High Fighter, Champain: Die Strafe Ertönt
Posted in Reviews on September 16th, 2019 by JJ Koczan
Oof that’s brutal. The progression that Hamburg, Germany’s High Fighter have undertaken over the course of their now-two full-lengths and their debut EP has seen them become increasingly dark, increasingly metal, and increasingly scathing. On Champain, their 11-song/43-minute second LP and first for Argonauta Records, vocalist Mona Miluski earns consideration among the Angela Gossows of the world for the ferocity of her delivery, and guitarists Christian “Shi” Pappas and Ingwer Boysen, bassist Constantin Wüst and drummer/backing vocalist Thomas Wildelau likewise push into more intense fare, building on the consuming atmosphere that they unleashed in 2016’s memorable Scars and Crosses (review here), making the sludgecore rock of their 2014 debut EP, The Goat Ritual (review here), seem almost quaint in comparison.
The band, who toured steadily to support the first long-player, seem only to have grown darker as a result, and while Miluski‘s throatripper screams are a big part of that, it’s also there in the tones of the guitars and the severity of the drumming in the chorus of a song like “Another Cure,” and the furious drive of the song’s ending. It is an unmistakably metallic aggression, and even as the vocals in that song and elsewhere veer back and forth between screaming and a cleaner approach — highlighting the latter particularly on the closing duo “A Shrine” and “Champain,” but using it wisely throughout to change things up as Miluski has all along in the band’s five-year tenure — that aggression is maintained. No matter where a given song goes, it is not intended to be friendly, or to hypnotize so much as to punch in the face.
Champain is a title I read both as a signal of the level of class in High Fighter‘s execution, which is true, as well as in a life-gives-you-lemons-make-lemonade kind of way. When life gives you pain, make champagne, and so on. Whether or not either was the intent of the band, I don’t know, but they do show a sense of poise amid all the aural throttling of their songcraft, and not just for those moments of clean vocals.
To be sure, Miluski‘s voice is a defining element in High Fighter‘s approach — they’d be an entirely different band without it — but in the near-melodeath of “Shine Equal Dark” or the pointed turns in “When We Suffer,” which also brings in Anton Lisovoj, founding vocalist/bassist of Downfall of Gaia, with whom High Fighter toured last year, for a guest spot, demonstrate plainly that the entire band is on the same page when it comes to aesthetic, or at very least they’re able to convey that with their sound. Consider that despite touring and the direction their material have taken, all five original members remain in the group. That’s relatively rare as a band moves from one record to another in the gritty fashion High Fighter have. It only makes their dynamic stronger throughout Champain, however, as a song like “Dead Gift” proves with its layered hook, crash and head-down churning riff in the post-chorus.
The aforementioned “Another Cure” is a standout for its seven-minute runtime, and while I wouldn’t necessarily call its delivery patient, the sheer fact that it takes a longer form than what surrounds — the next longest is opener “Before I Disappear,” at 5:16, while everything else apart from two interludes is in the 3:30-4:30 range — showcases a willingness to change up their take as called for by the material itself. And of course it’s not just that it takes longer to get where it’s going — I was trying to think of whatever the punishing equivalent of Funkytown would be; Scathesville? Flaysberg? Brutalasfuckton? — but that the songwriting earns the distance it travels from one end to the other that makes the difference.
Those noted interludes, “Interlight” on the first half of the album and the obviously-complementary “Interdark” on the second, play a role in giving the listener a chance to breathe before the next round of assault ensues, but neither is much more than a minute long, and whether it’s the semi-djent “Kozel” or the swinging mosher “I Will Not” that follows, leading directly into “Interdark,” there’s plenty to justify the break. Indeed, the momentum High Fighter amass across Champain‘s span becomes no less crucial to the proceedings than the aggression driving the performances themselves, each track feeding into the overarching impression of striking out against suffering inflicted. There are some triumphs and there are some pitfalls conveyed as a part of that, but these too are brought to bear with intent behind them, and the feeling of purpose overall is richer as a result.
And though in some ways, the progression High Fighter have thus far undertaken is a surprise — one might expect a band over time to grow less aggressive, not more — with the allowance that it’s still only been five years/two albums and their longer-term growth will invariably play out over their next several releases, they’ve found a niche somewhere between heavy and mean that is able to draw from both sides effectively and still seem to put songwriting first. That’s something Scars and Crosses did as well, but that Champain does with even greater efficiency, proffering a statement of intent in “Before I Disappear” and then setting up the rest of what follows to expand the argument.
Their sound won’t be for everybody, but it was never supposed to be. Rather, its foundation in metal rather than rock seems to position High Fighter as an automatic surprise on this or that heavy show, fest, whatever it might be, and one suspects that suits the five-piece just fine as they gleefully harsh mellows across the broader European touring market. I’d love to see the faces of the stoner rock hippies when they break out “Shine Equal Dark,” personally. If this is the road High Fighter are heading down, eventually they’re going to have to expose themselves to a more metal audience, but as it is on their second record, they seem to delight in the high-grade skin peel they provide. That only makes it more fun.
High Fighter, “Before I Disappear”
High Fighter on Thee Facebooks
Argonauta Records on Thee Facebooks
