New Orleans sludge institution Cheap and Quality Custom Written Essays for UK Students. Upon first hearing the term Ptlls Essay Help service, it can be easy to make the assumption that the quality of the essays will be low. We want to assure you that�s not the case with State of Writing. Place an order Check prices EyeHateGod will release their first album in seven years, First paragraph of Home Page an argumentative essay on a rose describe a great time you. Professional Essay Writer from essaycapital.org A History of Nomadic Behavior, in Spring 2021. They’ve re-signed with We offer http://fedac.org/thesis-for-nursing/ with a flexible pricing system. You can set any deadline that works for you, and you can choose the quality level for your paper. You will receive a fair quote per page based on these parameters, and you can always make the final price more affordable thanks to the discount program of our dissertation service. Century Media for the new offering, which will be the follow-up to their 2014 self-titled, a record for which they’ve consistently toured since its release. Actually, they were kind of on tour before they released it too. Pretty much since they started up again, they’ve been touring. You might say: they have a long track record of moving around from place to place.

There has to be some better way to phrase that.

I’ll confess I never really checked out the self-titled, because the rest of the universe was slathering it with hyperbole anyway and at that point why bother, plus I kind of found it easier to live without than I expected. I don’t know if I’m even cool enough to get to hear this one — the answer to that question more often than not is “no” — but  Do Research Papers Need A Conclusion Paragraph From A Reliable Service Risk-Free. The one and the only way to become a better writer is to gain the necessary skills through practice. Or so they say. Constant training is required to become seasoned in one�s business. But sometimes, as a student, you don�t get a second chance. You have to deliver a perfect dissertation from the first try or put your academic A History of Nomadic Behavior is due out in Spring just the same, and it’s the joy of my day to get to post a quote from  Any writing paper is a real challenge no matter where you are studying at school, college or university. Professional find this will Mike Gitter, whom I remember fondly from his days at Home Pages - modify the way you do your assignment with our approved service Instead of wasting time in inefficient attempts, get qualified Roadrunner Records in NYC.

From the PR wire:

EYEHATEGOD RETURN TO CENTURY MEDIA RECORDS

Make your website stand out and convert more visitors with our web Philosophy Essay Purchase, at India based Content Writing Company Content Beats. NEW ALBUM, A HISTORY OF NOMADIC BEHAVIOR, ARRIVES SPRING 2021 (DATE TBA)

EyeHateGod have returned to Century Media Records, with an eye towards a Spring 2021 release for the band’s first album in seven years: A History of Nomadic Behavior (date TBA).

A joint statement from the band on the band and label reunion: “EyeHateGod are pleased to announce we’ve signed a licensing deal with Century Media Records USA and Europe…! We welcome the new changes along with the new year coming, and want this union to benefit everyone involved, especially our rabid and disturbed fans across the globe!”

“We’re happy to announce solidifying our worldwide relationship with EyeHateGod,” added Director of Century Media Records, Phillipp Schulte. “While Century Media has worked with the guys in the past, we’re excited to begin a new chapter with a record that easily ranks amongst this hard-working, heavy-touring band’s best. We are very much looking forward to releasing EyeHateGod’s A Historic of Nomadic Behavior.”

“EyeHateGod are survivors on every level,” says Century Media Records Vice President of A&R, Mike Gitter. “Since 1988 they’ve been part of the framework of extreme music and A History of Nomadic Behavior will be no exception. Theirs is a tough and turbulent road that would have stopped most bands dead in their tracks. Not these NOLA legends. Century Media has been part of their career from the early days and we’re excited to be working together again. EyeHateGod is here to stay.”

The cover art for A History of Nomadic Behavior has been revealed as the band and label prepare to share additional details about the album in coming weeks.

http://www.eyehategod.ee
http://www.facebook.com/OfficialEyeHateGod
https://www.instagram.com/eyehategodnola
http://www.centurymedia.com
http://www.facebook.com/centurymedia
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EyeHateGod, “Medicine Noose” official video

Fifteen bucks Canadian isn’t nothing, but it’s frickin’  Feeling trapped while writing an essay? MyAssignmenthelp.com is the one that not only promises but also provides top-quality online Visit Website Voivod. What, you’re gonna tell me it’s not worth it to watch  Customised Pay For Thesis Writing services on various subjects . We understand that you want to hire a service provider who can offer their expert dissertation help on a number of subjects. In this way you will be able to save your efforts of selecting the different service provider every time you get a new topic for your dissertation. This is responsible for the increased level of Voivod play live? Of course you’re not gonna tell me that, and even if you were I wouldn’t listen because I know otherwise. I saw  Order dissertations and have one of the best custom look at this sites. We have experienced dissertation writers from every field Voivod most recently last April in Brooklyn (review here) and like few I’ve ever seen on a stage, these bona fide legends of progressive thrash — still a microgenre they more or less entirely own — play with an infectious joy for which simply there is no wrong time. Sunday at 4PM it is. Weirdos’ll be lined up around the virtual block for this one in their  Take advantage of our recipe of academic success worked out by our pro essay online service at BuyEssay.net. Prompts For College Essayss online that you'll be proud to War & Pain t-shirts. It’s been so long since I wore any that I don’t actually know where they are, but if I had a pair of jeans handy, I might even put them on for this one.

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And hmm… they have a live album coming later this year on  Buy papers online that are handcrafted In this case you most definitely need to go now from a site that can provide you with Century Media. Is it possible the two things might be related? We’ll have to wait and see.

From the PR wire:

VOIVOD Announce live-stream concert for August 9th, 2020.

Canadian progressive sci-fi metal innovators VOIVOD have announced an exclusive livestream appearance for Sunday, August 9th, 2020:

Come one, come all! In an event not to be missed, VOIVOD performs a live in-studio set for an exclusive one time streaming broadcast on Aug 9, 2020 at 4 PM EDT (Eastern Daylight Time). This multi camera shoot and audio mix will happen in real time at the same studio VOIVOD recorded their Juno winning album “The Wake”.

Why Aug 9? It’s Denis “Snake” Belanger’s birthday and he wanted to party safely with all his friends and fans from around the globe since VOIVOD touring the planet has been grounded by the Pandemic.

Tickets are $15 CDN plus applicable taxes based on your location. Buy a single ticket or group rates here https://lepointdevente.com/tickets/voivodshowlive

Check out further details here: https://www.facebook.com/events/590841571621202/

Most recently, VOIVOD have released a 3-track 12” Vinyl and Digital EP entitled “The End Of Dormancy” earlier this month worldwide via Century Media Records.

The EP is centered around a special “Metal Section” version of the title track “The End Of Dormancy” (Off VOIVOD’s latest album “The Wake”) with added trumpets, saxophone and trombones. The complementary tracks on this release are exclusive live versions of “The End Of Dormancy (Metal Section)” and the group’s classic “The Unknown Knows” recorded at Montreal Jazz Fest 2019. Here is the exact track-listing for the EP:

VOIVOD – “The End Of Dormancy” EP:
Side A:
1. The End Of Dormancy (Metal Section) [08:15]
Side B:
1. The End Of Dormancy (Live Montreal Jazz Fest 2019) [09:08]
2. The Unknown Knows (Live Montreal Jazz Fest 2019) [05:08]

“The Wake“ can still be ordered in various editions here: https://VOIVODBand.lnk.to/TheWake

Other VOIVOD news? “A live record will be released later this year on Century Media Records. VOIVOD hope to see you next year on tour!”. Indeed, stay connected…

VOIVOD are:
Denis “Snake” Belanger – Vocals
Daniel “Chewy” Mongrain – Guitar
Dominic “Rocky” Laroche – Bass
Michel “Away” Langevin – Drums

http://voivod.com
http://www.facebook.com/Voivod
http://www.centurymedia.com
http://www.facebook.com/centurymedia
http://www.cmdistro.com

Voivod, “The End of Dormancy (Metal Section)” official video

Did you know how to do my assignments online Microeconomics Research Paper Online essays about ambition the pianist essay help Wolves in the Throne Room had signed to If you Phd Dissertation Accounting from Essay-Professors.com, you are bound to get a masterpiece written according to the modern writing standards and provided instructions. Affiliate Program. Earn 10% from all orders made by people you bring! Your people also get 17% discount for their first order Academic writing is all about constant worries because students panic when they hear about dissertation Century Media? Did you know they’ve got a new record coming out in February? I didn’t. I mean, I’m not the be-all-end-all of news-awareness or anything, but I’d hope that if word of such a thing came down the PR wire, I’d have noticed. Still, in the announcement of their Jan. 2020 European run with Dimmu Borgir (meh) and Amorphis (yay) is that somewhat buried lede, which only further piques interest since it means their new album will follow less than three years after Sept. 2017’s Thrice Woven (review here). That’s the shortest span between offerings they’ve had since 2011.

There has to be a word for when a tour is announced and you get all excited and then are disappointed to learn it’s not happening anywhere near where you’re going to be. It’s not quite FOMO, but definitely more than just an “aw shucks” kind of scenario. That specific feeling needs a word. “Geographical displacement,” maybe? I’ll think about it. You do too. We’ll come up with something. Either way, it’s been too damn long since I last saw either Wolves in the Throne Room or Amorphis, so this would be one to catch if I could. Which I can’t.

The PR wire has the info:

WOLVES IN THE THRONE ROOM TO SUPPORT DIMMU BORGIR & AMORPHIS CO-HEADLINE TOUR FOR JANUARY AND FEBRUARY 2020

The year 2020 is set to start with a roll of thunder! American post black metallers Wolves In The Throne Room are set to support Norwegian black metal band Dimmu Borgir and Finnish melodic prog metallers Amorphis on their co-headline tour that no metal fan should miss – dates and details below.

Wolves In The Throne Room remark “We are ready to blaze forth across Europe with these two titans of Heavy Metal! Dimmu Borgir and Amorphis are bands that we love and we are looking forward to supporting them on this tour. We will be playing songs off our new album (released by Century Media in February) as well as some classic Wolves material. Thank you!”

Dimmu Borgir comment “We’re going to crush Europe in January next year, and together with AMORPHIS, we’ll make sure that Nordic darkness will create a perfect winter’s storm. See you all soon!”

Amorphis’ Esa Holopainen added: “When the idea of doing a co-headline tour with DIMMU BORGIR came up, it sounded great, but at the same time we were really surprised. However, the more we thought about it, the more it sounded like a perfect match. Musically we are different, but deep down, it’s not really by that much. There’s a lot of similar elements where both bands take their inspiration. Both bands are absolutely unique on stage. It is needless to say that this tour is going to be a true killer with a massive production, that will undoubtedly bring even more coldness into people’s hearts in January 2020. We would also like to welcome WOLVES IN THE THRONE ROOM to open the evenings.”

See the bands on one of the following exclusive tour dates. Tickets go on sale on August 14th at 10:00 CEST.

WOLVES IN THE THRONE ROOM
Supporting DIMMU BORGIR + AMORPHIS

22.01.20 (UK) London – O2 Forum Kentish Town
23.01.20 (F) Paris – Bataclan
24.01.20 (CH) Zurich – Komplex 457
25.01.20 (NL) Tilburg – 013
26.01.20 (D) Wiesbaden – Schlachthof
28.01.20 (D) Munich – TonHalle
29.01.20 (D) Filderstadt – FILharmonie
30.01.20 (D) Berlin – Columbiahalle
31.01.20 (D) Oberhausen – Turbinenhalle
01.02.20 (D) Hannover – Swiss Life Music Hall

Tickets available on www.dimmu-borgir.com & www.amorphis.net

http://wittr.com/
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https://shop.wittr.com/
https://artemisiarecords.bandcamp.com/

Wolves in the Throne Room, “Born from the Serpent’s Eye” official video

Is this the end for Death Alley? I’d no more place a bet on it either way than I would’ve predicted where they were headed after their earlier-2018 second album, Superbia (review here), came out on Century Media. But they’re calling it hibernation and at very least stepping back for an indeterminate amount of time, so who the hell knows what will happen, and if this is it for them, I didn’t want to let it pass unmarked. If you ever got to see Death Alley live, you already know why.

The Amsterdam four-piece revitalized the idea that hard rock didn’t have to be boring or an overly commercial enterprise. On Superbia and their 2015 Tee Pee Records-released debut, Black Magick Boogieland (review here), their 2017 Live at Roadburn (review here) outing, and their sundry singles along the way dating back to their first 7″, 2014’s Over Under b/w Dead Man’s Bones (review here), they showed that heavy rock could have an edge, and that if a band has the presence, the confidence, and the songwriting ability, they can be as raw or as embellished as they want to be and still bring their audience along for the ride. It was a once-in-a-lifetime thrill to host them in 2016 at The Obelisk All-Dayer (video here) in Brooklyn, and though they were subject to lineup changes along the way, I still recall fondly the hour I spent on Skype interviewing them in 2015 for the first album. They were a total blast, front to back.

Their last shows (at least for the time being) are set for this month through January, and they’ll finish at Paradiso in Amsterdam, which I have no doubt will be an absolute blowout. Hard to imagine Death Alley would have it any other way.

Their announcement went out via the social medias as follows:

Alright, wörld… After years of hypermotion, time has come for hibernation.

These final shows of our Superbia tour will be your last chance to dance with us for a while. After the 3rd of January in Paradiso, we’ll be off the radar for an indefinite period.

So you predators better not sleep on it… boogie while it lasts!

Tour dates:
13 OCT – Hengelo (NL) Beerland
17 NOV – Eindhoven (NL) Helldorado
29 NOV – Berlin (DE) Cassiopeia
30 NOV – Cottbus (DE) Zum Faulen August
01 DEC – Dresden (DE) Noteingang
13 DEC Deventer (NL) Burgerweeshuis
15 DEC Leiden (NL) Gebr. de Nobel
20 DEC Leeuwarden (NL) Neushoorn
21 DEC Bergen Op Zoom (NL) Gebouw T
22 DEC Dordrecht (NL) Bibelot
27 DEC Venlo (NL) Grenswerk
28 DEC Arnhem (NL) LuxorLive
29 DEC Uden (NL) De Pul
3 JAN Amsterdam (NL) Paradiso

DEATH ALLEY is:
Douwe Truijens – vocals
Oeds Beydals – guitar
Uno Bruniusson – drums
Sander Bus – bass

http://deathalleyband.tumblr.com/
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http://deathalley.bigcartel.com/
http://www.deathalley.nl/
http://www.centurymedia.com/
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Death Alley, “Murder Your Dreams” official video

Ten million metal bands. Only one Voivod. And woe unto those who can’t do the math on that. The stalwart-among-stalwarts Canadian prog-metal pioneers will release their umpteenth long-player this Fall via Century Media. It’s been dubbed The Wake and will arrive in time to catch the four-piece on their way out to Europe for a huge round of touring that includes support from Maggot Heart, Nightrage and Bio-Cancer in alternating slots. No audio or track titles yet for the record, but the release is still three months out and CM is pro-shop, so they’re not about to give everything away in one press release. In any case, who could read another list — say, one of the album’s tracks — without getting exhausted after looking at all those tour dates anyway? I’m out of breath by the time they get to Krakow.

More details forthcoming, then, and fair enough. The more I get to talk about Voivod kicking ass, the merrier. And you know my disposition can get pretty merry. I know it’ll certainly be that way watching them at Psycho Las Vegas in August.

To the PR wire, then:

VOIVOD – Announce new album “The Wake” and European tour!

Canadian progressive sci-fi metal innovators VOIVOD are not only celebrating their 35th band-anniversary, but have also just wrapped up studio-work for their upcoming new studio album entitled “The Wake”. Expected for a late September worldwide release via Century Media Records, “The Wake” is the highly anticipated successor to 2013’s “Target Earth” album and the 2016 mini-album “Post Society”.

VOIVOD drummer Michel “Away” Langevin checked in with the following comment:

“We are thrilled to let you know that our new album, “The Wake”, is completed! The music is like a futuristic prog thrash metal trek with many twists and turns, and the story involves the usual Voivodian topics: disasters, chaos, conflicts, strange plots and alternate consciousness. We are excited with the result and can’t wait to get the material out to you this fall!

Also, try to catch us when we tour Europe in September and October. It will be a great opportunity for the band to test some songs from our upcoming album.”

Here is a list of the comprehensive European run, which will feature the following rotating support acts: Maggot Heart (from 7th until 16th Sept), Nightrage (from 18th until 26th Sept) and Bio-Cancer (from 28th Sept until 20th Oct):

VOIVOD – European Tour 2018:
07.09.2018 Prague (Czech Republic) – Futurum *
08.09.2018 Poznan (Poland) – U Bazyla *
09.09.2018 Warsaw (Poland) – Hydrozagadka *
10.09.2018 Krakow (Poland) – Kwadrat *
11.09.2018 Bratislava (Slovakia) – Randal Club *
13.09.2018 Cluj-Napoca (Romania) – Flying Circus Pub *
14.09.2018 Belgrade (Serbia) – Elektropionir *
15.09.2018 Budapest (Hungary) – Durer Kert *
16.09.2018 Vienna (Austria) – Szene *
18.09.2018 Bologna (Italy) – Locomotiv **
19.09.2018 Rome (Italy) – Largo **
20.09.2018 Milan (Italy) – Santeria **
21.09.2018 Winterthur (Switzerland) – Gaswerk **
22.09.2018 Seyssinet Pariset (France) – Ilyade **
24.09.2018 Barcelona (Spain) – Boveda **
25.09.2018 Madrid (Spain) – Nazca **
26.09.2018 Porto (Portugal) – Hard Club **
28.09.2018 Marseille (France) – Jas’ Rod ***
29.09.2018 Paris (France) – Petit Bain ***
30.09.2018 Nantes (France) – Ferrailleur ***
02.10.2018 Southampton (UK) – The Joiners ***
03.10.2018 Cardiff (UK) – The Globe ***
04.10.2018 Leeds (UK) – Temple Of Boom ***
05.10.2018 Glasgow (UK) – Cathouse ***
06.10.2018 Manchester (UK) – Rebellion ***
07.10.2018 London (UK) – Underworld ***
09.10.2018 Brussels (Belgium) – Magasin 4 ***
10.10.2018 Amstelveen (The Netherlands) – P60 ***
11.10.2018 Eindhoven (The Netherlands) – Dynamo ***
12.10.2018 Cologne (Germany) – Luxor ***
13.10.2018 Hamburg (Germany) – Logo ***
14.10.2018 Copenhagen (Denmark) – Pumpehuset ***
15.10.2018 Stockholm (Sweden) – Klubb Nalen ***
17.10.2018 Helsinki (Finland) – Tavastia ***
18.10.2018 Tampere (Finland) – Klubi ***
20.10.2018 Oslo (Norway) – John Dee ***

Support bands:
* Maggot Heart (from 7th until 16th Sept)
** Nightrage (from 18th until 26th Sept)
*** Bio-Cancer (from 28th Sept until 20th Oct)

Previously, VOIVOD will also appear at selected festivals in North America as follows:

VOIVOD – Live 2018:
29.06.2018 Jonquière (Canada) – Jonquiere en Musique Festival
29.07.2018 Montreal (Canada) – Heavy Montreal Festival
08.08.2018 Lévis (Canada) – Festivent
18.08.2018 Las Vegas (USA) – Psycho Las Vegas Festival

More details and news and VOIVOD and “The Wake” following soon…

VOIVOD line-up:
Snake – Vocals
Chewy – Guitar
Rocky – Bass
Away – Drums

http://voivod.com
http://www.facebook.com/Voivod
http://www.centurymedia.com
http://www.youtube.com/centurymedia
http://twitter.com/centurymediaeu
http://www.facebook.com/centurymedia
http://www.cmdistro.com

Voivod, “Target Earth” official video

Space punk, proto-metal, heavy progressive glam and enough hooks to get you from here to Alpha Centauri — it can only be the return of Amsterdam’s Death Alley, whose 2015 Tee Pee Records debut LP, Black Magick Boogieland (review here), was a lesson in the fine art of making “heavy” sound like a party you really want to go to. The four-piece toured consistently enough after the release that they wound up trading out their rhythm section — Sander Bus for Dennis Duijnhouwer on bass and the seems-to-be-everywhere-these-days Uno Bruniusson (also Black Salvation and Procession, ex-In Solitude) for Ming Boyer — a move that left vocalist Douwe Truijens and guitarist Oeds Beydals as the remaining founders. It is no small feat for a band to trade out half its lineup from one record to the next, but, now signed to Century Media, Death Alley‘s second collection, Superbia, shows they’ve done nothing but move forward as a result of the work they’ve put in the last three years.

With the creative percussiveness of Bruniusson propelling a telltale hook like “Feeding the Lions” and Bus adding low-end complement, Beydals and Truijens both absolutely shine in a number of contexts. Whether it’s the shimmer brought to the guitar in “Headlights in the Dark” or the rawer-but-still-melodic command of Truijens‘ vocals in the three-minute “Murder Your Dreams” (video premiere here), the pair find themselves in the forward position throughout the Pieter Kloos-helmed eight-track/50-minute effort, which is as powerful in its hooks as one could possibly hope on cuts like “The Chain,” “Feeding the Lions” and the aforementioned “Headlights in the Dark,” while retaining some experimentalist edge in the progressive melodies of the penultimate “Pilgrim” and a purposeful sense of exploration in extended opener “Daemon” (9:10) and closer “The Sewage” (11:37).

It’s nearly impossible to guess how much of any sonic shift has been brought on through personnel change as opposed to naturalist or purposeful growth of Death Alley‘s songwriting, but it’s palpable when one sits Superbia alongside anything prior in Death Alley‘s catalog, whether it’s last year’s Live at Roadburn (review here), which by its very nature would be more about capturing a raw performance, or Black Magick Boogieland, or their initial 2014 single, Over Under b/w Dead Man’s Bones (review here). Strength in songwriting remains firm and makes highlights of “Headlights in the Dark,” “Shake the Coil,” nine-minute opener “Daemon” and others, and the sense of energy that’s driven them since their beginning hasn’t diminished in the slightest, as “The Chain,” “Feeding the Lions” and “Murder Your Dreams” demonstrate plainly, but even on the latter track, which is as hard-edged as Death Alley get on Superbia, one can hear their focus has changed from raw impact to more deeper melodic arrangements and a deeper sense of atmosphere on the whole, as manifest in the lush chorus of “Pilgrim” and the all-consuming summary of “The Sewage” at the finale of the record — which finds Truijens singing about “psychic sewage”; about as clever a euphemism as I’ve heard for “shit for brains.”

The central question is does it work, and the central answer is yes, but it means Death Alley are more complex in their intentions than even those who dug deep into Black Magick Boogieland‘s spacious closer, “Supernatural Predator,” might have suspected, because the purposeful sense they give from “Daemon” is that they’re not just picking up where they left off, but using their past as a launchpad to push even further out. That they get there is what ultimately makes Superbia such a success, never mind the band’s ability to tie together disparate ideas like the jammy build of “Daemon,” the straight-ahead thrust of “The Chain” and the near-gothic strum and keys of “Shake the Coil” — lest one forget that Pieter Kloos also produced fellow Netherlanders Dool, among many others — into one complete, flowing entirety. So not only are Death Alley more complex, but they’re more realized.

Given their time on the road, this isn’t necessarily surprising, but they’re also half a new band. Still, listen to the twisting first 40 seconds of “Pilgrim,” or the weirdo break that starts 5:10 into “Feeding the Lions,” or really every single second of “The Sewage,” which stomps and struts as much as it reaches into the cosmic ether — almost an answer to “Supernatural Predator,” but not quite aiming for the same goal. To wit, the progressive harmonies circa the three-minute mark are something I simply don’t think Death Alley would’ve attempted their last time out, and it’s worth noting that as they shift into the open midsection of the track via Bruniusson‘s crashes, residual noise and foreboding riffing from Beydals and Bus, it’s the guitar that comes to lead the charge through the “21st Century Schizoid Man”-esque chase, and into the jazzy movement that follows (though that’s not to take away from the snare work there, which is fantastic), and as “The Sewage” heads toward and past the eight-minute mark, it’s Beydals‘ solo that really seems to be doing the work of summarizing the album; extended, echoing, coated in effects, poised in a way but still delivered with vitality, it puts the emphasis on just how special a player he’s emerged here as being.

Truijens returns for repeated final lines and the closer more or less works its way toward a fading oblivion. To those who heard Black Magick Boogieland, no doubt Superbia will offer more than a few surprises, and it’s plain to see that was the band’s goal all along. What they’ve managed to do is put themselves on a trajectory of progression that’s both unexpected — not to say one didn’t anticipate evolution in their approach from their first to their second album, but there are a few genuine leaps here in Truijens‘ and Beydals‘ performances and in the depth of their craft overall — and richly satisfying, especially on well-earned repeat listens. If this growth was born of touring and the tumult the band has been through in the last couple years, they’ve emerged from same sounding stronger than ever and on their way to a maturity that one finds it easy to imagine will surprise even the band in terms of its breadth and sonic impact. When Death Alley gets where they’re going, watch your ass. Superbia is another crucial forward step along their way.

Death Alley, “Murder Your Dreams” official video premiere

Superbia preorder portal

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Amsterdam-based heavy rockers Death Alley will release their second album, Superbia, March 23 as their debut on Century Media. The eight-track outing is rife with a progressive feel even beyond what the band brought to their 2015 Tee Pee Records first long-player, Black Magick Boogieland (review here), and no, I’m not just talking about the King Crimson-style chase scenes tucked into 11-minute closer “The Sewage.” It’s the whole record. Even as the opening push of “Daemon” seems to pick up where “Supernatural Predator” from the preceding full-length left off, it does so bringing together different sides of Death Alley‘s sound — the melody and the danger — the raw earth thrust and the outer space presence.

The four-piece have undergone a few changes since Black Magick Boogieland, and even since they released Live at Roadburn (review here), vocalist Douwe Truijens and guitarist Oeds Beydals bringing in bassist Sander Bus and drummer Uno Bruniusson as their new rhythm section. No doubt that switch in personnel had a hand in the corresponding sonic shift, as it invariably would, but as the band’s new single and video “Murder Your Dreams” showcases, it’s still very much the art of crafting memorable songs that’s at the heart of what Death Alley does. With that as firmly established as it is in “Murder Your Dreams” and throughout Superbia from whence it comes, Death Alley can pretty much go wherever they like stylistically. And they do.

I’ll have more on the album closer to the release itself, but I’m thrilled today to be able to premiere the video for “Murder Your Dreams,” which you’ll find below, followed by quotes from the band and from director Luuk Bouwman. Death Alley also have tour dates booked throughout the coming months and Superbia is available to preorder at the portal in the links at the bottom of the post. Can’t miss it.

Please enjoy:

Death Alley, “Murder Your Dreams” official video premiere

DEATH ALLEY – Murder Your Dreams (OFFICIAL VIDEO). Taken from the album “Superbia”, out March 23rd, 2018.

Death Alley on “Murder Your Dreams”:

“‘Murder Your Dreams’ shows a side of our musicality that was always there but never revealed itself in our music before. Just when we needed it, The Wipers came knocking and we crushed them to bits. A bittersweet taste of Superbia in its most compact form.”

Director Luuk Bouwman on the video:

“The video is based on chase and falling dreams — which I felt would fit well with the song. I remembered a great scene in the Nightmare on Elm Street series in which the characters are stuck in a loop. So I wanted to create a nightmare-like slapstick in which the protagonist is condemned to keep falling, eternally. I was already joking that it was an autobiographical story and as if it was an ominous prophecy, a day after finishing the video I fell really hard on a bridge because of black ice. I broke my arm, cheekbone and eye socket. So last week I was in surgery to reconstruct my face.”

Death Alley live:
23-03 (DE) Cologne – Jungle (release show)
24-03 (DE) Münster – Alterna Festival
30-03 (NL) Amsterdam – SkateCafe (release show)
31-03 (NL) Schijndel – Paaspop
13-04 (NL) Eindhoven – Stroomhuis
14-04 (NL) Groningen – LOLA
26-04 (NL) Den Haag – Life I Live
28-04 (NL) Rotterdam – V11
04-05 (DE) Berlin – Desertfest
06-05 (UK) London – Desertfest
08-05 (FR) Paris – Gibus*
09-05 (FR) Nantes – Feraullier*
10-05 (ES) San Sebastian – Dabadaba*
11-05 (ES) Barcelona – Upload*
12-05 (FR) Clermont Ferrand – Camille Claudel*
13-05 (CH) Olten – Coq D’Or*
15-05 (DE) Leipzig – NATO*
16-05 (DE) Nürnberg – Stereo*
17-05 (DE) Dortmund – FZW*
18-05 (DE) Lohr am Main – Umsonst und Drinnen Festival*
19-05 (DE) Lichtenfels – Paunchy Cats*
26-05 (NL) Raalte – Dauwpop
02-06 (NL) Nijmegen – Fortarock

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Century Media on Thee Facebooks

Heartfelt congratulations are in order for Amsterdam’s Death Alley. The four-piece, who issued their Live at Roadburn (review here) live album earlier in 2017 via Suburban Records and Tee Pee Records, have had a tumultuous year, including an unceremonious separation in April with bassist Dennis Duijnhouwer and the subsequent bringing-aboard of Sander Bus as his replacement as well as former In Solitude drummer Uno Bruniusson to join the remaining founding duo of guitarist Oeds Beydals and vocalist Douwe Truijens. The news this time is mind-blowingly good, however, as the band have signed to Century Media for the release of their next album.

Currently on tour with Kadavar, the veterans of Psycho Las Vegas 2016 — who also stopped by Brooklyn to play The Obelisk All-Dayer (video here) — released their debut, Black Magick Boogieland (review here), via Tee Pee in 2015, and aside from reaffirming once more that New York label’s tastemaker stature (let’s not forget the likes of Kadavar and Graveyard and Earthless, let alone High on Fire, are Tee Pee alums), their signing to Century Media represents the next step in an upward, forward trajectory that’s been blasting out ever since. An absolutely scorching live act, Death Alley blend space rock and heavy psych with motor-fueled charge in their studio material, and one can hear shades of both represented in the new track “The Sewage, Pt. 1,” which is streaming now at the bottom of this post.

Am I stoked at the prospect of a new Death Alley record tracked once again by Pieter Kloos (ex-35007, producer for Motorpsycho, Dool, Beaver, Monomyth, 7Zuma7, Celestial Season, Spoiler, and so, so many others) at his The Void studio in Eindhoven? Well that’s kind of a stupid question. Yes I fucking am. Right onto the list of 2018’s most anticipated albums Death Alley‘s Century Media debut goes, where it will remain until I actually get to hear the thing and proclaim it one of the year’s best records (no pressure; ha). Won’t happen nearly soon enough, as far as I’m concerned.

Announcement from Century Media from the PR wire, Death Alley‘s current remaining tour dates, and of course that song stream follow here. Dig it:

DEATH ALLEY Sign Worldwide Deal with Century Media Records; Premiere New Song, “The Sewage”

Dutch destroyers DEATH ALLEY already raised attention with their debut album, “Black Magick Boogieland”, in 2015. The band, revolving around former The Devil’s Blood guitarist Oeds Beydals, singer Douwe Truijens, Swedish drummer Uno Bruniusson (ex-In Solitude) and latest addition Sander Bus on bass, mainline an unorthodox cross contamination of psychedelic hard rock and punk, played with excellent precision and power. The spirit of Bad Brains and King Crimson, Hawkwind and Poison Idea, and hints of The Stooges and Black Sabbath-worship form the fundament for DEATH ALLEY’s solid rock and roll presented with metal finesse and a pitch black psychedelic soul cherry on top.

Since their debut release, DEATH ALLEY have relentlessly toured the world. From the smallest underground venues to the bigger stages at festivals like Psycho Las Vegas, Hellfest in France, and multiple Desertfests, the band has been leaving a lasting impact with their energetic performance. Their show at the prestigious Roadburn Festival resulted in a critically acclaimed live album, released earlier this year.

The ink on their new deal with Century Media Records isn’t dry yet and they just left the Moon Studios where they recorded their sophomore album with producer Pieter Kloos (Motorpsycho, The Devil’s Blood, Dool, etc.). Right now, they are hitting the road again with their friends Kadavar with whom they release a very special tour split 7”.

“The Sewage” is also available as a digital single on all streaming and download platforms.

The band comments: “We’ve been sailing the sewage for quite a while now, and time has come to harvest the gold and offer it to you on a silver platter. We can spend much time and effort describing the feeling of the new music, the upcoming record, and the European tour with Kadavar, but that will always be just a faint shadow of showing it: so just come to the shows and blast the new song with volume at 11 – that’ll say more than the dozens of synonyms for ‘stoked’. Let us feast on it.”

DEATH ALLEY live:
KADAVAR / MANTAR / DEATH ALLEY
16.10.2017 Antwerpen (BE), Desert Fest
17.10.2017 Strassbourg (FR), La Laiterie Club
18.10.2017 Paris (FR), Le Trabendo
19.10.2017 Rennes (FR), L’Ubu
20.10.2017 Bordeaux (FR), La Krakatoa
21.10.2017 Madrid (ES), But
22.10.2017 Barcelona (ES), Bikini
24.10.2017 Lyon (FR), Feyzin
25.10.2017 Monthey (CH), Pont Rouge
26.10.2017 Aarau (CH), Kiff
27.10.2017 München (GER), Backstage
28.10.2017 Wien (AT), Flex
29.10.2017 Graz (AT), PPC
30.10.2017 Zagreb (CRO), Mocvara
01.11.2017 Budapest (HU), A38
02.11.2017 Warschau (POL), Progresja
03.11.2017 Krakau (POL), Kwadrat
04.11.2017 Prag (CZ), Nova Chmelnice
05.11.2017 Nürnberg (GER), Hirsch
07.11.2017 Amsterdam (NL), Paradiso Noord
08.11.2017 Hannover (GER), Capitol
09.11.2017 Copenhagen (DK), Pumpehuset
10.11.2017 Stockholm (SV), Debaser
11.11.2017 Oslo (NO), BLA
12.11.2017 Gothenburg (SV), Pustervik
13.11.2017 Deventer (NL), Burgerweeshuis
15.11.2017 Köln (GER), Stollwerck
16.11.2017 Wiesbaden (GER), Schlachthof
17.11.2017 Stuttgart (GER), LKA Longhorn
18.11.2017 Berlin (GER), Columbiahalle

DEATH ALLEY is:
Douwe Truijens – vocals
Oeds Beydals – guitar
Uno Bruniusson – drums
Sander Bus – bass

http://deathalleyband.tumblr.com/
https://www.facebook.com/deathalleyband
http://deathalley.bigcartel.com/
http://www.deathalley.nl/
http://smarturl.it/DeathAlleyTheSewage1
http://www.centurymedia.com/
https://www.facebook.com/centurymedia

Death Alley, “The Sewage, Pt. 1”