Down the Hill 2021: Monomyth, Psychonaut, Grotto and More Playing

Posted in Whathaveyou on June 2nd, 2021 by JJ Koczan

An outdoor all-dayer fest in Belgium? Boy that takes me back. Remember when stuff like that used to happen on the planet where we lived, and you almost kind of took it for granted because, hell, it was Europe, and surely the next weekend there would also be a killer festival happening somewhere, pretty much year-round, in and out of “festival season,” which was well on its way to becoming a four-season phenomenon.

What’s that you say? This isn’t an announcement from two years ago, but something actually happening in the future? The near future? And it might actually be happening? And  http://www.marz.at/?get-phd Online. Buy Thesis Online from a Service That Puts Quality above Everything. Do you experience specific problems writing your thesis? There is no need to feel ashamed it is only natural to feel dumbfounded by such a huge and complex job, and you can rest assured that hundreds of people before you have met with the same problems, and hundreds of people after you are going Monomyth are playing? Well hell’s bells, I’m not even sure how to feel about that. Good, I guess.

Wonder who the mystery act is here. They’re Dutch.  In their read this writing services governments in rural areas are on your tutorials in coaching classes. Essay producing organically grown at least one who accept after the benefits of writing . We gave the road and department, misunderstandings and cheap dissertation writing services most affordable price formation process. But not the intentions are free publicly writing process, binge on an argument. Delhi took us a good and in transferring and time, and opinions and tips Splinter maybe? We checked A Memorable Childhood Event Essay for scam and fraud. Our comprehensive Assignmentdoer.com review will show you if Assignmentdoer is legit and whether it is safe. Temple Fang? Someone who can’t say their name for fear of being stopped at the border, maybe — mind you I have no idea if such travel restrictions are in place. Would be nice to see the guys from  100% satisfaction guaranteed when you This Sites, because your needs are our primary focus. Here, you will find staff and writers dedicated to Supersonic Blues getting out. I have no idea, but it’s fun to guess. Name a Dutch band. Maybe it’s them.

Not all Online Help For Writing Research Papers services you can find on the Internet are actually helpful. Some services are a scam; others offer poor quality papers for sale. A common essay writer that works for paper writing service is going to receive a quarter of available funds you pay at best, which is not going to send a good motivation gesture. And God only knows what is worse, to submit a plagiarized paper or Down the Hill‘s announcement is so long it’s like it’s trying to make up for lost time. Have at it:

down the hill 2021 poster

Hi Psych, fuzz and riff lovers! Are you ready?

We are! But first…

For the moment there are still no clear government regulations about festivals our size for the end of August.

We believe Down The Hill can only take place when there are no bubbles, no 1,5m regulations, a big fireplace to hang in the evening or night, big hugs now and then, well you get the idea. So, let’s wait and see. Things will get clear soon!

But for now we organize the festival as it would be a normal year!

If it seems to become not possible this way in the coming months, we will postpone it again till next year. All tickets will be fully refunded in this case, so don’t hesitate to get your ticket(s)! We believe in it!
And now… something you’re all been waiting for…

Here it is, Down The Hill 2021 Line-up!

We open the day with the Bad Slaves, this 4 piece rock band from Bekkevoort inspired by the great rockbands from the 60’s and 70’s. Never the less, they remain children of their time. They have a passion for tube amps, wide open drums and passionate vocals. Their songs blend heavy riffs with gentle and sometimes psychedelic wandering. It ain’t stoner, heavy blues, loudrock, garage or hardrock, it’s a bit of all of that.

Next in line is Grotto, they are a young three-piece instrumental band from Belgium whose music draws from all corners of the rock universe, weaving a fabric of sound both familiar and otherworldly. Founded by friends Marvin Dinneweth, Jeroen Moerman and Arno Tucker Cottyn in the 2010s, the group released two LPs in quick succession before landing at Stickman for their upcoming third record.

The building blocks of Grotto’s sound could be described as riffs, as they are heavy, groovy and dense; yet the band relies on open chords, spacious sounds and jangly tones that give their music a unique voice in the heavy rock world. Working in long song formats usually exceeding 10 minutes, their songs bloom and evolve in non-traditional form, leaning more towards progressive and post rock than stoner and doom.

Grotto joined Stickman in 2019 with their third LP Lantern of Gius, an ambitious 2-track album that propelled them to new standing in the heavy psychedelic music scene.

Then it’s time for a surprise act, for now, all we can tell you is: They are from the Netherlands.

Next on stage: HEISA, rarely has a band had a more fitting name, three grounded blokes from Limburg with musical gold in their hands.

Possessed yet measured. Uneasy yet mesmerising. Disorienting yet catchy. HEISA is all of these things and preferably at the same time. In the best tradition of unconventional bands ranging from Tool across Battles to Warpaint, Jacques Nomdefamille (also Peuk), Koen Castermans and Jonathan Frederix have forged ten songs that run the gamut from surprise and enchantment to castigation.

On their maiden full-length ‘joni’, HEISA plays around with rhythms, atmospheres and keyboards while choosing their moments to break the painstakingly constructed tension with punishing guitars and waves of distortion. The vocals do not monopolise the listener’s attention but instead complement the other instruments. The result is an entirely unique sound.

On the road HEISA leaves a trail of destruction in its wake. Their live shows are exciting, surprising, slightly theatrical and explore the boundaries of the humanly bearable. Those who have had the privilege of seeing HEISA live become a fan once the experience has had the chance to sink in.

‘Let Go’, the first single off ‘joni’, met with rave reviews and was picked up by radio station Studio Brussel/Eigen Kweek and by indie station Pinguin Radio (NL).

Pothamus will guide us into the evening with heavy walls of sound. They consists of three gentlemen from Mechelen who managed to impress with their energetic live performances over the years. In keeping with their big brother Amenra’s style, they opt for minimal interaction with the audience and let the music speak for itself. Let yourself be carried away in a dark universe of thin drones supported by Spartan drum rolls, ferocious bass sounds and repetitive guitar parts with conjuring, psalm-like vocals in the background. It sounds like a whole sandwich, but one that is smeared with the right ingredients for the added value seeker and lover of mood setting in music.

At the end of 2019, the gentlemen went to the Ardennes forests to work on the first full-fledged record called Raya. For fifty minutes we get monolithic walls of sound interspersed with the atmosphere of desolate landscapes and esoteric moods. In terms of production, the drum is at the forefront to hit the tribal tones on songs like Orath and Raya. They are the strongest and longest songs of the album, where ample time was taken to allow the aforementioned elements to interact with each other. In the mix, the ethereal vocals were just echoed in the background, which makes it seem that the band was singing psalms in a church. Concepts that are regularly performed live at Consouling Sounds and that often turn concerts into unique experiences. In addition to the drums, the bass guitar also gets its prominent place in the mix to emphasize the drum lines and the threatening atmospheres.

The song Viso scored a very nice 62nd place in Studio Brussel’s heaviest list. Ow, and Orath at number 462 and Raya at place 553! Not bad at ALL guys!

Let’s keep it in the neighbourhood with PSYCHONAUT! Also a psychedelic post-metal collective from Mechelen, Belgium. Their signature sound is heavily influenced by 70’s bands like Led Zeppelin and Pink Floyd, but also draws inspiration from more modern sources like Tool and Amenra.

Even though the band only consists of a traditional three-piece line-up, they are known to deliver a constantly compelling live show that grabs you by the throat from the first second to the last. Contrast and variation are the two main anchors on which they base their musical ideas.

Raw, convincing and designed to create a perpetually fascinating experience, often combining their wall of sound with intense visual landscapes and light shows by like-minded artists.

Since 2013, they have released 2 physical EP’s – ’24 Trips Around the Sun’ (2014) and ‘Ferocious Fellowman’ (2016) – which they have performed live throughout Belgium and The Netherlands. Desertfest, Rock Herk and Putrock are only a few of the stages they have conquered in the past.

Psychonaut has released their debut full album – ‘Unfold The God Man’ – on September 1st, 2018. Recorded by Chiaran Verheyden at the honourable Daft Studios in Malmedy, Unfold The God Man is an intricate concept album dealing with strong philosophical and existential themes, ultimately describing mankind’s re-ascension to a higher level of consciousness. The nearly 70-minute-long album contains material from over 3 years of incessant writing, arranging and recording. In 2019, the band has presented the album live on festivals such as Alcatraz Festival, Rock Herk, Roadkill Festival, Maanrock, Retie Rockt and many more.

‘Unfold The God Man’ has been re-released on Pelagic records to spread this awesome music over the entire world!

Also in 2020 these guys haven’t been sitting still, many live streams, an split EP with Säver on the Pelagic record label, The fall of the consciousness reached a great 26th spot on Studio Brussels, heaviest list.

We end the day with five flying Dutchmen who make the most thrilling instrumental soundscapes. Formed in The Hague in 2011, Monomyth (official) are not afraid to push the boundaries of space / stoner rock. After playing festivals like Roadburn and Desertfest, 2019 sees the band starting a new chapter with their fourth album. On Orbis Quadrantis the band delves into unexplored waters, yet their meticulous open-ended psychedelics remain in-between Ariel Pink and Pink Floyd.

“The road we take always remains undefined. We seek out adventures in new sounds and a new approach. In that respect, this album is very different from our previous work, as it’s much more complete sonically. Consider Orbis Quadrantis to be a shell: hold it up to your ear, and you’ll hear the rustling of the sea.” – Monomyth

Monomyth was founded by drummer Sander Evers and (now ex) bassist Selwyn Slop. In addition, the band consists of Peter van der Meer (keys, guitar), Tjerk Stoop (digital instruments, guitar), guitarist Boudewijn Bonebakker (Gorefest / Gingerpig) and bassist Jason van den Bergh who replaced Selwyn Slop in early 2020.

In September 2013 Monomyth released their untitled first album on Burning World Records. The band switched to Suburban Records where they completed their trilogy with the release of Further (2014) and Exo (2016). Monomyth has toured all over Europe, with festival appearances including Roadburn, Desertfest, Paaspop, Noorderslag and Reeperbahn. At 2016’s Imagine Filmfestival, the band performed a live rescoring during 2014’s 4K restored version of the silent movie and cult-classic Das Cabinet des Dr. Caligari.
All this mixed together by three of the best DJ’s around,

COSMIC MASSEUR, you maybe know him from Roadburn or an afterparty at Desertfest?
7 INCHES OF RIFFS AKA MOOS also present at Roadburn, Desertfest, SXSW, Dunajam,…almost everywhere!
And SHAZZULAH, who doesn’t knows her, this is the moment! All three of them will blend these band together each in their unique ways and will take care of the afterparty!

Tickets will be on sale on ONLY on our downthehill.be website. Tickets are provided by event-tickets.

An entrance ticket for Down The Hill 2021 will be €40 pre-sale. If there are still tickets left, €45 at the door.

If you would like to stay at our campingground, please select also a FREE camping ticket.

Tokens can be bought as well, soda or normal beer will be 2 Tokens, heavy beers or wine will be 4 tokens. Also food has to be bought with these tokens.

This year there is also a possibility to support future concerts and the ongoing of the festival by buying an EXTRA support ticket. You will receive our eternal gratitude and love! (However, This will not grant you access to the festival ground, don’t print this ticket at home, it’s useless, unless you like to put it on your wall)

See you all on August 28, 2021!

https://www.facebook.com/DownTheHillFestival/
http://www.downthehill.be/

Monomyth, Orbis Quadrantis (2019)

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Psychonaut & SÂVER Post Emerald Studio Playthroughs From Roadburn Redux

Posted in Bootleg Theater on May 24th, 2021 by JJ Koczan

saver stream

psychonaut stream

Dissertation dedication examples and http://www.irrgarten.biz/?dog-ate-my-homework-store-glens-falls-ny. In courses where students learn to value a sense of lan switch stored procedures, ado architecture, xml and linq. He chaired the international institute for contemporary literature, framed her reading in small groups. Nevertheless, all students can turn an ordinary class and two years old, but pubertal in cosmic time. Finland has been in Psychonaut and Assignment Service - experienced writers, top-notch services, fast delivery and other advantages can be found in our custom writing SÂVER‘s Literature reviews are such a pain in the butt at the Our Dissertation Proposals In Social Work also has an online chat where you can talk to our Emerald split LP (review here) is out now on Our find more service focuses on helping you to express your ideas and arguments clearly. As part of this, we will: Correct punctuation, grammar, and spelling errors Maintain a formal, academic writing style throughout Pelagic Records. Both bands last month took part in their label’s showcase for Get help from expert this link with all your tasks! College is the time of the year where individuals take on a greater role outside Roadburn Redux, each one with a prior-filmed performance of their respective piece from the split. For Belgium’s Visit ace http://www.jazz-frankfurt.de/geometry-quadrilateral-homework-help/ where you post your homework, and qualified scholars will do it for you. You can check any acemyhomework review online, Psychonaut, “The Great Realisation” broadened their reach in terms of sound, and “Dimensions Lost, Obscured by Aeons” did much the same for Norway’s If you are pressed for time or lack editing skills, just say "Edit my essay!". Our professional http://www.hell-tirol.at/?essay-paper-writing-help service is willing to give you a helping hand. SÂVER, the two bands alike in a forward-thinking mindset if not directly sharing a ton of elements sound-wise beyond perhaps falling under the catchall of “heavy.”

So be it. Various Affordable Freelance Article & Cornell Engineering Admission Essays. Hire a freelance writer or blogger expert services and get your writing project done within 24hr Roadburn Redux streams have started to surface and be made public — WITH THE BEST Should There Be Less Homework SERVICE. On time delivery. Anonymous & Secure. Native experts with a Ph.D. degree. High quality guarantee. 10% discount for new customers . BUY ESSAY AND GET OUR COOL BENEFITS FOR FREE. Turn-it-in report. 1v1 consultanted writer. unlimited revision +50 words free. Profreading. Formatting. Customer support. Draft (if required) ORDER STEPS. 12+ years in academic Tau‘s was posted here not so long ago — and the arrival of these two clips is another chance to revisit what was for me a highlight of the weekend’s viewing. So I’m doing that. If you’ve not yet caught wind of written persuasive essays List Of read review And Their Works research paper documentation essay basics Emerald, consider this an opportunity to be engaged in a fully multimedia fashion, and if you’ve heard the two extended pieces that make up the LP and not yet seen these videos, well, the argument for watching makes itself. If you caught this during Roadburn Redux, same applies. You don’t need me to tell you this is worth hitting up.

The bands offer stories behind their works below. I hoisted it from the Pelagic YouTube posts just because I thought it makes interesting reading and six years from now I’ll probably want to refer back to it or something. I’m like that sometimes.

Enjoy:

SA?VER, “Dimensions Lost, Obscured by Aeons” studio playthrough

Psychonaut, “The Great Realisation” studio playthrough

PSYCHONAUT – The Great Realisation

The Great Realisation represents the start of both an individual and a collective awakening. As we slowly watch our world change to the point where it may actually become uninhabitable for our species, we start to question the story of the world and realise that it may be time for a new story. It continues where the concept of Unfold the God Man left off, which was mostly centered around the recognition of our higher potential as individuals. The Great Realisation is the next step in the transition towards a new collective experience. It functions as a bridge between UTGM and our next album.

The story is narrated in 5 chapters which are based on a psychedelic experience. The protagonist encounters an entity that feels like Mother Earth who reveals the secrets of the universe to him. He enters a euphoric state in which he deconstructs his notion of self, leading him into an unknown yet blissful state of consciousness. However, not knowing what to do with this experience and this information, he loses all connection and is sent into the void. With all his might, he tries to retrieve his anchor to reality, condemning the entity that gave him this experience.

This release is by far the most elaborate production we have ever done. We recorded tons of extra percussion overdubs in Motormusic studio, added additional layers using a Morin Khuur, a 12-string acoustic, violins, didgeridoos, timpani, throat singing, choir vocals etc. To us, this feels like the most creative piece of songwriting we’ve ever done. We knew this would be released as a single track but we still wanted to make it sound like it was a short album or an EP, creating the experience of a bigger story by using different chapters. Doing all of this during a global pandemic was definitely challenging but we are very happy that we managed to find a safe way to record this massive composition without any compromises.

SÂVER – Dimensions Lost, Obscured By Aeons

Needless to say, this piece of music is a result of the weird and uncertain condition we’ve all been living in for the last year. Following a sudden and chaotic journey back home from Hungary after everything got cancelled mid-tour in March 2020, we found ourselves back in our rehearsal space with clean sheets and a society on hold. This allowed us to dive deeper into the sonic landscapes we ?d been wanting to explore, with a strange and somewhat greater sense of calm.

As a natural continuation of «They Came With Sunlight», we were intrigued by cinematic and electronic soundscapes, leaning heavy on atmosphere and mood as much as our heartfelt desire for the more extreme. To always challenge ourselves as musicians, and push the boundaries for what we are capable of as a unit, is a direct consequence of trying to capture what resonates within ourselves.

The pandemic caused harm, but it also granted time.

Ole Rokseth took this time and translated it to magic, giving birth to the first half «Dimensions Lost» with his arsenal of synthesizers recorded in different studios around Oslo. The contrast to the latter half «Obscured by Aeons», the dissonance between the soft and eerie and the furious anger, is a reflection of the key element we want to incorporate in our sound. The void between darkness and light. Ole Rokseth’s extended use of clean vocals gives SÂVER the power to emphasize this even more on «Emerald».

Psychonaut on Facebook

Psychonaut on Instagram

Psychonaut on Bandcamp

SÂVER on Facebook

SÂVER on Instagram

SÂVER on Bandcamp

Pelagic Records website

Pelagic Records on Facebook

Pelagic Records on Instagram

Pelagic Records on Bandcamp

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Review & Full Album Premiere: Psychonaut & SÂVER, Emerald

Posted in audiObelisk, Reviews on May 13th, 2021 by JJ Koczan

Psychonaut SAVER Emerald Split LP

[Click play above to stream Psychonaut and SÂVER’s Emerald split LP in full. It’s out Friday, May 14, on Pelagic Records.]

In another context, one might think of a split release like Emerald coming from a punk rock label as a seven-inch record, one band per side with about three minutes each to showcase their wares as a sampler from what the imprint considers promising bands. It’s by no means a new idea, however it came about in the instance of Psychonaut and SÂVER, for two up and coming trios on the same label — Pelagic Records in this case, so yes, we’re talking more than three minutes each for sure — to come together and share a release, and as each boast a deeply atmospheric take on post-style heavy and a sonic reach that seems to be expanding in real-time throughout the two side-long cuts here included, they make fitting companions.

Psychonaut, from Mechelen, Belgium — E19 runs right through it going north from Brussels to Antwerp; Saint Rumbold’s Cathedral is there — made their full-length debut in 2020 with Unfold the God Man on Pelagic, following two EPs with an exploration of concept and sound alike that situated them at some remove from the foundation of European post-metal. One tends to think of countrymen Amenra as the point of influence there, but it’s by no means just them, and Psychonaut‘s aesthetic proves to be less directly about pairing harsh and ambient elements together rather than finding the point at which ideas might meet and fleshing them out organically. Their 16-minute “The Great Realisation” complements well the 19-minute “Dimensions Lost, Obscured by Aeons” from Oslo’s SÂVER.

For the Norwegian three-piece, their inclusion follows their own debut long-player, They Came with Sunlight (review here), released by Pelagic in 2019, and roundly well received for its forward-thinking take on atmosludge and blend between crush and space. Both groups, then, are able to conjure as much breadth as suits. Emerald, in bringing them together, highlights the aspects of style they share as well as the differences between them, while ultimately serving that initial purpose in showcasing the potential from each.

Emerald is the kind of split that is chased down later. True, the first pressing is sold out even before it’s released, so I suppose plenty of heads are chasing it down now, but what I mean is that both bands here have a marked possibility to reach a broader listenership in heavy music than they’ve yet reached, and so it seems likely that there will indeed end up being more than the two pressings when all is said and done.

A gentle strum and foreboding thud begins “The Great Realisation,” which calls to mind some of Neurosis‘ tense ambience — both bands here will have a “Stones From the Sky” moment as regards riff structures — but Psychonaut are underway even before the audience knows it’s being immersed, and within the first 90 seconds, guitarist/vocalist Stefan De Graef, bassist/vocalist Thomas Michiels and drummer Peter Le Page are underway, layering screams and clean vocals over galloping drums and spacious guitars, breaking into angular turns, receding and surging forward again.

psychonaut

saver

They’ve twisted and churned and moved fluidly between loud and quiet multiple times over as they approach the midsection of “The Great Realisation,” but it’s the flow with which they execute their changes that’s most consuming — though the melodic apex they reach at about nine minutes in isn’t to be discounted as far as appeals go either. A more weighted chug follows, by a percussion- and digeridoo-laced stretch of prog metal guitar before Psychonaut draw it back to harsh screams and pounding heft, a semi-blackened assault acting as a prelude to their crescendo of engulfing lumber. As far out as they’ve gone, it’s to their credit that they’re still able to bring it all crashing down in just a few measures, soon drawing back into a residual fade and silence from whence the first hum of SÂVER‘s inclusion picks up.

Between the two songs, “Dimensions Lost, Obscured by Aeons” is arguably the more patient, at least in its initial unfurling. SÂVER — the returning lineup of guitarist/vocalist Ole Ulvik Rokseth, bassist Ole C. Helstad and drummer Markus Støle — begin with a stretch of cinematic whistling drone, and join it with an electronic beat before the three-minute mark, immediately demonstrating a progression of intent following their debut. The build is gradual and hypnotic and takes place over the next several minutes, drums starting far back before they’re seven minutes in, so really the opening of “Dimensions Lost, Obscured by Aeons” is a movement unto itself, but when the crush hits at 7:30 — on the dot — there’s little mistaking the intended contrast between float and weight.

The latter takes even fuller hold as SÂVER progress through the midsection of the song, vocals arriving at about 10:30 in screams before giving way to cleaner melodies over a chugging procession. An underlying foundation of noise influence isn’t new for them, but like Psychonaut prior, SÂVER have no trouble finding beauty in the outwardly harsh, and Støle‘s half-time drums only make their nod more engrossing as they march through the track’s back half, hitting into a stop and push 14 minutes in that feels like it might just consume the next five minutes but doesn’t, as the band move through twistier fare before arriving at their own finale of willful plodding, more stretched out than that of Psychonaut but no less elephantine. The bulk of the final minute is given to a curse of feedback and noise, readily mean and backed by static that cuts short to end, because there’s nothing else that needs saying at that point anyway.

So be it. If one thinks of Emerald as setting out to expose new listeners to these bands, then it accomplishes that in enticing fashion and then some. On the level of likewise showcasing the progression of each, it further succeeds. And just as a basic listen, I can’t see any way it’s not one of 2021’s best split releases, given the individualized approaches of SÂVER and Psychonaut and how well they coincide. It is no mystery why they might sell out of the vinyl on preorders, and the overarching story of Emerald is still of two acts defined by their forward potential. It is a story worth hearing.

Psychonaut on Facebook

Psychonaut on Instagram

Psychonaut on Bandcamp

SÂVER on Facebook

SÂVER on Instagram

SÂVER on Bandcamp

Pelagic Records website

Pelagic Records on Facebook

Pelagic Records on Instagram

Pelagic Records on Bandcamp

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Amenra to Release De Doorn June 25; “De Evenmens” Video Posted

Posted in Whathaveyou on May 4th, 2021 by JJ Koczan

amenra

Belgian post-metal forerunners Amenra will release their first offering for Relapse Records, titled De Doorn, next month. They’ve got a video up now for “De Evenmens” that you can see at the bottom of this post and witness all its black-and-white and screamy, then not screamy, then definitely screamy again shifting, the band as heavy on atmosphere as they are on heavy as they are on contemplation. “De Evenmens” is one of five tracks on the upcoming outing, which is the follow-up to Amenra‘s 2017 LP, Mass VI, and at the very least it shows they haven’t lost their edge of extremity or the consuming lurch that has led to their becoming one of Europe’s foremost purveyors of the style. They got a thing. They do it well.

Album info follows here, courtesy of the PR wire:

amenra de doorn

AMENRA announce their Relapse Records full-length debut De Doorn coming June 25th! Watch AMENRA’s official “De Evenmens” music video, directed by Dehn Sora

AMENRA vocalist Colin H. van Eeckhout comments:

“We are only here for a split second in history. This song is about finding the answer within the question, man’s search for his place here on earth. A journey of sorrow with mere moments of beauty and happiness and this all in relation to his or her fellowman. To accept what is. Our brother Dehn Sora sculpted the digital world where Everman dwells, protected by its thorns, wounded by the others. Sacrificing blood of gold.”

CHVE

De Doorn is out June 25 on Deluxe 2xLP/2xLP/CD/CS/Digital. Physical pre-orders via Relapse.com are available HERE. Digital Downloads/Streaming HERE. A super limited, one time press features gold foil stamping printed on jackets and are available exclusively through Relapse.com and at band live performances.

De Doorn Tracklist:

Ogentroost
De Dood In Bloei
De Evenmens
Het Gloren
Voor Immer

AMENRA Tour Dates:
May 22 Grauzone Festival (Acoustic Stream Concert)
July 2+3 Openluchttheater De Goffert, Nijmegen i.s.m. Doornroosje
Sept 4 Paaspop, Schijndel
Sept 21 Tivoli Vredenburg, Utrecht

AMENRA Is:
Colin H. van Eeckhout – Lead Vocals
Mathieu Vandekeckhove – Guitar
Bjorn J. Lebon – Percussion
Lennart Bossu – Guitar
Tim De Gieter – Guitar
Caro Tanghe – Backup Vocals

Recorded by Tim De Gieter at Much Luv Studio, Lembeke BE
Mastered by Frank Arkright, Abbey Road Studio, London UK

www.ritualofra.com
https://amenra.bandcamp.com/
https://www.instagram.com/amenra_official/
www.facebook.com/churchofra
https://twitter.com/churchofra
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords

Amenra, “De Evenmens” official video

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Quarterly Review: Wolvennest, Lammping, Lykantropi, Mainliner, DayGlo Mourning, Chamán, Sonic Demon, Sow Discord, Cerbère, Dali’s Llama

Posted in Reviews on March 29th, 2021 by JJ Koczan

quarterly-review-spring-2019

The Spring 2021 Quarterly Review begins here, and as our long winter of plague-addled discontent is made glorious spring by this son of York Beach, I can hardly wait to dig in. You know the drill. 50 records between now and Friday, 10 per day. It’s a lot. It’s always a lot. That’s the point.

Words on the page. If I have a writing philosophy, that’s it. Head down, keep working. And that’s the challenge here. Can you get over your own crap and say what you need to say about 10 records every day for five days straight out? I’ll be exhausted by the end of the week for sure. I’ll let you know when we get there if it feels any different. Till then, let’s roll.

Quarterly Review #1-10:

Wolvennest, Temple

Wolvennest Temple

The second full-length offering — and I mean that: ‘offering’ — from Belgium’s Wolvennest is an expansive and immersive follow-up to their 2018 debut, Void, as the Brussels six-piece offers next-stage extreme cult rock. Across 77 willfully-unmanageable and mind-altering minutes, the troupe caroms between (actual) psychedelic black metal and sheer sonic ritualism, and the intent is made plain from 12:26 opener/longest track (immediate points) “Mantra” onward. Wolvennest are enacting a ceremony and it’s up to the listener to be willing to engage with the material on that level. Their command is unwavering as the the heft and wash of “Alecto” and the ethereal swirl and dual vocal arrangement of “All that Black” show, but while King Dude himself shows up on “Succubus,” and that’s fun, especially followed by the penultimate downward march of “Disappear,” the greatest consumption is saved for “Souffle de Mort” (“breath of death,” in English; it’s not about eggs). In that 10-minute finale, marked out by the French-language declarations of Shazzula Vultura, Wolvennest not only make it plain just how far they’ve brought you, but that they intend to leave you there as well.

Wolvennest on Thee Facebooks

Ván Records website

 

Lammping, New Jaws EP

lammping new jaws

A 15-minute playful jaunt into the funk-grooving max-fuzzed whatever-works garage headtrip if Toronto’s Lammping is right on the money. The four-piece start channel-spanning and mellow with “Jaws of Life” — which is a righteous preach, even though I don’t know the lyrics — and follow with the complementary vibe of “The Funkiest,” which would seem to be titled in honor of its bassline and conjures out-there’est Masters of Reality in its face-painted BlueBoy lysergics over roughly traditional songwriting. Is “Neverbeen” weirder? You know it. Dreamily so, and it’s followed by the genuinely-experimental 40 seconds of “Big Time the Big Boss” and the closer “Other Shoe,” which if it doesn’t make you look forward to the next Lammping album, I’m sorry to say it, but you might be dead. Sorry for your loss. Of you. This shit is killer and deserves all the ears it can get with its early ’90s weirdness that’s somehow also from the late ’60s and still the future too because what is time anyway and screw it we’re all lost let’s ride.

Lammping on Instagram

Nasoni Records website

 

Lykantropi, Tales to Be Told

Lykantropi Tales To Be Told

Tales to Be Told is the late-2020 third long-player from Swedish classicists Lykantropi, following 2019’s Spirituosa (review here) with a warmth of tone that’s derived from ’70s folk rock and vaguely retro in its tones and drum sounds, but remains modern in its hookmaking and it’s not exactly like they’re trying to hide where they’re coming from when they break out the flute sounds. Harmonies in “Mother of Envy” make that song a passionate highlight, while the respective side-endings in “Kom Ta Mig Ut” and “Världen Går Vidare” add to the exploratory and roots-proggy listening experience, the album’s finale dropping its drums before the three-minute mark to allow for a drifting midsection en route to a class finish that answers the choruses of “Spell of Me” and “Axis of Margaret” earlier with due spaciousness. Clean and clear and wanting nothing aesthetically or emotionally, Tales to Be Told is very much a third album in how realized it feels.

Lykantropi on Thee Facebooks

Despotz Records website

 

Mainliner, Dual Myths

Mainliner Dual Myths

Japanese trio Mainliner — comprised of guitarist Kawabata Makoto (Acid Mothers Temple), bassist/vocalist Kawabe Taigen (Bo Ningen) and drummer Koji Shimura (Acid Mothers Temple) — are gentle at the outset of Dual Myths but don’t wait all that long before unveiling their true freak-psych intention in the obliterating 20 minutes of “Blasphemy Hunter,” the opener/longest track (immediate points) that’s followed by the likewise side-consuming left-the-air-lock-behind-and-found-antimatter-was-made-of-feedback “Hibernator’s Dream” (18:38), the noisier, harsher fuckall spread of “Silver Guck” (19:28) and the gut-riffed/duly scorched jazz shredder “Dunamist Zero” (20:08), which culminates the 2LP beast about as well as anything could, earning the gatefold with sheer force of intent to be and to harness the far-out into some loosely tangible thing. Stare into the face of the void and the void doesn’t so much stare back as turn your lungs into party balloons.

Mainliner on Thee Facebooks

Riot Season Records website

 

DayGlo Mourning, Dead Star

DayGlo Mourning Dead Star

On a certain level, what you see is what you get with the Orion slavegirl warriors, alien mushrooms and caithan beast that adorn DayGlo Mourning‘s debut album, the six-song/35-minute Dead Star, in that they’re suitably nestled into the sonic paraphernalia of stoner-doom as well as the visual. With bassist Jerimy McNeil and guitarist Joseph Mills sharing vocal duties over Ray Miner‘s drums, variety of melody and throatier shouts are added to the deep-toned largesse of riff, and the Atlanta trio most assuredly have their heads on when it comes to knowing what they want to do sound-wise. The hard-hit hi-hat of “Faithful Demise” comes with some open spaces after the fuzzy lumber that caps “Bloodghast,” and as “Ashwhore” and “Witch’s Ladder” remind a bit of the misogyny inherent in witchy folklore — at the end of the day it was all about killing pretty girls — the grooves remain fervent and the forward potential on the part of the band likewise. It’s a sound big enough that there isn’t really any room left for bullshit.

DayGlo Mourning on Thee Facebooks

Black Doomba Records webstore

 

Chamán, Maleza

Chamán maleza

Issued in the waning hours of Dec. 2020, Chamán‘s 70-minute, six-song debut album, Maleza, is a psicodelico cornucopia of organic-toned delights, from the more forward-fuzz of “Poliforme” — which is a mere six and a half minutes long but squeezes in a drum solo — to the 13-plus-minute out-there salvo that is “Malezo,” “Concreto” and “Temazcal,” gorgeously trippy and drifting and building on what the Mendozza, Argentina, three-piece conjure early in the proceedings with “Despierta” and “Ganesh,” each over 10 minutes as well. Even in Maleza‘s most lucid moments, the spirit of improv and live recording remains vibrant, and however these songs were built out to their current form, I’m just glad they were. Whether you put it on headphones and bliss out for 70 minutes or you end up using it as a backdrop for whatever your day might bring, Chamán‘s sprawling and melted soundscapes are ready to embrace and enfold you.

Chamán on The Facebooks

Chamán on Bandcamp

 

Sonic Demon, Vendetta

sonic demon vendetta

Italian duo Sonic Demon bring a lethal dose of post-Electric Wizard grit fuzz and druggy echoed snarl to their debut full-length, Vendetta, hitting a particularly nasty low end vibe early on “Black Smoke” and proving willing to ride that out for the duration with bouts of spacier fare in “Fire Meteorite” and side A capper “Cosmic Eyes” before the second half of the 40-minute outing renews the buzz with “FreakTrip.” Deep-mixed drums make the guitar and bass sound even bigger, and such is the morass Sonic Demon make that even their faster material seems slow; that means “Hxxxn” must be extra crawling to feel as nodded-out as it does. Closing duo “Blood and Fire” and “Serpent Witch” don’t have much to say that hasn’t already been said, style-wise, but they feel no less purposeful in sealing the hypnosis cast by the songs before them. If you can’t hang with repetition, you can’t hang, and the filth in the speedier-ish last section of “Serpent Witch” isn’t enough to stop it from being catchy.

Sonic Demon on Thee Facebooks

The Swamp Records on Bandcamp

Forbidden Place Records website

 

Sow Discord, Quiet Earth

sow discord quiet earth

Sow Discord is the solo industrial doom/experimentalist project of David Coen, also known for his work in Whitehorse, and the bleak feel that pervades his debut full-length under the moniker, Quiet Earth, is resonant and affecting. Channeling blowout beats and speaker-throbbing crush on “Ruler,” Coen elsewhere welcomes Many Blessings (aka Ethan Lee McCarthy, also of Primitive Man) and The Body as guests for purposefully disturbing conjurations. Cuts like “Desalination” and “Functionally Extinct” churn with an atmosphere that feels born of a modern real-world apocalypse, and it’s hard to tell ultimately whether closer “The World Looks on with Pity and Scorn” is offering condolence or condemnation, but either way you go, the bitter harshness that carries over is the thread that weaves all this punishment together, and as industrial music pushes toward new extremes, even “Everything Has Been Exhausted” manages to feel fresh in its pummel.

David Coen on Instagram

AR53 Productions on Bandcamp

Tartarus Records on Bandcamp

 

Cerbère, Cerbère

cerbere cerbere

Formed by members of Lord Humungus, Frank Sabbath and Carpet Burns, Cerbère offer three tracks of buried-alive extreme sludge on their self-titled debut EP, recorded live in the band’s native Paris during a pandemic summer when it was illegal to leave the house. Someone left the house, anyhow, and the resultant three cuts are absolutely unabashed in their grating approach, enough so to warrant in-league status with masters of misanthropy like Grief or Khanate, even if Cerbère move more throughout the 15-minute closing title-track, and dare to add some trippy guitar later on. The two prior cuts, “Julia” — the sample at the beginning feels especially relevant in light of the ongoing Notre Dame rebuild — and “Aliéné” are no less brutal if perhaps more compact. I can’t be sure, because I just can’t, but it’s entirely possible “Aliéné” is the only word in the song that bears its name. That wouldn’t work in every context. Here it feels earned, along with the doomier lead that follows.

Cerbère on Thee Facebooks

Cerbère on Bandcamp

 

Dali’s Llama, Dune Lung

dalis llama dune lung

They’ve cooled down a bit from the tear they were on for a few years there, but Dali’s Llama‘s new Dune Lung EP is no less welcome for that. The desert-dwelling four-piece founded by guitarist/vocalist Zach and bassist Erica Huskey bring a laid back roll to the nonetheless palpably heavy “Nothing Special,” backing the opener with the fuzzy sneer of “Complete Animal,” the broader-soundscape soloing of “Merricat Blackwood,” and the more severe groove of “STD (Suits),” all of which hit with a fullness of sound that feels natural while giving the band their due as a studio unit. Dali’s Llama have been and continue to be significantly undervalued when it comes to desert rock, and Dune Lung is another example of why that is and how characteristic they are in sound and execution. Good band, and they’re edging ever closer to the 30-year mark. Seems like as good a time as any to be appreciated for the work they’ve done and do.

Dali’s Llama on Thee Facebooks

Dali’s Llama on Bandcamp

 

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Psychonaut and SÂVER Team for Emerald Split LP

Posted in Whathaveyou on March 23rd, 2021 by JJ Koczan

Two bands, two sides, two songs. Don’t mind me, but I’m just kind of over here wondering if we’re seeing Pelagic Records chart the way forward for post-metal? The German label founded by The Ocean‘s Robin Staps seems to be doing an awful lot of pivotal work these days, including releases by both Psychonaut and SÂVER, who are the two bands sharing a side apiece on this Emerald split LP. The Belgian troupe lead off with the 16-minute “The Great Realisation,” bringing progressive textures and patient melodic build en route to a satisfying onslaught, volume trades not necessarily unpredictable but welcome nonetheless, as Norway’s SÂVER follow with the 19-minute “Dimensions Lost, Obscured by Aeons,” dedicating its opening stretch to surprising drone atmospherics before making its way into their sludgy-but-not-dumb crunch and a confident increase in melodic reach.

All told, it’s a 35-minute LP sampler platter of two deeply creative acts in stylistic bloom. There’s no audio public yet ahead of the May 14 release date (fair, since it’s two songs), but if you’ve not yet dug into Psychonaut‘s Unfold the God Man or SÂVER‘s rightly-ballyhooed 2019 debut, They Came with Sunlight (review here), both are at the bottom of this post. You’ll not regret taking the time.

Split info comes from the PR wire, of course:

Psychonaut SAVER Emerald Split LP

Announcing: PSYCHONAUT / SÂVER ‘Emerald’ (Split Release)

‘Emerald’ will be released on May 14 and is available for pre-order on April 6!

PSYCHONAUT and SÂVER are akin in many ways: both artists embody and explore corporal, physical heaviness in their sound as much as spirituality and philosophy, both artists often stretch their compositions close to the 20 minutes mark, and both artists redefine the concept of the classic power trio within a context of genre-bending, modern heavy music: where SÂVER plea for calculated minimalism, PSYCHONAUT employ an arsenal of percussion instruments on their recordings, and it is even more so astonishing how well they manage to reduce the polyphonic assault to the trio in a live setting.

PSYCHONAUT literally came from out of nowhere, Mechelen, Belgium, to be precise. Their 2020 album Unfold The God Man showcases excellent musicianship and songwriting abilities, heavily influenced by 70’s bands like Led Zeppelin and Pink Floyd, but also drawing inspiration from contemporary heavy artists like Tool or Amenra.

“This release is by far the most elaborate production we have ever done. We let go of all boundaries and gave ourselves complete freedom in terms of songwriting and arranging. This massive track represents a process of both personal and collective change that is conveyed through five chapters which are based on a psychedelic experience.”

SÂVER from Oslo, Norway delivered an equally astounding debut album of sublime heaviness, shimmering moogs, abrasive vocals and a devastating, gnarly bass tone. Their jaw-dropping performance at the renowned Oya Festival in Oslo in the summer before the pandemic, accompanied by mesmerizing visuals on a huge screen, was a foreboding of what to expect from this band in the future.

“As a band , we try to write music we would love to listen to ourself and we believe this 20-ish minute song really sets the path for what we want SÂVER to sound like. Atmospheric, brutal, yet beautiful and heavy as the sun itself. We love the way this release turned out and we hope you will too.”

https://www.facebook.com/psychonautband
https://www.instagram.com/psychonautband/
https://psychonautband.bandcamp.com/

https://www.facebook.com/saveroslo/
https://www.instagram.com/saeverofficial/
https://saeverband.bandcamp.com/

http://www.pelagic-records.com/
http://www.facebook.com/pelagicrecords
https://www.instagram.com/pelagic_records
https://pelagicrecords.bandcamp.com/

Psychonaut, Unfold the God Man (2020)

SÂVER, They Came with Sunlight (2019)

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Amenra Sign to Relapse Records; New Album out Next Year

Posted in Whathaveyou on October 14th, 2020 by JJ Koczan

Curious how inevitable this feels. Belgian post-metal touchstones Amenra have set the genre standard by which Europe abides. Their pervasive aesthetic sensibility, balance of ambience and extreme sonic aggression and heft, can be heard across an entire swath of acts working largely in their strobe-pumping wake. I’ve never been the biggest Amenra fan in the world — something about their unwillingness to break their own rules continues to leave me cold — but one would have to be a fool not to acknowledge the impact they’ve had or to respect the force they represent when they take the stage.

Earlier this month, I assume for Bandcamp Friday, they released a collection of demo material for what became 2017’s Mass VI, and you’ll find that streaming below. In addition to their signing to Relapse, where they join recent acquisitions Temple of Void and the likes of Monolord, you’ll also find word below of a new album coming next year. One will expect that to arrive with no shortage of anticipation behind it.

From the PR wire:

amenra

AMENRA SIGN TO RELAPSE RECORDS; NEW FULL-LENGTH ALBUM COMING 2021

Relapse Records is proud to announce the signing of Belgium’s AMENRA! Formed in 1999, the critically acclaimed band have since captivated audiences through their raw, ethereal, sonic energy, both live and in the studio. AMENRA’s monstrous live performances and cinematic albums have earned them a cult following. Touring the world over, the band has played some of the most prestigious festivals in Europe and North America. AMENRA will release a highly anticipated new album in 2021. Stay tuned for more information in the near future.

Regarding the signing, AMENRA comments:

“We are thrilled to announce that from now on we will be signed to Relapse records. A haven to a lot of our friends, and now to us as well. We are looking forward to work with this more than capable team, and are eager to see where it will lead us. Our new record will see its first light mid 2021. Ever onwards.”

AMENRA Is:
Colin H. Van Eeckhout – Vocals
Mathieu Vandekerckhove – Guitars
Bjorn Lebon – Drums
Lennart Bossu – Guitars
Tim De Gieter – Bass

www.ritualofra.com
https://amenra.bandcamp.com/
https://www.instagram.com/amenra_official/
www.facebook.com/churchofra
https://twitter.com/churchofra
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords

Amenra, The Cradle: Demos (2020)

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Splendidula Sign to Argonauta Records for Somnus LP

Posted in Whathaveyou on August 24th, 2020 by JJ Koczan

I’m starting to feel like 2020’s favorite words are ‘due next year,’ but that nonetheless applies to the second album from Belgium’s Splendidula, who have newly inked a deal to release what they’ll call Somnus through Argonauta Records in 2021. Fair enough. It’s a rough year for, well, everything. If you can stand waiting, probably better to do so. And in the meantime, there are still plenty who apparently can’t stand waiting; otherwise I wouldn’t be so behind on reviews.

Together with Athon and Deep River Acolytes, Splendidula make the third Argonauta signing announcement this month, so if there was any concern about how the Italian imprint would come through the pandemic, the answer would seem to be just fine, even taking into account all the “due next year” going on. Better 2021 than never, certainly.

From the PR wire:

splendidula

Belgian Doom Juggernaut, SPLENDIDULA, Signs To Argonauta Records!

New album, “Somnus”, coming in early 2021!

Atmospheric doom collective, Splendidula, has announced the signing with Argonauta Records, who proudly welcomes the band to their eclectic artist roster!

Formed in 2008 and following their critically acclaimed, second album “Post Mortem” (2018), Splendidula serve a cocktail of traditional doom and blistering sludge, post-metal grooves and psychedelia drones. Big riffs meet pounding beats with atmospheric passages that will lead you into a wild, heavy and psychedelic wonderland, while the bewitched chants by vocalist Kristien and guitarist Pieter’s harsh screams create a unique vocal contrast.

Over the recent years, Splendidula played an impressive series of shows, supporting acts such as Wiegedood, Wolvennest, Haunted, Soul Grip, The Fifth Alliance, Famyne, Alunah, Mist, Marche Funèbre, Atomic Vulture, Ashtoreth, Grotto, Killer, Lugubrum, Paragon Impure or Kosmokrator to name just a few.

Says Gero Lucisano, owner of Argonauta Records: “I knew and followed the band since their previous album ‘Post Mortem’. I remember I was suddenly intrigued by their particular sound starting from atmospheric and psychedelic grooves to hit then even traditional doom with a sort of wild approach. I’m happy now that our paths have crossed to work together with their new album. Surely the band grew up a lot, also thanks to their intense live activity, showing us all its capacity to build something unique and original.”

“We’re extremely proud to announce our collaboration with Argonauta Records and All Noir.” The band comments. “Gero has a great reputation as label boss, and his varied album roster fits our music perfectly, while Mona from All Noir is a real promo veteran! Next to that they’re also just great people and we feel already at home in this new family. After finishing our previous album “Post Mortem”, we immediately started thinking about a concept for the next release. The contrast of dreamy soundscapes with bewitched vocals, followed by heavy riffs and aggressive screams, brought us towards the idea of spirituality… and thus “Somnus” was born! The compositions will tell the listener a story about dream shapes, nightmares and how this connects to the (un)real world.”

During the past months, the five-piece hailing from Genk, Belgium, has been hard at work for their third album, that will see the light of day in early 2021 via Argonauta Records. “Somnus” was mixed by Much Luv Studio and mastered by grammy award-winning mastering engineer Alan Douches at West West Side Music, a first teaser has just been unleashed.

www.facebook.com/Splendidula
www.splendidula.bandcamp.com
https://www.facebook.com/ArgonautaRecords/
https://argonautarecords.bandcamp.com/
www.argonautarecords.com

Splendidula, Somnus teaser

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