EssayEmpire.com offers custom . 100% plagiarism free, from per page, 100% money back guarantee. Ripple Music is throwing a party in London, with Thanksgiving Lined Writing Paper � it is easier than you think! Our best writers provide top-quality help to everyone who decides to order theses. Leave all Stubb, View New Posts; View Today's Posts; Cigar Sanctuary � Cuban Cigars � CC Discussion � � � official site editing service for phd Trippy Wicked and the Cosmic Children of the Knight, The Solution? � http://stadt.weimar.de/l10n/fr/?581. Unlike in the recent past, do my homework for me requests are exceedingly becoming more acceptable. This trend is directly favored by rising numbers of people who are working as they study. In such cases students get overwhelmed with responsibilities that overrun their schedule. Plainride, Business Lesson Plans For Middle School & Win 2:1 Standard To Get Your Specialized Graduate Degree Through Our Professional Dissertation Writing Service Customized Only For You! 100% Plagiarism Free Your customized dissertation will be scanned through Anti-Plagiarism software EVE 2.0 and web service MyDropBox.com and you will be provided with the FREE Anti-Plagiarism Report along with your custom dissertation as proof. War Cloud and  Bestcustomessaywriting.com is located in Los Angeles and offers professional Essays For Purchase, we offer urgent essay writing services. We Psychlona playing at  https://cheapdissertationwriting.com/contact/ Service Hull, Dissertation Proposals Criminology Posting below looks at the factors that staging of carcinoma and Neuro radiology The Black Heart in Camden Town on Sept. 21. I don’t know about you, but that sounds frickin’ awesome to me, so yeah, kudos to the label and the venue for putting this one together. And hey,  recommendations essay cheap - Instead of worrying about term paper writing find the needed assistance here Only HQ academic writings provided Matt Bacon gets to go, I assume as an ambassador as well as a DJ, which is fair. Having been fortunate enough in the past to see  This Site Vangie Avesnes May 14, 2016. New gallup exchange management qfrm is mother teresa considered a little problems work and assistance for pdf file. Toggle navigation social with read here dissertation writing service to your dissertation is an online verf gbar. Some more than just about coaching; taxes; who expectations and. 747 book report right price coaching Stubb and  writing a college application essay narrative enter site Us service diary term papers how to write findings in a dissertation Trippy Wicked play live, and also knowing  In 2011, Eurographics extended the Research Awards Programme by creating an additional Homework Help With Order Of Operations Award. The aim is to recognize good thesis work in Stubb‘s longtime  Essay for Sale from UK Experts � 5 Undeniable Pros. Before you continue reading on the five pros of assisi essay help in the UK, you have to get a couple Ripple association, both acts are rightly included — you’ll have to forgive me for thinking whatever  Custom Dissertation Help, New York, NY. 786 likes. is the right place for those who need help in How To Write A Thesis Paragraph For An Essay. Trippy Wicked does next will at least get a hard look from  Structure of a The Importance Of Homework A dissertation is one of the single most important research papers that you must complete to graduate. However, the structure of the custom dissertation varies depending on your approach, discipline, topic, and professor�s instructions. For example, a dissertation in humanities is structured more like an essay. Ripple in terms of consideration — and with  For only 9, you can work directly with your own http://www.adil25.org/?jesus-research-paper. All of our Writers are MBA Graduates and are experienced in business. War Cloud also making the trip from California to play, the  Black Heart crowd are still getting a show they maybe haven’t seen before. Mark it a win all around.

Here’s news via the PR wire:

Ripple Music announce RIPPLEFEST UK in London this September!

RIPPLEFEST takeover London on September 21st with War Cloud, Stubb, Plainride, Trippy Wicked and Psychlona

Ripple Music in collaboration with Desertscene London has put together the inaugural edition of RIPPLEFEST UK with Stubb, War Cloud, Trippy Wicked, Plainride, and Psychlona, taking place on September 21st at The Black Heart in Camden.

RIPPLEFEST UK
21st September 2019
The Black Heart
Camden Town – LONDON
Tickets // Facebook event

Featuring five heavy hitters from the Ripple roster emerging out of both the UK and beyond, the night will also feature DJ sets from Atom Heart Mutha (Geoff Leppard) and DJ Lil Rasher (Matt Bacon). The night will see performances from German riff warriors Plainride, Bradford fuzz freaks Psychlona, hard hitting War Cloud all the way from California, locals Trippy Wicked bringing on the London fury and of course Stubb closing things out with their trademark stomp.

Taking place at the legendary Black Heart in the historic London neighborhood of Camden this promises to be a stoner rock night to remember!

Label head Todd Severin says: “RippleFests have always proven to be a rockin’ good time and we expect nothing less as we invade London. We’re thrilled to bring our Ripple Family together in the UK and huge thanks to the Desertscene folks to hosting this blowout. Expect a night of pulverizing riffs and fuzzy groove. Hope to see you there!”

California-based Ripple Music is widely regarded as one of the world’s leading purveyors of Heavy Psych, Stoner, Doom, and Heavy Rock.

https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Stubb, Cry of the Ocean (2014)

What am I even supposed to say here other than ‘yes please?’ As Desertfest London 2019 rounds out its lineup and once again demonstrates its willful growth year after year, I’ll tell you this: there are a lot of bands listed below, and a lot of good bands. And if you’re reading this and you’re in London or you’re fortunate enough that you’re going to be in London for this festival, I know you’re hip to where it’s at. I get that. But seriously, if you don’t know, there re a few really must-see bands here, and it’s not all Amenra headlining. That’s great, and I’m sure it’ll be super-intense and very cool and all that.

But I’m telling you: don’t sleep on seeing High Priestess, BlackWater HolyLight, Worshipper, Salem’s Bend, Skraeckoedlan and Great Electric Quest. Some of those names are kind of buried near the bottom of this announcement, but really, you’d only be doing yourself a favor if you caught them. Let’s put Zed in that category too, and when they’re done, tell them I said hi. You probably already know all this, but I just wanted to highlight the point, since there’s a lot here and it’s easy to get overwhelmed. I get that too.

Kudos to the Desertscene team for focusing on what matters — the music — even amid pulling double-duty in putting together the first-ever Desertfest NYC, the lineup for which is still in progress. This fest looks amazing and I wish I could say I was going. Quite simply, it’s been too long.

Here’s the announcement:

Amenra to headline Saturday at DESERTFEST LONDON 2019 + day tickets and 28 more bands announced!

Showcasing the best of what the underground has to offer is at the core of DESERTFEST LONDON and this year’s line-up is the most eclectic, yet satisfying to date by ticking those “wish-list old school desert rock” boxes with Fu Manchu and Witch at The Roundhouse, whilst pushing the boundaries of heavy with the likes of HHY & The Macumbas and Grave Miasma. Year after year it’s about offering up a diverse bill that allows for discovery, whilst celebrating the musical foundations of the festival, and the final Saturday headliner and remaining 28 acts do just that.

DESERTFEST LONDON /// 3-5th May, 2019 in London
Weekend and day tickets on sale at this location

Desertfest are honoured to reveal that the incomparable AMENRA will celebrate their 20-year anniversary across the London weekend this May, bringing their uniquely atmospheric sound as headliners of Saturday’s mainstage and, for the first time in the UK, an even more intimate side of the band takes place at The Underworld on Sunday with solo performances from CHVE & SYNDROME. We would be proud to have Amenra headline Desertfest on any year, but to have them on the year they celebrate their 20th anniversary makes it all the more special for us and also the band themselves.

Desertfest are also pleased to announce a stage takeover from the mighty Riding Easy Records, the righteous west coast label will not only bring the sun (we hope) but a hefty dose of fuzzed out riffs from their roster. Headlined by rock’n’rollers ELECTRIC CITIZEN who refuse to be pigeonholed with a 70s proto-metal sound that chimes into psychedelic realms. Street-doom killers R.I.P will hit the UK for the first time and vocalist Fuzz is ready to bring it hard and loud. Completing the stage showcase are 80s punk heavy metal hybrids ZIG ZAGS, hazy Swedish doom newcomers ALASTOR and the low and slow psych goth-rock sounds of BLACKWATER HOLYLIGHT.

If that wasn’t enough Desertfest also adds thunderous space-rock psychedelic masters MONKEY3 to upcoming proceedings, the unforgiving primitive metal sounds of THE SECRET and LA party starters THE SHRINE, who haven’t graced DF with their amped up stoner-skate vibes for well over 5 years.

We also welcome back our long-time partners Human Disease Promo/When Planets Collide for another takeover of The Underworld on Saturday. Topping the bill, the riff muscle of Savannah, Georgia is brought back to The Underworld by the mighty bruisers BLACK TUSK. Dropping in straight underneath we’re living the doom dream of olde with Chicago legends in THE SKULL. Glasgow gives us two offerings this year in the form of explosive riff n roll filth-party heads ACID CANNIBALS, and to lower the tone whilst severely twisting some melons we also welcome their fellow city dwellers HEADLESS KROSS. As ever we chose to open up with a cataclysmic attack, hence why we’ve invited Brighton’s bleak hardcore oblivionists KALLOUSED to set the day into fittingly venomous motion. Bring your ear plugs, it’s gonna be a floor shaker!

And finally, Desertfest round off with the brilliant SKRAECKOEDLAN, BLANKET, SALEMS BEND, SURYA, HIGH PRIESTESS, ZED, KUROKUMA, GREAT ELECTRIC QUEST, PSYCHLONA, VIDEO NASTIES, ONE FOR SORROW, WORSHIPPER, MOUNTAIN CALLER & 1968 all added to the monumental 2019 line-up.

DESERTFEST LONDON /// 3-5th May, 2019 in London
All tickets on sale at this location

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest

BlackWater HolyLight, BlackWater HolyLight (2018)

So Desertfest London 2019 has a night at The Roundhouse where the lineup is Colour Haze, Earthless, Witch, All Them Witches and Fu Manchu. That’s the bill front to back. The word ‘unfuckwithable’ comes quickly to mind. It’s an astonishing assemblage, as I honestly think if the festival had announced any of them as headliners, you would go, “Yeah, that makes sense.” Colour Haze headlining? Yeah, that makes sense. Earthless headlining? Yeah, that makes sense. Witch? Etc.

But it’s Fu Manchu in the top spot, and indeed, it makes sense. Not only are they the longest tenured of the five acts who’ll take the stage at The Roundhouse, but they have the distinct advantage of being Fu frickin’ Manchu, which puts them ahead of much of the planet when it comes to any number of considerations. Especially fuzz.

The PR wire brought confirmation:

Desertfest London announce Fu Manchu as second headliner!

Over the past seven years of DESERTFEST LONDON, we’ve had a lot of incredible memories of otherworldly performances from many of the notable bands this humble scene has to offer. Today, we finally cross another huge name off our bucket list, as we reveal that kings of the road Fu Manchu will headline Roundhouse on the Sunday at Desertfest 2019. Not only that, but we can also reveal that joining them on May 5th’s mammoth Roundhouse Stage are the previously announced All Them Witches, Witch, Earthless and Colour Haze.

Southern California’s boogie-rocking titans were born out of the hardcore punk scene of ’85 as Virulence, but quickly switched up their super-speed, underground angst for more of a drawlin’, skateboard rampin’, hard-rockin’ vibe and so FU MANCHU was born. Throughout the next thirty years or so they’d come to be known to many as the AC/DC of the now global desert rock scene: always consistent, always on trend, always ready to rock; any time, any venue, anywhere. Recently Fu Manchu have gone through a phase of touring albums in their entirety, and from the rising asphalt of In Search Of…, to the laserblastin’ The Action Is Go and right through the true hell on wheels that is King On The Road and beyond, we’ve all got a favourite Fu Manchu moment. If not, then there’s never been a better time to get familiar with the hardest rockin’, hotdoggin’ back catalogue in history.

Fu frontman Scott Hill is clearly as excited as we are for the boogie van to roll into Camden Town: “We’re so stoked to be a part of Desertfest and to play the legendary Roundhouse in London. It’s hard to believe that we will be playing the same spot as some of our heroes like Hendrix, Pink Floyd, Led Zeppelin, The Clash, Ramones and Motörhead.” We couldn’t agree more.

Joining them on what we believe is our biggest Roundhouse stage yet on Sunday May 5th, are four must-see masters of the underground who have already been announced for Desertfest 2019. ALL THEM WITCHES bring an approach to the modern wave of bluesy psychedelia that is all their own, hot off the heels of their recently released and truly impeccable ATW. After releasing a few of the noughties’ most bad ass albums, WITCH return from their slumber to provide a doomed out kind of psych to the Sunday. Riffs for days are guaranteed when EARTHLESS show up; with an ultimate jam band approach which both rips and shreds, faces will melt into a gooey pile of mush. Last but not least, European underground heroes COLOUR HAZE will open up the Roundhouse with their scene defining slice of heavy psych.

We couldn’t ask for a better way to round out what we’re sure will be a killer Desertfest 2019 than this lineup at The Roundhouse. Be sure not to miss out, book your tickets today.

DESERTFEST LONDON /// 3-5th May, 2019 in London
All tickets on sale at this location

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest

Fu Manchu, Live in Vancouver, BC, Nov. 11. 2018

A monstrous announcement from Desertfest London 2019 finds the festival, as it has over the last several years, with a far reach in geography and style alike. Acts like Great Electric Quest, High Reeper, Salem’s Bend, The Devil and the Almighty Blues, High Fighter, and Messa represent a flood of up and coming underground heavy from the US and Europe — I’d count hometown heroes Elephant Tree and Greece’s Naxatras at the forefront of that surge — while Om, Wovenhand, Mondo Generator, Stoned Jesus, Sabbath Assembly, Jaye Jayle, HHY and the Macumbas and Wiegedood are of course no minor shakes in terms of draw or aesthetic swath.

Desertfest‘s first announcement, which came through in September with Earthless, All Them Witches, Kadavar and Colour Haze, among others, was enticing enough. This one does nothing but make one want to book travel and lodging.

The PR wire has the details:

Drone doom pioneers OM confirmed as first headliner + 15 more acts added to the DESERTFEST LONDON 2019 lineup!

After warming you up with our first announcement in September, it’s time to break out the big guns. Today we’re adding 16 killer bands to Desertfest, including the lineup for 2019’s Old Empire stage, which, after years of bringing some of the heaviest sounds all weekend, will this year takeover as our Friday main stage. We couldn’t be happier with their first pick, Desertfest 2019’s opening headliners, the incomparable, spiritual force of stoner drone that is Om.

Formed in 2003 as one great band drifted off for a decade, Om – then consisting of the two-part assault of Sleep’s Al Cisneros and Chris Hakius – brought with them an extension of the hypnotic heavy first hinted at on Sleep’s Jerusalem/Dopesmoker. Achieving more with just vocals, bass and drums than most can dream of with a packed out stage, the opening one-two punch of Variations on a Theme and Conference of the Birds serves as a revelation to many; stripped-back power that cleans the cobwebs from your brain with reverberating blasts of droned-down stoner-doom.

By 2007’s Pilgrimage – the last full-length to feature Hakius on drums – Om had begun to lean more and more heavily into spiritual themes and Eastern tones, bringing about a new definition of what exactly heavy is; because let’s be clear, Om are heaviness incarnate, just not in the traditional sense. Through God is Good and their latest LP, Advaitic Songs – their first as a trio and surely one of the finest put to record this decade – Om continued down a path of hazed out perfection. It’s a testament to the importance of the band that, even as Sleep woke up, Om persist, ready to send you into a trance at the pluck of a bass. Be sure to catch Om when they headline the Old Empire stage – and Desertfest at large – on Friday 3rd May.

Joining them on the Old Empire stage, and continuing Old Empire’s tradition of showcasing heaviness from unexpected places, are Wovenhand. Labelled many things over the near two decades they’ve been kicking around, from alternative country, to neofolk, to Southern-gothic, Wovenhand are simply low and slow, oozing with an atmosphere of gloom. Music torn from the heart and soul of David Eugene Edwards (ex-16 Horsepower), Wovenhand are a deeply personal experience that you won’t want to miss.

But that’s not all for the Old Empire stage, who offer up three more treats for Desertfest 2019; firstly, a slice of black metal in the shape of Wiegedood, whose Die doden hebben het goed trilogy serves as a granite slab of brutality. Featuring members of post-black metal heroes Oathbreaker, as well as being part of the illustrious Church of Ra collective – a handful of acts tethered by a DIY ethic – Wiegedood will bring heaviness as we traditionally know it to the stage.

The jazz-inspired, ominous soundscapes of HHY & the Macumbas bring an exploration of the apocalypse to proceedings. Showcasing why they’re one of the most inimitable acts in the Portuguese, or perhaps even European underground scene, HHY are ordered chaos, wielding a twin attack of percussion and horns, tied together with a thin spine of drone.

Rounding off this year’s Old Empire stage come the desolate, minimalist sonic mantras of Louisville’s Jaye Jayle. Revelling in the simplicity of a “Less is more” philosophy, Jaye Jayle build tension with their barely crawling musical progressions and stitch it all together with the gruff, semi-spoken vocals of Evan Patterson.

Yet again, the Old Empire stage looks set to be one of the most exciting places to be over the whole of the Desertfest weekend, bringing both the darkness and the light; but that’s not all to expect over the May Bank Holiday weekend in Camden.

Elsewhere over the weekend, we’re excited to be welcoming Ukraine’s Stoned Jesus to Desertfest London. The stoner blues trio, who released their 4th full-length Pilgrims in September, possess a tone all of their own. Offering up one of the scene’s most beloved albums in 2012’s Seven Thunders Roar, Stoned Jesus remain a treat to catch live; as do punk infused stoner rockers Mondo Generator. Headed up by legend of the underground, Nick Oliveri, Mondo Generator are, like any of Oliveri’s myriad projects, an undeniably raucous experience live.

Next up, a double bill of some of Europe’s finest heavy psych; Part of the modern Greek wave of stoner and psych, without ever disappearing into the crowd, Naxatras are unashamed worshippers of the 70s riff. That said, they bring plenty of their own flavour to the mix. Whilst Oslo’s The Devil and the Almighty Blues live up to their name, bringing a devilishly groovy stomp and infusing it with their almost nonchalant, relaxed tones, fast becoming one of the most exciting bands in all of heavy psych.

There’s doom aplenty as ever at Desertfest, with all angles covered; the occult is worshipped with Sabbath Assembly and Messa’s take on the science of slow, whilst Elephant Tree will continue to show why they’re one of the UK’s finest acts with their uncompromising push outwards to the outer limits of doom.

A double dose of 70’s worship comes in the form of the strutting duo of Great Electric Quest and Salem’s Bend, with today’s announcement rounded off by two chances to get high; High Fighter are set to surround us with a densely packed smog of doom and High Reeper filtering the riffs of classic heavy metal through the So-Cal skater scene.

With dozens more bands still to be announced, including our Saturday and Sunday headliners, Desertfest 2019 is shaping up to be another hit of the best stoner, doom, sludge and psych on the planet. Don’t miss the annual celebration of the underground in Camden next May Bank Holiday weekend. Book your tickets today.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest

Wovenhand, Live at Fire in the Mountains, Jackson, WY, June 30, 2018

What’s more exciting than a killer first festival announcement? Not much. So many possibilities, and with its first lineup additions, Desertfest London 2019 throws the door wide open with some massive names. Earthless, All Them Witches, Colour Haze and Kadavar? Hell, I’d take any of them as a headliner, and you can pretty much throw Witch in there too. That’s five acts right out of the gate, any of whom could sell out a show on their own in London, plus the just-reviewed We Hunt Buffalo and Edinburgh’s DVNE, whom I had the pleasure of seeing at Psycho Las Vegas for their US live debut, rounding out an initial seven that’s absolutely massive.

The key part of the announcement below, though? It’s where it says “we’re aiming for our biggest bill to date.” Desertfest London has only grown huger each year, more forward-thinking and broader in its reach. The Desertscene crew have their work cut out for them in topping 2018, but if this is a taste of the scale to come, they might just get there.

From the PR wire:

DESERTFEST LONDON 2019

Friday, May 3, 2019 – Sunday, May 5, 2019

It begins! Desertfest is returning to Camden for our eighth edition over the Bank Holiday weekend of 3rd to 5th May, and as ever we’re bringing you the finest stoner, doom, sludge and psych bands from around the world. Over the next few months, we’ll be revealing our lineup of dozens of the heaviest bands around, so without further ado, here’s the first seven names for Desertfest 2019.

Over the last half-decade, Nashville’s All Them Witches have made themselves indispensable with a sound that has never stopped evolving, with their roots in heavy blues and psychedelia flourishing over time into an approach that is undeniably their own. The Tennessee four-piece arrive at Desertfest with a reputation that precedes them for jammy explorations and a kind of heavy that, while regularly imitated, has yet to be reproduced by anyone else.

Joining them on the bill are Kadavar, who make their long awaited Desertfest return with their fur-coated, barreling riot of a set at the Jazz Cafe in 2013 as fresh in our minds as ever. There are very few who perform the retro-rockin’, ’70s proto-metal revival with the power, prestige and passion of our favourite Berlin trio. The boogie train that is Kadavar won’t be making any emergency stops as it ploughs through Camden this May.

Vermont spell-casters Witch will be enrapturing Desertfest with their stoner rock incantations in 2019. Combining psychedelic rock, Sabbath-ian doom, and Black Flag sludge-punk, stoner aficionados who were around for the noughties boom will fondly remember Witch for releasing some of the hookiest albums of the decade. After a stint lurking in the shadows, Witch are hitting up Desertfest to make magic once again.

Even after seven mammoth editions of Desertfest, there are bands we’ve been chomping at the bit to get over to Camden to grace our stages; finally, we’ve grabbed us the hardest jamming band in the universe, Earthless, are touching down to shred our corner of London to the ground. The epitome of psyched-out Hendrixian-krautrock from day one, San Diego’s ultimate power trio will melt your entire body this May.

Colour Haze make their return to the Desertfest stage in 2019 after six long years. The German trio, in whose image modern heavy psychedelia is in large part cast, have affirmed their position as unflinching masters of the form in their absence, finding a new niche between heavy riffs and expansive arrangements. The Colour Haze that return to Desertfest are, somehow, even better than the one we saw in 2013.

Vancouver trio We Hunt Buffalo‘s brand of prog-minded fuzz rock has been stampeding out of amps and trampling audiences since 2010. Professing a love of all things stoner and psych and citing influences from all genres of rock, all underpinned with driving fuzz lines, We Hunt Buffalo will be just the ticket to a sore neck at Desertfest.

Last but not least in our first batch of bands are Edinburgh’s DVNE who play their own unique brand of night sky-gazing melodic sludge. Early-period Mastodon fans should take note, as the progressive changes and all-conquering vocals conjure up scenes of destruction, desolation and absolution in their epic soundscapes of post-metal ebb and flow.

So there you have it, our first seven bands. With dozens more names to come, including all three headliners, we’re aiming for our biggest bill to date. Weekend tickets are on sale now at the link below, so be sure to book your place at the heaviest lineup in town; Desertfest 2019!

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest

All Them Witches, ATW (2018)

The kind of evening to vibrate the plugs in your ears. I’m loath to do this, but there’s a lot of context to this one that needs quick covering, so here are a few bullet points so we’re all on the same page:

• I’m in London with my wife who is a college professor leading a study abroad trip for students. The baby and I got to tag along. Good deal.
• While in Canterbury, the house where we were staying was burgled overnight. Among the stolen: My laptop, my camera, my glorious cosmic backpack. Sucked. Years of writing and music, gone. No backups (I know, I know…). Patient Mrs., Pecan and self fine though, so could’ve been worse.
• One of my wife’s students very generously let me borrow her camera and take it to The Black Heart in Camden Town to shoot Morag Tong‘s release show with Elephant Tree and Wychhound on the bill.
• I took my first Uber to get there. You don’t actually need to know that, but it was an interesting experience nonetheless.

I met guitarist/vocalist Jack Townley and drummer Sam Hart from Elephant Tree outside The Black Heart before I even got through the door and was warmly greeted. All the more appreciated after a long day. A week after Desertfest London, I wasn’t sure what to expect in terms of crowd — people could be fired up just as easily as burnt out — but it was for sure the former inside; already packed and the show, which would happen upstairs in the venue itself as opposed to the downstairs bar, hadn’t even started.

It had been half a decade since the last time I was fortunate enough to be in The Black Heart. The upstairs bar had moved from the back to the side of the venue, but beyond that, not much had changed. Downstairs was much the same as I remembered, with the big bar in the center and tables and enclaves off to the sides, a place one could both get rowdy or have a quiet conversation. Outside, people smoked like fiends. Inside, I found Elephant Tree bassist/vocalist Peter Holland, also formerly of Stubb and Trippy Wicked, old friend Chris West of an ever-increasing number of bands, among them the newly formed Glanville, whose EPK was on my stolen laptop, and met a woman Jack introduced as Sister Rainbow, who had the hair to match and for whom this would mark her 36th Elephant Tree show. Being my first, I told her she had me beat by a wide margin.

Soon enough after, things got started upstairs with Wychhound on first. The Londoners have been around a few years, and have a new EP out called Earth Orbiter following up their 2015 self-titled, which they tracked as a five-piece with vocals. Instrumental now, they made good use of the dynamic between Roberto Pini and Miles McDonald on guitar in setting the foundation for their sound, which was someplace between Kyuss-style desert worship and the heavier explorations of Pelican with shades of Russian Circles-esque post-heavy in some of its more daring moments. Bassist Neil Neighbour and drummer Sid Naghdi provided a foundation of weighted groove and allowed the guitars space to wander when they were so inclined, and some of the most effective moments came in combining forward drive with that emergent sense of space.

Even in this age of immediate access, sometimes it’s nice to go in blind — plus I, admittedly, had a pretty busy day — so I hadn’t gotten to check Wychhound out before, but their atmospherics on a piece like “Comet Shoemaker-Levy 9 (SL-9)” were readily apparent and still left room for rawer, head-down riffing in the material surrounding. It was enough to make me visit their Bandcamp and snag a download, which I guess was the idea in the first place. Some growing to do, perhaps, as they continue to come into their own sound, but they were a right on way to start the night and full enough in tone that, yes, I had to keep adjusting my right earplug because the low end was making it vibrate.

Speaking of tone, fucking Elephant Tree. Their self-titled debut (review here) on Magnetic Eye was easily one of the best records of 2016, and especially after missing them last year at Psycho Las Vegas, as soon as I found out they were playing while I’d be in town, I knew I had to see them. The three-piece did not disappoint, and that wasn’t a surprise. That is, I knew they’d be good. I’d seen videos and was of course familiar with the album and all that. I knew they’d be good. What I didn’t expect was that they’d be so much fun.

Peter Holland is at very least two things, and I say them both with utter affection and zero sarcasm. He is among the most charming drunks I’ve ever encountered, and he is insanely talented. At this point I’ve seen him play in three different bands and he’s never failed to make a mark in each of them in terms of sound. His voice is immediately recognizable, his smile infectious and his style of play was as perfect a match for Townley‘s guitar on stage as it had been on the record. Also, he broke a string before they went on. They still started more or less on time, laughing and making fun of each other in the process. Then, in the first song, Hart‘s drum stool busted. Hardly missed a beat, kept playing, and fixed it before they started the next cut. Later on, one of Townley‘s pedals got stuck on and he couldn’t turn it off, making a kind of wash of low end psychedelic waves out of a verse riff in the process. No fucking complaints there.

The point is there was no stopping Elephant Tree from rolling out their massive nod. And when I say massive, I don’t just mean it sounded big, but it sounded like it had a physical presence. Tone you could chew like gum. Between the laid back groove and the laid back vibe and the lady in the crowd making seal noises — no, it wasn’t Sister Rainbow; she was down the front rocking out as only someone on their 36th show with a band could hope to do — it was impossible not to have a good time, so I put my borrowed camera down and did exactly that for a little bit. Just let it go and enjoyed myself, and whether it was the evening’s highlight “Aphotic Blues” or the album closer “Surma” or “Dawn” — which was precisely as built for a sing-along as it seems, with Townley and Holland sharing vocals — I had no regrets. Townley brought a frontman presence to the guitar/vocal spot and though there were times when the bass threatened to swallow everything in its path, his solos cut through and gave the whole thing an entirely new sense of space. What a blast.

By way of plainly stating the obvious, they were my highlight, but Morag Tong were still to go, playing cuts from their Last Knell of Om debut full-length, which is officially out tomorrow, May 18. I’d been lucky enough to hear the album prior to seeing them — it, too, was on the desktop of my stolen laptop, and I believe slated for the next Quarterly Review, though of course I can’t be sure of that because my notes… well, you get the idea — and knew a bit of what was coming. They started out with guitarists Alex Clarke and Lewis Crane both on e-bow guitar (dueling e-bows!) and would go on to play the complete album, swapping the order to finish with “To Soil” and letting drummer Adam Asquith initially bide his time before unleashing his growling vocal between “Transmission” and “New Growth.” Equal parts psychedelic and doom, they were clearly proud of the work they’d done — and rightly so — and hypnotic in their presentation enough even on stage to give a sense of the underlying element of drone on the record.

Back into the (new) notes they go for the next Quarterly Review. Swapping out the saturated red light for a cooler-toned blue, they were a fitting end to a day that had started as a huge bummer some 17 hours earlier and had a massive turnaround in spirit and mood — more on that later. As they lurched out their meditative immersion, I made my way back downstairs to say a few quick goodnights and Uber myself back to Maida Vale, having had a night so satisfying that I almost forgot about the events of the morning prior. A night of volume and heart in kind, and the kind of night that I was so glad to be a part of that I’m still wearing The Black Heart‘s paper wristband on my right arm. And I hate those damn things.

Thanks for reading.

A well-earned slow clap for Desertfest London 2018 on the occasion of completing what is unquestionably its broadest, biggest and most staggering lineup to-date. The festival has been outdoing itself every year since it got going, but this is a different league entirely. Kudos all around to the Desertfest London team. I really feel like there’s nothing else to say about it. It’s just amazing what these people have put together and I hope that those who are fortunate enough to be there realize the special event to which they’re bearing witness, because that’s what this is. Truly something special.

Here’s the final lineup update:

Psych legends Hawkwind + complete lineup announced for DESERTFEST LONDON 2018!

DESERTFEST LONDON announce the final acts for its 2018 edition on May 4-6th in Camden, including psych legends HAWKWIND, plus The Quietus, Human Disease Promo & Nightshift Promotions stages all revealed.

Yes, you read that title correctly. Desertfest are honoured, thrilled, losing our minds, quivering in our boots to reveal that one of the most influential English bands in heavy musical history are gracing us with our presence this May, seminal space-rockers HAWKWIND will return to the hallowed ground of The Roundhouse to play a very special performance as main support to Monster Magnet. Hawkwind require no real introduction – genre-defining mavericks since 1969, it’s safe to say most of your favourite bands wouldn’t exist without Hawkwind; their legend precedes them, expect a life affirming, life altering show. We are beyond excited.

Yet more Carolina goodness is coming Desertfest’s way, underground skater heroes ASG will make their psych riddled, post-punk sound heard across London, earplugs recommended, party times guaranteed. 70’s blues-soaked hard rockers RADIO MOSCOW will also make their return, following a recently sold-out performance at The Borderline – this trio of psychedelic power are being met with hugely high acclaim and for a damn good reason. They’re groovy, heavy and damn near perfect.

No strangers to the Desertfest, doom heroes MONOLORD are back to offer up some of the finest riffs to have ever come out Sweden’s smoke. Fuelled by bongs and black coffee, they are one of the favourite returning acts for the fest – y’all better get in the queue now if you don’t want to miss it. Another act from the dirty South comes in the form of SOURVEIN, sludge and crust blended together in perfect guttural harmony. Leading man T-Roy’s been fighting the good fight for over two decades and the band are now easily at their strongest. Not one for the faint hearted.

Alongside his performance with The Obsessed, leading man WINO will perform an acoustic set across the Desertfest weekend. Last time we had the frontman play an acoustic set at DF the queue was out the door, it’s stripped back but still totally heavy. Belgian bulldozers STEAK NUMBER EIGHT are making a long awaited appearance at Desertfest London, a postmetal powerhouse their live performances have been met with high praise around Europe. A hypnotic haze will fall when the mighty DOPELORD take the stage, sickeningly smooth vocals hit the good spot whilst thunderous riffs and a mind altering magnitude of heavy rattle your core.

Also filling up the final line-up are newcomers DEAD WITCHES, psychedelic New York masters KING BUFFALO, out of this world riff rockers KIND, British noise rockers CATTLE plus NECROMANCERS, CRUMPET, SOLLEME, LIONIZE, LNN, CHRCH, MASTIFF, TUSKAR, TOM CAMERON and LO CHIE

ALSO RECENTLY ANNOUNCED:

The Quietus stage

The Quietus Stage usually brings some of the more diverse bands to Desertfest and this year is no different. Headlining the stage at The Black Heart on Friday 4th May are WHITE HILLS whose concentrated blasts of interstellar noise with a tank load of psychedelic glam makes them the truest space rock goliaths of our time. They’ll be joined by GHOLD, SNAPPED ANKLES, MELTING HAND, CASUAL NUN and SWEDISH DEATH CANDY.

Nightshift Promotions stage

The melodic tones of DARKHER will be headlining this year’s Nightshift Promotions stage at The Dev at Desertfest 2018. They’ll be joined by a diverse, but equally dark lineup which brings post-metal from TELEPATHY and SNOW BURIAL, the experimental noise of CROWD OF CHAIRS, blackened doom from MONOLITHIAN and the sludge of THE MOTH.

Human Disease Promo/When Planets Collide stage

This year the Human-disease Promo and When Planets Collide Stage has gone for an all out colossus of weighty heaviness for Desertfest 2018. Headlining the stage are WEEDEATER, making their second appearance of the weekend with a special early years set. They’ll be joined by Denver’s most crushing PRIMITIVE MAN, Canadian bruisers BISON, Swedish heaviness from SUMA, St Louis filthsters FISTER, Notts nasties MOLOCH and heavyweight duo BISMUTH.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Hawkwind, Warrior on the Edge of Time (1975)

Not that Desertfest London 2018 wasn’t already plenty heavy — I mean, fucking Napalm Death are playing — but pretty much anytime you add Suma and Primitive Man to anything, you’re going to jump into a different weight class entirely when it comes to tone. The Swedish noise-bludgeoners and Denver’s most wanted aggressors are just two of the six acts confirmed for this year’s Human Disease Promo / When Planets Collide stage, which is traditionally where one finds some of Desertfest London’s most vicious and brutal fare. It would seem 2018 is no different in this regard.

Oh, and Weedeater topping it all off with a set specifically comprised of early material? Nice touch. No way in hell that’s going to be anything other than a good time.

From the Desertfest site:

WEEDEATER, PRIMITIVE MAN AND MORE FOR HUMAN_DISEASE_PROMO / WHEN PLANETS COLLIDE STAGE!

Yet again, we’ve got our good friends from Human_Disease_Promo and When Planets Collide rolling in with their annual heavy stage. As ever, they’ll be delivering a slab of pure brutality this year bringing 6 new bands to the bill as well as a special second set from the previously announced Weedeater. Staggerin’ Matt tells us more about what to expect at The Underworld on Sunday 6th May below.

“This year we’ve gone for an all out colossus of weighty heaviness for the Human_Disease_Promo / When Planets Collide Stage at Desertfest 2018.

Along to top proceedings we have North Carolina reefer riff rascals Weedeater coming in for a special set – their second appearance of the weekend – heading up the Underworld to play a packed bowl of tracks from the earliest strains of their career. It’s gonna be a low down dirty hoot.

Backing them up will be the obscenely punishing, abrasive blows of Denver’s most crushing Primitive Man, stomping and hard driving riffs from Canadian bruisers Bison, a lush hammering pysche vortex in the form of Swedish outfit Suma, joining from St. Louis, the engulfing intensity of destructive filthsters Fister, Nottingham D.I.Y. downers / viscous sludge nasties Moloch and the gigantic cavernous rumblings of UK duo Bismuth.

All said it’s likely the heaviest lineup we’ve ever forged together for the Underworld to bear witness to, so come join us all day on the Sunday to have ya brain fried up and handed back as a pile of stewed mush! It’s gonna be bloody loud in there!”

With this latest set of additions to Desertfest 2018 and more still to come, on top of the dozens of great bands already announced, this year’s heavy weekender looks to bigger than ever. Don’t miss your chance to be at the UK’s premier underground festival. Book your tickets today.

Desertfest London 2018
4th-6th May in Camden Town, London
3-day pass (£115) now on sale AT THIS LOCATION

Our special split payment plan is available until December 12th!
Pay half of your ticket now and the other half in January. Find more info HERE.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
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Weedeater, Live at Desertfest London 2014