Plenty of scorch in the teaser clip for EssayEmpire.com offers custom Dissertation Nursing Education. 100% plagiarism free, from per page, 100% money back guarantee. Draken‘s upcoming debut album, and also kind of for their existence as well. It’s a new project headed by http://www.grit.eu/?essay-for-grad-school-admission online at custom writing service in Australia. 24/7 Support, Full Confidentiality and 100% Plagiarism Free. Get your excellent essay written by the professional writers at a low price. Hallvard Gaardløs ( proposal and report writing Essay Word Count essay on water essay writing spent my summer vacation Spidergawd and An http://www.ybbs.gv.at/?dldav-shalimar-bagh-holidays-homework can only be as good as per their qualification; hence to provide a complete and all-inclusive service you need a writing resource that can accommodate you for various subjects and topics. Orango, which if you didn’t know are both really, really killer bands) operating in power trio fashion, and the PR wire brings word they’ve signed to Choose Our Dunkin Donuts Business Plan Service as Your Friend. Adding a little creative streak to your academic writing is something students desire to achieve. You�re looking for a professional essay writer to nail the task, but it is hard to choose among all the different services. Thankfully, we can prove you can order essays online without any trouble. Prepare to discover a service that caters Majestic Mountain Records for their long-player, which makes them kinfolk to fellow Norwegians How To Write A Introduction Paragraph For A Essays are basically companies that employ experienced writers to write theses and dissertations for their clients. Sounds like a simple thing to do, doesn�t it? Well, the truth is that writing a dissertation the right way takes a lot of time and effort. Even seasoned thesis writers may encounter problems along the way. It goes without saying that students don�t have Kal-El and Custom Writing � read this article that offers custom papers, thesis papers, essays. Prices start at per page. Limited November Offer! Jointhugger, as well as Sweden’s Essaywriters.com Online is a reliable company which deals with various types of writing assignments. We work to help you live a happier life as we understand the importance of writing A+ papers even if you're not in the mood for it. Our cheap writing service can suit your needs, and you don't have to spend a lot of money to get this proficient help. Electric Hydra and plagiarized custom essay I Need Dissertation Case Studies custom writing agents phd thesis in strategic management The Hypnogogics, among others righteously riffing.

At this point, I’m pretty willing to check out something on  Our source writing service benefits any student facing the challenges described above. Our team of professionals will help you write a dissertation that will pass the scrutiny of peers and defense panels. From properly writing dissertation titles to research and referencing; our services provide the support needed to earn that PhD within the time you are supposed to. The Process Majestic Mountain just on its face given label-head We provide high quality custom written and 100 percent original my site at affordable prices for students around the globe. Marco Berg‘s taste in output to-date, but even if I wasn’t, the teaser for this one — not to mention buy non tracable research papers finance paper custom written star wars research paper buy college application essay john hopkins Gaardløs‘ pedigree — bodes remarkably. New stuff in the New Year. We can all just pretend 2020 didn’t happen right?

The aforementioned PR wire does it like this:

Introducing DRAKEN: Norwegian Hard Rock Trio Sign to MAJESTIC MOUNTAIN RECORDS /// Debut Album Released March 2021

Majestic Mountain Records is psyched to announce the signing of Norwegian trio Draken for the release of their debut album next year.

Formed in Oslo in 2018 by Spidergawd/Orango bassist Hallvard Gaardløs and close friend Andre Drage, Draken is a rock band with an appetite for reinvention. Recently becoming a fully-fledged power triumvirate with the addition of jazz/progressive virtuoso, Even Hermansen (Bushman’s Revenge) on guitar, the trio dig on the Metals and Hard Rocks of old, and in doing so channel the inspiration they unearth into something truly unique.

With the band currently holed up at Røffsound Studios with producer Vegard Liverød, with the final few touches still to be added to their debut, Majestic Mountain Records are already paving the way for its official release next year:

“From hearing the first riff on the demo we knew that we wanted to work with Draken!” says MMR’s Marco Berg. “Their mix of groove heavy riffs and catchy tunes will definitely make waves. We’re excited to share the first single with you once 2020 is over.”

Draken’s self-titled debut album will be officially released worldwide in March 2021 on Majestic Mountain Records.

Draken is
Hallvard Gaardløs (bass/vocals)
Even Hermansen (guitar)
Andre Drage (drums)

https://www.facebook.com/drakentheband
http://majesticmountainrecords.bigcartel.com
http://facebook.com/majesticmountainrecords
http://instagram.com/majesticmountainrecords

Draken, 2021 Album Teaser

I’m going to assume that one of If you would like to order paper online, but you are not sure where to find reliable get more, you are welcome to find this information on Jointhugger‘s two impending offerings is a new album and one is a short release. Maybe a split? I don’t know that, but that’s kind of what I figure. Putting out two completely concurrent full-lengths doesn’t really make any sense — and don’t get me wrong, nothing makes any sense right now, but still — and in signing to professional resume help http://www.faseo.fr/?buy-custom-papers best essay collections correlation methology dissertation Majestic Mountain the trio have a slew of potential splitmates to choose among, so yeah. Maybe that. Or maybe not. You know I’m just talking out my ass here.

Either way, if you heard Hire a website content writer from a trusted website Laws Of Life Essay to write engaging and exciting content for your website or blog. Jointhugger‘s 2020 debut, I am No One (review here), first of all, good for you, and second, there’s probably no mystery as to my Majestic Mountain Records would want to snag the band for their not one but two upcoming releases. It was and remains these tumultuous months later a nodder’s delight.

Whatever 2021 brings from the band, their alliance with Majestic Mountain is welcome news. I’m always a sucker for good bands getting signed.

From the PR wire:

JOINTHUGGER sign to MAJESTIC MOUNTAIN RECORDS

With two releases in the pipeline for next year, 2021 is about to get a whole lot heavier!

Majestic Mountain Records – home to the likes of Saint Karloff, Electric Hydra and The King’s Pistol – is psyched to announce the signing of Nordic doomsmen, Jointhugger.

Hailing from the fjords of Norway, Jointhugger are an explosive trio that instantly bring to mind the cosmic doom and atmospheres of rock colossi such as Shrinebuilder, Sleep and YOB. Having first came to the label’s attention back in April 2019, it was until a year later and the release of their storming debut, I Am No One, that Majestic Mountain Records simply had to act. As Marco Berg explains:

“When the label first formed, we held early talks with Jointhugger about their demo (DAEMO, 2019), but we were so busy setting up our initial projects it proved impossible to get something sorted. Now however the stars have finally aligned and we’re ready to make magic together at last.”

Lead singer Nico concurs, “Joining the ranks alongside bands like Saint Karloff and The King’s Pistol, whom we admire and already have great relationships with, is like being welcomed home to an astonishing family. We couldn’t be happier about signing.”

“We thank Marco for his mentorship and belief in our music from the very beginning, and are beyond grateful that the stars have finally aligned for our homecoming,” says the band. “We’re beyond honoured to be among acts who mean a great deal to us a humans and as musicians and our hearts overflow with kinship, positivity and gratitude. We thank Jack at Interstellar Smoke Records for releasing our debut, we have so much goodness in store for you, and we will continue to write and play with all our might in thanks to all of you who have given us a platform by supporting us and showing continued interest in the noise we’re making. This is our dream and you’re making it come true.”

With two releases planed for the first half of next year, 2021 promises to be a year of progression. A chance to lay waste to the turbulence of the world over the last twelve months and celebrate something new; heavier and more hopeful than before.

Await the call, the hour of Jointhugger is nigh.

Jointhugger are:
Nico – Guitar/vox
Tore – Bass
Dan – Drums

https://www.facebook.com/jointhugger
https://www.instagram.com/_jointhugger_/
https://jointhugger.bandcamp.com/
http://majesticmountainrecords.bigcartel.com
http://facebook.com/majesticmountainrecords
http://instagram.com/majesticmountainrecords

Jointhugger, I am No One (2020)

Sweden’s Electric Hydra will make their self-titled debut with the backing of Majestic Mountain and Tee Pee Records on Nov. 27. That’s still more than a month away, if you don’t have your calendar handy, and yet “Won’t Go to War (With Myself)” is the third and apparently final single/video being released from the 35-minute 10-tracker. Think maybe the band are eager to get their music out there? Well, take that kind of restless, shoving energy, transpose it onto careening heavy riffs and uptempo grooves, big hooks topped with classic melodic vocals, and Electric Hydra‘s Electric Hydra will probably start making sense.

The opening track of the album, and what was the first single released, is called “It Comes Alive,” and if that’s what the album is doing at that point, it’s born running. The dual guitars now handled by Peter Söderberg and Jonas Stålhammar (the latter also of At the Gates and a noted record collector) have no time to waste between them, and amid the rumble of Ellinor Andersson‘s bass, drummer Dennis Åhman finds a natural-feeling propulsion that continues well into “Won’t Go to War (With Myself)” and the added breadth of “Blackened Eyes,” both of which are early highlights of the proceedings as the record heads into the lumbering stomp — still pretty upbeat, but a definite uptick in heft — of “Grab What’s Yours” and the songs begin to flesh out beyond the opening salvo. If there was any doubt of a metallic underpinning beneath the rocking craft of Electric Hydra — and really, from “It Comes Alive” onward, there wasn’t — “Grab What’s Yours” dismisses it outright, Mellotron and spoken break and all.

To back up a second: What we have so far on Electric Hydra‘s first LP is unflappable songwriting, modern sound, un-winded push and engaging performances. They do not represent an aesthetic revolution, but neither are they called upon to do so, especially on their debut. If you’re listening to Electric Hydra and you find you’re not on board by the end of “Grab What’s Yours,” the only thing to do is rethink your position. Doing so will surely head off feeling like a dope as “Iron Lung” — probably not a tribute to the former Scissorfight frontman, but one never knows — flips the switch, mellows the tempo and adds dual-vocal arrangements to a classically stonerized rollout, only getting more and more massive as it goes on to round out the record’s first half. I’m just trying to save you some trouble.

Side B of the album follows a mirror course but is perhaps even more fierce in its execution as “The Betrayal” and “1,000 Eyes” — watch out for the bass intro to the latter; it is quick, but it is a monster and it will eat you — and though they sound no less full than “It Comes Alive” or “Won’t Go to War (With Myself)” back on side A, the fact that they’re speedier, shorter and even more straight-ahead-all-go-no-stop plays up the direct ’90s-style heavy rock riffing serving as their foundation. Maybe also some Motörhead for good measure. One would hardly call “End of Days” a departure from that method, but it does take a brief detour in its second half for a quiet stretch before surging toward its last chorus, so that’s a differentiating factor, and the penultimate “Rebel” showcases again the arrangement style of “Iron Lung” earlier, but in a harder-driving context.

That leaves “Rise From Below” to close out with its own mellower-start-into-increasing-largesse progression, and there’s even some key work to accompany, though it’s organ and not Mellotron as on “Grab What’s Yours.” The mirrored structure of the LP speaks to intent on the part of Electric Hydra, but to be perfectly honest, it doesn’t even need to because the songs themselves do that so clearly. They may be a new-ish band putting out their first record, but they’re by no means fumbling in terms of their style or the substance of their material. Or the production, for that matter. Particularly as a record made during firelung quarantine, Electric Hydra reaches out to its audience with passion and force and only proves more inviting as it moves through, grabbing, going, coming alive and rising all the while.

Still a month-plus before the release, but you can stream the premiere of the video for “Won’t Go to War (With Myself)” below. I’ll spare you the pontificating on the novelty of seeing a band sharing a space with each other, and just note that quotes from Andersson and Karlsson follow, as well as more info from the PR wire.

Please enjoy:

Electric Hydra, “Won’t Go to War (With Myself)” official video premiere

Ellinor Andersson on “Won’t Go to War (With Myself)”:

“‘Won’t Go to War (With Myself)’ was the very last to be written for the album and came to life quickly, just as we were about to start recording the album. Dennis was doing his final drum recordings for pre-production on some of the other songs and inspiration struck. The song almost wrote itself. Sanne wrote her parts during the actual recording and the lyrics are about how you should not compromise yourself just to fit in with how other people expect you to act.”

Sanne Karlsson on “Won’t Go to War (With Myself)”:

“The video is once again recorded by Max Ljungberg, who also did the video for our first single, ‘It Comes Alive’. We did the recording in a really cool skatepark called ‘Bunkeberget’, which is actually located inside a mountain in Gothenburg. Working with him is always super smooth and easy, and we’re all really satisfied with the end result. This is also our last single before the album is released too so… time for champagne!”

Electric Hydra’s self-titled debut album is released 27th November on Majestic Mountain Records (EU, Scandinavia) and Tee Pee Records (USA, Rest of the World)

Pre-order here – https://linktr.ee/majesticmountain

Following the announcement of Electric Hydra’s conscription to Majestic Mountain Records, the band is thrilled to announce that they band will also be backed stateside by legendary US independent rock label, Tee Pee Records.

Formed on the windswept West Coast of Sweden, amid the dark forests of Småland, Electric Hydra – formed by Sanne Karlsson, Ellinor Andersson, Jonathan Möller and Jonny Petterson – first met on an impromptu night in late 2017. In doing so they discovered a connection; a newfound friendship through a shared of Kyuss, Fu Manchu, Entombed and Black Sabbath, and decided to book a rehearsal room the very next morning.

Known for delivering high energy shows, the band has played live at Sweden Rock Festival and Malmöfestivalen; toured Europe and shared stages with Lucifer, Monolord, Truckfighters and Greenleaf, among many others.

With Dennis Åhman being brought in to replace Petterson on drums, work on their debut began in early 2020 and continued throughout the COVID-19 pandemic at Shimmer Studios, Studio BO and Welfare Studios. Further reinforced with new recruits in Peter Söderberg and At the Gates/Bombs of Hades’ Jonas Stålhammar (following the departure of Jonathan Möller) the quintet is keen to prove exactly why they are considered one of the most exciting new acts on the Swedish rock scene.

ELECTRIC HYDRA is:
Sanne Karlsson – Vocals
Ellinor Andersson – Bass
Dennis Åhman – Drums
Jonas Stålhammar – Guitar
Peter Söderberg – Guitar

Electric Hydra on Thee Facebooks

Electric Hydra on Instagram

Electric Hydra on Bandcamp

Electric Hydra website

Majestic Mountain Records webstore

Majestic Mountain Records on Thee Facebooks

Majestic Mountain Records on Instagram

Tee Pee Records website

Tee Pee Records on Thee Facebooks

Stop me if you’ve noticed, as I’m sure you have, but Majestic Mountain Records is putting together a pretty righteous roster of acts. Pickups like Kal-El, Saint Karloff, The Hypnagogics, Eye of Doom and indeed Electric Hydra have seen the imprint begin to take shape as one with its head deep into quality riffage as well as a subtle diversity of sound that, I expect and hope, will keep expanding as time goes on. Uddevalla’s Electric Hydra played the Truckfighters Fuzz Festival last year, and their 2019 two-songer, The Last of Us can be streamed below as taken from the five-piece’s Bandcamp. It’s like six minutes long and it kicks ass, so I sincerely doubt you’ll regret taking the time.

Cheers to Marco Berg of Majestic Mountain on snagging a good band, and here’s looking forward to their self-titled debut full-length out this Fall.

Label’s announcement came down the PR wire thusly:

ELECTRIC HYDRA: Majestic Mountain Records Sign Promising Swedish Quintet for Release of Debut Album

Electric Hydra’s self-titled debut will be released this Autumn on Majestic Mountain Records

Formed on the windswept West Coast of Sweden, amid the dark forests of Småland, Electric Hydra’s founding members – Sanne Karlsson, Ellinor Andersson, Jonathan Möller and Jonny Petterson – first met on an impromptu night in late 2017. In doing so they collectively hit upon a newfound friendship and shared love of Kyuss, Fu Manchu, Entombed and Black Sabbath; and decided there and then to book a rehearsal room the very next day.

Known for delivering high energy shows, the band has played at Sweden Rock Festival and Malmöfestivalen; toured Europe and shared stages with Lucifer, Monolord, Truckfighters, Greenleaf among many others. Following the release of their debut single ‘World Domination’, the band quickly became one of the most exciting new acts on the Swedish rock scene.

“We’ve had our eyes on Electric Hydra for a while,” says MMR label boss, Marco Berg. “They are great people and a killer live band so when we got the chance to hear their album, we knew that we wanted to be part of it. It’s going to blow people’s mind when it’s released later this year! “

With Dennis Åhman replacing Petterson on drums, work on their self-titled album begun in early 2020 and continued throughout the COVID-19 pandemic at Shimmer Studios, Studio BO and Welfare Studios. Further reinforced with new recruits in Jonas Stålhammar and Peter Söderberg following the departure of fellow founder Jonathan Möller, Electric Hydra will also features a contribution from At the Gates/Bombs of Hades’ Jonas Stålhammar.

As vocalist Sanne Karlsson explains: “We are so psyched to finally release our debut album! The album is expansive and heavy but still raw with a lot of energy. It feels like a step in the right direction to where we want to go with the music.”

Electic Hydra by Electric Hydra will get an official release this autumn on Majestic Mountain Records.

ELECTRIC HYDRA:
Sanne Karlsson – Vocals
Ellinor Andersson – Bass
Dennis Åhman – Drums
Jonas Stålhammar – Guitar
Peter So?derberg – Guitar

https://www.facebook.com/electrichydra666
https://www.instagram.com/electric_hydra/
https://electrichydra.bandcamp.com/
https://www.electrichydra.se/
http://majesticmountainrecords.bigcartel.com
http://facebook.com/majesticmountainrecords
http://instagram.com/majesticmountainrecords

Electric Hydra, The Last of Us (2019)

Vancouver’s Eye of Doom will release their second EP, Curse of the Pharaoh, on Sept. 25. In addition to marking their first offering to be made through Majestic Mountain Records, it’s also something of a shift in approach for the three-piece, whose 2018 self-titled four-songer trafficked in decidedly more metallic and driving fare. With two eight-minute-plus cuts in the opening title-track and the closing “The Scold’s Bride” separated just by the interlude “The Waning” (2:56), the EP hits a 20-minute total listen that’s striking in its push toward atmospherics, with sonar pings backing horror samples and ambient guitar in “The Waning” before the roll that comprised much of “Curse of the Pharaoh” resumes in full nod for the outset of “The Scold’s Bride.” With vocals from bassist Alex Kadhim and guitarist Adam Mattsson atop Derek Staines‘ apparently reliable march, shades of Elephant Tree‘s melodicism show up along with an impact and underlying noise rock influence that calls Cities of Mars and other post-Monolord outfits to mind. Dudes got riffs, in case you were wondering.

Curse of the Pharaoh is strong in its presentation, beginning with a fading in swell of readily immersive tonality. They are perhaps a release or two from bringing to fruition the kind of depth and largesse they hint toward here, but that doesn’t at all stop the material from being engaging on its own level. “Curse of the Pharaoh” crashes in around 1:30 and proceeds to lumber forward in newer-Sleep form, waiting until after three minutes in before introducing the first vocal lines. With a cavernous echo, the verses likewise hint toward a burgeoning reach in what’s being tagged as their “new musical direction,” but they’re smartly mixed to not overwhelm the surrounding guitar bass or drums. Kadhim‘s bass holds true during a short break and soon the guitar solo takes hold in soaring fashion to lead through the apex of the track, the first sonar pings arriving before the shift into “The Waning” is actually complete. That one-into-the-next fluidity is also emblematic of what Eye of Doom are shooting for with their recent doomly conversion, and if the EP is anything to go by, they won’t have any trouble sticking to that — should they want to — when they set themselves to the inevitable task of their full-length debut.

When, how, where, on that, I of course have no idea, but Eye of Doom‘s stated purpose is to give those they’d make their audience an introduction to what they’re all about, and it’s a positive first impression they make, even if that ‘first’ comes with an asterisk. “Curse of the Pharaoh” is streaming on the player below, followed by more info about the release from the PR wire.

Please enjoy:

Eye of doom to release ’Curse of the Pharaoh’ on Majestic Mountain Records September 25th

Majestic Mountain Records is very pleased to announce the first release from Vancover, BC based riff masters Eye of Doom. The 3-track EP ’Curse of the Pharaoh is set for release on a 10” premium vinyl in September and this release will be followed with a full length release in early 2021!

This EP is the first introduction to the new musical direction of Eye of Doom.

The riff-molding for Curse of the Pharaoh was produced and recorded by the band in early 2020. The songs on this EP draw inspiration from the grand scenery found in the towering mountain ranges and vast forests of the band’s hometown, as well as exploring existential questions connected to topics such as mysticism, astronomy, paganism, and the occult. This EP is the result of the collaborative efforts from all members of the band and is an honest and true reflection of everything that is Eye of Doom.

’Curse of the Pharaoh’ will be on pre-order at Majestic Mountain Records, August 7th.
Vinyl is set for release in end of September and the digital release will be available August 28th.

Pre-order link:
https://majesticmountainrecords.bigcartel.com/

Eye of Doom are:
Alex Kadhim: bass and vocals
Adam Mattsson: guitar and vocals
Derek Staines: drums

Eye of Doom on Thee Facebooks

Eye of Doom on Instagram

Eye of Doom on Bandcamp

Majestic Mountain Records webstore

Majestic Mountain Records on Thee Facebooks

Majestic Mountain Records on Instagram

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Days of Rona: Captain and Bjudas (Stavenger, Norway)

—

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Captain: As all live shows got cancelled, we started writing new material, and has been busy with studio. Released a single and signed to a new label, Majestic Mountain Records. The writing process has been quite fun this time around as everyone has chipped in with ideas and arrangements. Even the dull process of recording was fun due to the fact that the eagerness and willingness to make music is back ? My day job has pretty much been going as usual, but of course the shadow of a pandemic and the seriousness of the impact on society has been in my mind since the outbreak.

My parents are of age, with my father in the “target group,” so of course it is something that lurks there all the time. I got friends struggle with their business due to decrease in income, and the city I live in has been like a ghost town for several months now. They just opened up so we can visit bars again, with heavy restrictions of not being to close to others. Not easy on bars, but somehow it seems to work in an odd way. A third of the normal crowd is allowed in, so it’s strange indeed. As mentioned earlier, all the live shows we had booked, was cancelled, so we went into the rehearse room and started writing. We have a ton of different ideas and riffs just sitting there, so it was pretty good to just work on those.

Bjudas: It is safe to say that the covid-19 epidemic has set some major drawbacks. But as a band, we have adapted quickly. So instead of sitting around and waiting for this thing to go away. We decided that we wanted to record a new album. Sins we found out that we had a big bag of riffs laying around. We had enough stuff to make a whole album. So, the creativity has exploded in our case.

How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

Captain: At some level it could seem like overkill in how everything just got locked down. People started to behave different, and it seemed like doomsday in many aspects. To see businesses, lifeworks, just get shattered, millions of people in isolation, deaths by the thousands and an immense suffering due to an invisible enemy was pretty shocking to experience and understood the hard actions taken by the different governments more seriously.

Bjudas: The public response has been ok. And we have managed to control the virus pretty good. Regarding the government, I feel they have responded in a professional manner. And have provided the needed founding for the main population. We have a very good welfare system (compared to other countries). And people got their money in full.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

Captain: Personally it’s been challenging to see people being on the brink of collapse due to their jobs just cease to exist. No income, no hopes at all, just darkness as businesses just vanish in thin air more or less overnight. Bars, small specialty shops, venues, festivals and the likes by the millions have been affected. We may never get back to the so called normal ever again, but hopefully we will get back to a similar way of life as time goes by.

Bjudas: The music community along with the rest of service-related occupations has had the biggest blow in these crises. With band not able to do gigs and have no steady income. Bands are struggling to make ends meet. In my case, I get more determined in cases like this. What can we do to stay active? How can we still be able to be productive and feel that we are a band? And not a sunken ship? So, I`m not bored, there is a lot to do still.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

Captain: Never to give up, we are born into this challenge called life, and there are always mountains to climb. We didn’t get this far by giving up by overwhelming odds, and we will not give up this time either.
As for the band; we are still alive, and we will continue to make music and do shows for a long time to come!

Bjudas: I have learned that you should not eat a bat. That is for Ozzy to do… I think that we are very adaptable, as I have said earlier. Not giving up is a big thing. The new normal I can say, is this distancing thing. I take myself in not staying to close to people. And I think this will stay with us for a while.

http://kal-el.no
http://kal-el.bandcamp.com
http://facebook.com/kalelproject
http://instagram.com/kalelband
http://majesticmountainrecords.bigcartel.com
http://facebook.com/majesticmountainrecords
http://instagram.com/majesticmountainrecords

It makes sense for where we’re at as a species that Kal-El might announce their new album, Dark Majesty, at least half a year in advance of it actually coming out. The Norwegian bruisers have inked a deal to issue the long-player through Majestic Mountain Records — whose building pedigree you can see below — and though Kal-El aren’t giving too much away in terms of info as yet, they do have a new single streaming in the form of “Comêta” on their Bandcamp, and that finds their aggressive take on riff-led groovery well in place from where they left off.

The future, you say? Something to look forward to, then.

To the PR wire:

MAJESTIC MOUNTAIN RECORDS to release new album by Norwegian fuzz rock-finders, KAL-EL | Listen to their new single ‘COMÊTA’ now!

Dark Majesty, the brand-new LP by the rising hard rock quintet is due for release in 2021

Majestic Mountain Records, one of Sweden’s most exciting underground labels and home to the likes of Devil’s Witches, Saint Karloff and The King’s Pistol are psyched to announce the conscription of one of Norway’s rising hard rock prospects.

Originally formed in 2012, Kal-El’s star has been firmly in the ascension for some time following a progression of impressive and highly sought-after releases on labels such as Setalight and Argonauta. With three albums already to their name – 2012’s Pakal, Astrodoomeda (2017) and last year’s critically acclaimed, Witches of Mars – the band are set to release new album Dark Majesty in 2021.

“As supporters of heavy riffs, we’ve been huge fans of the band for a number of years now,” explains MMR’s Marco Berg. “We’re stoked at the label to welcome them aboard and keen to help the band pilot their fuzz-powered space tunes directly to you!”

As new single ‘Comêta’ showcases, the band’s glorious universe of sound comprises of bass-heavy grooves, detuned guitars and mind-warping lyrics, and like a wayward son of hard rock and heavy metal, the quintet have spent a lot of time on the road over the years, touring extensively across Europe.

“With our journey now embarking on new and uncharted realms, we are pleased to announce that we’re joined by our fellow Scandinavians,” explains Kal-El’s vocalist, Captain. “We have been received with the outmost respect, and we look forward to delivering some amazing musical experiences on this label. We do not take the trust here shown us for granted, and we are proud and honoured to be a part of the Majestic Mountain Records family.”

Dark Majesty, the brand-new LP by Kal-El is due for release in 2021 on Majestic Mountain Records.

Stream new single ‘Comêta’ by Kal-EL here – https://kal-el.bandcamp.com/track/com-ta

KAL-EL:
Captain – Vocals
Doffy – Guitars
Josh – Guitars
Uncle J – Bass
Bjudas – Drums

http://kal-el.no
http://kal-el.bandcamp.com
http://facebook.com/kalelproject
http://instagram.com/kalelband
http://majesticmountainrecords.bigcartel.com
http://facebook.com/majesticmountainrecords
http://instagram.com/majesticmountainrecords

Kal-El, “Comêta”

Cheers to Norwegian doomers Saint Karloff on making a studio documentary and avoiding having it basically be fodder for comparison to Spinal Tap. A rare dodge on the part of any band. The Oslo-based three-piece will begin a round of shows in February supporting their 2019 sophomore full-length, Interstellar Voodoo (review here), and they’ll be joined in the endeavor by countrymen garage heavies Magmakammer, making for a two-band complement that I have no doubt will be received with approving nods by all in their presence. This brand of riffing will do that, and each act has their own spin.

I was kind of hoping for some video interview footage in the documentary, and it’s the album playing (in full) over studio clips with info and background spliced in, making for an interesting, cool and not-at-all Tap excuse to revisit the record. You think that’d be easy but it’s not if you’ve ever done an interview.

Dates and that video follow, as per the PR wire:

Norwegian Occult Rockers SAINT KARLOFF announce European Tour with Magmakammer | Share Recording Session Documentary for INTERSTELLAR VOODOO

In association with The Doomsday Agency and hot on the heels of an impressive 2019, Doom Rock’s rising superpower, Saint Karloff, take to the road next month for a European tour with fellow Norwegians, Magmakammer.

Having made their mark on the international heavy music scene in 2018 with the release of their debut album, All Heed the Black God, the band continued to raise their game with newer, heavier and more complexly psychedelic material on last year’s Interstellar Voodoo, their follow-up album released on Majestic Mountain Records.

To showcase exactly what went into the recording, the trio have released a unique video documenting and detailing the very recording session that produced the album’s epic one-track conclusion. Soundtracked in full of course, by the album itself.

“This is a music video and documentary hybrid of our time recording our second album,” explains guitarist/vocalist, Mads Melvold. “It was recorded Easter 2019 and released in the autumn of that same year. People have reached out to us and asked us about the making of Interstellar Voodoo, and with this video we try to answer these questions. What you see is the actual recording. The whole thing was filmed and edited and it contains information and anecdotes on the whole process from start to finish.”

Released last year on Majestic Mountain Records, copies of Interstellar Voodoo are now sold out but you can purchase the album digitally, directly from the band (here) ahead of their tour, which kicks off in Norway next month. For the full list of dates and venues see list and tour poster below:

SAINT KARLOFF EUROPEAN TOUR 2020:

20/2 – Hulen – Bergen, Norway*
29/2 – Blitz – Oslo, Norway+
5/3 – 1000Fryd – Aalborg, Denmark*
6/3 – MTS Records – Oldenburg, Germany*
7/3 – Den Drummer – Gent, Belgium*
9/3 – Chemiefabrik – Dresden, Germany
12/3 – MS Stubnitz – Hamburg, Germany*
13/3 – Favela Café – Helsingborg, Sweden*
14/3 – MMR Fest Hus 7 – Stockholm, Sweden*+

*w. Magmakammer
+Saint Karloff to perform Interstellar Voodoo in its entirety

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instagram.com/saintkarloff
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facebook.com/majesticmountainrecords/
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Saint Karloff, Interstellar Voodoo Recording Documentary