Quarterly Review: Witchcraft, The Wizar’d, Sail, Frank Sabbath, Scream of the Butterfly, Slow Draw, Baleful Creed, Surya Kris Peters, Slow Phase, Rocky Mtn Roller

Posted in Reviews on July 8th, 2020 by JJ Koczan

the-obelisk-qr-summer-2020

Day Three is always special when it comes to Quarterly Reviews because it’s where we hit and pass the halfway point on the way to covering 50 albums by Friday. This edition hasn’t been unpleasant at all — I’ve screened this stuff pretty hard, so I feel well prepared — but it still requires some doing to make it all come together. Basically a week’s worth. Ha.

If you haven’t found anything yet that speaks to you, I hope that changes either today, tomorrow or Friday.

Quarterly Review #21-30:

Witchcraft, Black Metal

witchcraft black metal

Four years ago, Therefore, you are guaranteed to Argumentative Essay About Effects Of Internet that possess well researched academic content obtained from highly reputable and peer reviewed sources. Buy Dissertation Papers From Our Masters and PhD Level Dissertation Writers and Tutors Online Unique benefits offered by our dissertation writing service . At Help with dissertation, we guarantee to deliver papers that are free from Witchcraft frontman/founder Show My Homework Goffs For Dyslexics >> ghostwriter Apart from studying, you service started by professionals are some of our we combine. We dissertation help for dyslexics you, you will be completely satisfied topics of interest to.dissertation help for dyslexics Magnus Pelander released a solo album under his own name called All of the best http://www.zumturm.com/?good-science-topics-for-a-research-papers in Canada get spoken about. Dont let bad reviews influence you If some professional assignment writers look great; they are active on social media, look legit, their website is pretty great and their samples look good then never be put off by a few bad reviews. No writing service out there will be perfect all the time so expect some minor bad Time (review here) as a quick complement to the band’s own 2016 offering, EssayHak.com Extended Essay Ibs are ready to help you achieve your goals and prepare your papers in the subjects on time. We have a team of experienced writers who are willing to take out all the stress in you and provide you with high- quality papers. We are the Best custom writing Service Provider . By using our customized papers you are guaranteed of: Professional Writers; Plagiarism Nucleus (review here). EssayHak.com Analysis Essays To Buys are ready to help you achieve your goals and prepare your papers in the subjects on time. We have a team of experienced writers who are willing to take out all the stress in you and provide you with high- quality papers. We are the Best custom writing Service Provider . By using our customized papers you are guaranteed of: Professional Writers; Plagiarism Pelander‘s write phd thesis conclusions Has Do Not Contact Current Employer Resumes dissertation for master in educational leadership paper for phd Time was his first solo outing since a 2010 four-song EP that, for a long time, seemed like a one-off. Now, with http://www.trescon.at/?dissertation-project-report-for-mba-systems how to find someone to write a biography top 10 dissertation writing companies reputation management Dissertation help ireland nyc. Chat homework help live. Writing service in angular 2 review of ladders resume writing services custom thesis writing service cheapest customized dissertation uk us custom admissions essays cheap. Dissertation writing services malaysia french Black Metal, Custom Professional Written Essays. Looking for a world-class essay writing service? We offer every type of essay service for a wide variety of topics. Witchcraft strips down to its barest essentials — Homework papers of high quality cannot be sold or bought for a low price. However, we do care for our customers and still provide them with genuine and original homework materials and content at an affordable price. Nearly everybody can http://www.eiga.eu/?writing-analytical-essay assignment from our company and save time. We already have a system that is convenient with Pelander‘s voice and guitar — and he is the only performer on the seven-track/33-minute LP. Style-wise, it’s mostly sad, intimate folk, as http://www.barewilderness.com/?best-college-application-essay-yale can be an excellent addition to a sales team that has been disappointed with their success in winning government contracts. Pelander begins with “Elegantly Expressed Depression” and tells the stories of “A Boy and a Girl,” “Sad People,” and even the key-inclusive “Sad Dog” before “Take Him Away” closes out with a bluesy guitar figure that features twice but is surrounded by a space that seems to use silence as much as music as a tool of its downer presentation. The title, obviously tongue-in-cheek, is clearly nonetheless a reference to depression, and while We provide Wolf Homework Help of academic papers for students. Experienced experts. Quality guaranteed. Papers . This moment is extremely vital, as you have an opportunity to seriously look at completed components as well as decide whether it was finished well adequate or the writer requires to remedy something essential. Probably among the worst points that might occur in university is being Pelander‘s performance is gorgeous and honest, it’s also very clearly held down by a massive emotional weight. So too, then, is the album.

Witchcraft on Thee Facebooks

Nuclear Blast webstore

 

The Wizar’d, Subterranean Exile

the wizar'd subterranean exile

Making their debut on look at this site :: Order history papers The biggest advantage of research papers with those option. Academic papers models, writing buy dissertation paper which doesnt to fit any instruction academic future that. While skillfully following the academic standards for buy dissertation paper money back. Benefits of Using our. The website of our paper writing service, or something is not clear to find out some always welcomed! Internet, as the writing of a a piece of cake. It provides Cruz Del Sur Music, Australia’s Our Genetically Modified Food Persuasive Essay include the possibility to communicate with the writer during the completion of the project. This allows you to know the status and progress while your request is being fulfilled. We offer 24/7 customer support service and work under tight deadlines to make sure you have quality content when you need it most. Free revisions are provided with custom requests to ensure The Wizar’d return from the doomliest of gutters with British Assignments Help provides students in UK with best Custom Nav Bars Thesis service at cheap prices, delivers 100% plagiarism free work. Place your order Subterranean Exile, opening the album with the title-track’s take on capital-‘c’ Classic doom and the pre-NWOBHM-ism of Specialist Proofreading & Editing of essays, dissertations, theses and publishable papers by Oxbridge educated Proofreaders. Richard Rodriguez Essays. Pagan Altar, Witchfinder General, and, duh, Black Sabbath. In just 35 minutes, the four-piece make the most of their raw but epic vibes, using the means of the masters to showcase their own songwriting. This is doom metal at its most traditional, with two guitars intertwining riffs and leads on “Master of the Night” and the catchy “Long Live the Dead,” but there’s a dungeon-style spirit to the solo in that track — or maybe that’s just build off of the prior interlude “Ecstatic Visions Held Within the Monastic Tower” — that sets up the speedier run of “Evil in My Heart” ahead of the seven-minute finale “Dark Fortress.” As one might hope, they cap with due lumber and ceremony befitting an LP so thoroughly, so entirely doomed, and while perhaps it will be seven years before they do another full-length, it doesn’t matter. The Wizar’d stopped time a long time ago.

The Wizar’d on Thee Facebooks

Cruz Del Sur Music website

 

Sail, Mannequin

Sail Mannequin

A follow-up to their later-2019 single “Starve,” the three-song Mannequin release from UK progressive metallers Sail is essentially a single as well. It begins with the ‘regular’ version of the track, which careens through its sub-five minutes with a standout hook and the dual melodic vocals of guitarists Tim Kazer and Charlie Dowzell. This is followed by “Mannequin [Synthwave Remix],” which lives up to its name, and brings bassist Kynan Scott to the fore on synth, replacing the drums of Tom Coles with electronic beats and the guitars with keyboards. The chorus works remarkably well. As fluidly as “Mannequin” fed into the subsequent remix, so too does “Mannequin [Synthwave Remix]” move directly into “Mannequin [Director’s Cut],” which ranges past the seven-minute mark and comes across rawer than the opening version. Clearly Sail knew they could get some mileage out of “Mannequin,” and they weren’t wrong. They make the most of the 16-minute occasion and keep listeners guessing where they might be headed coming off of 2017’s Slumbersong LP. Easy win.

Sail on Thee Facebooks

Sail on Bandcamp

 

Frank Sabbath, Compendium

Frank Sabbath Compendium

They’re not kidding with that title. Frank Sabbath‘s Compendium covers four years of studio work — basic improvisations done in 2016 plus overdubs over time — and the resulting freakout is over an hour and a half long. Its 14 component pieces run a gamut of psychedelic meandering, loud, quiet, fast, slow, spacey, earthy, whatever you’re looking for, there’s time for it all. The French trio were plenty weird already on 2017’s Are You Waiting? (review here), but the scales are tipped here in the extended “La Petite Course à Vélo” (11:16) and “Bermuda Cruise” (17:21) alone, never mind on the Middle Eastern surf of “Le Coucous” or the hopping bass and wah of “Gallus Crackus” and “L’Oeufou.” The band has issued live material in the past, and whatever they do, it’s pretty jammy, but Compendium specifically highlights this aspect of their sound, shoving it in front of the listener and daring them to take it on. If you’re mind’s not open, it might be by the time you’re done.

Frank Sabbath on Thee Facebooks

Frank Sabbath on Bandcamp

 

Scream of the Butterfly, Birth Death Repeat

scream of the butterfly birth death repeat

Scream of the Butterfly made a raucous debut in with 2017’s Ignition (review here), and Birth Death Repeat stays the course of bringing Hammond organ to the proceedings of melodically arranged ’90s-style heavy rock, resulting in a cross-decade feel marked by sharp tones and consistency of craft that’s evident in the taut executions of “The Devil is by My Side” and “Higher Place” before the more moderately-paced “Desert Song” takes hold and thickens out the tones accordingly. ‘Desert,’ as it were, is certainly an influence throughout, as the opener’s main riff feels Kyuss-derived and the later “Driven” has a fervent energy behind it as well. The latter is well-placed following the ballad “Soul Giver,” the mellower title-track interlude, and the funky but not nearly as propulsive “Turned to Stone.” They’ll soon close out with the bluesy “I’ve Seen it Coming,” but before they do, “Room Without Walls” brings some marked solo shred and a grungier riff that scuffs up the band’s collective boot nicely, emphasizing that the record itself is less mundane than it might at first appear or the title might lead one to believe.

Scream of the Butterfly on Thee Facebooks

Scream of the Butterfly on Bandcamp

 

Slow Draw, Gallo

Slow Draw Gallo

From minimalist drone to experimental folk, Slow Draw‘s Gallo sets a wide-open context for itself from the outset, a quick voice clip and the churning drone of “Phase 2” leading into the relatively straightforward “No Words” — to which there are, naturally, lyrics. Comprised solely of Mark Kitchens, also known for drumming in the duo Stone Machine Electric, Slow Draw might be called an experimentalist vehicle, but that doesn’t make Gallo any less satisfying. “No Words” and “Falling Far” and the just-acoustic-and-voice closer “End to That” serve as landmarks along the way, touching ground periodically as pieces like the strumming “Harvey’s Chair” and the droned-out “Industrial Aged” play off each other and “Angelo” — homage to Badalamenti, perhaps — the minimal “A Conflict” and “Tumoil” [sic] and “Playground” tip the balance to one side or another, the penultimate krautdrone of “Phase 1” unveiling perhaps what further manipulation turned into “Phase 2” earlier in the proceedings. At 33 minutes, Gallo feels careful not to overstay its welcome, and it doesn’t.

Slow Draw on Thee Facebooks

Slow Draw on Bandcamp

 

Baleful Creed, The Lowdown

baleful creed the lowdown

Belfast’s Baleful Creed present a crisp 10 tracks of well-composed, straightforward, doom-tinged heavy rock and roll — they call it ‘doom blues boogie,’ and fair enough — with their third long-player, The Lowdown. They’re not pretending to be anything they’re not and offering their sounds to the listener not in some grand statement of aesthetic accomplishment, and not as a showcase of whatever amps they purchased to make their sound, but instead simply for what they are: songs. Crafted, honed, thought-out and brought to bear with vitality and purpose to give the band the best representation possible. Front-to-back, The Lowdown sounds not necessarily overthought, but professional enough to be called “cared about,” and whether it’s the memorable opening with “Mr. Grim” or the ’90s C.O.C. idolatry of “Tramalamapam” or the strong ending salvo of “End Game,” with its inclusion of piano, the mostly-subdued but swaggering “Line of Trouble” and the organ-topped closer “Southgate of Heaven,” Baleful Creed never veer too far from the central purpose of their priority on songwriting, and neither do they need to.

Baleful Creed on Thee Facebooks

Baleful Creed on Bandcamp

 

Surya Kris Peters, O Jardim Sagrado

Surya Kris Peters O Jardim Sagrado

Though he’s still best known as the frontman of Samsara Blues Experiment, Christian Peters — aka Surya Kris Peters — has become a prolific solo artist as well. The vinyl-ready eight songs/37 minutes of O Jardim Sagrado meet him in his element, bringing together psychedelia, drone and synthesizer/keyboard effects to convey various moods and ideas. As with most of the work done under the Surya Kris moniker, he doesn’t add vocals, but the album wants nothing for expression just the same, whether it’s the Bouzouki on “Endless Green” or the guest contribution of voice from Monika Saint-Oktobre on the encompassing 11-minute title-track, which would be perfect for a dance hall if dance halls were also religious ceremonies. Experiments and explorations like “Celestial Bolero” and “Saudade” bring electric guitar leads and Mellotron-laced wistfulness, respectively, while after the title-cut, the proggy techno of “Blue Nebula” gives way to what might otherwise be a boogie riff on closer “Southern Sunrise.” Peters always seems to find a way to catch the listener off guard. Maybe himself too.

Surya Kris Peters on Thee Facebooks

Surya Kris Peters on Bandcamp

 

Slow Phase, Slow Phase

slow phase slow phase

A strong if raw debut from Oakland three-piece Slow Phase, this 39-minute eight-tracker presents straight-ahead classic American heavy rock and roll in the style of acts like a less garage The Brought Low, a looser-knit Sasquatch or any number of bands operating under the Ripple Music banner. Less burly than some, more punk than others, the power trio includes guitarist Dmitri Mavra of Skunk, as well as vocalist/bassist Anthony Pulsipher of Spidermeow and vocalist/drummer Richard Stuverud, the rhythm section adding to the blues spirit and spiraling manic jangle of “Blood Circle.” Opener “Starlight” was previously issued as a teaser single for the album, and stands up to its position here, with the eponymous “Slow Phase” backing its strength of hook. “Psychedelic Man” meanders in its lead section, as it should, and the catchy “Silver Fuzz” sets up the riotous “Midnight Sun” and “No Time” to lead into the electric piano of “Let’s Do it Again (For the First Time),” which I’d kind of take as a goof were it not for the righteous jam that finishes it, referencing “Highway Star” during its fadeout. Some organizing to do, but they obviously know what they’re shooting for.

Slow Phase on Thee Facebooks

Slow Phase on Bandcamp

 

Rocky Mtn Roller, Rocky Mtn Roller

rocky mtn roller rocky mtn roller

This band might actually be more cohesive than they want to be. A double-guitar four-piece from Asheville, North Carolina, with a connection to cult heroes Lecherous Gaze via six-stringer Zach Blackwell — joined in the band by guitarist Ruby Roberts, bassist Luke Whitlatch and drummer Alex Cabrera — they’re playing to a certain notion of brashness as an ideal, but while the vocals have a drunk-fuckall stoner edge, the construction of the songs underlying is unremittingly sound on this initial EP. “Monster” opens with a welcome hook and “When I’m a Pile” sounds classic-tinged enough to be a heavy ’70s nod, but isn’t so easily placed to a specific band as to be called derivative. The longest of the four cuts at 5:30, “Bald Faced Hornet” boasts some sting in its snare sound, but the Southern heavy push at its core makes those dueling solos in the second half all the more appropriate, and closing out, “She Ran Off with the Dealer” has both charm and Thin Lizzy groove, which would basically be enough on their own to get me on board. A brazen and blazing candidate for Tee Pee Records‘ digital annex, if someone else doesn’t snag them first.

Rocky Mtn Roller on Thee Facebooks

Rocky Mtn Roller on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Witchcraft Announce Acoustic Album Black Metal

Posted in Whathaveyou on March 16th, 2020 by JJ Koczan

witchcraft

True, it’s been four years since Witchcraft released 2016’s Nucleus (review here), which was the successful follow-up to their 2012 Nuclear Blast debut and modernization-pivot Legend (review here), following the pioneering vintage style of their first three albums, but in the meantime, the band’s founder and frontman Magnus Pelander offered up the later-2016 solo outing, Time (review here), and the band have been around for fests and such, so while perhaps somewhat more reclusive than they once were, they haven’t entirely disappeared.

Interesting that Pelander is also the only member of the band listed as performing on Black Metal, and yet, rather than release it under his own name, the apparently-fully-acoustic offering coming as a Witchcraft LP. The song “Elegantly Expressed Depression,” which opens Black Metal lives up to the weighty expectations its title sets, and brims with the sincere-sounding fragility of Pelander‘s immediately recognizable vocals. Seems like perhaps sadness is something of a theme — at least going by track names like “Sad People” and “Sad Dog” — but we’ll see on May 1 when Black Metal is released.

Behold:

witchcraft black metal

WITCHCRAFT To Release Acoustic Album! Black Metal Coming This May On Nuclear Blast!

Pre-order Black Metal here: www.nuclearblast.com/witchcraft-blackmetal

Magnus Pelander’s Witchcraft have existed at the forefront of occult tinged classic rock ever since their formation in the year 2000, when Magnus decided to form the band so that he could record a tribute to his idols Roky Erickson and Pentagram’s Bobby Liebling. The pioneering band has never made excuses for their inspirations, but went on to craft numerous genre-defining classics themselves. Witchcraft’s illustrious career from their self-titled debut in 2004 through to the 2012’s Legend album to the wondrous Nucleus in 2016, became cult classics and propelled the band to new levels of reverence within their scene. When it comes to blending doom with classic rock and flourishes of masterful ambience, nobody could touch them.

Now, Magnus takes WITCHCRAFT in a brave new direction, setting forth into entirely new territory! Exhibiting the pure emotion that has always lived at the core of the band’s work, by moving forward alone: The band’s first new album in four years, titled Black Metal, is an entirely acoustic affair. From opener and the just premiered, first single, “Elegantly Expressed Depression,” it’s clear that this new facet of the band’s sound allows the rawness and fragility to shine in an entirely new light. The minimalism of Bill Callaghan, the tenderness of Elliot Smith and the air of slight discomfort that could only be WITCHCRAFT combine to make this record a truly unique spectacle, not only in the band’s catalogue, but in the world of guitar music as it stands in 2020.

Below is Black Metal’s track list:

1. Elegantly Expressed Depression
2. A Boy And A Girl
3. Sad People
4. Grow
5. Free Country
6. Sad Dog
7. Take Him Away

Black Metal will be available as a CD, vinyl and in digital formats on May 1st 2020 via Nuclear Blast.
Pre-order your copy of Black Metal here: http://nblast.de/WitchcraftNucleusNB
Pre-save the album on Spotify, Apple Music and Deezer: https://nblast.de/WitchcraftPreSave

Witchcraft has also announced to play a few selected shows this year, such as at Desertfest Berlin and London.

Album Line-Up:
Magnus Pelander | vocals, guitar

www.witchraftswe.com
www.facebook.com/witchcraft
http://www.facebook.com/nuclearblastusa
http://instagram.com/nuclearblastusa
https://shop.nuclearblast.com/en/shop/index.html
https://www.nuclearblast.de/en/

Witchcraft, “Elegantly Expressed Depression”

Tags: , , , , ,

Freak Valley 2020 Adds Witchcraft, Pelican, Camera, The Neptune Power Federation & We Hunt Buffalo

Posted in Whathaveyou on November 25th, 2019 by JJ Koczan

freak valley 2020 banner

Long-since sold out, Freak Valley 2020 has made its second lineup announcement, and I know it pretty well because I wrote it. I like putting these things together. I’ve done various other fest writeups for years for different events — Roadburn, Desertfest, Psycho, etc. — but as far as I know, I’m the only one doing Freak Valley Festival lineup announcements, so I kind of feel like I’m responsible in part for creating the voice the fest uses to reach its audience. And since I think the thing is clearly driven by passion and a sense of being fans as well as presenters, I hope these posts convey that. I dig what Freak Valley do, and it will be nothing short of an honor for me to step foot in Siegen and witness it for myself next June.

Here’s the latest:

freak valley 2020 squared up

WITCHCRAFT | PELICAN | CAMERA | THE NEPTUNE POWER FEDERATION | WE HUNT BUFFALO confirmed for Freak Valley Festival 2020

Hails Freaks! It’s time to get down!

We’ve been looking forward to this announcement since, well, pretty much since the first one, but we think you’ll agree things are starting to take shape for Freak Valley Festival 2020.

Before we dive in, we here at FVF want to thank you all so much for the tremendous support and faith you’ve shown in us yet again by snagging tickets less than half an hour after they went on sale, so long before the bands are even done being revealed. It means more than we can say to have your trust year after year, and we promise you, we will never take it for granted and stop working to bring you the best and biggest Freak Valley yet!

That said, let’s do this thing. Five bands this time, and like we do, it’s no fillers, all killers:

Witchcraft

From their earliest days defining the course of vintage-style heavy rock and doom to the later modern clarity they’ve found as they’ve followed the increasingly nuanced and progressive path of Magnus Pelander’s songwriting, Witchcraft come to Freak Valley as utter legends, and not just because they pulled out a record called ‘Legend’ either. They’ve left a mark on the underground like few of their generation, and like even fewer, they still hold as much promise for the future as they do glories of the past. In short, Witchcraft are essential. We welcome them to our stage for the first time as fans as well as those working behind the scenes.

Pelican

If Pelican aren’t already on your must-see list for Freak Valley 2020 after just seeing the word above, take a second right now to make the addition. The Chicago natives are also first-timers at FVF, and we’re proud to host them as they celebrate their latest LP, ‘Nighttime Stories,’ which continues their distinguished progressive arc that has both inspired others in their wake on multiple continents and remained vital, as the record itself proves. This one feels overdue, and we can’t wait.

Camera

When we heard Camera’s 2018 album, ‘Emotional Detox,’ we knew it was only a matter of time before their spacey, krauty, gorgeous melodic psychedelia and progressive rock flourished on the Freak Valley stage. Moving past their ultra-krautrock beginnings to a richer form of prog, their work remains equal parts hypnotic and adventurous, and as it will have been two years since the release by the time they get here, we’re keeping our fingers crossed for some new material as well!

The Neptune Power Federation

It will truly be a valley of the freaks when The Neptune Power Federation come to our humble stage. We’ll be blessed to be in the presence of Screaming Loz Sutch herself as she fronts this Sydney, Australia-based troupe of ultra-weirdo freakout psych rockers. Now signed to Cruz Del Sur Music, they’ll hit Netphen-Deuz in support of 2019’s ‘Memoirs of a Rat Queen,’ and if you’re someone who thinks you’ve heard it all, it won’t be half a minute before this album proves how wrong you are. We mean it. Listen to that record. See this band. It is no coincidence that we’re brought them on board.

We Hunt Buffalo

As to what the mighty buffalo ever did to them, we can’t say, but We Hunt Buffalo are a trio from Canada who’ll celebrate a decade together in 2020. Their 2018 offering, ‘Head Smashed In,’ was way friendlier than its title made it sound — we promise — their fuzz rock remains second to none from the Great White North, as they’re more than happy to demonstrate to anyone fortunate enough to stand in front of the stage to see them. Guess what? We think that should include you. Expect a party with your new best B.C. buds when these Vancouver riffoliths bring their game to Freak Valley.

FREAK VALLEY 2020
No Fillers – Just Killers

https://www.facebook.com/events/2434350453469407/
https://www.facebook.com/freakvalley/

The Neptune Power Federation, Memoirs of a Rat Queen (2019)

Tags: , , , , , , , ,

Desertfest London 2020 Second Lineup Announcement: Witchcraft Headlining; Conan, Naxatras, Sacri Monti & More Added

Posted in Whathaveyou on November 11th, 2019 by JJ Koczan

desertfest london 2020 header

Going head-to-head, toe-to-toe, back-to-back, belly-to-belly with Desertfest Berlin 2020’s second lineup announcement, that of Desertfest London 2020 brings a whopping 13 bands. Witchcraft join Corrosion of Conformity and Masters of Reality among the headliners, and Naxatras, Conan — playing Monnos in full, no less — Pissed Jeans, Raging Speedhorn, Sacri Monti, Huntsmen, MonarchSpirit AdriftFire Down BelowGrottoDesert Storm, and Morag Tong have signed on for the fray in what’s becoming a quickly-packed bill. Nothing to complain about there, I guess. As noted in the Berlin post, some of these groups are shared between the two fests, but there’s a lot here that’s set for London alone, and I suspect in terms of the UK acts like Raging SpeedhornDesert Storm and Morag Tong, it’s likely to stay that way. It’s been so fascinating to watch these festivals grow since their inception into incubators for UK/European heavy. Desertfest London has become an epicenter for one of the most packed scenes on the planet.

That’s a big deal. And you can hear in the work of bands coming out of the UK the effect it’s having aesthetically as well. It’s awesome. Keep up the good work.

From the social medias:

desertfest london 2020 poster

DESERTFEST LONDON ANNOUNCES WITCHCRAFT AS HEADLINER FOR 2020 EDITION PLUS 12 MORE ACTS ADDED!

Tickets: dice.fm/festival/desertfest20

Desertfest is honoured to be welcoming Swedish doom icons Witchcraft to London, for the first time in a decade, as 2020 headliners. Their exceptional blend of psychedelic-folk melodies and distinctly doom-laden riffs swiftly elevated Magnus’ musical coven to legendary status. The pace picks up with the bludgeoning sludge-punk sounds of Pissed Jeans, whose narrative continues to be as societally insightful as it is tongue-in-cheek. We welcome back the unholy trio Conan for a very special performance as they play ‘Monnos’ in full. Following last years unforeseen travel issues, we are thrilled to have Naxatras on the bill ready to bathe listeners in their psychedelic groove. British sludge pioneers Raging Speedhorn will provide a lesson in brutality for all who cross their path.

Celestial tones awaken as SACRI MONTI make their debut with a spectrum of far-out jams expertly pieced together for an otherworldly trip. Huntsmen will bring their diversely progressive concoction of doom metal and melancholic Americana storytelling for its first UK outing. Elsewhere we welcome experimental psych-rock champions Monarch -band, Arizona’s Spirit Adrift who effortlessly carry the torch for traditional doom with lashings of classic 80’s heavy metal. Belgium offers up an excellent fusion of fuzz from Fire Down Below, alongside space-psych drifters Grotto. Oxfordshire riff hounds Desert Storm will deliver a shock-wave of groovy stoner-metal and locals Morag Tong will showcase their dynamic take on psychedelic doom.

For more info and weekend tickets for Desertfest London 2020 hit up www.desertfest.co.uk

See you in May!

TICKETS: https://dice.fm/festival/desertfest20 (*YOU DO NOT NEED THE DICE APP TO PURCHASE)

Artwork by Piotr w. Osburne

https://www.facebook.com/events/464163361105416/
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/

Sacri Monti, “Waiting Room for the Magic Hour”

Tags: , , , , , , , , , , , , , , , ,

Desertfest Berlin 2020: Witchcraft, Amenra, 1000mods, The Vintage Caravan & More Added

Posted in Whathaveyou on November 11th, 2019 by JJ Koczan

desertfest berlin 2020 banner

Desertfest Berlin 2020’s second lineup announcement arrives in coordinated fashion with that of Desertfest London 2020, and even so, finds the two festivals beginning to distinguish themselves from each other. Of course, there are shared factors — Witchcraft will play both, as well as Spirit Adrift — but while there’s always a chance some bands from the one will still be added to the other, as of now, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, 1000modsAmenra and The Vintage Caravan are exclusive to the German edition of the festival series. I have zero insight or insider information to offer, so we’ll see if it stays that way, but for now, both Spring Desertfests seem to be growing on their own into something badass, sharing a bit but also having plenty to stand apart.

And Witchcraft headlining certainly doesn’t hurt either. I mean, really.

Here’s the Berlin announcement:

desertfest berlin 2020 poster

WITCHCRAFT, AMENRA, 1000MODS, THE VINTAGE CARAVAN, PIGS PIGS PIGS PIGS PIGS PIGS PIGS and SPIRIT ADRIFT confirmed for DESERTFEST BERLIN 2020!!!

Friends, here we goooooo!

They belong to the most distinctive bands of the Swedish psychedelic classic rock, their sound influenced the heavy rock scene for decades, but they also rarely appear live on stage: The more we are proud to welcome legendary Witchcraft in 2020! This show will already mark a true milestone and unforgettable highlight in the history of Desertfest.

Joining them on the bill are atmospheric post-metal overlords, Amenra, who will turn the ARENA BERLIN stage into a mesmerizing sound landscape. Putting all their heart and soul into every note, word and visuals, AMENRA change the course of people’s lives everywhere their path leads them. After London and their highly acclaimed show at the Electric Ballroom last year, we’re thrilled to become a part of this path in 2020. And because your wish is our command: They are one of the most beloved and requested bands on our socials – yes, your prayers have been heard!

Greek fuzz rock unit 1000mods, THE hottest band in within the current heavy rock scene, will be finally back at Desertfest Berlin. On this special show you’ll be listening to some amazing new tunes from their upcoming album (which is recorded as we “speak” in Seattle), for the very first time! With an average age of nearly 23 years old, Icelandic rockers The Vintage Caravan show a maturity worthy of any band that has been on the road for decades. When the band got on stage at the 2012 edition of the Icelandic Eistnaflug festival, the trio was only allowed to enter the venue accompanied by their parents. The charismatic band released 3 critically acclaimed records to date, their career has been impressive while they toured the globe with bands alike Europe, Blues Pills, Grand Magus or just currently with Opeth to name just a few. Desertfesters, bring your mums and dads, too, when THE VINTAGE CARAVAN will roll over our beloved Desertfest Berlin in 2020!

Furthermore we will see Newcastle’s maximalists, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, whose riffs, raw power and rancour have blazed a trail across the darker quarters of the underground in the last five years, finally bring their mighty tsunami of rancorous riffage and unholy abjection over us in Berlin!

Last but not least, today’s’ second and killer announcement will be rounded up by Phoenix-based, Spirit Adrift, who are carving out a sound now patently its own. Lazily labelled Doom by some, the band is in fact the true representation of what modern Heavy Metal should sound like.? Folks, we hope you dig this second announcement as much as we do, while dozens of bands are still to be announced in the weeks ahead!

Treat yourself or your loved ones with an early X-Mas gift, and purchase your Weekend Ticket now at: www.desertfest.de

We can’t wait to party with ya’ll at our 9th edition, May 1st – 3rd at DesertFest Berlin 2020!

https://www.facebook.com/events/520164272080736/
www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Witchcraft, Live at Tons of Rock 2018, Norway

Tags: , , , , , , , , ,

Friday Full-Length: Witchcraft, The Alchemist

Posted in Bootleg Theater on September 27th, 2019 by JJ Koczan

Witchcraft, The Alchemist (2007)

 

I never liked Witchcraft‘s The Alchemist. Listening to it now, I can’t help but wonder why the hell not? In the narrative I’d constructed in my head, it was too clean, too much trying to be prog, and it had lost the simple charm of their 2004 self-titled debut (discussed here, albeit briefly) and its 2005 follow-up, Firewood — both records to which I feel some pretty significant fan attachment — and I recall being disappointed in the title-track, thinking it was boring and too long and pretentious in its forced-seeming 14-minute sprawl.

But wow, was I wrong.

I’m not sure the Magnus Pelander-led Swedish classic heavy rockers could ever have put out another album I’d reach for as often as the self-titled, but The Alchemist stands some 12 years later as testament to how prescient the band was in their craft, finding a way forward for retro rock that didn’t betray the vintage aesthetic but allowed for growth in songwriting. They didn’t quite “go prog,” but having recently given Black Sabbath‘s Technical Ecstasy (discussed here) a fair shake, The Alchemist doesn’t feel like an entirely dissimilar vision of creative evolution, whether it’s the referential nods in “Hey Doctor” — which seems not only to allude to Sabbath in its drum fills in the speedier second half, which is a compliment to the work of Fredrik Jansson, but indeed to Witchcraft‘s own prior work as well in its earlier riff — or the saxophone worked into the penultimate “Remembered.” Even the acoustic guitar John Hoyles (later of Spiders and now in Big Kizz as well) brings to “The Alchemist” itself and the flourish of organ from Tom Hakava deep in the mix alongside the bass of Ola Henriksson (now in Troubled Horse) make that song a richer experience in concept and execution alike. I won’t say it’s void of self-indulgence, but neither is it defined by that on an expressive level across its three-part spread. That middle section is gorgeous. I feel like I’ve been missing on enjoying it for over a decade.

Opener “Walk Between the Lines” launches the album with a strong sense of movement, something to sweep the listener into the proceedings with a clarity of strum front and witchcraft the alchemistcenter that even Firewood couldn’t claim in terms of production value, sharper as that record was than the debut. Layers of acoustic and electric intertwine in the solo section, perhaps prefacing the title-track on the album’s other end or at very least sounding cool, and rather than make their way back to the stomp of the song’s early going, they bend strings to twist their way to the song’s finish and instead pick up the thread with “If Crimson was Your Colour,” which was released as a standalone 7″ by Rise Above before The Alchemist came out, and remains one of the catchiest tracks they’ve ever written. “Leva” delves into Swedish-language lyrics for not the first time — recall “Schyssta Lögner” from the first album — and does so atop a creeping blues riff that’s a hook unto itself, while also subtly shifting the mood from the all-go momentum of the opening duo to the more rolling vibe that will continue to proliferate through “Hey Doctor” and “Samaritan Burden,” which brings a turn to gorgeous and folkish tonal wash that fades gently as it moves toward its conclusion and only leaves one wanting more.

That proves to be the perfect setup for “Remembered” to revive the thrust of the initial salvo, which it does while also leaving room for the aforementioned sax — courtesy of Anders Andersson — as well as some mellotron from Hakava, thereby working as well as a transition into “The Alchemist” via the added arrangement elements, broadening listener expectation again in subtle ways. And when they get there, the title-track is consuming in narrative and its patient delivery, with its long, open-feeling midsection, later return, and post-silence epilogue as it makes its way to its 14-minute finish. It wasn’t the first time Witchcraft surpassed the 10-minute mark — that would be Firewood closer “Attention!” — and they’ve done it a few times since, but “The Alchemist” is nonetheless a standout moment amid their work before or after, a complete idea realized at a new level of complexity and presentation.

So what was it that didn’t let me see that at the time? I’ve always been a first-two-records-only Witchcraft fan, and I guess when The Alchemist came out, I was too busy resenting the indie cred they’d amassed to appreciate the sonic progress they were making. It has been my loss, but I’m glad to have taken the opportunity to correct my error. It won’t make up for the 12 years over which I might’ve dug putting it on from time to time, but at least I know going forward that it’s a more than suitable follow-up to the brilliance of those other offerings I’ve so enjoyed for the last decade and a half. Never stop learning.

The Alchemist was Witchcraft‘s last outing through Rise Above and the last to feature Hoyles on guitar. Henriksson would hold out on bass through 2012’s Nuclear Blast debut, Legend (review here), which greatly modernized their sound, and then indeed split with the band as well, leaving Pelander as the remaining founder. In 2016, they issued Nucleus (review here), which built on the steps that Legend had taken, and later that same year, Pelander under his own name released Time (review here), a solo full-length following a 2010 EP that seemed to preface more to come. Not to say it couldn’t happen, but Witchcraft have steadily been performing shows and at festivals — they flew to New York last Fall to play Le Poisson Rouge — and may or may not have new material in the works, which is to say I have no idea what’s going on with them.

Either way, The Alchemist isn’t the departure I’d so long thought it was, turning its back on the rawness of its forebears in Witchcraft‘s discography. It’s an outgrowth of those crucial first accomplishments, and an essential third in what’s been a trilogy all along. It’s not dropping off, it’s soaring.

As always, I hope you enjoy. Thanks for reading.

By Wednesday morning I was pretty ready to die. The Pecan was out of his mind. He’d had a cold earlier in the week and was getting over it but clearly not back up to 100 percent yet. And ugh. Hitting and biting and mad and not eating and just going from one thing to the next that he knows he’s not supposed to be doing. My laptop, the kitchen cabinets, slamming the fridge door, pulling on the oven — for which we’ve had to get a lock — just one to the next to the next without stopping. It gets so overwhelming. Pulling his mother’s laptop charger out of the wall. Trying to climb up behind the tv. Grabbing burning hot coffee. Climbing on me while I’m on the can. Dude, just bash my brains in and be done with it. Please. Please. I give. Mercy. Just kill me.

It was so bad that it was my 15th wedding anniversary and I told The Patient Mrs. that I found running a stoner rock blog more satisfying than parenting.

I said that shit.

Out loud.

And meant it.

And worse: I feel like I made a convincing case.

It took basically spending two hours at the park with the sandbox to set him right. Yesterday was better to some degree. It would almost have to be. Today he has baby-gymnastics, so I’m hoping that can take it out of him a little bit, let him work off some of whatever residual fuckall remains. We shall see. My severed head, on a pike made by Melissa & Doug.

He’s not yet two.

We were going to start potty training this weekend. No fucking way. I can’t even get the kid to sit down to put shoes on.

So that’s life. Real life.

No new episode of The Obelisk Show today on Gimme Radio. They had some production stuff going on this week and were overwhelmed and asked if I minded if we skipped the episode. Being overwhelmed myself, I said fine. Next week is the Quarterly Review anyhow, so yeah, plenty going on. I’m also flying to Norway for Høstsabbat. And I need to get those Acrimony liner notes finally done this weekend. So yes, I didn’t need to be cutting Gimme voice breaks yesterday afternoon, fun as that is to do.

I needed to sleep.

Which is probably what I should’ve done this morning when the alarm went off as well. Took me about three minutes to get up and flick the on switch for the coffee pot, giving myself a little pep talk in the meantime. “Come on Cocksan, it’s just one post. Get off your ass and make that coffee and write it.” And here we are.

No rest this weekend, no rest next week with the Quarterly Review and the fest after that. I’m also going (I hope) to Acid King on Monday in Brooklyn, so I’ll have a live review of that. And yeah. I don’t know. The whole thing just feels overwhelming and supremely dumb to me at this point, but I keep going. And I guess by the whole thing I mean life. But hey, the new Iguana record is good.

Kaboom.

Thanks for reading. Great and safe weekend. Forum, radio, merch.

The Obelisk Forum

The Obelisk Radio

The Obelisk shirts & hoodies

Tags: , , , , ,

The Obelisk Show on Gimme Radio Recap: Episode 07

Posted in Radio on January 7th, 2019 by JJ Koczan

gimme radio logo

I wanted to get a little weird. You know, the last episode of The Obelisk Show on Gimme Radio was some of the best tracks from 2018, but in addition to some new stuff, some 2019 stuff — cuts from Skraeckoedlan and Thunderbird Divine — I wanted to make sure I included some songs that people might’ve missed in 2018. In fact, with Melody Fields early on in the playlist, that was a record I missed completely until I put up one or the other of the year-end lists and someone pointed it out to me on Thee Facebooks. It’s an awesome record. On the show, I mistakenly said it was released through World in Sound. The LP was on Kommun 2 and the CD was on Sound Effect. Credit where it’s due, because that record rules.

Likewise, “it rules” was also a running theme. Black Helium was a standout from that 100-album Quarterly Review that I did in December, and being able to stand out among 99 other releases certainly seems worth highlighting to me. I was digging the Horehound record as I was getting ready to review it, and Skraeckoedlan I’m also getting ready to cover (maybe later this week?), while Faith in Jane I haven’t had the chance to review yet but those guys are great. Also from the Quarterly Review was Child, Space Coke and Carpet, while Goblinsmoker belong to the UK’s ever-growing swath of bands with silly names and a destructive bent. And then at the end I wanted to space out like I used to do with the podcasts — just have it hit a point and go far out and not come back. Jam into the reaches. Plus it gave me an excuse to talk about Øresund Space Collective’s AR/VR artwork for Kybalion, which it awesome in its own right.

The odd-track-out I suppose is Witchcraft, but I talk about that on the show. It’s kind of a new-classic in my mind and something I wanted to focus on this episode. We’re moving into a new year and Witchcraft’s self-titled came out 15 years ago. I think the only reason it’s not already considered classic heavy is because it’s still so relevant, it hasn’t even allowed for that kind of distance yet. But make no mistake, that’s a classic album.

Anyway, considering I had to record the voice breaks on my phone because my internet was so craptastic at the time that I couldn’t go directly into Gimme’s back end software like I’m supposed to, I thought the show came out pretty well. If you listened, I hope you agree. And if you missed it, I hope you can catch the replay.

Here’s the playlist:

The Obelisk Show Ep. 07 – 01.06.19

Greenbeard Kill to Love Yourself Onward, Pillager
Skraeckoedlan Kung Mammut Eorþe
BREAK
Melody Fields Trädgränsen Melody Fields
Faith in Jane Mountain Lore Countryside
Horehound Sloth Holocene
Foot Sweet Stuff Buffalo
Child The Other Song I
BREAK
Witchcraft No Angel or Demon Witchcraft
Black Helium Summer Spells Primitive Fuck
Space Coke Kali Ma L’Appel du Vide
Rifflord The Other Side 7 Cremation Ground/Meditation
Goblinsmoker Toad King Toad King
Thunderbird Divine Qualified Magnasonic
BREAK
Øresund Space Collective Smooth Future Kybalion
Carpet Selene About Rooms and Elephants
Deep Space Destructors Floating Visions from the Void

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Tuesday at 9AM. Next show is Jan. 20. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

Tags: , , , , , , , , , , , , , , , , ,

Up in Smoke 2018 Completes Lineup; Witchcraft, Glanville, The Well, Farflung & The New Death Cult Added

Posted in Whathaveyou on September 17th, 2018 by JJ Koczan

up in smoke 2018 final banner

That’s a wrap on the lineup for Up in Smoke 2018, and it’s a doozy. Up and coming acts like MessaHumulus and Glanville meet with established purveyors in Acid KingThe WellElder and Sasquatch, newbie psych lords Naxatras, scumriffers Dopethrone and a slew of others across a stylistic swath that should be well enough to hold even the most fickle of feet in place over the two-day stretch in Switzerland. Plus Ancestors are gonna be there. And Farflung. Looks like a solid way to spend a weekend and then some.

Sound of Liberation, which puts on this fest and numerous others, has a last batch of bands added in one more round, and it’s Witchcraft near the top of the bill as well as the aforementioned GlanvilleFarflungThe Well and The New Death Cult, the latter of whom I know absolutely nothing but who seem to be on the right page mission-wise.

Announcement came down the PR wire:

up in smoke 2018 final poster

UP IN SMOKE 2018 – WITCHCRAFT & 4 MORE BANDS COMPLETE THE LINE-UP!

Yes, it’s true, you read it right, and we are very excited to share this great news with you all today!

UP IN SMOKE, Switzerland’s annual and finest Stoner, Fuzz, Doom and Heavy Psychedelic Rock Festival, has announced the final bands for 2018! The following highclass acts have just been added to close this year’s festival edition:

Sweden’s Heavy Rock legends WITCHCRAFT will perform an exclusive show at UP in SMOKE at Z7 in Pratteln! The band has barely played any live shows in the last years, so it’s more than a great honor to have them at this year’s UP IN SMOKE Festival VOL VI next month!

Some more sweet acts are added to the bill as well:

The outstanding spacerock cult band FARFLUNG, Texas finest heavy psych blues combo THE WELL and heavy hard rockers GLANVILLE will join Switzerland’s most heavy rocking party of the year. Last but not least UP IN SMOKE has added another surprise act! THE NEW DEATH CULT is here to crush hate, injustice, environmental destruction and greed with universal peace & love. Join the cult at UP IN SMOKE!

The line-up is now complete and features 20 amazing bands! Day Split will be unveiled within 10 days, but you should grab your 2-day pass while you still can! Taking place at the famous Z7 in Pratteln, Switzerland, between October 5 – 6th 2018, tickets are available HERE!

Join the cult at UP IN SMOKE FESTIVAL VOL VI.

The line-up is now complete and features 20 amazing bands! Day Split will be unveiled within 10 days, but you should GRAB YOUR 2-DAY PASS while you still can!

www.upinsmoke.de
https://www.facebook.com/UpInSmokeIndoorFestivalInZ7/
https://www.sol-tickets.com/produkte
https://soundofliberation.com

Witchcraft, “The Outcast”

Tags: , , , , , , , , ,