Boris Release ‘Archive’ Series of Studio & Live Recordings

Posted in Whathaveyou on August 11th, 2020 by JJ Koczan

Damn, Bravoclipping.com - Professional Photo Online Courses For Creative Writing. Fast delivery, guaranteed results, lowest cost. We make photos look amazing. Upload yours now! Boris. I guess the selling-via-Bandcamp process for their latest studio album, we do assignment for you Best http://ensino.favale.edu.br/columbia-university-dissertation-database/ Service university essays online example of a research essay NO (discussed here), went pretty well, because here they are about a month later following it up with an archive of six out-of-print or otherwise previously-unavailable offerings. If that New York show that’s on If you are interested in hiring a dissertation writing service Best http://www.healthlink.cz/?research-proposal-assignment writing industry, then UK-Dissertation Pink Days was at the old Assignment Glory---The Best read this Service in Town . You may be wondering how to get your assignment writing done in just a couple of Knitting Factory in Manhattan, I was there that night, though I can’t remember if that was for To Get http://www.mcmp.cz/?dissertation-replication Service fill out the contact form here or email us at hi@geeksprogramming.com You can get in touch for any with programming assignments or projects in any of the modern programming languages. Pink or Visit Website welcome to the college essay writing service across the Internet! Our professional essay writers are glad to offer you their assistance Smile. Hard to keep up with buy essay for college, buy essays online canada, best site to buy college essay, medical school essay consultant, a ansgar mette dissertation, i need help with Boris, and things like this are pretty much why. But hell, I’ll take the excuse to listen to “Flood” today, that’s fine by me, and those demos and whatnot should be plenty blown out, so even for established fans, there’s a lot to dig into as they continue to deal with firelung-induced societal collapse. So it goes.

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Check it out:

boris

BORIS ANNOUNCE SIX-VOLUME ‘ARCHIVE’ SERIES

We provide the great homework help as well as buy an essay, write my paper and Dissertation Leadership at affordable prices. These long out-of-print releases will be available Friday, August 7 on Bandcamp.

Boris will begin to archive past limited releases on their Bandcamp page.

In July, among the turmoil of the Coronavirus sweeping the world, Boris suddenly dropped their new album “NO” as a Bandcamp-only release, which garnered a tremendous response as the band themselves are trying to find a new means of communication with listeners in times of the Coronavirus.

Tomorrow, and over the course of several months, the archiving of Boris past limited releases will take place on their Bandcamp. They’ll start off appropriately with the “Archive” series, 3 live album CD’s released in 2005 from the US label, “aRCHIVE”, limited to 600 copies that sold out immediately.

These 3 live albums were reissued as “Archive I” (Vol. 1, 2, & 3) along with “Archive II” (Vol. 4, 5, & 0) in 2014. Both sets of 3 CD’s each were limited rereleases of 1,000 copies, and thus quite difficult to obtain.

Boris’s early demo tape recordings, as well as a compilation of at the time unreleased live recordings spanning “Heavy Rocks,” “Akuma no Uta,” ”dronevil -final-, ”mabuta no ura,” up through “PINK” can be found on “Archive II”.

These 6 CD’s worth of material, labeled as Boris “Archive” Volume Zero to Five, are a total of 6 releases. Getting a glimpse at a piece of the band from the Boris Book of Genesis to the present, these are some precious recordings indeed.

As a result of the current COVID-19 situation, long-term overseas tours are postponed with no sign of resuming, and the continuation of music culture is in critical condition. Thank you all for your understanding and backing of cultural activity. Your continued support to artists is much appreciated. Please look forward to further successive releases going forward.

Details for each Archive release can be found below. Look for more news and music from Boris in the near future.


Boris Archive Volume Zero “Early Demo”

9 songs selected and compiled from 3 independently produced demo tapes, from the early period of Boris’s formation.
The final 10th track, “Soul Search You Sleep,” was recorded in 1996 during Boris’s first tour of the US west coast, and has been brought out of a long slumber to complete Volume Zero.
(Originally released on March 5, 2014. Included in Archive 2, limited to 1,000 copies)

1. Loudd
2. AYA
3. Spell Down
4. Nods
5. Scar Box
6. Mosquito
7. Matozoa
8. Deep Sucker
9. Water Porch
10. Soul Search You Sleep

Track 1,2 from 1st Demo 1993
Track 3,4 from 2nd Demo 1993
Track 5-9 from 3rd Demo 1994

Recording Engineered by Kokage
Mixed by fangsanalsatan

Track 10 Recorded at Capitol Theater, Olympia, WA. Mar 1st & 2nd 1996

Takeshi: Bass & Vocal
Wata: Guitar & Echo
Atsuo: Drums & Vocal
Nagata: Drums(Track 2,3,4,6,7,8,9)

Mastering: Soichiro Nakamura
Design: fangsanalsatan
Produced by Boris

Boris Archive Volume One “Live 96-98”

Originally released in 2005 from the US label “aRCHIVE,” limited to 600 copies which sold out immediately. Compiled from live recordings during Boris’s “Power Violence” period 1996 – 1998, including songs from the 1998 studio album “Amplifier Worship” and Archive Volume Zero “Early Demo.”
(Reissued as part of Archive 1 on March 5, 2014. Limited to 1,000 copies)

1. Huge
2. In Hush
3. Soul Search You Sleep
4. Vacuuum
5. Mosquito
6. Mass Mercury
7. Scar Box
8. Hama

Track 1,2 Recorded at Koenji 20000V 21st Dec 1996
Track 3,4,5 Recorded at Koenji 20000V 21st June 1996
Track 6,7 Recorded at Shinjuku Loft 4th Oct 1997
Track 8 Recorded at Koenji 20000V 2nd Aug 1998

Takeshi: Bass & Vocal
Wata: Guitar & Echo
Atsuo: Drums & Vocal

Re-Mastering: Soichiro Nakamura
Design: fangsanalsatan
Produced by Boris

Boris Archive Volume Two “Drumless Shows”

Originally released in 2005 from the US label “aRCHIVE,” limited to 600 copies which sold out immediately. Includes 2 songs recorded live from Boris’s 1998 studio album “Amplifier Worship” and 1 song from “Early Demo,” all arranged for a drumless performance. The beginning of Drone Metal history in 1997.
(Reissued as part of Archive 1 on March 5, 2014. Limited to 1,000 copies)

1. Huge
2. Mosquito
3. Vomitself

Track 1 Recorded at Nagoya Music Farm 9th Aug 1997
Sound Engineer: Yukihito Okazaki (from ETERNAL ELYSIUM)

Track 2,3?Recorded at Koenji 20000V 8th Aug 1997

Takeshi: Bass & Vocal
Wata: Guitar & Echo
Atsuo: Drums & Vocal

Re-Mastering: Soichiro Nakamura
Design: fangsanalsatan
Produced by Boris

Boris Archive Volume Three “2 Long Songs”

Originally released in 2005 from the US label “aRCHIVE,” limited to 600 copies which sold out immediately. A precious live recording from their early days, of Boris’s 1996 debut single song release, “Absolutego,” and “flood,” released in 2000, performed live together as “1 song, 1 production.”
(Reissued as part of Archive 1 on March 5, 2014. Limited to 1,000 copies)

1. Absolutego
2. flood

Recorded at Koenji 20000V 3rd May 2001

Takeshi: Bass & Vocal
Wata: Guitar & Echo
Atsuo: Drums & Vocal

Re-Mastering: Soichiro Nakamura
Design: fangsanalsatan
Produced by Boris

www.borisheavyrocks.com

Boris Archive Volume Four “Evil Stack Live”

Full set live recording that was broadcast on Japanese government-owned radio. The setlist is compiled from songs representative of their “Uppercase BORIS” distinction, including tracks from “Heavy Rocks” (2002) and “Akuma no Uta” (2003).
(Originally released on March 5, 2014. Included in Archive 2, limited to 1,000 copies)

1. Heavy Friends
2. Korosu
3. Ibitsu
4. Death Valley
5. Naki Kyoku
6. Furi
7. Akuma no Uta
8. Dyna-Sore
9. 1970

Recorded at NHK Tokyo 15th May 2003
Sound Engineer: Yasuaki Satake

Takeshi: Bass, Guitar & Vocal
Wata: Guitar & Echo
Atsuo: Drums & Vocal

Mastering: Soichiro Nakamura
Design: fangsanalsatan
Produced by Boris

Boris Archive Volume Five “Pink Days”

Recorded live in New York during Boris’s 2006 US tour. Selections from “dronevil” “mabuta no ura” and “Akuma no Uta” combined with songs from “PINK,” during the period of its release that transmits wild enthusiasm; the songs in this full set recording could even be called their greatest hits.
(Originally released on March 5, 2014. Included in Archive 2, limited to 1,000 copies)

1. Blackout
2. PINK
3. Woman on the Screen
4. Nothing Special
5. ibitsu
6. Electric
7. A Bao A Qu
8. the evilone which sobs
9. Akuma no Uta
10. Just Abandoned My-Self
11. Farewell

Recorded at New York 31st May 2006
Sound Engineer: Randall Dunn

Takeshi: Bass, Guitar & Vocal
Wata: Guitar & Echo
Atsuo: Drums & Vocal

Mixing: fangsanalsatan
Mastering: Soichiro Nakamura
Design: fangsanalsatan
Produced by Boris

http://www.facebook.com/borisheavyrocks/
https://boris.bandcamp.com/
http://borisheavyrocks.com/

Boris, Pink Days (2020)

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Boris Post “Zerkalo” Video; No Out Now on Bandcamp

Posted in Bootleg Theater on July 17th, 2020 by JJ Koczan

boris

Freelance article writing services at Copify. Hundreds of approved UK http://www.bovec-sc.si/?change-management-dissertation-topicss, SEO & website friendly, 48 hour turnaround! Boris‘ new album, research paper about population Nursing http://masheroa.com/custom-writing/ dissertation help service yahoo fsu admissions essay 2012 No, is out now through Bandcamp, direct from the trio themselves. Before the release actually arrived, the long-running Japanese avant/experimental heavy rockers issued a lengthy statement about how the record was made as a resistance against what amounts to modernist conformity, the unquestioning of one’s surroundings and the apathy that might lead someone not to seek a deeper truth. They called it “extreme healing music.”

Getting from there to the sludgy scathe of the nine-minute “Zerkalo” is fair enough if one considers the fact that a forest has to burn down before it can grow again. The video arrives in various CGI landscapes, morphing and shifting from one to the other, depicting futuristic-looking cities and oceanic expanses alike. At the end we see the cityscape is devastated and in burnt out ruins — the metaphor is clear enough. What’s more interesting is the harshness of the song itself, how it seems to speak not only to the hardcore roots the band explores elsewhere on Affordable http://www.fischhase.de/?admission-essay-custom-writing-services-reviews from native English experts. Increase traffic to your website the easy way. No, but the massive doom that they’re sometimes able/willing to conjure when it suits their purposes. Their purposes here are meditative but not still, and if perhaps the harsh nature of the noise they’re making is intended to be jarring, especially as it precedes their reworking of “Perforation Line,” it’s only fair to call it successful in that regard.

To be perfectly honest, I may or may not get to review models for writers short essays for composition 9th Where To http://www.em2.bz.it/?how-to-get-into-the-wedding-planning-businesss research papers cash management services custom writers No. I got a promo download for it, but really, in the pantheon of unceasing plaudits the band get, does anything I have to say about them really matter? Is there some insight I can bring to Read our review of http://jobs.samariterstiftung.de/idx.php?714 wriitng service to know whether you should trust them your academic papers. Boris that someone hasn’t already offered? I guess I have my doubts. Maybe in place of a review I’ll just say it’s If you are looking for admission essay writing service, look no further. we provide the recommended you read to students from the whole world. Boris being Boris, which means doing whatever they want at pretty much any time and pulling it off because that’s just what they do.

There.

Enjoy the video:

Boris, “Zerkalo” official video

Just two weeks after Boris delivered their triumphant new album NO, the group has surfaced once again with a music video for the album’s crushing single “-? -Zerkalo-.” The dystopian and panoramic visuals were assembled by producer Yoshiki Shimahara— who was also responsible for CG works in the movie Shin Godzilla, etc.— and the footage aptly captures the tone and feeling of the song itself. Boris comments of the video, “The song as a mirror that reflects this world.”

Boris New Album “NO”
Only available on Bandcamp now.

https://boris.bandcamp.com/album/no

01.Genesis
02.Anti-Gone
03.Non Blood Lore
04.Temple of Hatred
05.? -Zerkalo-
06.HxCxHxC -Perforation Line-
07.????? -Kiki no Ue-
08.Lust
09.Fundamental Error
10.Loveless
11.Interlude

Takeshi: Vocals, Guitar & Bass
Wata: Vocals, Guitar & Echo
Atsuo: Vocals, Percussion & Electronics

Recording: Fangsanalsatan at Sound Square 2020
Mix & Mastering: Koichi Hara (koichihara-mix.com)

Logo Type: Kazumichi Maruoka

CG works: Yoshiki Shimahara
http://shimahara-yoshiki.com/
Directed & Edited by fangsanalsatan & Ryuta Murayama (foodunited.)

https://borisheavyrocks.com/

Boris, No (2020)

Boris on Thee Facebooks

Boris on Bandcamp

Boris website

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Boris Announce New Album No Coming to Bandcamp; Stream “Loveless”

Posted in Whathaveyou on June 25th, 2020 by JJ Koczan

Boris aren’t wrong. About anything. Basically ever. Their new album is called No. It’s out July 3 through their Bandcamp. They’re using it as a means of questioning implicit bias. If anyone can do that with a record, I have to believe it’s Boris. Because they’re fucking Boris.

That’s all I have to say about it. They say plenty. Here’s info:

boris no

A message from BORIS:

“International borders are ‘closed’ now.

All kinds of anxieties, fear, sadness, anger, and hatred have arisen to drive the world apart.
Everyone is in a process of trial and error, doing what they can to live.
The critical state of the world has placed culture, art, and other means of expressing ourselves into a dilemma as well.
We decided to start managing our band ourselves again a few years ago, so we even more keenly aware of the current situation.

It was our actions up to this point and our methodology, various cultural influences, as well the connections and support we received from people around the world that led us to create this latest album.

Culture is lore that is not bound by blood, in other words ‘Non Blood Lore.’

We have put all of our influences and connections into this album so that they may be passed on circulated.
That is our current stance now as Boris, our role and mode of action.

The title of this album is NO.
People have a system whereby they unconsciously grow accustomed to things and adapt to them.
But, this same system is also cursed in the way it allows inconvenient or troubling things to be disregarded as if they were never there to begin with and goes by other names such as ‘resignation,’ ‘subordination,’ and ‘forgetfulness.’
We renounce this system.
‘Is this something I felt on my own? Is this idea something I came up with on my own? Is this something I chose to act upon myself?’
Everything begins with questioning and denying oneself.
That is the proper stance for people to adopt.

Music and culture possess incredible power.
The anger and discontent we had no outlet for in our youth shone through in our music, helping us to channel negative energy channeled towards creative ends and leading us to new means of expression and artistry.
We hope this latest album can be a mirror that gathers and reflects people’s negative energy at a different angle, one that is positive.
That is the power and potential of the dark, extreme, and brutal noise music that we have experienced up to this point.
Today’s society is littered with words that may or may not be true, making it easy to want to just not listen to what anyone has to say.
But, that’s all the more reason why we hope that you will at least open your ears to these songs sung in the language of another land.
These shouts that have no proper meaning as words will help release the raw, unshaped emotions within you.
This is ‘extreme healing music.’

International borders are ‘closed’ now.
When we’re able to travel again, it will be proof that the world has moved forward.
We pray for the day when we can share the same time and place again.

Boris

PS.
NO includes a cover of the song ‘Fundamental Error’ by Japanese hardcore punk legends GUDON, who were active during the 90’s in Hiroshima.
The same track also features guest guitars by Katsumi, the former of guitarist of similarly legendary Japanese hardcore punk bands OUTO and CITY INDIAN and now a member of SOLMANIA.
This album is also being released completely D.I.Y. and without the help of any label.

‘The answer we have been given doesn’t change anything, and this album is not an answer either.’”

Look for Boris NO to be released July 3rd on Bandcamp and pre-orders are available now. More news + music coming soon.

Boris, NO track listing:
1. Genesis
2. Anti-Gone
3. Non Blood Lore
4. Temple of Hatred
5. ? -Zerkalo-
6. HxCxHxC -Parforation Line-
7. ????? -Kiki no Ue-
8. Lust
9. Fundamental Error
10. Loveless
11. Interlude

Boris is:
Takeshi: Vocals, Guitar & Bass
Wata: Vocals, Guitar & Echo
Atsuo: Vocals, Percussion & Electronics
Guest Guitar: Katsumi on Track 09
Recording: Fangsanalsatan at Sound Square 2020
Mix & Mastering: Koichi Hara (koichihara-mix.com)
“Fundamental Error” Originally Perfomed by GUDON
Logo Type: Kazumichi Maruoka
Design: Fangsanalsatan

http://www.facebook.com/borisheavyrocks/
https://boris.bandcamp.com/
http://borisheavyrocks.com/

Boris, “Loveless”

Tags: , , , ,

Psycho Las Vegas 2021 Lineup Announced

Posted in Whathaveyou on June 23rd, 2020 by JJ Koczan

psycho las vegas 2021 banner

Plenty of this lineup looks familiar from what Psycho Las Vegas would’ve been in 2020, and duh, that’s the idea. You’ve still got Danzig doing Lucifuge, still got At the Gates and Katatonia and Emperor and Mercyful Fate. Still got the possibility that if I go, I can hang out after Pinback‘s set and bother Rob Crow about how badly he needs to do another Goblin Cock record. WinoFatso Jetson, Elder and Blackwater Holylight playing the pool party, six or seven curveball emo bands — all that fun stuff. Spectacle unmatched in heavy music, set in the Planet Earth’s official home for damned souls. It’s as perfect as it is incongruous.

Makes me wonder what Crowbar have going on next August.

But what you probably want to know is whether your ticket if you had one for 2020 is still good for 2021. Yes.

Behold:

psycho las vegas 2021 poster

Psycho Entertainment presents Psycho Las Vegas 2021

Psycho Las Vegas has been rescheduled to August 20th – 22nd, 2021. Psycho Swim has been rescheduled to August 19th, 2021. If you already purchased a pass for either event and want to attend in 2021, there is nothing you need to do – your passes will automatically be valid for the new dates.

80 of the 83 bands originally booked on the lineup are returning in 2021. The bands who are not joining us next year are Ty Segall, Black Rebel Motorcycle Club, and Crowbar.

Danzig, Mercyful Fate, Emperor, The Flaming Lips, Blue Oyster Cult, Down, Mayhem, Satyricon, Obituary, Warpaint, Blonde Redhead, HEALTH, Watain, Ulver, Katatonia, At the Gates, Poison The Well, Paul Cauthen, Amigo The Devil, Exhorder, Wolves in the Throne Room, Thursday, Pinback, Zola Jesus, Drab Majesty, Boris, Eyehategood, Repulsion, Immolation, Midnight, MGLA, Windhand, Cursive, Tsol, King Dude, Pig Destroyer, Brutus, Profanatica, Lower Dens, Cult of Fire, Intronaut, boysetsfire, Death by Stereo, Curl Up and Die, Adamantium, This Will Destroy You, Khemmis, Mothership, Guantanamo Baywatch, Dengue Fever, Kaelan Mikla, Black Joe Lewis, Fatso Jetson, Wino, Creeping Death, Mephistofeles, Frankie and The Witch Fingers, Toke, Foie Gras, Flavor Crystals, Silvertomb, Lord Buffalo, Warish, Alms, Bombers, Glacial Tomb, Relaxer, Black Sabbitch, Hippie Death Cult, Vaelmyst, Mother Mercury, Two Minutes to Late Night

America’s rock n’ roll bacchanal returns to Mandalay Bay Resort & Casino August 20th through August 22th, with another resort-wide casino takeover unlike any of its kind. Now approaching its fifth year in the swirling neon decadence of Las Vegas, PSYCHO will feature over seventy artists across four stages including the world-class Events Center, the iconic House Of Blues, Mandalay Bay Beach, and the vintage Vegas-style Rhythm & Riffs Lounge in the center of the casino floor. PSYCHO LAS VEGAS 2021 will continue to redefine America’s conception of what a festival can be.

Psycho Entertainment presents Psycho Swim “The Official Psycho Las Vegas Pre-Party”

Old Man Gloom, Elder, Polyrhythmics, Death Valley Girls, The Skull, Blackwater Holylight, Here Lies Man, DJ Scott Seltzer

America’s rock n’ roll pool party returns to DAYLIGHT Beach Club on August 19th for the second annual PSYCHO SWIM. This official all-day pre-party celebrates the best of previous PSYCHO LAS VEGAS lineups with performances from a host of festival alumni as well as new PSYCHO additions.

DAYLIGHT Beach Club is nestled next to the Mandalay Bay Resort And Casino and features a 4400-square-foot main pool, daybeds, cabanas, and bungalows, with an elevated stage offering unobstructed, up-close-and-personal views of artist performances.

https://www.facebook.com/events/2513255765662644/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

A Message from Psycho Las Vegas

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Psycho Las Vegas Announces Complete 2020 Lineup; Danzig, Mercyful Fate & Emperor Headlining

Posted in Whathaveyou on January 30th, 2020 by JJ Koczan

Psycho Las Vegas 2020 banner style

Danzig doing the Lucifuge record, plus Emperor and Mercyful Fate on US exclusives. In the age of spectacle, Psycho Las Vegas stands apart from its otherwise-might-be peers. There’s a method to all this madness. A plan in action. These people aren’t stupid — this isn’t a stupid lineup, unless you mean “stupid” in an emphatic sense. That’s what Psycho Las Vegas is: emphasis realized. The chaos is the mission. How could there be a more suitable complement to this year, this moment in human history? This is happening at a fucking casino. In Las Vegas. Do you understand what I’m telling you? Do you understand you surreal that is? Repulsion are playing a god damned casino. On a bill with The Flaming Lips and Katatonia. This is your brain on… fire, I guess?

A couple weeks ago — days ago? hours? I have no idea what day it is or why I should be expected to know; I’ve actually set an alarm to post this at the right time in an effort not to screw it up which I probably will anyhow — I happened to have some quick email correspondence with the souls behind the genre-consuming beast of a festival that is Psycho Las Vegas 2020 and I made my BIG PITCH for coverage. Want to know what it was? What it basically boiled down to was, “How about you guys bring me out to the festival and put me up for four days, I take a bunch of mushrooms, maybe go see some bands and write whatever the hell I want?”

Their answer was yes, so that’s my plan. I think Psycho deserves nothing less than me ranting about I don’t know probably cultural decay, self-hate manifest as pretentious judgmentalism, and not eating for four days? Yeah, that sounds good. I’ll go with that.

The schedule isn’t out yet, but it’s clearly a choose-your-adventure festival. For those seeing HOT TIPS from an internet influencer, you’re on the wrong goddamn site. I’m the guy who spent half his morning cleaning up animal piss at his mom’s house. I’ll say though that along with the gargantuan proportion of the headliners — come on, Danzig doing Danzig II is brilliant and you know it — and all the indie, emo and post-hardcore stuff that, yeah okay, I get it, the aughts were a thing for some people (not for me; was too drunk to remember any of it), it’s righteous to see such a huge event in addition to telling Coachella to suck its ass continuing to commit to the heavy underground. My chosen adventure will include but not be limited to placing priority on Lord Buffalo, Blackwater Holylight, Fatso Jetson (of course), Mothership (the context is too good to pass up), Hippie Death Cult and… yes… Katatonia. Because they’re the wintriest band ever and it’ll be 100 degrees. The most Psycho move ever would be to put them on the pool stage. Keeping my fingers crossed that’s how it works out. Shit, put Mayhem out there while we’re at it.

That’s all provided I’m not too out of my mind to leave the hotel room.

Here’s a poster and words in blue. See you there, sort of:

PSYCHO LAS VEGAS 2020 – COMPLETE LINEUP

DANZIG (Celebrating 30 years of “Lucifuge”)
MERCYFUL FATE (2020 USA Exclusive)
EMPEROR (2020 USA Exclusive)
THE FLAMING LIPS
BLUE OYSTER CULT
DOWN (Celebrating 25 years of “Nola”)
BLACK REBEL MOTORCYCLE CLUB
TY SEGALL
WARPAINT
MAYHEM
SATYRICON
WATAIN
BLONDE REDHEAD
HEALTH
OBITUARY
ULVER (2020 USA Exclusive)
KATATONIA
AT THE GATES
POISON THE WELL
TSOL
CROWBAR
EXHORDER
WOLVES IN THE THRONE ROOM
THURSDAY
PINBACK
ZOLA JESUS
DRAB MAJESTY
BORIS
KING DUDE
PAUL CAUTHEN
AMIGO THE DEVIL
EYEHATEGOD
PIG DESTROYER
REPULSION
IMMOLATION
MIDNIGHT
MGLA
WINDHAND
CURSIVE
BRUTUS
PROFANATICA
LOWER DENS
BLACK JOE LEWIS
INTRONAUT
BOYSETSFIRE
DEATH BY STEREO
CURL UP AND DIE
ADAMANTIUM
THIS WILL DESTROY YOU
KHEMMIS
MOTHERSHIP
GUANTANAMO BAYWATCH
DENGUE FEVER
KAELAN MIKLA
BLACKWATER HOLYLIGHT
FATSO JETSON
WINO (ACOUSTIC)
CREEPING DEATH
MEPHISTOFELES
FRANKIE AND THE WITCH FINGERS
TOKE
FOIE GRAS
FLAVOR CRYSTALS
SILVERTOMB
LORD BUFFALO
WARISH
ALMS
BOMBERS
GLACIAL TOMB
RELAXER
HIPPIE DEATH CULT
VAELMYST
MOTHER MERCURY
DJ SCOTT SELTZER

Psycho Entertainment & MGM Entertainment present PSYCHO SWIM

Lineup:
OLD MAN GLOOM
ELDER
THE SKULL
DEATH VALLEY GIRLS
BLACKWATER HOLYLIGHT
HERE LIES MAN
POLYRHYTHMICS
DJ SCOTT SELTZER

Tickets for PSYCHO LAS VEGAS as well as the PSYCHO SWIM pre-party, which requires a separate ticket from the main festival pass, are on sale now!

Tickets for all PSYCHO LAS VEGAS events can be purchased at VivaPsycho.com or AXS.com.

https://www.facebook.com/events/3255628101138593/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

Danzig, Danzig II: Lucifuge (1990)

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Boris Announce Love & Evol 2LP Release & US Tour Dates

Posted in Whathaveyou on May 16th, 2019 by JJ Koczan

boris

2LP and digital release only for the new Boris record, Love and Evol. Fair enough, I guess, as CDs prove historically to more and more be the bastard-child of physical formats as tapes at least earn some kind of revisionist hipness. I’ll still take a tiny plastic platter if one’s on offer, but I’d be lying if I said didn’t say that more often than not it’s digital files I’m actually listening to these days, and if you’re having one or the other sit on a shelf, the vinyl is more impressive. For those of us who buy in bulk, however, there’s something to be said for saving every bit of space possible.

Either way, new Boris is nothing but good news, whatever format restrictions may apply, and even better that they’ll tour to support it. I’ll look forward to seeing them in… Jersey City?

Time does strange things to us all.

From the PR wire:

BORIS LOVE AND EVOL

BORIS ANNOUNCE ‘LOVE & EVOL’ & NORTH AMERICAN TOUR IN CELEBRATION

LOVE & EVOL will be released via Third Man Records in August. Re-issues of Boris’s Akuma no Uta and Feedbacker are forthcoming.

Boris have never been one for sentimentality—they simply wave goodbye to old worlds in favor of new horizons. That’s exactly the logic behind the band’s two forthcoming reissues of Akuma No Uta and Feedbacker, which will be released via Third Man Records this year, marking a new partnership between the band and label. The batch of reissues also makes way for Boris’s first new album in two years: L?VE & EV?L, due out this August on Third Man. The pioneering, monolithic trio will also be hitting the road with NYC industrialists Uniform this fall – tour dates are listed below.

L?VE & EV?L exist as two independent works, encapsulating conflicting connotations that interweave and become intricately entangled with one another, gradually eroding before becoming utterly singular. Continuing to tinker and toil with their sound since the release of DEAR, Boris have pivoted onward a more organic, non-grid literary style that L?VE & EV?L showcases.

Boris was formed in 1992, culminating in the current lineup of Takeshi, Wata, and Atsuo just three years later. Even in their infancy, the members of Boris boldly explored their own vision of heavy music, where words like “explosive” and “thunderous” barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billowing smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way.

L?VE & EV?L will be released this August on double LP and digital formats via Third Man Records, with the reissue details to follow. Stay tuned for more news to come.

Boris is:
Takeshi — Vocal, Bass & Guitar
Wata — Vocal, Guitar & Echo
Atsuo — Vocal, Drums, Percussion & Electronics

L?VE & EV?L — Track Listing:
Disc [L?VE]
Side A
1. Away from You
2. Coma

Side B
3. EVOL

Disc [EV?L]
Side A
1. uzume
2. LOVE

Side B
3. In The Pain(t)
4. Shadow of Skull

BORIS — On Tour w/ Uniform:
August 19 San Diego, CA @ Casbah
August 20 Phoenix, AZ @ Valley Bar
August 22 San Antonio, TX @ Paper Tiger
August 23 Austin, TX @ Barracuda
August 24 Denton, TX @ Rubber Gloves
August 25 Houston, TX @ White Oak Music Hall
August 28 Mexico City, MX @ Galera *
August 30 Tampa, FL @ Orpheum
August 31 Gainesville, FL @ High Dive
September 1 Atlanta, GA @ Masquerade
September 3 Nashville, TN @ Exit/In
September 4 Asheville, NC @ The Orange Peel
September 5 Raleigh, NC @ Hopscotch Festival *
September 7 Washington, DC @ Black Cat
September 8 Jersey City, NJ @ White Eagle Hall
September 10 Brooklyn, NY @ Elsewhere
September 11 Boston, MA @ Paradise Rock Club
September 12 Portland, ME @ Port City Music Hall
September 13 Montreal, QC @ Theatre Plaza
September 14 Toronto, ON @ Lee’s Palace
September 15 Grand Rapids, MI @ Pyramid Scheme
September 17 Chicago, IL @ Lincoln Hall
September 18 St. Louis, MO @ Delmar Hall
September 20 Denver, CO @ Marquis Theater
September 21 Salt Lake City, UT @ Metro Music Hall
September 23 Seattle, WA @ Neumos
September 24 Portland, OR @ Doug Fir Lounge
September 26 San Francisco, CA @ Great American Music Hall
September 27 San Jose, CA @ The Ritz
September 28 Camarillo, CA @ Rock City
September 29 Los Angeles, CA @ Echoplex

* no Uniform

Artist photo by: Miki Matsushima

http://www.facebook.com/borisheavyrocks/
http://borisheavyrocks.com/
https://thirdmanstore.com/

Boris, Live at Psycho Las Vegas 2018

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Live Review: Psycho Las Vegas Friday, 08.17.18

Posted in Features, Reviews on August 18th, 2018 by JJ Koczan

psycho las vegas

08.18.18 – 5:00AM – Saturday – Hotel room

Gluttons for punishment, unite! Cast off the chains of your dayjobs and journey to a druggy boozy place where you can smoke indoors and piss away your head-earned on, well, potentially, someone else’s hard-earned. You never liked those brain cells anyway, and what good have they done?

Me, I prefer my brains melted or otherwise obliterated with fatigue. Dripping out my ears, either way. But I see some folks around here going nuclear, and hey, I get it. Safe environment, plenty of support, nothing to lose. It’s self-directed cruelty more than anything else that keeps me sober. I don’t deserve the good time everyone else is having. Kablooey.

It was an early start for a busy day. 12:30PM. I’d imagine there were people who hadn’t gone to bed yet. But DVNE were not to be missed, so, I didn’t miss them. A lot of back and forth early and not really much staying-put later makes for a hell of a time, but everything is right there around the corner and everyone here is very nice. At least the people who’ve said hi to me. I’m sure just by simple population-sample math there are one or two jerks running around, but none I’ve run into.

Witchcraft didn’t make it. That’s a band I’ve dug on some level or other for more than a decade, but wasn’t gonna cry over it. Plenty to see besides with three stages open: The Joint, Vinyl and the Pool.

And like I said, early start. Went like this:

DVNE

dvne (Photo by JJ Koczan)

Good band. That’s what I wrote in my notes. Direct quote: Good band. Pro shop. For DVNE‘s first appearance on a US stage — and sizable US stage at that, in The Joint at the Hard Rock Hotel and Casino — they hit it like absolute professionals. Crisp in their sound, intense in delivery, every bit in command of the room, from “go” onward. With full lighting and production behind them, CO2 canisters firing and lasers behind and their logo blasted on massive stage-side screens, the Edinburgh progressive post-metal four-piece certainly seemed to be made to feel welcome on what to them was foreign shores. Killed. Just nailed it. They have a new record out next year following up on last year’s righteous Asheran, and playing beneath oranges and reds that echoed that album’s cover art, they delivered a set that quite frankly, unless they break up tomorrow, I sincerely doubt will be their last time on an American stage. In other words, they seem ready to hit the road in a we’re-a-full-time-band-now kind of way, and more power to them. It’ll be worth keeping an eye out in 2019 for when they come through supporting their next full-length, but in the meantime, this set was basically serving early notice of a significant arrival.

Night Horse

Night Horse (Photo by JJ Koczan)

Sure, it’s been eight years since L.A.’s Night Horse released their second album, Perdition Hymns (review here), but what the hell? The double-guitar five-piece — one of those guitarists happens to be Justin Maranga from Ancestors — took the stage and quickly warmed up their classic your-dad’s-rock-was-better vibe that, with added charm from vocalist Sam James Velde introducing them by saying, “We’re Integrity from Cleveland, Ohio,” was a total blast. I’ll admit it’s been a while since the last time I had Perdition Hymns or their 2008 debut, The Dark Won’t Hide You, on for a spin, but even though Maranga forgot his slide and no one seemed to have a beer bottle to use instead, they definitely made it work. With guitarist Greg Buensuceso and bassist Nick D’Itri holding down the other side of the stage and drummer Norm Block swinging away in the middle, they were way more locked in than one might think for a band who haven’t really kicked around all that much in at least a half-decade. Velde stepped over the barricade and into the crowd during the last song and asked everyone to sit with him on the floor — a proposition that I’d imagine would be way stickier later in the day — while he told the story of the song, and it made for a special moment, as almost everyone actually did it. He got back up and they rocked to a finish, but if you ever needed to know how much Night Horse owned that room, they literally sat it down to give some background on their material. He could do that at every show for all I know, but it was something special here anyway and I felt lucky to see it.

The Munsens

The Munsens (Photo by JJ Koczan)

Denver trio The Munsens posted a new single earlier this week called “Dirge (For Those to Come)” as a preview of their upcoming full-length, Unhanded, and with it, gave a first look at a notable change in direction, pushing more into the territory of extreme sludge than even two years ago found them on their Abbey Rose EP (review here). With guitarist/vocalist Shaun Goodwin and bassist/vocalist Michael Goodwin welcoming drummer Graham Wesselhoff, the shift is easy enough to place, but a corresponding turn to harsher vocals and more grueling fare would seem to be at hand. Most, if not all, of what they played in Vinyl was also from Unhanded, and they unfurled an onslaught of tone and noise that seemed to bounce right off the back of the room and make a wall of death with the next riff cycle. It was brutal, and not as given to crust as Dopethrone, but seemed to be somewhat of that spirit. Delivered with a likewise visual assault of strobe, their time went quick — unless I passed out from all the flashing lights — but was well enough to get the point of the evolution they’ve undergone. I don’t know if I’ll be ready when Unhanded, hits, but at least I’ll see it coming.

Temple of Void

Temple of Void (Photo by JJ Koczan)

I don’t know whether Temple of Void are the doom of death or the death of doom, but fucking hell they’re heavy. The Detroit five-piece released their second LP, Lords of Death, last year on Shadow Kingdom, and they’d only dip back once to 2014’s Of Terror and the Supernatural (review here) for “Examinate Gaze,” while everything else was from the new album. Fair enough for the significant assault factor of their death metal plunge. They took the stage to the Lords of Death intro “The Charnel Unearthing” — which given the intensity of what followed, I almost found unnecessary; they hit it so hard, why give people the chance to get ready? — and from there proffered an extremity that went beyond even the death metal to the atmospheric weight of what they were doing. Vocalist Mike Erdody had a soulful, tortured aspect to his headbanging and while behind him drummer Jason Pearce slammed into his kit with palpable resentment thereof and guitarists Alex Awn and Eric Blanchard tore into searing riffs and leads given all the more weight by Brent Satterly‘s bass, the sense of emotionalism Erdody brought to his growls was something rare on either side of the genre. It was another level on which Temple of Void make their impact felt, and a distinguishing factor that resonated throughout their time.

Church of Misery

Church of Misery (Photo by JJ Koczan)

There was something of a crunch at this point in the schedule. Church of Misery were going on in the Joint while Temple of Void finished up in Vinyl, and then by the time the serial-killer-crazed Japanese riff lords were done, Yakuza would have already started, also in Vinyl. Still, history said “go see Church of Misery,” and history wasn’t wrong. Bassist/founder Tatsu Mikami is nothing less than doom royalty, and while I’ve seen him perform with several different lineups over the years, it always seems like he’s ready to deliver no matter who’s joined him on stage at the time. Psycho was no exception as he, vocalist/thereminist Hiroyuki Takano, guitarist Yasuto Muraki and drummer Junichi Yamamura ran through a selection of the hits: “Shotgun Boogie,” “I, Motherfucker,” “Born to Raise Hell” and so on. I’m not huge on the whole serial killer thing — by coincidence, I wound up in an elevator today with one of Charles Manson’s descendants who was telling his friends it’s way less cool when it’s your family — but regardless, Church of Misery did plenty of slaying on their own and made it easy to hope they record with this lineup, as it seemed like they were more than ready to get down to business at the Sabbathian core of what the band has always been about. I did end up poking my head in to see Yakuza for a moment — and Bruce Lamont is still way ahead of his time — but Church of Misery weren’t taking no for an answer. I was back in the Joint before long as they blew out the rest of their set and any number of eardrums in the process.

Tinariwen

Tinariwen (Photo by JJ Koczan)

Absolutely stunning. I knew next to nothing about the Tuareg group Tinariwen going into the announcement they’d play Psycho Las Vegas, but the schedule cut off both the pool and Vinyl stages while they played, so clearly they were an act Psycho wanted people to see. Rightly so. Dressed in robes and traditional garb and backed by hand percussion, the band led by guitarist/vocalist Ibrahim Ag Alhabib brought a desert blues that tied to Psycho better than one might’ve ever expected. With acoustic and electric guitars, bass and deep-running vocal arrangements, dancing on stage — some dancing in the crowd too — and video of them on huge screens on either side, it was no less of a production in terms of lighting and staging than Church of Misery or DVNE had been, but the soothing vibe and ebbs and flows in the music made it a total standout. They were another one I was going to stay for a bit and then wander off and find some more coffee, but I was hooked. They could’ve played twice as long and I don’t think I would’ve moved. Their set felt like a gift and on a day that wasn’t exactly hurting for highlights anyhow, they were something truly special to behold. Their 2017 album, Elwan, was recorded in the California desert and has quickly made its way to the front of my must-purchase line.

Boris

Boris (Photo by JJ Koczan)

In their 25-plus years, enough wax poetry has been written in honor of Japanese noise and heavy rock innovators, droners, experimentalists, J-poppers and anything-else-they-want-to-be-that-day Boris that even attempting to talk about their set feels superfluous. I’d only be echoing a chorus of praise that’s resounded for the last two decades. Suffice it to say, they’re masters at what they do. Individually and collectively, guitarist Wata, drummer Atsuo and guitarist/bassist Takeshi are relentless in their forward progression, and though most of what they played after a drifting, slower opening came from the Heavy Rocks and Pink-style, the wash of noise and over-the-top push were never far off. Their 2017 album, Dear (review here), was a stunning glimpse at where they’ve been in their time and where they might still go, and bathed in fog on the Joint stage, they captured much the same feel in celebrating their past while continuing to move ahead toward something new. I don’t know if it’s possible for Boris to be underrated, but the chemistry between them on stage — whether it’s Atsuo shouting into his headset mic to raise the energy level or Wata scorching out another solo or Takeshi switching from his rhythm guitar neck to his bass neck and hurling out blistering low end runs — is among the most pivotal aspects of what they do, and as much as they’ve done to push heavy rock to multiple avenues over their tenure, they’ve only gotten to be a more potent force live.

High on Fire

High on Fire (Photo by JJ Koczan)

If a single person could embody what Psycho Las Vegas is, it might be Matt Pike. The High on Fire frontman and Sleep guitarist has played all three editions of this festival in some form or other — time for a Kalas reunion? — and he, bassist Jeff Matz and drummer Des Kensel came out like the statesmen they are; one of the most crucial bands not just in underground heavy, but in the wider sphere of metal. Hugely influential, with a maddening signature gallop and tales of war and bludgeonry to delight the downtrodden of spirit. Their upcoming LP, Electric Messiah, marks the third collaboration between the trio and producer Kurt Ballou, and while they didn’t play anything from it, they did give due representation to 2015’s Luminiferous (review here) in “The Black Plot,” “Carcosa” and “Slave the Hive,”  and 2012’s De Vermiis Mysteriis (review here) with “Fertile Green” and “Serums of Laio,” while older works like 2007’s Death is This Communion (discussed here) and 2005’s Blessed Black Wings (discussed here) made their presence felt with cuts like “Rumors of War” and “Sons of Thunder.” I’d argue they were the night’s headliners even before Witchcraft dropped off, but either way, High on Fire were more than up to the occasion, and with “Blood from Zion” from 2000’s The Art of Self-Defense late in the set, they brought together past and present in a way that was every bit the culmination of the evening. There was still plenty more Psycho after them, but no doubt High on Fire left their mark on the night and all who assembled to see them.

I don’t know if you saw it, but on the social medias I posted a picture of The Pecan and asked if anyone could turn it into the cover of Vol. 4 by Black Sabbath. Several came in, which was hugely appreciated, and among them was this one from Slevin, which I subsequently spent the rest of the night staring at because it’s so friggin’ awesome. If you need me, I’ll be meme-ing my baby. Next up, his head on Jean-Luc Picard’s body. It will happen.

Anyway, I came back to the room after the show and sorted pictures and whatnot and then crashed out pretty soon thereafter to get up early and write. My alarm was set for six and I woke up a bit before five and decided to roll with it. Psycho starts an hour later today, but is another super-busy day, so I’m going to get some more rest in preparation for that. I may or may not check in again before that review goes up, depends on time, but there are more pics after the jump here and I appreciate you reading and taking time to have a look if you do.

Read more »

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Psycho Las Vegas 2018 Reveals Lineup; Dimmu Borgir, Hellacopters, Godflesh, Witchcraft and More to Play

Posted in Whathaveyou on February 23rd, 2018 by JJ Koczan

Psycho Las Vegas 2018 logo

It’s only taken a few years for Psycho Las Vegas to establish itself as the premier underground festival in the US. All well and good. With 2018’s lineup, though, it’s time to start thinking of Psycho among the best in the world.

Sounds like too much? Consider Godflesh and Dimmu Borgir sharing a stage, both for exclusive West Coast appearances. Think of Sweden’s Witchcraft playing one of the two shows they’ll do in the US at Psycho, and ditto that for Japanese riff-madmen Church of Misery. Think of US exclusives from Lee Dorrian’s With the Dead, or Lucifer, whose Johanna Sadonis will also DJ the Center Bar. The commitment to up and coming underground acts local, domestic and foreign like Temple of Void, King Buffalo, Dreadnought, The Munsens and DVNE. Picture yourself watching Wolves in the Throne Room headline a pre-fest pool party with Elder, Young and in the Way, Dengue Fever, Fireball Ministry and Toke.

2018 is the year Psycho Las Vegas outclasses even itself and pushes further than it ever has in terms of stylistic reach (Integrity walks by and waves… at Boris) and the sheer power of its construction. If you’re looking for the future, you’ll find it in scumbag paradise.

Here’s the lineup:

Psycho Las Vegas 2018 poster

Psycho Las Vegas 2018

Hard Rock Hotel and Casino Las Vegas
4455 Paradise Rd, Las Vegas, Nevada 89169

Tickets: https://www.vivapsycho.com/pages/tickets

PSYCHO LAS VEGAS 2018 lineup:
DIMMU BORGIR (west of chicago exclusive)
HELLACOPTERS (one of two shows to be played in the USA in 2018)
SUNN 0)))
GODFLESH (west of chicago exclusive)
WITCHCRAFT (one of two shows to be played in the USA in 2018)
ENSLAVED
AMERICAN NIGHTMARE
HIGH ON FIRE
ROCKET FROM THE CRYPT
RED FANG
ZAKK SABBATH
CHURCH OF MISERY (usa exclusive 2018 with exception to one other show in San Diego)
TINARIWEN
GOBLIN
CKY
VENOM INC
EYEHATEGOD
VOIVOD
BORIS
COVEN
INTEGRITY
PALLBEARER
WITH THE DEAD (USA exclusive 2018)
MONOLORD
LUCIFER (USA exclusive 2018)
ACID WITCH
SURVIVE
DOPETHRONE
BIG BUSINESS
UNEARTHLY TRANCE
MUTOID MAN
TODAY IS THE DAY
HELMS ALEE
SPIRIT ADRIFT
BATUSHKA
PRIMITIVE MAN
DVNE
ALL PIGS MUST DIE
EIGHT BELLS
WORMWITCH
INDIAN
NECROT
HOMEWRECKER
BRAIN TENTACLES
CLOAK
BLACK MARE
MAGIC SWORD
UADA
TEMPLE OF VOID
DREADNOUGHT
WOLVHAMMER
ASEETHE
DISASTROID
FORMING THE VOID
VENOMOUS MAXIMUS
GHASTLY SOUND
HOWLING GIANT
KING BUFFALO
NIGHT HORSE
THE MUNSENS
GLAARE

Paradise Pool Pre Party
August 16th

WOLVES IN THE THRONE ROOM
ELDER
YOUNG AND IN THE WAY
DENGUE FEVER
FIREBALL MINISTRY
TOKE

Center Bar DJ’s
Andrew W.K.
Nicke Andersson (Entombed/Hellacopters)
Johanna Sadonis (Lucifer)

https://www.facebook.com/psychoLasVegas/
https://www.facebook.com/events/125340824913552/
http://vivapsycho.com

High on Fire, Live at Psycho Las Vegas 2016

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