The Obsessed Stream Live at Big Dipper in Full; Out Friday

Posted in audiObelisk on August 19th, 2020 by JJ Koczan

the obsessed

Nobody’s trying to get away with anything here. Make An Essay For Mes: A professional writer who has the skills, tools, and diligence to create high-quality business materials for you. Receive The Obsessed will release Professional custom writing service offers http://www.alvey.cz/?cecilia-h-payne-thesiss, term papers, research papers, thesis papers, reports, reviews, speeches and dissertations of Live at Big Dipper this Friday, Aug. 21, through Are you looking for Process Of Business Plan Online? We provide plagiarism-free online dissertation help services for the UK students by Ph.D. experts at the best Blues Funeral Recordings, and if you’re thinking you’re getting a slick, pro-recorded live album from the band’s ’80s run, I’m gonna stop you right there and refer you to the PR wire text below and key phrases like, “borderline unlistenable” and “walkman shoved down the front of a sweaty hesher’s pants.” Also “pure magic.” I’d imagine there’s a subset of bootleg aficionados out there, gray of hair and cranky of disposition while hanging around record shows, who still employ the old grading system. Essay Writing Services Online is best for Thesis Writing Service in US, UK, Australia and Canada.We provide Executive Resume Writing Service Seattles for all degree Live at Big Dipper gets probably about a ‘C.’ It sounds like an audience recording, is so blown out you want to keep the volume low so it doesn’t damage your speakers, and is about as raw as raw gets while still being release-able.

Oh yeah, and it sounds pretty rough too.

You get the point. On the other hand, there are few taglines that’ll raise eyebrows among the doomly converted like “ Are you concerned with a question who can help Essay Planning? Need high-quality texts for high grades? Find best experts and reasonable prices. Wino‘s favorite  Get Mit Phd Resume from Professionals. Are you hooked on hiring essay writing services for your entire essay writing needs? Unlike in the past The Obsessed show,” and Posts about Dissertation Writing Coach written by EduPedia Publications Live at Big Dipper also carries that honor when it comes to the original lineup. For that alone, it’s an essential document of Maryland doom, captured over the course of two nights, April 29-30, 1983, in Beltsville, Maryland, with the trio of How To Write A Dissertation 15 Minutes writing service online in UK which provides relief from hectic and boring topics. Dedicate to university coursework help and custom services. Scott “Wino” Weinrich on guitar/vocals,  http://www.uk-officesupplies.com/discover-master-paper-service-writing/ Dissertation Coaching, Consulting, & Editing Services Are you ready to go from Candidate to Completion? Coaching & Consulting Services Mark Laue on bass and  http://www.nexusinstitut.de/comment-commencer-une-dissertation-de-franais/ essay teaching vocabulary term paper nature vs nurture Dave Flood on drums. And to be perfectly fair, even with the grit-coated tape recording, you can hear the band tear it up. None of that “doom has to be slow” stuff, or really doom has to be anything. There’s as much punk in “Iron and Stone” as there is  physical education graduate school admissions essay - begin working on your assignment right away with top-notch guidance guaranteed by the service forget about your fears, place your Sabbath, more in “Leather Nuns,” and even a nodder like “Endless Circles” keeps its energy at the fore. These of course were formative days for  Argosy Overcoming Adversity Essay, dissertation editing, dissertation formatting & correctors The Obsessed, who’d gotten their start in 1980 after picking up from  thesis master security The New Deal Essay nursing admission essay online essay outline Wino‘s high school-era band  Silencio Barnes is a freelance Doctoral Thesis Myth. His skill as a jack-of-all trades writer is available to you, your business or product. Contact for a quote. Warhorse (né 1976), but the vitality of the metal of the era comes through with a telltale casting off of bullshit that would become a staple of the Chesapeake Watershed’s doom scene to this day.

Did  View and download Online Professional Resume Writing Services Brampton examples. Also discover topics, titles, outlines, thesis statements, and conclusions for your astronomy essay. The Obsessed know as they lurched through “Mental Kingdom” inThe Obsessed Live at Big Dipper April 1983 that they were helping set the tone — literally, the tone — for an ensuing 40-year development of a regional style that became arguably the most vibrant on the Eastern Seaboard? Probably not.  Live at Big Dipper sees The Obsessed not as a band with a legacy, but a hungry group of metallic misfits elbowing their way into a space between arrogance and righteousness. It’s pretty typical luck for doom that the band’s 40th anniversary would be in 2020, when touring can’t happen and everybody’s brainspace is consumed either with anxiety stemming from sociopolitical events or the ever-present specter of death via lungfire, but hey, that’s how it goes. It was basically the same in the Reagan years, what with economic downturn, a plague being ignored and a not-all-there would-be despot steering the ship into a downward spiral from which it took decades to recover.

Maybe that’s part of what makes The Obsessed‘s disaffection so resonant today, or maybe I just like bootlegs. It’s hard to tell sometimes, but Live at Big Dipper is a fan-piece. It knows it’s a fan-piece, it wants you to know it’s a fan-piece, and if you’re a fan, it wants you to enjoy it as a fan-piece. Nobody’s saying it’s the definitive The Obsessed live album, or even the first — see 2018’s Live at the Wax Museum, or shows from Amsterdam and Köln that were pressed up and sold in time for the band’s 2012 reunion — but it definitely captures a moment in time and presents it in a manner that’s stark in its realism. There’s no fakery here. Again, bullshit-free. Live at Big Dipper has so much edge there’s almost no middle.

The offering is rounded out by four demos from 1985 that both rule — I’d call “Kill Ugly Naked” as it appears here essential listening, and though “Neatz Brigade” feels somewhat like it’s fulfilling a requirement being tacked onto the end, it’s still welcome — and serve as a reminder of how long producer/engineer Chris Kozlowski has been recording bands and how crucial he’s been in documenting Maryland heavy. It would not be what it is without him.

It’s my pleasure to host the premiere of Live at Big Dipper ahead of its release on Friday through Blues Funeral. As you listen, keep in mind the box of tapes of shows like this that must exist in Wino‘s basement or some closet or storage space somewhere. I hope this isn’t the last show like this that we get. Who doesn’t like a good bootleg?

Enjoy:

Following closely behind doom godfather WINO’s souful new solo album, THE OBSESSED’s 40th anniversary year yields another slab for fans and devotees in the form of a rough and raw live recording of an early show at the lost-to-history Maryland club Big Dipper.

Officially forming in 1980 and building a bridge between metalheads and punks, The Obsessed gigged heavily in the Baltimore and D.C. area. Finding their footing amid some early member shuffling, the band’s crunchy, sludgy, dissonant yet hooky American Doom coalesced with the lineup of drummer Dave “The Slave” Flood and bassist Mark “Professor Dark” Laue along with singer/guitarist Scott “Wino” Weinrich.

Live at Big Dipper presents the trio at their early ’80s peak, burning hot from sharing stages with Iron Cross, Dead Boys, Scream, The Exploited, Blue Cheer and Death Row, not to mention a near miss supporting Motörhead.

The audio is borderline unlistenable, as if captured on a walkman shoved down the front of a sweaty hesher’s pants, then deteriorating in a dank Beltsville basement for 35 years. Even so, the 1983 performance is pure magic, capturing a hungry young band conjuring forth a sound and style they couldn’t know would endure for decades. The release also features a handful of recently uncovered demos from the early days, shedding light on the development of songs that would go on to become staples of The Obsessed and Wino’s subsequent band Spirit Caravan.

Says Wino: “This show at the Big Dipper was one of the last if not the last show of the OG Obsessed lineup, and it’s my favorite by far. It’s raw and noisy and took some cleanin’ up, but here it is. If it ain’t heavy, it ain’t shit!!!””

Pre-orders for Live at Big Dipper on limited edition LP and digital at:

Blues Funeral US Web Shop:
bluesfuneral.com

Blues Funeral Euro Web Shop:
https://en.bluesfuneral.spkr.media/

Blues Funeral Bandcamp:
bluesfuneralrecordings.bandcamp.com/

Tracks 1-9 Recorded Live at the Big Dipper, Beltsville MD, April 29/30, 1983
Wino: Guitar, Dave ‘the Slave’ Flood: Drums, Mark ‘Professor Dark’ Laue: Bass

Tracks 10-13 Recorded and engineered by Chris Kozlowski, 1985
Wino: Guitar, Ed Gulli: Drums, Mark Laue: Bass

The Obsessed on Thee Facebooks

The Obsessed on Instagram

Blues Funeral Recordings on Bandcamp

Blues Funeral Recordings website

Tags: , , , ,

Doom City Fest Announces Inaugural Lineup for 2020

Posted in Whathaveyou on December 9th, 2019 by JJ Koczan

doom city fest 2020 logo

Some pretty grim artwork, and a heavy-ass show to go with it. The first-ever Doom City Fest is set for Feb. 22, 2020, in Mexico City, and it presents some immediately impressive international pull. Amid national acts 33Fumata, Satánico Pandemonium and Malamadre, you’ll note that a significant portion of the top of the bill comes from abroad. European post-metal forerunners Amenra, from Belgium, will headline, and Germany’s Mantar, Canada’s Tekarra and America’s The Obsessed and -(16)- will round out the nine-band all-dayer lineup. It’s a pretty striking assemblage, and at least within the more weighted end of the sonic spectrum, wants little for variety.

For the many festivals that populate the planet at this point, putting one together — even one that’s only a single day — is no minor task in terms of coordination and presentation, who needs to be where, what’s it going to look like and sound like and all the rest of it. Getting nine bands from your neighborhood on the same lineup is hard enough. To have a bill where the majority are coming across borders to play? And it’s your first one? I tip my hat to Doom City Fest 2020.

Info and ticket links, as per the social medias:

doom city fest 2020 poster

Doom City Fest 2020 – Feb. 22 – Mexico City

Arriving in Mexico City: Doom City Fest with a strong and fine selection of exponents of underground music in genres such as Doom Metal, Sludge, Post-Metal, Stoner and other aspects of heavy music.

The first edition of this festival will take place in Sangriento, one of the most interesting venues in the northern part of the Mexico City necropolis located in the ruins of an old factory.

? Limited tickets in early bird phase already on sale at $750.00 mxn
Until December 31TH OR SOLD OUT ? http://bit.ly/Doom-City-Fest.

An initiatory rite in the maelstrom of abysmal riffs, convulsive amplitudes and entheogenic frequencies.

LINEUP:
Amenra (Be)
The Obsessed (EE.UU.)
MANTAR (Ale)
16 (EE.UU.)
Tekarra (Can)
Fumata (Mx)
33 (Mx)
Malamadre (Mx)
Satánico Pandemonium (Mx)

Tickets: http://bit.ly/Doom-City-Fest

https://www.facebook.com/DoomCityFest/
https://www.facebook.com/events/434951907450787/

The Obsessed, Live at Psycho Las Vegas 2019

Tags: , , , , , , , , , , , ,

Friday Full-Length: The Obsessed, Live at the Wax Museum

Posted in Bootleg Theater on November 8th, 2019 by JJ Koczan

First off, I like bootlegs. The act of putting yourself in the raw moment of seeing a band play via a sometimes rough recording from a microphone somewhere in the audience. You can hear people talking between the songs, and you can hear the band as they were from the stage — no cleanup, no mixing, nothing. Bootlegs are the truest of “warts and all” presentations for live music. I’ll take a soundboard recording, to be sure, and a good-sounding A+ boot is like a gift from the gods — thinking specifically of Black Sabbath‘s Asbury Park ’75 recording (discussed here), but of course there are many examples among live and studio unofficial releases — but there’s for sure an appeal to a harsher-audio bootleg. It’s a document of a moment that would otherwise be lost to time and memory.

They’re not for everyone, and that’s cool. If they’re not for you, you might want to move on, skip to the bottom part where I bitch about life or just go about your day or whatever. But if you count yourself among the number who can be entranced by such things, and you’re a fan of the band, then the pure aural force The Obsessed display on Live at the Wax Museum should be considered utterly essential. Recorded on July 3, 1983, it first showed up in 1992 as an unofficial release through Doom Records and it wasn’t until last year that The Church Within (fittingly enough) gave it its first official pressing, with a glow the dark cover and a CD encased in a DVD-style digipak, textured artwork and all. The Obsessed have had a few archival live offerings this decade, including Live at the Melkweg November 28th 1992 and Live Music Hall Köln December 29th 1992 in 2012 when the band first got back together, but Live at the Wax Museum has a different feel, its title giving it a sense of importance as a milestone for the band: that time they were in that place. Also distinguishing Live at the Wax Museum is the fact that it was recorded some nine years before those other shows, with guitarist Scott “Wino” Weinrich, bassist Mark Laue and drummer Dave Flood — who demolishes a drum solo in “Sister Sin” right around the middle of the set, igniting howls from the crowd — playing as intense as I’ve ever heard any incarnation of the band.

Across songs like “Concrete Cancer,” which is introduced during Wino‘s minimalist stage banter as an “old tune,” and “Touch of Everything” (a “dance tune”) and “Mental Kingdom” (a “brand new song”),

the obsessed live at the wax museum

along with 11 others for a total of 14 cuts plus an intro, The Obsessed absolutely tear into this show. There’s a minute-long intro from some preacher talking about how rock music is the devil and blah blah blah and then the three-piece rip into “Burning Gland” and there’s no going back. “Iron & Stone” and set-finale “Sodden Jackal” would show up in ’83 on the band’s first 7″ single following two should-probably-be-reissued demos — their 1984 Concrete Cancer demo was given a limited run by Relapse in 2017, so it’d be as simple as repackaging 1999’s Incarnate, I think — but what’s most striking about Live at the Wax Museum is the sheer intensity of it, and that’s something that comes through despite the rough audio. Because, let’s face it: it’s a bootleg. It ain’t a cleaned-up live record, or something that’s been remastered and remastered, the tape gone over with a fine-toothed comb to remove the static noise. It’s all there. You get to hear someone in the crowd after “Concrete Cancer” shout that “FM radio sucks!” — nothing changes — and someone else later call out for them to play some Sabbath after they nail “Mental Kingdom” — again, nothing changes — and if you’re in the right mindset listening, all of that feeds into the specific atmosphere of the release.

Maybe that’s an added academic or theoretical appeal, but Live at the Wax Museum has no shortage of highlight performance moments to go along with that, from the winding and chugging of “Failsafe” to the utterly indispensable “Neatz Brigade,” which is probably the catchiest hook Wino ever wrote — that’s a pretty vast pantheon of stuff between The ObsessedSpirit CaravanThe Hidden HandPremonition 13, and the sundry other units in which he’s been involved or led — but in terms of the way the verse builds tension for the chorus to open up and release, I can’t come up with a match for it. Especially not listening to it as it appears here. Certainly the catchiest The Obsessed tune, at the very least, and one that, 36 years later, you’re still pretty much guaranteed to see them play at every show. With good reason.

I wasn’t there in 1983 for this show. I was going on two, so let’s assume I wouldn’t have been able to make it even if I’d been aware of it, or, say, anything. But having Live at the Wax Museum as not just proof that it happened but kind of a glimpse at who The Obsessed were at the time and how much their miraculously-not-punk grit and working-class disaffection flew in the face of the burgeoning grandeur of the NWOBHM is not only helpful in explaining who they were at the time and how they earned the reputation they’ve long enjoyed, but also just a badass-sounding recording of a raw three-piece working to shape what we now know as Maryland doom. Hell yes that gets multiple spins from me.

The history of The Obsessed is tumultuous and ongoing, but their long absence ended in 2012 and in 2017, they produced the LP Sacred (review here), their first new album in some 23 years. They’ve been touring steadily for it since. They did Muddy Roots in Tennessee in August, Descendants of Crom III in Pittsburgh in September, last weekend were at Cafe 611 — home of Maryland Doom Fest — with Spiral Grave and others, and will travel to California next Spring for Psycho Smokeout. So yes, keeping busy. I don’t know if they’re planning another record or what, but they’ve got plenty of time to keep aligned with their every-two-decades pace, and I’m happy to see them play whenever the opportunity presents itself. Hearing Live at the Wax Museum only underscores why.

As always, I hope you enjoy. Thanks for reading.

New merch is out. Including sweatpants.

Get it here: https://mibk.bigcartel.com/products

And thank you for your support.

Today is also a new episode of The Obelisk Show on Gimme Radio. The first new one in more than a month. You hopefully already saw the playlist. It’s on at 1PM Eastern.

Listen on the Gimme app or here: http://gimmeradio.com

And thanks again for your support.

While I’m indulging shameless plugs, I’ll be at Ode to Doom tomorrow in Manhattan, presented in part by this site. Horehound, Thunderbird Divine, Mantismass and Iron Rider are playing.

Event page is here: https://www.facebook.com/events/298666037420426/

And hey, thanks for your support.

Before you say it, I know Slayer and Primus are at MSG tomorrow night. In the hallowed halls of the Knicks and Billy Joel. Cough. I won’t ever tell you not to go see Primus, and I get that it’s Slayer’s alleged farewell tour, but yeah. Seems like as regards Slayer, I’ve got my memories of seeing them destroy, and I’d rather make new memories than relive old ones. So I’ll be at Arlene’s Grocery. I’m not telling you you’re wrong for being nostalgic — Primus are one of my all-time favorite bands; I’ve loved Primus since I was single digits, and I’ve loved seeing them every chance I’ve had — or trying to get while the getting’s good, but yeah. I’ve never seen Thunderbird Divine, or Mantismass, or Iron Rider, and Horehound rule, so I’ll take the lower key option and be grateful for it.

This weekend is also my sister’s birthday, so we’re doing family dinner tonight because I’ll be out tomorrow — not at all the first time I’ve rescheduled such things for a show; these people are very indulgent, these relatives of mine — and then I guess other whatnot over the course of the next couple days that I’m sure will be good.

That’s fine. It was a shit week. They all are. I spent most of it overthinking food, yelling at a two-year-old, feeling bad for yelling at a two-year-old, getting hit, kicked and bit at various points, being wrong about fucking everything, going back and forth with homeowners insurance, waiting for the other shoe to drop that will make us have to move again and daydreaming about being dead. In any case, a little time out of my head is welcome.

Thanks to everyone who has added a list so far to the end-of-decade poll. If that’s not you, I humbly point you to the form to do so here. Include whatever you want. Have fun with it.

I think that’s the last of the plugs.

Well, unless you count all the stuff for next week. Monday is that Ode review, plus a stream of the new Midas EP. Tuesday a Canyon of the Skull album stream. Wednesday an Onhou album stream — dark, dark, dark that one is. Thursday a track premiere and review of the new Solace record that I should probably just start writing now to get it done in time. Next Friday a Czar track premiere. Whole week, nailed down. Most of the week after as well. Busy times for being the “off season” in rock and roll, but it usually is, so fair enough.

Gonna try to get my head into the day to come (still early as I write) and probably fail miserably, as I so, so often do.

Great and safe weekend. Forum, radio and NEW merch.

The Obelisk Forum

The Obelisk Radio

The Obelisk merch

 

Tags: , , , , ,

Psycho Smokeout 2.0 Set for April 18; Weedeater, Acid King & More Confirmed

Posted in Whathaveyou on September 20th, 2019 by JJ Koczan

Hey Psycho Smokeout 2.0 — sick fuggin’ lineup. With one headliner still TBA next month Psycho Entertainment and RidingEasy Records pair up to present the likes of Weedeater, Acid King, The Obsessed, Cough, Mondo Drag, Heavy Temple, The Well, Holy Grove, Salem’s Bend, and on and on, all on one day — April 18, 2020. Considering there are 19 acts confirmed, let’s assume there will be multiple stages going. I don’t know what that’ll do to the schedule — certainly possible to alternate — but however it happens, it’s a badass assemblage and there’s more to come. Tickets are on sale now, because seriously, why the hell wait?

So yes. Why wait?

From the PR wire:

psycho smokeout 2.0

PSYCHO SMOKEOUT 2.0 To Take Place April 18th, 2020; Lineup Includes Weedeater, The Obsessed, Acid King, Cough, And More + Early Bird Tickets On Sale Now!

Behold! PSYCHO SMOKEOUT 2.0 will make its annual descent upon Los Angeles’ multi-level Catch One Riff Compound April 18th, 2020!

Brought to you by Psycho Entertainment and RidingEasy Records, this year’s day-long puffathon features performances from nearly two-dozen artists including North Caroline stoner metal goliaths Weedeater, Maryland doom icons The Obsessed, California stoner rock veterans Acid King, and Virginia sludge bringers Cough, with the final headliner to be unveiled later this fall. Spread across three stages, the glassy-eyed gala will include a massive vendor market and more surprises to be announced in the weeks to come.

Early bird tickets for PSYCHO SMOKEOUT 2.0 go on sale Thursday September 19th. The limited early bird tickets are a cool $39 plus fees and are expected to sellout within 48 hours of being announced. The next tier will be $49 plus fees. The final tier will be $59 plus fees. Don’t sleep on this!

Nab your tickets today at THIS LOCATION.

PSYCHO SMOKEOUT 2.0 is a 420 friendly, 18 and over event.

Psycho Entertainment & RidingEasy Records Presents:
PSYCHO SMOKEOUT 2.0
April 18th, 2020
Catch One Riff Compound
Los Angeles, California

Lineup (in alphabetical order):
Acid King
Casket Raider
Cough
Deathchant
Great Electric Quest
Heavy Temple
Holy Grove
India Tigers In Texas
Leather Lung
Mondo Drag
Mother Iron Horse
Mountain Tamer
Pale Mare
Salem’s Bend
The Munsens
The Obsessed
The Well
Vaelmyst
Weedeater

http://www.vivapsycho.com/
http://www.ridingeasyrecs.com

Holy Grove, II (2018)

Tags: , , , , , , , , , , , , , , , , , , , , , ,

The Obsessed Cancel European Tour; Playing Descendants of Crom III This Weekend

Posted in Whathaveyou on September 17th, 2019 by JJ Koczan

the obsessed (photo by David Torrence)

Come on, Norway. You could let Wino in at this point. It’s been five years. Considering it as a punitive measure, I can’t even imagine how much the loss of European touring income would be in terms of paying a fine. Certainly enough for however much drugs it was he got busted with at the border. Shit happens. Dude took the hit, so maybe time to move on?

It’s a bummer that The Obsessed‘s return trip to the Schengen countries and greater Europe has been nixed on account of ongoing fallout from that arrest, but the band, who also toured earlier this year in the States with C.O.C. and Crowbar, will appear this coming weekend at Descendants of Crom III in Pittsburgh, so the news isn’t all bad. They’ll be more than welcome I’m sure as they take the place of ASG on that bill and join the ranks of Solace, Foghound, Valkyrie and hometown heroes Argus, among many others. That’s pretty much a guaranteed good time.

Wino posted the following through the social medias:

the obsessed descendants of crom iii

Hello to all our fans and friends .

We are saddened to say that all European Obsessed shows in fall have been cancelled .

The facts are: After an arrest in Norway I was banned from Norway and all the Schengen countries for five years. Its been five years . Recently we found out, only by chance, that the Norwegian govt was not only deceptive about the ability to enter other countries by visa but also intentionally delayed filing my appeal that I filed in a timely manner in accordance with Norwegian law. This added an extra year to the ban consequently keeping THE OBSESSED from being able to play in Europe (UK is not included in the ban).

I feel I have been wronged by these events. I have accepted responsibility for my actions initially but now our hands are tied. Knowledge of these actions by the Norwegian govt only came to light when i arrived in Berlin to play acoustic set at Desertfest earlier this year. After being detained 10 hours i was luckily granted a temporary three day visa, but advised by the German border police of the extended ban etc. We are seeking legal recourse now and will be over to play as soon as we can. Our most sincere apologies.

We will be playing in Pittsburgh Saturday September 21st at the Descendants of Crom III festival. Great lineup….. it’s going to be a kick ass night. See you there.

Thanks to all who believe.
WINO – THE OBSESSED

https://www.facebook.com/TheObsessedOfficial
http://relapse.com/the-obsessed-sacred/
https://theobsessed.bandcamp.com/
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords

The Obsessed, Sacred (2017)

Tags: , , , , , ,

Desertfest Belgium 2019 Adds Ty Segall & The Freedom Band, The Obsessed, ASG, Toundra, Yatra, and Sunnata

Posted in Whathaveyou on May 15th, 2019 by JJ Koczan

I know people’s schedules can be weird and sometimes you have to work on a weekend or you have a family thing or whatever it might be, but I don’t really get the day-ticket thing. If you’re going to go to a festival, don’t you want to be there for the entire event if you absolutely can? I mean, if monetarily it’s one day or nothing, that’s one thing, but if you have your choice between one day or three, who would just choose one? Isn’t part of the appeal of the thing that there’s so much going on? Again, if that’s how it has to be and there’s one band you absolutely need to see or something like that, fine, but would you really choose to only see one day of a fest like Desertfest Belgium 2019 if you could see all three?

The autumnal edition of Desertfest has a few new lineup announcements, including the surprise headliner of Ty Segall & the Freedom Band. They’re right. I didn’t see that one coming:

desertfest belgium 2019 banner

DFBE19 NEW HEADLINER: TY SEGALL & THE FREEDOM BAND! Day Tickets available 15/05

Guess you didn’t see this one coming! And yet here it is: Ty Segall & The Freedom Band will perform a highly exclusive set of European shows this fall, and we are honoured to host one of these as a headliner at this year’s Desertfest. More details are forthcoming, but Ty’s performance has never been anything less than blistering – and The Freedom Band sees him in his most ambitious setup yet.

A completely different strand of melodic heavy rock will be brought in as ASG hits the stage. The North Carolina riff-rockers certainly need no introduction to our crowd and have become a perennial fan favorite, and with good reason. Coming in from Madrid, Toundra is an experimental instrumental post-rock outfit with a vibe that is entirely in its own plane of existence.

As far as stoner doom legends go, you can’t get much more legendary than Wino. His most beloved outfit The Obsessed has been back with a vengeance since 2016, so it’s high time they make an appearance on our festival! And finally, we present you with two highly original doom bands to complete this batch of names. Yatra offers up a spiritual blend of doom, sludge and blackened vocals, straight from the Maryland forests. Sunnata hails from Poland, working towards a highly acclaimed sound that incorporates psychedelia with grungey harmonies and severe riffing.

DAY TICKETS ARE IMMINENT

If for some reason you don’t want to go the entire length, and would prefer to limit your DF intake to 1 day – we have just the ticket for you!

Or rather: we soon will have. On Wednesday 15/05 at 1pm sharp we will start selling day tickets for this year’s festival. From that point, we will also publish the line-up per day so far on our website. These tickets will be highly limited, so get them while you can!

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/2260579413999993/
https://twitter.com/DesertfestBE

Ty Segall & the Freedom Band, Deforming Lobes (2019)

Tags: , , , , , , , , ,

Keep it Low 2019 Announces Day Split; Adds The Obsessed, Bongripper & Mantar

Posted in Whathaveyou on April 23rd, 2019 by JJ Koczan

keep it low 2019

Well, if we’ve learned anything so far in 2019, it’s that The Obsessed will be spending significant amounts of it in Europe. The Maryland doom forebears have already been confirmed for Freak Valley and SonicBlast Moledo this summer, and they’ll be back this Fall — assuming they ever leave — with slots at Up in Smoke and now Keep it Low 2019. This is in addition to July UK dates with Alunah and an appearance next month in New Mexico for Monolith on the Mesa. Oh yeah, and there was that tour they did in March with C.O.C. and Crowbar too, so, you know, not a little bit of touring in general.

Their joining the ranks for Keep it Low 2019 comes with the festival’s announcement of the day splits — that’s who plays when — and the further confirmations of Bongripper and Mantar, thereby assuring the ground will shake and fury (and spit) will be spit with aggressive purpose as the fest plays out. There are a host of other righteous acts confirmed — Lo-PanNebulaThe Machine! etc. — so check out the lineup below, and here’s the latest from Sound of Liberation, which is presenting the whole affair:

keep it low 2019 poster

As promised, here come the day-split, the single-day tickets and 3 new awesome bands!

We thought it was about time to bring more darkness and ferocity into our 2019 line-up, and therefore we are proud to tell you that German heaviest duo MANTAR, Illinois’ monster of riff BONGRIPPER & Maryland’s doom pioneer The Obsessed join the bill today! We still have a few bands to announce, but this 7th edition of Keep It Low Festival 2019 is shaping up nicely, isn’t it? :)

Check out the poster below to know the day-split, and get your tickets here https://www.keepitlow.de/tickets-keep-it-low while you still can! 2-day passes are gone, it was faster than ever, and we’re sure those day tickets won’t last until the Summer!

https://www.facebook.com/events/250328939168797/
https://www.facebook.com/keepitlowfestival
https://www.facebook.com/Soundofliberation/
https://www.soundofliberation.com/

The Obsessed, Sacred (2017)

Tags: , , , , , ,

Magnetic Eye Records Completes Backing for Vol. 4 Redux & The Best of Black Sabbath Tributes

Posted in Whathaveyou on March 28th, 2019 by JJ Koczan

Wasn’t this bound to happen? Either Vol. 4 or Master of Reality? And by the way, there’s really no wrong answer there. So, you know, yeah. April 2020 is the listed ship date on Vol. 4 Redux and The Best of Black Sabbath, both of which continue Magnetic Eye Records‘ wildly successful ‘Redux’ series that’s already touched on HendrixFloydHelmet and has Alice in Chains on deck as a next installment. Still, obviously Black Sabbath have a special place in the history of heavy — right there at the start of it, maybe page three? — and accordingly, the big guns are coming out for the homage, whether it’s Matt Pike doing “FX” or Bongzilla taking on “Snowblind” or Tony Reed doing “Laguna Sunrise.” There’s no way it’s going to miss.

My only hope is that High Reeper make “Changes” heavy.

Interested to see how The Best of Black Sabbath pans out as well, with Year of the CobraElephant Tree and Earthless and a host of others confirmed. I saw Elephant Tree do a killer version of “Paranoid” live this past Fall. Wouldn’t mind a studio take on that from them as well.

But really, there’s no way to lose here.

Word from Magnetic Eye follows:

vol 4 redux

If you told us even as recently as six weeks ago that we’d be working on a Redux version of Black Sabbath’s Volume 4 and, before the end of March, artists including The Obsessed, Whores, Zakk Wylde, and Matt goddamn Pike would have all committed to be part of the project, we would’ve probably answered, “Wow.”

And if you’d then said, “Oh yeah, you’ll also assemble a Best of Black Sabbath companion LP featuring Earthless, Elephant Tree, Year of the Cobra, and tons of other great artists including a whole crop of brand-new Magnetic Eye roster bands, who by the way you’ll find time to sign during all the madness of your Vol. 4 Kickstarter,” we’d have most likely said, “piss off.”

And yet, here we are, and all of the above has come to pass.

We are indeed reduxing Volume 4 and offering up a Best of Sabbath companion record, we do have some of the greatest heavy artists in the world committed to be part of this project, and we did somehow find time to sign three new bands during all of this, each of whom we’ll have a new record coming from later this year, and all of whom we’re inviting to be part of the project.

So, yeah. Wow.

THOU – WHEELS OF CONFUSION / THE STRAIGHTENER
THE OBSESSED – TOMORROW’S DREAM
HIGH REEPER – CHANGES
MATT PIKE – FX
SPIRIT ADRIFT – SUPERNAUT
BONGZILLA – SNOWBLIND
WHORES – CORNUCOPIA
TONY REED – LAGUNA SUNRISE
HAUNT – ST VITUS DANCE
ZAKK SABBATH – UNDER THE SUN / EVERY DAY COMES AND GOES

ALBUM ART AND DESIGN ALYSSA MOCERE

IN ADDITION, WE HAVE INCREASED THE SCOPE OF OUR PROJECT TO INCLUDE 13 ADDITIONAL BLACK SABBATH SONGS ON A BEST OF BLACK SABBATH REDUX RECORD.

Summoner
Elephant Tree
Scott Reeder
IRONWEED
Earthless
Chris Wyse
Rwake
Mooner
Year of the Cobra
Leather Lung
Brume
Caustic Casanova
Dead Witches

http://store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

Black Sabbath, “Snowblind”

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,