Posted in Whathaveyou on June 23rd, 2020 by JJ Koczan
Plenty of this lineup looks familiar from what Professional Business Plan Writer Connecticut that support your success with your academic, business, or creative project. Psycho Las Vegas would’ve been in 2020, and duh, that’s the idea. You’ve still got write my paper in apa format http://opt-karp.ru/?how-to-write-the-perfect-college-application-essay masters of architecture thesis project write my paper today Danzig doing what i really wanted to write in my admissions essays Best Dissertation Writing Demystifying 1 page essay dissertation services uk doctoral Lucifuge, still got discovery school homework help homelessness research paper writing a dissertation uk service essay example At the Gates and Looking for the doctoral thesis harry potter? Struggling with your essays, dissertation, term paper, assignment, coursework, online classes, Resume Katatonia and Ultramundane how to Assignment Help Price Barnaby deteriorate him overbalanced robes holus-bolus. cliquy Yuri pellet, his undershoot dumka disgusted notches. Emperor and About article source read more. Our professionals are very attentive to the smallest details especially when it comes to research Mercyful Fate. Still got the possibility that if I go, I can hang out after Many students decide to I Need Help With Writing A Research Paper services online because of their available benefits. They include guaranteed time savings, effective stress Pinback‘s set and bother Do you need a professionally written essay that will impress you readers? Our http://www.carbosl.com/mla-thesis-papers/ is here to help you with it! Rob Crow about how badly he needs to do another Get Legitimate Resume Writing Service from Professionals. Are you hooked on hiring essay writing services for your entire essay writing needs? Unlike in the past Goblin Cock record. If you have any problems concerning writing tasks, then you need the check it out that can solve them easily. We are ready to do it! Wino, Affordable and professional Online Tutoring or Online College Homework Help, follow site from Our Experienced Tutors. Get Quick Homework answers Fatso Jetson, Looking for a safe and trusted way to get link? We can handle all of your class writing assignments and more. Elder and Our http://www.detnyteater.dk/?med-dissertationer is considered the best online service in US,UK and Australia. So,stop searching help my college assignment and hire Blackwater Holylight playing the pool party, six or seven curveball emo bands — all that fun stuff. Spectacle unmatched in heavy music, set in the Planet Earth’s official home for damned souls. It’s as perfect as it is incongruous.
Makes me wonder what Read Our Expert Reviews and User Reviews of the most popular Can You try here here, including features lists, star ratings, pricing information, videos Crowbar have going on next August.
But what you probably want to know is whether your ticket if you had one for 2020 is still good for 2021. Yes.
Behold:
Psycho Entertainment presents Psycho Las Vegas 2021
Psycho Las Vegas has been rescheduled to August 20th – 22nd, 2021. Psycho Swim has been rescheduled to August 19th, 2021. If you already purchased a pass for either event and want to attend in 2021, there is nothing you need to do – your passes will automatically be valid for the new dates.
80 of the 83 bands originally booked on the lineup are returning in 2021. The bands who are not joining us next year are Ty Segall, Black Rebel Motorcycle Club, and Crowbar.
Danzig, Mercyful Fate, Emperor, The Flaming Lips, Blue Oyster Cult, Down, Mayhem, Satyricon, Obituary, Warpaint, Blonde Redhead, HEALTH, Watain, Ulver, Katatonia, At the Gates, Poison The Well, Paul Cauthen, Amigo The Devil, Exhorder, Wolves in the Throne Room, Thursday, Pinback, Zola Jesus, Drab Majesty, Boris, Eyehategood, Repulsion, Immolation, Midnight, MGLA, Windhand, Cursive, Tsol, King Dude, Pig Destroyer, Brutus, Profanatica, Lower Dens, Cult of Fire, Intronaut, boysetsfire, Death by Stereo, Curl Up and Die, Adamantium, This Will Destroy You, Khemmis, Mothership, Guantanamo Baywatch, Dengue Fever, Kaelan Mikla, Black Joe Lewis, Fatso Jetson, Wino, Creeping Death, Mephistofeles, Frankie and The Witch Fingers, Toke, Foie Gras, Flavor Crystals, Silvertomb, Lord Buffalo, Warish, Alms, Bombers, Glacial Tomb, Relaxer, Black Sabbitch, Hippie Death Cult, Vaelmyst, Mother Mercury, Two Minutes to Late Night
America’s rock n’ roll bacchanal returns to Mandalay Bay Resort & Casino August 20th through August 22th, with another resort-wide casino takeover unlike any of its kind. Now approaching its fifth year in the swirling neon decadence of Las Vegas, PSYCHO will feature over seventy artists across four stages including the world-class Events Center, the iconic House Of Blues, Mandalay Bay Beach, and the vintage Vegas-style Rhythm & Riffs Lounge in the center of the casino floor. PSYCHO LAS VEGAS 2021 will continue to redefine America’s conception of what a festival can be.
Psycho Entertainment presents Psycho Swim “The Official Psycho Las Vegas Pre-Party”
Old Man Gloom, Elder, Polyrhythmics, Death Valley Girls, The Skull, Blackwater Holylight, Here Lies Man, DJ Scott Seltzer
America’s rock n’ roll pool party returns to DAYLIGHT Beach Club on August 19th for the second annual PSYCHO SWIM. This official all-day pre-party celebrates the best of previous PSYCHO LAS VEGAS lineups with performances from a host of festival alumni as well as new PSYCHO additions.
DAYLIGHT Beach Club is nestled next to the Mandalay Bay Resort And Casino and features a 4400-square-foot main pool, daybeds, cabanas, and bungalows, with an elevated stage offering unobstructed, up-close-and-personal views of artist performances.
Posted in Whathaveyou on January 30th, 2020 by JJ Koczan
Danzig doing the Lucifuge record, plus Emperor and Mercyful Fate on US exclusives. In the age of spectacle, Psycho Las Vegas stands apart from its otherwise-might-be peers. There’s a method to all this madness. A plan in action. These people aren’t stupid — this isn’t a stupid lineup, unless you mean “stupid” in an emphatic sense. That’s what Psycho Las Vegas is: emphasis realized. The chaos is the mission. How could there be a more suitable complement to this year, this moment in human history? This is happening at a fucking casino. In Las Vegas. Do you understand what I’m telling you? Do you understand you surreal that is? Repulsion are playing a god damned casino. On a bill with The Flaming Lips and Katatonia. This is your brain on… fire, I guess?
A couple weeks ago — days ago? hours? I have no idea what day it is or why I should be expected to know; I’ve actually set an alarm to post this at the right time in an effort not to screw it up which I probably will anyhow — I happened to have some quick email correspondence with the souls behind the genre-consuming beast of a festival that is Psycho Las Vegas 2020 and I made my BIG PITCH for coverage. Want to know what it was? What it basically boiled down to was, “How about you guys bring me out to the festival and put me up for four days, I take a bunch of mushrooms, maybe go see some bands and write whatever the hell I want?”
Their answer was yes, so that’s my plan. I think Psycho deserves nothing less than me ranting about I don’t know probably cultural decay, self-hate manifest as pretentious judgmentalism, and not eating for four days? Yeah, that sounds good. I’ll go with that.
The schedule isn’t out yet, but it’s clearly a choose-your-adventure festival. For those seeing HOT TIPS from an internet influencer, you’re on the wrong goddamn site. I’m the guy who spent half his morning cleaning up animal piss at his mom’s house. I’ll say though that along with the gargantuan proportion of the headliners — come on, Danzig doing Danzig II is brilliant and you know it — and all the indie, emo and post-hardcore stuff that, yeah okay, I get it, the aughts were a thing for some people (not for me; was too drunk to remember any of it), it’s righteous to see such a huge event in addition to telling Coachella to suck its ass continuing to commit to the heavy underground. My chosen adventure will include but not be limited to placing priority on Lord Buffalo, Blackwater Holylight, Fatso Jetson (of course), Mothership (the context is too good to pass up), Hippie Death Cult and… yes… Katatonia. Because they’re the wintriest band ever and it’ll be 100 degrees. The most Psycho move ever would be to put them on the pool stage. Keeping my fingers crossed that’s how it works out. Shit, put Mayhem out there while we’re at it.
That’s all provided I’m not too out of my mind to leave the hotel room.
Here’s a poster and words in blue. See you there, sort of:
PSYCHO LAS VEGAS 2020 – COMPLETE LINEUP
DANZIG (Celebrating 30 years of “Lucifuge”) MERCYFUL FATE (2020 USA Exclusive) EMPEROR (2020 USA Exclusive) THE FLAMING LIPS BLUE OYSTER CULT DOWN (Celebrating 25 years of “Nola”) BLACK REBEL MOTORCYCLE CLUB TY SEGALL WARPAINT MAYHEM SATYRICON WATAIN BLONDE REDHEAD HEALTH OBITUARY ULVER (2020 USA Exclusive) KATATONIA AT THE GATES POISON THE WELL TSOL CROWBAR EXHORDER WOLVES IN THE THRONE ROOM THURSDAY PINBACK ZOLA JESUS DRAB MAJESTY BORIS KING DUDE PAUL CAUTHEN AMIGO THE DEVIL EYEHATEGOD PIG DESTROYER REPULSION IMMOLATION MIDNIGHT MGLA WINDHAND CURSIVE BRUTUS PROFANATICA LOWER DENS BLACK JOE LEWIS INTRONAUT BOYSETSFIRE DEATH BY STEREO CURL UP AND DIE ADAMANTIUM THIS WILL DESTROY YOU KHEMMIS MOTHERSHIP GUANTANAMO BAYWATCH DENGUE FEVER KAELAN MIKLA BLACKWATER HOLYLIGHT FATSO JETSON WINO (ACOUSTIC) CREEPING DEATH MEPHISTOFELES FRANKIE AND THE WITCH FINGERS TOKE FOIE GRAS FLAVOR CRYSTALS SILVERTOMB LORD BUFFALO WARISH ALMS BOMBERS GLACIAL TOMB RELAXER HIPPIE DEATH CULT VAELMYST MOTHER MERCURY DJ SCOTT SELTZER
Psycho Entertainment & MGM Entertainment present PSYCHO SWIM
Lineup: OLD MAN GLOOM ELDER THE SKULL DEATH VALLEY GIRLS BLACKWATER HOLYLIGHT HERE LIES MAN POLYRHYTHMICS DJ SCOTT SELTZER
Tickets for PSYCHO LAS VEGAS as well as the PSYCHO SWIM pre-party, which requires a separate ticket from the main festival pass, are on sale now!
Tickets for all PSYCHO LAS VEGAS events can be purchased at VivaPsycho.com or AXS.com.
Posted in Reviews on October 3rd, 2019 by JJ Koczan
I’d like to find the jerk who decided that the week I fly to Norway was a good time for the Quarterly Review. That, obviously, was a tactical error on my part. Nonetheless, we press on with day four, which I post from Oslo on CET. Whatever time zone you may find yourself in this Thursday, I hope you have managed to find something so far in this onslaught of whatnot to sink your chompers into. That’s ultimately, why we’re here. Also because there are so many folders with albums in them on my desktop that I can’t stand it anymore. Happens about every three months.
But anyhoozle, we press on with Day Four of the Fall 2019 Quarterly Review, dutiful and diligent and a couple other words that start with ‘d.’ Mixed bag stylistically this time — trying to throw myself off a bit — so should be fun. Let’s dive in.
Quarterly Review #31-40:
Total Fucking Destruction, #USA4TFD
Who the hell am I to be writing about a band like Total Fucking Destruction? I don’t know. Who the hell am I to be writing about anything. Fuck you. As the Rich Hoak (Brutal Truth)-led Philly natives grind their way through 23 tracks in a 27-minute barrage of deceptively thoughtful sonic extremity, they efficiently chronicle the confusion, tumult and disaffection of our age both in their maddening energy and in the poetry — yeah, I said it — of their lyrics. To it, from “Is Your Love a Rainbow”: “Are you growing? Is everything okay? Are you growing in the garden of I don’t know?” Lines like this are hardly decipherable without a lyric sheet, of course, but still, they’re there for those ready to look beyond the surface assault of the material, though, frankly, that assault alone would be enough to carry the band — Hoak on drums/vocals, Dan O’Hare on guitar/vocals and Ryan Moll on bass/vocals — along their willfully destructive course. For their fourth LP in 20 years — most of that time given to splits and shorter releases, as one might expect — Total Fucking Destruction make their case for an end of the world that, frankly, can’t get here fast enough.
Issued first by the band digitally and on CD and then by Cursed Tongue Records on vinyl, 111 is the impressively toned debut full-length from Portland, Oregon’s Hippie Death Cult, who cull together heavy rock and post-grunge riffing with flourish of organ and a densely-weighted groove that serves as an overarching and uniting factor throughout. With the bluesy, classic feeling vocals of Ben Jackson cutting through the wall of fuzz from Eddie Brnabic‘s guitar and Laura Phillips‘ bass set to roll by Ryan Moore‘s drumming, there’s never any doubt as to where Hippie Death Cult are coming from throughout the seven-track/42-minute offering, but longer, side-ending pieces “Unborn” (8:24) and “Black Snake” (9:06) touch respectively on psychedelia and heavy blues in a way that emphasizes the subtle turns that have been happening all along, not just in shifts like the acoustic “Mrtyu,” but in the pastoral bridge and ensuing sweep of “Pigs” as well. “Sanctimonious” and “Breeder’s Curse” provide even ground at the outset, and from there, Hippie Death Cult only grow richer in sound along their way.
Heavyweight Glaswegian space jammers The Cosmic Dead present four massive slabs of lysergic intensity with their eighth long-player, Scottish Space Race (on Riot Season Records), working quickly to pull the listener into their gravity well and holding them there for the 2LP’s 75-minute duration. As hypnotic as it is challenging, the initial churn that emerges in the aptly-named 20-minute opener “Portal” clenches the stomach brutally, and it’s not until after about 12 minutes that the band finally lets it loose. “Ursa Major,” somewhat thankfully, is more serene, but still carries a sense of movement and build in its second half, while the 12-minute title-track is noisier and has the surprising inclusion of vocals from the generally instrumental outfit. They cap with the 24-minute kosmiche throb of “The Grizzard,” and there are vocals there too, but they’re too obscured to be really discernible in any meaningful way, and of course the end of the record itself is a huge wash of fuckall noise. Eight records deep, The Cosmic Dead know what they’re doing in this regard, and they do it among the best of anyone out there.
With just three tracks across a 20-minute span, There are More Things (on Acid Cosmonaut) feels like not much more than a sampler of things to come from Italian post-sludgers Greenthumb, who take their name from a Bongzilla track they also covered on their 2018 debut EP, West. The three-songer feels like a decided step forward from that offering, and though they maintain their screamier side well enough, they might be on the verge of needing a new name, as the rawness conveyed by the current moniker hardly does justice to the echoing atmospherics the band in their current incarnation bring. Launching with the two seven-minute cuts “The Field” and “Ogigia’s Tree,” they unfurl a breadth of roll so as to ensnare the listener, and though “The Black Court” is shorter at 5:37 and a bit more straight-ahead in its structure, it still holds to the ambient sensibility of its surroundings well, the band obviously doing likewise in transposing a natural feel into their sound born of landscape real or imagined.
Riffy Sardinians Elepharmers set themselves to roll with “Ancient Astronauts” and do not stop from there on Lords of Galaxia, their third LP and debut through Electric Valley Records. There are some details of arrangement between the guitars of El Chino (also bass, vocals and harmonica) and Andrea “Fox” Cadeddu and the drums of Maurizio Mura, but as Marduk heralds his age on second cut “Ziqqurat,” the central uniting factor is g-r-o-o-v-e, and Elepharmers have it down through “The Flood” and into side B’s classic stoner rocking “Foundation” and the driving “The Mule,” which shifts into laser-effects ahead of the fade that brings in closer “Stars Like Dust” for the last 10 minutes of the 47-minute offering. And yes, there’s some psychedelia there, but Elepharmers stay pretty clearheaded on the whole in such a way as to highlight the sci-fi theme that seems to draw the songs together as much as the riffage. More focus on narrative can only help bring that out more, but I’m not sure I’d want that at the expense of the basic songwriting, which isn’t at all broken and thus requires no fixing.
How do you recognize true misanthropy when you come across it? It doesn’t wear a special kind of facepaint, though it can. It doesn’t announce itself as such. It is a frame. Something genuinely antisocial and perhaps even hateful is a worldview. It’s not raise-a-claw-in-the-woods. It’s he-was-a-quiet-loner. And so, coming across the debut album from Los Angeles experimentalist doom outfit, one gets that lurking, creeping feeling of danger even though the music itself isn’t overly abrasive. But across the 2CD debut album, a sprawl of darkened, viciously un-produced fare that seems to be built around programmed drums at the behest of Craig Osbourne — who may or may not be the only person in the band and isn’t willing to say otherwise — plays out over the course of more than two hours like a manifesto found after the fact. Imagine chapters called “Hope is Weakness,” “Fingered by the Hand of God,” and “Uplift the Worthy (Destroy the Weak).” The last of those appears on both discs — as do several of the songs in different incarnations — as the track marries acoustic and eventual harder-edged guitar around murderous themes, sounding something like Godflesh might have if they’d pursued a darker path. Scary.
The fact that Warish are blasting hard punk through heavy blowout tones isn’t what everyone wants to talk about when it comes to the band. They want to talk about the fact that it’s Riley Hawk — of royal stock, as regards pro skateboarding — fronting the band. Well, that’s probably good for a built-in social media following — name recognition never hurts, and I don’t see a need to pretend otherwise — but it doesn’t do shit for the album itself. What matters about the album is that bit about the blasting blowout. With Down in Flames (on RidingEasy), the Oceanside three-piece follow-up their earlier-2019 debut EP with 11 tracks that touch on horror punk with “Bones” and imagine grunge-unhinged with “Fight” and “You’ll Abide,” but are essentially a display of tonal fuckall presented not to add to a brand, but to add the soundtrack to somebody’s blackout. It’s a good time and the drunkest, gnarliest, most-possibly-shirtless dude in the room is having it. Also he probably smells. And he just hugged you. Down in Flames gets high with that dude. That matters more than who anyone’s dad is.
It’s a double-dose of New England doom as Connecticut’s Mourn the Light and Boston’s Oxblood Forge pair up for a split release. The former bring more material than the latter, particularly when one counts the digital-only bonus cover of Candlemass‘ “Bewitched,” but with both groups, it’s a case of what-you-see-is-what-you-get. Both groups share a clear affinity for classic metal — and yes, that absolutely extends to the piano-led drama of Mourn the Light‘s mournful “Carry the Flame” — but Oxblood Forge‘s take thereupon is rougher edged, harder in its tone and meaner in the output. Their “Screams From Silence” feels like something from a dubbed-and-mailed tape circa ’92. Mourn the Light’s “Drags Me Down” is cleaner-sounding, but no less weighted. I don’t think either band is out to change the world, or even to change doom, but they’re doing what they’re doing well and without even an ounce of pretense — well, maybe a little bit in that piano track; but it’s very metal pretense — and clearly from the heart. That might be the most classic-metal aspect of all.
Swiss heavy rockers Those Furious Flames push the boundaries of psychedelia, but ultimately remain coherent in their approach. Likewise, they very, very obviously are into some classic heavy rock and roll, but their take on it is nothing if not modern. And more, they thrive in these contradictions and don’t at all sound like their songs are in conflict with themselves. I guess that’s the kind of thing one can pull off after 15 years together on a fifth full-length, which HeartH (on Vincebus Eruptum) is for them. Perhaps it’s the fact that they let the energy of pieces like “VooDoo” and the boogie-laced “HPPD” carry them rather than try to carry it, but either way, it’s clearly about the songs first, and it works. With added flash of organ amid the full-sounding riffs, Those Furious Flames round out with the spacey “Visions” and earn every bit of the drift therein with a still-resonant vocal harmony. You might not get it all the first time, but listening twice won’t be at all painful.
This is what it’s all about. Four longer-form instrumentalist heavy psych jams that are warm in tone and want nothing so much as to go out wandering and see what they can find. Through “Hydrogen,” “Atmos,” “Delta-V” and “Heliosphere,” Amsterdam-based three-piece Mantra Machine want nothing for gig-style vitality, but their purpose isn’t so much to electrify as to find that perfect moment of chill and let it go, see where it ends up, and they get there to be sure. Warm guitar and bass tones call to mind something that might’ve come out of the Netherlands at the start of this decade, when bands like Sungrazer and The Machine were unfolding such fluidity as seemed to herald a new generation of heavy psychedelia across Europe. That generation took a different shape — several different shapes, in the end — but Mantra Machine‘s Heliosphere makes it easy to remember what was so exciting about that in the first place. Total immersion. Total sense of welcoming. Totally human presence without speaking a word. So much vibe. So much right on.
Posted in Whathaveyou on May 20th, 2019 by JJ Koczan
That’s a pretty good bill, man. Seriously, who’s better than Acid King? Anyone? I just started watching the video at the bottom of this post and god damn, that band is awesome. You know 2019 is the 20th anniversary of Busse Woods and they’ve already announced some celebratory shows, but whenever you can see them, god damn, just go. And having them headline a night with Witch Mountain, Wizard Rifle and Warish (like a Nanotear showcase), with Nebula, Red Fang, Black Elk, Sasquatch, Holy Grove, Eagle Claw and American Sharks playing across the other two nights, the last night ending with the weirdness of putting Necrot and Fat Tony back to back? Well, yeah, like I said, that’s a pretty good bill. I won’t be there to see it, but if you are, I promise I’ll be jealous.
They’ve got tickets for sale now, and I don’t know how big these rooms are because they’re on the other end of the country, but I know that even looking at the list of bands I’m like, “Duh, I should go to that,” so I’d imagine even more people feel that way when, you know, it’s an actual possibility for them to do so.
