Roadburn 2020: Oranssi Pazuzu to Present New Album; Crypt Sermon, Blanck Mass, Hangman’s Chair & More Added

Posted in Whathaveyou on October 18th, 2019 by JJ Koczan

roadburn 2020 new banner

So three-quarters of the tickets for Roadburn 2020 are gone. I have to wonder what the corresponding percentage of the lineup has been unveiled. Maybe a third? Maybe? I doubt half. There are still smaller rooms to fill out and other this and that-type happenings. It’s amazing the culture around this festival though. Just look at these adds. Lana Del Rabies and Crypt Sermon. How does that even happen? And somehow, Roadburn pulls it off, year after year after year. It’s because people want to add to that culture, to be a part of it. It’s like nothing else. Like this joint art project that everybody there becomes a piece of. And if that description sounds totally unbelievable, then good. It is unbelievable. And yet, here we are. Year after year after year, on Planet Roadburn, Tilburg, The Netherlands.

I don’t know what else to say except that, as always, I hope we do the ‘zine again. Seems like there’ll be a lot to talk about this time around.

From the PR wire:

roadburn 2020 oranssi pazuzu

Roadburn 2020: Further announcements; over three quarters of tickets sold

– Over 3/4 of weekend tickets are already sold
– Oranssi Pazuzu will present their new album as part of James Kent’s curation
– Further additions to both James Kent and Emma Ruth Rundle’s curated events.

With over three quarters of weekend tickets already sold (three-day tickets are completely sold out), and many more bands still to announce, Roadburn’s Walter Hoeijmakers comments:

“I am absolutely overwhelmed by the faith that people have put in us to deliver an exciting line up. We will honour that faith and Roadburn 2020 will be one for the history books. Sincere thanks to everybody who has picked up a ticket so far, it’s an incredible feeling..”

JAMES KENT’S CURATION:

ORANSSI PAZUZU
There are so many pieces of the puzzle that will fall into place between now and next April, and we’re sworn to secrecy on just about all of it. But what we can tell you is that Oranssi Pazuzu will be performing their as-yet unnamed new album in full at Roadburn 2020, as a part of James Kent’s curated event. It seems incomprehensible that Oranssi Pazuzu may have evaded your attention at this point. But we’re sure there’s a few of you out there – the uninitiated. Begin preparations immediately, as come April 2020, there will be dark forces at work here in Tilburg. A magical, mind-melting mangle of psychedelic avant-garde spirits will cast a spell over us all.

BLANCK MASS
Among the list of achievements that Blanck Mass can be proud of is soundtracking the 2012 Olympics opening ceremony in London – and come April 2020, Benjamin John Power will also be able to say he played Roadburn! Whilst we might not have an audience of 900 million watching what goes down in Tilburg that day, we can be sure to give Blanck Mass a customary Roadburn welcome. Soundtracking the emotions that accompany personal and societal loss, intimate and global grief – his latest album, Animated Violence Mild, is direct, honest and absolutely drenched in melody.

HANGMAN’S CHAIR
Making a return to Roadburn – this time under the curatorship of James Kent – is France’s Hangman’s Chair. The cathartic doom/post-punk combination will be familiar to Roadburners who witnessed them back in 2016, but the intervening years have only seen the four-piece pick up the pace. Their 2018 album Banlieue Triste (which featured James in his Perturbator guise, and Wolvennest’s Marc de Backer) will be played in full during their Roadburn performance. Sink into the melancholic explorations of some of the darkest places they have been.

EMMA RUTH RUNDLE’S THE GILDED CAGE:

MIZMOR
Mizmor’s latest album, Cairn, is a mesmerising piece of work. Back in 2016, we were bowled over by Yodh – Mizmor’s previous offering – and we invited multi-instrumentalist, A.L.N, to bring his project to the Roadburn stage in 2018. The set proved to be a defining element of Roadburn that year for all who witnessed it. Cairn is a continuation of Yodh – yet somehow more personal, more intense and more captivating. It’s not necessarily an easy journey, but it’s one we went on willingly. So, it is with enormous pleasure that we announce Mizmor’s return – performing Cairn in full at Roadburn 2020.

CLOUD RAT
We already announced that Cloud Rat would be playing Roadburn 2020, but we’re delighted to announce that they have agreed to a second show. There are dozens of reasons why their latest offering, Pollinator, stands head and shoulders above many other 2019 releases, and just one of them is the accompanying EP that was released at the same time. Performing tracks from this EP, as well as a couple of cuts from elsewhere in their catalogue, Cloud Rat will be showing off a different side to themselves. In order to do justice to the songs in a live setting, the band are enlisting the help of a familiar face and dear friend of Roadburn – Thou’s Andy Gibbs.

SRSQ
The haunting, sorrow-tinged melody that envelopes SRSQ’s debut album, Unreality, gives a big clue of what to expect when Kennedy Ashlyn takes to the Roadburn stage next April. Formed after her previous project, Them Are Us Too, ended due to the tragic death of Kennedy’s collaborator, Cash Askew, SRSQ (pronounced Seer-skew) retains much of the magic that made TAUT so compelling. The soaring synths and layers of swirling emotion are still present, as of course is her lullaby-esque dreamy vocals.

FVNERALS
Their 2016 album, Wounds, is a creeping, eerie voyage through some incredibly dark shadows. Dripping with lethargic menace and hazy atmospherics, Fvnerals paint a sonic landscape that feels devoid of sunlight, absolute desolation pervades. News has reached us that writing will soon commence for their next opus due out in late 2020. Whilst Fvnerals are not a cheery prospect, they are a strangely alluring one. We’re delighted to welcome them to Roadburn 2020.

ALSO ANNOUNCED…

BIG BRAVE & JESSICA MOSS
Big Brave are a modern wonder – a trio of musicians that have seemingly created their own little universe, with no need for our earthly categorisations, no need for our restrictive genres, and no need to stick to any kind of formula. A joy to witness live at any point, but especially so when they’re joined by a special guest. Jessica Moss featured on the Big Brave albums, Au De La and Ardor, performing violin, and on extremely infrequent occasions she has performed with the band live. We’re thrilled to announce that this unholy union will be sharing a stage at Roadburn 2020; the stars in the Roadburn universe have aligned and we’ve captured this most rare of beasts.

JESSICA MOSS
As well as performing alongside Big Brave, Jessica Moss will take to the stage a second time at Roadburn 2020 to perform her own set. Her captivating sonic experimentation and ethereal violin playing will be an all-consuming musical journey for Roadburners lucky enough to witness it live. For those who appreciate the intricacies of quiet moment found at Roadburn – Jessica Moss is the show for you.

CRYPT SERMON
Confidently lassoing all that is great about traditional heavy metal, straddling it and whipping it into shape for a contemporary audience, Crypt Sermon may just have concocted a magic formula that pays tribute to those who have paved the way, whilst simultaneously forging a new path. It’s time to break out your leather jacket – or if you’re feeling bold, the double denim – and get ready to rock out: Crypt Sermon are heading straight for Roadburn 2020 to play their new album The Ruins of Fading Light in full.

LANA DEL RABIES
The origins of Lana Del Rabies may have a connection to her namesake, but since those early days of paying a droney tribute to the pop star, Lana Del Rabies has taken a life of its own. The project and pseudonym of Phoenix, Arizona resident, Sam An, blends synthesized electronics, drone/noise elements and industrial heaviness into an atmosphere of existential abreaction and an exploration of the occult.

RED KITE
For Roadburn 2020, we will continue our quest to bring you some of the most exciting prog bands around. Championing the burgeoning Norwegian psych-prog-jazz scene is Red Kite. Their self-titled debut is a master class in progressive jams and hypnotic soundscapes, hence inviting them for Roadburn.

ROADBURN 2020 TICKETS

Weekend tickets for Roadburn are on sale now (3-day tickets are sold out, 4-day tickets remain on sale). More information about tickets and accommodation options can be found HERE.

Already announced for Roadburn 2020 is: Emma Ruth Rundle and James Kent as curators, commissioned projects from James Kent & Johannes Persson, Jo Quail, and Vile Creature & Bismuth, the return of Julie Christmas, Red Sparowes, Russian Circles, Torche, Brutus, Bada, Dool, Health, Hide, She Past Away, and two Artists In Residence: Full of Hell and Lingua Ignota. Check the full line up HERE.

https://www.facebook.com/events/1081424195382564/
https://www.facebook.com/roadburnfestival/
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Oranssi Pazuzu, Live at Roadburn 2017

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Psycho Las Vegas 2019: Godspeed You! Black Emperor, Truckfighters, WarHorse, Hangman’s Chair, The Black Angels and Devil Master Join Lineup

Posted in Whathaveyou on March 6th, 2019 by JJ Koczan

psycho las vegas 2019 logo

Psycho Las Vegas 2019 has continued to defy press release-style convention and leak out bands one at a time for its lineup this August at Mandalay Bay on the Strip. I don’t think you need me to tell you this is going to be fucking off the wall, but consider it said anyhow. And it’s worth noting just how broad the latest batch of additions is. From post-rock kingpins Godspeed You! Black Emperor to a reunion for the perennially drummer-less Truckfighters to bringing Hangman’s Chair over from France with so-hot-right-now black metallers Devil Master to importing WarHorse for a non-Eastern Seaboard appearance — from what I hear, Terry Savastano (GriefCome to Grief) will be playing guitar for this show as well — and lysergic soakers The Black Angels, it’s every bit as all-things-to-all-deviants as one could ask, and whatever stages these bands are actually playing on, you just know it’s going to be a win.

The images as posted by the fest follow here, along with what I’m pretty sure is the complete current lineup — if it isn’t, it’s certainly badass enough to cover it — and ticket info from the PR wire.

Dig it:

America’s rock ‘n’ roll bacchanal returns as PSYCHO LAS VEGAS brings its annual debauchery and unbridled volume to the Strip itself, with a move to the Mandalay Bay Resort and Casino that sets the stage for a Las Vegas Boulevard takeover, the likes of which have never been seen.

Lineup so far:
Uncle Acid and the Deadbeats
High on Fire
Glassjaw
YOB
Perturbator
Kadavar
Oranssi Pazuzu
Electric Wizard
Fu Manchu
Graveyard
Truckfighters
WarHorse
The Black Angels
Devil Master
Godspeed You! Black Emperor
Hangman’s Chair
Amenra
Deafheaven
Old Man Gloom
Clutch
Power Trip
Bad Religion
Rotting Christ

Slated for August 16th through August 18th, PSYCHO LAS VEGAS 2019 will feature four stages, including the newly renovated Events Center, the iconic House Of Blues, the Mandalay Bay Beach, featuring a wave pool and lazy river, and an old-school Vegas-style Lounge smack dab in the middle of the casino floor. While all of the venues are located on the property, Mandalay Bay is connected by a complimentary tram service that provides easy access to affordable accommodations such as Luxor and Excalibur. Attendees will have access to discounted rates at all of these properties and other MGM hotels and resorts down the Strip.

The highly coveted “Psycho Special” passes, notorious for selling out instantly, are priced at $99, plus taxes and fees and go on sale Thursday, November 29th at 10:00am PST. Weekender General Admission passes are priced at $249, plus taxes and fees, and will increase to $299, plus taxes and fees, once the first tier sells out. Only 300 High Roller VIP passes will be sold at $499, plus taxes and fees, with package details to be announced in December. Single-day tickets will be available in the Spring at $109, plus taxes and fees. While the festival format will remain largely the same as previous years, the Thursday pre-party at DAYLIGHT Beach Club will be a more intimate event for attendees and will require a separate ticket from the festival pass. Tickets and more information available at VivaPsycho.com.

https://www.facebook.com/events/2035404693146567/
https://www.facebook.com/psychoLasVegas/
https://www.instagram.com/psycholasvegas/
http://vivapsycho.com

WarHorse, As Heaven Turns to Ash… (2001)

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Doom in Bloom Festival VI: Complete Lineup Confirmed

Posted in Whathaveyou on March 21st, 2018 by JJ Koczan

You know what I like about the lineup info below for Doom in Bloom Festival VI? Yes. I like the lineup. I mean aside from that. I like seeing the phrase “family atmosphere.” There’s so much bullshit around heavy music that it’s gotta be dark and grim and unforgiving and miserable. Yeah, some of that stuff is cool and I’m certainly not about to say extreme music doesn’t have its place, but if you’re not there to enjoy it, what’s the fucking point?

And why pretend otherwise? You know what you should do if going to a place or a show or a fest is going to make you miserable? You should stay home and save yourself the trouble. “Family atmosphere?” Hell yes. I don’t care if the music is bleak as hell, we can still be friends when we listen to it.

Cheers to Doom in Bloom Festival VI. Also, I want a shirt that says “slow down or die” on it. Good fun:

doom in bloom vi festival poster

The dead stay longer alive: The DOOM IN BLOOM Festival had a break in 2017. The guys are just like the music that fascinates and unites them; passionate and slow.

With the forthcoming sixth edition in 2018 they come up with a hand-picked line-up and a family atmosphere with lot of attention to the details.

Always non-profit and with heart. Slow down or die!

Let’s doom together with the following bands:

? Hangman’s chair official (Paris, France)
Forever drowned with Paris’ moods: Despair, solitude and violence share the stage with beauty and symbiotic love. The band represents one of the most important acts of the french Stoner/Doom scene. Coming to our lovely fest with their new LP “Banlieue Triste”, out April 2018 via MUSICFEARSATAN – LABEL.

And whatever Hangman’s Chair transforms into now, its roots will lie around the corner of an alley, in between two parisian bars or deep down the Seine river. These monsters’ kids will cry their despair.

? MESSA (Treviso, Italy)
Evoking, vintage doom with a dark jazz twist. Deliciously haunting female vocals, rhodes piano and 70’s fuzz guitars combine to conjure a sound that is all of their own.

The band has moved from the droning occult doom of their first LP ‘Belfry’ to a new, darker and more atmospheric approach to their unique sound. This evolution is clearly showcased in their new record ‘Feast for Water’, a concept album centered on the introspective, symbolic and ritual features of the liquid element.

?! DOOM IN BLOOM Festival VI is very honoured to host the official EU (excluding Italy) release show of their new LP “Feast for Water”, out 6th April on Aural Music.

? Bees Made Honey in the Vein Tree (Stuttgart)
Psychedelic Doom Rock from one of the most promising, german newcomers of 2017 (#15 of 20 in debut albums 2017 at The Obelisk). Beautiful and eerie psychedelic mixed with rockin’ doom riffs characterized their heavy and variable sound.

? B.S.T. (Hamburg)
Hamburg City Doom – slow, melancholic, traditional with a pinch of sludge, lots of melody and german lyrics.

? From Yuggoth (Dresden)
Monolithic riffs from the depth of a distorted, dirty and unearthly reef deep down on a foreign planet somewhere in the universe. Transcendental in terms of volume and repetition to take you through the psychedelic ether. Cosmic Horror Space Doom?

Get your print@home tickets here: http://bit.ly/doominbloomVI_tickets

(We will change those at the door into collectible hardtickets!)

www.doominbloom.de
https://www.facebook.com/doominbloom/
https://www.facebook.com/events/1771182693186528/

Hangman’s Chair, This is Not Supposed to be Positive (2015)

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Hangman’s Chair and Greenmachine Issue Split LP

Posted in Whathaveyou on March 23rd, 2017 by JJ Koczan

Okay, so this one apparently came out earlier this month, because apparently it’s late-March, and apparently it’s 2017 and I don’t know about you but I feel like maybe I got stuck mentally somewhere back around 2014 and everything since then has just kind of been a blaze with which I’ve been completely inept at keeping up. Sorry, what were we talking about?

Right. Split. Hangman’s Chair. Greenmachine. France and Japan, respectively. Doom on sludge. Music Fear Satan and Daymare Recordings. Tits and bondage on the cover. Blah on that. Pretty sure those are the basics.

Those of you with tabs on such things might recall Greenmachine are veterans of Man’s Ruin Records once upon a time, which is about as close as a band can come in my book to automatic cred. They’ve split up and reformed a few times since and had an EP out last year. Hangman’s Chair, meanwhile, issued their most recent full-length, This isn’t Supposed to be Positive, back in 2015, and it seems pretty fair to assume it lived up to its title.

The PR wire has release details and a video from Hangman’s Chair. Dive in:

hangmans-chair-photo-fredb-art

greenmachine

HANGMAN’S CHAIR/GREENMACHINE split VINYL LP, new MUSIC FEAR SATAN release

The new Music Fear Satan release : a split record featuring the heavy weight french doom metal band HANGMAN’S CHAIR and the famous japanese stoner band GREENMACHINE.

“After their last acclaimed full-length record “This is not supposed to be positive” (2015), HANGMAN’S CHAIR is back and teams up with the stoner japanese veterans GREENMACHINE for a split LP. We can easily recognize the HANGMAN’S CHAIR style along their two new songs with this mix of heavy guitar parts and melodic vocals. GREENMACHINE offers us a new long track divided in multiple parts. The split is released on CD via the japanese label Daymare Recordings and on vinyl through Musicfearsatan (700 copies, 300 on pink and 400 on black)”

tracklisting :
SIDE A
1. HANGMAN’S CHAIR – give and take
2. HANGMAN’S CHAIR – can’t talk

SIDE B
1. GREENMACHINE – red eye (pt.1.2.3.4.5)

https://www.facebook.com/pages/GREENMACHiNE/480031285391295
https://www.facebook.com/hangmanschair/
www.musicfearsatan.com
www.musicfearsatan.bandcamp.com
www.facebook.com/pages/MUSICFEARSATAN/173432646328
www.facebook.com/pages/MUSICFEARSATAN-LABEL/276530999081207

Hangman’s Chair, “Can’t Talk” official video

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Roadburn 2016 Audio Streams: Buried at Sea, Full of Hell, Hexvessel, Beastmaker, Misþyrming, Epitaph, Hangman’s Chair & Hair of the Dog

Posted in audiObelisk on May 20th, 2016 by JJ Koczan

Buried at Sea at Roadburn 2016 (Photo by JJ Koczan)

As always with these Roadburn streams, some of this stuff I got to see and some of it I didn’t. I’ve said many times and I stand by it: Roadburn means hard choices. Do I watch an American act make a triumphant European debut or go see a local Dutch band I’ll probably never have the chance to watch again. Once-or-twice-in-a-lifetime black metal or another psychedelic jam session? These are hard choices I’m fortunate to be making, and you certainly won’t find me complain about making them, but they’re hard choices all the same.

Roadburn 2016 had a few can’t-miss acts for me though, and two of them are represented here in this latest batch of audio streams in Buried at Sea and Hexvessel. The reasoning behind the former should be obvious to anyone who’s experienced their tonal (and total) doom onslaught either live or on record, and as for Hexvessel, I was curious to find out how they’d bring their new album to life while also doing justice to their last two, executed in a different style. As you can hear in the below, it wasn’t an issue.

I didn’t get to watch them, but I also heard that Beastmaker, Full of Hell and Iceland’s Misþyrming killed, and this round also features Epitaph, Hair of the Dog and Hangman’s Chair, all recorded and mixed by Marcel van de Vondervoort and his team from Torture Garden Studio.

Enjoy:

Beastmaker – Live at Roadburn 2016

Buried at Sea – Live at Roadburn 2016

Epitaph – Live at Roadburn 2016

Full of Hell – Live at Roadburn 2016

Hair of The Dog – Live at Roadburn 2016

Hangman’s Chair – Live at Roadburn 2016

Hexvessel – Live at Roadburn 2016

Misþyrming – Live at Roadburn 2016 (Söngvar elds og óreiðu in its entirety)

Special thanks as always to Walter for letting me host the streams. To hear the first batch of Roadburn 2016 audio streams, click here, and for all of this site’s coverage of Roadburn 2016, click here.

Roadburn’s website

Marcel Van De Vondervoort on Thee Facebooks

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Desertfest Belgium 2016: YOB, Elder, Ahab, Cough, Hangman’s Chair, Tau and Castle Added

Posted in Whathaveyou on May 17th, 2016 by JJ Koczan

desertfest belgium 2016 header

It’s a considerable update from the camp of Desertfest Belgium 2016, so I won’t delay too much before letting you have at it — if anyone reads this stuff anyway — but before you jump in, take special note that the following seven bands have been added to the festival as a “build-up” to its first headliner announcement. That means that while YOBPentagramTorcheElderMy Sleeping Karma, Castle, etc., will play Desertfest Belgium 2016, none of them are actually among the three-day festival’s headlining acts. Very curious to see what that first headliner announcement will bring, but in the meantime, anywhere that brings in YOB and Elder on the same weekend is the place to be that weekend.

Dig it:

desertfest belgium 2016 poster

The build-up towards our first headliner announcement continues with a batch of no less than SEVEN new names for the 2016 Desertfest Antwerp line-up… We’re pretty certain that the Oregon Doom Institution YOB requires no further introduction, and the formidable trio of melodic doom rockers ELDER, German Nautik Doom outsiders AHAB and sludge nihilists COUGH are sure to delight any Desertfester worth their salt. Rounding off we have Hangman’s Chair from Paris and Castle for more doom/sludge badass-ness, and the shamanic grooves of Tau throws in a fresh if deeply psychedelic vibe.

We hope you like what we have on offer here, and just remember: this is still all just the beginning of much more goodness to come!

YOB – The ethereal mists of Eugene, Oregon no doubt provide the perfect catalyst for founding member and vocalist Mike Scheidt to call up the signature of surging doom that has brought YOB to their current position as one of the most respected and revered bands in all of heavy metal. Their latest outing ‘Clearing The Path To Ascend’ (2014) was hailed as the crowning achievement for a band whose journey now nears 2 decades of creating cathartic music that demands the full attention of mind, body, and soul.

Elder – Elder melds the familiar sounds of Sleep‘s colossal riffage with an ever-evolving vision of soaring melodies and sonic soundscapes. The songs on their 3rd album ‘Lore’ cross the heavy rock and doom genre boundaries into krautrock and prog territory. Powered equally by riffs and atmosphere, Elder’s penchant for progressive songwriting and melody shines more brightly than ever, but they still hold true to their original methodology: all heavy, no filler.

Ahab – With their outsider brand of Nautik Doom, AHAB have effectively thrown out all preconceived notions of what doom metal is supposed to be. As much as they can crush the listener into submission with epic arrangements, they can just easily revert to clean breaks and contemplative whispers. Drawing inspiration from books and painting as well as music, AHAB create something that gets into your mind through all levels of reception.

Cough – Cough brings together the most savage aspects of extreme music, from crushing doom metal and grimy sludge to early black metal. We’re anxiously awaiting the June release of ‘Still They Pray’, which must be one of the most anticipated metal albums of 2016 in a production by Electric Wizard’s Jus Oborn. Rest assured that it will fulfill their long-term ambition to remain the heaviest sludge band in existence.

Hangman’s Chair – Somewhere between the dirge of grunge and the grind of doom, you will find the Paris combo Hangman’s Chair. Their world is a place of darkness and cold, but you’ll inevitably be pulled in by its eerie atmosphere. Across 4 full length albums and 3 split albums they’ve toured from Hellfest to Iceland, Russia, Benelux, Germany and Switzerland with the likes of Eyehategod, High On Fire, Crowbar, and The Devil’s Blood.

Tau – The collective project by Shaun Mulrooney (Dead Skeletons) and the Venezuelan multi instrumentalist Gerald Pasqualin was inspired by Shaun’s shamanic experiences in the magical desert of Real De Catorce. This resulted in the deeply psychedelic mind-trip EP ‘Wirikuta’ (recorded with Christoph “Tiger” Bartlett from Kadavar), providing some true Desert music that will shake your senses and spirit.

Castle – Doom-tinged metal outfit Castle will release their 4th album in July 2016. Since their inception in 2009, they have steadily climbed the metal ranks with a succession of critically acclaimed releases. Their live reputation is equally solid, having played hundreds of shows worldwide alongside The Sword, Conan, Intronaut and Pentagram and festivals like Roadburn and the London and Berlin Desertfests.

https://www.facebook.com/desertfestbelgium/
https://twitter.com/desertfestBE
https://www.facebook.com/events/488174281372335/
http://www.desertfest.be/tickets

YOB, “Marrow” live in NYC, Nov. 2015

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