Posted in Whathaveyou on July 28th, 2020 by JJ Koczan
Fifteen bucks Canadian isn’t nothing, but it’s frickin’ best essay collections Dissertation Philosophique Ethique Et Politique how to write an abstract for your dissertation doctoral guide to buying term papers online Voivod. What, you’re gonna tell me it’s not worth it to watch I often get asked how do I get protein during a juice fast. Effect how do i site of dietary articles about eating disorders fiber on blood Voivod play live? Of course you’re not gonna tell me that, and even if you were I wouldn’t listen because I know otherwise. I saw seattle times homework help Work Education Course For Me school work help dock workers resume Voivod most recently last April in Brooklyn (review here) and like few I’ve ever seen on a stage, these bona fide legends of progressive thrash — still a microgenre they more or less entirely own — play with an infectious joy for which simply there is no wrong time. Sunday at 4PM it is. Weirdos’ll be lined up around the virtual block for this one in their Can someone write a paper for Order Now tab on the top of the website and enter your writing a good college admissions essay schools requirements regarding War & Pain t-shirts. It’s been so long since I wore any that I don’t actually know where they are, but if I had a pair of jeans handy, I might even put them on for this one.
Nah, let’s not go that far. But still, it’s The Ways We Lie Essay, Have your thesis or. corrections and to return my document back in a timely fashion. I was very pleased with their service and Voivod.
And hmm… they have a live album coming later this year on Thesis Clinic offers Education Login Page in which our PhD thesis proofreaders in UK remove the spelling and grammatical errors from the document. Century Media. Is it possible the two things might be related? We’ll have to wait and see.
From the PR wire:
VOIVOD Announce live-stream concert for August 9th, 2020.
Canadian progressive sci-fi metal innovators VOIVOD have announced an exclusive livestream appearance for Sunday, August 9th, 2020:
Come one, come all! In an event not to be missed, VOIVOD performs a live in-studio set for an exclusive one time streaming broadcast on Aug 9, 2020 at 4 PM EDT (Eastern Daylight Time). This multi camera shoot and audio mix will happen in real time at the same studio VOIVOD recorded their Juno winning album “The Wake”.
Why Aug 9? It’s Denis “Snake” Belanger’s birthday and he wanted to party safely with all his friends and fans from around the globe since VOIVOD touring the planet has been grounded by the Pandemic.
Most recently, VOIVOD have released a 3-track 12” Vinyl and Digital EP entitled “The End Of Dormancy” earlier this month worldwide via Century Media Records.
The EP is centered around a special “Metal Section” version of the title track “The End Of Dormancy” (Off VOIVOD’s latest album “The Wake”) with added trumpets, saxophone and trombones. The complementary tracks on this release are exclusive live versions of “The End Of Dormancy (Metal Section)” and the group’s classic “The Unknown Knows” recorded at Montreal Jazz Fest 2019. Here is the exact track-listing for the EP:
VOIVOD – “The End Of Dormancy” EP: Side A: 1. The End Of Dormancy (Metal Section) [08:15] Side B: 1. The End Of Dormancy (Live Montreal Jazz Fest 2019) [09:08] 2. The Unknown Knows (Live Montreal Jazz Fest 2019) [05:08]
Other VOIVOD news? “A live record will be released later this year on Century Media Records. VOIVOD hope to see you next year on tour!”. Indeed, stay connected…
Posted in Whathaveyou on August 14th, 2019 by JJ Koczan
Did you know Untold Content is a writing consultancy. We provide professional resume writing services xenia and specialize in translating complex insights into compelling stories. Wolves in the Throne Room had signed to mba admission essay buy outline http://vivabeauty.ee/?buyessaywriting=dissertation-chesss gre issue essay best resume writing services chicago federal Century Media? Did you know they’ve got a new record coming out in February? I didn’t. I mean, I’m not the be-all-end-all of news-awareness or anything, but I’d hope that if word of such a thing came down the PR wire, I’d have noticed. Still, in the announcement of their Jan. 2020 European run with personal background essay this website guide to writing a dissertation writing essay about my name Dimmu Borgir (meh) and http://autothanhhoa.com.vn/?masters-thesis-uk - Let professionals deliver their tasks: order the needed paper here and wait for the best score Entrust your essay to Amorphis (yay) is that somewhat buried lede, which only further piques interest since it means their new album will follow less than three years after Sept. 2017’s Best essay editing service at your disposal. So, no more need to look for Food Technology Homework Helps youve got all you need right here, right now. Thrice Woven (review here). That’s the shortest span between offerings they’ve had since 2011.
There has to be a word for when a tour is announced and you get all excited and then are disappointed to learn it’s not happening anywhere near where you’re going to be. It’s not quite FOMO, but definitely more than just an “aw shucks” kind of scenario. That specific feeling needs a word. “Geographical displacement,” maybe? I’ll think about it. You do too. We’ll come up with something. Either way, it’s been too damn long since I last saw either Need a blog link? We use two expert editors on every document. We offer fast and high quality proofreading at an affordable flat rate. Wolves in the Throne Room or In case you care about both: money and quality, our cheap college term papers to buy writing service will be the best for you! Amorphis, so this would be one to catch if I could. Which I can’t.
The PR wire has the info:
WOLVES IN THE THRONE ROOM TO SUPPORT DIMMU BORGIR & AMORPHIS CO-HEADLINE TOUR FOR JANUARY AND FEBRUARY 2020
The year 2020 is set to start with a roll of thunder! American post black metallers Wolves In The Throne Room are set to support Norwegian black metal band Dimmu Borgir and Finnish melodic prog metallers Amorphis on their co-headline tour that no metal fan should miss – dates and details below.
Wolves In The Throne Room remark “We are ready to blaze forth across Europe with these two titans of Heavy Metal! Dimmu Borgir and Amorphis are bands that we love and we are looking forward to supporting them on this tour. We will be playing songs off our new album (released by Century Media in February) as well as some classic Wolves material. Thank you!”
Dimmu Borgir comment “We’re going to crush Europe in January next year, and together with AMORPHIS, we’ll make sure that Nordic darkness will create a perfect winter’s storm. See you all soon!”
Amorphis’ Esa Holopainen added: “When the idea of doing a co-headline tour with DIMMU BORGIR came up, it sounded great, but at the same time we were really surprised. However, the more we thought about it, the more it sounded like a perfect match. Musically we are different, but deep down, it’s not really by that much. There’s a lot of similar elements where both bands take their inspiration. Both bands are absolutely unique on stage. It is needless to say that this tour is going to be a true killer with a massive production, that will undoubtedly bring even more coldness into people’s hearts in January 2020. We would also like to welcome WOLVES IN THE THRONE ROOM to open the evenings.”
See the bands on one of the following exclusive tour dates. Tickets go on sale on August 14th at 10:00 CEST.
WOLVES IN THE THRONE ROOM Supporting DIMMU BORGIR + AMORPHIS
22.01.20 (UK) London – O2 Forum Kentish Town 23.01.20 (F) Paris – Bataclan 24.01.20 (CH) Zurich – Komplex 457 25.01.20 (NL) Tilburg – 013 26.01.20 (D) Wiesbaden – Schlachthof 28.01.20 (D) Munich – TonHalle 29.01.20 (D) Filderstadt – FILharmonie 30.01.20 (D) Berlin – Columbiahalle 31.01.20 (D) Oberhausen – Turbinenhalle 01.02.20 (D) Hannover – Swiss Life Music Hall
Posted in Whathaveyou on October 5th, 2018 by JJ Koczan
Is this the end for Chemistry Lab Help Uml - original essays at competitive prices available here will turn your studying into delight Papers and resumes at most affordable Death Alley? I’d no more place a bet on it either way than I would’ve predicted where they were headed after their earlier-2018 second album, iWriter is the get more I have come across for all my website content and article writing needs. Here is my iWriter review and video. Superbia (review here), came out on Century Media. But they’re calling it hibernation and at very least stepping back for an indeterminate amount of time, so who the hell knows what will happen, and if this is it for them, I didn’t want to let it pass unmarked. If you ever got to see Death Alley live, you already know why.
The Amsterdam four-piece revitalized the idea that hard rock didn’t have to be boring or an overly commercial enterprise. On Superbia and their 2015 Tee Pee Records-released debut, Black Magick Boogieland (review here), their 2017 Live at Roadburn (review here) outing, and their sundry singles along the way dating back to their first 7″, 2014’s Over Under b/w Dead Man’s Bones (review here), they showed that heavy rock could have an edge, and that if a band has the presence, the confidence, and the songwriting ability, they can be as raw or as embellished as they want to be and still bring their audience along for the ride. It was a once-in-a-lifetime thrill to host them in 2016 at The Obelisk All-Dayer (video here) in Brooklyn, and though they were subject to lineup changes along the way, I still recall fondly the hour I spent on Skype interviewing them in 2015 for the first album. They were a total blast, front to back.
Their last shows (at least for the time being) are set for this month through January, and they’ll finish at Paradiso in Amsterdam, which I have no doubt will be an absolute blowout. Hard to imagine Death Alley would have it any other way.
Their announcement went out via the social medias as follows:
Alright, wörld… After years of hypermotion, time has come for hibernation.
These final shows of our Superbia tour will be your last chance to dance with us for a while. After the 3rd of January in Paradiso, we’ll be off the radar for an indefinite period.
So you predators better not sleep on it… boogie while it lasts!
Tour dates: 13 OCT – Hengelo (NL) Beerland 17 NOV – Eindhoven (NL) Helldorado 29 NOV – Berlin (DE) Cassiopeia 30 NOV – Cottbus (DE) Zum Faulen August 01 DEC – Dresden (DE) Noteingang 13 DEC Deventer (NL) Burgerweeshuis 15 DEC Leiden (NL) Gebr. de Nobel 20 DEC Leeuwarden (NL) Neushoorn 21 DEC Bergen Op Zoom (NL) Gebouw T 22 DEC Dordrecht (NL) Bibelot 27 DEC Venlo (NL) Grenswerk 28 DEC Arnhem (NL) LuxorLive 29 DEC Uden (NL) De Pul 3 JAN Amsterdam (NL) Paradiso
DEATH ALLEY is: Douwe Truijens – vocals Oeds Beydals – guitar Uno Bruniusson – drums Sander Bus – bass
Posted in Whathaveyou on June 13th, 2018 by JJ Koczan
Ten million metal bands. Only one Voivod. And woe unto those who can’t do the math on that. The stalwart-among-stalwarts Canadian prog-metal pioneers will release their umpteenth long-player this Fall via Century Media. It’s been dubbed The Wake and will arrive in time to catch the four-piece on their way out to Europe for a huge round of touring that includes support from Maggot Heart, Nightrage and Bio-Cancer in alternating slots. No audio or track titles yet for the record, but the release is still three months out and CM is pro-shop, so they’re not about to give everything away in one press release. In any case, who could read another list — say, one of the album’s tracks — without getting exhausted after looking at all those tour dates anyway? I’m out of breath by the time they get to Krakow.
More details forthcoming, then, and fair enough. The more I get to talk about Voivod kicking ass, the merrier. And you know my disposition can get pretty merry. I know it’ll certainly be that way watching them at Psycho Las Vegas in August.
To the PR wire, then:
VOIVOD – Announce new album “The Wake” and European tour!
Canadian progressive sci-fi metal innovators VOIVOD are not only celebrating their 35th band-anniversary, but have also just wrapped up studio-work for their upcoming new studio album entitled “The Wake”. Expected for a late September worldwide release via Century Media Records, “The Wake” is the highly anticipated successor to 2013’s “Target Earth” album and the 2016 mini-album “Post Society”.
VOIVOD drummer Michel “Away” Langevin checked in with the following comment:
“We are thrilled to let you know that our new album, “The Wake”, is completed! The music is like a futuristic prog thrash metal trek with many twists and turns, and the story involves the usual Voivodian topics: disasters, chaos, conflicts, strange plots and alternate consciousness. We are excited with the result and can’t wait to get the material out to you this fall!
Also, try to catch us when we tour Europe in September and October. It will be a great opportunity for the band to test some songs from our upcoming album.”
Here is a list of the comprehensive European run, which will feature the following rotating support acts: Maggot Heart (from 7th until 16th Sept), Nightrage (from 18th until 26th Sept) and Bio-Cancer (from 28th Sept until 20th Oct):
VOIVOD – European Tour 2018: 07.09.2018 Prague (Czech Republic) – Futurum * 08.09.2018 Poznan (Poland) – U Bazyla * 09.09.2018 Warsaw (Poland) – Hydrozagadka * 10.09.2018 Krakow (Poland) – Kwadrat * 11.09.2018 Bratislava (Slovakia) – Randal Club * 13.09.2018 Cluj-Napoca (Romania) – Flying Circus Pub * 14.09.2018 Belgrade (Serbia) – Elektropionir * 15.09.2018 Budapest (Hungary) – Durer Kert * 16.09.2018 Vienna (Austria) – Szene * 18.09.2018 Bologna (Italy) – Locomotiv ** 19.09.2018 Rome (Italy) – Largo ** 20.09.2018 Milan (Italy) – Santeria ** 21.09.2018 Winterthur (Switzerland) – Gaswerk ** 22.09.2018 Seyssinet Pariset (France) – Ilyade ** 24.09.2018 Barcelona (Spain) – Boveda ** 25.09.2018 Madrid (Spain) – Nazca ** 26.09.2018 Porto (Portugal) – Hard Club ** 28.09.2018 Marseille (France) – Jas’ Rod *** 29.09.2018 Paris (France) – Petit Bain *** 30.09.2018 Nantes (France) – Ferrailleur *** 02.10.2018 Southampton (UK) – The Joiners *** 03.10.2018 Cardiff (UK) – The Globe *** 04.10.2018 Leeds (UK) – Temple Of Boom *** 05.10.2018 Glasgow (UK) – Cathouse *** 06.10.2018 Manchester (UK) – Rebellion *** 07.10.2018 London (UK) – Underworld *** 09.10.2018 Brussels (Belgium) – Magasin 4 *** 10.10.2018 Amstelveen (The Netherlands) – P60 *** 11.10.2018 Eindhoven (The Netherlands) – Dynamo *** 12.10.2018 Cologne (Germany) – Luxor *** 13.10.2018 Hamburg (Germany) – Logo *** 14.10.2018 Copenhagen (Denmark) – Pumpehuset *** 15.10.2018 Stockholm (Sweden) – Klubb Nalen *** 17.10.2018 Helsinki (Finland) – Tavastia *** 18.10.2018 Tampere (Finland) – Klubi *** 20.10.2018 Oslo (Norway) – John Dee ***
Support bands: * Maggot Heart (from 7th until 16th Sept) ** Nightrage (from 18th until 26th Sept) *** Bio-Cancer (from 28th Sept until 20th Oct)
Previously, VOIVOD will also appear at selected festivals in North America as follows:
VOIVOD – Live 2018: 29.06.2018 Jonquière (Canada) – Jonquiere en Musique Festival 29.07.2018 Montreal (Canada) – Heavy Montreal Festival 08.08.2018 Lévis (Canada) – Festivent 18.08.2018 Las Vegas (USA) – Psycho Las Vegas Festival
More details and news and VOIVOD and “The Wake” following soon…
Posted in Reviews on March 19th, 2018 by JJ Koczan
Space punk, proto-metal, heavy progressive glam and enough hooks to get you from here to Alpha Centauri — it can only be the return of Amsterdam’s Death Alley, whose 2015 Tee Pee Records debut LP, Black Magick Boogieland (review here), was a lesson in the fine art of making “heavy” sound like a party you really want to go to. The four-piece toured consistently enough after the release that they wound up trading out their rhythm section — Sander Bus for Dennis Duijnhouwer on bass and the seems-to-be-everywhere-these-days Uno Bruniusson (also Black Salvation and Procession, ex-In Solitude) for Ming Boyer — a move that left vocalist Douwe Truijens and guitarist Oeds Beydals as the remaining founders. It is no small feat for a band to trade out half its lineup from one record to the next, but, now signed to Century Media, Death Alley‘s second collection, Superbia, shows they’ve done nothing but move forward as a result of the work they’ve put in the last three years.
With the creative percussiveness of Bruniusson propelling a telltale hook like “Feeding the Lions” and Bus adding low-end complement, Beydals and Truijens both absolutely shine in a number of contexts. Whether it’s the shimmer brought to the guitar in “Headlights in the Dark” or the rawer-but-still-melodic command of Truijens‘ vocals in the three-minute “Murder Your Dreams” (video premiere here), the pair find themselves in the forward position throughout the Pieter Kloos-helmed eight-track/50-minute effort, which is as powerful in its hooks as one could possibly hope on cuts like “The Chain,” “Feeding the Lions” and the aforementioned “Headlights in the Dark,” while retaining some experimentalist edge in the progressive melodies of the penultimate “Pilgrim” and a purposeful sense of exploration in extended opener “Daemon” (9:10) and closer “The Sewage” (11:37).
It’s nearly impossible to guess how much of any sonic shift has been brought on through personnel change as opposed to naturalist or purposeful growth of Death Alley‘s songwriting, but it’s palpable when one sits Superbia alongside anything prior in Death Alley‘s catalog, whether it’s last year’s Live at Roadburn (review here), which by its very nature would be more about capturing a raw performance, or Black Magick Boogieland, or their initial 2014 single, Over Under b/w Dead Man’s Bones (review here). Strength in songwriting remains firm and makes highlights of “Headlights in the Dark,” “Shake the Coil,” nine-minute opener “Daemon” and others, and the sense of energy that’s driven them since their beginning hasn’t diminished in the slightest, as “The Chain,” “Feeding the Lions” and “Murder Your Dreams” demonstrate plainly, but even on the latter track, which is as hard-edged as Death Alley get on Superbia, one can hear their focus has changed from raw impact to more deeper melodic arrangements and a deeper sense of atmosphere on the whole, as manifest in the lush chorus of “Pilgrim” and the all-consuming summary of “The Sewage” at the finale of the record — which finds Truijens singing about “psychic sewage”; about as clever a euphemism as I’ve heard for “shit for brains.”
The central question is does it work, and the central answer is yes, but it means Death Alley are more complex in their intentions than even those who dug deep into Black Magick Boogieland‘s spacious closer, “Supernatural Predator,” might have suspected, because the purposeful sense they give from “Daemon” is that they’re not just picking up where they left off, but using their past as a launchpad to push even further out. That they get there is what ultimately makes Superbia such a success, never mind the band’s ability to tie together disparate ideas like the jammy build of “Daemon,” the straight-ahead thrust of “The Chain” and the near-gothic strum and keys of “Shake the Coil” — lest one forget that Pieter Kloos also produced fellow Netherlanders Dool, among many others — into one complete, flowing entirety. So not only are Death Alley more complex, but they’re more realized.
Given their time on the road, this isn’t necessarily surprising, but they’re also half a new band. Still, listen to the twisting first 40 seconds of “Pilgrim,” or the weirdo break that starts 5:10 into “Feeding the Lions,” or really every single second of “The Sewage,” which stomps and struts as much as it reaches into the cosmic ether — almost an answer to “Supernatural Predator,” but not quite aiming for the same goal. To wit, the progressive harmonies circa the three-minute mark are something I simply don’t think Death Alley would’ve attempted their last time out, and it’s worth noting that as they shift into the open midsection of the track via Bruniusson‘s crashes, residual noise and foreboding riffing from Beydals and Bus, it’s the guitar that comes to lead the charge through the “21st Century Schizoid Man”-esque chase, and into the jazzy movement that follows (though that’s not to take away from the snare work there, which is fantastic), and as “The Sewage” heads toward and past the eight-minute mark, it’s Beydals‘ solo that really seems to be doing the work of summarizing the album; extended, echoing, coated in effects, poised in a way but still delivered with vitality, it puts the emphasis on just how special a player he’s emerged here as being.
Truijens returns for repeated final lines and the closer more or less works its way toward a fading oblivion. To those who heard Black Magick Boogieland, no doubt Superbia will offer more than a few surprises, and it’s plain to see that was the band’s goal all along. What they’ve managed to do is put themselves on a trajectory of progression that’s both unexpected — not to say one didn’t anticipate evolution in their approach from their first to their second album, but there are a few genuine leaps here in Truijens‘ and Beydals‘ performances and in the depth of their craft overall — and richly satisfying, especially on well-earned repeat listens. If this growth was born of touring and the tumult the band has been through in the last couple years, they’ve emerged from same sounding stronger than ever and on their way to a maturity that one finds it easy to imagine will surprise even the band in terms of its breadth and sonic impact. When Death Alley gets where they’re going, watch your ass. Superbia is another crucial forward step along their way.
Death Alley, “Murder Your Dreams” official video premiere
Posted in Bootleg Theater on February 13th, 2018 by JJ Koczan
Amsterdam-based heavy rockers Death Alley will release their second album, Superbia, March 23 as their debut on Century Media. The eight-track outing is rife with a progressive feel even beyond what the band brought to their 2015 Tee Pee Records first long-player, Black Magick Boogieland (review here), and no, I’m not just talking about the King Crimson-style chase scenes tucked into 11-minute closer “The Sewage.” It’s the whole record. Even as the opening push of “Daemon” seems to pick up where “Supernatural Predator” from the preceding full-length left off, it does so bringing together different sides of Death Alley‘s sound — the melody and the danger — the raw earth thrust and the outer space presence.
The four-piece have undergone a few changes since Black Magick Boogieland, and even since they released Live at Roadburn (review here), vocalist Douwe Truijens and guitarist Oeds Beydals bringing in bassist Sander Bus and drummer Uno Bruniusson as their new rhythm section. No doubt that switch in personnel had a hand in the corresponding sonic shift, as it invariably would, but as the band’s new single and video “Murder Your Dreams” showcases, it’s still very much the art of crafting memorable songs that’s at the heart of what Death Alley does. With that as firmly established as it is in “Murder Your Dreams” and throughout Superbia from whence it comes, Death Alley can pretty much go wherever they like stylistically. And they do.
I’ll have more on the album closer to the release itself, but I’m thrilled today to be able to premiere the video for “Murder Your Dreams,” which you’ll find below, followed by quotes from the band and from director Luuk Bouwman. Death Alley also have tour dates booked throughout the coming months and Superbia is available to preorder at the portal in the links at the bottom of the post. Can’t miss it.
Please enjoy:
Death Alley, “Murder Your Dreams” official video premiere
DEATH ALLEY – Murder Your Dreams (OFFICIAL VIDEO). Taken from the album “Superbia”, out March 23rd, 2018.
Death Alley on “Murder Your Dreams”:
“‘Murder Your Dreams’ shows a side of our musicality that was always there but never revealed itself in our music before. Just when we needed it, The Wipers came knocking and we crushed them to bits. A bittersweet taste of Superbia in its most compact form.”
Director Luuk Bouwman on the video:
“The video is based on chase and falling dreams — which I felt would fit well with the song. I remembered a great scene in the Nightmare on Elm Street series in which the characters are stuck in a loop. So I wanted to create a nightmare-like slapstick in which the protagonist is condemned to keep falling, eternally. I was already joking that it was an autobiographical story and as if it was an ominous prophecy, a day after finishing the video I fell really hard on a bridge because of black ice. I broke my arm, cheekbone and eye socket. So last week I was in surgery to reconstruct my face.”
Death Alley live: 23-03 (DE) Cologne – Jungle (release show) 24-03 (DE) Münster – Alterna Festival 30-03 (NL) Amsterdam – SkateCafe (release show) 31-03 (NL) Schijndel – Paaspop 13-04 (NL) Eindhoven – Stroomhuis 14-04 (NL) Groningen – LOLA 26-04 (NL) Den Haag – Life I Live 28-04 (NL) Rotterdam – V11 04-05 (DE) Berlin – Desertfest 06-05 (UK) London – Desertfest 08-05 (FR) Paris – Gibus* 09-05 (FR) Nantes – Feraullier* 10-05 (ES) San Sebastian – Dabadaba* 11-05 (ES) Barcelona – Upload* 12-05 (FR) Clermont Ferrand – Camille Claudel* 13-05 (CH) Olten – Coq D’Or* 15-05 (DE) Leipzig – NATO* 16-05 (DE) Nürnberg – Stereo* 17-05 (DE) Dortmund – FZW* 18-05 (DE) Lohr am Main – Umsonst und Drinnen Festival* 19-05 (DE) Lichtenfels – Paunchy Cats* 26-05 (NL) Raalte – Dauwpop 02-06 (NL) Nijmegen – Fortarock
Posted in Whathaveyou on October 16th, 2017 by JJ Koczan
Heartfelt congratulations are in order for Amsterdam’s Death Alley. The four-piece, who issued their Live at Roadburn (review here) live album earlier in 2017 via Suburban Records and Tee Pee Records, have had a tumultuous year, including an unceremonious separation in April with bassist Dennis Duijnhouwer and the subsequent bringing-aboard of Sander Bus as his replacement as well as former In Solitude drummer Uno Bruniusson to join the remaining founding duo of guitarist Oeds Beydals and vocalist Douwe Truijens. The news this time is mind-blowingly good, however, as the band have signed to Century Media for the release of their next album.
Currently on tour with Kadavar, the veterans of Psycho Las Vegas 2016 — who also stopped by Brooklyn to play The Obelisk All-Dayer (video here) — released their debut, Black Magick Boogieland (review here), via Tee Pee in 2015, and aside from reaffirming once more that New York label’s tastemaker stature (let’s not forget the likes of Kadavar and Graveyard and Earthless, let alone High on Fire, are Tee Pee alums), their signing to Century Media represents the next step in an upward, forward trajectory that’s been blasting out ever since. An absolutely scorching live act, Death Alley blend space rock and heavy psych with motor-fueled charge in their studio material, and one can hear shades of both represented in the new track “The Sewage, Pt. 1,” which is streaming now at the bottom of this post.
Am I stoked at the prospect of a new Death Alley record tracked once again by Pieter Kloos (ex-35007, producer for Motorpsycho, Dool, Beaver, Monomyth, 7Zuma7, Celestial Season, Spoiler, and so, so many others) at his The Void studio in Eindhoven? Well that’s kind of a stupid question. Yes I fucking am. Right onto the list of 2018’s most anticipated albums Death Alley‘s Century Media debut goes, where it will remain until I actually get to hear the thing and proclaim it one of the year’s best records (no pressure; ha). Won’t happen nearly soon enough, as far as I’m concerned.
Announcement from Century Media from the PR wire, Death Alley‘s current remaining tour dates, and of course that song stream follow here. Dig it:
DEATH ALLEY Sign Worldwide Deal with Century Media Records; Premiere New Song, “The Sewage”
Dutch destroyers DEATH ALLEY already raised attention with their debut album, “Black Magick Boogieland”, in 2015. The band, revolving around former The Devil’s Blood guitarist Oeds Beydals, singer Douwe Truijens, Swedish drummer Uno Bruniusson (ex-In Solitude) and latest addition Sander Bus on bass, mainline an unorthodox cross contamination of psychedelic hard rock and punk, played with excellent precision and power. The spirit of Bad Brains and King Crimson, Hawkwind and Poison Idea, and hints of The Stooges and Black Sabbath-worship form the fundament for DEATH ALLEY’s solid rock and roll presented with metal finesse and a pitch black psychedelic soul cherry on top.
Since their debut release, DEATH ALLEY have relentlessly toured the world. From the smallest underground venues to the bigger stages at festivals like Psycho Las Vegas, Hellfest in France, and multiple Desertfests, the band has been leaving a lasting impact with their energetic performance. Their show at the prestigious Roadburn Festival resulted in a critically acclaimed live album, released earlier this year.
The ink on their new deal with Century Media Records isn’t dry yet and they just left the Moon Studios where they recorded their sophomore album with producer Pieter Kloos (Motorpsycho, The Devil’s Blood, Dool, etc.). Right now, they are hitting the road again with their friends Kadavar with whom they release a very special tour split 7”.
“The Sewage” is also available as a digital single on all streaming and download platforms.
The band comments: “We’ve been sailing the sewage for quite a while now, and time has come to harvest the gold and offer it to you on a silver platter. We can spend much time and effort describing the feeling of the new music, the upcoming record, and the European tour with Kadavar, but that will always be just a faint shadow of showing it: so just come to the shows and blast the new song with volume at 11 – that’ll say more than the dozens of synonyms for ‘stoked’. Let us feast on it.”
DEATH ALLEY live: KADAVAR / MANTAR / DEATH ALLEY 16.10.2017 Antwerpen (BE), Desert Fest 17.10.2017 Strassbourg (FR), La Laiterie Club 18.10.2017 Paris (FR), Le Trabendo 19.10.2017 Rennes (FR), L’Ubu 20.10.2017 Bordeaux (FR), La Krakatoa 21.10.2017 Madrid (ES), But 22.10.2017 Barcelona (ES), Bikini 24.10.2017 Lyon (FR), Feyzin 25.10.2017 Monthey (CH), Pont Rouge 26.10.2017 Aarau (CH), Kiff 27.10.2017 München (GER), Backstage 28.10.2017 Wien (AT), Flex 29.10.2017 Graz (AT), PPC 30.10.2017 Zagreb (CRO), Mocvara 01.11.2017 Budapest (HU), A38 02.11.2017 Warschau (POL), Progresja 03.11.2017 Krakau (POL), Kwadrat 04.11.2017 Prag (CZ), Nova Chmelnice 05.11.2017 Nürnberg (GER), Hirsch 07.11.2017 Amsterdam (NL), Paradiso Noord 08.11.2017 Hannover (GER), Capitol 09.11.2017 Copenhagen (DK), Pumpehuset 10.11.2017 Stockholm (SV), Debaser 11.11.2017 Oslo (NO), BLA 12.11.2017 Gothenburg (SV), Pustervik 13.11.2017 Deventer (NL), Burgerweeshuis 15.11.2017 Köln (GER), Stollwerck 16.11.2017 Wiesbaden (GER), Schlachthof 17.11.2017 Stuttgart (GER), LKA Longhorn 18.11.2017 Berlin (GER), Columbiahalle
DEATH ALLEY is: Douwe Truijens – vocals Oeds Beydals – guitar Uno Bruniusson – drums Sander Bus – bass
Posted in Features on January 23rd, 2017 by JJ Koczan
Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.
Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’
Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.
Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.
Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.
— Tomorrow’s Dream 2017 —
Presented Alphabetically
1. Abrahma, TBA
Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.
2. All Them Witches, Sleeping Through the War
If 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.
3. Alunah, Solennial
Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.
4. Arbouretum, TBA
I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.
5. Atavismo, Inerte
This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.
6. Bison Machine, TBA
In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.
7. Brothers of the Sonic Cloth, TBA
News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.
8. Cloud Catcher, Trails of Kosmic Dust
Okay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.
9. Colour Haze, TBA
I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.
10. Corrosion of Conformity, TBA
Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?
11. Elder, TBA
I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.
12. Electric Wizard, TBA
Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.
13. John Garcia, The Coyote Who Spoke in Tongues
Out Jan. 28 on Napalm, The Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo Burn, Hermano, Vista Chino, Zun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.
14. Goya, Harvester of Bongloads
Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.
15. Ides of Gemini, TBA
Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.
16. Kind, TBA
Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.
17. Lo-Pan, In Tensions
Yes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.
18. The Midnight Ghost Train, TBA
It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.
19. Monster Magnet, TBA
I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.
20. Mothership, High Strangeness
A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.
21. The Obsessed, Sacred
On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of Weinrich, Costantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.
22. Orange Goblin, TBA
When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.
23. Pallbearer, Heartless
Doomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.
24. Radio Moscow, TBA
Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.
25. Roadsaw, TBA
Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in Kind, White Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.
26. Rozamov, This Mortal Road
Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.
27. Samsara Blues Experiment, TBA
It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for Desertfest, Riff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.
28. Seedy Jeezus, TBA
Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah Mitchell, Tranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.
29. Shroud Eater, Strike the Sun
Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.
30. Sleep, TBA
If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.
31. Stoned Jesus, TBA
Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.
32. Stubb, TBA
Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.
33. Sun Blood Stories, It Runs Around the Room with Us
It Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.
34. Ufomammut, TBA
Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.
35. Vokonis, The Sunken Djinn
Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.
—
Gonna Happen and/or Likely Candidates
Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.
Either way, while I’m spending your money, you might want to look into:
36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle
—
Definitely Could Happen
Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.
So, you know, life.
Dig it:
123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six
—
Would be Awfully Nice
This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:
192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age
—
If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.
As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.
