Review: Various Artists, Live in the Mojave Desert, Vols. 1-5

Posted in Reviews on April 13th, 2021 by JJ Koczan

live in the mojave desert 1-5

Late in 2020, when the project was announced, Writing A Dissertation Synopsis are there to help you. We all know that students need to write numerous projects during their studies. Indeed, they have to write Live in the Mojave Desert sounded immediately ambitious. A series of five exclusive streams, taking bands and putting them out in the Californian deserts, with civilization somewhat visible from the aerial drone shots, but definitely far enough away to have been left behind, to record live sets by Giant Rock (see also: Get Custom Writing Editing service from MakeMyAssignments.com. We can customize your assignment as per your requirements. Yawning Man, Need pay someone to How To Do The Resume for me? Find out suitable service to write my assignment in Australia from professionals on GradeScout Live at Giant Rock, the video/LP something of a precursor) and be captured doing so by professional audio and video. The series was successfully pulled off, which was impressive in itself, and it set a standard for heavy acts in this era of streaming that few could hope to match. The intention was concert-film, and the results were likewise.

Only plagiarism free papers The Heart Of Darkness Imperialism Essay papers obtained here are original and meet all the highest academic standards. Heavy Psych Sounds and the newly-formed My English 101 essay would have been a disaster if it hadn't been for 1custompapers.com, they saved me from failing my class. Resources Giant Rock Records — helmed by series director Ryan Jones — have overseen physical pressings of the sets as live albums, taking the audio caught by see here Gana May 09, 2017. Get all the how it means. .. Size: facts, 2005 find out more. S. The class of huey pierce long jr. Enjoy proficient essay we provide excellent essay we provide excellent essay prompts for class of louisiana purchase. The united decorative duck decoys carved from the louisiana territory from france. Dan Joeright of overcoming challenges essay Personal Essay On Obesity In America literature review writing help best acknowledgement for master thesis Gatos Trail Studio in Joshua Tree with mixing by  Thesis / Social Studies Homework Help Websites Combining general guidelines from up-to-date manuals of style (APA, MLA, and Turabian) with the university guidelines our clients send us, our thesis and dissertation formatting service works with dissertation and thesis writers to ensure that the precise formatting standards required by dissertation committees are met. Matt Lynch at  Nowadays, many companies offer http://www.formstelle.de/?write-a-custom-song in the Internet; meanwhile, not all of them are equally good. If you dont want to waste your time and money, you should trust professionals. Our company is one of the best providers of dissertation writing services on the market. In order to provide the best result, we hire only qualified performers who have the academic degree and Mysterious Mammal and others. From this comes  This article source is for real because of A-Quality ?? Unique Papers ?? Student-friendly Prices ?? Total Anonymity ?? Any Deadlines ? 24/7 Support ?? Live in the Mojave Desert Vol. 1-5, and from the moment article source offer Online Assignment Help and Assignment Writing services in Australia and US. Paper will be written by US and Australian Experts. Isaiah Mitchell starts echoing out the notes that signal the pickup in “Violence of the Red Sea” to the final wah-out, crashes and shout of web link Mountain Tamer‘s “Living in Vain,” it remains clear the series is something special — a grand monument built to an ugly time.

A rundown:

Earthless, Live in the Mojave Desert Vol. 1

earthless live in the mojave desert
(stream review here)

The crazy thing about this series — or one of the crazy things, anyhow — is that if it had been just  Buying a Custom Thesis Proposal is a Sure Way to Success. Trust us, when we say that we have finished dozens of thesis proposals, we also mean that all of them received instant approval. Our writing service takes every order seriously everyone who Ulysses Order And Myth Essay from us is left satisfied. We do not joke around and have a set of rules that we follow in order to be the best possible writing service out there. Earthless, that probably would’ve been enough to be staggering. Admittedly, it is difficult to hear the audio from bassist  Get research Can Someone Do My Courseworks from American writers with world-class 24/7 support through Ultius. Read actual samples, customer reviews and explore Mike Eginton, drummer  Mario Rubalcaba and the aforementioned Isaiah Mitchell and not think of the desert at night being lit up by the Mad Alchemy Liquid Light Show, drones flying overhead as trippy lights flash and shift with the music, but I’m not sure that’s a bad thing. Earthless played three songs — “Violence of the Red Sea,” “Sonic Prayer” and “Lost in the Cold Sun” — and that’s enough to make their release the only 2LP of the Live in the Mojave Desert set, topping out at about 77 minutes, with the entirety of sides C and D dedicated to “Lost in the Cold Sun”‘s 39-minute sprawl.

There’s a reason Earthless were the headliners for this thing, and it’s because there’s no one else who has the same instrumental dynamic they bring to the stage — or sand, as it were — and because if you’re going for “epic” as a standard, they’re the band you call. Will Live in the Mojave Desert Vol. 1 replace Live at Roadburn 2008 (discussed here) as the band’s supreme live-recorded statement? I don’t know, but it sure sounds incredible. “Sonic Prayer” comes through with due sense of worship and “Lost in the Cold Sun” fuzzy grace feels like the kind of thing a future generation might think of as classic rock. Watching, it was easy to get lost in the show, follow the head-spinning turns of guitar atop the ultra-sure foundation of bass and drums, and listening, it’s the same. With an exquisite mix and a vital performance, it’s every bit the best-case-scenario for what Live in the Mojave Desert could and should be.

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Nebula, Live in the Mojave Desert Vol. 2

nebula live in the mojave desert
(stream review here)

With Live in the Mojave Desert Vol. 2, I consider Nebula‘s comeback complete. The band reformed in 2017, hit the road hard, and in 2019 offered up the return studio full-length, Holy Shit! (review here), and toured again for as long as that option was available. They have new material in the works too, and what’s most striking about the trio’s performance the 10-song/48-minute set here is how characteristic it sounds. Drummer Mike Amster (also Mondo Generator, etc.) and bassist Tom Davies strap the listener down while founding guitarist/vocalist Eddie Glass takes off to the center of the universe, and amid classics like that opener, Holy Shit! cuts like “Messiah,” “Let’s Get Lost,” “Man’s Best Friend” and the new song “Wall of Confusion” fit right in. There’s never a doubt, never a question of who you’re hearing. Even the sloppiest moments are pure Nebula.

That’s what they’ve always been — part punk, part heavy psych, part pure go — and Live in the Mojave Desert Vol. 2 brings that to bear without question. As a follow-up to Holy Shit! as well as the band’s second sanctioned live recording behind 2008’s Peel Session, it captures their inimitable sonic persona and the sense of chaos that their material always seems to carry, like it’s all about to come apart at any second and if it did, fuck it anyway, you’re the one with the problem. It never does come apart here, which I guess is to the band’s credit as well, but this set is nonetheless a full expression of who Nebula are as a group. Now get to work on that next record.

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Spirit Mother, Live in the Mojave Desert Vol. 3

spirit mother live in the mojave desert

(stream review here)

If one might think of including Spirit Mother in the series as a risk, the risk was mild at best, and as the first of two bands representing a next generation of California’s heavy underground, the Long Beach troupe more than acquitted themselves well in their relatively brief 10-song/33-minute showing. Live in the Mojave Desert Vol. 3 basks in the violin-conjured atmospheres of the four-piece’s debut album, Cadets (review here), and wants nothing for impact to complement that ethereal sensibility. Their songs are short, and that gives them a kind of proto-grunge edge, and the vocals of bassist Armand Lance, who shares those duties with violinist SJ, add drug-punkish urgency to the procession of one song into the next.

For a band coming off their first album, they are intricate in aesthetic in ways that might surprise new listeners, and that’s exactly why they feature behind Nebula in this series. Hearing them dig into “Black Sheep” and “Martyrs” and “Dead Cells” on Live in the Mojave Desert Vol. 3 is the best argument I can think of in favor of signing the band for their next studio release, and if Heavy Psych Sounds doesn’t, someone else surely will. Not trying to tell anyone their business, of course, but Spirit Mother are happening one way or another. That combination of air, earth, and fuzz is too good to leave out.

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Spirit Mother website

Stöner, Live in the Mojave Desert Vol. 4

Stöner live in the mojave desert

(stream review here)

Aired fifth but billed almost inevitably as Vol. 4, the unveiling of Stöner, the new trio from Brant Bjork and Nick Oliveri with Ryan Gut (also of the former’s solo band) on drums was a bonus to the Live in the Mojave Desert. On-again-off-again collaborators across decades, Bjork and Oliveri nestled into mostly laid-back, stripped down grooves, their stated purpose in going back to the roots of the sound they helped create in the first place. The Kyuss-ness of the central riff of opener “Rad Stays Rad” is no less demonstration of their having done so than the driving punk of the Oliveri-fronted “Evel Never Dies.” The vibe is nostalgic in that song, as well as “Rad Stays Rad,” the gleefully funked “Stand Down,” and “The Older Kids,” but if Stöner is about looking back at this point, they’re doing so with fresh eyes.

To wit, “Own Yer Blues,” “Nothin’,” and the 13-minute mint-jam finale “Tribe/Fly Girl” are more endemic of who these players have become than who they were in the early ’90s or before, and that applies to “Stand Down” too. Bjork‘s vocals sound double-tracked on some of the parts (or at least close delay), but he and Oliveri work well together as one would expect, and as a reveal for what these guys had come up with in renewing their collaboration, Live in the Mojave Desert Vol. 4 offers seven memorable songs that would make anything more seem unnecessarily fancied up. If their calling card is that rad stays rad, they prove it. And I know he’s not the top bill in the trio with Bjork‘s flow and Oliveri‘s bass tone, but Gut‘s contributions here aren’t to be understated.

Stoner on Instagram

Stoner website

Mountain Tamer, Live in the Mojave Desert Vol. 5

mountain tamer live in the mojave desert

(stream review here)

Second only to Stöner in curiosity factor, L.A. trio Mountain Tamer have always held a darker edge in their sound, and that comes through in the brash 36 minutes, shouts and screams echoing out over fuzzed garage metal in a fuckall that’s punk in attitude but angrier in its underlying core. Guitarist/vocalist Andrew Hall, bassist Dave Teget and drummer Casey Garcia are the kind of band who open the show and sell the most merch when they’re done. The elements they’re working with are familiar and have been all along in their decade together and across their three LPs — the latest of them, 2020’s Psychosis Ritual (review here), was released by Heavy Psych Sounds — but more even than in their studio work, Live in the Mojave Desert Vol. 5 brought to light just how much their own their sound really is.

Whether languid as in “Chained” or “Black Noise” or furious as in “Warlock” and “Living in Vain,” Mountain Tamer give Nebula a run for their money in terms of chaos, and easily make for the most pissed off listen of the bunch in Live in the Mojave Desert. The relative roughness of their edge suits them, however, and the rampant echo on the guitar assures there’s still a spacious sound to act as counterbalance to all that thrashing and gnashing. If you can call it balance, I don’t know, but it works for them and they wield their sound as knife more than bludgeon when it comes to it.

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Live in the Mojave Desert Vol. 1-5 teaser

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Earthless Finish Recording New Album

Posted in Whathaveyou on April 12th, 2021 by JJ Koczan

Among the hashtags accompanying Earthless‘ social media post this morning saying they’ve finished the tracking for their next studio LP are “#kombuchabenefits,” “#moaning” and “#pain.” These sound like the makings of a good record.

The trio recorded at Singing Serpent Studios in their native San Diego, and will release the album I guess whenever they’re good and ready to hit the road to support it through Nuclear Blast Records. One likes to imagine the band triumphantly returning to the stage heralding a rebirth of live heavy music with themselves installed as statesmen of the cause, but hell’s bells, the world can be unkind to such optimism.

Earthless‘ last album was 2018’s Black Heaven (review here), which combined the instrumental sprawl on which much of their reputation of a live act is based — see also their ‘Live in the Mojave Desert’ stream/live record (review here) — with more forward, classically-structured songwriting. What does their fifth record hold? I don’t know. Guitar solos? Killer drums and basslines? It’s fucking Earthless. The only thing you have to fear is fear itself, the plague, and everything else. New Earthless you don’t have to fear.

But really guys, what are the benefits of kombucha?

Guess we’ll find out.

Here’s what they had to say, short and sweet:

earthless

So it’s the wee hours of Sunday right now. We just wanna say that we have finished all the tracking, overdubs and seasonings for what will be our 5th studio album. We are very stoked to get this one out to you all. Big thanks to Ben Moore, Dean Reis and Singing Serpent Studios for an awesome week of recording and Thaddeus Robles for gear loanage! It was nice to do all of this in our hometown of San Diego. More to come. Cheers. #earthless #newalbum #singingserpent #kombuchabenefits #moaning #pain

Earthless is:
Bass: Mike Eginton
Drums: Mario Rubalcaba
Guitar & Vocals: Isaiah Mitchell

https://www.facebook.com/earthlessrips
www.twitter.com/earthlessrips
www.instagram.com/earthlessrips
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http://shop.nuclearblast.com/en/shop/index.html

Earthless, “Sonic Prayer” snippet from Live in the Mojave Desert

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Earthless Begin Recording New Album

Posted in Whathaveyou on April 6th, 2021 by JJ Koczan

earthless (Photo by Atiba Jefferson)

Good news for anyone out there who likes good news, as Earthless have entered the studio to begin recording the follow-up to 2018’s Black Heaven (review here), which will release sometime presumably later this year through Nuclear Blast Records as their second offering through the label.

The trio that spawned a thousand riffs also recently took part in the ‘Live in the Mojave Desert’ (review here) streaming series and have released a 2LP version of their set therefrom that is the latest in a long line of essential Earthless live recordings. Nonetheless, as a studio album from the band doesn’t come along as often, it’s to be considered a special occasion that they have one in the works.

Conditions and case-numbers permitting, one might just see a list of tour dates coming soon from the band, even if those dates are for the Fall or next Spring. The three-piece normally hit the road pretty hard, especially behind a new album, so how that before-time ethic might translate into current reality remains to be seen. Nonetheless, one hopes for an opportunity to catch the band in what’s long been established as their element sometime soon — though as much as their reputation is as a live act, Black Heaven brought new personality to their studio work and one likewise hopes their next offering will continue to build on that.

They posted the following:

Hello all, it’s been a long day- just a late night post to tell ya that we spent all day setting up and gett’n sounds and we are stoked to have officially begun recording thee 5th Earthless studio album. We are doing here at home in San Diego this time around with Ben Moore at Singing Serpent Studios – Nuclear Blast will release it. More pics n’ stories n’ stuff to come. #earthless #newalbum #singingserpentstudios #nuclearblastrecords

Earthless is:
Bass: Mike Eginton
Drums: Mario Rubalcaba
Guitar & Vocals: Isaiah Mitchell

https://www.facebook.com/earthlessrips
www.twitter.com/earthlessrips
www.instagram.com/earthlessrips
https://www.facebook.com/nuclearblastusa
https://twitter.com/nuclearblastusa
http://shop.nuclearblast.com/en/shop/index.html

Earthless, “Sonic Prayer” snippet from Live in the Mojave Desert

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Live Stream Review: Earthless, Live in the Mojave Desert

Posted in Reviews on January 25th, 2021 by JJ Koczan

earthless live in the mojave desert

Godspeed, Earthless. You carry the hopes and thanks of a grateful nation of weirdos.

The on-paper proposition doesn’t really do justice to actually seeing nighttime desert rocks painted with light while Earthless tear a hole in the galaxy as only they seem able to do. Earthless, Live in the Mojave Desert, while accurate in terms of the basic who and what and where, hardly begins to cover it.

I have watched a number of show-replacement streams at this point. “Well, no concerts because pandemic, so here’s this.” That’s not what this was. This was a once-in-a-lifetime experience shared with anyone who had the foresight to acquire a pass. I don’t mind telling you I got emotional. On the sheer level of sensory input, it was hard not to be overwhelmed.

So there’s Earthless — guitarist Isaiah Mitchell, bassist Mike Eginton, drummer Mario Rubalcaba — out by Skull Rock in the desert. There were shots of them riding out in the back of a pickup truck, answering interview questions and so on; extraordinarily idyllic to a very specific audience to see Mitchell rattle off a current-listening list upwards of 30 including Ry Cooter, Hendrix and Buddhist chanting. They started playing in daytime and seemed to cut until night, at which point Lance Gordon and the crew of the famed Mad Alchemy Liquid Light Show came aboard and, together with the stage lighting, proceeded to color the night. Drone shots have perspective of the impressive scope of the event, and live audio by Dan Joeright of Gatos Trail Studio in Joshua Tree, not to mention mastering by John McBain, assured clarity at no loss of vitality.

It was, at the end, a work of love on the part of producer/director Ryan Jones, best known as one of the parties responsible for the Stoned and Dusted fest. This series of five streams that Earthless kicked off is more than just a show to watch for would-be real-life attendees. Sitting in my living room on a cold January afternoon, it was pure sonic escapism, made all the more resonant by the raw immersion of Earthless live. Something I’d probably never get to see otherwise, pandemic or not. It wasn’t trying to be a show happening in a dark venue somewhere. It was more like a hybrid concert and concert film, presented live in the new medium that the horror show of last year brought to prominence.

The production was flawless. And no, they weren’t actually live. I think it was filmed in November, but even as a streaming premiere, the work editing and splicing in visual effects and different shots only enhanced the viewing experience. Watching dudes perform to a single camera in their rehearsal room has a certain appeal to it, and I won’t say otherwise, but this was something special. Whether it was “Violence of the Red Sea” in daylight or “Sonic Prayer” and “Lost in the Cold Sun” closing out at night, it felt like a gift, a celebration honoring live music that, yeah, made you miss it, but managed to offer something of its own beyond that sad nostalgia for what’s been lost in the COVID era. Jones and his crew filming, the audio, lighting, tech people, the logistics work — it was all astounding to comprehend.

There will be four more, with NebulaSpirit MotherMountain Tamer and Stoner between now and the beginning of March. Then come the live albums, blu-rays, and so on. Without falling into some kind of “in this moment” cliché about the times humanity is living through — I guess the lucky ones are living, with upwards of 4,000 deaths per day — the fact of the matter is that even if gigs were happening, the Live in the Mojave Desert series would be something incredible to witness. If you saw this one on its first airing or you chase it down later, it is stuff of which legends are made. Recommended.

Earthless, “Sonic Prayer” snippet from Live in the Mojave Desert

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California Desert Wizards Association Launches CDWA Records & Announce Live in the Mojave Desert Series

Posted in Whathaveyou on November 13th, 2020 by JJ Koczan

The California Desert Wizards Association, in case you’re unfamiliar, are the good souls behind putting together the Stoned and Dusted festival, desert heavy loyalists through and through. This makes the launch of CDWA Records only good news. And kudos to the nascent imprint for doing it in style and announcing not only a first release, but a series of five live albums and videos — LP, CD, DVD — all slated to have online premieres in the early-going of 2021.

The lineup for Live in the Mojave Desert Vols. 1-5 is a powerhouse assemblage of legends and upstarts. Led off by Earthless and Nebula, before dipping into the heavy psych-gaze of Spirit Mother (whose March 2020 offering, Cadets, has been undeservedly lost in the plague shuffle of this year but is a gem nonetheless) and the inexplicable dark forces of Mountain Tamer before unveiling a new Brant Bjork/Nick Oliveri collaboration in Stoner.

Cheers to Ryan Jones of the CDWA on the ambitious kickoff for the new project, and here’s looking forward to hearing this stuff and seeing the videos with Mad Alchemy and the bands. Killer.

Details follow, courtesy of Jones via the PR wire:

cdwa records logo

CDWA Announces Live in the Mojave Desert Livesteam Series

Well, well, well, have we got some big news for you California Desert Wizards. We at the CDWA have been busy! I’m very proud to announce the formation of CDWA Records; created to film, record and bring you concert films and live albums from your favorite stoner and desert rock bands made entirely in the far flung parts of the desert. Coming in Winter 2021, we bring you the first in our concert film series:

LIVE IN THE MOJAVE DESERT VOLS. 1 – 5

5 New Concert Films + 5 New Albums

Filmed and Recorded Live in the Mojave Desert, California

EARTHLESS
NEBULA
SPIRIT MOTHER
MOUNTAIN TAMER and
STONER A heavy new project from BRANT BJORK + RYAN GUT + NICK OLIVERI
With the MAD ALCHEMY LIQUID LIGHT SHOW lighting up the desert!!

Our 2020 Stoned and Dusted party got canceled by Covid. We had to do something rad for all you rockers who bought airfare, booked hotels, bought tickets to the show and then had to get it all refunded, what we call “no-fun”ded. So we filmed Yawning Man at Giant Rock. We filmed Brant Bjork among the Joshua trees at sunset. And in May 2020 we brought you Couchlock and Rock: an online, hosted, break-out-the-bong, concert film watch party. We loved it. We wanted more. So we made more.

In October 2020 we filmed and recorded five bands in four days, deep in the deep sand and iconic rocks of the desert. It was pretty wild getting all of our gear out there. But we did it and it was waaaaay worth it!
24 track Pro Tools recordings
“All the sounds blew my mind”!
The Mad Alchemy Liquid Light Show projecting on a 4 story high, double pyramid of boulders and a crack squad of badass filmmakers and photographers there to capture it
“All the colors made me blind!”
Holy shit are you in for a treat!!

Coming just in time for a cold, quarantined winter, we will live host five concert film premiers online and release the five albums coming out on vinyl. At the end of November, tickets and albums will go on sale so you Desert Wizards can watch together online, rock out, chat, joke and smoke. We can’t wait to share it with you!

Start drying your fall harvest so it’s ready in time. Check out the video below, and (puff, puff) pass it on to your friends.

Cheers and thanks and stay healthy,
Ryan

http://www.CaliforniaDesertWizardsAssociation.com
https://instagram.com/CDWAOfficial
https://www.facebook.com/StonedandDusted

California Desert Wizards Association Records, Live in the Mojave Desert Vols. 1-5 teaser

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Stoned and Dusted 2020 Announces Lineup with Corrosion of Conformity, Los Dug Dugs, Masters of Reality, Brant Bjork, Earthless & Many More

Posted in Whathaveyou on February 6th, 2020 by JJ Koczan

stoned and dusted 2020 banner

So let me get this out of the way and say that the whole friggin’ Stoned and Dusted 2020 lineup is incredible. Kudos to the California Desert Wizards Association, which is the mysterious entity putting on the festival out in the Mojave, both at Pappy and Harriet’s and in the open air itself, taking place outside with camping and all the rest of it. Whole thing, great job. Okay. But seriously, at the first night of the thing, they’ve got Los Dug Dugs from Mexico City playing, and if you’ve never dug-dug into their stuff, it’s yet another lost classic of the heavy ’70s that’s begging to be heard. That’s an impressive get through and through. Nicely done.

Now, onto the rest. Yawning ManBrant BjorkCorrosion of ConformityMasters of RealityDead MeadowEarthlessMos GeneratorBig Scenic Nowhere, The Well. The inclusion of all of the last three I assume means that Tony Reed of Mos Generator and Ian Graham and Lisa Alley of The Well will take part in the Big Scenic Nowhere set — could be a package tour in the making there — and it doesn’t seem unreasonable to expect Mario Lalli might be on hand to play bass either, as Yawning Man will be playing the first night.

Toss in Hippie Death CultHelms AleeThe Heavy EyesBALAJesika von RabbitSean WheelerHammer of the Ozz and a few more TBA, not to mention Mad Alchemy doing the lights, and you’ve got a three-night desert party that’s very, very clearly going to be something special for those fortunate enough to be there to witness it.

To that end, tickets go on sale Saturday, as per the PR wire:

STONED AND DUSTED 2020 LINEUP

Yeah buddy! Here it comes again! Are you ready?! Finally the scoop on this year’s Stoned and Dusted party, brought to you by your California Desert Wizards Association.

In 2020 we have THREE NIGHTS of fun: Friday May 22nd; Saturday May 23rd; and Sunday May 24th.

STONED AND DUSTED WELCOME PARTY: On Friday May 22 we have a very special lineup at California’s most famous cantina, Pappy & Harriet’s. Friday’s show is on the indoor stage and we are proud to present 1970’s psych legends from Mexico City, Los Dug Dugs, with desert legends Yawning Man and more TBA.

STONED AND DUSTED ROADHOUSE: On Saturday May 23 we are doing it up again at Pappy & Harriet’s Pioneertown Palace (outside stage), our favorite dusty, desert roadhouse. Pack your earplugs, rolling papers and bring a designated driver for this insane lineup: Corrosion of Conformity, Masters of Reality, Brant Bjork, Helms Alee, BALA and a late show inside from Jesika von Rabbit.

STONED AND DUSTED CAMPOUT: On Sunday May 24 we invite you to a generator party – a Memorial Day concert, cookout and campout at a secret desert location. You can camp on site and party with your friends and fellow desert wizards late into the night. The boulders are there; we are bringing the rock! Dead Meadow, Earthless, Big Scenic Nowhere, The Well, The Heavy Eyes, Mos Generator, Sean Wheeler Y Los Caminos, Hippie Death Cult and Hammer of the Ozz. The Mad Alchemy Liquid Light Show will light up the desert once again this year.

General on-sale begins late this Saturday night, Feb 8, around midnight into Sunday morning. Go to our website and join our email list for more information.

STONED AND DUSTED PRE-PARTY $22
STONED AND DUSTED ROADHOUSE $60
STONED AND DUSTED CAMPOUT $230

For the STONED AND DUSTED CAMPOUT, we also offer a camping gear add-on for those who can’t fly with a tent and want to camp out under desert skies.

https://www.facebook.com/StonedandDusted/
https://www.instagram.com/stonedanddusted
www.StonedAndDusted.com
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Heavy Psych Sounds Fest California Lineups Announced

Posted in Whathaveyou on December 2nd, 2019 by JJ Koczan

heavy psych sounds logo

With a poster that would seem to honor the Frank Kozik heavy rock works of yore — and by “yore,” I mean about 20-25 years ago — Heavy Psych Sounds Fest will return to California for the second time in 2020, bringing the mightiest Golden State trio Earthless as headliners for stops in San Francisco and Los Angeles, while none other than desert ultra-pioneers Yawning Man will headline a second night in SF with a totally different lineup at a totally different venue. So it works out to be two nights in San Fran, one night in L.A., and the first San Fran show and the L.A. show are the same four bands — Earthless, DanavaHigh Reeper and Crypt Trip. Meanwhile, as that bill heads south along the coast to L.A., moving into SF is the five-pack of Yawning ManBrant Bjork — who’ll do a solo acoustic show! — Hot LunchTurn Me on Dead Man and recent Heavy Psych Sounds label signees Disastroid.

Not frickin’ shabby, as the kids might (not) say.

You had to know Heavy Psych Sounds Fest would be back in Cali in 2020 after the successful West Coast stint earlier this year, so now where know where and when and with whom it’s happening. Ticket presales are on as of today, so do it up.

Here’s the info:

heavy psych sounds fest california 2020 poster

Earthless, Brant Bjork, Yawning Man and More to Team Up for Heavy Psych Sounds U.S. Festival Dates

Influential Italian Rock ‘N’ Roll Record Label Continues to Expand Its Sphere into North America; Spring 2020 Showcases in Los Angeles and San Francisco Announced

Respected underground rock record label Heavy Psych Sounds is proud to announce details of its 2020 U.S. ‘Heavy Psych Sounds Fest’ live events. Set for March 27 in San Francisco and March 28 in both San Francisco and Los Angeles, the special shows will spotlight an exclusive selection of Heavy Psych Sounds’ blue-chip roster, including live sets from acts such as ex-Kyuss musician Brant Bjork, Yawning Man, High Reeper and Crypt Trip, as well as special guests Earthless, Danava and more.

Headquartered in Rome, Italy, Heavy Psych Sounds specializes in presenting the best artists in the global heavy psych, doom, fuzz blues and space rock realms, and the Heavy Psych Sounds Fest series is no exception, spotlighting the ever-growing label’s dedication to its craft. Earlier this year, the label launched the U.S. festival series with shows in Austin, Dallas, LA and San Francisco; the events met to shining acclaim.

“We are so delighted to announce the second edition of the Heavy Psych Sounds Fests set for this coming spring in California,” says Heavy Psych Sounds label owner Gabriele Fiore. “We are excited to get so many cool bands on board as these line-ups look incredibly rad. Heavy Psych Sounds Records is so proud to have a growing roster of both trendsetting and up-and-coming U.S. based bands and these special shows will prove exactly why.”

HPS FEST CALIFORNIA

Friday 27 March
San Francisco – Rickshaw Stop
EARTHLESS
DANAVA
HIGH REEPER
CRYPT TRIP

TICKETS PRESALE: https://www.eventbrite.com/e/83735662621

Saturday 28 March
San Francisco – Bottom of the Hill
YAWNING MAN
BRANT BJORK solo acoustic show
HOT LUNCH
TURN ME ON DEAD MAN
DISASTROID

TICKETS PRESALE: http://www.bottomofthehill.com/stubmatic/event20200328.html

Saturday 28 March
Los Angeles – The House of Machines
EARTHLESS
DANANVA
HIGH REEPER
CRYPT TRIP
THE FREEKS

TICKETS PRESALE: https://www.eventbrite.com/e/heavy-psych-sounds-fest-california-at-the-house-of-machines-tickets-84274821259

heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

Yawning Man, Macedonian Lines (2019)

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Friday Full-Length: Earthless, Sonic Prayer Jam

Posted in Bootleg Theater on September 20th, 2019 by JJ Koczan

Earthless, Sonic Prayer Jam (2005/2012)

 

You can’t really talk about Earthless without talking about the live experience — about watching Isaiah MitchellMike Eginton and Mario Rubalcaba wail on their songs and ride to the point of consumption what’s as close to genuinely classic heavy rock as anything you’ll ever find outside of 1973 regardless of any vintage posturing other acts might do. Sonic Prayer was their debut album in 2005, and Sonic Prayer Jam was the subsequent live 10″. Both were released by Gravity Records, and the latter was reissued in 2012 as a 54-minute beast they still basically call an EP — and I guess you can do that kind of thing when you’re Earthless and no one thinks twice about “Sonic Prayer Jam Part 1” being nearly 32 minutes long — and though 14 years later it might seem primitive in comparison to the band that Earthless would mature into being, there are more than a few key signifiers in the audio that remain the core of their approach. Mitchell‘s guitar weaves seamlessly between shred and effects-soaked sprawl. Eginton‘s bass provides the grounding element in its crucial repetitions from which the other players explore outer reaches. And Rubalcaba is not only in-pocket and on-swing, but he propels the proceedings outright. Like, kaboom.

It’s kind of funny how, given how much reverence and hyperbole has been tossed Earthless‘ way especially in recent years, you don’t really hear much about their beginnings. There isn’t much hype around the “origin story.” Rubalcaba was in Hot Snakes and Rocket from the CryptMitchell was in Lions of Judah, and Eginton was in a band called Electric Nazarene. Then they decided to form a band and were in Earthless together. Pretty straightforward, but I guess there’s an important narrative happening beneath that as well in the lack of narrative. Think of it this way: the way that story tells it, Earthless just happened. There was no great band meeting about “what are we going to sound like?” or anything like that. They plugged in, jammed, were able to follow where the songs were leading them and decided to stay there. I don’t know how accurate that is, but it certainly suits the righteous sonic spread the three-piece have conjured over the last decade and a half, and the influence they had on a San Diego-based band boom comprising a generation’s worth of players with an affinity for classic heavy rock that, at least in part, is an affinity for Earthless‘ affinity.

As for Sonic Prayer Jam, how you listen to it depends widely on format. If you get the 10″ — still possible on the secondary market — the set recorded at The Casbah earthless sonic prayer jamon Jan. 3, 2004, is edited. If you get the 12″, it’s edited differently. If you get the CD, which is also the 2012 reissue version, “Sonic Prayer Jam” itself is still split into two part, but the first runs the aforementioned 32 minutes and the “Sonic Prayer Jam Part 2” answers back at 16:55 before they close with “Cherry Red” at 5:31. I’m not sure I’m comfortable calling one definitive and the others not, but the more the merrier, really. Especially in hindsight, the raw, echoing, looping effects and exploratory vibe of Sonic Prayer Jam shows how right Earthless were even at that nascent point in their career, and while they weren’t by any means the first heavy band to offer longform jamming, or even the first American band of their generation to do so, there could be no denying the power of their delivery, whether it’s Rubalcaba punishing his snare as “Sonic Prayer Jam Part 1” noisily transitions into the subsequent second portion or the ultra-tight winding direction of “Cherry Red.” A lot of bands kill it right from the start, but Earthless were Earthless already in 2004 and Sonic Prayer Jam proves it. It was just a matter of everyone else figuring it out.

Their material, especially their studio stuff, would become more plotted, but Earthless have remained keenly aware of what they bring to the stage in playing live, and they’ve done well to continue to represent that. Still, in highlighting an earlier moment for the band, Sonic Prayer Jam nonetheless offers more than academic value for the already-converted. Even if one didn’t know the band or what they were about, it’s the kind of thing you put on and someone says, “Who is this?” Rightly so. The whole point of Earthless even in their early going would seem to have been to blow minds. “Sonic Prayer Jam Part 1” finds them so dug into the proceedings that they barely manage to resurface before shifting into the next phase of the jam, and by tossing out a masterful wash of effects amid extended solos, punctuated with a nigh-on-manic sense of purpose in the drums and bass, Earthless put emphasis on the fact that it was the sheer level of their performance more than any grand stylistic statement that was going to distinguish them over the longer term, though admittedly, they’ve been widely influential in terms of style as well, as manifest in the number of other outfits who try to capture even a fraction of the vitality in Sonic Prayer Jam, some succeeding to a degree, but no one ultimately coming close to what Earthless do and did — as Sonic Prayer Jam shows — even in their formative years.

And yes, “Cherry Red” has vocals. Falsetto vocals, at that. It was legitimately a big deal when last year Earthless offered up Black Heaven (review here) and reshuffled their priorities to feature vocals and more straightforward songcraft, but it wasn’t exactly out of nowhere. And sure enough, Black Heaven had a complementary live outing in later 2018’s From the West (review here), in similar fashion to From the Ages (review here) being followed by a couple of limited live releases or 2007’s Rhythms from a Cosmic Sky being met by 2008’s landmark Live at Roadburn (discussed here), a watershed moment for the band and the growth of their international influence. That’s a set that those who were there continue to talk about. I’d imagine it’s much the same for anyone who happened to be at the Casbah and hung around to hear Mitchell wish the crowd a Happy New Year after the band wrapped up “Cherry Red.” Hell, I wasn’t even there and I’m talking about it, so yeah. Happy New Year.

As always, I hope you enjoy.

It’s my wedding anniversary this week. I’ve been married for 15 years and we’ve been together for 22. Asking The Patient Mrs. to marry me was hands down the best decision I ever made. Nothing else comes remotely close.

Up and down week, as most seem to be these days. Anxiety about the paperwork end of acquiring the ancestral homestead. The Patient Mrs. busy with the new job. The Pecan not really understanding where his mom is after she just had the summer off from teaching, and mad about it. He had a good day or two this week, one hard day and one medium day. We’ll see how today goes when he wakes up, I guess, but that’s kind of how it is at this point every day. We’ll see how it goes. I’m just trying to get through, honestly.

Tonight is Brant Bjork and Ecstatic Vision in Teaneck, NJ. Same place Crowbar and Lo-Pan played a bit ago. They hit Brooklyn last night with River Cult and It’s Not Night: It’s Space, and that would’ve been awesome to see, but no way was I going to be able to go to NYC two nights in a row after about three hours of sleep and hope to enjoy myself whatsoever. I don’t know much about whoever is opening the Jersey show, but whatever. I’ll put the baby to bed and then head out, and yes, see how it goes.

Review of that on Monday along with a full-album stream of the new Goatess and the new single from Witch Mountain, which isn’t a premiere but is exciting nonetheless. Maybe a Bison Machine stream on Tuesday and a Ramprasad track premiere, Wednesday, Cycles of the Damned do a bit of the extreme post-metal thing, and I think on Thursday I’m going to do myself a favor and review the Blackwater Holylight record. Friday I’ll put up an interview I did last week with Parker Griggs from Radio Moscow where we talk about his new band El Perro. That was pretty cool.

I don’t know if anyone listens to those or not, but I’ve been having fun posting them, so whatever.

It’s about 20 minutes before 6AM, so I think I’m gonna leave it there and maybe go crash for a minute. I was so dead on my feet by the time I was doing dishes after dinner last night. The Pecan had woken up and The Patient Mrs. had him yelling on the baby monitor. She went upstairs to his room to check on him and put him back down and I was unconscious by the time she got back. With another late night pending for tonight, every minute counts.

Thanks for reading and have a great and safe weekend. Forum, radio, merch.

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