The Obelisk Show on Gimme Radio Recap: Episode 19 (Maryland Doom Fest Special)

Posted in Radio on July 22nd, 2019 by JJ Koczan

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Yeah, I know, Maryland Doom Fest 2019 was like a month ago. Quit livin’ in the past and all that. Well, this show was supposed to air July 5, so whatever. It got pushed back because apparently July 4 is some kind of holiday now — what.ever. — and it was kicked down the line to two weeks later with re-runs on in the interim. Did anyone notice? Did anyone care? I did. But I’m glad to have had the chance to pay homage to MDDF one way or the other, since it was such a killer time and boasted a lineup of so many good bands.

Of course I had to lead off with Beelzefuzz and Foghound, two staples of the Frederick diet, and the show unfolds from there with new stuff from Zed and Lo-Pan and Kings Destroy amid the likes of Devil to Pay and Earthride and Backwoods Payback and Greenbeard. I made sure to put Solace and Freedom Hawk and Horehound and Toke and Witchkiss in here because their sets were particularly righteous — not to mention Year of the Cobra! — and in addition to representing the headliners in Conan, Mothership and Earthride, I had to include WarHorse since their reunion set was something so particularly special and such a huge part of the festival.

For those who didn’t hear the show, Gimme Radio runs the ‘Gimme Brigade’ which you can sign up for. I think it’s $5 a month or something like that, but you get access to their full archive and help them with hosting costs, etc., so fair enough. If you got to hear this one, thanks. If not, the basic point of the thing was that Maryland Doom Fest 2019 kicked ass, which I sincerely hope also came across in the reviews.

Here’s the full playlist:

The Obelisk Show – 07.19.19

Beelzefuzz All the Feeling Returns Beelzefuzz (2013)
Foghound Known Wolves Awaken to Destroy (2018)
Zed Chingus Volume*
Lo-Pan Savage Heart Subtle*
BREAK
Devil to Pay Ten Lizardmen and One Pocketknife Fate is Your Muse (2013)
Kings Destroy Yonkers Ceiling Collapse Fantasma Nera*
Earthride Vampire Circus Vampire Circus (2005)
Witchkiss Seer The Austere Curtains of Our Eyes (2018)
Year of the Cobra Cold Burn Your Dead (2017)
BREAK
Solace Khan (World of Fire) The Black Black (2007)
Backwoods Payback Whatever Future Slum (2018)
Toke Blackened Orange (2017)
Greenbeard WCCQ Onward, Pillager (2018)
Conan Battle in the Swamp Monnos (2012)
Apostle of Solitude Ruination Be Thy Name From Gold to Ash (2018)
The Age of Truth Come Back a God Threshold (2017)
BREAK
Horehound Dier’s Dirge Holocene (2018)
Freedom Hawk Danger Beast Remains (2018)
Mothership Midnight Express High Strangeness (2017)
Warhorse Lysergic Communion As Heaven Turns to Ash (2001)

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Aug. 2. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Live Review: Maryland Doom Fest 2019 Night One, 06.21.19

Posted in Reviews on June 22nd, 2019 by JJ Koczan

maryland doom fest 2019 night one

I shudder to think of the poor bastard who, when this weekend is over, will have to mop up all the melted eardrums from the floor of the Cafe 611. With the expansion this year to four days — because again, the pre-fest yesterday was essentially a full night of the festival; 2020 pre-party on Wednesday? — Maryland Doom Fest enters a whole new echelon of being physically overwhelming. By the time Mothership went on last night, I was feeling it. Hard. Mostly in my back. And granted, they ran late and had some technical trouble getting set up, but I have the feeling that even had they been on time, I still would’ve been dragging my keester like the anchor it is.

But if that’s the case, it’s only true because the day was so goddamn good. Apart from not being allowed into Guido’s to see Benthic Realm because I didn’t have ID — my driver’s license got lost, I have no idea where or when or how, just looked in my wallet a couple weeks back and it was gone and the new one hasn’t arrived yet — and I guess the male pattern baldness, gray hair, wrinkles under my eyes and stiff, loping movements weren’t enough to confirm my age. “Sorry sir, you’re right. I’m actually three 16-year-olds in disguise as one old dude.” I respect the diligence, and the dude was just doing his job, so after a “seriously?” that was 100 percent genuinely asking if he was being serious, I wasn’t gonna make a stink, but that was a surprise.

It was a bummer though. Krista from the band I think had on an Obelisk t-shirt yesterday, and Dan‘s a really good guy all the time and being as I won’t be in Massachusetts anymore, let alone Worcester where they’re from, it would’ve been cool to see them. Nobody’s evening is made or broken by my showing up, but I wish I had caught their set. That’s all. It’s been a while since I got carded. Doubly so because I don’t drink.

That was the only snafu though, and otherwise, it was a have-my-cake-while-eating-my-cake-and-your-cake-golly-cake-is-good kind of evening as MDDF19 launched in earnest. It was a 6PM start, but the bill was stacked, so let me not waste time with tales of my own foibles.

Maryland Doom Fest 2019 night one:

False Gods

False Gods (Photo by JJ Koczan)

Oh they were mad. An angry start to the day to be sure. I give New York-based ultra-aggro five-piece crushers False Gods credit for coming up with the most excellent tagline, “If it’s too slow, you’re too young,” which is great, but for the most part, they actually moved at a pretty solid clip, taking aspects of post-hardcore and post-metallic intensity and putting them through a ringer of sludge riffs and tones, growls and screams cutting through. They’ve got a new two-song EP out called The Serpent and the Ladder, featuring, yes, “The Serpent” and “The Ladder,” and as frontman Mike Stack paced back and forth at the front of the Cafe 611 stage, his screams sometimes backed by growls from drummer Paulie Stack (let’s assume they’re related), the bass of Johnny Geirak offered density to underpin the more atmospheric elements of Greg March and Nick Luisi‘s guitars. A mid-set spaceout was welcome, but otherwise the chestbeating felt sincere and the impact of their sound was like a shock to the system. There would be no easing into the day, clearly. Welcome back to Maryland Doom Fest 2019. Now be pummeled.

The Druids

The Druids (Photo by JJ Koczan)

There’s another Druids, who are from Iowa and signed to The Company and who put an album out this year and made a bit of a splash with it. That’s not this The Druids, who are from here in Maryland and not signed to The Company but did put a record out in February called Totem (review here) that’s fully diggable in its blend of space and heavy rocks, a blend put to semi-psychedelic use in a we’re-actually-stoned stoner mindset. I had been looking forward to seeing them — not the least because Gary Isom (Spirit Caravan, last night with Weed is Weed, etc.) plays drums — and felt justified in that. Isom‘s pedigree notwithstanding, they’re young. And they sounded like it, guitarist/vocalists Eli Watson and Danny Alger and bassist Jeremy Dinges bringing a fresh energy to the material that, while not stylistically revolutionary, still benefited it greatly. Dave Davidson, who has worked the sound for every Maryland Doom Fest that I’ve been to, kept reminding them between songs how much time they had left, as though if he didn’t, they might get high and wander into a jam, never to return. Not great for keeping to a schedule, but I wouldn’t mind hearing that, either.

Kingsnake

Kingsnake (Photo by JJ Koczan)

Pro-shop, and I’m not honestly sure how much else needs to be said. Philadelphia’s Kingsnake kicked off a Pennsylvania threepeat on the Cafe 611 stage, and they did so with hard-edged, Southern-tinged heavy that seemed to roll out the funk of Clutch into a more forward drive. Hooks? They got hooks. Riffs? They got those too. And they deliver. I’ll always remember them for their roots in Sugar Daddie, but that was like 14 years ago now, so it’s safe to say in that time Kingsnake have come into their own, and what they bring is down-home heavy vibes, for the distinguished working gentleperson who, whether they’re sipping IPA or living the High Life, knows exactly what they want out of the experience. They marked the beginning of schedule collision between Cafe 611 and Guido’s Speakeasy, the second venue about 150 feet right on the next block (easy walk, nice to get a bit of non-doomfart air), but I caught both the beginning and the end of their set, and they killed it to a high standard. Their got-it-togetherness was well on display, and reportedly they’ve had new songs in the works for a while to follow 2016’s Resonance, so hopefully something comes out soon.

Spiral Grave

Spiral Grave (Photo by JJ Koczan)

I’ve been tracking the emergence of Spiral Grave since the band announced their existence in the earliest moments of this year, and my first opportunity to see them live wasn’t one I was about to pass up. I walked right into Guido’s no problem this time — also part of what made it such a surprise later — as Spiral Grave were still setting up, but by the time they went on, that room would be completely packed. Not that that’s saying much — the space is intimate, to put it mildly — but still. They opened with their first single, “Nothing” (premiered here) and proceeded to give the assembled a preview of things to come as they move toward their in-progress debut album. The amalgam of Iron Man and Lord — quintessential Maryland doom meets oft-experimentalist Virginian noise chaos — works. Guitarist Willy Rivera (the Lord contingent) has beefed up his riffing style to suit the grooves of bassist Louis Strachan and drummer Jason “Mot” Waldmann, and the underlying metallic sharpness in his work suits the vocals of Dee Calhoun well. They’ve been in my “look forward to more” category for a while. Only more the case after seeing them play. I wouldn’t be surprised if they were back here next year after the album release. Nor would I complain.

Backwoods Payback

Backwoods Payback (Photo by JJ Koczan)

Sometimes life is pretty sweet, like when Backwoods Payback plays. The West Chester, PA/Richmond, VA trio were here last year heralding the arrival of their Summer 2018 LP, Future Slum (review here), and it was only more of a pleasure to see them this time around because, you know, the more the merrier. Guitarist/vocalist Mike Cummings, bassist Jessica Baker and drummer Erik Larson have a reputation that precedes them here, and I don’t know if it was people who saw them at the last Maryland Doom Fest or who heard the record or what, but they packed the room out and had people singing along. Or maybe that was just me. Either way, they made highlights out of Future Slum cuts like “Pirate Smile” and “Whatever,” “Generals” and “Lines,” which closed out with its tense build, as well as what I’d swear was some even-newer stuff but was too ass-kicked afterwards to ask. If you’ve never seen them, their style is as much grown-up punk as it is ’90s-weird-kid, but it’s delivered with heft and heart that are second to no one, and they’re the kind of band who win people over. They didn’t have to do that at Cafe 611 — the room was on their side to start with — but the converted were plenty happy to hear them preach. There are very few bands I so much enjoy watching play.

The Age of Truth

The Age of Truth (Photo by JJ Koczan)

No easy feat to be sandwiched on a bill between Backwoods Payback and Year of the Cobra with Lo-Pan still to follow, but Philly’s The Age of Truth wrapped up the Keystone triad with an unequivocal mastery of West Coast-style heavy rock meeting Northeastern noise crunch and aggression. Also repeat offenders from last year (review here), they remain entrenched in their righteous 2017 debut, Threshold (review here), starting with the immediate lock-in nodder “Come Back a God” — which still reminds me of Dozer, in the best way — as frontman Kevin McNamara pointed up to the sky, or at least the ceiling, and guitarist Mike DiDonato, bassist Bill Miller and drummer Scott Fressetto behind him were in go-mode from the start. For a band who haven’t spent months on the road — they’ve done plenty of shows, but not really full-on toured, and I don’t know if they want to or not — they rose to the occasion in such a way as to make me wonder how that might tie into their next record, if the tightness of their live presentation will be mirrored in their songwriting or captured output. Whatever they might have planned in that regard, they sounded ready to move forward, and in what, again, was a difficult spot, they shone, indulging a bit of drank in the process.

Year of the Cobra

Year of the Cobra (Photo by JJ Koczan)

Looking at their setlist after they played, I felt way better about how few of Year of the Cobra‘s songs I recognized while they were on stage. The Seattle two-piece will release their second album later this year as their debut through Prophecy Productions — I’m not saying I’m holding a spot on my best-of-the-year list for it, but basically I am — and though they’ve toured hard to support 2016’s …In the Shadows Below (review here) and the subsequent 2017 EP, Burn Your Dead (review here), including just recently with Lord Dying, I’m embarrassed to say I’d never seen them before. That fact has been gnawing at me, so I was relieved when they went on, and all the more so when they absolutely leveled Cafe 611. They played “Cold” from the EP and “White Wizard” from the first record as well as the title-track of their first short release, 2015’s The Black Sun (review here), but everything else seemed to be new, titles like “Ash and Dust,” “The Divine” and “Into the Fray” scribbled out to represent a barrage of low-end tone, wash of crash and increasingly nuanced vocal melodicism from Amy Tung Barrysmith. With Jon Barrysmith on drums, they were a nation-of-two duo whose time on the road was obvious in their we-do-this-all-the-time vibe, and my only regret of the evening was not buying a shirt. That’s something I’ll rectify next time, and yes, there will be a next time.

Lo-Pan

Lo-Pan (Photo by JJ Koczan)

Come on, Lo-Pan. You know that scene in that one episode of The Simpsons from the ’90s where Homer joins not-Lollapalooza and Sonic Youth are there and they steal Peter Frampton’s watermelon? That’s like Lo-Pan stealing all the awesome and keeping it for themselves. As they absolutely tore exclusively into cuts from their new record, Subtle (review here), it was as though they were standing next to an empty cooler going, “Come on, Mr. Frampton! You’re not gonna eat all that watermelon!” It was my first time seeing them since they added guitarist Chris Thompson, which was a couple years ago now — look, I can’t make excuses; sometimes it’s hard being a human being, let alone leaving the house — and with their lightbars on the sides of his and bassist Scott Thompson‘s cabs, singer Jeff Martin in back giving a clinic in vocal dynamics and drummer Jesse Bartz bashing away up front, they did what Lo-Pan do: they destroyed. I don’t think I’ve seen them at any point in the last decade and not come out of it unable to name a more powerful American heavy rock band. I’ll catch them again in a couple months as they tour with C.O.C. and Crowbar — they’re doing a one-off in Teaneck, NJ; fuck yes — and I’m already looking forward to that. This is a band to treasure.

Pale Divine

Pale Divine (Photo by JJ Koczan)

So here’s the thing: Pale Divine just put out a record. Not this week, but last November they released their self-titled LP (review here), and as it was their first outing in six years, it’s totally unreasonable to think they might do another one anytime soon. Pale Divine doesn’t owe anyone anything. You know how the pre-fest was all the Stoner Hands of Doom bands? Well, okay. Pale Divine played that fest seven times, including the first one 20 years ago. But on the other hand… since the album came out, guitarist/vocalist Greg Diener, bassist/backing vocalist Ron “Fezz” McGinnis and drummer Darin McCloskey added Dana Ortt — who’ll also play his last show with Beelzefuzz this weekend — on guitar and vocals, and they’re just at another level for having done so. You could hear the harmonies between Diener and Ortt on vocals throughout their set, and the interplay on guitar was no less glorious. So yeah, Pale Divine, you don’t have to put out another record right this moment. Don’t feel obligated. But if you wanted to make that happen sometime in the less-than-six-years-from-now near future, I think it would really be for the best all the way around. The wax is barely dry on Pale Divine, so it’s not even fair to ask, but I’m asking anyway. Or at least a live record as a stopgap. I’d take a 7″. A demo tape. Something. Anything.

Mothership

Mothership (Photo by JJ Koczan)

You know why I like Mothership? They play both kinds of music: rock and roll. How are you gonna be dead on your feet when Mothership are playing? The Dallas power trio manifest the best of Texas’ heavy legacy and offer it up in kinetic fashion. Already this year they’ve toured with Death Angel, done a spot on the Heavy Psych Sounds Fest out on the West Coast, and been on the road with C.O.C. (review here), and that’s after doing Europe last Fall on a by-now-legendary stint with Elephant Tree and Stoned Jesus, so yeah, Mothership are basically on fire and after a late start owing to some non-intentional feedback and other technical whathaveyou, they played like it. They’ve basically been go-go-go since before the arrival of their 2017 third full-length, High Strangeness (review here), and their “Midnight Express” shows no signs of slowing. They’ve made themselves ambassadors for ’70s heavy without ever really dipping into retroism, and more than just ape what classic bands did before them, they take those lessons and push them forward onto new ground. I honestly don’t know when they would’ve had time to write a new LP or anything like that, but they seem to have a keen sense of how to keep their momentum going — spoiler: it’s by busting their collective ass — so I have to think they’ll get there sooner or later, if they can manage to stop long enough to hit record. Hard to imagine the tour offers stopping, frankly. I’ll admit I didn’t stay for the whole set, but even with the hiccup at the outset, there was no question they owned that room.

I guess it was like 2AM when I got back to the AirBNB? Something like that. I crashed quickly, even before pictures were done being transferred from my memory card, and slept until eight this morning. Saw nine bands on Thursday, 10 bands on Friday. Today’s Saturday and there are 11 at the Cafe 611 alone — more if I can manage to con my way back into the good graces of Guido’s — and that’s the busiest day of the thing. I am beat but upright, and very much in need of a shower. At least I got a toothbrush yesterday. Today’s need is Advil.

Good times, y’all. Thanks for reading. More pics after the jump.

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New England Stoner and Doom Fest II: More Lineup Announcements; Pre-Party Added

Posted in Whathaveyou on February 5th, 2019 by JJ Koczan

new england stoner doom festival 2019 art

It’s time to talk about the real potential of the New England Stoner and Doom Fest. No, I don’t mean the lineup. That’s awesome. You know it and I know it. I’m talking about the acronym. That’s always huge for a festival. How is it abbreviated? Think MDDF or SHoD or any of the DFs spread around the universe. These things matter.

I’ve seen NESDF tossed around for New England Stoner and Doom Fest, and that’s cool, but it’s missing the opportunity. You could have a festival abbreviated NES! Who the hell wouldn’t buy that t-shirt? I hereby cast my vote in the imaginary referendum on festival abbreviations for New England Stoner and Doom Fest to henceforth and forthwith and withhence be known as NES fest. Second the motion?

There’s reportedly one more band to be added and reportedly several in the running for that slot, so this might not be the final update before May 3-5 gets here and NES fest kicks off (see me using the acronym already?), and the lineup for a pre-party at 33 Golden St. in New London has been announced as well, which will be headlined by Fox 45, so, you know, more of a good thing and all that.

The full lineup as has been revealed follows. Note the Wretch reunion. NES fest!

New England Stoner & Doom Fest II

The New England Stoner and Doom Festival will make its return in 2019 on May 3,4, and 5 at Altones in Jewett City, CT.

Earthride
Brimstone Coven
Wretch
Kings Destroy
+1 TBA
Foghound
Pale Divine
Vessel of Light
Spiral Grave
Solace
Black Road
Curse the Son
Shadow Witch
Hell Camino
Clamfight
Eternal Black
Thunderbird Divine
Stonecutters
When the Deadbolt Breaks
Mourn the Light
Entierro
Bone Church
Buzzard Canyon
The Age of Truth
Void King
Horseburner
Scuzzy Yeti
Witchkiss
Cortez
Benthic Realm
Faith in Jane
Conclave
Set Fire
3 Parts Dead
Insano Vision
Old Earth Analog
Pinto Graham
The Stone Eye
Sentinel Hell

Pre-party @ 33 Golden St.:
Fox 45
VRSA
Dark Ritual
Owl Maker
Feed the Beast

www.newenglandstoneranddoomfest.com
https://www.facebook.com/events/1613285008788252/
https://www.facebook.com/NewEnglandStonerAndDoomFest/
https://www.saltoftheearthrecords.com/

Wretch, Bastards Born (2017)

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Maryland Doom Fest Presents Doom Hawg Day on Feb. 2

Posted in Whathaveyou on December 31st, 2018 by JJ Koczan

maryland doom fest logo

Maryland Doom Fest hosts the offshoot festival Doom Hawg Day on Feb. 2 at Cafe 611 in Frederick, MD, with Pale Divine, Kingsnake, The Age of Truth, Faith in Jane and more on the bill. Not to be confused with Groundhog Day of Doom, which is happening the same day in Nyack, New York, the event is crammed in true MD fashion with 12 acts playing in a span of 10 and a half hours at the venue where Maryland Doom Fest also makes its home.

This is the first time MDDF has introduced the splinter festival, and while it’s easy to see it becoming an annual event — certainly these bands and plenty besides are around — it speaks to the overarching expansion of the Maryland Doom Fest that’s seen that festival move to four days for 2019 as well as pay homage to Stoner Hands of Doom with its pre-party. Will there be a corresponding autumn fest to mark the change of seasons on the other end? I have no idea, but with the Horehound, Freedom Hawk, Stone Dust Riders, Seasick Gladiator, Shadow Witch, Thunderchief and “Screaming Mad” Dee Calhoun rounding out this bill, certainly there’s plenty to chew on in the meantime.

So the question here is, is Groundhog’s Day the new doom holiday? Should it be? The Groundhogs are cool, so maybe yes? I’ll weigh out the pros and cons in my mind while you check out the lineup for Doom Hawg Day 2019 below and we can both meet up later to discuss our ideas. Think of the t-shirt designs! Goodness gracious.

Info follows:

doom hawg day 2019

The Maryland Doom Fest Presents: “Doom Hawg Day”!!

Feb 2, 2019 @ Cafe 611 – Frederick, Md
Doors at 2:30 / $20
Come celebrate Ground Hog Day with us!!

? Pale Divine. 1250-130
? Kingsnake 1155-1235
? Faith In Jane. 1100-1140
? The Age of Truth 1005-1045
? Horehound. 910-950
? Stone Dust Riders. 815-855
? Seasick Gladiator 720-800
? Freedom Hawk 625-705
? Shadow Witch. 530-610
? Thonian Horde. 435-515
? Thunderchief. 340-420
? Dee Calhoun. 300-330

DooM !!!

https://www.evensi.us/doom-hawg-day-lord-nickens-street-frederick-county-maryland-21701-4546-united-states-america/283219943
https://www.facebook.com/events/265034697496061/
https://www.facebook.com/MdDoomFest/

Pale Divine, Pale Divine (2018)

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Maryland Doom Fest 2019 Early-Bird Tickets Limited; Day Lineups Announced

Posted in Whathaveyou on December 28th, 2018 by JJ Koczan

maryland doom fest 2019 poster square

The actual schedules aren’t out yet for the four days of Maryland Doom Fest 2019, but even the day-splits for the massive lineup are good to know since this will be the first one with two venues and, thus, the first one with schedule conflicts (assuming the rooms run at the same time). That will invariably lead to some difficult choices, but so it goes in the land of doom — aka Frederick, MD. One way or another, the lineup is maddeningly good from its headliners in Pentagram, Conan, Earthride and Mothership right on down through the likes of Seasick Gladiator and Greenbeard, playing earlier in the day. But it’s good to get some basic idea of who will be where, when, because given the swath of bands, it’s going to be one to schedule where your feet are at any moment in order to miss as little as humanly possible.

By the way, how fucking awesome is the idea of Maryland Doom Fest paying homage to the 20th anniversary of the long-running/now-defunct Stoner Hands of Doom festival? That lineup could hardly be more perfect if they got Eternal Elysium over for it as SHoD once did. Especially the top three there. Unstoppable.

Here’s the info. There’s a lot of it:

Early Bird Discount Ends 12/31! THE MARYLAND DOOM FEST 2019 – 5th Anniversary – June 20th-23rd with PENTAGRAM, CONAN, EARTHRIDE, MOTHERSHIP, WARHORSE, 40+ More!

The Maryland Doom Fest celebrates its 5th anniversary this upcoming June and has confirmed FIFTY of today’s heaviest bands to grace the stages of two venues in 2019. For the first time in its history, MD Doom Fest brings international artists, the mighty CONAN from the United Kingdom and INTERITUM from Tasmania, with 48 hallowed USA acts coming from coast to coast!

In a dual-ceremonial event, the MD Doom Fest Pre-Party on Thursday, June 20th is a 20th Anniversary celebration of the Stoner Hands of Doom Festival (ShoD), with a spectacular lineup. All bands have performed at fantastic SHoD fests of years past! The Pre-Fest / SHoD 20th Anniversary Celebration will be monumental. We invite everyone to become part of the family at The Maryland Doom Fest 2019 events for #4daysofdoom!!

THE MARYLAND DOOM FEST 2019
June 20th – 23rd, 2019 + Frederick, MD

PENTAGRAM + CONAN + EARTHRIDE + MOTHERSHIP

Year Of The Cobra + Lo Pan + Freedom Hawk + Warhorse + Pale Divine + Apostle Of Solitude + Kings Destroy + Solace + Foghound + Beelzefuzz + ZED + Wasted Theory + The Age Of Truth + Atala + Toke + Backwoods Payback + Weed Is Weed + Forming The Void + Sixes + After The Sun + Shadow Witch + Faith In Jane + Clouds Taste Satanic + Pale Grey Lore + Knoxxville + Devil To Pay + Eternal Black + Thonian Horde + Kingsnake + Greenbeard + Interitum + Benthic Realm + Horehound + Funeral Horse + Thousand Vision Mist + Deer Creek + Crooked Hills + Stone Dust Riders + Thunderchief + Wolf Blood + The Druids + Atomic 26 + Dead Sisters + Seasick Gladiator + Electric Age + Temptations Wings

+++ Early Bird Discount Weekend Passes available until December 31st +++

https://www.marylanddoomfest.com/tickets/

MD Doom Fest Pre-Party
SHoD 20th Anniversary Celebration
Thursday, June 20th

+ Cafe 611 +
Earthride
Warhorse
Solace
Wasted Theory
Devil to Pay
Deer Creek
Weed is Weed
Freedom Hawk
After the Sun

DAY ONE
Friday, June 21st

+CAFE 611+
Mothership
Pale Divine
Lo Pan
Year of the Cobra
The Age of Truth
Backwoods Payback
Kingsnake
Interitum
The Druids

+GUIDO’S SPEAKEASY+
Clouds Taste Satanic
Benthic Realm
Dead Sisters
Funeral Horse

DAY TWO
Saturday, June 22nd

+CAFE 611+
Pentagram
Apostle of Solitude
Foghound
Beelzefuzz
Atala
Sixes
Forming the Void
Knoxxville
Atomic 26
Eternal Black
Greenbeard

+GUIDO’S SPEAKEASY+
Electric Age
Pale Grey Lore
Thunderchief
Seasick Gladiator
Crooked Hills

DAY THREE
Sunday, June 23rd

+CAFE 611+
Conan
ZED
Kings Destroy
Toke
Thousand Vision Mist
Horehound
Thonian Horde
Shadow Witch
Faith in Jane

+GUIDO’S SPEAKEASY+
Temptations Wings
Wolf Blood
Stone Dust Riders

Early Bird Discount Weekend Passes are available until December 31st, 2018!
(Early Bird Discount is only for Weekend Passes- $74.)

On January 1, 2019, all regular price ticket options will be available.
Weekend Passes $89. Single Night: Fri. $35 / Sat. $40 / Sun. $35
Weekend Pass holders can attend Pre-Fest/SHoD for $15 at the door, all others: $30.

https://www.facebook.com/events/371836710006412/
https://www.facebook.com/MdDoomFest/
https://www.themarylanddoomfest.com/

Apostle of Solitude, “Keeping the Lighthouse” official video

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Maryland Doom Fest 2019 Announces Lineup: Pentagram, Conan, Earthride, Mothership, Lo-Pan and More to Play

Posted in Whathaveyou on October 31st, 2018 by JJ Koczan

maryland doom fest 2019 announcement

Holy fucking shit. It’s a good thing Maryland Doom Fest 2019 isn’t until next June, because it’s going to take me that long to process how badass this lineup is. It’s like JB decided this was the year everybody plays. A fourth day has been added. A second venue has been added — it’s Cafe 611 and Guido’s Speakeasy now — and wow. Just, fucking, wow. The headliners: PentagramConanEarthride and Mothership. And the list of bands that follows is absolutely staggering. Of course some things are bound to change between now and then, and there are announcements yet to be made about the pre-show, but really. They’ve absolutely, positively gone to a completely new level of festival here.

It’s gonna be crowded.

And it’s gonna be a blast. If you need me, I’ll be booking my room at the Motel 6 in Frederick.

The announcement was simple and came just in the form of the poster — art is by Kyle Stratton, whose band Atala also make a return to the bill — and from near and far, far and wide, acts are coming in to make what looks like it’ll be an absolutely unforgettable weekend (-plus) of heavy.

Here’s the lineup:

maryland doom fest 2019 poster

MARYLAND DOOM FEST 2019 – JUNE 20-23

DOOMSTERS, GRUNGERS, SLUDGERS, STONERS, & PAGANS —

We are extremely pleased to present to you……The Maryland Doom Fest 2019 lineup!!!

50 of the heaviest, most talented bands to grace the stage.

We bring you INTERITUM from Tasmania, CONAN from England, PENTAGRAM from our soil, and an additional 47 top performing USA acts traveling from all across the continent!!

As if that’s not enough, the MDDF Pre-Fest Party will be celebrating the 20th Anniversary of the SHoD (Stoner Hands of Doom) Festival with a spectacular lineup of bands who have performed at the great SHoD fests in years past!! The Pre-Fest / SHoD 20th Anniversary Celebration will be monumental in countless ways!!!!

Please support the Doom scene and share this epic event with your comrades and we will see you at #4daysofdoom !!!!

EARLY BIRD Discounted ticket sales start Dec. 17th, 2018 – for two weeks only.

This astronomical lineup and the 2019 festivities are dedicated to my very good friend and prior MDDF partner from 2015 – 2018, Mark Cruikshank!!

DooM !!! ~JB

Lineup:
Earthride
Warhorse
Solace
Wasted Theory
Devil to Pay
Deer Creek
Weed is Weed
Freedom Hawk
After the Sun
Mothership
Pale Divine
Lo Pan
Year of the Cobra
The Age of Truth
Backwoods Payback
Kingsnake
Interitum
The Druids
Clouds Taste Satanic
Benthic Realm
Dead Sisters
Funeral Horse
Pentagram
Apostle of Solitude
Foghound
Beelzefuzz
Atala
Sixes
Forming the Void
Knoxxville
Atomic 26
Eternal Black
Greenbeard
Electric Age
Pale Grey Lore
Thunderchief
Seasick Gladiator
Crooked Hills
Conan
ZED
Kings Destroy
Toke
Thousand Vision Mist
Horehound
Thonian Horde
Shadow Witch
Faith in Jane
Temptations Wings
Wolf Blood
Stone Dust Riders

https://www.facebook.com/events/371836710006412/
https://www.facebook.com/MdDoomFest/
https://www.themarylanddoomfest.com/

Earthride, Live at Maryland Doom Fest 2018

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Live Review: Maryland Doom Fest 2018 Night Two, 06.23.18

Posted in Features, Reviews on June 24th, 2018 by JJ Koczan

maryland doom fest 2018 night two poster

This scene is staggering. In terms of enclaves of hard and heavy, Maryland doom might be rivaled only by Floridian death metal and New York hardcore for longevity, and I’m pretty sure neither of those dates back to the early ’70s. Think about that. For almost as long as there’s been an idea of “heavy,” there’s been Maryland doom. And the number of lifers in bands and out boggles the mind. At best, I’m an interloper here, and I’d never claim otherwise. Every year or two or three, I’m lucky enough to come down for a fest or something like that, poke my head around and be humbled by the spirit that lives in this place. To actually be a part of it? I can’t imagine.

Maryland Doom Fest has taken on the responsibility not only of representing its native creatives, but in providing the scene a bridge to the outside world as well. The second day of Maryland Doom Fest 2018 did like day one and branched out in geography and sound, the scope of the festival increasing each year even as it maintains its ties to the place whose banner it flies. There’d be plenty of doom, but noise and heavy rock as well, metal both tangible and intangible, and more besides. You bet your ass it’s overwhelming. Maryland Doom Fest comes but once a year. Gotta make it count.

Another rainy day in Frederick set the gray-sky tone for a bill that would start out dark and work its way to the murkiest finish of all with Windhand headlining. Here’s how it happened:

Electropathic

Electropathic (Photo JJ Koczan)

As with Unorthodox last night, the new band fronted by Gary Isom, guitarist in Weed is Weed and former drummer in Spirit Caravan, Pentagram, Valkyrie and others, is a cross-generational affair. Along with drummer Ronnie Kalimon (formerly of Asylum, Unorthodox, etc.), Electropathic features young bassist/backing vocalist Zak Suleri and lead guitarist Eli Watson, both of Et Mors, and with Isom in the frontman role, they ran through a set of classic Maryland doom. Defined in no small part by their lack of pretense, they seemed to still be feeling out where they were ultimately headed as a band. They formed in the back half of last year by all appearances, so while none of them is a stranger to the stage, they’re in the process of developing their chemistry and sound. Likewise, Isom was still internalizing his position at the fore — even in Weed is Weed, he’s off to the side of the stage. He held it down though and their riffs resounded like a clarion to the converted still making their way in — time to go to church, school, whatever. Just time to go.

Molasses Barge

Molasses Barge (Photo JJ Koczan)

Hailing and hauling from Pittsburgh, Molasses Barge reaffirmed the connection between Steel City and Maryland doom that’s been there since the days of Dream Death‘s original run and probably even before that. The five-piece released their self-titled album in 2017 on Blackseed Records and had songs from that and new material in tow, which frontman Brian “Butch” Balich announced from the stage saying drummer Wayne Massey “calls this one ‘Tin Snake,'” or something thereabouts (hard to read the notes, sorry if I’ve got the title wrong). Balich is a formidable presence on his own, as he’s proven over the years in Penance, Argus and most recently Arduini/Balich, and in Molasses Barge he sets his powerful voice the task of cutting through the low end tone rollout from guitarists Justin Gizzi and Chuck Forsythe and bassist Amy Bianco that, presumably is what gives the band its name. Classic heavy riffs and a touch of metal underpinning, they were unsurprisingly met with welcome by the early crowd, and brought out Iron Man frontman Dee Calhoun to co-front a cover of that band’s “On the Mountain” to pay righteous homage to founding guitarist “Iron” Alfred Morris III, who passed away earlier this year.

Shadow Witch

Shadow Witch (Photo JJ Koczan)

I said as much to vocalist Earl Walker Lundy after their set, but I’ve always sensed something a little weird in Shadow Witch. Across the Kingston, New York, four-piece’s two albums to-date, last year’s Disciples of the Crow (review here) and 2016’s Sun Killer (discussed here), there’s been an edge of something standing them out from the pack. Having now seen them live, I feel like I have a better sense of what it is. In no small part, it’s Lundy himself. He carries across his vocals with utmost conviction and purpose, and backed by bassist David Pannullo, guitarist Jeremy Hall and drummer Doug Thompson, he ran his voice through a range of effects and performed barefoot — a bravery in itself considering the amount of spillage I’ve seen on that stage over the last two days — as free in is movement physically as his voice was to carry across the songs. They dwell in a between-genre space and remaining excitingly difficult to classify, but what matters is they carried their passion over to the audience, who met it with welcome. Good band. Better band than people know. Better band than I knew.

Doomstress

Doomstress (Photo JJ Koczan)

Speaking of bands I should’ve seen already, I went into Doomstress‘ set with the distinct impression that their recorded material to-date has yet to do them proper justice. They tour regularly on week and week-plus runs and had been on the road for four nights already en route to Cafe 611, so it seemed likely the Houston four-piece would be on top of their game. Not to toot my own horn, but I was right. They’re a better band than they’ve shown on either of their short releases. It’s a question of balance in their sound. Not just between tonal heft and aggression/attitude or the commanding stage presence of Doomstress Alexis on bass and vocals with guitarists Brandon Johnson and Matt Taylor and drummer Buddy Hachar (also of Greenbeard), or of between the classic and the modern, but between the actual instruments themselves. The live wash of tone suits them, with Alexis‘ vocals cutting through, where on their recordings thus far there’s more separation of instruments. It’s dirtier live, and for the high quality riffs they play, that dirt fits really well. Especially coupled with the fact that their performance was so tight, it was like they were daring the crowd to match their energy level.

The Age of Truth

The Age of Truth (Photo JJ Koczan)

Another band it was my first time seeing (that’s five in a row!), Philly four-piece The Age of Truth had been hanging out all weekend and getting down with some shenanigans the first night of Maryland Doom Fest, but when they got on stage, it was all business. Well, mostly business. One seems to recall vocalist Kevin McNamara saying something before they went on about taking his shirt off and rubbing his nipples on the microphone — it didn’t happen, though it might’ve been an interesting bit of performance art; “what do those nipples signify?” and so on — but with the start of the set, he, guitarist Mike DiDonato, bassist Bill Miller and drummer Scott Fressetto launched into the most noise-rocking set the festival has thus far featured. Their blend of heavy rock groove and crunching tones and riffs made their Kozmik Artifactz-delivered debut, Threshold (review here), an aggro joy, and their live interpretation of those songs as well as the new cut “Palace of Rain” was all the more engaging for the ferocity of its realization. The slow-rolling-int0-quicker-shuffle of “Caroline” was a highlight, but I won’t take anything away from the impact of “Honey Pot” or anything else either. With an injection of melody into the newer stuff, they left some intrigue as to where they might be headed — a proper tease of something to watch for. It’ll be worth keeping an eye out.

Switchblade Jesus

Switchblade Jesus (Photo JJ Koczan)

Before Switchblade Jesus took the Cafe 611 stage, I was asked by Borgo Pass drummer and all-around-excellent-human-being Joe Wood what they sounded like. The first two words that came out of my mouth were “Texas” and “riffs.” To be fair, that’s not by any means all the three-piece of guitarist/vocalist Eric Calvert, bassist/vocalist Chris Black and drummer Jon Elizondo have to offer, but if you’ve never heard them before, it’s a start. They made an encouraging self-titled debut (review here) in 2013 and followed up last year with a contribution to Ripple Music‘s The Second Coming of Heavy split series (review here), which took the foundation of that initial offering and expanded it significantly, pulling back on some of the burl in favor of a more nuanced approach. Their set in Maryland? With Calvert and Black sharing vocal duties and Elizondo pounding away behind, they rose to the occasion. In front of the stage, the crowd headbanged and raised fists and dug in nearly as much as the band itself, whose set was flawless near as I could tell. I’ve seen them twice now, been impressed both times, and could only expect that trend to continue for the next round, whenever that might be.

Foghound

Foghound (Photo JJ Koczan)

The weekend’s emcee, Dave Benzotti, choked up in reading his intro to Foghound, which also served as a remembrance of those the Maryland doom scene has lost over the last year, including bassist Rev. Jim Forrester of Foghound (also Serpents of Secrecy, ex-Sixty Watt Shaman, etc.), and reasonably so given the tragedy of the circumstances of his passing. The inevitability of that loss working its way into the current chapter of Foghound‘s life as a band was thick as the Baltimore four-piece got going, but if they were working toward catharsis, they were doing so with volume and intensity as their means. Their third album, Awaken to Destroy,on which Forrester performs bass and new bassist Adam Heinzmann contributes vocals alongside those of drummer Chuck Dukeheart III and guitarists Dee Settar and Bob Sipes, is done and in the can, and they played material from it both during their own set — the title-track — and afterwards through the P.A., which went unnoticed by many by Dukeheart later explained was a way to get Forrester‘s playing heard even if people didn’t realize they were hearing it at the time. As they also played with a portrait of Forrester signed by many with messages of love (I didn’t have the courage), his presence and absence were both deeply felt by the room, but the music was a fitting tribute and a comfort alike.

Cavern

Cavern (Photo JJ Koczan)

Prog prog prog. Also, prog. It’s fun to watch a band who so delight in being bizarre or outside the norm, and while local instrumentalists Cavern were for sure the odd men out on the bill, that suited them remarkably well and I can only imagine it wasn’t the first time they’ve found themselves in that position. Drummer Stephen Schrock played a kit with his toms out flat before him while Zach Harkins ran his guitar through one of the most elaborate pedal boards I’ve seen this weekend and still had room on stage for a Moog to add atmosphere to the intricate and complex songs they played. Denizens of Grimoire Records, they were a perfectly timed departure. Following Foghound with another straight-up rock band would only be doing said band a disservice, but Cavern were coming from somewhere else completely, so there was no real comparing the two outfits. A jolt to the flow of the night that only served Cavern well, since with all their looped parts, woven-through noise and underlying groove, “jolt” seemed to be the whole idea. It would be all-go riffing from here on out, but whether one considers them on their own merits or in the context of the Maryland Doom Fest 2018 lineup, their efforts toward the bizarre were duly appreciated.

The Watchers

The Watchers (Photo JJ Koczan)

The second Ripple Music act on the bill to have made the trip from the Bay Area behind ZED, four-piece The Watchers delivered one of the most professional sets I’ve seen so far this weekend. I mean, The Obsessed were pro-shop, right? And so were ZED, since they’ve been mentioned, but The Watchers had it all down — from riffs to looks to delivery to vocalist Tim Narducci and guitarist Jeremy Epp working the crowd with natural showmanship while bassist Cornbread and drummer Carter Kennedy locked in groove after groove of rock-solid heavy rock, playing selections from this year’s Black Abyss (review here) as well as the preceding EP, Sabbath Highway (review here). They had a near-commercial level of catchiness, but since that’s not a thing that exists anymore, I’ll just note that as much clear effort as they put into their presentation, the accessibility of the songs came from the songs themselves and the quality of their construction. Were they up there selling it? Absolutely. And kicking ass while doing so, but if the material itself wasn’t so strong the whole thing would’ve fallen flat. The foundation of the entire show was the material itself, and accordingly that show was an utter joy to watch.

Earthride

Earthride (Photo JJ Koczan)

I actually went back and looked up the last time I saw Earthride. It was at Days of the Doomed in 2012 (review here). I also recalled seeing them in Brooklyn in 2011 sharing the stage with When the Deadbolt Breaks, which was a noteworthy coincidence since that band’s guitarist/vocalist, Aaron Lewis, happened to be playing bass in Earthride, having joined just prior to the Maryland band’s just-ended tour with The Skull. Still, six years (and eight days) of not seeing Earthride? Far too fucking long. Dave Sherman, who’d been hanging out all weekend, took the stage in celebration of the welcome-home party that their set was, and with Lewis, guitarist Greg Ball and drummer Eric Little behind him, he held court for what was an absolute highlight of the fest as a whole. I’d been thinking of them as headliners the whole day, and while they didn’t play last, there was definitely a main-event feel going into their set, which started out with “Earthride,” boasted the new single “Witch Gun” (discussed here), the title-track to 2010’s Something Wicked (review here) and capped with “Fighting the Devils Inside You” from 2005’s sophomore LP, Vampire Circus (discussed here). Sherman held the audience and never relinquished his grasp on their attention, and the crowd was as switched on as I’d seen the whole fest. Like I said, they weren’t the headliners in name, but really, they kind of were. And rightly so.

Castle

Castle (Photo JJ Koczan)

Man, I want to hear Castle‘s new album. So bad. The core duo of bassist/vocalist Elizabeth Blackwell and guitarist/vocalist Mat Davis will issue that long-player through a yet-to-be-announced label, but they’re a touring band at their core. They get out. In talking to Davis after their set, he called their current stint a “quick one.” To put that in perspective, it’s a cross-country tour with 12 dates. I’m assuming what he meant was that it was nothing like the weeks-long voyages that will invariably follow the new full-length’s release, and I guess that’s fair, but 12 dates isn’t nothing either. Last time I saw Castle was Maryland Doom Fest 2016 (review here) as they were marking the release of that year’s Welcome to the Graveyard (review here), and though I knew it was coming, I was still blindsided by their intensity. Thrash, doom, classic metal, heavy groove and delighted pummel. Think of them as extreme traditional metal. They bring a classic sound to bear in their material — a number of classic sounds, actually — but have a ferocity to their execution of that which sets them apart from anything that might be considered “retro.” Coupled with the willful eeriness of their atmospheres and cultish themes, they can be all over the place, but that only makes them harder to pin down, and thus, all the more a thrill to watch. As the penultimate act of the evening, they were a last-minute kick in the ass before things got as far out as they would go, and though it had been a long day by then, Castle revived the spirit even as they seemed to herald its demise.

Windhand

Windhand (Photo JJ Koczan)
Windhand were the night’s headliner. They could’ve slinked in late, hid themselves backstage, got on, done their set, collected whatever there was to collect afterward and been on their way. Instead, the Richmond, Virginia, four-piece, who are arguably the most successful East Coast doom band of their generation and whose influence only continues to spread — trying to come up with another name and can’t; if you have one, I’d love to talk it out — hung around all day. They were back and forth through the venue, watching bands, meeting people, this and that. They had the option to take part or not to take part and they took part. And for a group at their level, on Relapse, having toured the world, etc., that’s not nothing. When they finally got on stage and got going, their fog-drenched riffs were as overwhelming as I remembered, and even though they’ve pared down from a five-piece, there was no discernible gap in volume from vocalist Dorthia Cottrell, guitarist Garrett Morris, bassist Parker Chandler and drummer Ryan Wolfe, who produced a soulful, lurching onslaught the likes of which Maryland Doom Fest had not yet known. Their new album, Eternal Return, was announced in April and will be released by Relapse as the follow-up to 2015’s Grief’s Infernal Flower (review here). No doubt it’s one of the most anticipated doom records for the rest of 2018 and whenever it rears its head will be yet another grueling landmark in a catalog that, at this point, teems with them while also constantly showcasing Windhand‘s progression. It was late, but in front of the stage was a press of humanity, and Windhand justified the urgency with a wash of volume and low end that was on a level all its own. A headlining slot well earned.

It’s almost 1PM on Sunday as I wrap this up and I still need to sort photos, shower and change clothes before I head out from Sparks to Frederick, so I’ll turn you over quickly to the pics after the jump and just say thanks for reading.

Because really, thanks for reading. More tomorrow, if you can believe it.

Read more »

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The Age of Truth Release Threshold LP June 29; Preorders up Now

Posted in Whathaveyou on June 1st, 2018 by JJ Koczan

the age of truth photo useless rebel

Okay, so the news here is that Philly noise rockers The Age of Truth are getting ready to issue their debut album, Threshold (review here) on vinyl through Kozmik Artifactz at the end of this month. Preorders are up now. Bitchin’. Congrats to the band; nice pick for the label. Everyone wins.

Take a look though at the PR wire info below, and specifically I’d like to draw your eye to The Age of Truth‘s upcoming live dates. Yeah. Pretty sick. They’re doing the Chicago Doomed and Stoned fest, and Maryland Doom Fest 2018, and club shows besides with the likes of Heavy TempleBackwoods PaybackWasted Theory and Witchkiss. Some good-ass shows in there, and especially if you can’t make it to either of the noted festivals, might be one you want to keep in mind. The merch table’s always a good place to pick up a record anyhow.

Info follows in abundance:

the age of truth threshold

THE AGE OF TRUTH debut full-length ‘Threshold’ set for first press vinyl to be released with Kozmik Artifactz on June 29th

The Age Of Truth is four brothers-in-arms from Philadelphia, united in the singular pursuit of creating genuine heaviness for an honestly broken world. Our lives are bathed in twisted deception and they unravel it with a scouring purity. With a fully stocked riff arsenal wrapped in tones of Satanic honey, The Age Of Truth blends fuzz and diesel into heavy psych blues and stoner rock. The perfect soundtrack for a barroom brawl ignited from a single lie.

Their debut album Threshold was released November 1, 2017, and dominated for multiple months within the DoomCharts, as well as ranking #8 of the ‘Top 20 Albums of 2017’ at MoreFuzz.net. The Philly quartet has steadily built a reputation among the heavy underground music world with their superb debut, and will confirm their standing with upcoming appearances at the first Chicago Doomed & Stoned Fest, as well as the fourth edition of The Maryland Doom Fest.

Now for the first time, Kozmik Artifactz will bring this phenomenal slab of stoner rock to wax, with an exclusive vinyl release this June 29th. Plated and pressed on high performance vinyl at Pallas/Germany; with a limited and colored vinyl, 300gsm gatefold cover, and special vinyl mastering. A reissued CD format will also be available.

Pre-orders will begin June 1st at Kozmik-Artifactz.com

The Age Of Truth on Kozmik Artifactz: http://kozmik-artifactz.com/artist/the-age-of-truth/

HE AGE OF TRUTH is:

Kevin McNamara: Vocals
Mike DiDonato: Guitar
Scott Frassetto: Drums
William Miller: Bass

In addition to the upcoming vinyl press, Threshold is available now on CD, digital download, and full-stream via The Age Of Truth Bandcamp page, as well as Spotify, iTunes, Amazon, and regular internet radio rotation on Pandora.

The debut album was self-produced by The Age Of Truth and published by Hammerhead Music. Recording, engineering, and mixing was done by Joseph Boldizar at Retro City Studios in Philadelphia, PA; mastering by Carl Saff at Saff Mastering in Chicago, IL; album design and artwork by Michele Fitzgerald; and art direction by Damien Rizzello and The CHAOS Custom.

Threshold – Track List:
Host (Demon In Me)
Come Back A God
Supernatural Salesman
Holding Hands Like Thieves
Caroline
Oceanbones
Hígado de Hierro (interlude)
Threshold
Honeypot (Bonus Track)

Upcoming Live Dates:
Jun 1 – Chicago IL @ Reggie’s – Chicago Doomed & Stoned Festival
Jun 6 – Wilmington DE @ Oddity Bar
Jun 21 – Philadelphia PA @ Kung Fu Necktie (w/The Stone Eye, Transit Method, Rollin’ Loaded)
Jun 23 – Frederick MD @ Cafe 611 – THE MARYLAND DOOM FEST
Jul 6 – Wilmington DE @ Oddity (w/Kingsnake, Wasted Theory, Blood Law)
Jul 20 – Swarthmore PA @ War3house (w/The Electric Mud)
Jul 21 – Philadelphia PA @ Mestosis Room (w/Kingsnake, Temet Nosce, Mesmeria, Strange Aeons)
Jul 23 – Monclair NJ @ Meatlocker (w/Backwoods Payback, Witchkiss)
Aug 3 – West Chester PA @ Sprout Music Collective (w/Heavy Temple, Backwoods Payback)

http://www.theageoftruth.net
https://theageoftruth.bandcamp.com/
http://www.facebook.com/theageoftruth
https://www.instagram.com/theageoftruth/
http://www.twitter.com/theageoftruth
http://www.reverbnation.com/theageoftruth

The Age of Truth, Threshold (2017/2018)

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