The Obsessed and The Skull Announce Co-Headlining Tour

Posted in Whathaveyou on June 10th, 2021 by JJ Koczan

Hot damn, The Obsessed and The Skull, co-headlining at what could’ve easily been dubbed the ‘Champions of Doom Tour’ but sadly was not. Neither are expected to have a new record out by the end of July — The Skull‘s The Endless Road Turns Dark (review here) came out in 2018, and The Obsessed released the bootleg-style Live at Big Dipper (review here) last year — but hell, at least they’re both getting out. The dates arrive with a stopover for The Obsessed‘s Wino to play a solo set at Ripplefest Texas 2021, and there are a couple shows where the two bands part ways for the night.

You’ll also note on Aug. 1 they have matinee and evening shows in Indianapolis and Louisville. That’s about an hour and 45 minutes down I-65 from one town to the other. Oldschool in more than just sound here, it would seem.

The PR wire brought dates and I didn’t even have to type them out myself! Amazing:

the obsessed the skull tour

THE OBSESSED And THE SKULL: Doom Rock Icons Announce US Co-Headlining Tour; Tickets On Sale Now!

THE OBSESSED and THE SKULL will join forces for a US co-headlining tour this Summer. Set to commence July 29th in Cleveland, Ohio, the doom rock caravan will wind its way through nearly two-dozen cities, drawing to a close on August 16th in Rochester, New York. Tickets are on sale now. See all confirmed dates below.

THE OBSESSED/THE SKULL:
7/29/2021 Now That’s Class – Cleveland, OH **
7/30/2021 Club Garibaldi – Milwaukee WI
7/31/2021 Cobra Lounge – Chicago IL
8/01/2021 Black Circle – Indianapolis, IN (matinee show)
8/01/2021 Diamond Pub – Louisville, KY (evening show)
8/02/2021 Brickyard Bar – Knoxville, TN
8/03/2021 Growlers – Memphis, TN
8/04/2021 George’s Majestic – Fayetteville, AR
8/05/2021 Bears – Shreveport, LA
8/06/2021 Division Brewery/Grrowl – Arlington, TX
8/07/2021 White Oak Music Hall – Houston, TX ##
8/07/2021 Ripple Fest @ Texas Ski Ranch – New Braunfels, TX ^^
8/08/2021 Lost Well – Austin, TX
8/09/2021 White Oak Music Hall – Houston, TX **
8/10/2021 Freetown Boom Boom Room – Lafayette, LA **
8/10/2021 Santos – New Orleans, LA ##
8/11/2021 The Earl – Atlanta, GA
8/12/2021 Pour House – Raleigh, NC
8/13/2021 Cafe 611 – Frederick, MD
8/14/2021 GoldSounds – Brooklyn, NY
8/15/2021 Alchemy – Providence, RI
8/16/2021 Montage Music Hall – Rochester, NY
** THE OBSESSED only
## THE SKULL only
^^ WINO Solo

[poster by Gary Mader]

https://www.facebook.com/TheObsessedOfficial
http://relapse.com/the-obsessed-sacred/
https://theobsessed.bandcamp.com/
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords

https://www.facebook.com/troubletheskull/
https://twitter.com/theskullusa
http://theskullusa.com/
https://teepeerecords.com/

The Obsessed, Sacred (2017)

The Skull, “Ravenswood” official lyric video

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Desertfest London 2022 Announces Lineup

Posted in Whathaveyou on April 30th, 2021 by JJ Koczan

desertfest london 2022 banner

It’s good to see you again, Desertfest London. The 2022 lineup of the esteemed British edition of Desertfest brings some returning presences who were to have been at the 2020 edition, then the 2021 — both of course gone the way of corona. But we see Electric WizardShellac and Witchcraft in headlining spots, while Corrosion of Conformity will bring their delayed 25th anniversary of Deliverance to Camden Town, and returning kingpins Orange Goblin will play, along with YOB, TruckfightersEarthlessMy Sleeping KarmaMos GeneratorConanThe Obsessed, the reunited JosiahLowrider come for a Refractions victory lap well earned, along with Elephant TreeElderSteakDeathwhite and a ton from the UK’s own ever-blossoming underground scene — Blind MonarchThe Brothers KegKing Witch, the more established Alunah and Trippy Wicked, and so on and so many.

Note Slomosa. Note Wolftooth. I would expect both to be touring Europe around this time. Green Lung too, for that matter.

There’s no way this isn’t going to be one to remember and it is my sincere hope to be there for it. Maybe I’ll see you there. Maybe we can hug.

Kudos and thanks to the Desertscene crew — Sarika, Jake and Reece — on and for a job well done.

Here’s looking forward:

desertfest london 2022

DESERTFEST LONDON ANNOUNCE FULL LINE-UP FOR 2022 ·

A DECADE IN THE DESERT
CELEBRATING TEN YEARS WITH THE BIGGEST & MOST DIVERSE LINEUP YET

EXCLUSIVE UK PERFORMANCES FROM
WITCHCRAFT
(FIRST UK SHOW IN OVER A DECADE)
and
SHELLAC

As the home for all the things truly heavy, leading independent UK festival Desertfest have announced their full line up for 2022, which will take place in Camden, London from Friday 29th April – Sunday 1st May.

Celebrating their tenth year, next year’s festival promises to be their biggest and most diverse yet. Covering six venues across the heart of Camden and now including a full line up at The Roundhouse on both Saturday 30thApril and Sunday 1st May.

Founding owner of Desertfest Reece Tee comments, “Desertfest is 10 years old! I’m so proud that our independent festival has stood the test of time. What we have created is special, a decade of great bands, great friends and amazing memories. This year’s line up is a true reflection of how diverse Desertfest has become and with such a loyal audience, Desertfest can champion the underground for decades more to come.”

Headlining the Friday will be Swedish heavy rock masters Witchcraft, with a UK exclusive performance and their first UK show in over a decade.
Saturday’s headliners are none other than Chicago’s Shellac, who in another UK exclusive will be bringing their experimental post-hardcore sound to the Roundhouse. Fronted by the iconic Steve Albini, Shellac are one of those bands we all need to experience live, at least once. Whilst closing the festival on Sunday will be UK doom legends Electric Wizard, whose heavy sound encompasses the spirit of Desertfest.

Other acts confirmed include the likes of Corrosion Of Conformity, Orange Goblin and Truckfighters who all played the festival in its debut year in 2012 and there are further UK exclusive performances from hardcore-punks Integrity and the Ukrainian psych space rock trio Somali Yacht Club.

The festival will also see desert legends Brant Bjork and Nick Oliveri’s new band Stoner, who will be playing the Electric Ballroom and doomed heavy metallers Khemmis making their UK debut at The Underworld.

Please see below for the full Desertfest 2022 line up / stage splits.
Tickets are on sale now and are available at www.desertfest.co.uk

NEW TICKETS FOR 2022
Weekend Ticket (all venues) – £132 +fees
Friday Day Ticket (all venues) – £45 +fees
Saturday Day Ticket (all venues) – £50 +fees
Sunday Day Ticket (all venues) – £50 +fees
Saturday Roundhouse only – £35 +fees
Existing ticket holders from 2020’s postponed event have a number of options as the festival is now larger, with an added Roundhouse line-up on Saturday 30th April & Sunday 1st May.

EXISTING WEEKEND + DAY TICKET HOLDERS OPTIONS
Full refund
Weekend roll-over to 2022 without Roundhouse upgrade (access only to Electric Ballroom, Underworld, Black Heart & The Dev)
Weekend roll-over to 2022 with Roundhouse upgrade – £15 +fees
Day ticket holders can upgrade to a full weekend ticket – £92 + fees – or will be issued a refund. Upgrade options only available until May 7th ’21.
For any ticketing enquiries please contact sarika@desertscene.co.uk

Desertfest 2022’s artwork is hand drawn by legendary artist Arik Roper who has created illustrations for the likes of Sleep, Earth, Sunn O))), High on Fire, Kvelertak, Windhand and many more. As always, posters and other merch will be available to buy at the festival.

https://www.facebook.com/events/464163361105416/
http://www.desertscene.co.uk/support
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest
https://www.desertfest.co.uk/

Electric Wizard, Live at Desertfest London 2016

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The Obsessed Premiere “Concrete Cancer” from Incarnate Remaster

Posted in audiObelisk on September 24th, 2020 by JJ Koczan

THE OBSESSED Incarnate Ultimate Record Store Day Edition

As far as doomly documents go, it’s hard to get much more essential than The Obsessed‘s Incarnate. First issued in 1999 on Southern Lord and re-pressed in 2004, the release arrived after the band was put to bed but assembled tracks from demos and live performances, originals and a couple covers, unreleased and released alike, to create a picture of the band across what was already an expanse of nearly two decades. Founded by guitarist/vocalist Scott “Wino” Weinrich as the high school band Warhorse and morphed into The Obsessed in 1980, the group has had multiple runs over the course of their now-40 years, but their effect on the scope of traditionalist doom is unmistakable, not only in their home state of Maryland, where their sound continues to resonate and directly inspire others, but throughout the world as well.

The 2004 edition of Incarnate upped the amount of material from five years prior, and the new remaster from Blues Funeral Recordings adds to that as well, resulting in a billing as Incarnate: Ultimate Edition that feels all the more earned not only with its striking cover art but with a 21-track and 81-minute sprawl of songs. The hits are there — “Neatz Brigade,” “Skybone,” “Streetside,” etc. — but complemented by material like “The Peckerwood Stomp” and the Grand Funk Railroad/The Animals cover “Inside Looking Out” from the band’s 1996 Altamont Nation single, a live version of “Endless Circles” on the 2LP, and a swath of demos covering multiple incarnations of the band with players like Guy PinhasScott Reeder and Ed Gulli and Greg Rogers joining Weinrich throughout. It’s a compilation, to be sure, and the varied sources means varied sound quality, especially on stuff from older tapes, but Incarnate was never supposed to be an album. It just got listened to that way by a new generation of followers.

Someday, on some better planet, when they teach college-level courses about the history of American doom metal and The Obsessed occupy a full week on the semester’s syllabus, the enduring legacy of the band will perhaps get its due. That was revived with the 2017 Relapse Records studio return, Sacred (review here), but even unto Blues Funeral‘s recent unearthed-tapes live outing, Live at Big Dipper (review here), it only continues to grow, and if some eyes-on-the-prize collector picks up Incarnate: Ultimate Edition and is able to dig into The Obsessed in a new way, so much the better. Given the integral nature of the band’s work and the context it provides to their studio and live LPs, it’s kind of a no-brainer. The remaster sounds sharp, the art is poster-worthy, and the tracklisting includes more than either older version of the release, which has been out of print and, frankly, probably shouldn’t be.

You know how doomers say things like “doom on?” This is why.

I’m not sure whether or not to call streaming something that was first released 21 years ago a “premiere,” but however you think it should be tagged, I’m happy to host the remastered version of “Concrete Cancer” below. Under the player you’ll find vinyl info, a quote form Wino and all that good stuff.

Enjoy:

THE OBSESSED’s iconic ‘Incarnate’ album returns exclusively for Record Store Day on October 24th from Blues Funeral Recordings!

Exclusive Record Store Day vinyl configurations of THE OBSESSED ‘Incarnate Ultimate Edition’:

USA/Canada – Black/Red Marble Vinyl
Germany/Austria/Switzerland – Solid Sun Yellow Vinyl
UK/Sweden- Pure White Vinyl

“For me, playing music professionally has always been a labor of love. Refusing to sell out, crafting songs and musical soundscapes is my art. There cannot be a compromise of artistic vision. With relationships and life in general, compromise is necessary, but compromising my art only crosses my mind when describing my philosophy here. ” Wino explains.

“I was given a gift and so I have responsibilities, to carry the torch, if you will, to illuminate the underground pathway that lies ahead and away from the mundane and banal music that some call pop or whatever.

I could not achieve these ideals without heroes with like minds and similar values. So I would like to say thanks to Jadd Shickler and Blues Funeral for believing in the power of this music, and believing in me, and re-releasing this amalgamation of sounds for your listening pleasure.

This is a compilation of outtakes, singles and demo versions of songs that made later albums… or not. Jadd told me that THIS record is what got him into my stuff, THE OBSESSED, SPIRIT CARAVAN, THE HIDDEN HAND, etc., and so we’re happy to offer the fans and listeners a special revamped version. Thanks to all who believe!!!“

The tracklist of ‘Incarnate’, a must-have anniversary album that belongs in every well-sorted THE OBSESSED record collection and is available as an exclusive Record Store Day release, will read as follows:

LP:
A1 Yen Sleep
A2 Concrete Cancer
A3 Peckerwood Stomp
A4 Inside Looking Out
A5 Mental Kingdom

B1 Sodden Jackal
B2 Iron & Stone
B3 Indestroy
B4 Mourning
B5 Spirit Caravan
B6 Skybone

C1 On The Hunt
C2 No Blame
C3 Neatz Brigade
C4 Hiding Mask
C5 Endless Circles (live)

D1 Streetside
D2 Climate Of Despair
D3 Decimation
D4 Fears Machine
D5 Field Of Hours

The Obsessed on Thee Facebooks

The Obsessed on Instagram

Blues Funeral Recordings on Bandcamp

Blues Funeral Recordings website

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The Obsessed Stream Live at Big Dipper in Full; Out Friday

Posted in audiObelisk on August 19th, 2020 by JJ Koczan

the obsessed

Nobody’s trying to get away with anything here. The Obsessed will release Live at Big Dipper this Friday, Aug. 21, through Blues Funeral Recordings, and if you’re thinking you’re getting a slick, pro-recorded live album from the band’s ’80s run, I’m gonna stop you right there and refer you to the PR wire text below and key phrases like, “borderline unlistenable” and “walkman shoved down the front of a sweaty hesher’s pants.” Also “pure magic.” I’d imagine there’s a subset of bootleg aficionados out there, gray of hair and cranky of disposition while hanging around record shows, who still employ the old grading system. Live at Big Dipper gets probably about a ‘C.’ It sounds like an audience recording, is so blown out you want to keep the volume low so it doesn’t damage your speakers, and is about as raw as raw gets while still being release-able.

Oh yeah, and it sounds pretty rough too.

You get the point. On the other hand, there are few taglines that’ll raise eyebrows among the doomly converted like “Wino‘s favorite The Obsessed show,” and Live at Big Dipper also carries that honor when it comes to the original lineup. For that alone, it’s an essential document of Maryland doom, captured over the course of two nights, April 29-30, 1983, in Beltsville, Maryland, with the trio of Scott “Wino” Weinrich on guitar/vocals, Mark Laue on bass and Dave Flood on drums. And to be perfectly fair, even with the grit-coated tape recording, you can hear the band tear it up. None of that “doom has to be slow” stuff, or really doom has to be anything. There’s as much punk in “Iron and Stone” as there is Sabbath, more in “Leather Nuns,” and even a nodder like “Endless Circles” keeps its energy at the fore. These of course were formative days for The Obsessed, who’d gotten their start in 1980 after picking up from Wino‘s high school-era band Warhorse (né 1976), but the vitality of the metal of the era comes through with a telltale casting off of bullshit that would become a staple of the Chesapeake Watershed’s doom scene to this day.

Did The Obsessed know as they lurched through “Mental Kingdom” inThe Obsessed Live at Big Dipper April 1983 that they were helping set the tone — literally, the tone — for an ensuing 40-year development of a regional style that became arguably the most vibrant on the Eastern Seaboard? Probably not. Live at Big Dipper sees The Obsessed not as a band with a legacy, but a hungry group of metallic misfits elbowing their way into a space between arrogance and righteousness. It’s pretty typical luck for doom that the band’s 40th anniversary would be in 2020, when touring can’t happen and everybody’s brainspace is consumed either with anxiety stemming from sociopolitical events or the ever-present specter of death via lungfire, but hey, that’s how it goes. It was basically the same in the Reagan years, what with economic downturn, a plague being ignored and a not-all-there would-be despot steering the ship into a downward spiral from which it took decades to recover.

Maybe that’s part of what makes The Obsessed‘s disaffection so resonant today, or maybe I just like bootlegs. It’s hard to tell sometimes, but Live at Big Dipper is a fan-piece. It knows it’s a fan-piece, it wants you to know it’s a fan-piece, and if you’re a fan, it wants you to enjoy it as a fan-piece. Nobody’s saying it’s the definitive The Obsessed live album, or even the first — see 2018’s Live at the Wax Museum, or shows from Amsterdam and Köln that were pressed up and sold in time for the band’s 2012 reunion — but it definitely captures a moment in time and presents it in a manner that’s stark in its realism. There’s no fakery here. Again, bullshit-free. Live at Big Dipper has so much edge there’s almost no middle.

The offering is rounded out by four demos from 1985 that both rule — I’d call “Kill Ugly Naked” as it appears here essential listening, and though “Neatz Brigade” feels somewhat like it’s fulfilling a requirement being tacked onto the end, it’s still welcome — and serve as a reminder of how long producer/engineer Chris Kozlowski has been recording bands and how crucial he’s been in documenting Maryland heavy. It would not be what it is without him.

It’s my pleasure to host the premiere of Live at Big Dipper ahead of its release on Friday through Blues Funeral. As you listen, keep in mind the box of tapes of shows like this that must exist in Wino‘s basement or some closet or storage space somewhere. I hope this isn’t the last show like this that we get. Who doesn’t like a good bootleg?

Enjoy:

Following closely behind doom godfather WINO’s souful new solo album, THE OBSESSED’s 40th anniversary year yields another slab for fans and devotees in the form of a rough and raw live recording of an early show at the lost-to-history Maryland club Big Dipper.

Officially forming in 1980 and building a bridge between metalheads and punks, The Obsessed gigged heavily in the Baltimore and D.C. area. Finding their footing amid some early member shuffling, the band’s crunchy, sludgy, dissonant yet hooky American Doom coalesced with the lineup of drummer Dave “The Slave” Flood and bassist Mark “Professor Dark” Laue along with singer/guitarist Scott “Wino” Weinrich.

Live at Big Dipper presents the trio at their early ’80s peak, burning hot from sharing stages with Iron Cross, Dead Boys, Scream, The Exploited, Blue Cheer and Death Row, not to mention a near miss supporting Motörhead.

The audio is borderline unlistenable, as if captured on a walkman shoved down the front of a sweaty hesher’s pants, then deteriorating in a dank Beltsville basement for 35 years. Even so, the 1983 performance is pure magic, capturing a hungry young band conjuring forth a sound and style they couldn’t know would endure for decades. The release also features a handful of recently uncovered demos from the early days, shedding light on the development of songs that would go on to become staples of The Obsessed and Wino’s subsequent band Spirit Caravan.

Says Wino: “This show at the Big Dipper was one of the last if not the last show of the OG Obsessed lineup, and it’s my favorite by far. It’s raw and noisy and took some cleanin’ up, but here it is. If it ain’t heavy, it ain’t shit!!!””

Pre-orders for Live at Big Dipper on limited edition LP and digital at:

Blues Funeral US Web Shop:
bluesfuneral.com

Blues Funeral Euro Web Shop:
https://en.bluesfuneral.spkr.media/

Blues Funeral Bandcamp:
bluesfuneralrecordings.bandcamp.com/

Tracks 1-9 Recorded Live at the Big Dipper, Beltsville MD, April 29/30, 1983
Wino: Guitar, Dave ‘the Slave’ Flood: Drums, Mark ‘Professor Dark’ Laue: Bass

Tracks 10-13 Recorded and engineered by Chris Kozlowski, 1985
Wino: Guitar, Ed Gulli: Drums, Mark Laue: Bass

The Obsessed on Thee Facebooks

The Obsessed on Instagram

Blues Funeral Recordings on Bandcamp

Blues Funeral Recordings website

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Doom City Fest Announces Inaugural Lineup for 2020

Posted in Whathaveyou on December 9th, 2019 by JJ Koczan

doom city fest 2020 logo

Some pretty grim artwork, and a heavy-ass show to go with it. The first-ever Doom City Fest is set for Feb. 22, 2020, in Mexico City, and it presents some immediately impressive international pull. Amid national acts 33Fumata, Satánico Pandemonium and Malamadre, you’ll note that a significant portion of the top of the bill comes from abroad. European post-metal forerunners Amenra, from Belgium, will headline, and Germany’s Mantar, Canada’s Tekarra and America’s The Obsessed and -(16)- will round out the nine-band all-dayer lineup. It’s a pretty striking assemblage, and at least within the more weighted end of the sonic spectrum, wants little for variety.

For the many festivals that populate the planet at this point, putting one together — even one that’s only a single day — is no minor task in terms of coordination and presentation, who needs to be where, what’s it going to look like and sound like and all the rest of it. Getting nine bands from your neighborhood on the same lineup is hard enough. To have a bill where the majority are coming across borders to play? And it’s your first one? I tip my hat to Doom City Fest 2020.

Info and ticket links, as per the social medias:

doom city fest 2020 poster

Doom City Fest 2020 – Feb. 22 – Mexico City

Arriving in Mexico City: Doom City Fest with a strong and fine selection of exponents of underground music in genres such as Doom Metal, Sludge, Post-Metal, Stoner and other aspects of heavy music.

The first edition of this festival will take place in Sangriento, one of the most interesting venues in the northern part of the Mexico City necropolis located in the ruins of an old factory.

? Limited tickets in early bird phase already on sale at $750.00 mxn
Until December 31TH OR SOLD OUT ? http://bit.ly/Doom-City-Fest.

An initiatory rite in the maelstrom of abysmal riffs, convulsive amplitudes and entheogenic frequencies.

LINEUP:
Amenra (Be)
The Obsessed (EE.UU.)
MANTAR (Ale)
16 (EE.UU.)
Tekarra (Can)
Fumata (Mx)
33 (Mx)
Malamadre (Mx)
Satánico Pandemonium (Mx)

Tickets: http://bit.ly/Doom-City-Fest

https://www.facebook.com/DoomCityFest/
https://www.facebook.com/events/434951907450787/

The Obsessed, Live at Psycho Las Vegas 2019

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Friday Full-Length: The Obsessed, Live at the Wax Museum

Posted in Bootleg Theater on November 8th, 2019 by JJ Koczan

First off, I like bootlegs. The act of putting yourself in the raw moment of seeing a band play via a sometimes rough recording from a microphone somewhere in the audience. You can hear people talking between the songs, and you can hear the band as they were from the stage — no cleanup, no mixing, nothing. Bootlegs are the truest of “warts and all” presentations for live music. I’ll take a soundboard recording, to be sure, and a good-sounding A+ boot is like a gift from the gods — thinking specifically of Black Sabbath‘s Asbury Park ’75 recording (discussed here), but of course there are many examples among live and studio unofficial releases — but there’s for sure an appeal to a harsher-audio bootleg. It’s a document of a moment that would otherwise be lost to time and memory.

They’re not for everyone, and that’s cool. If they’re not for you, you might want to move on, skip to the bottom part where I bitch about life or just go about your day or whatever. But if you count yourself among the number who can be entranced by such things, and you’re a fan of the band, then the pure aural force The Obsessed display on Live at the Wax Museum should be considered utterly essential. Recorded on July 3, 1983, it first showed up in 1992 as an unofficial release through Doom Records and it wasn’t until last year that The Church Within (fittingly enough) gave it its first official pressing, with a glow the dark cover and a CD encased in a DVD-style digipak, textured artwork and all. The Obsessed have had a few archival live offerings this decade, including Live at the Melkweg November 28th 1992 and Live Music Hall Köln December 29th 1992 in 2012 when the band first got back together, but Live at the Wax Museum has a different feel, its title giving it a sense of importance as a milestone for the band: that time they were in that place. Also distinguishing Live at the Wax Museum is the fact that it was recorded some nine years before those other shows, with guitarist Scott “Wino” Weinrich, bassist Mark Laue and drummer Dave Flood — who demolishes a drum solo in “Sister Sin” right around the middle of the set, igniting howls from the crowd — playing as intense as I’ve ever heard any incarnation of the band.

Across songs like “Concrete Cancer,” which is introduced during Wino‘s minimalist stage banter as an “old tune,” and “Touch of Everything” (a “dance tune”) and “Mental Kingdom” (a “brand new song”),

the obsessed live at the wax museum

along with 11 others for a total of 14 cuts plus an intro, The Obsessed absolutely tear into this show. There’s a minute-long intro from some preacher talking about how rock music is the devil and blah blah blah and then the three-piece rip into “Burning Gland” and there’s no going back. “Iron & Stone” and set-finale “Sodden Jackal” would show up in ’83 on the band’s first 7″ single following two should-probably-be-reissued demos — their 1984 Concrete Cancer demo was given a limited run by Relapse in 2017, so it’d be as simple as repackaging 1999’s Incarnate, I think — but what’s most striking about Live at the Wax Museum is the sheer intensity of it, and that’s something that comes through despite the rough audio. Because, let’s face it: it’s a bootleg. It ain’t a cleaned-up live record, or something that’s been remastered and remastered, the tape gone over with a fine-toothed comb to remove the static noise. It’s all there. You get to hear someone in the crowd after “Concrete Cancer” shout that “FM radio sucks!” — nothing changes — and someone else later call out for them to play some Sabbath after they nail “Mental Kingdom” — again, nothing changes — and if you’re in the right mindset listening, all of that feeds into the specific atmosphere of the release.

Maybe that’s an added academic or theoretical appeal, but Live at the Wax Museum has no shortage of highlight performance moments to go along with that, from the winding and chugging of “Failsafe” to the utterly indispensable “Neatz Brigade,” which is probably the catchiest hook Wino ever wrote — that’s a pretty vast pantheon of stuff between The ObsessedSpirit CaravanThe Hidden HandPremonition 13, and the sundry other units in which he’s been involved or led — but in terms of the way the verse builds tension for the chorus to open up and release, I can’t come up with a match for it. Especially not listening to it as it appears here. Certainly the catchiest The Obsessed tune, at the very least, and one that, 36 years later, you’re still pretty much guaranteed to see them play at every show. With good reason.

I wasn’t there in 1983 for this show. I was going on two, so let’s assume I wouldn’t have been able to make it even if I’d been aware of it, or, say, anything. But having Live at the Wax Museum as not just proof that it happened but kind of a glimpse at who The Obsessed were at the time and how much their miraculously-not-punk grit and working-class disaffection flew in the face of the burgeoning grandeur of the NWOBHM is not only helpful in explaining who they were at the time and how they earned the reputation they’ve long enjoyed, but also just a badass-sounding recording of a raw three-piece working to shape what we now know as Maryland doom. Hell yes that gets multiple spins from me.

The history of The Obsessed is tumultuous and ongoing, but their long absence ended in 2012 and in 2017, they produced the LP Sacred (review here), their first new album in some 23 years. They’ve been touring steadily for it since. They did Muddy Roots in Tennessee in August, Descendants of Crom III in Pittsburgh in September, last weekend were at Cafe 611 — home of Maryland Doom Fest — with Spiral Grave and others, and will travel to California next Spring for Psycho Smokeout. So yes, keeping busy. I don’t know if they’re planning another record or what, but they’ve got plenty of time to keep aligned with their every-two-decades pace, and I’m happy to see them play whenever the opportunity presents itself. Hearing Live at the Wax Museum only underscores why.

As always, I hope you enjoy. Thanks for reading.

New merch is out. Including sweatpants.

Get it here: https://mibk.bigcartel.com/products

And thank you for your support.

Today is also a new episode of The Obelisk Show on Gimme Radio. The first new one in more than a month. You hopefully already saw the playlist. It’s on at 1PM Eastern.

Listen on the Gimme app or here: http://gimmeradio.com

And thanks again for your support.

While I’m indulging shameless plugs, I’ll be at Ode to Doom tomorrow in Manhattan, presented in part by this site. Horehound, Thunderbird Divine, Mantismass and Iron Rider are playing.

Event page is here: https://www.facebook.com/events/298666037420426/

And hey, thanks for your support.

Before you say it, I know Slayer and Primus are at MSG tomorrow night. In the hallowed halls of the Knicks and Billy Joel. Cough. I won’t ever tell you not to go see Primus, and I get that it’s Slayer’s alleged farewell tour, but yeah. Seems like as regards Slayer, I’ve got my memories of seeing them destroy, and I’d rather make new memories than relive old ones. So I’ll be at Arlene’s Grocery. I’m not telling you you’re wrong for being nostalgic — Primus are one of my all-time favorite bands; I’ve loved Primus since I was single digits, and I’ve loved seeing them every chance I’ve had — or trying to get while the getting’s good, but yeah. I’ve never seen Thunderbird Divine, or Mantismass, or Iron Rider, and Horehound rule, so I’ll take the lower key option and be grateful for it.

This weekend is also my sister’s birthday, so we’re doing family dinner tonight because I’ll be out tomorrow — not at all the first time I’ve rescheduled such things for a show; these people are very indulgent, these relatives of mine — and then I guess other whatnot over the course of the next couple days that I’m sure will be good.

That’s fine. It was a shit week. They all are. I spent most of it overthinking food, yelling at a two-year-old, feeling bad for yelling at a two-year-old, getting hit, kicked and bit at various points, being wrong about fucking everything, going back and forth with homeowners insurance, waiting for the other shoe to drop that will make us have to move again and daydreaming about being dead. In any case, a little time out of my head is welcome.

Thanks to everyone who has added a list so far to the end-of-decade poll. If that’s not you, I humbly point you to the form to do so here. Include whatever you want. Have fun with it.

I think that’s the last of the plugs.

Well, unless you count all the stuff for next week. Monday is that Ode review, plus a stream of the new Midas EP. Tuesday a Canyon of the Skull album stream. Wednesday an Onhou album stream — dark, dark, dark that one is. Thursday a track premiere and review of the new Solace record that I should probably just start writing now to get it done in time. Next Friday a Czar track premiere. Whole week, nailed down. Most of the week after as well. Busy times for being the “off season” in rock and roll, but it usually is, so fair enough.

Gonna try to get my head into the day to come (still early as I write) and probably fail miserably, as I so, so often do.

Great and safe weekend. Forum, radio and NEW merch.

The Obelisk Forum

The Obelisk Radio

The Obelisk merch

 

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Psycho Smokeout 2.0 Set for April 18; Weedeater, Acid King & More Confirmed

Posted in Whathaveyou on September 20th, 2019 by JJ Koczan

Hey Psycho Smokeout 2.0 — sick fuggin’ lineup. With one headliner still TBA next month Psycho Entertainment and RidingEasy Records pair up to present the likes of Weedeater, Acid King, The Obsessed, Cough, Mondo Drag, Heavy Temple, The Well, Holy Grove, Salem’s Bend, and on and on, all on one day — April 18, 2020. Considering there are 19 acts confirmed, let’s assume there will be multiple stages going. I don’t know what that’ll do to the schedule — certainly possible to alternate — but however it happens, it’s a badass assemblage and there’s more to come. Tickets are on sale now, because seriously, why the hell wait?

So yes. Why wait?

From the PR wire:

psycho smokeout 2.0

PSYCHO SMOKEOUT 2.0 To Take Place April 18th, 2020; Lineup Includes Weedeater, The Obsessed, Acid King, Cough, And More + Early Bird Tickets On Sale Now!

Behold! PSYCHO SMOKEOUT 2.0 will make its annual descent upon Los Angeles’ multi-level Catch One Riff Compound April 18th, 2020!

Brought to you by Psycho Entertainment and RidingEasy Records, this year’s day-long puffathon features performances from nearly two-dozen artists including North Caroline stoner metal goliaths Weedeater, Maryland doom icons The Obsessed, California stoner rock veterans Acid King, and Virginia sludge bringers Cough, with the final headliner to be unveiled later this fall. Spread across three stages, the glassy-eyed gala will include a massive vendor market and more surprises to be announced in the weeks to come.

Early bird tickets for PSYCHO SMOKEOUT 2.0 go on sale Thursday September 19th. The limited early bird tickets are a cool $39 plus fees and are expected to sellout within 48 hours of being announced. The next tier will be $49 plus fees. The final tier will be $59 plus fees. Don’t sleep on this!

Nab your tickets today at THIS LOCATION.

PSYCHO SMOKEOUT 2.0 is a 420 friendly, 18 and over event.

Psycho Entertainment & RidingEasy Records Presents:
PSYCHO SMOKEOUT 2.0
April 18th, 2020
Catch One Riff Compound
Los Angeles, California

Lineup (in alphabetical order):
Acid King
Casket Raider
Cough
Deathchant
Great Electric Quest
Heavy Temple
Holy Grove
India Tigers In Texas
Leather Lung
Mondo Drag
Mother Iron Horse
Mountain Tamer
Pale Mare
Salem’s Bend
The Munsens
The Obsessed
The Well
Vaelmyst
Weedeater

http://www.vivapsycho.com/
http://www.ridingeasyrecs.com

Holy Grove, II (2018)

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The Obsessed Cancel European Tour; Playing Descendants of Crom III This Weekend

Posted in Whathaveyou on September 17th, 2019 by JJ Koczan

the obsessed (photo by David Torrence)

Come on, Norway. You could let Wino in at this point. It’s been five years. Considering it as a punitive measure, I can’t even imagine how much the loss of European touring income would be in terms of paying a fine. Certainly enough for however much drugs it was he got busted with at the border. Shit happens. Dude took the hit, so maybe time to move on?

It’s a bummer that The Obsessed‘s return trip to the Schengen countries and greater Europe has been nixed on account of ongoing fallout from that arrest, but the band, who also toured earlier this year in the States with C.O.C. and Crowbar, will appear this coming weekend at Descendants of Crom III in Pittsburgh, so the news isn’t all bad. They’ll be more than welcome I’m sure as they take the place of ASG on that bill and join the ranks of Solace, Foghound, Valkyrie and hometown heroes Argus, among many others. That’s pretty much a guaranteed good time.

Wino posted the following through the social medias:

the obsessed descendants of crom iii

Hello to all our fans and friends .

We are saddened to say that all European Obsessed shows in fall have been cancelled .

The facts are: After an arrest in Norway I was banned from Norway and all the Schengen countries for five years. Its been five years . Recently we found out, only by chance, that the Norwegian govt was not only deceptive about the ability to enter other countries by visa but also intentionally delayed filing my appeal that I filed in a timely manner in accordance with Norwegian law. This added an extra year to the ban consequently keeping THE OBSESSED from being able to play in Europe (UK is not included in the ban).

I feel I have been wronged by these events. I have accepted responsibility for my actions initially but now our hands are tied. Knowledge of these actions by the Norwegian govt only came to light when i arrived in Berlin to play acoustic set at Desertfest earlier this year. After being detained 10 hours i was luckily granted a temporary three day visa, but advised by the German border police of the extended ban etc. We are seeking legal recourse now and will be over to play as soon as we can. Our most sincere apologies.

We will be playing in Pittsburgh Saturday September 21st at the Descendants of Crom III festival. Great lineup….. it’s going to be a kick ass night. See you there.

Thanks to all who believe.
WINO – THE OBSESSED

https://www.facebook.com/TheObsessedOfficial
http://relapse.com/the-obsessed-sacred/
https://theobsessed.bandcamp.com/
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords

The Obsessed, Sacred (2017)

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