So let me get this out of the way and say that the whole friggin’  http://www.bug-nrw.de/?writing-essays-in-examss and have one of the best custom dissertation writing services. We have experienced dissertation writers from every field Stoned and Dusted 2020 lineup is incredible. Kudos to the  If you are looking for a place to How To Write A Phd Dissertation Proposal online you are best served by hiring a professional writer from our essay writing service. California Desert Wizards Association, which is the mysterious entity putting on the festival out in the Mojave, both at  best college application essay competitive Business Plans For Coffee Shops order of author names in research paper masters thesis structure Pappy and Harriet’s and in the open air itself, taking place outside with camping and all the rest of it. Whole thing, great job. Okay. But seriously, at the first night of the thing, they’ve got  Expert follow site Ghostwriting is a writing text to order. Texts can be from columns in the media to books. At the same time, the author refuses Los Dug Dugs from Mexico City playing, and if you’ve never dug-dug into their stuff, it’s yet another lost classic of the heavy ’70s that’s begging to be heard. That’s an impressive get through and through. Nicely done.

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Toss in Hippie Death Cult, Helms Alee, The Heavy Eyes, BALA, Jesika von Rabbit, Sean Wheeler, Hammer of the Ozz and a few more TBA, not to mention Mad Alchemy doing the lights, and you’ve got a three-night desert party that’s very, very clearly going to be something special for those fortunate enough to be there to witness it.

To that end, tickets go on sale Saturday, as per the PR wire:

STONED AND DUSTED 2020 LINEUP

Yeah buddy! Here it comes again! Are you ready?! Finally the scoop on this year’s Stoned and Dusted party, brought to you by your California Desert Wizards Association.

In 2020 we have THREE NIGHTS of fun: Friday May 22nd; Saturday May 23rd; and Sunday May 24th.

STONED AND DUSTED WELCOME PARTY: On Friday May 22 we have a very special lineup at California’s most famous cantina, Pappy & Harriet’s. Friday’s show is on the indoor stage and we are proud to present 1970’s psych legends from Mexico City, Los Dug Dugs, with desert legends Yawning Man and more TBA.

STONED AND DUSTED ROADHOUSE: On Saturday May 23 we are doing it up again at Pappy & Harriet’s Pioneertown Palace (outside stage), our favorite dusty, desert roadhouse. Pack your earplugs, rolling papers and bring a designated driver for this insane lineup: Corrosion of Conformity, Masters of Reality, Brant Bjork, Helms Alee, BALA and a late show inside from Jesika von Rabbit.

STONED AND DUSTED CAMPOUT: On Sunday May 24 we invite you to a generator party – a Memorial Day concert, cookout and campout at a secret desert location. You can camp on site and party with your friends and fellow desert wizards late into the night. The boulders are there; we are bringing the rock! Dead Meadow, Earthless, Big Scenic Nowhere, The Well, The Heavy Eyes, Mos Generator, Sean Wheeler Y Los Caminos, Hippie Death Cult and Hammer of the Ozz. The Mad Alchemy Liquid Light Show will light up the desert once again this year.

General on-sale begins late this Saturday night, Feb 8, around midnight into Sunday morning. Go to our website and join our email list for more information.

STONED AND DUSTED PRE-PARTY $22
STONED AND DUSTED ROADHOUSE $60
STONED AND DUSTED CAMPOUT $230

For the STONED AND DUSTED CAMPOUT, we also offer a camping gear add-on for those who can’t fly with a tent and want to camp out under desert skies.

https://www.facebook.com/StonedandDusted/
https://www.instagram.com/stonedanddusted
www.StonedAndDusted.com
http://www.californiadesertwizardsassociation.com/

Any sort of activity on the part of Masters of Reality is nothing but welcome news, as far as I’m concerned, and as the band have already been confirmed for Desertfest in London and Berlin, Sonic Whip in the Netherlands and Kristonfest in Spain, it’s maybe not such a surprise that they’re announcing tour dates to tie those appearances together, but still, I’ll take it. Do I think it’s going to lead to a full surge of activity on the part of Chris Goss and company, new album blah blah blah? I don’t know. It’s been over a decade now since the last Masters of Reality LP, 2009’s Pine/Cross Dover (review here), and though there have been reissues since then and Goss posted some songs circa 2018, I’m not exactly holding my breath for the album if you know what I mean. 2021 will mark 40 years of existence in one form or another for the band. I’ll take what I can get at this point.

And not that I’ll be fortunate enough to see these shows, or that I’ve ever seen Goss perform, much to my chagrin, but I’m glad they’re happening, and yeah, I hope there are more to come, and a record, and all that stuff. Would be awfully nice.

The PR wire takes it:

MASTERS OF REALITY return with a full European tour and festival appearances this May

The legendary desert rock project driven by the unique creative force of guitarist and vocalist Chris Goss, MASTERS OF REALITY, return strong in the spring of 2020 with a series of European shows including festival appearances.

Chris Goss formed MASTERS OF REALITY with Tim Harrington as a two-piece in Syracuse, New York in 1981. He is also widely known for being the cornerstone producer of many behemoths of the Palm Desert scene, including Kyuss, Queens of the Stone Age, Mark Lanegan, Mondo Generator and the Desert Sessions.

The band has released six studio albums and two live albums between 1988 and 2009, punctuated by countless tours across Europe and North America. However, their name has remained a landmark of the Heavy Rock age, this is why MASTERS OF REALITY have decided to return to Europe to blow fans’ minds again this spring, with a series of shows including headlining performances at Desertfest London and Berlin, Kristonfest and Sonic Whip Festival.

MASTERS OF REALITY European Tour 2020:
01.05.20 – LONDON (UK) Electric Ballroom
02.05.20 – NIJMEGEN (NL) Sonic Whip Festival
03.05.20 – BERLIN (De) Desertfest Berlin – Arena
05.05.20 – ASCHAFFENBURG (De) Colos Saal
06.05.20 – MUNICH (De) Strom
07.05.20 – DÜDINGEN (Ch) Bad Bonn
09.05.20 – MADRID (Sp) Kristonfest – La Riviera
10.05.20 – VITORIA (Sp) Jimmy Jazz
12.05.20 – PARIS (Fr) La Maroquinerie
13.05.20 – COLOGNE (De) Art Theater
15.05.20 – SINT-NIKLAAS (Be) De Casino
16.05.20 – LEUVEN (Be) Depot
17.05.20 – KORTRIJK (Be) De Kreun

https://www.facebook.com/mastersofreality/
http://www.mastersofreality.com/

Masters of Reality, “John Brown”

Next May will mark the third edition of the Sonic Whip Festival, though I’ll admit this is the first I’m hearing of it. No surprise there, as I’m about two years behind on most things in life. Tickets for Sonic Whip 2020 are set to go on sale tomorrow at noon CET for the night-and-dayer, with a pre-party May 1 and a full event on May 2 at Doornroosje in Nijmegen, the Netherlands, and the lineup will feature a few of the acts making the rounds at that time, including headliners Masters of Reality and Kadavar, as well as Pissed Jeans, Rotor, Forming the Void, The Cosmic Dead, Gum Takes Tooth and Bonnacons of Doom.

I’ll admit it was Forming the Void that caught my eye and not just because I happen to be wearing their t-shirt today. This is the second event around that time that the Louisiana-based progressive heavy rockers have been announced for, and while I was already just waiting for them to announce a European tour after the first one, this only further confirms that update is coming.

Likewise keeping an eye out for Masters of Reality‘s full run to be unveiled, as they’re set to do Desertfest and others in addition to this one.  And, well Kadavar are just kind of always on the road somewhere, so yeah, they’ll probably be touring too.

But I’m getting off-track, so here’s the announcement from the fest:

Sonic Whip 2020

Sonic Whip, the multi-headed rock monster that combines roaring guitars riffs with steaming bass lines, pounding drums and other sonic, psychedelic excesses, is preparing for the third edition. We kick off on May 1 with a pre-party deluxe in Doornroosje to go completely berserk on May 2 at the same location.

LINE-UP
? MASTERS OF REALITY
? KADAVAR
? PISSED JEANS
? ROTOR
? THE COSMIC DEAD
? FORMING THE VOID
? GUM TAKES TOOTH
? BONNACONS OF DOOM
? MORE TO BE ANNOUNCED…

Ticket sales start on Friday 22 November at 12.00 with the combi tickets. The first batch of very limited combi costs € 57.50, then € 67.50. Day tickets go on sale later, more info will follow.

More info: http://bit.ly/SonicWhip2020

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https://www.facebook.com/Sonicwhipfestival/
https://www.instagram.com/doornroosjenl/
https://www.doornroosje.nl/event/sonic-whip-2020/

Forming the Void, Rift (2018)

As will happen from time to time, the announcement info below was run through a major tech company’s translation matrix, so take the actual verbiage with a figurative grain of salt. The important thing to note is that there are five bands booked for Madrid’s Kristonfest 2020 all-dayer next May and not a clunker in the bunch. Truth. I haven’t seen Masters of Reality — something I’d hope to correct sooner or later — but I’ve seen the other four and they’re all awesome. MaidaVale, who’ll open the show, bring classic rock vibes straight out of tomorrow, and of course you don’t at all need me to extol the many virtues of Brant Bjork or C.O.C., and probably not Swans either, as I’m sure you’ve already heard their latest record and know it’s ridiculously good.

And if you’re still on the fence, I have the utmost faith Masters of Reality will be astounding. I’m keeping my fingers crossed for a new record from them around Springtime next year. Doing this and Desertfests means perhaps a tour, and a tour is rare enough to make me think a full-length is coming. Fingers crossed.

Here’s that info:

Kristonfest 2020 – May 9 – Madrid

Masters of reality (USA), Brant Bjork & Band (USA) and maidavale (Sweden) Join Swans (USA) and corrosion of conformity (USA) to complete the poster of the kristonfest 2020. Five Bands with a very marked style That will bring diversity and excellence to a new edition in the La Riviera room in Madrid.

The tickets, which are already available through the website of the festival www.kristonfest.com and in Escridiscos, will not vary their price, staying in the 45 € + Distribution Costs announced initially.

Formed in 1981 and led by legendary producer Chris Goss, Masters of reality is a very important band in the history of rock, as it clearly influenced many bands that were springing up in the state of California at the end of the ‘ 80 And principles of the ’90s, coming to create a musical movement with its own name. So much so that bands like kyuss, fu manchu, sleep, Nebula, yawning man, fatso jetson, etc… have openly declared their admiration for masters of reality.

The different stages of masters of reality have counted with relevant musicians, where ginger baker is featured (Cream, hawkwind, p.i.l.), Josh Homme (Kyuss, Queens of the stone age), Mark Lanegan (screaming trees), Dave catching (Queens of The Stone Age, Eagles of death metal, Mondo Generator, etc…. and where the combination of experimenting with hard-Rockers riffs and their tastes for the progressive rock of the ‘ 70 s let their hobby be revealed by King Crimson and Black Sabbath,… so much so the band took its name from the album that these last published in 1971, “Masters of reality”.

The letters of Chris Goss, who is considered the godfather of the whole desert-rock movement, are like reading the Bible of everything that surrounded the birth and development of a scene that was never supported by the great record labels, but that has managed to keep Live thanks to the passion of your followers.

The fourth confirmation is that of Brant Bjork & band, key name of the stoner-rock scene for being the drummer of the legendary kyuss and who has recently reissued one of his best albums, “Jalamanta” (1999). If To this we add that the great Sean Wheeler is part of the band is a news that makes us very excited, since Sean is a key piece of the desert scene for being the leader of throw rag and have collaborated in many projects next to Jesse Hughes, Josh Homme, Chris Goss, Mark Lanegan, etc….

The last confirmation is that of the Swedish MaidaVale, which shines like few in the skies of psychedelia-Rock and heavy-Blues of the last decade. Without a doubt, Mathilda Roth (voice), Sofia Ström (Guitar), Linn Jóhannesson (Bass) and Johanna Hansson (Drums) drink from the influences they left for history the decade of the ‘ 60 s, contributing to their repertoire A more direct, atmospheric and forceful sound.

His passage through festivals such as Sweden rock, desertfest, freak valley and red smoke festival has helped them to build the reputation of live, soulful and charismatic band, so get ready to be captivated by this quartet that has a lot to say.

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Brant Bjork, Live at Freak Valley 2019

Desertfest London 2020 has made its first lineup announcement, with nine acts serving as the foundation of the fray set to take place May 1-3 next year. This one happened a bit ago, concurrent I think to the Desertfest Berlin first announcement, but, well, life happens I guess. Either way, the two festivals will share an artwork theme for the first time, which feels only appropriate — one hopes Desertfest New York does the same next September, if only because I’d like to buy a poster on this theme — as well as a few acts in the likes of Masters of Reality, Corrosion of Conformity, Brant Bjork, and Orange Goblin.

They may end up sharing more than that, of course, between the bands that each has thus far revealed. There’s always a bit of stagger between one and the other as they add locals — The Brothers Keg and Green Lung and Black Orchids come to mind here — to distinguish themselves and each offer something of its own to attendees. I wouldn’t be surprised, for example, if The Picturebooks and Possessor wound up playing Berlin too, but that hasn’t been announced yet if it’s going to happen at all. You get the point.

The point is Deserfest London 2020 already looks awesome, and if you can make it, you should go. I should go too. We should all go. And hang out. It’ll be fun.

Mark your calendar:

MASTERS OF REALITY, CORROSION OF CONFORMITY, ORANGE GOBLIN + 6 MORE ANNOUNCED AS FIRST ACTS FOR DESERTFEST LONDON 2020

For their first UK appearance in five years, Masters Of Reality – Official will make their Desertfest debut as 2020 headliners next May. One of the most influential bands in desert rock history, with the genres very own Godfather at the reins, Masters is the brainchild of legendary producer Chris Goss (Welcome to Sky Valley, Rated R, Blues for The Red Sun, Songs for The Deaf). Their effortless combination of hard-rock blues with an experimentally progressive tinge makes no apologies for not sticking within the stylised box listeners would assume, yet simultaneously provides the perfect lesson in the musical ethos and story-telling of the Palm Desert scene.

Joining them on the bill will be North Carolina favourites Corrosion Of Conformity whose unmistakable Southern stomp is always a welcome addition, OG’s of the Desertfest family Orange Goblin will celebrate 25 years of relentless riffs and the desert daze continues as living legend Brant Bjork is set to bask in psychedelic sunshine.

Elsewhere we see high-octane German party duo The Picturebooks, London based psychedelic doom devotees GREEN LUNG show just why they are on our ones-to-watch-list and more home-grown talent comes in the form of space sludge stalwarts The Brothers Keg, the unhinged ferocity of Possessor and a journey of groove and reflection with the other-worldly soundscapes of Black Orchids.

Weekend tickets are now on sale and with dozens more bands to still be announced we implore you to pick up a ticket sooner rather than later!

Tickets & more info here – www.desertfest.co.uk || https://link.dice.fm/desertfest20 (*you do not need the DICE app to purchase via DICE!)

Artwork by Piotr w. Osburne

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Corrosion of Conformity, Live at Freak Valley Festival 2019

I admit, I’m going to miss seeing the poster art for Desertfest Berlin 2019 around thee social medias, but if there’s one thing that eases that loss, it’s the poster art for Desertfest Berlin 2020. It’s like something out of a cel-shaded JRPG, but, you know, awesome, and an airship is always welcome as far as I’m concerned. Will this be the year I finally get my ass to Berlin? I’d be lying if I said that their having Masters of Reality — who’ll also be in London — on the bill wasn’t a significant draw in my head. I’d wonder if they won’t do New York as well, but they don’t do a lot of shows at all, so I’m not going to bank on that. Of course, having Corrosion of Conformity, Brant Bjork, Orange Goblin, Papir, Minami Deutsch, SÅVER, Earth Tongue and Dhidalah certainly doesn’t hurt the argument either, but it’s just the beginning of Spring fest-announcement season, and so there’s much more to get all giddy-hyperbole about to come in the next few months. Hell, they haven’t even held Desertfest Belgium yet.

Bottom line: expect this airship to circle around many more times before May 1.

From the PR wire:

https://www.facebook.com/events/520164272080736/

MASTERS OF REALITY | CORROSION OF CONFORMITY | BRANT BJORK | ORANGE GOBLIN | MINAMI DEUTSCH | EARTH TONGUE | PAPIR | DHIDALAH | SÂVER confirmed for Desertfest Berlin 2020!!!

Tickets now on sale at: www.desertfest-tickets.de

Finally, we are thrilled to announce the first batch of (outstanding!) acts for our 9th edition, taking place at the ARENA BERLIN May 1st – 3rd 2020. You may not believe your eyes, but it’s a dream come true: Palm Desert scene icons, Masters Of Reality – Official, are finally playing Desertfest! Fronted by Chris Goss, renowned producer of legendary bands such as Kyuss, Queen of the Stone Age and many more, with their Black Sabbath-inspired sound MASTERS OF REALITY will take you on an unforgettable trip through the desert. A true milestone in the eclectic live history of Desertfest Berlin!

It’s been a dozen years since Southern Rock legends, Corrosion Of Conformity, would reunite with Pepper Keenan to blow the doors off the whole damn scene again. In 2014, after nearly a straight decade traversing the globe as a guitarist with New Orleans supergroup DOWN, Keenan reconnected with the core C.O.C. trio of Woody Weatherman, Mike Dean and Reed Mullin to hit the road hard. And the long wait is over, we will give them a warm and heavy rocking welcome in 2020!

The Godfather of Desert Rock, Brant Bjork, will return to the Desertfest Berlin stage and revive your spirit! Brant has spent over a quarter-century at the epicenter of Californian desert rock. From cutting his teeth alongside Fatso Jetson’s Mario Lalli in hardcore punkers De-Con to drumming and composing on Kyuss’ landmark early albums, to propelling the seminal fuzz of Fu Manchu from 1994-2001 while producing other bands, putting together offshoot projects like Ché, embarking on his solo career as a singer, guitarist and bandleader, founding his own record label and more, his history is a winding narrative of relentless, unflinching creativity. Expect timeless classics and a new album next Spring, and lay back to get into the groove with the one & only, Mr. BRANT BJORK live at the Arena Berlin!

Widely admired as one of the most ludicrously thunderous and entertaining live bands on the planet, longtime Desertfest comrades Orange Goblin, are on their unstoppable mission to bring us joyous, blood ’n’ thunder metal! With a steady stream of critically acclaimed albums that boldly and gleefully blurred the lines between stoner, doom, black, crust and southern rock, while always fervently saluting the old school heavy metal flag and the sacred Sabbathian code. 2020 will celebrate their 25th anniversary, still ORANGE GOBLIN is an inspiration, full of power and ready to unleash their thunder over Berlin!

Hailing from Japan, kraut rock masters Minami Deutsch have been finally confirmed for the Berlin edition of Desertfest! After their highly acclaimed show at Desertfest Belgium two years ago, desert festers in Berlin will be finally able to witness their unique, mesmerizing live performance. Kraut rock may be alive heavier than ever, but this Tokyo trio proves they are way more than just a revival act. Don’t miss this EXCLUSIVE show of the fantastic MINAMI DEUTSCH!

Sometimes music is supposed to feel weird and indescribable. It’s the moments of clarity within the dense, sonic mess that often feels the most satisfying. That’s the space that New Zealand prog-rockers Earth Tongue occupy. With their 2016- debut EP and a just released full-length album, these guys quickly became one of NZ’s most exciting underground live acts and it wasn’t long until they were playing alongside international touring bands like Red Fang, Beastwars or
Monolord. We are thrilled to welcome EARTH TONGUE live in 2020, taking us all on raw and fuzzy journey into psych-rock with a sound that weaves between melodic and jarring, with unexpected turns leaving us in a disoriented, euphoric haze.

Copenhagen trio, Papir, might be the ultimate expression of the Danish creative soul: distinctively modern, deceptively minimalistic, and stylish yet understated. A band of virtuoso musicians who move between psychedelic rock, jazz and krautrock seamlessly with the ability to hypnotize you at the Arena Berlin; PAPIR are the real deal for fans of bands alike Causa Sui, and could easily become the showboats of the scene!

Dhidalah burst into the fuzz rock scene in 2013, and has hailed from the Tokyo underground as a space rock power trio. The band name derives from the Japanese legend of the Giant Gods — known as the creaters of mountains, lakes and islands. DHIDALAH plays improvisational music performances inspired by various genres from stoner and doom to kraut rock. Give these Japanese Giant Gods a very warm welcome next Spring, when the Arena will be turned into a psychedelic wonderland!

Norway’s hottest underground act, SÂVER, is the new project of Ole Christian Helstad, Ole Ulvik Rokseth and Markus Støle of TOMBSTONES and HYMN. The band delivers an astounding sound of sublime heaviness, shimmering moogs, abrasive vocals and a devastating, gnarly bass. SÂVER’s tunes can be characterized by a strong component of apocalyptic synths and textural electronics hovering above the base of heavy guitars and bass – a mélange that works incredibly well, and has seen SÂVER rising up and being no longer just one of the world’s best kept music secrets!

Friends, we hope you enjoy this first round of bands as much as we do, with many more killer names to come. After last year’s changes of a new sound system, the “Black Box“, that many of you seem to appreciate, we will also again provide a lot more specials, space, and again a chill- and live zone on the ubercool Hoppetosse boat! Don’t miss THE fuzz rock party of the year, at the capitol of the almighty riffs: DESERTFEST BERLIN 2020 is ready to roll!

Tickets & more infos are now available at:
www.desertfest.de

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www.desertfest.de
www.facebook.com/DesertfestBerlin
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Masters of Reality, “Dreamtime Stomp”

Masters of Reality, Sunrise on the Sufferbus (1993)

Originally based in Syracuse, New York, Masters of Reality count their beginnings as being in 1981, which as it was also the year I was born, I can tell you was a very long time ago. They released their Rick Rubin-produced self-titled debut, aka The Blue Garden, in 1989 and 1990 on Def American and then Delicious Vinyl, and then it would be three years and a new lineup before Sunrise on the Sufferbus came around as the follow-up via Chrysalis Records. Like much of the band’s work, it inspires these years later a passionate but somewhat obscure fandom, despite being arguably their highest-profile outing thanks to the inclusion of drummer Ginger Baker (who had his 80th birthday this week) — also of Blind Faith, Cream, Hawkwind for a hot minute there in the ’80s, Fela Kuti, and many others besides his own solo output — in the lineup alongside founding guitarist, vocalist and principle songwriter Chris Goss and bassist/backing vocalist Googe, who aside from Goss was the only holdover from the first album to the second.

Now, if you’re playing a kind of then-modern heavy rock that’s super-informed by the blues rock and songwriting modus of the later ’60s and early ’70s, having Ginger Baker on drums is like communing with Buddha, and amid Goss‘ ultra-tight, radio-friendly craft on songs like the boogie-laced opener “She Got Me (When She Got Her Dress On)” and “Tilt-a-Whirl,” the somewhat more pastoral “Rolling Green,” the cult-rock prescient “J.B. Witchdance,” the blues bouncer “Ants in the Kitchen,” and even the less grounded smooth meander of “Rabbit One,” Baker nails it. His style of play is a graceful complement to Goss‘ intricate but accessible guitar work, flowing melodic voice and flourish of psychedelic elements here and there, and while I won’t take away from Googe‘s bass, Sunrise on the Sufferbus becomes about this meeting of minds between Goss and Baker, each one stepping up to the other’s considerable presence in the material and not necessarily competing, but challenging each other to be more on point in the task before them. Whether it’s the popping snare and crisp toms in the later “Gimme Water,” which follows the brief and actually-drumless “Madonna” — can you imagine having Ginger Baker on your record and then being like, “Hey man, it’s cool to sit this one out?” — or the languid fuzzy roll of “V.H.V.,” the collaboration brims with personality and still never loses sight of the fact that the songs are most important. The songs are paramount. The songs are everything. Songwriting bloody songwriting. It’s the songwriting, stupid.

Masters of Reality have a few genuinely unheralded classics in their catalog — “Why the Fly?,” “Deep in the Hole,” “The Ballad of Jody Frosty” — but if Chris Goss had never written another song after “100 Years (Of Tears on the Wind),” you’d still have to say he beat the universe. And in just four minutes! The song begins with a fade in of guitar and drums and sets up a waltz of resonant strumming and jazzy ride cymbal and maybe mellotron (?) before Goss unveils the subtle raciness of the hook — “I’ve found my place in bed/Three feet beneath your head/I wanted to stay home/I couldn’t think of nothing new” — and croons into the next verse with the same final line repeating at the end, then comes back around and cycles through one more time, and that’s it. Done. But it’s beautiful and theatrical and lush and affecting, and genuinely shifts the mood of the listener even as the band follows it up with “T.U.S.A.,” which finds Baker taking lead vocals on kind of a goofy semi-spoken rant about how no one in America can make tea properly, which is to say, how the British do it. “Now this is serious,” Baker says in the opening line, signaling that of the many things the song might be, serious is not one of them.

But even that goofball transition is pulled off with aplomb and just like the 48-second wisp of melody “Bicycle” that led into “100 Years (Of Tears on the Wind),” “T.U.S.A.” leaves it behind immediately — on to the next thing. That’s very much how Sunrise on the Sufferbus operates, but in the three or four minutes of each track, the band builds entire worlds. “She Got Me (When She Got Her Dress On)” puts you at some mythical Americana county fair in god knows what year, while “Jody Sings” up-strums classic folk driven simply by the sweetness in Goss‘ voice, and while there’s often a playful aspect to it, as on closer “The Moon in Your Pocket,” that does nothing to pull back from the achievement of craft that the album ultimately is, in fact adding to it because fun is just one more thing Masters of Reality are willing to be.

The band recorded the LP The Ballad of Jody Frosty in 1994, and some of that material would show up on 2004’s Give Us Barabbas — including “The Desert Song” with Baker on drums — but Masters of Reality‘s next released studio album wouldn’t be until 1999’s Welcome to the Western Lodge (would someone please put this on YouTube so I can close out a week with it?). By then, the band was just Goss and drummer John Leamy, and Goss had cut his teeth as a producer in the fledgling Californian desert rock scene, working with Kyuss and Fatso Jetson, among others. That style would inform 2001’s Deep in the Hole (discussed here) and the subsequent European touring with Josh Homme and Nick Oliveri, then both of Queens of the Stone Age, that resulted in the 2003 live album, Flak ‘n’ Flight (discussed here). After Give Us Barabbas in ’04, it would be five years until the arrival of 2009’s Pine/Cross Dover (review here), which stands as their most recent offering. Goss posted a couple tracks on Soundcloud a while back, and I got offered an interview with him a few months that as yet I’ve been unable to make happen that I’d still love to do, but there’s nothing like a release date for a new Masters of Reality album or anything like that. Would be nice, and could certainly happen eventually, but that’s about the extent of what I know on the subject.

I admit, I picked this one just for me because I wanted to listen to it, but as always, I hope you enjoy. Thanks for reading.

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Well, the Massachusetts era would seem to be over. We closed the sale on the place in East Bridgewater, MA, on Wednesday. Drove up for it, sat in the office giggling with our lawyer, who is an old college friend of The Patient Mrs., signed and dated all the whatnot. We ended up getting our asking price for it, which astounded me. Hard not to think the entire market is going to collapse, but whatever. Tidy profit on the sale — all the money’s spent, but I’m still gonna sneak a chunk out to buy a lens, hopefully today and celebrate the new New Jersey homecoming tomorrow night at Starland Ballroom — where else? — for C.O.C., Crowbar and Lo-Pan. That’ll be a good time even though I’m going alone.

We also yesterday came down to NJ with the last moving truck, stuff going essentially from one storage unit to another. I got to say a brief hello to the bulk of my CD collection — hello goodbye — which I’d pretty much have to win the lottery in order to have enough space to properly display. That kind of sucks. Here’s this library you’ve been enjoying building for the last quarter-century-plus, stuck in anonymous moving boxes. Would be out of sight out of mind but for the rental cost of the storage unit. But even in this house, there isn’t really a place where it could work, and the climate control here like so much else is a work in progress. We’ve got new windows coming on Monday. That should help, but even if I didn’t have a toddler hell-bent on destruction, I’d still basically need every available inch of wall in the house for a shelf, and that’s neither feasible nor fair. So, you know. Boxes.

And every couple years, more boxes. I don’t sell CDs.

I do, however, keep buying them.

My phone is busted, so I need to get that taken care of today, and between that, that lens purchase (assuming the wire transfer from the house sale comes through), donating some dishes and maybe another trip to Costco, that’s pretty much the day. Should be plenty. Next week look out for the C.O.C. live review and an Orange Goblin live review, as I’ll be hitting their show with The Skull in NYC on Tuesday, and a track premieres Italy’s Bretus and Esogenesi. Didn’t mean to do an Italian doom theme, but kind of did anyhow. I might go see Bask and Begotten as well the night after Orange Goblin, but we’ll see. That’s a lot and I’m just a poor boy. Might be nice to get a couple shows in before The Patient Mrs. goes to a conference next weekend and then starts her new job and life explodes all over again.

But anyway, we’re in Jersey now. There’s work to do but there always is, and sooner or later we’ll start calling this place home without even thinking about it.

I hope you have a great and safe weekend. If you’re at C.O.C. in Jersey tomorrow or Orange Goblin in NYC on Tuesday, please say hi. Otherwise, cheers.

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I was somewhat hopeful, if bet-hedgingly so, that last year might’ve brought new music from Masters of Reality. Sadly, it didn’t. Though 2016 brought a reissue of the desert-rocking 2001 outing Deep in the Hole (discussed here), it’s been since 2009 that an actual new record from the band has showed up. That last full-length was the pop-experimental Pine/Cross Dover (review here), which seemed to take particular delight in its own strangeness of vibe even as it played from a foundation of ultra-solid hooks very much in the tradition of Chris Goss‘ songwriting — an element that, if you don’t know by now, is about as unfuckwithable as they come.

Early 2018 brings two new pieces from Goss, and they’re immediately distinct for appearing under his own name. Does that mean they won’t turn into Masters of Reality songs at some point? Does that mean he’s going to put out a solo record? Does that mean there’s going to be any kind of follow-up at all and the songs might not get taken down by the time this post goes live? I have no idea. I have no idea on any of it. One cut is an excerpt of a song called “The Workhouse Howl” that’s got kind a haunting ambience of volume swells and some keyboard-sounding string arrangement, and the other is the acoustic-based “Powder Man,” a quiet but memorable and melancholy chorus executed in an efficient three-plus minutes.

Again, I don’t know what if anything these songs are leading toward. Following Goss on Twitter is something of a mixed bag of retweets and conservative political whatnottery, but ultimately pretty light on info as regards new music. Still, these songs exist and for today that’s enough to make me really happy and renew my hopes that at some point the man will produce a new full-length, be it under the Masters of Reality moniker or even his own name. If it’s a solo piece in the vein of “Powder Man” here or something more progressive along the lines of “The Workhouse Howl” or both, or even just the solo single, I’ll take it. Shit man, it’s Chris Goss. Take what you can get and be happy for it.

Here are those tracks:

Chris Goss, “The Workhouse Howl (Excerpt)”

Chris Goss, “Powder Man”

Chris Goss on Twitter

Masters of Reality on Thee Facebooks

Masters of Reality website