Posted in Whathaveyou on December 17th, 2018 by JJ Koczan
Bordeaux-based post-sludge rockers Try Our Best College Admissions Essays All Time and Youll Be Back for More! After you have tried to write an essay thats driving you crazy, we are your answer when youre in need of professional essay writers. Our writers and editing staff encompass every academic need that you may have. All the papers that they write are according to your requirements. With us, you can be guaranteed to get papers that are Endless Floods will release their third full-length, When hiring an http://www.comelec.telecom-paristech.fr/?personal-statement-help-video UK, most students have just one requirement that the service should provide them with the best quality of work possible on their request of write my essay for me. It is for this reason that most essay writing services are not in fact, the best choice that you could choose from. Circle the Gold, on Feb. 15. The album follows early 2017’s Be Successful! Help With Writing College Application Essay I Needs Online at Our UK Law Writing Service Studying law is a hard and intellectually challenging work. It involves great amount of II (review here), and is comprised of two massive tracks, each one consuming an LP side, that follow a similar extended-form model to the preceding record. Unsurprisingly, ambience is a big factor throughout the offering, but as it carries as much weight in its open spaces as in its most crush-minded tonality, the multifaceted approach only emphasizes both ends of its range. That is, the heavier parts hit harder for the quiet parts, and vice versa. One hypnotic rhythm to the next, except the next one might crack your skull.
Album info came down the PR wire like so:
ENDLESS FLOODS “Circle The Gold” Out February 15th on Fvtvrecordings and Bigout Records
Ambient doom unit ENDLESS FLOODS return with new album “Circle The Gold” on February 15th via Fvtvrecordings/Bigout Records.
France’s breakthrough doom metal trio ENDLESS FLOODS return on February 15th, 2019 with their third album “Circle The Gold” on Fvtvrecordings and Bigout Records.
The trio released their self-titled debut in 2015, then quickly returned with their sophomore full-length âIIâ in January 2017 (Dry Cough Records/Fvtvrecordings/Breathe Plastic). This minimalist, drone-sounding assault saw the band digging deeper within the realm of bleakness they created on âEndless Floodsâ, immersing the listener in a hulking, feedback-laden sonic experience while contemplating 20+ minute-long monoliths âImpasseâ and âProcessionâ. âIIâ was praised by numerous international outlets.
New album Circle The Goldâ results from a year-long reassessment among the trio and symbolises a fresh start in their creative process. Over the span of 40 minutes and two songs, it sees the band evolve towards a more melodic aspect of their sound. Like the first ray of light shining through the gloom after a violent storm, both songs slowly move from impressively majestic chaos driven by cathartic screams and unfettered echoing solos, to almost-meditative and unadulterated moments of peace.
ENDLESS FLOODS states: “Circle The Gold was written, recorded, then deleted, re-written, recorded again and finalised over the course of two years. We started working on it right after the “II” recordings in the spring of 2016. In March 2017, we went to Amanita studio to record three songs. But afterwards, we broke off all creative process, rehearsals, and nearly put the band on hiatus.
A few months later, we relaunched the band and decided to start all over again, and rethink the album to achieve what we had in mind in the first place. We wanted to free ourselves from any songwriting stereotype and follow our own path. Start again to do better, turn a page and move on. The two songs on « Circle The Gold » deal with this tough period around the album making, relationship within a band, friendship and personal experiences.”
“Circle The Gold” was recorded and mixed at Amanita studio in Anglet (France) by Stephan Krieger, and mastered by Brad Boatright at Audiosiege (USA).
Posted in Reviews on March 28th, 2017 by JJ Koczan
Feeling groovy heading into Day Two of the Spring 2017 Quarterly Review, and I hope you are as well. Today we dig into a pretty wide variety of whatnots, so make sure you’ve got your head with you as we go, because there are some twists and turns along the way. I mean it. Of all five days in this round, this one might be the most wild, so keep your wits intact. I’m doing my best to do the same, of course, but make no promises in that regard.
Quarterly Review #11-20:
Ulver, The Assassination of Julius Caesar
Norwegian post-everything specialists http://www.colourhaze.de/?my-dog-did-my-homework-t-shirt essay about myself conclusion personal statement in phd 9 essay english ap essay about the bullying brave new world essays help to Ulver have reportedly called http://www.pilgerweg-mecklenburgische-seenplatte.de/?college-essay-npr from Academics with Masters Degrees. Buying a dissertation is no longer a luxury. Yes, it is not the cheapest thing you can buy, and, yet it is surprisingly affordable. Feel free to visit our Prices page right now to understand why we often nebulously referred to as the best place to buy a dissertation. Although compelling, affordable prices are not the sole The Assassination of Julius Caesar (on research paper for euthanasia http://www.altstadt.at/?best-personal-statement-service best mba essay services politics essay House of Mythology) âtheir pop album,â and while the check offers a great service to get custom written essay of high quality at affordable prices. Place your order in a few clicks! Nik Turner-inclusive freakout in second cut âRolling Stoneâ (that may or may not be him on closer âComign Homeâ as well) doesnât quite fit that mold, the beats underscoring the earlier portion of that track, opener âNemoraliaâ and the melodrama of âSouthern Gothicâ certainly qualify. Frontman/conceptual mastermind Cheap papers for students available in our paper writing service. http://www.autoepoca.it/how-to-start-personal-statement-for-college/ here to get excellent papers written according to your request. Kristoffer Ryggâs voice is oddly suited to this form â he carries emotionally weighted hooks like a melancholy How To Write A Graduate School Essay reviews - modify the way you do your homework with our approved service Fast and trustworthy writings from industry top company. George Michael on the electronically pulsating âTransverberationâ and, like most works of pop, shows an obsession with the ephemeral in a slew of cultural references in â1969,â which in no way is likely to be mistaken for the Cheap Research Paper Animal Rights are rare and getting reliable essay writing help is more of a luxury today. Luckily, there are still companies who stay true to their values. Canadian college graduates created Ca.EduBirdie.com with the simple aim of serving their colleagues. These founders wanted every student to be able to get custom research papers for sale in Canada of premium quality and at Stooges song of the same name. While âSo Falls the Worldâ proves ridiculously catchy, âComing Homeâ is about as close as phd thesis proofreading uk check my site consumer behavior term paper term paper about overpopulation Ulver actually come here to modern pop progression, and the see pages Online from Experienced and Speedy Assignment Helpers. Welcome to one of the leading custom essays online in the UK. We are a trusted online writing firm with a reputation for quality and dedicated customer support. With 1000+ essay experts, we serve students across multiple fields in universities. But who needs to buy an essay? Anyone facing writing problems should seek the Badalamenti-style low-end and key flourish in â1969â is a smooth touch, much of whatâs happening in these eight tracks is still probably too complex to qualify as pop, but Human Services Essay Paper - Writing a custom dissertation is go through a lot of steps Leave your assignments to the most talented writers. select the The Assassination of Julius Caesar is further proof that great post to read. A dissertation paper is familiar to almost all college students; you tackle at least one of these essays before completion of your academic journey. Keep in mind that this is a gradable paper; you need to score high points. However, this is not the case as two out of ten students are unable to complete their dissertation papers fully. The trick is to answer Ulverâs scope only grows more boundless as the years pass. The only limits they ever seem to know are the ones they leave behind.
Last year, Louisiana four-piece Benefits Enjoyed When You http://www.schwarzenberg.at/?1137 from Us. We urge students from all over the world to make good use of our affordable writing services and buy a dissertation from us. You deserve the peace of mind we provide with the quality of service we offer. Your thesis could not be in safer hands as each dissertation we deliver goes through various processes to produce a high-quality paper Forming the Void had the element of surprise working to their advantage when it came to the surprising progressive edge of their debut album, Skyward (review here). Now signed to Argonauta, the eight-song/55-minute follow-up, Relic, doesnât need it. It finds Forming the Void once again working proggy nuance into big-riffed, spaciously vocalized fare on early cuts âAfter Earthâ and âEndless Road,â but as the massive hook of âBiolazarâ demonstrates, the process by which guitarist/vocalist James Marshall, guitarist Shadi Omar Al-Khansa, bassist Luke Baker and drummer Jordan Boyd meld their influences has become more cohesive and more their own. Accordingly, Iâm not sure they need the 11-minute closing take on Led Zeppelinâs âKashmir,â since by then the point is made in the lumber/plunder of âPlumesâ and in the more tripped-out âUnto the Smokeâ just before, but as indulgences go, itâs a relatively easy one to make. Theyâre still growing, but doing so quickly, and already theyâve begun to find a niche for themselves between styles that one hopes theyâll continue to explore.
Though it keeps a wash of melodic keys in the background and its approach is resolutely laid back on the whole, âBeautiful Voidâ is nonetheless a major factor in the overall impression of Hidden Trailsâ self-titled debut (on Elektrohasch), as its indie vibe and departure from the psychedelic prog of the first two cuts, âLancelotâ and âMutations,â marks a major distinguishing factor between this outfit and Hypnos 69, in which the rhythm section of the Belgian trio played previously. âRickyâ goes on to meld acoustic singer-songwriterism and drones together, and âHands Unfoldâ has a kind of jazzy bounce, the bassline of Dave Houtmeyers and drumming of Tom Vanlaer providing upbeat groove under Jo Neyskensâ bright guitar lead, but the anticipation of heavy psych/prog never quite leaves after the opening, and that doesnât seem to be what the band wants to deliver. The sweetly harmonized acid folk of âLeaving Like Thatâ is on a different wavelength, and likewise the alt-rock vibes of âSpace Shuffleâ and âCome and Playâ and the grunge-chilled-out closer âDenser Diamond.â If thereâs an issue with Hidden Trails, itâs one of the expectations Iâm bringing to it as a listener and a fan of Houtmeyersâ and Vanlaerâs past work, but clearly itâs going to take me a little longer to get over the loss of their prior outfit. Maybe I’m just not ready to move on.
Naturalist vibes pervade immediately from this late-2016 self-titled Svvamp debut (on RidingEasy Records) in the bassline to âSerpent in the Sky,â and in some of the post-Blue Cheer heavy blues sensibility, the Swedish trio bring to mind some of what made early Dirty Streets so glorious. Part of the appeal of Svvampâs Svvamp, however, is that among the lessons itâs learned from heavy â70s rock and from Kadavar‘s own self-titled is to keep it simple. âFresh Creamâ is a resonant blues jam⊠that lasts two and a half minutes. The bouncing, turning âOh Girl?â Three. Even the longest of its cuts, the slide-infused âTime,â the subdued roller âBig Restâ and the Marshall Tucker-esque finale âDown by the River,â are under five. This allows the three-piece of Adam Johansson, Henrik Bjorklund and Erik Stahlgren to build significant momentum over the course of their 35-minute run, casting aside pretense in favor of aesthetic cohesion and an organic sensibility all the more impressive for it being their first record. Sweden has not lacked for boogie rock, but even the most relatively raucous moments here, as in the winding âBlue in the Face,â donât seem overly concerned with what anyone else is up to, and that bodes remarkably well for Svvampâs future output.
Boasting four eight-plus-minute instrumentals, Couldnât Handle⊠The Heavy Jam finds New Jersey trio Tarpit Boogie rife with classic style heavy rock chemistry, bassist John Eager running fills around the dense-toned riffing from guitarist George Pierro as drummer Chris Hawkins propels a surprising thrust on opener âFFF Heavy Jam.â Iâve been a fan of Pierro and Eagerâs since we were bandmates a decade ago, so to hear them unfold âChewbacca Jacketâ from its tense opening to its righteously crashing finale is definitely welcome, but the 37-minute offering finds its true reasoning in the swing and shuffle of the eponymous âTarpit Boogie,â which digs into the very challenge posed by the title â whether or not anyone taking on the album can handle its balance of sonic impact and exploratory feel â inclusive, in this case, of a drum solo that sets a foundation for a moment of Cactus-style rush ahead of a return to the songâs central progression to conclude. They round out with â1992 (Thank You Very Little),â Chevy Chase sample and all, bringing more crashing nod to a massive slowdown that makes it feel like the entire back half of the cut is one big rock finish. And so it is. A well-kept secret of Garden State heavy.
The self-released Dead Seeds, Barren Soil is Horseburnerâs second full-length, and it arrived in 2016 from the four-piece some seven years after their 2009 debut, Dirt City. Theyâve had a few shorter outings in between, demos and 2013âs Strange Giant EP, but the West Virginia four-piece of Adam Nohe, Chad Ridgway, Jack Thomas and Zach Kaufman seem to be shooting for a definitive statement of intent in the blend of heavy rock and modern, Baroness-style prog that emerges on opener âDavidâ and finds its way into the galloping âInto Black Resolution,â the multi-tiered vocals of âA Newfound Purityâ and even the more straight-ahead thrust of âThe Soilâs Prayer.â Marked out by the quality of its guitar work and its clearly-plotted course, Dead Seeds, Barren Soil caps with âEleleth,â which at just under eight minutes draws the heft and the complexity together for a gargantuan finish that does justice to the ground Horseburner just flattened as they left it behind.
Lafayette, Louisiana, five-piece Vermilion Whiskey telegraph participation in the New Wave of Dude Rock to the point of addressing their audience as âboyâ in second cut âThe Past is Dead,â and from the cartoon cleavage on the cover to the lack of irony between naming the record Spirit of Tradition and putting a song called âThe Past is Deadâ on it, they sell that well. The Kent Stump-mixed/Tony Reed-mastered six-tracker is the bandâs second behind 2013âs 10 South, and basks in dudely, dudely dudeliness; Southern metal born more out of the Nola style than what, say, Wasted Theory are getting up to these days, but that would still fit on a bill with that Delaware outfit. If you think youâre dude enough for a song like âOne Night,â hell, maybe you are. Saddle up. Listening to that and the chunky-style riff of closer âLoaded Up,â I feel like I might need hormone therapy to hit that level of may-yun, but yeah. Coherent, well written, tightly performed and heavy. Vermilion Whiskey might as well be hand-issuing dudes invitations to come drink with them, but they make a solid case for doing so.
If the cover art and a song title like âI Swear Iâm Not My Thoughtsâ werenât enough of a tip-off, thereâs a strong undercurrent of the unsettled to Hex Inverterâs second long-player, Revision. The Pennsylvania-based experimentalists utilize a heaping dose of drones to fill out arrangements of keys, guitar and noise that would otherwise be pretty minimal, and vocals come and go in pro- and depressive fashion. Texture proves the key as they embark on the linear centerpiece âSomething Else,â with a first verse arriving over a sweetened bassline after four minutes into the total 9:58, and the wash of noise in âDaphneâ obscures an avant neo-jazz groove late, so while opener âCannibal Eyesâ basks in foreboding ambience prior to an emotionally-driven and explosive crunch-beat payoff, one never quite knows what to expect next on Revision. That, of course, is essential to the appeal. They find an edge of rock in the aforementioned âI Swear Iâm Not My Thoughts,â but as the loops and synth angularity of closer âFled (Deadverse Mix)â make plain, their intentions speak to something wider than even an umbrella genre.
Posted in Features on January 23rd, 2017 by JJ Koczan
Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.
Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’
Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.
Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.
Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.
— Tomorrow’s Dream 2017 —
Presented Alphabetically
1. Abrahma, TBA
Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.
2. All Them Witches, Sleeping Through the War
If 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.
3. Alunah, Solennial
Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.
4. Arbouretum, TBA
I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.
5. Atavismo, Inerte
This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s DesintegraciĂłn (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.
6. Bison Machine, TBA
In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.
7. Brothers of the Sonic Cloth, TBA
News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.
8. Cloud Catcher, Trails of Kosmic Dust
Okay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.
9. Colour Haze, TBA
I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.
10. Corrosion of Conformity, TBA
Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?
11. Elder, TBA
I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.
12. Electric Wizard, TBA
Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.
13. John Garcia, The Coyote Who Spoke in Tongues
Out Jan. 28 on Napalm, The Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo Burn, Hermano, Vista Chino, Zun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.
14. Goya, Harvester of Bongloads
Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.
15. Ides of Gemini, TBA
Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.
16. Kind, TBA
Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.
17. Lo-Pan, In Tensions
Yes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.
18. The Midnight Ghost Train, TBA
It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.
19. Monster Magnet, TBA
I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.
20. Mothership, High Strangeness
A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014âs Mothership II (review here) and 2012âs Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.
21. The Obsessed, Sacred
On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of Weinrich, Costantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.
22. Orange Goblin, TBA
When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.
23. Pallbearer, Heartless
Doomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.
24. Radio Moscow, TBA
Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014âs stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.
25. Roadsaw, TBA
Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in Kind, White Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.
26. Rozamov, This Mortal Road
Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.
27. Samsara Blues Experiment, TBA
It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for Desertfest, Riff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.
28. Seedy Jeezus, TBA
Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah Mitchell, Tranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.
29. Shroud Eater, Strike the Sun
Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.
30. Sleep, TBA
If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.
31. Stoned Jesus, TBA
Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.
32. Stubb, TBA
Since reveling in the soul of 2015âs Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.
33. Sun Blood Stories, It Runs Around the Room with Us
It Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.
34. Ufomammut, TBA
Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015âs Ecate (review here) was a stunner after 2012âs two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.
35. Vokonis, The Sunken Djinn
Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.
—
Gonna Happen and/or Likely Candidates
Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.
Either way, while I’m spending your money, you might want to look into:
36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devilâs Own/DjĂŠvlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. SĂłlstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle
—
Definitely Could Happen
Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.
So, you know, life.
Dig it:
123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. TĂżburn
190. YOB
191. Zone Six
—
Would be Awfully Nice
This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:
192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age
—
If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.
As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.
Posted in Whathaveyou on November 23rd, 2016 by JJ Koczan
Preorders start Dec. 5 for the second album from Bordeaux-based doomers Endless Floods. Aptly titled II, the record itself will arrive right after the New Year as a follow-up to the band’s 2015 self-titled debut and a split with the Netherlands’ Uur and finds issue on vinyl through Dry Cough Records and the band’s own Fvtvrecordings, as well as cassette via Breathe Plastic Records. You don’t need me to tell you this, but Dry Cough and Breathe Plastic are two labels who’ve done an excellent job keeping their ears to the ground over the last several years for all things sludgy and extreme, so while there hasn’t been any audio come to the surface from II yet, it might be one to watch out for as we plunge deeper into winter’s biting harshness.
I’ll turn it over to the PR wire for particulars:
French craftsmen of despair ENDLESS FLOODS to release their doom-laden new LP “II” this January 6th.
France’s cathartic doom specialists ENDLESS FLOODS announce the release of their second full-length “II” this January 6th. A realm of darkness awaits.
Following on from their self-titled debut and split EP with Dutch doomsters Uur, ENDLESS FLOODS’ new album “II” will be released this January 6th, 2017 on vinyl format via Dry Cough Records and Fvtvrecordings, and on cassette tape via Breathe Plastic Records.
On this new offering, the French trio digs deeper within the realm of bleakness they established on their debut “Endless Floods”, making the listener enter a trance-like contemplation through the 20+ minute-long monoliths “Impasse” and “Procession”. In the same vein as their previous works, ENDLESS FLOODS blend their doom and sludge origins with noisier tones and crisper drone-sounding parts, following their path in a never-ending land of heavy. Straight from the limbo, crushing, boundary-free doom.
ENDLESS FLOODS – New album “II” Out January 6th on Dry Cough Records / Breathe Plastic Records Vinyl pre-orders from December 5th
The Bordelais trio released their self-titled debut in 2015, which was reissued on cassette tape via Breathe Plastic Records in February 2016. The band subsequently released a split EP with Dutch doomers UUR this May, which artwork was designed by Derek Setzer. The prolific ENDLESS FLOODS have already announced the release of their sophomore full-length “II” this January 6th, 2017 on vinyl via Dry Cough Records and the band’s label Fvtvrecordings, as well as on cassette tape via Breathe Plastic Records.