Red Beard Wall Sign to Desert Records; 3 Out July 2; Premiere “Liberate”

Posted in audiObelisk, Whathaveyou on April 29th, 2021 by JJ Koczan

With a by-now-signature blend of raw sludge and post-hardcore-style melodicism, West Texas’ Do My Python Homework. 919 likes · 1 talking about this. Buy thesis (www.buythesis.net) is a professional writing service, which has dedicated writers for writing unique and exceptional quality thesis. Red Beard Wall signs to What “Custom” Means to UK Writings. Our Writers: UK Writings employs a huge staff of expert native English-speaking writers – writers who have been educated in UK institutions and who have specialty areas of writing based upon their degrees.There is no way that any writing service can supply UK basicss without qualified writers whose academic backgrounds are consistent with the Desert Records for the forthcoming album proposal and dissertation help between Vegetable Production Business Plan Legit martin luther king i have a dream essay personal essay for medical school 3, set to release on July 2. The follow-up to 2019’s Common Application Essay Help Rules - Aiming for the top 5%? Our Professional CV Writers can help you. Contact us and our expert Resume Writing Service now! The Fight Needs Us All (discussed here) pushes band mastermind/multi-instrumentalist  http://representationco.com/best-grad-school-admission-essays-writing/ - Get key tips as to how to get the greatest dissertation ever No more Fs with our high class essay services. confide your essay to Aaron Wall further along the particular course of purposeful and expressive songwriting — the first line of post-intro opener “Move Forth” is “Oh my god what the fuck have we done?” — and finds him bringing the melodic side of his vocal approach to new prominence in the band’s sound. Effective layering with throaty rasps make for an engaging and malleable dynamic, and even a later cut like “Leave Me Be,” which plays one off the other in verse/chorus fashion, does so fluidly with the crunch of ’90s noise in its riff and enough sludge tonality to be joyous in its harshness.

The ultimately positive nature of  Our watch enhance our client's probability of winning through development of compliant, convincing and compelling proposals. Wall‘s lyrics — even “Move Forth” is an encouraging statement, let alone “Keep Fighting” later on — is a distinguishing factor, and feels as much self-directed as outward. This record has been in the works for a while, but no doubt events of the last year played a role as well, and to find “My Brothers” at the center ahead of the first single “Liberate” (premiering below) speaks to the intensity of messaging throughout  Search for Automotive Buy College Application Essay Famous jobs at Monster. Browse our collection of Automotive Service Writer job listings, including openings in full time and 3: “You’re a person/We care about what happens to you.” Where this melding of scathe and melody ultimately brings  Online a fantastic read at Best Price from MyAssignmentHelp. Best homework helpers in USA are available to help you with college homeworks. We offer Red Beard Wall is “Home,” which wraps the nine-song/37-minute outing with a mosh-ready apex that feels like it’s just waiting to emanate at full volume from some stage, anywhere, at any time. Fingers crossed that might get to happen ever.

July, huh? That feels like a long time away, but it isn’t.  There are enough Phd Thesis Conflict Managements around the web. If you are wondering why you should choose our website to assist you in studying - click here! 3 is the most complex and accomplished collection  Title: http://stadt.weimar.de/l10n/fr/?1495 Subject: free ebooks get paid to write essays and user guide get paid to write essays download as reference instruction get Red Beard Wall have yet done, and as you can see in the announcement below, label and artist alike are pretty thrilled to have come together to make it happen.

Dig:

Red Beard Wall 3

RED BEARD WALL 3

Two years after the critically acclaimed sophomore effort “The Fight Needs Us All,” and touring incessantly to support it… the mighty Red Beard Wall are BACK!

“Welcome mutha-fuckin’ Red Beard Wall to the ever-growing Desert Records artist roster!” says label head Brad Frye. “This was a no-brainer right here. I’ve known Aaron for years through Red Mesa. He has the fire and passion that is nearly unparalleled in the heavy underground. His positive attitude and energy is contagious. I can’t wait for folks to hear this album… dig the first single, ‘Liberate!'”

The highly anticipated and aptly titled new album “3” has arrived in all its gnarly, yet beautiful amalgamation of heavy! “3” is the band’s most urgently emotional and honest collection of songs to date. Heavier than ever, gnarlier than ever, more passionate than ever, and on the flipside, more lush and beautiful than ever. Riff salad with a healthy side of groove soup.

“We are beyond honored to team up with the amazing and hella fast-rising Desert Records for RBW3!” echoes Red Beard Wall’s Aaron Wall. “Brad is our brother, so that makes it even more special. We’re focused on growing the band, the label, and our friendship. This is more than a collab… this is family. This is home. We can’t wait for you to hear and see what we do together! Gargantuan guaranteed!” Mad love, gratitude, and respect always!! ALL HAIL!!!”

Joining forces with the impeccable and cutting edge Desert Records for vinyl, digital, and cd release, scheduled for July 2, 2021. For fans of Floor, Torche, Helmet, and Snapcase. ALL HAIL Red Beard Wall!!!

Tracklisting:
1. Tap
2. Move Forth
3. Contrarian
4. Waste
5. My Brothers
6. Liberate
7. Leave Me Be
8. Keep Fighting
9. Home

https://www.facebook.com/redbeardwall/
https://www.instagram.com/redbeardwall/
https://redbeardwall.bandcamp.com/
https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

Tags: , , , , ,

Sorcia Sign to Desert Records; Death by Design EP Coming Soon

Posted in Whathaveyou on April 8th, 2021 by JJ Koczan

Following the release in 2020 of their self-titled debut (review here), Seattle, Washington, three-piece  https://cheapdissertationwriting.com/about/ Writing Service for students at any academic level. Professional custom essay writers, ?24/7 Support, Full Confidentiality, 100 Plagiarism Free! Get high-quality custom essay easily. Sorcia have signed on to release their next EP, Looking for a cheap blog writing services where you can buy blog or website content? We can help. Our Research Papers Vroom Expectancy Theory will assist you with Death by Design, through personal statement for it http://www.dobra-vila-bovec.si/?creative-writing-programs-canada Ekrn division essay subjects essay help online free Desert Records. Near as I can tell, the forthcoming — no exact date, but figure summer-ish — outing will comprise two tracks. First is a 16-minute title-cut to be recorded by none other than Stony Brook Mfa Creative Writing - Speedy world delivery and reasonably-priced drugs with no rx. Spend less money when buying from our drugstore. We make ordering Tad Doyle, and the second is a CD-only bonus live tune, which, as a fan generally of the all-but-forgotten compact disc format, I can appreciate. I mean seriously, CDs use lasers! Lasers! That’s some Back to the Future shit right there.

If you caught the album last year, you already know  Win Your PhD Degree With Our blog link Our Professional Thesis Writers Will Help You Get Your Goals As you search for a reliable and Sorcia can handle longer-form work, as they demonstrated in the nine-minute “Stars Collide,” so to find them pushing that impulse either as a general direction or a one-off — you’re never really sure when it comes to EPs — feels natural either way. And note too in the comment from  Desert Records the apparent intention of owner Brad Frye (also Red Mesa) to build a network of tour stops through geographic spread of the label’s roster. Of course, touring is a hypothetical at the moment, but by sourcing a local knowledge base through its own the catalog of offerings, there’s really no limit to how far the imprint’s routing might end up going. Except, you know, the planet.

Word from Frye and from the band follow here:

sorcia

SORCIA – Death by Design – Desert Records

“The ink is dry, Sorcia has signed to Desert Records for the release of an EP called ‘Death By Design’ releasing this summer, exact release date TBD. Once I heard their S/T debut album, I knew this was the perfect band for Desert Records, with their mix of styles that range from sludge to doom to blues to grunge to stoner metal. This will be a special release showcasing a 16-minute-long song, plus an acoustic version of ‘Dusty’. Part of the Desert Records touring routes, Sorica helps to complete the Seattle stop. Once venues open back up, you will see Sorica and all Desert Records bands and artists on the road supporting each other across cities and big towns in the US.” -Brad Frye, Desert Records

“We are very pleased to announce that we have joined forces with Desert Records for the release of our forthcoming EP ‘Death By Design’,” says Sorcia. “The creation of this EP was a huge step out of our comfort zone, and it explores some of the farthest depths of our collective creativity. The title track ‘Death By Design’ is an epic journey that delves into the most primitive concepts of human existence and death.”

“The mighty Tad Doyle will be at the helm once again for the recording of this opus as well as the talented Mike Hawkins on board again for the artwork. The CD will include an exclusive bonus track, a smokey, stripped-down acoustic version of the self-reflective song ‘Dusty’. For the recording of this song, we had the pleasure of working with Jessica’s own brother Matt Bos. These songs each had their unique challenges, but they inspired us to push our limits and move beyond the walls of our boundaries.”

Album artwork, preorder info, and release date coming soon.

In the meantime, check out their first album on Bandcamp: https://sorcia.bandcamp.com/

SORCIA
Neal De Atley – Guitar, Vocals
Jessica Brasch – Bass, Vocals
Bryson Marcey – Drums

https://www.facebook.com/SorciaBand/
https://www.instagram.com/sorciaband/
sorcia.bandcamp.com
https://sorciaband.com/

Sorcia, Sorcia (2020)

Tags: , , , , ,

Book of Wyrms Premiere “Speedball Sorcerer” From Occult New Age LP out May 7

Posted in audiObelisk on April 2nd, 2021 by JJ Koczan

book of wyrms

Richmond, Virginia, boogie doomers Book of Wyrms release their third long-player and Desert Records label debut, Occult New Age, on May 7. The announcement of the album first came down nearly a year ago, but like everybody’s everything, the four-piece’s recording plans were subject to the ravages of global pandemic. No shock that social distancing can make something like getting together to record a little bit harder.

Occult New Age surfaces now as a clean eight-song/41-minute album in the classic vinyl-minded structure of same. Four songs on each side, and the longest of them, “Hollergoblin,” rounds out side A instead of side B, perhaps in some measure of capitulation to modern attention spans. Or maybe just to give the classic metal that ensues on Occult New Age‘s back half — following the slower rolling “Keinehora,” anyhow — its due. Fair enough, in any case. As with 2019’s Remythologizer (review here) and 2017’s debut, Sci-Fi/Fantasy (review here), the band showcase a range of psychedelic and doomly shifts. Unlike their prior two LPs, however, this one was made as a four-piece, with guitarist Kyle Lewis on board for the recording process for the first time alongside vocalist/synthesist Sarah Moore Lindsey, bassist/synthesist Jay “Jake” Lindsey and drummer Chris DeHaven.

Lewis has been listed as a band member all along, so maybe he just didn’t take part in the recordings for whatever reason, but his presence certainly does nothing to hurt the fullness of tone the band present. Opener “Meteoric Dagger” starts off warm and sleek in its boogie with Sarah‘s vocals working easy in third-record realization over the guitar, drums casual but not lazy in their swing behind. Call it classic if you want because it’s ’70s-derived, but there’s nothing all that retro about it, and the spacey shred that leads to a tempo rollback, if anything, is more ’00s stoner than it is ’70s heavy.

book of wyrms occult new ageIt’s a winner in any case, and a stirring reminder that it was fuzz aficionados Twin Earth Records who first brought the band to daylight. The Sabbath-circa-’74 vibe in Lewis‘ tone on “Colossal Yield” is likewise righteous, and it leads to the quiet, folky interlude “Aubrionlilly” ahead of the aforementioned “Hollergoblin,” a hypnotic two minutes that fades to the silence from whence the side A closer emerges, rumbling, receding, surging and finally running as all-out as the band gets — a satisfying push that in any number of other instances would and could close an album, right unto the synth swapout in the last second. Obviously, it serves its purpose here with nothing more to be desired.

Cymbal wash from DeHaven and a far-back vocal start “Keinehora,” its title derived from the Yiddish words for “no evil eye.” If we’re warding off foul spells and the like, the aura Book of Wyrms set is suitable for doing so, and they unfurl the track en route to flashes of double-kick with patience befitting a group who’ve made the most of opportunities to grow in just the four years since their debut. The riff that launches “Speedball Sorcerer” and the layered interplay that follows is a clarion for what follows there and in the subsequent two tracks — it classic metal of doom.

Flourish of organ adds distinction, but it’s the largesse of the chorus — cymbal crash and churning riff — that make it even more of a standout, at least until about three minutes in when the organ takes the lead. Four minutes well spent (I hope you’ll agree), and it does serve as an entry to the closing salvo, with “Weatherworker” chugging its way into a later melodic ether and the low-end fuzz of “Dracula Prectice” ceding command only when the guitars have swelled to encompass it and the vocals.

The hits at the end and groove they ride out feels organic in purpose, and they don’t overdo it either, jamming their way through into a smoother section of organ and maybe-slide (?) undulations, some more double-kick for emphasis, and a final comedown, purposefully understating the finish after the apex. Legit for a band who’ve clearly focused on bringing more ambience and mood to their approach over time, and after the explorations of Sci-Fi/Fantasy and Remythologizer, they demonstrate a melodic and atmospheric scope that is aware of aesthetic tenets and plays to them well while succeeding in marking out its own stakes of songcraft and performance. Were you to see the band on stage, you might say, “Hey, cool riffs,” but that really wouldn’t begin to cover it. Though yeah, that too, for sure.

You can check out “Speedball Sorcerer” premiering on the player below, followed by some brief comment from the band, preorder link, etc.

Please enjoy:

Book of Wyrms on “Speedball Sorcerer”:

“We are stoked to let everyone hear the fuzzed out boogie of Speedball Sorcerer! This features our friend LJ Rafalko on organ and is about bees. Hope y’all dig.”

Pre-order: https://bookofwyrms.bandcamp.com/

Book of Wyrms are back with more out of this world psychedelic metal! The band is set to release their 3rd full-length album, “Occult New Age”, May 7, 2021. With a foundation built on groovy riffs, memorable hooks, and ethereal vocals, the new album contains 8 tracks of energetic and classically catchy metal.

Occult New Age really does mark a new age for the band. Recording for the first time as a four-piece gave the band space to stretch out a little bit and fill the spectrum with big textures and proggy riffs, but their years playing together gives them focus to keep things tight and scatter hooks among the chaos.

Formed in 2014, Book of Wyrms came together to forage strange ingredients for their sonic pot, balancing airy vocals over heavy sludge, cloaking progressive melodies in fuzz, and dropping surprise boogies under retrofuturist synths (people always ask if it’s a theremin). Whenever they could, the band packed into their shiny starcraft to play dive bars and doom fests from New England to Chicago to Texas, leaving a trail of freaked-out squares and demolished tacos in their wake.

Book of Wyrms are:
Chris DeHaven – Drums and Percussion
Sarah Moore Lindsey – Vocals/ Synthesizer
Jay “Jake” Lindsey – Bass/ Synthesizer
Kyle Lewis – Guitar

Book of Wyrms on Thee Facebooks

Book of Wyrms on Instagram

Book of Wyrms on Bandcamp

Desert Records on Thee Facebooks

Desert Records on Instagram

Desert Records on Bandcamp

Tags: , , , , ,

The Penitent Man & Cortége Pair for Legends of the Desert Vol. 2 Split

Posted in Whathaveyou on March 23rd, 2021 by JJ Koczan

There’s a lot of info below, and fair enough, but if you’re looking for the essentials, it goes like this: Desert Records is bringing together Salt Lake City’s The Penitent Man and Austin duo CortĂ©ge for the second in its seven-part Legends of the Desert split series. June 4 is the release date. You might recall Vol. 1 (discussed here) came out last year, and this will be Vol. 2.

Both bands are Desert Records veterans, with releases out through the New Mexico-based imprint, and it goes without saying that the intention here is to write legends rather than bask in those longstanding of yore. Ls are limited, as will happen, and CDs and downloads will all be out — all that fun stuff. I don’t have preorder info or any audio yet, but you can hear releases from both bands below, and I think it’ll come through one into the next that each one brings something of its own to the release, with The Penitent Man handling more of the rocking traditionalism while CortĂ©ge offer a cinematic take with their tubular-belled instrumentals. Looking forward to hearing this one.

Announcement follows courtesy of the label:

the penitent man cortege legends of the desert vol 2

LEGENDS OF THE DESERT: VOL 2 – The Penitent Man & CortĂ©ge

Legends of the Desert: Volume 2 releases on June 4th, 2021. Vol. 2 brings us further into the desert showcasing new and classic Desert Rock bands geographically located in the Southwestern United States. Continuing the vision of Vol.1, the second installment will introduce the world to two new “Legends” bands, carefully curated by Desert Record’s owner Brad Frye.

All the music for Legends of the Desert is exclusive to the series.

Maintaining the quality and consistency throughout the 7-part series, we will see the return of the Legends team.

New & stunning album artwork by the series artist, Joshua Mathis, features an album cover with a Gunslinger riding a Gila Monster.

The timeless, classic looking graphics and layout from Garrett Hellman will be featured along with Mathis’s artwork.

Mastering will be handled by the series audio mastering engineer, Mark Fuller.

Vinyl LP’s will be available in a limited edition of 500, including highly limited special color variants. CD’s and digital downloads will be available. Digital streaming will be available worldwide.

Desert Records is excited to announce the bands: The Penitent Man (Utah) and Cortége (Texas).

Side A:
The Penitent Man is a 5-piece from Salt Lake City. Blending Desert Rock, Classic Rock, Heavy Blues. These exclusive songs featuring the special guest, Todd Ogren from Rival Sons on keyboard for all three tracks! Sounds like Led Zeppelin teamed up with Alice in Chains to make an album in the desert.

A Long Deep Breath of Sadness–4:26
The Butcher–6:32
Rest My Weary Head–9:01
All songs written and produced by The Penitent Man
Drum Tracking and Mixing by Greg Downs at Pale Horse Sound

Steve King–Guitars
Phill Gallegos–Guitars
Allan Davidson–Vocals
Chris Garrido–Drums
Ethan Garrido–Bass
Todd Ogren–Keyboards (from Rival Sons).

Side B:
Cortége is a duo from Austin, TX. They play Ambient Doom mixed with post-western cinematic scores. Heavy bass guitar, drums, and tubular bells. Sounds like if Earth and Pink Floyd teamed up to do a soundtrack to a David Lynch film.

1. As it Lay (Heavy in the Air) – 10:25
2. Circling Above – 8:39

All songs written and recorded by Cortége.
Recorded and mixed by Kevin Sparks.

Mike Swarbrick – Bass, Tubular Bells
Adrian Voorhies – Drums

https://www.facebook.com/thepenitentmanband
https://www.instagram.com/thepenitentmanband/
https://thepenitentman.bandcamp.com/

cortege.bandcamp.com/
facebook.com/cortegeatx/
instagram.com/cortegeatx/

https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

The Penitent Man, The Penitent Man (2020)

Cortége, Capricorn (2019)

Tags: , , , , , , , ,

Doors to No Where Sign to Desert Records for Darkness Falls LP; Premiere Title-Track Feat. Bob Balch

Posted in audiObelisk, Whathaveyou on March 18th, 2021 by JJ Koczan

doors-to-no-where

Santa Cruz, California’s Doors to No Where have signed to Desert Records and will release their new album, Darkness Falls, on May 21. From masterblaster-punk opener “Lie, Lie, Lie” through the early-Alice in Chains-style grunge chug of “Fade” and the classic metal epic tension in near-eight-minute finale “Darkness Falls,” the record runs a gamut of styles in a mere 31 minutes, finding a post-hardcore kind of heavy rock melody in “Worship the Machine” before the two-minute “Got Mine” shoves and sprints in post-Songs for the Deaf careening fashion. The trio don’t stay in any one place much longer than to leave a boot print as they’re off to the next thing, but there’s a consistency between “Fade” and “New Monster,” as vocals, tonal thickness and production/songwriting draw the release together as a whole. The succession of jabs, between the Goatsnake-ing groove of “Policy” and the finishing surge in “Who Died” and the rest of what surrounds becomes something of a consistency in itself, and the album is stronger for that.

One can tell from the track titles that Darkness Falls is something of a COVID-era production, and indeed, Doors to No Where recorded it last year. There are already and there are going to continue to be a glut of albums on the theme since, on the most basic level, art as an expression of processing common trauma is a human impulse. If the momentum of their tempos is anything to just by, Doors to No Where don’t seem to have been dragged down too far, or maybe that just means they had farther to go. I won’t speculate.

Fu Manchu and Big Scenic Nowhere‘s own Bob Balch sits in on the concluding title-track, which you can hear premiering at the bottom of this post. Album info and the signing announcement follow, courtesy of Desert Records and the PR wire:

doors to no where darkness falls

DESERT RECORDS PRESENTS “DARKNESS FALLS” DOORS TO NO WHERE

“Darkness Falls” is the fourth studio album from Doors To No Where, a trio from Santa Cruz, California. The album was recorded in 2020 smack-dab in the middle of COVID lockdowns. The band once again worked with producer Aaron Cooper (Pylon Productions).

“Darkness Falls” consists of eight blistering tracks that touch on Doors To No Where’s stoner rock roots and punk influence. The band brings big riffs and touches on elements of psych, doom and a hint of the heavier side of grunge. Plenty of groove to feel on this record.

The title track “Darkness Falls” features a guest performance from Bob Balch (Fu Manchu, Big Scenic Nowhere) on guitar. “Darkness Falls” also features percussion by Aaron Cooper. Darkness Falls was the last song written for the record and truly reflects the crazy time that 2020 was. Balch brings his huge tone to add to the song’s vibe.

“Darkness Falls” was recorded, mixed and mastered by Aaron Cooper at “pylon Studios” in Santa Cruz, California (USA). Doors To No Where has three albums under their belt, “Lucky You”, “I’m Alive” and “The Haunting.” The band will release their fourth record “Darkness” via Desert Records May 21st 2021. Joining Marc Lewis (guitar/vocals) is longtime drummer Pete Testorff and Marc Prefontaine (bass). “Darkness Falls will be Prefontaine’s first album with the band.

Marc Lewis on Working with Bob Balch:
Working with Bob was an honor and his contributions to the track are huge. He is a true pro and his tone is so recognizable and heavy. I had an idea of the whole song in my head before I even picked up a guitar and I knew I wanted Bob to contribute to it. I wanted that classic fuzz and grit and to give him room to shred some. When we played with Fu Manchu I picked his brain a lot about tone and threw out the idea of working together someday. I reached out to him with a very rough version of the song and he was into it. The dude just lives for guitar and working with him was so easy. He really nailed the vibe I had in my head. The dude is a special talent on guitar for sure.”

1. Lie, Lie, Lie
2. Fade
3. Worship the Machine
4. Got Mine
5. Policy
6. Who Died
7. New Monster
8. Darkness Falls (Feat. Bob Balch)

Doors to No Where are:
Marc Lewis (guitar/vocals)
Pete Testorff (drums)
Marc Prefontaine (bass)

https://www.facebook.com/D2NROCKNROLL
https://www.instagram.com/doors_to_no_where/
https://doorstonowhere.bandcamp.com/
http://www.doorstonowhere.com/
https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

Tags: , , , , ,

Spliffripper Premiere “Left is Law”; Self-Titled Debut Out Next Month on Desert Records

Posted in audiObelisk, Whathaveyou on February 12th, 2021 by JJ Koczan

spliffripper

You wanna know how much of a stoner I’m not? I tried to look up what a ‘bing’ is without realizing that the band is just screwing around and using ‘bing’ as opposed to ‘bong.’ No bings, just bongs. Get it?

Desert Records has signed on to enable Spliffripper, these Montana-based, reefer-minded miscreants, whose sludgy “Left is Law” you can stream premiering at the bottom of this post. The three-piece will issue their basement-recorded (one assumes if the basement wasn’t dank when they got there it was by the time they left) self-titled full-length debut through the noted imprint on March 26. Their mission is shouty sludge with due crust and no pretense about the various influences sonic and otherwise under which they’re working. You’ll note in the tracklisting below that the album closes with “Jazz Cabbage,” and that happens to be my particular favorite euphemism for weed.

Wonder how these dudes feel about edibles.

Either way, their anti-marijuana “weed kills” stance is a riot, and brings a very specific kind of charm. I haven’t heard it yet, but I’m sure “Funeral Bong” is a good time.

The PR wire has this:

spliffripper spliffripper

Spliffripper – Desert Records

!!ATTENTION ALL POT-SMOKING, DRUG-ADDLED, HIPPY-TRIPPING DEGENERATES!!!

Preorder: https://spliffripper.bandcamp.com/album/spliffripper

The anti-stoner reefer-enforcement squadron has arrived: SPLIFFRIPPER!!!

Assault your earholes with our message of the true dangers of the illegal narcotic: MARIJUANA!!!

Prepare your feeble, hazed-out minds for a sonic assault of sludgy death, cultic tone worship, and cannabis-fueled rage, with riffs so nasty, you’ll drink the bongwater!

Songs of overdose, addiction, loss, and insanity that are a direct result of this dangerous chemical substance!

Your skull will cave in from the sheer power of our propaganda, and you will immediately relinquish all hazardous or unlawful substances, which shall be placed in our possession henceforth!

!!!WE ARE COMING FOR YOUR WEED. YOUR GRASS SHALL BE OURS!!!

“Spliffripper is the living embodiment of propaganda, spewing forth the inane truths of the dangers of cannabis. Rage-fueled, hate-inducing riffs are bound to turn you into a murderous reefer fiend.”

“No bings
No bubblers
No bullshit
BONGS ONLY
*spliffs and jays are A-okay*”

Tracklisting:
1. Bongbreaker
2. Left is Law
3. Vietbong
4. Chief Kief
5. Maui Waui
6. Funeral Bong
7. Jazz Cabbage

Members:
Granddaddy Purple – Riffweaver/Exhaler
Sgt. Stoned – Doomstick
Smokey “Bong” McBongwater – Primitive Skin Slapper

https://www.facebook.com/spliffripper/
https://spliffripper.bandcamp.com/
https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

Tags: , , , , ,

Stone Machine Electric Post “Free Thought” Official Live Video

Posted in Bootleg Theater on February 1st, 2021 by JJ Koczan

stone machine electric

I know what you’re thinking: But wait, isn’t the version of this song on the album live?

Yes, it is, and that’s exactly the kind of head-screwery I’d expect from Texas two-piece Stone Machine Electric. Indeed, the version of “Free Thought” that appears on Dec. 2020’s just-cut-and-paste-it-because-you’ll-never-get-it-right-otherwise Desert Records long-player The Inexplicable Vibrations of Frequencies Within the Cosmic Netherworld (review here) is the same one that is being played in the video below, captured at the Freetown Boom Boom Room in Lafayette, Louisiana, shortly before live shows evaporated in the face of global pandemic — timing, as ever, is everything.

Accordingly, much as Stone Machine Electric blurred the line between a live and a studio album, they’re here doing the same to the line between live and official videos. Just like they’ve been blurring the lines between jams and songs, psychedelia and doom and jazz, and so on and so forth all throughout their tenure, now past the decade mark as it is. Some bands fit easy categorization. That’s a line of which Stone Machine Electric are solidly on the other side.

At nine minutes, “Free Thought” — presented in its entirety in the video — is the shortest track on The Inexplicable Vibrations of Frequencies Within the Cosmic Netherworld by a substantial margin. And if you haven’t had a chance to get acquainted with the record yet, it’s streaming in full below.

Have fun:

Stone Machine Electric, “Free Thought” official live video

Free Thought off the album The Inexplicable Vibrations of Frequencies Within the Cosmic Netherworld on Desert Records.

https://stonemachineelectric.bandcamp.com/album/the-inexplicable-vibrations-of-frequencies-within-the-cosmic-netherworld

Recorded live at The Freetown Boom Boom Room in Lafayette, LA on 2/22/2020. Audio mastered by Kent Stump at Crystal Clear Sound in Dallas, TX.

Stone Machine Electric, The Inexplicable Vibrations of Frequencies Within the Cosmic Netherworld (2020)

Stone Machine Electric on Thee Facebooks

Stone Machine Electric on Instagram

Stone Machine Electric on Twitter

Stone Machine Electric on Bandcamp

Desert Records on Thee Facebooks

Desert Records on Bandcamp

Desert Records BigCartel store

Tags: , , , , ,

Abysm Sign to Desert Records for EP Series

Posted in Whathaveyou on February 1st, 2021 by JJ Koczan

Cork, Ireland’s Abysm released the debut EP, A Grim Reminder, in October 2020. The project was founded as a solo endeavor split off from Worn Out during lockdown. One suspects 2021 is going to bring a lot of quarantine-era solo outfits, and fair enough. For Abysm, the debut EP is reportedly to begin a series, which it’s now been announced will be released through Desert Records. A Grim Reminder, then, is the first installment of a trilogy of short releases. Not like there wasn’t time to come up with plenty of stuff.

The plot thickens when the band hints at lineup expansion, i.e. becoming a band rather than a project, and adding vocals to what was instrumental initially. How that means A Grim Reminder will serve as a lead-in to the series it’s beginning, I don’t know. Depends on how the progression of what Abysm is/does plays out over the subsequent releases. We could just be hearing an extended intro this time around, which I find fascinating.

Here’s the announcement from the PR wire, spliced with a few words from Abysm when the EP came out:

abysm logo

Abysm – Desert Records

Please welcome the sludge metal project ABYSM to Desert Records.

Based out of Cork, Ireland (a city I absolutely love), I’m very happy to bring you the first EP, A Grim Reminder.

The EP is up on Bandcamp now! It’s NYP.

Please support this and pay whatever you can afford if you’re digging this. $1 from many supporters can really help a band these days.

The big news: Desert Records will be releasing a trilogy of EP’s from ABYSM this this year.

“I have been putting a lot of work into piecing this together and I couldn’t be more proud of the outcome,” says Abysm. “The process of creating a follow up is well underway and expect some new things from the next release, and also some vocals as well, but more on that on when the time is right.”

EP2 and EP3 will continue the story arc of EP1.

Dig it here:
abysm-sludge.bandcamp.com/album/a-grim-reminder

https://www.facebook.com/ABYSMNOISE/
https://abysm-sludge.bandcamp.com/
https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

Abysm, A Grim Reminder (2020)

Tags: , , , , ,