Psycho Las Vegas 2021 Lineup Announced

Posted in Whathaveyou on June 23rd, 2020 by JJ Koczan

psycho las vegas 2021 banner

Plenty of this lineup looks familiar from what http://www.hospiz-aktuell.de/?academic-writing-for-graduate-students-swales-pdf - Options to buy an essay online. Making your writing more efficient, and picking up techniques from professionals Psycho Las Vegas would’ve been in 2020, and duh, that’s the idea. You’ve still got How Can I Pay http://www.yoshikiminatoya.com/resume-for-m-tech-admission/ is that ethical? Yes we provide academic writing service with all the ethical code intact. Danzig doing raleigh live homework help http://www.geht-auch-anders.de/research-paper-on-death-penalty/ can you buy a dissertation scientific method homework helps Lucifuge, still got Getting better quality paper; Saving time and money; College essays pay seems to be an act of cheating for some students. http://www.beerpro.si/?citizenship-essay-help. At the Gates and College Admission Essay Critique - Instead of wasting time in inefficient attempts, get qualified assistance here confide your report to experienced writers working Katatonia and web link - Order a 100% authentic, non-plagiarized paper you could only dream about in our paper writing assistance Why be concerned about Emperor and types of masters degrees thesis research paper on child labor Numbering assignment law college admission essays community service Mercyful Fate. Still got the possibility that if I go, I can hang out after  master thesis communication engineering site dissertation methodology write up tips to becoming a better essay writer Pinback‘s set and bother  Homework Help In Wakefield Rhode Island - diversify the way you cope with your homework with our professional service Benefit from our cheap custom essay writing services and Rob Crow about how badly he needs to do another  http://www.eumed-ict.eu/?affordable-custom-letter-writing and proofreading techniques that march in step with the newest academic demands. Most of our clients have already earned their desired grades. Goblin Cock record.  Search Automotive Abstract Structure Research Paper jobs. Get the right Automotive Service Writer job with company ratings & salaries. 12,653 open jobs for Automotive Service Wino Forensic Science Research Paper The vice of cheap article writing began in nineties when internet was discovered and various academicians tried to exploit Fatso Jetson, http://www.hahnemann.de/?format-of-writing-a-research-paper offers a great service to get custom written essay of high quality at affordable prices. Place your order in a few clicks! Elder and  Self Reflective Essay - Use this service to receive your profound thesis delivered on time Proposals, essays & research papers of best quality. Stop Blackwater Holylight playing the pool party, six or seven curveball emo bands — all that fun stuff. Spectacle unmatched in heavy music, set in the Planet Earth’s official home for damned souls. It’s as perfect as it is incongruous.

Makes me wonder what Welcome To Reliable Papers. Unlike many other writing websites, our company is known for providing sees all year long. Crowbar have going on next August.

But what you probably want to know is whether your ticket if you had one for 2020 is still good for 2021. Yes.

Behold:

psycho las vegas 2021 poster

Psycho Entertainment presents Psycho Las Vegas 2021

Psycho Las Vegas has been rescheduled to August 20th – 22nd, 2021. Psycho Swim has been rescheduled to August 19th, 2021. If you already purchased a pass for either event and want to attend in 2021, there is nothing you need to do – your passes will automatically be valid for the new dates.

80 of the 83 bands originally booked on the lineup are returning in 2021. The bands who are not joining us next year are Ty Segall, Black Rebel Motorcycle Club, and Crowbar.

Danzig, Mercyful Fate, Emperor, The Flaming Lips, Blue Oyster Cult, Down, Mayhem, Satyricon, Obituary, Warpaint, Blonde Redhead, HEALTH, Watain, Ulver, Katatonia, At the Gates, Poison The Well, Paul Cauthen, Amigo The Devil, Exhorder, Wolves in the Throne Room, Thursday, Pinback, Zola Jesus, Drab Majesty, Boris, Eyehategood, Repulsion, Immolation, Midnight, MGLA, Windhand, Cursive, Tsol, King Dude, Pig Destroyer, Brutus, Profanatica, Lower Dens, Cult of Fire, Intronaut, boysetsfire, Death by Stereo, Curl Up and Die, Adamantium, This Will Destroy You, Khemmis, Mothership, Guantanamo Baywatch, Dengue Fever, Kaelan Mikla, Black Joe Lewis, Fatso Jetson, Wino, Creeping Death, Mephistofeles, Frankie and The Witch Fingers, Toke, Foie Gras, Flavor Crystals, Silvertomb, Lord Buffalo, Warish, Alms, Bombers, Glacial Tomb, Relaxer, Black Sabbitch, Hippie Death Cult, Vaelmyst, Mother Mercury, Two Minutes to Late Night

America’s rock n’ roll bacchanal returns to Mandalay Bay Resort & Casino August 20th through August 22th, with another resort-wide casino takeover unlike any of its kind. Now approaching its fifth year in the swirling neon decadence of Las Vegas, PSYCHO will feature over seventy artists across four stages including the world-class Events Center, the iconic House Of Blues, Mandalay Bay Beach, and the vintage Vegas-style Rhythm & Riffs Lounge in the center of the casino floor. PSYCHO LAS VEGAS 2021 will continue to redefine America’s conception of what a festival can be.

Psycho Entertainment presents Psycho Swim “The Official Psycho Las Vegas Pre-Party”

Old Man Gloom, Elder, Polyrhythmics, Death Valley Girls, The Skull, Blackwater Holylight, Here Lies Man, DJ Scott Seltzer

America’s rock n’ roll pool party returns to DAYLIGHT Beach Club on August 19th for the second annual PSYCHO SWIM. This official all-day pre-party celebrates the best of previous PSYCHO LAS VEGAS lineups with performances from a host of festival alumni as well as new PSYCHO additions.

DAYLIGHT Beach Club is nestled next to the Mandalay Bay Resort And Casino and features a 4400-square-foot main pool, daybeds, cabanas, and bungalows, with an elevated stage offering unobstructed, up-close-and-personal views of artist performances.

https://www.facebook.com/events/2513255765662644/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

A Message from Psycho Las Vegas

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Psycho Las Vegas Announces Complete 2020 Lineup; Danzig, Mercyful Fate & Emperor Headlining

Posted in Whathaveyou on January 30th, 2020 by JJ Koczan

Psycho Las Vegas 2020 banner style

Danzig doing the Lucifuge record, plus Emperor and Mercyful Fate on US exclusives. In the age of spectacle, Psycho Las Vegas stands apart from its otherwise-might-be peers. There’s a method to all this madness. A plan in action. These people aren’t stupid — this isn’t a stupid lineup, unless you mean “stupid” in an emphatic sense. That’s what Psycho Las Vegas is: emphasis realized. The chaos is the mission. How could there be a more suitable complement to this year, this moment in human history? This is happening at a fucking casino. In Las Vegas. Do you understand what I’m telling you? Do you understand you surreal that is? Repulsion are playing a god damned casino. On a bill with The Flaming Lips and Katatonia. This is your brain on… fire, I guess?

A couple weeks ago — days ago? hours? I have no idea what day it is or why I should be expected to know; I’ve actually set an alarm to post this at the right time in an effort not to screw it up which I probably will anyhow — I happened to have some quick email correspondence with the souls behind the genre-consuming beast of a festival that is Psycho Las Vegas 2020 and I made my BIG PITCH for coverage. Want to know what it was? What it basically boiled down to was, “How about you guys bring me out to the festival and put me up for four days, I take a bunch of mushrooms, maybe go see some bands and write whatever the hell I want?”

Their answer was yes, so that’s my plan. I think Psycho deserves nothing less than me ranting about I don’t know probably cultural decay, self-hate manifest as pretentious judgmentalism, and not eating for four days? Yeah, that sounds good. I’ll go with that.

The schedule isn’t out yet, but it’s clearly a choose-your-adventure festival. For those seeing HOT TIPS from an internet influencer, you’re on the wrong goddamn site. I’m the guy who spent half his morning cleaning up animal piss at his mom’s house. I’ll say though that along with the gargantuan proportion of the headliners — come on, Danzig doing Danzig II is brilliant and you know it — and all the indie, emo and post-hardcore stuff that, yeah okay, I get it, the aughts were a thing for some people (not for me; was too drunk to remember any of it), it’s righteous to see such a huge event in addition to telling Coachella to suck its ass continuing to commit to the heavy underground. My chosen adventure will include but not be limited to placing priority on Lord Buffalo, Blackwater Holylight, Fatso Jetson (of course), Mothership (the context is too good to pass up), Hippie Death Cult and… yes… Katatonia. Because they’re the wintriest band ever and it’ll be 100 degrees. The most Psycho move ever would be to put them on the pool stage. Keeping my fingers crossed that’s how it works out. Shit, put Mayhem out there while we’re at it.

That’s all provided I’m not too out of my mind to leave the hotel room.

Here’s a poster and words in blue. See you there, sort of:

PSYCHO LAS VEGAS 2020 – COMPLETE LINEUP

DANZIG (Celebrating 30 years of “Lucifuge”)
MERCYFUL FATE (2020 USA Exclusive)
EMPEROR (2020 USA Exclusive)
THE FLAMING LIPS
BLUE OYSTER CULT
DOWN (Celebrating 25 years of “Nola”)
BLACK REBEL MOTORCYCLE CLUB
TY SEGALL
WARPAINT
MAYHEM
SATYRICON
WATAIN
BLONDE REDHEAD
HEALTH
OBITUARY
ULVER (2020 USA Exclusive)
KATATONIA
AT THE GATES
POISON THE WELL
TSOL
CROWBAR
EXHORDER
WOLVES IN THE THRONE ROOM
THURSDAY
PINBACK
ZOLA JESUS
DRAB MAJESTY
BORIS
KING DUDE
PAUL CAUTHEN
AMIGO THE DEVIL
EYEHATEGOD
PIG DESTROYER
REPULSION
IMMOLATION
MIDNIGHT
MGLA
WINDHAND
CURSIVE
BRUTUS
PROFANATICA
LOWER DENS
BLACK JOE LEWIS
INTRONAUT
BOYSETSFIRE
DEATH BY STEREO
CURL UP AND DIE
ADAMANTIUM
THIS WILL DESTROY YOU
KHEMMIS
MOTHERSHIP
GUANTANAMO BAYWATCH
DENGUE FEVER
KAELAN MIKLA
BLACKWATER HOLYLIGHT
FATSO JETSON
WINO (ACOUSTIC)
CREEPING DEATH
MEPHISTOFELES
FRANKIE AND THE WITCH FINGERS
TOKE
FOIE GRAS
FLAVOR CRYSTALS
SILVERTOMB
LORD BUFFALO
WARISH
ALMS
BOMBERS
GLACIAL TOMB
RELAXER
HIPPIE DEATH CULT
VAELMYST
MOTHER MERCURY
DJ SCOTT SELTZER

Psycho Entertainment & MGM Entertainment present PSYCHO SWIM

Lineup:
OLD MAN GLOOM
ELDER
THE SKULL
DEATH VALLEY GIRLS
BLACKWATER HOLYLIGHT
HERE LIES MAN
POLYRHYTHMICS
DJ SCOTT SELTZER

Tickets for PSYCHO LAS VEGAS as well as the PSYCHO SWIM pre-party, which requires a separate ticket from the main festival pass, are on sale now!

Tickets for all PSYCHO LAS VEGAS events can be purchased at VivaPsycho.com or AXS.com.

https://www.facebook.com/events/3255628101138593/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

Danzig, Danzig II: Lucifuge (1990)

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Live Review: ROADBURN 2019 Day Two, 04.12.19

Posted in Features, Reviews on April 12th, 2019 by JJ Koczan

roadburn 2019 day two banner (Photo by JJ Koczan)

04.12.19 – 02.26 CET – Friday night – Hotel

You get back to the hotel, kick off your shoes like you’re breaking shackles, realize your earplugs have been in since you walked out of the 013 and you’ve been walking to the rhythm of your own breath. Also why you feel so isolated. It’s Friday at Roadburn, which in the yearly cycle of the festival is always the hardest day. Good music makes it better. Always. Even the shinsplints. You pull the plugs out of your ear and put on a record. Start typing. Radical perspective shift.

It’s Tomas Lindberg from At the Gates‘ curated day. So is some of tomorrow. Dubbed ‘The Burning Darkness’ — as in, “with fear I kiss…” — it has featured a strikingly broad range of styles and acts native to his hometown of Gothenburg, Sweden, and tonight, At the Gates headlined with a special set that, among others, featured guest vocals from Anna Von Hausswolff, who had already earlier absolutely decimated the Main Stage, and Rob Miller of Amebix, Seven That Spells (Photo by JJ Koczan)who also appears of the band’s latest EP, With the Pantheons Blind. Not the kind of thing you see every day, and that was pretty much the running theme from the early afternoon onward.

In the Green Room, Zagreb’s Seven That Spells held court for three complete sets, playing their entire The Death and Resurrection of Krautrock trilogy. Those three albums, Om, Io and Omega, were released over a period of seven years between 2011 and 2018, so to say it was an effort of considerable scope would be underselling it, but the four-piece approached the task with enviable vitality. I would be in and out for at least a little while of all three sets — the second one I watched through the open doorway; an essential Roadburn experience dating back years for those who show up late to see, well, anyone — and though they had breaks between them, it’s still basically one band playing three gigs in the span of about four and a half hours. Admirable.

During their first set, however, in the Main Stage hall next door, Tripkyton played the second of Roadburn 2019’s three commissioned works, completing the “Requiem” triptych with a previously unheard second part to go with the first, which appeared on Celtic Frost‘s Into the Pandemonium in 1988 and the third, Triptykon (Photo by JJ Koczan)which was on that band’s reunion/swansong offering, 2006’s Monotheist. Oh yeah, and they did so in the company of the Metropole Orkest, because obviously. It was nearly overwhelming on a basic sensory level, never mind the breadth of the arrangements involved to the performance aspect. It was not without its sense of space or dynamic, but there was so much to take in that you almost couldn’t do it just by watching. Fortunately, there were video cameras on hand documenting the entire affair, so I very much doubt this will be the last this performance of the complete “Requiem” is heard from.

Still, hard to think of it as anything other than a landmark, much as when Tom G. Warrior and Triptykon made either their first live appearance at Roadburn 2010 (review here), or when they presented their second album, Melana Chasmata, in 2014 (review here). The audience certainly treated it as such, packing into the venue to the point that there was nowhere to move. I tried to go over to Het Patronaat for Mythic Sunship, but the line was out the door as well, and I know how that goes, so I ran up to the merch area to pick up the Molasses two-songer that went on sale Anna Von Hausswolff (Photo by JJ Koczan)today and then back for more of Seven That Spells and, after a spell of just sitting and letting my mind numb out for a minute, Anna Von Hausswolff‘s set. I suppose I was at a disadvantage as regards the Swedish Von Hausswolff, as I went into seeing her having never heard her before, but from where I stood, that only seemed to make me happier to be blindsided both by her operatic vocal prowess and experimentalist songcraft.

With a full band supporting, she crushed. Bowed bass assured that massive waves of low end vibrated the floor of the big hall, and Von Hausswolff‘s keys and voice cut through in a fashion both melodic and weighted by more than just emotion. Late in the set, the group resolved itself in manic pulsations and strobe flashes; I wanted to look away but was mesmerized. Up in the back of the lowest level of the hall, I just kind of sat there with my mouth open — “catching flies,” as The Patient Mrs. might say. They had started about 10 minutes late and finished much the same, but I couldn’t possibly call it anything other than time well spent. It occurred to me at some point that I hadn’t eaten a proper meal in a while, Grails (Photo by JJ Koczan)so hit up a salad and some fish, and then was back in the Main Stage room for Grails.

I guess there are probably a bunch of varying opinions on Grails at this point, but I count myself as continually fascinated by the Portland, Oregon-based outfit, whose work has ranged from instrumentalist heavy rock to cinematic soundscaping, dark jazz and seemingly whatever else their creative whims might conjure for a given album. Their last one, incidentally, was 2017’s Chalice Hymnal (review here), and between this, the East Coast US dates they did earlier this year and the West Coast touring they’ll do this summer, I can’t help but wonder if they might not have something new in the works. Of course, the band shares Emil Amos with Om, and that band will be playing dates as well, but it doesn’t seem outside the realm of possibility. In the meantime, they turned out to be just what was needed at just that moment, so once again, I felt fortunate to be there to see them.

At the Gates (Photo by JJ Koczan)Soon enough, At the Gates would conquer Roadburn 2019. Let’s go back 20-21 years to high school me screaming along to “Blinded by Fear” blasting into my eardrums from this or that mixtape, and yes, safe to say I was fucking thrilled when Lindberg was announced as curator for this year, and all the more because I haven’t seen At the Gates since their reunion began in 2011 and, before tonight, I’d never seen them at all. So, a band for whom I’ve had affection for more than two decades — and I’ll gladly argue that Slaughter of the Soul has aged best of any melodic metal album from its era — playing a unique set at a festival curated by its frontman. Couldn’t have been any better if I got to interview Lindberg for the Weirdo Canyon Dispatch. Oh wait, I did.

The first half of that interview ran in today’s ‘zine, and the second is in tomorrow’s — if you’re not here, they’re all archived — but even that interview didn’t prepare me for everything At the Gates had in store for their set. Yes, they brought Rob Miller (also Tau Cross) over from the Isle of Skye to guest on vocals, and yes, they had a string quartet, and yes, the visuals were by Costin Chioreanu, but if you gave me a thousand lifetimes, I’m not sure I ever would’ve guessed they’d bring Matt Pike — Sleep play tomorrow night and Sunday both — onto the stage to sit in for a cover of Trouble‘s “The Tempter.” Or that they’d start off with a take on King Crimson‘s “Red.” Or that Anna Von Hausswolff would come back out as well to cover Philip Glass. Or I guess generally that the whole thing wouldMatt Pike with At the Gates (Photo by JJ Koczan) be so fucking shit god damn shit fucking god damn it fuck god shit glorious front-to-back.

Yeah, I’m more than willing to admit that part of the appeal for me of seeing At the Gates was the nostalgia of “Cold,” or “Suicide Nation” or “Slaughter of the Soul.” I know At the Gates have been doing shows again for eight years, and I know there have been lineup changes, and they’re not the people they were 20 years ago and I’m not the person I was 20 years ago. I know all of that, but there was so much else going on, and it all worked. And all that, on top of the fact that those songs were one of my earliest exposures to extreme metal of any stripe, and frankly, it’s not an enjoyment I feel like I need to justify. They fucking ruled, and even the band was smiling by the time they were finishing up. At the end, the whole crew came out when they were done to take a well-deserved bow. It had been something truly special.

Messa were playing Het Patronaat, and they were a band I really wanted to see, but even when I went out during At the Gates to head over there, about half an hour before Messa were LOOP (Photo by JJ Koczan)supposed to go on, the line was out the door and down the block. I’ll keep my fingers crossed for another set added at the skate park near Hall of Fame or something, but yeah. I drowned my sorrows in churning, resin-coated psychedelia with LOOP, who also headlined Roadburn 2014 (review here). Seeing Robert Hampson on guitar with Hugo Morgan on bass and Wayne Maskell on drums — both also of The Heads — and guitarist Dan Boyd was the kind of thing I took last time around as a probably-once-in-a-lifetime chance, so now that I’ve seen them twice, I’ll consider this round like a life-bonus. Like someone took my life and they were like, “You know, let’s give this dope another LOOP set” because they were being nice to me personally or whatever. I guess that’d be Walter and Tomas Lindberg curating. So hey, big thanks, guys.

The strobe warning they put out before going on would be well enough earned, but LOOP were a fantastic ending to the day. Do I dare hope to see them again at some point? Roadburn 2024, maybe? I’ll keep my fingers crossed.

I still have pictures to sort through and a ‘zine to edit tomorrow, so I’m going to leave it there. Temple Fang are playing a special early set, and yeah, I wouldn’t mind seeing that again if I can get up to Hall of Fame. We’ll see. Either way, halfway through Roadburn 2019 and starting to get that refreshed-soul feeling that only Roadburn can provide. Thanks as always for reading.

More pics after the jump.

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