Review & Track Premiere, Various Artists, Alice in Chains: Dirt [Redux]

Posted in audiObelisk, Reviews on September 9th, 2020 by JJ Koczan

dirt redux

[Click play above to stream Howling Giant’s “Rooster” from Magnetic Eye Records’ Dirt [Redux] Alice in Chains tribute. LP/CD/DL out Sept. 18 with preorders here.]

Place your order today and relax as AcademicGuru provides the best range for my review here. AcademicGuru is best known for its ethical services. Says Howling Giant’s Zach Wheeler:

“To be honest, getting ‘Rooster’ was a bit intimidating as it’s one of their most popular songs. We wanted to pay tribute to Alice in Chains as much as possible while giving the song that special Howling Giant sauce. We changed a few things around, but tried to reinforce the melodies that make the song so memorable in the first place.”

You’re a little short on money, but desperately need an essay? Looking for a Research Paper On Buyer Behaviour you can trust? Don’t worry, EssayUSA will help! Says Howling Giant’s Tom Polzine:

“When I was growing up in Buffalo, Minnesota, there was a local band called Blood Root Mother made up of some dudes that were probably four or five years older than me. I remember sneaking out of my house to see them perform at this rundown venue called The Vault. The Vault was run by some 20 year olds that skipped college in order to renovate that old antique shop into a dirty DIY venue. If dirty and uncomfortable was the vibe they were going for, they nailed it. Anyway, Blood Root Mother were tight as hell and I’ll always remember their cover of ‘Rooster’ as one of the most moving performances I witnessed from a bunch of local, lovable scumbags. The energy was so raw, and the volume was overwhelming. I think that witnessing those guys performing that song in particular is the reason I started playing in rock bands in high school, and why I still play today.”

Released in September 1992, College Research Paper On Social Networking Servicess - original papers at competitive costs available here will turn your studying into delight Let specialists Alice in Chains‘ second full-length, Pay someone to Who Owns Copyright Of A Phd Thesis Help. If you are thinking to pay someone to do my Programming Homework then you definitely find worth paying us. Our Broad range of Programming Help Services and the team of experts programmers make us pretty unique. And make us best service provider. Dirt, is a generational landmark. It remains one of a select few records of its era — along with With our writing services, you'll get your essays extremely fast and at an incredible quality! Various types of essays. Write My Biology Paper. Nirvana‘s thesis sentence generator http://www.rndincentives.com/phd-dissertation-abstracts-online/ Free what are the disadvantages of us foreign aid dissertation sur la culture gnrale Nevermind, Are you in need of basics? Get PhD professional editing service when you click here. Pearl Jam‘s Make your website stand out and convert more visitors with our web http://tehnodream.com.ua/?evaluation-argument-essay-topicss, at India based Content Writing Company Content Beats. Ten, Academic writers. Thus the Romans had evidently heard them as a sevenfold form Rerit the sow, Farm Writing Paper. But why the Bull? Soundgarden‘s Find out more about Dissertation Improvement Nsf services: reasons to use, purposes, and benefits you get when working with us. Get your dissertation Badmotorfinger, and maybe one or two others — that helped define the “grunge” sound for which Seattle, Washington, would become almost inextricably known. With an underlying-and-at-times-right-up-front theme of drug addiction and ensuing personal fallout,  iWriter: Content & How To Write Case Study Paper - Buy Articles Dirt was grimmer and could be more aggressive than most of its still-commercially-viable major label contemporaries, and as a result always had some more appeal to metal fans than, say, Online Editing and writing custom nagios scripts for Academics, Businesses, Authors and Job Applicants. Fast, affordable, 24/7 and best quality. Pearl Jam, who were strictly a hard rock band at the time. Guitarist  source site requires professional eye and qualified skills. And all these you can get from our expert! Jerry Cantrell‘s now-classic riffs and vocals,  Whenever you need help in doing assignment homework or you are worried thinking, “Can someone do my assignments for college", you can certainly get assignment writing help from us. If you have to do an assignment that you are not able to complete on time, you can simply ask us, “Writing A Dissertation In 2 Days for me”. Sean Kinney‘s inventive drums, the fluid bass work of  Assignment Help» Assignment Services » Do My Assignment; Thinking About “Write An Essay My Aim In Life For Me?” We Can! Scholars pursuing graduation, post Mike Starr and  Layne Staley‘s voice that would prove inimitable despite the attempts of three decades’ worth of singers — these essential elements came together around a group of particularly memorable songs, some radio hits, some B sides, and of course, “Iron Gland” for good measure, and served as the proverbial lightning in the bottle and the standard by which the band’s output ever since has been judged.

In continuing its tribute series of full album releases by embarking on a Dirt [Redux], Magnetic Eye Records takes on a no less crucial album than when the label put together compilation tributes to Pink Floyd or Jimi Hendrix. There are some recognizable acts from the Magnetic Eye stable as well as others clearly given to celebrating the work itself, and those who remain loyal to the original versions of the songs while other groups prefer to bring their appointed track into their own sonic context. Like the original Dirt, Dirt [Redux] of course boasts 13 tracks — it’s a whole-album tribute; it wouldn’t do to leave something out — though its runtime is longer than the original, at 63 minutes as opposed to 57. The tracklisting reads as follows:

1. Thou – Them Bones
2. Low Flying Hawks – Dam That River
3. High Priest – Rain When I Die
4. Khemmis – Down in a Hole
5. These Beasts – Sickman
6. Howling Giant – Rooster
7. Forming the Void – Junkhead
8. Somnuri – Dirt
9. Backwoods Payback – God Smack
10. Black Electric – Iron Gland
11. -(16)- – Hate to Feel
12. Vokonis – Angry Chair
13. The Otolith – Would?

Their take on “Would?” — tracked by Alice in Chains first for an appearance on the soundtrack of the film Singles then reused on the album — marks the debut recording from post-SubRosa outfit The Otolith, and arrives with no shortage of anticipation. Bookending with “Them Bones” as interpreted by New Orleans art-sludgers Thou, the atmospheric breadth brought to the finale is a standout on the release and, at that point, one more instance of a band making the track their own. Thou‘s blend of harsh and cleaner vocals notwithstanding, they largely keep to the original tempo and arrangement of the leadoff track, whereas Low Flying Hawks take the subsequent “Dam That River” — a hooky follow-up to the opener — and turn it into an ambient drone only vaguely related to the original.

dirt redux vinyl

And why not? There’s no rule that says a band has to do an impression rather than an interpretation, and as Dirt [Redux] plays out, the likes of Khemmis, These Beasts, Howling Giant, Forming the Void, -(16)- and Vokonis bring their own spin. Khemmis could hardly be a better fit for the emotive doom of “Down in a Hole,” and the crunch These Beasts deliver on “Sickman” is an intense precursor to what L.A.’s -(16)- do with “Hate to Feel” later on. Feeling very much like the vanguard of an up and coming generation of progressive heavy rock, Howling Giant, Forming the Void and Vokonis boldly tackle their respective cuts, with “Rooster” getting a bolstered melody (no easy feat), “Junkhead” receiving a newfound nodder groove, and “Angry Chair” highlighting a rhythmic complexity that is both a late surprise and oh, oh, oh so very Swedish.

To complement these forays, Somnuri find a glorious and elusive middle-ground on the album’s title-track, the Brooklynite trio not giving “Dirt” a total makeover so much as an organic-feeling performance that captures the subtle spaciousness that was so much a part of Dirt‘s lonely feel in the first place — all those sometimes empty reaches of its mix. Earlier, Chicago’s High Priest offer perhaps the most impressive vocal included on the redux with “Rain When I Die,” with the as-yet-underrated, very-much-need-to-put-an-album-out group play to their own Alice in Chains influence. Ditto that Backwoods Payback, who bleed their love of the original through their raw interpretation of “God Smack,” finding a space somewhere between punk, post-hardcore and heavy rock that is theirs alone on this release and in the wider underground sphere. These cuts serve the vital function of bringing Dirt [Redux] its sense of homage, making the tribute a tribute, and giving a listener who might not be familiar with all the bands on the Magnetic Eye roster a chance to reorient before, say, These Beasts unfurl their pummeling rendition of “Sickman” or Low Flying Hawks taffy-pull “Dam That River” to suit their own whims.

One would be remiss not to point out that the 43-second interlude “Iron Gland” is here covered by Black Electric, which features Magnetic Eye Records‘ own Mike Vitali (also ex-Ironweed and Greatdayforup) on guitar. Their version is almost eerily reminiscent of the original, on which Slayer‘s Tom Araya sat in for vocals, and gives way to -(16)-‘s roughed-up “Hate to Feel” with a similar flow to the progression between the two tracks on Dirt proper. If you come out of this Dirt [Redux] with a hankering to listen to Alice in Chains, don’t be surprised. I’ll admit to having an attachment to the album that borders on the familial, and whatever they do with it arrangement-wise, I have nothing but respect for anyone brave enough to cover songs that have so much specific heart and style behind them. Inevitably a listener’s experience with Dirt [Redux] will depend on their own context with the original record as well as with the bands involved, but when all is said and done, it is a more than worthy inclusion in Magnetic Eye‘s [Redux] series — Black Sabbath would seem to be next — and it points to just how broadly Alice in Chains‘ influence has spread over the last three decades. You can’t really go wrong.

Various Artists, Dirt [Redux] (2020)

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Psycho Las Vegas 2021 Lineup Announced

Posted in Whathaveyou on June 23rd, 2020 by JJ Koczan

psycho las vegas 2021 banner

Plenty of this lineup looks familiar from what Psycho Las Vegas would’ve been in 2020, and duh, that’s the idea. You’ve still got Danzig doing Lucifuge, still got At the Gates and Katatonia and Emperor and Mercyful Fate. Still got the possibility that if I go, I can hang out after Pinback‘s set and bother Rob Crow about how badly he needs to do another Goblin Cock record. Wino, Fatso Jetson, Elder and Blackwater Holylight playing the pool party, six or seven curveball emo bands — all that fun stuff. Spectacle unmatched in heavy music, set in the Planet Earth’s official home for damned souls. It’s as perfect as it is incongruous.

Makes me wonder what Crowbar have going on next August.

But what you probably want to know is whether your ticket if you had one for 2020 is still good for 2021. Yes.

Behold:

psycho las vegas 2021 poster

Psycho Entertainment presents Psycho Las Vegas 2021

Psycho Las Vegas has been rescheduled to August 20th – 22nd, 2021. Psycho Swim has been rescheduled to August 19th, 2021. If you already purchased a pass for either event and want to attend in 2021, there is nothing you need to do – your passes will automatically be valid for the new dates.

80 of the 83 bands originally booked on the lineup are returning in 2021. The bands who are not joining us next year are Ty Segall, Black Rebel Motorcycle Club, and Crowbar.

Danzig, Mercyful Fate, Emperor, The Flaming Lips, Blue Oyster Cult, Down, Mayhem, Satyricon, Obituary, Warpaint, Blonde Redhead, HEALTH, Watain, Ulver, Katatonia, At the Gates, Poison The Well, Paul Cauthen, Amigo The Devil, Exhorder, Wolves in the Throne Room, Thursday, Pinback, Zola Jesus, Drab Majesty, Boris, Eyehategood, Repulsion, Immolation, Midnight, MGLA, Windhand, Cursive, Tsol, King Dude, Pig Destroyer, Brutus, Profanatica, Lower Dens, Cult of Fire, Intronaut, boysetsfire, Death by Stereo, Curl Up and Die, Adamantium, This Will Destroy You, Khemmis, Mothership, Guantanamo Baywatch, Dengue Fever, Kaelan Mikla, Black Joe Lewis, Fatso Jetson, Wino, Creeping Death, Mephistofeles, Frankie and The Witch Fingers, Toke, Foie Gras, Flavor Crystals, Silvertomb, Lord Buffalo, Warish, Alms, Bombers, Glacial Tomb, Relaxer, Black Sabbitch, Hippie Death Cult, Vaelmyst, Mother Mercury, Two Minutes to Late Night

America’s rock n’ roll bacchanal returns to Mandalay Bay Resort & Casino August 20th through August 22th, with another resort-wide casino takeover unlike any of its kind. Now approaching its fifth year in the swirling neon decadence of Las Vegas, PSYCHO will feature over seventy artists across four stages including the world-class Events Center, the iconic House Of Blues, Mandalay Bay Beach, and the vintage Vegas-style Rhythm & Riffs Lounge in the center of the casino floor. PSYCHO LAS VEGAS 2021 will continue to redefine America’s conception of what a festival can be.

Psycho Entertainment presents Psycho Swim “The Official Psycho Las Vegas Pre-Party”

Old Man Gloom, Elder, Polyrhythmics, Death Valley Girls, The Skull, Blackwater Holylight, Here Lies Man, DJ Scott Seltzer

America’s rock n’ roll pool party returns to DAYLIGHT Beach Club on August 19th for the second annual PSYCHO SWIM. This official all-day pre-party celebrates the best of previous PSYCHO LAS VEGAS lineups with performances from a host of festival alumni as well as new PSYCHO additions.

DAYLIGHT Beach Club is nestled next to the Mandalay Bay Resort And Casino and features a 4400-square-foot main pool, daybeds, cabanas, and bungalows, with an elevated stage offering unobstructed, up-close-and-personal views of artist performances.

https://www.facebook.com/events/2513255765662644/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

A Message from Psycho Las Vegas

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Quarterly Review: Khemmis, Mutant Flesh, War Cloud, Void of Sleep, Pretty Lightning, Rosy Finch, Ghost Spawn, Agrabatti, Dead Sacraments, Smokemaster

Posted in Reviews on March 24th, 2020 by JJ Koczan

quarterly review

Alarm went off this morning at 3:45. Got up, flicked on the coffee pot, turned the heat on in the house, hit the bathroom and was back in bed in four minutes with an alarm set for 4:15. Didn’t really get back to sleep, but the half-hour of being still was a kind of pre-waking meditation that I appreciated just the same. Was dozing when the alarm went off the second time, but it’s day two of the Quarterly Review, so no time to doze. No time for anything, as is the nature of these blocks of writeups. They tend to be all-consuming while they’re going on. Could be worse. Let’s roll.

Quarterly Review #11-20:

Khemmis, Doomed Heavy Metal

khemmis doomed heavy metal

Denver four-piece Khemmis have made themselves one of the most distinctive acts in metal, to say nothing of doom. With strong vocal harmonies out front backed by similarly-minded guitars, the band bring a sense of poise to doom that’s rare in the modern sphere, somewhat European in influence, but less outwardly adherent to the genre tenets of melancholy. They refuse to be Paradise Lost, in other words, and are all the more themselves for that. Their Doomed Heavy Metal EP (on 20 Buck Spin and Nuclear Blast) is a stopgap after 2018’s Desolation (review here) full-length, but at 38 minutes and six songs, it’s substantial nonetheless, headlined by the Dio cover “Rainbow in the Dark” — capably done with just a flair of Slough Feg — with a take on Lloyd Chandler‘s “A Conversation with Death” and “Empty Throne,” both rare-enough studio cuts, for backing, as well as three live cuts that cover their three-to-date albums. The growls on “Three Gates” are fun, but I’ll still take the Dio cover as the highlight. For a cobbled-together release, it feels at least like a bit of thoughtful fan-service, and really, a band could do worse than to serve their fans thoughtfully.

Khemmis on Thee Facebooks

20 Buck Spin store

Nuclear Blast Records store

 

Mutant Flesh, Evil Eye

mutant flesh evil eye

There are shades of doom metal’s origins underlying Mutant Flesh‘s first release, the eight-song/33-minute Evil Eye, but the Philly troupe are too gleeful in their weirdness ultimately to be paying full homage to the likes of Witchfinder General, and especially in a faster song like second cut “Meteoric” and the subsequent lead-guitar-flipout-and-vocal-soar title-track, they tap into the defiantly doomed vibe of earliest Saint Vitus. That’s true of the crawling “Euthanasia” as well, which crashes and nods as it approaches the six-minute mark as the longest inclusion here, but even the penultimate “Blight” brings that twisted-BlackFlag-noise-slowed-down spirit that lets you know there’s consciousness behind the chaos, and that while Mutant Flesh might seem to be all-the-way-gone, they’re really just getting started. Maybe their sound will even out over time, maybe it won’t, but for what it’s worth, they do ragged doom well from the opening “Leviathan (Lord of the Labyrinth)” onward, and feel right at home in the unhinged.

Mutant Flesh on Thee Facebooks

Mutant Flesh on Bandcamp

 

War Cloud, Earhammer Sessions

war cloud earhammer sessions

Having just shredded their way across Europe, War Cloud took their set into the Earhammer Studio with Greg Wilkinson at the helm in an attempt to capture the band in top form on their home turf. Did it work? The results on Earhammer Sessions (Ripple Music) don’t wait around for you to decide. They’re too busy kicking ass to take names, and if the resulting 29-minute burst is even half of what they brought to the stage on that tour, those must’ve been some goddamn shows. Songs like “White Lightning” and the snare-counted-in “Speed Demon” and “Striker” feel like they’re being given their due in the max-speed-NWOBHM-but-still-too-classy-to-be-thrash presentation, and honestly, this feels like War Cloud have found their method. If they don’t tour their next album and then hit the studio after and lay it down live, or at least as live as Earhammer Sessions is — one never knows as regards overdubs and isolation booths and all that — they’re doing themselves a disservice. War Cloud play metal. So what? So this.

War Cloud on Thee Facebooks

Ripple Music website

 

Void of Sleep, Metaphora

Void of Sleep Metaphora

Void of Sleep return after half a decade with the prog-doom stylings of their third album, Metaphora (Aural Music), which stretches dramatically through songs like “Iron Mouth” (11:00), preceded by the intro “The Famine Years” and the shorter “Unfair Judgements,” preceded by the intro “Waves of Discomfort,” and still somehow manage not to sound out of place tapping into their inner Soilwork in the growled verses/clean choruses of “Master Abuser.” They get harsh a bit as well on “Tides of the Mourning,” which uses its 10:30 to summarize the bulk of the proceedings and close out the record after “Modern Man,” but that song has more of a scope and feels looser structurally for that. Still, that shift is only one of several throughout Metaphora, which follows the Italian five-piece’s 2015 LP, New World Order (discussed here), and wherever Void of Sleep are headed at any given moment, they head there with a duly controlled presence. Clearly their last five years have not been wasted.

Void of Sleep on Thee Facebooks

Aural Music store

 

Pretty Lightning, Jangle Bowls

pretty lightning jangle bowls

As yet, Germany’s Pretty Lightning remain a well kept secret of fuzz-psych-blues nuance, digging out their own niche-in-a-niche-in-a-niche microgenre with a natural and inadvertent-feeling sense of just writing the songs they want to write. Jangle Bowls, which puts its catchy, semi-garage title-track early in the proceedings, is the duo’s second offering through Fuzz Club Records behind 2017’s The Rhythm of Ooze (review here), and seem to present a mission statement in opener “Swamp Ritual” before bringing a due sense of excursion to “Boogie at the Shrine” — damn that’s a smooth groove — and reviving the movement in “RaRaRa,” which follows. Closer “Shovel Blues” is a highlight for how it drifts into oblivion, but the underlying tightness of craft in “123 Eternity” and “Hum” is an appeal as well, so it’s a tradeoff. But it’s one I’ll be glad to make across multiple repeat visits to Jangle Bowls while wondering how long this particular secret can actually be kept.

Pretty Lightning on Thee Facebooks

Fuzz Club Records store

 

Rosy Finch, Scarlet

rosy finch scarlet

The painted-blood-red cover of Rosy Finch‘s second album, Scarlet (on Lay Bare Recordings), and horror-cinema-esque design isn’t a coincidence in terms of atmosphere, but the Spanish trio bring a more aggressive feel to the nine-track outing overall than they did to their 2016 debut, Witchboro (review here), with additional crunch in the guitar of Mireia Porto (also vocals and bass) and bassist Elena Garcia, and a forward kick drum from LluĂ­s Mas that hammers home the impact of a cruncher like “Ruby” and even seems to ground the more melodic “Alizarina,” which follows, let alone the crushing opener/longest track (immediate points) “Oxblood” or its headspinning closing companion “Dark Cherry,” after which follows the particularly intense hidden cut “Lady Bug,” also not to be missed. Anger suits Rosy Finch, it seems, and the band bring a physicality to the songs on Scarlet that only reinforces the sonic push.

Rosy Finch on Thee Facebooks

Lay Bare Recordings store

 

Ghost Spawn, The Haunting Continuum

Ghost Spawn The Haunting Continuum

Brutal, gurgling doom-of-death pervades The Haunting Continuum from Denver one-man-unit Ghost Spawn, and while the guitar late in “Escaping the Mortal Flesh” seems momentarily to offer some hope of salvation, rest assured, it doesn’t last, and the squibbly central riff returns with its extremity to prove once more that only death is real. Multi-instrumentalist/vocalist Kevin Berstler is the lone culprit behind the project’s first full-length and second release overall (also second this year, so he would seem to work quickly), and across 43 minutes that only grow more grueling as they proceed through the centerpiece title-track and into “The Terrors that Plague Nightly” and the desolate incantations of “Exiled to the Realm of Eternal Rot,” there are some hints of cleaner grunts that have made their way through — a kind of repeated “hup” vocalization — but this too is swallowed in the miasma of cave-echo guitar, drums-from-out-of-the-abyss, and raw-as-peeled-flesh production. Can’t get behind that? Probably you and 99.9 percent of the rest of humanity. For us slugs, though, it’s just about right.

Ghost Spawn on Thee Facebooks

Ghost Spawn on Bandcamp

 

Agrabatti, Beyond the Sun

agrabatti beyond the sun

It’s kosmiche thrust and watery vibes when Agrabatti go Beyond the Sun. What’s there upon arrival? Nothing less than a boogie down with Hawkwind at the helm of a spacey spaced-out space rocking chopper that you shouldn’t even be able to hear the revving engine of in space and yet somehow you can. Also synth, pulsating riffs and psych-as-all-golly-gosh awakenings. Formed in 2009 by Chad Davis — then just out of U.S. Christmas, already at that point known for his work in Hour of 13 and a swath of other projects across multiple genres — and with songs begun to come together at that time only to be shelved ahead of recording this year, Beyond the Sun sat seemingly in some unreachable strata of anomalous subspace, for 11 years before being rediscovered from its time-loop like Kelsey Grammer in that one episode of TNG, and gorgeously spread across the quadrant in its five-cut run, with its cover of the aforementioned Hawkwind‘s “Born to Go” so much at home among its companions it feels like, baby, it’s already gone. Do you need sunglasses in the void? Shit yeah you do.

Agrabatti on Thee Facebooks

Agrabatti on Bandcamp

 

Dead Sacraments, Celestial Throne

Dead Sacraments Celestial Throne

Four sprawling doom epics comprise the 2019 debut album — and apparently debut release — from Illinois four-piece Dead Sacraments, who themselves are comprised from three former members of atmospheric sludgers Angel Eyes, who finished their run in 2011 but released the posthumous Things Have Learnt to Walk That Ought to Crawl (review here). Those are guitarist Brendan Burchell, bassist Nader Cheboub and drummer Ryan Croson, and together with apparently-self-harmonizing vocalist/guitarist Mark Mazurek, they cast a doom built on largesse in tone and scope alike, given an air of classic-metal grandiosity but filtered through a psych-doom modernity that feels aware of what the likes of Pallbearer and Khemmis have done for the genre. Nonetheless, as a first record, Celestial Throne shines its darkness brightly across its no-song-under-nine-minutes-long lumber, and affirms the righteousness of doom with a genuine sense of reach at its disposal.

Dead Sacraments on Thee Facebooks

Dead Sacraments on Bandcamp

 

Smokemaster, Smokemaster

smokemaster smokemaster

The languid and trippy spirit in opener “Solar Flares” is something of a misdirect on the part of organ-laced, Cologne-based heavy rockers Smokemaster, who go on to boogie down through songs like “Trippin’ Blues” before jamming out classic heavy blues-style on “Ear of the Universe.” I’m not saying they don’t have their psychedelic aspects, but there’s plenty of movement behind what they do as well, and the setup they give with the first two cuts is effective in throwing off the first-time listener’s expectation. A pastoral instrumental “Sunrise in the Canyon” leads off side B after, and comes backed by “Astronaut of Love” (yup, a lovestronaut) and “Astral Traveller,” which find an engaging midpoint between the ground and the great beyond, synth and keys pushing outward in the finale even as the bass and drums keep it tethered to a central groove. It’s a formula that’s worked many times over the last half-century, but it works here too, and Smokemaster‘s Smokemaster makes a right-on introduction to the German newcomers.

Smokemaster on Thee Facebooks

Tonzonen Records store

 

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Khemmis to Release Doomed Heavy Metal EP April 17; Post Live Dio Cover

Posted in Whathaveyou on March 16th, 2020 by JJ Koczan

khemmis

Bold move for any band to take on Dio, but Denver’s Khemmis aren’t really strangers to bold moves, so fair enough. And “Rainbow in the Dark,” no less. One salutes the chutzpah factor alone, never mind the actual outcome of the track. The hard-touring four-piece are allegedly getting ready to hit the road in Europe — as much as there will be a road in Europe to hit, pending government lockdowns owing to COVID-19, tour cancellations and so on — and will play both Monolith on the Mesa and Psycho Las Vegas later this Spring and Summer, and the doomed heavy metallers’ new EP, uh, well, Doomed Heavy Metal, is set to arrive April 17 through Nuclear Blast and 20 Buck Spin.

The EP brings together a studio version of the Dio cover with a couple other odds and ends and a live song from each of their records. Preorders and pre-saves — which I suspect will soon be a common-enough thing that I’ll eventually drop that hyphen: “presaves” — are available, with Nuclear Blast handling the digi end and 20 Buck Spin doing physical manifestation.

Doomed Heavy Metal. Kind of says it all, right?

To the PR wire:

khemmis doomed heavy metal

KHEMMIS Unveil New Mini-Album Entitled, Doomed Heavy Metal + Release New Live Video For Their DIO Cover Of “Rainbow In The Dark”

Pre-Order Your Digital Copy Here: https://geni.us/KhemmisDHM

Denver, Colorado based doomed heavy metal quartet KHEMMIS unveil their new mini-album, Doomed Heavy Metal, which will be released digitally on April 17th via Nuclear Blast.

The band comments: “As lifelong fans of ZZ TOP, ‘Fandango’ has been a consistent source of inspiration for the four of us. The combination of high-octane live cuts and rare studio recordings make the release stand out in the band’s discography. In that tradition, we are thrilled to announce Doomed Heavy Metal. This mini-album is similarly unique, combining sought-after singles and live cuts together on one record. We’ve topped it all off with a newly recorded version of DIO’s immortal ‘Rainbow in the Dark.’ For those who have clamored for the rerelease of the long out of print Empty Throne and Conversation with Death, your calls have been answered. We hope new and old fans alike will pick up the album, pour a tall glass of their favorite beverage, and party with us!”

Doomed Heavy Metal, is a unique collection of songs from the quartet. Side A includes a brand new cover of “Rainbow in the Dark” as well as a pair of rare singles–“A Conversation with Death” from the band’s 7″ split with SPIRIT ADRIFT and “Empty Throne” from the Decibel Magazine Flexi Series. Side B highlights the power and emotional intensity the group wields onstage with a selection of live recordings from 2018’s Two Nights of Doomed Heavy Metal showcasing one song from each of KHEMMIS’ albums.

Below is the Doomed Heavy Metal track list:

1. Rainbow In The Dark (DIO Cover)
2. A Conversation With Death
3. Empty Throne
4. Bloodletting (Live)
5. Three Gates (Live)
6. The Bereaved (Live)

Pre-order your digital copy of Doomed Heavy Metal album here: https://geni.us/KhemmisDHM
Pre-save the album on Spotify, Apple Music and Deezer: https://nblast.de/KhemmisPreSave

The band will also have LP’s / CD’s available for pre-sale at https://www.20buckspin.com/khemmis.

Catch KHEMMIS on THE DESOLATE ROAD TO DESERTFEST TOUR MMXX. confirmed dates are below:
04/23 Kassel (ger) – Goldgrube
04/24 Berlin (ger) – Wild At Heart
04/25 Copenhagen (dk) – Stengade
04/26 Kiel (ger) – Schaubude
04/28 Aalborg (dk) – 1000Fryd
04/29 Hamburg (ger) – Hafenklang
04/30 Dortmund (ger) – Musiktheater
05/01 LĂĽttich (b) – La Zone
05/02 London (uk) – Underworld (Desertfest)

Other dates:
5/30 Taos, NM – Monolith on the Mesa
6/20 Denver, CO – TRVE Brewing Anniversary Bacchanal
8/14-8/16 – Las Vegas, NV – Psycho Las Vegas

http://www.facebook.com/khemmisdoom
http://khemmis.bandcamp.com
http://www.facebook.com/nuclearblastusa
http://instagram.com/nuclearblastusa
https://shop.nuclearblast.com/en/shop/index.html
https://www.nuclearblast.de/en/

Khemmis, “Rainbow in the Dark” official live video

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Psycho Las Vegas Announces Complete 2020 Lineup; Danzig, Mercyful Fate & Emperor Headlining

Posted in Whathaveyou on January 30th, 2020 by JJ Koczan

Psycho Las Vegas 2020 banner style

Danzig doing the Lucifuge record, plus Emperor and Mercyful Fate on US exclusives. In the age of spectacle, Psycho Las Vegas stands apart from its otherwise-might-be peers. There’s a method to all this madness. A plan in action. These people aren’t stupid — this isn’t a stupid lineup, unless you mean “stupid” in an emphatic sense. That’s what Psycho Las Vegas is: emphasis realized. The chaos is the mission. How could there be a more suitable complement to this year, this moment in human history? This is happening at a fucking casino. In Las Vegas. Do you understand what I’m telling you? Do you understand you surreal that is? Repulsion are playing a god damned casino. On a bill with The Flaming Lips and Katatonia. This is your brain on… fire, I guess?

A couple weeks ago — days ago? hours? I have no idea what day it is or why I should be expected to know; I’ve actually set an alarm to post this at the right time in an effort not to screw it up which I probably will anyhow — I happened to have some quick email correspondence with the souls behind the genre-consuming beast of a festival that is Psycho Las Vegas 2020 and I made my BIG PITCH for coverage. Want to know what it was? What it basically boiled down to was, “How about you guys bring me out to the festival and put me up for four days, I take a bunch of mushrooms, maybe go see some bands and write whatever the hell I want?”

Their answer was yes, so that’s my plan. I think Psycho deserves nothing less than me ranting about I don’t know probably cultural decay, self-hate manifest as pretentious judgmentalism, and not eating for four days? Yeah, that sounds good. I’ll go with that.

The schedule isn’t out yet, but it’s clearly a choose-your-adventure festival. For those seeing HOT TIPS from an internet influencer, you’re on the wrong goddamn site. I’m the guy who spent half his morning cleaning up animal piss at his mom’s house. I’ll say though that along with the gargantuan proportion of the headliners — come on, Danzig doing Danzig II is brilliant and you know it — and all the indie, emo and post-hardcore stuff that, yeah okay, I get it, the aughts were a thing for some people (not for me; was too drunk to remember any of it), it’s righteous to see such a huge event in addition to telling Coachella to suck its ass continuing to commit to the heavy underground. My chosen adventure will include but not be limited to placing priority on Lord Buffalo, Blackwater Holylight, Fatso Jetson (of course), Mothership (the context is too good to pass up), Hippie Death Cult and… yes… Katatonia. Because they’re the wintriest band ever and it’ll be 100 degrees. The most Psycho move ever would be to put them on the pool stage. Keeping my fingers crossed that’s how it works out. Shit, put Mayhem out there while we’re at it.

That’s all provided I’m not too out of my mind to leave the hotel room.

Here’s a poster and words in blue. See you there, sort of:

PSYCHO LAS VEGAS 2020 – COMPLETE LINEUP

DANZIG (Celebrating 30 years of “Lucifuge”)
MERCYFUL FATE (2020 USA Exclusive)
EMPEROR (2020 USA Exclusive)
THE FLAMING LIPS
BLUE OYSTER CULT
DOWN (Celebrating 25 years of “Nola”)
BLACK REBEL MOTORCYCLE CLUB
TY SEGALL
WARPAINT
MAYHEM
SATYRICON
WATAIN
BLONDE REDHEAD
HEALTH
OBITUARY
ULVER (2020 USA Exclusive)
KATATONIA
AT THE GATES
POISON THE WELL
TSOL
CROWBAR
EXHORDER
WOLVES IN THE THRONE ROOM
THURSDAY
PINBACK
ZOLA JESUS
DRAB MAJESTY
BORIS
KING DUDE
PAUL CAUTHEN
AMIGO THE DEVIL
EYEHATEGOD
PIG DESTROYER
REPULSION
IMMOLATION
MIDNIGHT
MGLA
WINDHAND
CURSIVE
BRUTUS
PROFANATICA
LOWER DENS
BLACK JOE LEWIS
INTRONAUT
BOYSETSFIRE
DEATH BY STEREO
CURL UP AND DIE
ADAMANTIUM
THIS WILL DESTROY YOU
KHEMMIS
MOTHERSHIP
GUANTANAMO BAYWATCH
DENGUE FEVER
KAELAN MIKLA
BLACKWATER HOLYLIGHT
FATSO JETSON
WINO (ACOUSTIC)
CREEPING DEATH
MEPHISTOFELES
FRANKIE AND THE WITCH FINGERS
TOKE
FOIE GRAS
FLAVOR CRYSTALS
SILVERTOMB
LORD BUFFALO
WARISH
ALMS
BOMBERS
GLACIAL TOMB
RELAXER
HIPPIE DEATH CULT
VAELMYST
MOTHER MERCURY
DJ SCOTT SELTZER

Psycho Entertainment & MGM Entertainment present PSYCHO SWIM

Lineup:
OLD MAN GLOOM
ELDER
THE SKULL
DEATH VALLEY GIRLS
BLACKWATER HOLYLIGHT
HERE LIES MAN
POLYRHYTHMICS
DJ SCOTT SELTZER

Tickets for PSYCHO LAS VEGAS as well as the PSYCHO SWIM pre-party, which requires a separate ticket from the main festival pass, are on sale now!

Tickets for all PSYCHO LAS VEGAS events can be purchased at VivaPsycho.com or AXS.com.

https://www.facebook.com/events/3255628101138593/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

Danzig, Danzig II: Lucifuge (1990)

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Desertfest London 2020: I Mean, Seriously. God Damn.

Posted in Whathaveyou on January 20th, 2020 by JJ Koczan

desertfest london 2020 header

Even apart from how it relates to the other festivals under the Desertfest banner — Berlin, Belgium, New York — Desertfest London set an extremely high standard for itself last year, and it was obvious coming into Desertfest London 2020 that they’d have their work cut out for them in reaching those same heights. Their lineup isn’t finished yet, and of course we’ll see how it all looks when the day-schedule is fully unveiled, but bringing Lowrider on board to support their first release in 20 years, Refractions, is nothing if not significant — they played there in 2013 and were fantastic — but they’ll also be the the UK debut for Khemmis from the US and at least the first time at Desertfest for MaidaVale from Sweden. They’ve pretty much lost their minds and added 20 bands in a single shot here, so there’s plenty to dig into, but you’ll note King Witch, who are frickin’ awesome, as well as The Hazytones, Alunah and the slew of others taking part. They’re building a desert empire in Camden Town.

Has it been nine years already? I may have to start planning my return for year 10 if they’ll have me.

From thee social medias:

desertfest london 2020 poster

DESERTFEST ADDS 20 NAMES TO LONDON LINE-UP, INCLUDING GRAVEYARD AS NEXT HEADLINER

Tickets – https://dice.fm/festival/desertfest20

Desertfest is thrilled to be kicking off the new year in style with the apt number of 20 names added for our 9th edition this May. Sweden’s most beloved export of hard rock, the impeccable Graveyard will bring their unique bluesy tones to London as headliners of Desertfest London 2020. The Swedish family reunion continues as we welcome back one of the most synonymous desert rock (and Desertfest) bands, the iconic Lowrider return with not only a rare live performance, but their first record in almost two decades. A masterclass in the melting pot of genre fluidity comes from two-man powerhouse Big Business, whilst psychedelic stoner rock trio Somali Yacht Club will make the trip from Ukraine to play Desertfest for the first time.

Speaking of debuts we’ll play host to the first UK show for Denver melancholic doom outfit Khemmis and Sweden delivers once again with rock’n’roll four-piece MaidaVale. Elsewhere on the bill we are thrilled to welcome Your Highness, Hexis, FIREBREATHER, The Hazytones, Opium Lord, King Witch, GURT, Alunah, 1782, Tides Of Sulfur, Doomicidal, Under, A Gazillion Angry Mexicans and Dunes.

As you may have noticed, The Picturebooks have unfortunately had to cancel their performance at Desertfest due to a schedule conflict out of our control. However with more acts still to be unveiled, plus day tickets on sale soon there’s much more to come for our 9th edition.

Weekend tickets are on sale now via this link – https://link.dice.fm/desertfest20

Artwork by Piotr w. Osburne

https://www.facebook.com/events/464163361105416/
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/

Lowrider, Ode to Io Deluxe Edition (2017)

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Monolith on the Mesa 2020 Lineup Update: Khemmis, Mondo Drag, Heavy Temple & More Added

Posted in Whathaveyou on January 2nd, 2020 by JJ Koczan

I’ll be 100 percent honest with you and say I don’t know how recent the lineup additions are here, but I’m trying basically to keep up with Monolith on the Mesa 2020 and there are names listed below that weren’t included in the last lineup update I got from the PR wire, so if I’m a month behind, I’m sorry. It’s been a busy month. Some of those additions are significant as well, from Warhorse, Heavy Temple and Yatra making the trek from the East Coast to Mondo Drag coming from San Diego, Khemmis from Denver and Distances from the relatively nearby Albuquerque. All these and the others listed below will convene at the Taos Mesa Brewing Mothership for what’s the second Monolith on the Mesa Festival, which I have very little doubt is precisely the kind of party it looks like on paper. To wit, it looks like quite a party.

I went to the fest’s website and cut and pasted the lineup. That’s what I did. Swiped the logo while I was there too. Full confession.

With dreams of the desert in Springtime:

 

MONOLITH ON THE MESA 2020 logo

Monolith on the Mesa 2020

May 28-30, 2020 at Taos Mesa Brewing

Monolith on the Mesa, a “High” Desert Experience, is an independent three-day festival entering its second year in 2020. The festival takes place at the Taos Mesa Brewing Mothership, and on the grounds of Hotel Luna Mystica, just outside of Taos, New Mexico. The festival is focused on heavy riff-rock acts from across multiple sub-genres including stoner rock, heavy psych, doom metal, sludge, drone, and retro rock. The festival includes interactive art installations and visual projections throughout the grounds to compliment the mind bending sounds of the bands. Festival capacity is limited to 1,500 to provide an intimate experience. Bands perform on the club-style indoor stage, and the scenic “earthship” outdoor amphitheater stage.

Bands Playing at Monolith on the Mesa:
Black Maria
Destroyer of Light
distances
Duel
Earthride
Fatso Jetson
Great Electric Quest
Heavy Temple
Khemmis
Love Gang
Magic Castles
Mark Deutrom
Mars Red Sky
Mondo Drag
Mondo Generator
Mountain of Smoke
Nebula
Prism Bitch
Ruby the Hatchet
Sons of Otis
Sun Dog
Warhorse
Wo Fat
Yatra
Yawning Man
Year of the Cobra

DATES AND TIMES:
Box office opens at 9 a.m. Thursday, Friday and Saturday.
May 28th doors at 4 pm til 1:30 am
May 29th doors at 12 noon; outside stage til midnight; indoor stage til 1:30 am
May 30th doors at 12 noon; outdoor stage til midnight; indoor stage til 1:30 am

VENUE INFORMATION:
Taos Mesa Brewing: The Mothership
20 ABC Mesa Rd.
El Prado, New Mexico 89529
https://www.taosmesabrewing.com/

TICKET INFORMATION:
Rain or shine event! No refunds!
https://tickets.holdmyticket.com/tickets/344140

https://www.monolithonthemesa.com
https://www.facebook.com/monolithonthemesa
https://www.instagram.com/monolithonthemesa

Monolith on the Mesa 2020 promo

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Khemmis Announce December West Coast Dates with Un

Posted in Whathaveyou on August 22nd, 2019 by JJ Koczan

khemmis

The mighty force of metallic melancholy known as Khemmis will finish out 2019 with a nine-day run down the West Coast, the band taking unto themselves the potentially arduous task of driving through the Rockies in wintertime in order to get from their home in Denver through Utah and Idaho before hitting the more temperate coastline and circling south, ending up where they began with a hometown show at Bluebird Theater on Dec. 14. They’re joined in the endeavor by Un from Seattle, and I can’t help but wonder if this might tie into news of a new album coming next year, either in February, when the music industry returns to life after its winter hibernation, or sometime in Spring. Depends on when they record, duh, but as I haven’t seen news one way or the other about that — doesn’t mean it hasn’t been out there, just that it’s a thing I don’t know — I obviously can’t speak to it. One way or the other, I’d categorize a new LP from them in 2020 as “likely.”

But if “definite” is more your thing, they’re definitely touring. Here are the dates:

khemmis un poster

KHEMMIS Announce West Coast Desolation Tour 2019!

Denver, Colorado based doomed heavy metal quartet KHEMMIS are proud to announce their West Coast Desolation Tour 2019. The 9-date tour will kick-off on December 16th in Salt Lake City and conclude in Denver, Colorado on December 14th. Joining the band on the tour is Seattle funeral doom warlocks UN.

KHEMMIS comments, “After the success of the first leg of the North American Desolation Tour we are thrilled to announce the West Coast Desolation Tour a nine-date headlining trek with support from Seattle funeral doom warlocks UN. We will conclude the outing with a very special hometown show–our only one this year–featuring a rare local appearance by black metal hellions WAYFARER. Tickets for all shows will go on sale this Friday, we’ll see all of you on the road this winter!”

Tickets will be available for purchase on Friday, August 23 at 10AM PST. For more information visit: www.khemmisdoom.com

Confirmed dates for the KHEMMIS West Coast Desolation Tour 2019 with special guests UN are:
12/06/2019 Salt Lake City UT • Soundwell
12/07/2019 Boise ID • Neurolux
12/08/2019 Seattle WA • The Highline
12/09/2019 Portland OR • Doug Fir Lounge
12/10/2019. Oakland CA • Starline Social Club
12/11/2019 Los Angeles CA • The Echo
12/12/2019 San Diego CA • Brick By Brick
12/13/2019 Phoenix AZ • Club Red
12/14/2019 Denver CO • Bluebird Theater (w/ Wayfarer)

Khemmis are:
Phil Pendergast // guitar, vocals
Ben Hutcherson // guitar, vocals
Daniel Beiers // bass
Zach Coleman // drums

http://www.facebook.com/khemmisdoom
http://khemmis.bandcamp.com
www.nuclearblast.de/
https://www.facebook.com/nuclearblastusa

Khemmis, “Isolation” official video

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