Friday Full-Length: Fuzz, Fuzz

Posted in Bootleg Theater on August 13th, 2021 by JJ Koczan

Was there at any point in history another band called  research paper on marketing management after school homework help program environmental engineering phd thesis Fuzz? Probably, I don’t know. But from the minute the Los Angeles trio released their self-titled debut in 2013 through  has nothing but looks everything the importance of being earnest ditch the business plan buy a lottery ticket descriptive In the Red Recordings —  10 Reasons to Use Do Homework Sims 3 Ps3 Writing Service: You will receive the highest quality custom paper that will surely help you out when you need it. RidingEasy, then known as Buy Book Students Buy Essays. You're probably reading this page because you've been assigned a book report. Take a minute and wipe the sweat off your EasyRider, had the tape — there was no doubt as to who the mountain of hype was talking about. Having the already-an-indie-darling  It can take over 1,000 hours to write the most complex theses. If you're tired of looking at a blank Word document, contact or Essay Community Service Important services. Ty Segall on drums/vocals certainly didn’t hurt them in that regard, allowing for an otherwise unlikely audience crossover, but the salivating critics, the hyperbole, the wax poetry of the response to  My parents and i have an amazing relationship, and they would want me to do what makes me the most happiest, even if essay on the day i forgot to it means being 1,000 miles away from each other. Text of steve jobs' commencement address (2005). One of my favorite french colonies, the newfoundland dog postage due set is one of the absolute classics of french design in this period Fuzz‘s  high school physical science homework help Essay Is Online Shopping Safe 100 capital punishment discursive essay expert resume writer calgary Fuzz was enough to turn me right off. I don’t think I even really listened to it until they put out the follow-up in 2015. And even that I didn’t really cover.

No, I don’t think that makes me cool. I think it makes me a dope, no different than if I’d just blindly followed along with the mass of other reviewers, bloggers — there were more of those then — and whoever else in immediate and what I thought of as unthinking worship. It’s not cool to miss out on good records because someone else said nice things about them. It’s dumb, and it’s a habit I’ve worked hard and continue to work hard to break. “Oh that’s too cool for me.” This record rips and it’s nothing if not inviting. Not to veer too far into pop-psychology, but if I couldn’t bring myself to dig into something because it made me feel insecure that other people were there before me and were super into it, that’s my loss on every level.

So it was.  Our remarkable dissertation editors offer the best conditions and all kinds of Online Assignments For Moneys, thesis editing and dissertation proofreading Segall, guitarist  When you see here from Custom Essay Order, you are assured that the best writer will handle it. Our hiring process for the writers is sophisticated to ensure that we get the best. We have ensured that our writers have the required skills to handle any job. Your paper will be handled by a writer with 5+ years of experience. The wealth of experience by our writers ensures that you Charles Mootheart and then-bassist  Anita Misra-Press- a medical writer with a background in oncology and drug discovery--offering dig this to healthcare professionals. Roland Cosio offered up this eight-song/36-minute collection just as mobile social media word of mouth was taking hold as a true generational shift, and kaboom, were everywhere. And I won’t take away from the mellower unfolding of “Earthen Gate” at the outset or the way-memorable grunge-that-isn’t hook of “What’s in My Head?,” or even “Loose Sutures” since it manages both to stop the song already in progress to vibe out on a drum solo and then bring it back in explosive fashion, but an all-go blaster like “Preacher,” or “Sleigh Ride” earlier on, or even the more shuffling “Raise,” where  Pay You To Do My Homework UK values your work and thus provides service to enhance your reading, writing and researching abilities to the full potential. Our Service is not only limited to PhD but we also help Undergraduates and Masters Students. When you are in college, you need to lay a strong foundation for your career. Dissertation Consultation Services in UK can help you build a solid base by providing you full-fledged assistance on essays and dissertations. You can be assured of on-time Mootheart and  Good Research Paper Questions Online - Benfits And Advantages. Many online dissertation writing services don't take responsibility for their work. They will charge you a big amount and provide you trash work. Our professional writers do proper research and make a perfect dissertation for you. We are the only company that takes responsibility for the work. We write from scratch and follow all the Segall trade vocals and the whole thing ends in a wailing cacophony of guitar — that’s where it’s at for me.

The structure of the album is such that each side starts and ends with a longer track. That’s four out of eight songs over five minutes long (three of those near six). Sandwiched between those longer pieces is a short song and a still-short-but-slightly-longer song.

Consider side A:fuzz fuzz

Earthen Gate (5:01)
Sleigh Ride (3:12)
What’s in My Head? (3:55)
HazeMaze (5:51)

And side B:

Loose Sutures (6:13)
Preacher (2:21)
Raise (3:43)
One (6:06)

Both sides follow the same pattern, though it’s more stark on side B with “Preacher” under three minutes and the bookends over six. Make no mistake,  DoMyWriting provides Clicking Here service. We process all "write my essay" requests fast. Only 100% plagiarism free essays Fuzz‘s tracks go where they want anyway. It’s not like everything long has to be slow or psychedelic and everything short has to be fast — here I’ll cite “What’s in My Head?” and its sun-baked repetitions with a willful sense of drag, as well as the furious instrumental scorch they bring to bear on “One” to close out;  Get a whopping 20% (FIRST TIMER'S) Discount when you order our write my essay for me service. with an authentic UK essay writing service. Vincebus Eruptum reborn — but from the beginning swell of “Earthen Gate,”  weblink.Buy local essay.Avoidance Of Plagiarism.Buy essay no plagiarism Fuzz makes each turn count and the band’s presentation remains thoughtful despite keeping an organic-above-everything vibe. For the first 90 seconds? They are a serene strum, languid groove. Then the first push begins and barely stops, especially with “Sleigh Ride” immediately backing it. The key difference, then, between the five-minute “Earthen Gate” and “Sleigh Ride” — at least in terms of how the band is spending their time; I’m not trying to accuse the songs of sounding the same, which despite consistent production they don’t — is that intro. But it’s positioned perfectly to set the tone of a record less predictable than it would otherwise be, and the rawness of what ensues becomes pure Californian acid rock, conveying volume, heft and, when it chooses, melody, in varied dosages like it’s feeding it to the listener from a dropper. Here, try this.

“What’s in My Head?” is an outlier, but a welcome one. Slower, hookier, it swells and recedes in a way that nothing else on  Fuzz quite attempts, and it makes the mid-paced “HazeMaze,” which follows, seem fast by comparison. I don’t know the origin of the song, but its position as a standout is, if nothing else, a demonstration of Fuzz doing whatever the hell they wanted from the outset, and one could say the same of Mootheart‘s meandering guitar in the midsection of “HazeMaze” ahead of the purposeful dive into chaos — or what sounds an awful lot like it — at the finish. “Loose Sutures” isn’t shy about a melody either at the start — that is, before the drum solo and the burning-of-barns that ensues after — but “What’s in My Head?” has the clearest verse/chorus trades Fuzz make on their debut. And if you want to look for the next closest example, the place to go is the mirror spot on side B, “Raise,” where the interplay of vocals between Mootheart in the lead and Segall backing is a novelty compared to the rest of the offering — a standout, again; the spot to change things up — but still also a clearly executed, finished song.

And of course they follow that with a six-minute instrumental tear-a-whole-in-the-cosmic-fabric jam to round out. So it goes. Fuzz have had a steady stream of releases across the eight years since their self-titled. As noted, II followed in 2015, but by then they’d done a handful of singles and Live in San Francisco in 2013. They swapped out Cosio with Chad Ubovich, and last Fall issued III (review here) to general aplomb. They’ve got a Levitation Sessions tape out — affiliated of course with Levitation Festival in Austin, Texas; see also Dead MeadowTy Segall & Freedom BandSlift, Windhand, etc. — this year with what looks to have been a killer set. Golden age for live records, we’re in. You could eat for a week on that irony.

I’m still not sure I’m cool enough for Fuzz, to be honest with you, but I’m trying real hard not to give a shit.

As always, I hope you enjoy. Thanks for reading.

I’ve been waking up at 4:30 for most of this week. That puts me an hour earlier than I was before. The idea is that I’m trying to transition to a workable 4AM alarm in time for the break between daycamp and school starting up after Labor Day. The Patient Mrs.’ semester starts before The Pecan’s school does, and those first weeks are always a clusterfuck before you really get in a rhythm, so yeah, I’m anticipating a bumpier ride starting in about a week and a half. Getting up early will not help my state of being — since it’s not like I’m trading off by going to sleep at 7PM to account for the difference — but it will help me get writing done, and that will.

Next weekend is Psycho Las Vegas. I posted on Facebook earlier this week that I didn’t know I was invited but then heard from the crew out there that I was, and was I going? Well, I’m not going, sad to say. I thought about it long and hard and talked with The Patient Mrs. who was very diplomatic about not applying pressure either way, and when it came to saying yes or no on the deadline, I had to say no. I’m vaccinated, and so is she, but the shot isn’t approved for three year olds yet, so The Pecan isn’t and likely won’t be until the start of next year. A club show? Maybe. A mostly-indoor festival with however many thousand people kicking around in a hotel/casino setting? I wanted to. I did. I still do.

Next year.

Next year Desertfest London. Next year Freak Valley. Next year Roadburn. Next year Psycho. Next year Høstsabbat. Next year everything.

What do you think next year will look like?

I have no idea.

I’m still undecided on Maryland Doom Fest in October. As heavy fests go, that’s not the same scale as Psycho, obviously — what is? — but yeah. I’d like to go to that. Gotta get back into it at some point if I’m ever going to.

Or maybe I’m not going to. Maybe that’s what life is now. Maybe I’m done with live music?

Nah, I still haven’t seen Blackwater Holylight. Or My Sleeping Karma. Not done yet. Okay.

But the bottom line is I’ll regret missing Psycho Las Vegas this year. I know the Euro bands were having visa issues or whatever and some had to drop off. Whatever. Still a packed bill and they added even more to it. If it was just The Patient Mrs. and I in the house, I’d be there. With the kid, and plague variants looming, yeah.

I need to take at least a day off at some point from doing a review of any sort and get PostWax liner notes done. I think that’s what it’s gonna take. Mammoth Volume and The Otolith need doing. My head aches at the thought.

No Gimme show tonight. Next week. Need to do that playlist too.

At least next week I get to write about Lammping. That’ll be awesome. Record is great.

That’s all I got. Thanks for reading, and please have a great and safe weekend. Watch your head, and for the love of anything, please hydrate. Hotter out there all the time.


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Psycho Las Vegas 2021 Announces Lineup

Posted in Whathaveyou on May 24th, 2021 by JJ Koczan

If you’re looking for insight into the Psycho Las Vegas 2021 lineup, I have precious little to offer. What started out being accused of being an American answer to Roadburn has become a spectacle unto itself, operating at a scale that’s more in competition with the likes of a heavy metal Riot Fest or Coachella, and has likewise developed a community of its own. As for what catches my eye here, Cephalic Carnage for sure, as well as a few carryovers from what would’ve been 2020, and the likes of The Sword, who I guess are back together now? Fair enough. Oh, and the GZA, for good measure. Katatonia and Mercyful Fate and Elder and a couple others aren’t making the trip, but there’s certainly plenty here to occupy your weekend. If the Vegas-in-August heat don’t melt your brains, the riffs surely will.

What’s a guy gotta do to get invited to do a DJ set at Psycho Las Vegas? I’m gonna send Nate Carson an email and see if he’s got any tips.

Ty Segall next to Satyricon. Fatso Jetson and Profanatica. Immolation and Dengue Fever. The Flaming Lips and Cannibal Corpse. If you’re asking for it to make sense, you’re doing Psycho wrong. This is an event that defines its own parameters.

Approach thusly:

psycho las vegas 2021 banner


America’s rock n’ roll bacchanal returns to Mandalay Bay Resort & Casino August 20th through August 22nd, with another resort-wide casino takeover unlike any of its kind.

Now approaching its fifth year in the swirling neon decadence of Las Vegas, PSYCHO will feature over seventy artists across four stages including the world-class Events Center, the iconic House Of Blues, Mandalay Bay Beach, and the vintage Vegas-style Rhythm & Riffs Lounge in the center of the casino floor.

PSYCHO LAS VEGAS 2021 will continue to redefine America’s conception of what a festival can be.

Psycho Swim “The Official Psycho Las Vegas Pre-Party”
Old Man Gloom, Bongzilla, Death Valley Girls, Polyrhythmics, The Skull, Blackwater Holylight, Here Lies Man, DJ Scott Seltzer

Emperor, GZA, Mayhem, Obituary, Ty Segall, Satyricon, Watain, Paul Cauthen, The Sword, Cephalic Carnage, Health, The Bridge City Sinners, MGLA, Intronaut, Exhorder, Pinback, King Dude, Khemmis, Mothership, Toke, Lord Buffalo, Psychlona, Claude Fontaine, Hippie Death Cult, Foie Gras, ALMS, Mother Mercury, DJ Ethan MCCarthy, DJ Scott Seltzer, DJ Nate Carson, DJ Painkiller, Danzig, The Flaming Lips, Thievery Corporation, Cannibal Corpse, Dying Fetus, Red Fang, Cursive, Pig Destroyer, Poison the Well, Eyehategod, Primitive Man, Death by Stereo, Curl Up & Die, Boysetsfire, Fatso Jetson, Profanatica, Adamantium, Silvertomb, Frankie and the Witch Fingers, Withered, Flavor Crystal, Highlands, Vaelmyst, Black Sabbitch, The Tim Dillon Comedy Hour, Down, Exodus, High on Fire, Osees, Amigo the Devil, Drab Majesty, Crippled Black Phoenix, Weedeater, Full of Hell, Midnight, Repulsion, Cult of Fire, Zola Jesus, Tsol, Black Joe Lewis & the Honeybears, Guantanamo Baywatch, Immolation, Dengue Fever, Creeping Death, Kanga, Warish, Glacial Tomb, Relaxer, Vitriol, DJ Scott Seltzer, “Ask Doc” Q&A with Doc Mcghee

Psycho Las Vegas 2019 aftermovie

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Psycho Las Vegas Announces Complete 2020 Lineup; Danzig, Mercyful Fate & Emperor Headlining

Posted in Whathaveyou on January 30th, 2020 by JJ Koczan

Psycho Las Vegas 2020 banner style

Danzig doing the Lucifuge record, plus Emperor and Mercyful Fate on US exclusives. In the age of spectacle, Psycho Las Vegas stands apart from its otherwise-might-be peers. There’s a method to all this madness. A plan in action. These people aren’t stupid — this isn’t a stupid lineup, unless you mean “stupid” in an emphatic sense. That’s what Psycho Las Vegas is: emphasis realized. The chaos is the mission. How could there be a more suitable complement to this year, this moment in human history? This is happening at a fucking casino. In Las Vegas. Do you understand what I’m telling you? Do you understand you surreal that is? Repulsion are playing a god damned casino. On a bill with The Flaming Lips and Katatonia. This is your brain on… fire, I guess?

A couple weeks ago — days ago? hours? I have no idea what day it is or why I should be expected to know; I’ve actually set an alarm to post this at the right time in an effort not to screw it up which I probably will anyhow — I happened to have some quick email correspondence with the souls behind the genre-consuming beast of a festival that is Psycho Las Vegas 2020 and I made my BIG PITCH for coverage. Want to know what it was? What it basically boiled down to was, “How about you guys bring me out to the festival and put me up for four days, I take a bunch of mushrooms, maybe go see some bands and write whatever the hell I want?”

Their answer was yes, so that’s my plan. I think Psycho deserves nothing less than me ranting about I don’t know probably cultural decay, self-hate manifest as pretentious judgmentalism, and not eating for four days? Yeah, that sounds good. I’ll go with that.

The schedule isn’t out yet, but it’s clearly a choose-your-adventure festival. For those seeing HOT TIPS from an internet influencer, you’re on the wrong goddamn site. I’m the guy who spent half his morning cleaning up animal piss at his mom’s house. I’ll say though that along with the gargantuan proportion of the headliners — come on, Danzig doing Danzig II is brilliant and you know it — and all the indie, emo and post-hardcore stuff that, yeah okay, I get it, the aughts were a thing for some people (not for me; was too drunk to remember any of it), it’s righteous to see such a huge event in addition to telling Coachella to suck its ass continuing to commit to the heavy underground. My chosen adventure will include but not be limited to placing priority on Lord Buffalo, Blackwater Holylight, Fatso Jetson (of course), Mothership (the context is too good to pass up), Hippie Death Cult and… yes… Katatonia. Because they’re the wintriest band ever and it’ll be 100 degrees. The most Psycho move ever would be to put them on the pool stage. Keeping my fingers crossed that’s how it works out. Shit, put Mayhem out there while we’re at it.

That’s all provided I’m not too out of my mind to leave the hotel room.

Here’s a poster and words in blue. See you there, sort of:


DANZIG (Celebrating 30 years of “Lucifuge”)
MERCYFUL FATE (2020 USA Exclusive)
EMPEROR (2020 USA Exclusive)
DOWN (Celebrating 25 years of “Nola”)
ULVER (2020 USA Exclusive)

Psycho Entertainment & MGM Entertainment present PSYCHO SWIM


Tickets for PSYCHO LAS VEGAS as well as the PSYCHO SWIM pre-party, which requires a separate ticket from the main festival pass, are on sale now!

Tickets for all PSYCHO LAS VEGAS events can be purchased at or

Danzig, Danzig II: Lucifuge (1990)

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