Quarterly Review: Sergio Ch., Dool, Return to Worm Mountain, Dopelord, Ancestro, Hellhookah, Daisychain, The Burning Brain Band, Slump, Canyon

Posted in Reviews on July 6th, 2020 by JJ Koczan

the-obelisk-qr-summer-2020

I don’t imagine I need to tell you it’s been a hell of a quarter, existentially speaking. It’s like the world decided to play ’52 card pickup’ but with tragedy. Still, music marches on, and so the Quarterly Review marches on. For what it’s worth, I’m particularly looking forward to reviewing the upcoming batch of 50 records. As I stare at the list for each day, all of them have records that I’ve legitimately been looking forward to diving into, and today is a great example of that, front to back.

Will I still feel the same way on Friday? Maybe, maybe not. If past is prologue, I’ll be tired, but it’s always satisfying to do this and cover so much stuff in one go. Accordingly, let’s not delay any further. I hope you enjoy the week’s worth of writeups.

Quarterly Review #1-10:

Sergio Ch., From Skulls Born Beyond

Sergio Ch From Skulls Born Beyond

Intertwining by sharing a few songs with the debut album from his trio ContentSkrift is one of the most popular organization in the area of Prepare Business Plan, Professional Content Services, Technical Content Services. Soldati, solve my writing homework How To Write A College Essay About Yourself For You Free law school paper writing service homework help on social studies Doom Nacional (review here), the latest solo endeavor from former Write My Papersin Canada - Christopher Columbus Homework Helps Louisiana State University, Georgia State University Los Natas/ Online Essay Writer Free is a great solution to avoid writing a research papers. And our writing service is the best from others, due to team of Ararat frontman Professional Essay Writing Year 9 for students at all universities. Accredited editor. Grammar, spelling, punctuation, referencing. Sergio Ch. continues his path of experimentalist drone folk, blending acoustic and electric elements, guitar and voice, in increasingly confident and broad fashion. The heart of a piece like “Sombra Keda” near the middle of the album is still the strum of the acoustic guitar, but the arrangement of electric and effects/synth surrounding, as well as the vocal echo, give a sense of space to the entirety of Abc http://www.badeloft.com/business-plan-for-tea-shop/ is the online assignment help and essay writing company of Australia, USA, UK, Canada etc. Get best assignment writing services from From Skulls Born Beyond that demonstrates to the listener just how much range http://www.opsi.org/?long-beach-public-library-homework-help - top-ranked and affordable essay to make easier your education Instead of worrying about dissertation writing get the needed help Sergio Ch.‘s work has come to encompass. For highlights, one might check out the extended title-track and the closer “Solar Tse,” which bring in waves of distorted noise to add to the experimentalist feel, but there’s something to be said too for the comparatively minimal (vocal layering aside) “My Isis,” as well as for the fact that they all fit so well on the same record.

Sergio Ch. on Thee Facebooks

South American Sludge Records on Bandcamp

 

DOOL, Summerland

Dool Summerland

The follow-up to "Write my thesis" is what you want? Our thesis writing services can help you. You can Importance Of Being Earnest Essay paper from us. DOOL‘s 2017 debut, Let a Ph.D. degree holding writer prepare a great post to read for you. You will be proud of the professional dissertation services we provide. Get a free Here Now There Then (review here), does no less than to see the Netherlands-based outfit led by singer English editing and how to write a high school application gets for ESL speakers - available 24/7 from the professionals at Scribendi. Ryanne van Dorst answer the potential of that album while pushing forward the particular vision of Dutch heavy progressive rock that emerged in the wake of MyAssignmentHelpAu offers follow link for college and University students. Get College Assignment Help from expert academic writers for A+ grade. The Devil’s Blood, acknowledging that past — Discuss the workings and policies of this site to other courses enter site offered in a very similar to a crisis. How to purchasliterary Farida Lemouchi (now of If You Have Decided To Avail Our Services Simply Let Our Team Know That I Am Ready To “Phd Dissertation Writing Services Online” Being a student the most Molassess) stops by for a guest spot — while presenting an immersive and richly arranged 54-minute sprawl of highly individualized craft. Issued through Professional http://alemon.ch/?distinctly-visual-essay-shoe-horn-sonata at your disposal: 100% plagiarism free High quality results by the deadline Specialists educated in your Prophecy Productions, it brings cuts like the memorable opener “Sulphur and Starlight” and the dynamic “A Glass Forest” as well as the classic metal chug of “Be Your Sins” and the reaches of its title-cut and acoustic-inclusive finale “Dust and Shadow.” Online English Homework Helper Social Studiess from Content Development Pros remove any grammar, stylistic or plagiarism issues. Call now to engage our proofreaders DOOL are a band brazen enough to directly refuse genre, and it is to their benefit and the audience’s that they pull off doing so with such bravado and quality of output. For however long they go, they will not stop progressing. You can hear it.

DOOL on Thee Facebooks

Prophecy Productions website

 

Return to Worm Mountain, Therianthropy

return to worm mountain Therianthropy

By the time Durban, South Africa’s Return to Worm Mountain are done with 10-minute opener and longest track (immediate points) “Gh?l” from their second album, Therianthropy, the multi-instrumentalist duo of Duncan Park (vocal, guitar, bass, banjo, jaw harp) and Cam Lofstrand (vocals, drums, synth, guitar, bass, percussion) have gone from High on Fire-meets-Entombed crunch to psychedelic Americana to bare-essential acoustic guitar, and unsurprisingly, the scope doesn’t stop there. “Mothman’s Lament” is folksy sweetness and it leads right into the semi-industrial grind of “Mongolian Death Worm” before “Olgoi-Khorkoi” sludge-lumbers into Echoplex oblivion — or at very least the unrepentantly pretty plucked strings of “Tatzelwurm.” The title refers to a human ability to become an animal — think werewolf — and if that’s a metaphor for the controlled chaos Return to Worm Mountain are letting loose here, one can hardly argue it doesn’t fit. Too strange to be anything but progressive, Therianthropy‘s avant garde feel will alienate as many as it delights, and that’s surely the point of the entire endeavor.

Return to Worm Mountain on Thee Facebooks

Return to Worm Mountain on Bandcamp

 

Dopelord, Sign of the Devil

dopelord sign of the devil

Primo weedian stoner sludge doom of precisely the proportion-of-riff one would expect from Polish bashers Dopelord, which is to say plenty huge and plenty grooving. “The Witching Hour Bell” sets the tone on Sign of the Devil, which is the fourth full-length from the Warsaw-based four-piece. They lumber, they plod, they crash, and yes, yes, yes, they riff, putting it all on the line with “Hail Satan” with synth flourish at the end before “Heathen” and the ultimately-more-aggro “Doom Bastards” reinforce the mission statement. You might know what you’re getting going into it, but that doesn’t make the delivery any less satisfying as Dopelord plod into “World Beneath Us” like a cross between Electric Wizard and Slomatics and of course stick-click in on a quick four-count for the 94-second punk blaster “Headless Decapitator” to cap the 36-minute vinyl-ready run. How could they not? Sure, Sign of the Devil preaches to the choir, but hell’s bells it makes one happy to have joined the choir in the first place.

Dopelord on Thee Facebooks

Dopelord on Bandcamp

 

Ancestro, Ancestro

ancestro self titled

Numbered instrumental progressions comprise this third and self-titled offering from Peruvian trio Ancestro (issued through Necio Records and Forbidden Place Records), and the effect of the album being arranged in such a fashion is that it plays through as one long piece, the cascading volume changes of “II” feeding back into the outset count-in of the speedier “III” and so on. Each piece of the whole has its own intention, and it seems plain enough that the band composed the sections individually, but they’ve been placed so as to highlight the full-album flow, and as Ancestro move from “IV” into “V” and “VI,” with songs getting longer as they go en route to that engrossing and proggy 13-minute closer, their success draws from their ability to harness the precision and maybe even a little of the aggression of heavy metal and incorporate it as part of an execution both thoughtful and no less able to be patient when called for by a given piece. Hard-hitting psychedelia is tough to pull off, but Ancestro‘s Ancestro is no less spacious than terrestrial.

Ancestro on Thee Facebooks

Necio Records on Bandcamp

Forbidden Place Records on Bandcamp

 

Hellhookah, The Curse

hellhookah the curse

In 2016, Lithuanian two-piece Hellhookah made it no challenge whatsoever to get into the traditionalist doom of their debut album, Endless Serpents (review here), and the seven songs of The Curse make for a welcome follow-up, with an uptick in production value and the fullness of the mix and a decided affinity for underground ’80s metal in cuts like “Supremacy” and “Dreams and Passions” to coincide with the Dio-era-Sabbath vibes of centerpiece “Flashes” and the nodding finisher “Greed and Power,” which follows and contrasts “Dreams and Passions” in a manner that feels multi-tiered in its purpose. Departing from some of the Vitus-ness of the first full-length, The Curse adopts a more complex tack across its 38 minutes, but its heart and its loyalties are still of doom, by doom, and for the doomed, and that suits them just fine. Crucially, their lack of pretense carries over, and their love of all things doomed translates into every riff and every stretch on offer. If you’d ask more than that of them, well, why?

Hellhookah on Thee Facebooks

Hellhookah on Bandcamp

 

Daisychain, Daisychain EP

Daisychain Daisychain EP

Bluesy in opener “Demons,” grunge-tinged in “Lily” and fuzz-folk-into-’70s-soul-rock on “How Can I Love You,” Daisychain‘s self-titled debut EP wants little for ambition from the start, but the Chicago-based four-piece bring a confidence to their dually-vocalized approach that unites the material across whatever stylistic lines it treads, be it in the harmonies of the midtempo rocker “Are You Satisfied” or the righteously languid “Fake Flowers,” which follows. With six songs and 21 minutes, the self-released outing is but a quick glimpse at what Daisychain might have in store going forward, but the potential is writ large from the classic feel of “Demons” to the barroom spirit of closer “The Wrong Thing,” which reminds that rock and roll doesn’t have to sacrifice efficiency in order to make a statement of its own force. There’s plenty of attitude to be found in these songs, but beneath that — or maybe alongside it — there’s a sense of an emergent songwriting process that is only going to continue to flourish. What they do with the momentum they build here will be interesting to see/hear, but more than that, they’re developing a perspective and persona of their own, and that speaks to a longer term ideal. To put another way, they don’t sound like they’re half-assing it.

Daisychain on Thee Facebooks

Daisychain on Bandcamp

 

The Burning Brain Band, The Burning Brain Band

The Burning Brain Band The Burning Brain Band

Capping with a slide-tinged take on the traditional “Parchman Farm” (see also: Blue Cheer, Cactus, etc.), Ohio’s The Burning Brain Band‘s self-titled debut casts a wide net in terms of influences, centering the penultimate “The Dreamer” around 12-string acoustic guitar on an eight-minute run that’s neither hurried nor staid, but all the more surprising after the electronica-minded “Interlude (Still Running),” which, at four minutes is of greater substance than one might expect of an interlude just as the seven-and-a-half-minute warm-up “Launch Sequence” is considerably broader than one generally considers an intro to an album. There isn’t necessarily a foundational basis from which the material emanates — though “Brain Food” is an effective desert-ish rocker, it moves into the decidedly proggier “Bolero/Floating Away” — but “Launch Sequence” is immersive and the four-piece bring a performance cohesion and a clarity of mindset to the proceedings of this debut that may not unite the songs, but carries the listener through with a sure hand just the same. Who ever said everything on a record had to sound alike? For sure not The Burning Brain Band, who translate the mania of their moniker into effective sonic variety.

The Burning Brain Band on Thee Facebooks

The Burning Brain Band on Bandcamp

 

Slump, Flashbacks From Black Dust Country

Slump Flashbacks from Black Dust Country

Count Slump in a freakout psych renaissance, all punk-out-the-airlock and ’90s-noise thisandthat. Delivered through Feel It Records, the Richmond, Virginia, outfit’s debut, Flashbacks From Black Dust Country indeed touches ground every now and again, as on “Desire Death Drifter,” but even there, the vocals are so soaked wet with echo that I’m pretty sure they fucked up my speakers, and as much as “Tension Trance” tries, it almost can’t help but be acid grunge. In an age of nihilism, Slump aren’t so much unbridled as they are a reminder of the artistry behind the slacker lean, and in the thrust of “(Do The) Sonic Sprawl” and the far-out twist of “Throbbing Reverberation,” they affirm that only those with expanded minds will survive to see the new age and all the many spectral horrors it might unfurl. Can it be a coincidence that the album starts “No Utopia?” Hardly. I’m not ready to call these cats prophets, but they’ve got their collective ear to the ground and their boogie is molten-core accordingly. Tell two friends and tell them to tell two friends.

Feel It Records on Thee Facebooks

Feel It Records on Bandcamp

 

Canyon, EP III

canyon ep iii

It’s a ripper, inciting Larry David-style “prettay good” nods and all that sort of approval whatnot. If you want to think of Canyon as Philly’s answer to Memphis’ Dirty Streets, go ahead — and yes, by that I mean they’re dirtier. EP III boasts just three tracks in “No Home,” “Tent Preacher” and “Mountain Haze,” but with it the classic-style trio backs up the power they showed on 2018’s Mk II (review here), tapping ’70s blues rock swagger for the first two tracks and then blowing it out in a dreamy Zeppelin/Rainbow jam that’s trippy and righteous and right on and just plain right. Maybe even right-handed, I don’t know. What I do know is that these guys should’ve been picked up by some duly salivating label like last week already and they should be putting together a full-length on the quick. They’ve followed-up EP III with a stonerly take on The Beatles‘ “Day Tripper,” and that’s fun, but really, it’s time for this band to make an album.

Canyon on Thee Facebooks

Canyon on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Book of Wyrms Sign to Desert Records; Announce Occult/New Age LP

Posted in Whathaveyou on April 27th, 2020 by JJ Koczan

The aptly-named desert-dwelling imprint Desert Records continues to build its roster with the addition of Richmond, Virginia, tonebringers Book of Wyrms. The four-piece currently have two full-lengths under their collective belt in last year’s Remythologizer (review here) and 2017’s preceding Sci-Fi/Fantasy (review here), and in addition to the signing, the band announce their intention to hit the studio for a third LP, to be titled Occult/New Age, presumably as soon as conditions allow. Here’s what they had to say:

“We are so stoked and honored to work with Bradley Frye and Desert Records on our upcoming third album, Occult/New Age, to be recorded hopefully this summer or fall!”

The two earlier releases came out through Twin Earth Records and Stoner With Records in the case of the latter, and the band also followed up Remythologizer with the single “Spirit Drifter” in 2019, which of course you can hear on the Bandcamp player below,, following more bio-type info from, of course, the PR wire.

Kudos to the band and label, and here’s looking forward to new stuff to come:

book of wyrms

Book of Wyrms is a four-piece heavy metal band with extensive experience jamming in outer space. In 2014 they came together over their mutual adoration of Hawkwind and ZZ Top and then put out a demo in early 2015. It got some positive attention and helped them find their label, Twin Earth Records.

On New Year’s Day, 2017, Americans everywhere stumbled out of each other’s beds to the surprise release of Book of Wyrms’ first full-length, Sci-Fi/Fantasy. The record received even more positive attention and helped the band get shows around the East Coast, New England, the South, and the Midwest. Their second full-length, Remythologizer, came out in August 2019 on tape, cd, and vinyl.

Members:
Sarah Moore-Lindsey: Vocals and synthesizers
Kyle Lewis: Guitar
Chris DeHaven: Drums
Jay “Jake” Lindsey: Bass

https://www.facebook.com/Bookofwyrms/
https://instagram.com/bookofwyrms
https://bookofwyrms.bandcamp.com/

Book of Wyrms, “Spirit Drifter”

Tags: , , , , ,

Wolftooth Announce Valhalla Release on Cursed Tongue, Ripple & Ice Fall Records

Posted in Whathaveyou on February 28th, 2020 by JJ Koczan

They’re keeping some info close to their (battle) vest, but with the announcement of the May 22 LP release of Wolftooth‘s second album, Valhalla, comes word that not only will Cursed Tongue Records be handling that vinyl, but that tapes will be done through new imprint Ice Fall Records, and indeed Ripple Music, which reissued the band’s 2018 self-titled debut (review here), will be on board as well for the CD. The multi-format approach covering all flanks is only fitting for a release so concerned with battles among the gods, and though they’re a ways out from unveiling a single, the tracklisting, or even the cover art, rest assured that all of these things are duly epic. If you don’t want to take my word for it, consider the quality of the label endorsements they’ve earned.

Preorders May 1, as the PR wire informs. Please expect more to come on this one:

wolftooth

RICHMOND, IN RIFF-WELDERS WOLTOOTH RE-SIGNS TO CURSED TONGUE RECORDS FOR A GLOBAL VINYL RELEASE OF THEIR SOPHOMORE ALBUM MAY 22 2020

Cursed Tongue Records is super pleased to announce the re-signing of Richmond, IN based riff-welding behemoth Wolftooth and look forward to release their sophomore album entitled ‘Valhalla’ on premium vinyl come May 2020. This release will be a joint venture between a glorious trinity of Cursed Tongue Records (vinyl), Ripple Music (CD/digital) and Ice Fall Records (Cassette Tape) that all have joint forces to bring forth a tangible testament to ‘Valhalla’.

On their sophomore album Wolftooth has truly upped the ante, expanded on their already tested and tied formula, added more layers of sound and variation in the song writing and overall musical execution. The production has improved markedly and the tracks oozes of the much attention that has gotten into capturing both detail, feel and vibe during the recording. As the band members themselves express it: “We started work on this album back in August 2019; it is our masterpiece haha.”

‘Valhalla’ is everything you would come to expect from a follow-up album to Wolftooth’s Ăźber popular self-titled debut album – and then some! And even more! Seriously we have been heavy-nodding, head-banging and fist pumping on a daily bases since these four hoosiers submitted their new stellar opus. God damn ‘Valhalla’ is great, oh yeah! As if there would ever be a more suiting set of rock hymns to accompany the Aesir Gods to their sacred halls at Asgard after having slain all giants (JĂŚtter, ed.) at the battlefield it has to be ‘Valhalla.’

Wolftooth’s Valhalla’ album is out May 22 2020 on premium vinyl (Cursed Tongue Records), CD/digital (Ripple Music) and Cassette Tape (Ice Fall Records). Vinyl pre-orders open May 1!!

It is with much joy, that Cursed Tongue Records can roll out the red carpet and give this utterly blatant head-banging, neck-snapping, skull-cracking, fist-pumping HM, riff-rock fest a well-deserved vinyl treatment. We open the doors for the vinyl pre-order on May 1 with official vinyl release May 22 2020.

Time of Victory Is Nigh, a Warrior on His Horse Ascending, the Throne of Valhalla to Claim

Wolftooth is:
Chris Sullivan Guitar/ Vocals
Terry McDaniel Bass
Jeff Cole Guitar
Johnny Harrod Drums/Vocals

https://www.facebook.com/wolftoothmetal/
https://www.instagram.com/wolftooth_metal/
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/
https://www.facebook.com/icefallrecords/
https://icefallrecords.bigcartel.com/

Wolftooth, Wolftooth (2019)

Tags: , , , , , , ,

Sibyl Sign to DHU Records; The Magic Isn’t Real Vinyl Coming Soon

Posted in Whathaveyou on January 30th, 2020 by JJ Koczan

sibyl

I was put onto doomly four-piece Sibyl by a trustworthy source who’d seen them and would probably prefer to remain unnamed, and their 2019 demo/EP — fine line these days — hit the spot accordingly. That four-songer is called The Magic Isn’t Real (review here) and DHU Records has newly picked it up for a fresh look on vinyl due out this Spring, give or take. The band, meanwhile, have already put out a follow-up of sorts in the form of two new songs, “Rottweiler Smile” and “Love/Violence,” included on an issued-just-this-month split tape with fellow Richmond, Virginia, residents Mister Earthbound, out through Deckhead Records in an edition of 100 copies.

Whether or not DHU will do anything with those tracks, I’ve no idea, but if you listen to The Magic Isn’t Real and decide you’d like to dig further, the opportunity exists. Ah hell why don’t I just go ahead and include that Bandcamp player too, save you the trouble? They’ve both below.

From the PR wire:

sibyl the magic isn't real

New signing to DHU Records: SIBYL

DHU Records is excited to announce the signing of Richmond, VA Cult Rockers SIBYL!

Initially released in February of 2019, The Magic Isn’t Real became an increasingly addictive listen throughout the year and eventually could not deny it’s ‘magical’ effect. Heavy, Moody and Dark, The Magic Isn’t Real is one damn fine Psychedelic Fuzzed Out Doom trip that is aching to be experienced!

Honest and psychedelic in the truest sense of the word, Richmond, Virginia quartet Sibyl defies convention at every turn. Violet Sotomayor’s lyrics speak not of fictional tales of horror but of the very real demons of psychological trauma. An acceptance of past trauma while not necessarily a lament, the words of the Sibyl show one who stares forward clear eyed and with a mission to heal the psyche and break the chains that hold us back.

Tribal drums and a wall of crushing fuzz are punctuated by psychedelic guitar leads that cut the psyche like an eldritch wind. The Sibyl sound combines grungy desert rock grooves, psychedelic vibes, and stoner/doom riffs with undeniable pop sensibilities. Sibyl aims to write a new chapter into the tale that began the day the first blues man made his way down to the crossroads with his guitar under his arm and a dream in his soul. They do not aim or claim to be the heaviest band in the scene, but their live performance will show you that they refuse to hold anything back either.

With concise songwriting and more riffs than you can count, Sibyl stands out from the crowd as a raucous, riotous bacchanal in comparison to the contemporary stoner/doom bands’ somber ritual. With an explosive live show that will have more than just your head banging, and has been gaining attention worldwide. Currently playing shows in Richmond and touring up the east coast, Sibyl intends to bring their unique experience to all corners of the globe. Like a party at a funeral, Sibyl speaks to the duality of life and death and the cycles of nature that exist when one is granted a glimpse beyond the veil. Sibyl is enlightenment through rock and roll.

“No gods or devils exist except the ones inside your head. The Magick isn’t real unless you choose to believe it is.”

DHU Records will release The Magic Isn’t Real (DHU047) on Limited Edition vinyl around Spring 2020

More info & details to follow…

Tracklist:
Side A
A1. Blood Moon
A2. Pendulums

Side B
B1. Sexpionage
B2. Spinning Webs

SIBYL
Violet – vocals
Chris – guitar
Mike – bass
Ben – drums

http://www.facebook.com/sibylrva
http://instagram.com/sibylrva
https://sibylrva.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Sibyl, The Magic Isn’t Real (2019)

Sibyl & Mister Earthbound, Hypnotic Rhythm (2020

Tags: , , , , ,

Omen Stones Announce First Tour Dates

Posted in Whathaveyou on January 21st, 2020 by JJ Koczan

Omen stones

Want to know something crucial about Omen Stones? At least as far as the sound on the Richmond, Virginia, three-piece’s 2019 self-titled, self-released debut (review here) is concerned, just have a look at their logo. Like the letters themselves, there’s just some aspect of Omen Stones‘ sound that’s a little bit twisted, a little bit working toward something darker and more sinister. You can hear it in the vocal sneer of guitarist Tommy Hamilton, also known for his work in filth-caked riffers Druglord, and in the tones that surround as the drums of Erik Larson (also Backwoods Payback, Avail, ex-ATP, etc.) punch through in the rush of “Purity Jones.” There’s a track on the record called “Fresh Hell.” That about sums it up.

But there isn’t the mire one might expect from what Hamilton brought to Druglord, and Omen Stones are a more intense band. With Ed Fierro (also Tel) on bass, there’s venom if not Venom in their veins and not that they don’t sleek out a rolling groove every now and then, as in “Secrete,” but there’s an undercurrent of threat that never seems to be far from the their attention. As they look to head out on their first tour dates beginning Jan. 31, hitting spots in North Carolina, Indianapolis, Kentucky, Ohio, Delaware, Maryland and indeed Virginia, I’m wondering what the 10-day jaunt might lead to. More tours? New songs? It’s their first tour, and where I had the info I’ve included with whom they’ll be doing the shows. There are some good ones in there. Baltimore looks like a killer night.

Here are the dates, followed by the self-titled album stream from Bandcamp:

omen stones tour

Omen Stones live:
01/31 Raleigh NC Slims w/ Crystal Spiders, Moryo
02/01 Asheville NC Odditorium
02/02 Indianapolis IN State Street Pub w/ Lavaborne, Drooler
02/03 Louisville KY Highlands Taproom w/ Problem with Dragons
02/04 Cincinnati OH Northside Yacht Club
02/05 Columbus OH Dirty Dungarees w/ Deprecator, False Teeth
02/06 Kent OH The Dome w/ Goosed, Ghost:Hello
02/07 Wilmington DE 1984 Arcade Bar
02/08 Baltimore MD Rituals Bar & Venue w/ Alms, Cavern, Almost Honest
02/09 Richmond VA Fuzzy Cactus w/ Hoboknife, Deathcrown

Omen Stones is:
Ed Fierro – bass
Tommy Hamilton – guitar/vocals
Erik Larson – drums

https://www.facebook.com/OmenStonesVA/
https://omenstones.bandcamp.com/

Omen Stones, Omen Stones (2019)

Tags: , , ,

Windhand Announce Headlining Shows on East and West Coasts

Posted in Whathaveyou on January 13th, 2020 by JJ Koczan

Windhand (Photo by JJ Koczan)

Windhand touring is continually a good thing. Windhand getting some of their stolen gear back is even better. Windhand‘s recent posting of a bunch of demos to help raise funds to cover the rest of their losses from said robbery, well that’s just a win for all parties involved. They’re not at all to the point yet where one would expect them to drop a follow-up to 2018’s Eternal Return (review here) — so they probably will; ha — but anything that keeps momentum on their side, especially after the above-noted setback, is good. They’ll play shows with Relapse labelmates Devil Master in the Northeast and then head out toward the Pacific with Serial Hawk to make a stop at Northwest Terror Fest. Bing bang boom, as clownish caricatures of stereotypes might say in my beloved Garden State. It’s a Windhand show. Even better that they’re headlining, the fest notwithstanding. One way or the other, it’s probably a better night than what you might otherwise have planned.

Also the poster’s awesome. Here it is from the PR wire:

windhand tour poster

WINDHAND: Announce 2020 US Headline Tour Dates

WINDHAND have announced 2020 tour dates beginning in March with labelmates DEVIL MASTER. Tickets are on sale Friday, January 10th at 10 AM local time. All confirmed tour dates are available below. Following the tour, WINDHAND will also make appearances in May/June around Northwest Terror Fest.

Additionally, WINDHAND recently shared unreleased demo & rarity tracks on Bandcamp throughout the band’s discography. The five album collection spans from the band’s full-lengths Soma, Grief’s Infernal Flower, Eternal Return, plus miscellaneous demos, alternative mixes & their Live at WFMU session on 6.8.13. All proceeds for the albums will help WINDHAND post-theft of their instruments and gear earlier in the Fall.

All five albums are available at https://windhand.bandcamp.com/

WINDHAND TOUR DATES:

— Mar 18-21 w/ Devil Master —

Mar 18 Harrisonburg, VA @ The Golden Pony
Mar 19 Philadelphia, PA @ Underground Arts
Mar 20 Brooklyn, NY @ Saint Vitus
Mar 21 Brooklyn, NY @ Saint Vitus

— May 29 – June 04 w/ Serial Hawk —

May 28 Seattle, WA @ Northwest Terror Fest
May 29 Vancouver, BC @ The Venue
May 31 Oakland, CA @ Starline Social Club
Jun 01 Los Angeles, CA @ Jewels Catch One
Jun 02 Phoenix, AZ @ Valley Bar
Jun 03 Albuquerque, NM @ Sister
Jun 04 Denver, CO @ Bluebird Theater

Aug 15-16 Las Vegas, NV Psycho Las Vegas

Sep 03-06 Cookeville, TN Muddy Roots Festival

A full collection of WINDHAND music videos are available HERE.

https://www.facebook.com/WindhandVA/
https://www.instagram.com/windhand/
http://windhandva.bandcamp.com/
http://store.relapse.com/

Windhand, Miscellaneous Demos & Alternate Mixes (2019)

Windhand, Live at WFMU 6.8.2013 (2019)

Tags: , , ,

Windhand Post Demos for Studio Albums & WFMU Live Set

Posted in Whathaveyou on December 17th, 2019 by JJ Koczan

If you didn’t know, Windhand were robbed a bit ago. It was horseshit. Don’t get me wrong — it’s always horseshit. If you’re someone thinking about robbing a touring band and wondering when the right time to do so is, just go play in traffic instead. But a band like Windhand, who’ve been at it for the better part of 10 years now and who’ve only ever kicked ass on stage and off — not that it would be okay to steal from them if they sucked, but you know what I mean — it of course seemed to hit that much harder when it happened. Fundraisers were launched, social media sympathy was proffered in great abundance, and then, as invariably happens in any news cycle, it was on to the next thing.

Well, when you get robbed, it doesn’t just suck for five minutes. It continues to suck. Even for people who get their stuff back, it can continue to suck. To help with ongoing financial concerns, gear and whatnot, Windhand have posted demos for three of their studio LPs — the demo for the first album was already up — and a collection of miscellaneous demos and alternative/rough mixes, and a live session recorded at my beloved Garden State’s own beloved weirdo freeform radio station WFMU in 2013.

The money, obviously, go to Windhand, who, again obviously, need it. So help out and hear some cool shit for the effort.

And don’t fucking rob bands. Ever:

WINDHAND (photo by Joey Wharton)

WINDHAND share unreleased demo & rarity tracks on Bandcamp throughout the band’s discography. The five-album collection spans from the band’s full-lengths Soma, Grief’s Infernal Flower, Eternal Return, plus miscellaneous demos, alternative mixes & their Live at WFMU session on 6.8.13. All proceeds for the albums will help WINDHAND post-theft of their instruments and gear earlier in the Fall.

Fresh off their heels from their North American tour with RUSSIAN CIRCLES, WINDHAND have announced new dates in 2020 as part of the Psycho Las Vegas, Northwest Terror Fest, and Muddy Roots Festivals. More tour updates will be available at the WINDHAND Facebook Page.

All five albums are available at https://windhand.bandcamp.com/

A full collection of WINDHAND music videos are available HERE.

https://www.facebook.com/WindhandVA/
https://www.instagram.com/windhand/
http://windhandva.bandcamp.com/
http://store.relapse.com/

Windhand, Miscellaneous Demos & Alternate Mixes (2019)

Windhand, Live at WFMU 6.8.2013 (2019)

Tags: , , , , ,

Wolftooth in the Studio for Second Album out Next Year

Posted in Whathaveyou on November 26th, 2019 by JJ Koczan

The self-titled debut (review here) from Indiana’s Wolftooth kind of bounced around after its initial 2018 release, picked up by Blackseed Records and then Cursed Tongue Records and Ripple Music for an eventual issue this past June. I mean, hey, I get it. The record’s a kind of riff metal paradise, with spot-on weighted tones that have just enough sharpness to their edge to keep moving when they want to — and yes, they want to for a decent portion of the time, but still allow the band to emphasize groove rather than charge — can’t it be both? yes! — when they see fit to do so. Top it off with solid songcraft and you’ve got the kind of winner that, yeah, three separate labels might indeed be interested in working with.

I’ll be derned curious to hear the four-piece’s follow-up when the time comes in 2020, not the least because the band’s update on the recording currently in progress includes word that, “Bigger riffs and bigger choruses were the focus on this new installment of Wolftooth songs.” I like big riffs and big choruses. The more the merrier. So yeah, sign me up. I don’t know if it’ll be out through Ripple/Cursed Tongue or what, but when I hear something I’ll let you know.

Here’s the rest of what they had to say:

wolftooth

Wolftooth – Recording Update

Wolftooth entered Led Fields Studio in Connersville, Indiana, with Jeremy Lovins at the helm the end of August 2019 to start the recording process of their sophomore full length album. The band has 10 new tracks and is the final stages of tracking at the time of this update. We expect to be finished by the end of December 2019 and the album out to the fans by summer 2020.

The songs themselves represent a more focused and polished Wolftooth. Fans can expect tracks that are full on rockers to tracks that are reminiscent of Wolftooths’ nwobhm roots. Bigger riffs and bigger choruses were the focus on this new installment of Wolftooth songs. The band feels that this is their best effort yet.

Wolftooth is:
Chris Sullivan Guitar/ Vocals
Terry McDaniel Bass
Jeff Cole Guitar
Johnny Harrod Drums/Vocals

https://www.facebook.com/wolftoothmetal/
https://www.instagram.com/wolftooth_metal/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Wolftooth, Wolftooth (2019)

Tags: , , ,