jam in closer “Rob’s Dream.”

It’s a reaction to being a “bigger” band. To playing bigger shows, bigger tours, etc. From the sustained consonants in Parks’ vocals to McLeod’s commanding slide in “Workhorse” and drifting melancholy at the outset of “Harvest Feast,” All Them Witches is there laying claim to the essential facets of their identity. And the urgency of these tracks – fast pushers and sleepy jams alike – is among their greatest strengths.

It’s a rawer delivery, as stage-ready as the band itself, and as ever, it captures All Them Witches in this moment. Is it who they’ll be tomorrow? Who the hell knows? Check back in and we’ll all find out together. That’s the whole idea.

TRACKLIST:
Fishbelly 86 Onions
Workhorse
1st vs. 2nd
Half-Tongue
Diamond
Harvest Feast
HJTC
Rob’s Dream

All Them Witches is:
Charles Michael Parks, Jr
Ben McLeod
Robby Staebler
Jonathan Draper

http://allthemwitches.bandcamp.com/
http://www.facebook.com/allthemwitches
https://www.instagram.com/allthemwitchesband/
https://twitter.com/allthemwitches
http://www.allthemwitches.org/

All Them Witches, ATW (2018)

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One Response to “Here’s the Bio I Wrote for All Them Witches’ ATW

  1. Blake T says:

    Damn….I’m always scared when a new album comes out because they never settle for the same “sound” but they’ve nailed it again….time to get out my wallet.

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