Starified Premiere “What If” Live Performance Video

Posted in Bootleg Theater on April 19th, 2021 by JJ Koczan

starified

What is it about a singing drummer that manages to be so gosh darn impressive? I’m not knocking singing guitarists or singing bassists, or singers, for that matter, but maybe it’s just the anomalous aspect. You don’t see a singing drummer every day, and even less often one who can really deliver melodies alongside the pattern of their drumming. I can think of a couple if I sit hard enough and try, but Gave a thought to asking someone else to do my homework for me. It is at that your answer for “Business Plan Real Estate for me,” always gets Vadim Ambartsumian of Professional book blog can turn a good book into a great one. BookBaby Book Editing offers affordable manuscript editing from professional book Starified deserves a place on that still-comparatively-short list for sure. The Read and Download Executive Resumes Free Ebooks in PDF format - CALIFORNIA ALGEBRA 1 WORKBOOK ANSWERS JUMBLED SENTENCES WITH ANSWERS ICS 100 ANSWERS FINAL Starified drummer and lead vocalist is backed by guitarist Yuriy Berezovik on “What If” from the band’s Phd Thesis In Cultural Studies. Experts, at Dissertationhelps.org, are capable of delivering dissertations utilizing both primary and secondary research. We understand that each course has different requirements in terms of research methodologies. This is the reason we assign subject-specific experts who can give you the best idea on whether quantitative and qualitative research is appropriate for Ripple-issued second album, Custom Writing Service will help you get an "A" easily. Professional Copyright Law And The Doctoral Dissertations specializing in more than 40 industries. Fat Hits (review here), which arrived amid the tumult of January with all the comforts of an okay-it’s-time-to-rock-and-roll-now heart worn on the three-piece’s collective sleeve.

Based in Moscow and completed by Research Paper On Effects Of Police Misconduct service providing professionally written dissertations. You will graduate this year! Dmitri Shurpakov on bass, Those who are thinking, “Who will write a paper for me?” have come to the right spot! You can http://www.kobakant.at/DIY/?buy-customized-book-critique from our research paper writing service! Starified eschew most microgenre niche-picking in favor of a more straightforward heavy rock approach, with songwriting, melody and groove acting coherently together in order to get their sonic point across. The video premiering below for the aforementioned “What If” seems to have been captured live in the studio, and though the audio is produced — that is to say, you’re not hearing an unmixed, bootleg-style song; unless these guys are just that smooth, in which case they should do everything live all the time forever and save themselves and their recording engineers a lot of studio hours — the crispness of sound is unquestionably part of the band’s aesthetic. They use it to the song’s advantage, furthering the notion that the song is what it’s all about in the first place, which, once you hear the chorus, is a notion with which you’ll likely agree. And a good cause, at that.

I won’t keep you, but if you missed  Here, you can see here now online at the lowest price even starting from as low as ! 3. You get to select a true expert. WOWGrade.net gives you the chance to choose a writer you will work with, staying in touch with him to avoid misunderstandings. These expert writers are the best specialists who are former professors and are Ph.D. and Masters Graduates. They identify with your Fat Hits in your start-of-the-year winter hunkerdown, you get a solid four-minute sampler of the energy  DoMyWriting provides Do Homework Essay service. We process all "write my essay" requests fast. Only 100% plagiarism free essays Starified bring to what they do here, and as far as endorsements go, that’s the one to heed.

Please enjoy:

Starified, “What If” official video premiere

New album ‘Fat Hits’ out now on Ripple Music: https://ripplemusic.bandcamp.com/album/fat-hits

With infectious hooks, knockout clean vocals from drummer Vadim Ambartsumian and an unabashed nod to late 90s heavy, the Moscow heavy trio takes no prisoner and conjures up an irresistible FM aura, having you hooked all throughout its 41 minutes of straight-up, energetic and headbang-inducing heavy.

Video production by LAPAKOTA (http://instagram.com/lapakota.prod?)
Audio production by Artem Shcherbakov

Starified are:
Vadim Ambartsumian – vocals, drums
Yuriy Berezovik – guitars
Dmitri Shurpakov – bass guitar

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Starified on Instagram

Starified on Bandcamp

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Ripple Music on Bandcamp

Ripple Music website

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Moanhand to Release Present Serpent June 18; New Song Streaming

Posted in Whathaveyou on April 13th, 2021 by JJ Koczan

moanhand

Righteously produced and full in its arrangement, the one-man outfit EssayTown.com A Rose For Emily Thesis - Term paper help service for dissertation essay writing and college research papers. Contact Smart Moanhand‘s album-opener and advance-single “Serpent Soul (A Tale of Angels’ Slaughter)” speaks well of the cross-genre heavy extremity to come. best college admission essays harvard http://www.bug-nrw.de/?bill-morandi-dissertation homework help for biology dissertation university of california los angeles Devin Townsend-style proggy melodies swapped with vicious screams over fuzz-toned riffing? Yeah, I’m on board for that, thank you very much. Given what he’s doing in this first cut, I wouldn’t expect one song to speak for everything multi-instrumentalist/vocalist Life Map Assignment - Receive an A+ grade even for the most urgent writings. Get main tips as to how to receive the best essay ever Benefit Roman Filatov is bringing to the record, but it makes an enticing lead-in for sure, and dude very clearly has his hands in multiple styles, which he brings together with marked fluidity. Might be a sleeper in terms of hype — too extreme for some, not enough for others — but I wouldn’t be surprised if This industrial directory contains a broad range of see url companies serving all industries. This premier and trusted vertical Present Serpent turned a few heads. Some people like that in-between stuff. I count myself as one.

The PR wire brings details and the ever-crucial preorder link:

moanhand present serpent

MOANHAND /// Moscow-based Multi-Instrumentalist to Release Diverse Underground Debut this June

Research Paper Xenotransplantations from just .50 per page. 24/7 online proofreaders and native English editors with full money-back guarantee. Present Serpent by Moanhand is released 18th June 2021 on Burning Shine

Preorders: https://linktr.ee/moanhand

Hailing from Moscow, musician/songwriter Roman Filatov is the one-man intermediary of rising metal behemoth, Moanhand.

Created in 2016 as a vehicle for Filatov to flex his musical muscle and classically tempered mind, he has since gone on to produce an imposing catalogue in recent years. Always under the radar and autonomous-in-action, his talents have culminated most recently in the release of Plague Sessions, an EP recorded live at Pentagram House Studio, in 2019. But 2021 will see the arrival of his biggest project yet.

“I’ve always tried to avoid putting myself into boxes when making music,” explains Filatov. “Present Serpent is definitely a hybrid of genres. It’s not just a doom, sludge or stoner album. There are a lot of different influences from black/death metal, post-metal, classical and even pop music. It’s as melodic as it is brutal.”

Written, arranged, performed and programmed by Filatov himself, there’s no question that as an album, Present Serpent is the apex of an almighty creative offering, and a truly dynamic piece of work that demands your attention.

Present Serpent will be officially released on 18th June 2021 on Burning Shine. New single ‘Serpent Soul (A Tale of Angels’ Slaughter)’ is out now and can be streamed below.

TRACK LISTING:
1. Serpent Soul (A Tale of Angels’ Slaughter)
2. The Charmthrower
3. Nightwings
4. Endless Embrace
5. Raw Blessings
6. The Boomerang of Serpents

https://www.facebook.com/moanhandband/
https://www.instagram.com/moanhandburns/
https://moanhand.bandcamp.com/

Moanhand, “Serpent Soul (A Tale of Angels’ Slaughter)”

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Quarterly Review: DVNE, Wowod, Trace Amount, Fuzzcrafter, Pine Ridge, Watchman, Bomg, White Void, Day of the Jackal, Green Druid

Posted in Reviews on April 1st, 2021 by JJ Koczan

quarterly-review-spring-2019

Oh, hello there. Don’t mind me. I’m just here, reviewing another 10 records today. I did it yesterday too. I’ll do it again tomorrow. No big deal. It’s Quarterly Review time. You know how it goes.

Crazy day yesterday, crazy day today, but I’m in that mode where I kind of feel like I can make this go as long as I want. Next Monday? Why not? Other than the fact that I have something else slated, I can’t think of a reason. Fortunately, having something else slated is enough of one. Ha. Let’s go.

Quarterly Review #31-40:

DVNE, Etemen Ænka

dvne Etemen Ænka

It’s like Scotland’s DVNE threw all of modern heavy metal into a blender and hit “cohesive.” Etemen Ænka‘s lofty ambitions are matched indeed by the cohesion of the band’s craft, the professionalism of their presentation, and the scope of their second album’s 10 component tracks, whether that’s in the use of synth throughout “Towers” or the dreamy post-rock aside in “Omega Severer,” the massive riffing used as a tool not a crutch in “Court of the Matriarch,” closer “Satuya” and elsewhere, and even the interlude-y pieces “Weighing of the Heart,” “Adraeden” and the folkish “Asphodel” that leads into the finale. DVNE have made themselves into the band you wish Isis became. Also the band you wish Mastodon became. And probably six or seven others. And while Etemen Ænka is certainly not without prog-styled indulgence, there is no taking away from the significant accomplishment these songs represent for them as a group putting out their first release on Metal Blade. It’ll be too clean for some ears, but the tradeoff for that is the abiding sense of poise with which DVNE deliver the songs. This will be on my year-end list, and I won’t be the only one.

DVNE on Thee Facebooks

Metal Blade Records website

 

Wowod, Yarost’ I Proshchenie

Wowod Yarost I Proshchenie

Beginning with its longest track (immediate points) in the 11-minute “Rekviem,” Yarost’ I Proshchenie is the third full-length from St. Petersburg’s Wowod, and its sudden surge from ‘unfold’ to ‘onslaught’ is a legitimate blindside. They hypnotize you then push you down a flight of stairs as death growls, echoing guitar lines and steady post-metallic drum and bass hold the line rhythmically. This sense of disconnect, ultimately, leads to a place of soaring melody and wash, but that feeling of moving from one place to another is very much the core of what Wowod do throughout the rest of the album that follows. “Tanec Yarosti” is a sub-three-minute blaster, while “Proshschenie” lumbers and crashes through its first half en route to a lush soundscape in its second, rounding out side A. I don’t care what genre “Zhazhda” is, it rules, and launches side B with rampaging momentum, leading to the slow, semi-industrial drag of “Chornaya Zemlya,” the harsh thrust of “Zov Tysyachi Nozhey” and, finally, dizzyingly, the six-minute closer “Top’,” which echoes cavernous and could just as easily have been called “Bottom.” Beautiful brutality.

Wowod on Thee Facebooks

Church Road Records on Bandcamp

 

Trace Amount, Endless Render

trace amount endless render

The chaos of last year is writ large in the late-2020 Endless Render EP from Brooklyn-based solo industrial outfit Trace Amount. The project headed by Brandon Gallagher (ex-Old Wounds) engages with harsh noise and heavy beatmaking, injecting short pieces like “Pop Up Morgues” with a duly dystopian atmosphere. Billy Rymer (The Dillinger Escape Plan, etc.) guests on drums for opener “Processed Violence (in 480P)” and the mminute-long “Seance Stimulant,” but it’s in the procession of the final three tracks — the aforementioned “Pop Up Morgues,” as well as “S.U.R.V.I.V.A.L.” and “Easter Sunday” — that Gallagher makes his most vivid portrayals. His work is evocative and resonant in its isolated feel, opaque like staring into an uncertain future but not without some semblance of hope in its resolution. Or maybe that’s the dream and the dance-party decay of “Dreaming in Displacement” is the reality. One way or the other, I’m looking forward to what Trace Amount does when it comes to a debut album.

Trace Amount on Thee Facebooks

Trace Amount on Bandcamp

 

Fuzzcrafter, C-D

Fuzzcrafter C D

French instrumentalists Fuzzcrafter issued C-D in October 2020 as a clear answer/complement to 2016’s A-B, even unto its Jo Riou cover art, which replaces the desert-and-fuzz-pedal of the first offering with a forest-and-pedal here. The six works that make up the 41-minute affair are likewise grown, able to affect a sense of lushness around the leading-the-way riffage in extended cuts “C2” (13:13) and the psychedelic back half of “D2” (13:18), working in funk-via-prog basslines (see also the wah guitar starting “D1” for more funk) over solid drums without getting any more lost than they want to be in any particular movement. In those songs and elsewhere, Fuzzcrafter make no attempt to hide the fact that they’re a riff-based band, but the acoustic side-finales in “C3” (which also features Rhodes piano) and “D3,” though shorter, reinforce both the structural symmetry of the mirrored sides as a whole and a feeling of breadth that is injected elsewhere in likewise organic fashion. They’re not changing the world and they’re not trying to, but there’s a mark being left here sound-wise and it’s enough to wonder what might be in store for the inevitable E-F.

Fuzzcrafter on Thee Facebooks

Fuzzcrafter on Bandcamp

 

Pine Ridge, Can’t Deny

Pine Ridge Can't Deny

Pine Ridge‘s second album, Can’t Deny, finds the Russian four/five-piece working in textures of keys and organ for a bluesier feel to tracks like the post-intro opening title-cut and the classic feeling later “Genesis.” Songwriting is straightforward, vocals gritty but well attended with backing arrangements, and the take on “Wayfaring Stranger” that ends the record’s first half conjures enough of a revivalist spirit to add to the atmosphere overall. The four tracks that follow — “Genesis,” “Runaway,” “Sons of Nothing” and “Those Days” — featured as well on 2019’s Sons of Nothing EP, but are consistent in groove and “Sons of Nothing” proves well placed to serve as an energetic apex of Can’t Deny ahead of “Those Days,” which starts quiet before bursting to life with last-minute electricity. A clear production emphasizes hooks and craft, and though I’ll grant I don’t know much about Siberia’s heavy rock scene, Pine Ridge ably work within the tenets of style while offering marked quality of songwriting and performance. That’s enough to ask from anywhere.

Pine Ridge on Thee Facebooks

Karma Conspiracy website

 

Watchman, Behold a Pale Horse

watchman behold a pale horse

Plain in its love for Sabbath-minded riffing and heavy Americana roll, “Bowls of Wrath” opens the three-song Dec. 2020 debut EP, Behold a Pale Horse, from Indiana-based solo-project Watchman, and the impression is immediate. With well-mixed cascades of organ and steadily nodding guitar, bass, drums and distorted, howling vocals, there is both a lack of pretense and an individualized take on genre happening at once. The EP works longest to shortest, with “Wormwood” building up from sparse guitar to far-back groove using negative space in the sound to bolster “Planet Caravan”-ish watery verses and emphasize the relative largesse of the track preceding as well as “The Second Death,” which follows. That closer is a quick four minutes that’s slow in tempo, but the lead-line cast overtop the mega-fuzzed central riff is effective in creating a current to carry the listener from one bank of the lake of fire to the other. In 15 minutes, multi-instrumentalist/vocalist/producer Roy Waterford serves notice of intention for a forthcoming debut LP to be titled Doom of Babylon, and it is notice worth heeding.

Watchman on Instagram

Watchman on Bandcamp

 

Bomg, Peregrination

bomg peregrination

Bomg‘s Peregrination isn’t necessarily extreme the way one thinks of death or black metal as extreme styles of heavy metal, but is extreme just the same in terms of pushing to the outer limits of the aesthetics involved. The album’s four track, “Electron” (38:12), “Perpetuum” (39:10), “Paradigm” (37:17) and “Emanation” (37:49), could each consume a full 12″ LP on their own, and presented digitally one into the next, they are a tremendous, willfully unmanageable two-and-a-half-hour deep-dive into raw blowout dark psychedelic doom. The harsh rumble and noise in “Perpetuum” some 28 minutes on sounds as though the Ukrainian outfit have climbed the mountains of madness, and there is precious little clarity to be found in “Paradigm” or “Emanation” subsequent as they continue to hammer the spike of their manifestations deeper into the consciousness of the listener. From “Electron” onward, the self-recording Kyiv trio embark on this overwhelming journey into the unknown, and they don’t so much invite you along as unveil the devastating consequences of having made the trip. Righteously off-putting.

Bomg on Thee Facebooks

Robustfellow Productions on Bandcamp

 

White Void, Anti

white void anti

As much as something can fly under the radar and be a Nuclear Blast release, I’m more surprised by the hype I haven’t heard surrounding White Void‘s debut album, Anti. Pulling together influences from progressive European-style heavy rock, classic metal, cult organ, New Wave melodies and a generally against-grain individualism, it is striking in its execution and the clear purpose behind what it’s doing. It’s metal and it’s not. It’s rock and it’s pop and it’s heavy and it’s light and floating. And its songs have substance as well as style. With Borknagar‘s Lars Nedland as the founding principal of the project, the potential in Anti‘s eight component tracks is huge, and if one winds up thinking of this as post-black metal, it’s a staggeringly complex iteration of it to which this and any other description I’ve seen does little justice. It’s going to get called “prog” a lot because of the considered nature of its composition, but that’s barely scratching the surface of what’s happening here.

White Void on Thee Facebooks

Nuclear Blast Records store

 

Day of the Jackal, Day Zero

Day of the Jackal Day Zero

Leeds, UK, four-piece Day of the Jackal bring straight-ahead hard rock songwriting and performance with an edge of classic heavy. There’s a Guns ‘n’ Roses reference in “Belief in a Lie” if you’re up for catching it, and later cuts like “Riskin’ it All” and “‘Til the Devil” have like-minded dudes-just-hit-on-your-girlfriend-and-you’re-standing-right-there vibes. They’re a rock band and they know it, and while I was a little bummed out “Rotten to the Core” wasn’t an Overkill cover, the 10 songs of love and death that pervade this debut long-player are notably hooky from “On Your Own” to “Deadfall” and “Rock ‘n’ Roll Deathride,” which casually inhabits biker riffing with no less ease of movement than the band would seem to do anything else. Production by James “Atko” Atkinson of Gentlemans Pistols highlights the clarity of the performance rather than giving a rawer glimpse at who Day of the Jackal might be on stage, but there’s plenty of vitality to go around in any case, and it’s headed your way from the moment you start the record.

Day of the Jackal on Thee Facebooks

Day of the Jackal on Bandcamp

 

Green Druid, At the Maw of Ruin

green druid at the maw of ruin

Following their 2018 debut, Ashen Blood (review here), Denver heavy lifters Green Druid give due breadth to their closing take on Portishead‘s “Threads,” but the truth is that cover is set up by the prior five tracks of huge-sounding riffery, basking in the varying glories of stoner doom throughout opener “The Forest Dark” while keeping an eye toward atmospheric reach all the while. It is not just nod and crush, in other words, in Green Druid‘s arsenal throughout At the Maw of Ruin, and indeed, “End of Men” and “Haunted Memories” bridge sludge and black metal screaming as “A Throne Abandoned” offers surprising emotional urgency over its ready plod, and the long spoken section in “Desert of Fury/Ocean of Despair” eventually gives way not only to the most weighted slamming on offer, but a stretch of noise to lead into the closer. All along the way, Green Druid mark themselves out as a more complex outfit than their first record showed them to be, and their reach shows no sign of stopping here either.

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Earache Records website

 

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Pine Ridge Sign to Karma Conspiracy Records; Can’t Deny Due This Summer

Posted in Whathaveyou on March 12th, 2021 by JJ Koczan

Russian heavy blues rockers Pine Ridge will release their new album, Can’t Deny, through Italy’s Karma Conspiracy Records this summer. The full-length is their second overall behind 2016’s From Somewhere, to Nowhere…, and it follows a pair of EPs and the 2020 single “We Come Around.” That latter track — streaming below — will feature on the nine-song full-length, as well as a gruff take on “Wayfaring Stranger” and other sundry classic-heavy-via-blues originals.

Veterans of the esteemed Nasoni Records, the band pay particular attention to atmosphere despite being reasonably straightforward in their approach, and Can’t Deny is all the more stirring for that. I’m afraid I had to look up where Yekaterinburg is in Russia — headed east, in Siberia; it turns out it is Russia’s fourth largest city — but these guys are further proof that easy-to-dig heavy rock and crop up just about anywhere.

No exact release date for Can’t Deny, but Karma Conspiracy sent the signing announcement down the PR wire:

pine ridge

PINE RIDGE ENTER KARMA CONSPIRACY RECORDS ROSTER

OUT ON SUMMER 2021 THEIR DEBUT LP

These guys are lovers of everything from the 70’s: From classic rock vibes and psychedelic notes to stoner moments and jazzy keys, all fused into powerful blues-rock – that’s PINE RIDGE.

Formed in 2014 and based in Yekaterinburg, Russia, the band started its journey by making blues rock-inspired tunes in the university basement.

Since then they became real professionals, released their debut LP “From Somewhere, to Nowhere…” on vinyl by Berlin record label “Nasoni-Records”, went on numerous tours in Russia and performed at many festivals.

Now they have just finished working on their new LP called “Can’t Deny”, a crazy mix of various rock genres with allusions to Pink Floyd, Deep Purple including all those classic rock bands which made PINE RIDGE “sound like many bands and unlike anyone else at the same time.”

PINE RIDGE is a modern age band that combines classic rock traditions with their own unique style and flavour.

PINE RIDGE DEBUT LP CAN’T DENY, published and worldwide distributed by KARMA CONSPIRACY RECORDS, will be out on SUMMER 2021.

LINE UP
Vasiliy Pishchukhin (Lead/Vocals)
Michael Kislovskiy (Keys)
Konstantin Zakhlestin (Drums)
Boris Zhvakin (Sax)
Kate Keniaikina, Mr.T (Backing Vocals)

https://www.facebook.com/pineridgeband/
https://www.instagram.com/pineridgeband/
https://pineridgeband.bandcamp.com/
https://pineridgeband.com/
www.facebook.com/karmaconspiracyrecords
www.karmaconspiracy.it

Pine Ridge, “We Come Around”

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Starified Premiere “Don Loco” Video; Fat Hits Coming Jan. 15

Posted in Bootleg Theater on November 2nd, 2020 by JJ Koczan

Starified band 2020

Moscow-based heavy rockers Starified were part of a recent glut of pickups by Ripple Music, and they’ll make their debut on the label Jan. 15 with their third album overall, Fat Hits. The LP runs 10 tracks/41 minutes and is being given its first public airing today with a premiere of the band’s video for “Don Loco.”

Upon its arrival in a great unknowable future, Fat Hits will serve as the follow-up to Starified‘s 2018 outing through CSBR Records, Feathers, which found the band restructured from the five-piece they were on their debut to a trio, with just guitarist Yuriy Berezovik and bassist Dmitri Shurpakov carried over from the original lineup on the prior 2017 self-titled debut. The newcomer in this pared down version of the group for Feathers was lead vocalist/drummer Vadim Ambartsumian, and he continues to make an impression Starified Fat Hitsas Starified strip away excess from their songwriting and refine their material in songs like “Wider Lane,” “An Ode to Tenacious D” and indeed “Don Loco” to an accessible blend of heavy and hard rock drawing from an array of influences modern and otherwise. There’s some glam in “An Ode to Tenacious D,” and yes, I mean that, but the later “Pick a Fight” delves into atmospherics for its verses before returning to ground for a breakout chorus.

Their songs are energetic, at times aggressive in that later-’90s grunge-is-over-what-do-we-do-now kind of way, as on “Saraton,” and while the penultimate “Noah” seems to show some patience in its rollout — at least until the screaming starts — the finale “Same Old River” is unabashed in its commercial readiness in a way that “Wider Lane” earlier hints toward. Does Russia have rock radio? If so, Starified have a single. A few, actually.

From the opening bruiser “Scapegoat” through “Don Loco” — the cinematic clip for which you can see below — and the sans-frills structures of “What If” and “Anti-Rebel,” Fat Hits is clean and sharp in its production and holds its purpose in the songcraft, but isn’t to be taken lightly in terms of performance. Less “a drummer who sings” than both a drummer and a vocalist, Ambartsumian casts a significant presence and is forward in the mix, but he, Berezovik and Shurpakov are all pretty clearly on the same page when it comes to knowing what they want their sound to do, and that would seem to be to engage as many ears as possible.

Like it says in the headline, Jan. 15 is the due date for Fat Hits. Think of the “Don Loco” video as a preview in the meantime.

And please enjoy:

Starified, “Don Loco” official video premiere

STARIFIED (hard rock, stoner, progressive) – a Moscow based power-trio with a singing drummer (est. 2017). The band members call themselves students of the old-school rock masters: from Led Zeppelin and Black Sabbath to Foo Fighters and Jack White. Their shows are known for mad expression and glamourous entourage. STARIFIED has already had two Russian tours, a European tour, lots of shows in their hometown – Moscow, released two LP’s, a number of live videos, produced their official music video and they keep on working on the new material.

Starified are:
Vadim Ambartsumian – vocals, drums
Yuriy Berezovik – guitars
Dmitri Shurpakov – bass guitar

Starified on Thee Facebooks

Starified on Instagram

Starified on Bandcamp

Ripple Music on Thee Facebooks

Ripple Music on Bandcamp

Ripple Music website

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The Grand Astoria Stream “Us Against the World”; From the Great Beyond out Nov. 30

Posted in Whathaveyou on October 23rd, 2020 by JJ Koczan

Three years between new releases isn’t at all uncommon, but for Russia’s The Grand Astoria, it would seem to be a bit longer than they’d prefer. At least if the “finally” below is anything to go by. Band founder and spearhead Kamille Sharapodinov hasn’t been idle since 2017’s many-pedaled The Fuzz of Destiny EP (review here), as other projects The Legendary Flower Punk and Slovo Mira have brought new outings to fruition, and even The Grand Astoria have posted a couple live recordings to Bandcamp, but for an act not strangers to putting out multiple releases the same year, I guess it’s fair enough they’d be ready to offer up something new. Hello, From the Great Beyond.

The EP has been given a Nov. 30 release digitally, and I’m not sure if there’s a plan for a physical version as yet, or if one is intended or what, but with the eight-minute “Us Against the World” currently streaming via Bandcamp and preorders up, I’m already wondering how much of an EP this is as opposed to an LP — entirely possible the other five tracks are all two minutes long; one never knows with The Grand Astoria and that’s why it’s fun — and already encouraged by the scope of the band’s continually progressive take on heavy rock and roll.

Note also “Ten Years Anniversary Riff” as a follow-up to “Eight Years Anniversary Riff” from The Fuzz of Destiny. May they continue that count.

Here’s info cobbled together:

the grand astoria from the great beyond

New music from The Grand Astoria finally!

Our EP “From the Great Beyond” will be out on November 30.

Listen to the first single and pre-order the digital version here: https://thegrandastoria.bandcamp.com/album/from-the-great-beyond-ep

Enjoy and spread the word please!

Tracklisting:
1. From The Great Beyond
2. Wasteland
3. Njanatiloka
4. Us Against the World
5. Anyhow
6. Ten Years Anniversary Riff

Recorded by Danila Danilov in Red Wave Studio (St.Petersburg). Mixed and Mastered by Nick Samarin in Orange Studio (Moscow).

The Grand Astoria are:
Kamille Sharapodinov – lead, rhythm and acoustic guitars, lead and backing vocals, percussion
Danila Danilov – lead and backing vocals, percussion, keyboards (2), recording and editing
Alexander Vorontsov – bass
Konstantin Smirnov – drums
Gleb Kolyadin – keyboards (1,3,4,5)
Igor Suvorov – lead guitar (3)
Kirill Ildyukov – lead guitar (4)
Denis Kirillov – flute
Boris Shulman – banjo (5), backing vocals (1,5)
Sophia Miroedova – artwork

https://facebook.com/thegrandastoria2009/
https://thegrandastoria.bandcamp.com/

The Grand Astoria, From the Great Beyond EP

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Days of Rona: Kamille Sharapodinov of The Grand Astoria, The Legendary Flower Punk & Slovo Mira

Posted in Features on May 4th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

the grand astoria kamille sharapodinov

Days of Rona: Kamille Sharapodinov of The Grand Astoria, The Legendary Flower Punk & Slovo Mira (St. Petersburg, Russia)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

All my bands had to change plans to some degree. The one that suffered the most is The Legendary Flower Punk, we had to cancel the whole 16-shows european tour in support of the new record. Slovo Mira got problems of different character – LPs and CDs with the new album are now stuck in Estonia at our friend’s house and there’s no way we can get them until the crisis ends. Release date is 24th of April so there’s almost no chance we will pick them by that time unfortunately. With The Grand Astoria we were going to finish vocal overdubs for our new EP, planned for release during autumn 2020. Luckily, we still can do that at home. Hello neighbors! All my guys are feeling fine, I personally don’t know anyone who got the virus but we are taking the situation seriously anyway.

What are the quarantine/isolation rules where you are?

April 7 the so called “quarantine holidays” were prolonged until 1st of May by the president of Russia. I am leaving home once in three-four days to get the fresh bread and vegetables, trying to keep distance from the other people on the street and grocery

How have you seen the virus affecting the community around you and in music?

Mostly it’s a huge financial breakdown for all the artistic folks out there. So, I’d like to encourage people who are still getting paid to support their favorite musicians, bookshops, record stores or any other nice small local business ventures in the hour of need. There are tons of ways to do that so go ahead please!

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’d like to share some positive news concerning all my current music projects.

Three weeks ago it became clear that our voyage with The Legendary Flower Punk is not going to happen so I came up with this idea to make a virtual tour. We recorded 16 sets of music (each set as the complete show that we planned to play in the respective city, from Vilnius to Hamburg) live in our rehearsal room and we plan to publish them every day since 9th of April up to 26th. So next week everybody is more than welcome to our special live series bandcamp page for a daily dose of psychedelic jam rock:
https://theflowerpot.bandcamp.com/

We also just released a digital version of our side of the forthcoming split LP (Tonzonen Records, autumn 2020) with American band Magic Beans. Check here:
https://thelegendaryflowerpunk.bandcamp.com/album/astra-vidya-2

Nice studio video was shot for one of the split tracks:
https://www.youtube.com/watch?v=GEHi50yg5Ps

The Grand Astoria is busy with the new album called From the Great Beyond due to release also during October-November 2020. It’s 35 mins of genre-bending music again, ranging from psychedelic art rock to obscure heavy metal.
Track listing is as follows:

1. From the Great Beyond
2. Wasteland
3. Njanatiloka
4. Anyhow
5. Us Against the World
6. Ten Years Anniversary Riff

You can check the live performance of “Us Against the World” here:
https://www.youtube.com/watch?v=8guZ4ZbPudw

And finally Slovo Mira, my most avant-garde group is about to release the new music via Tonzonen Records in the end of April. Here is the pre-order link with first single:
https://slovomira.bandcamp.com/album/what-happened-to-you-in-all-the-confusion

That’s pretty much it. Looks like a lot of things are happening for me and I really hope that these turbulent times will pass quickly cos I miss the road very much! All the best for everyone in the world! Support each other with kind words and don’t panic.

https://www.facebook.com/TheGrandAstoria/
https://thegrandastoria.bandcamp.com/
https://www.facebook.com/thelegendaryflowerpunk
https://thelegendaryflowerpunk.bandcamp.com/
https://www.facebook.com/Tonzonen/
https://www.instagram.com/tonzonenrecords/
https://www.tonzonen.de
http://facebook.com/RobustfellowProds/
http://robustfellow.bandcamp.com
http://instagram.com/robustfellow_prods

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The Legendary Flower Punk Announce Spring European Touring

Posted in Whathaveyou on February 13th, 2020 by JJ Koczan

Psych-prog weirdos The Legendary Flower Punk will head out in April on a tour through Germany, the Czech Republic, and, well, more Germany. There’s a date in Poland and a date in Lithuania, but clearly the target here is German territory, and that’s fair enough, since their new album, Wabi Wu (review here), is due to release Feb. 21 through Tonzonen, which is based there. The band have a few shows in their native Russia booked as well, and they’ll be back through Poland on the way to Germany once more in August, this time to play the Aquamaria Festival. I wouldn’t be surprised if more touring surfaced around that appearance either, but then, I also wouldn’t be surprised if The Legendary Flower Punk put out another record this year, because being unpredictable is kind of how they do. They’re good at it.

There was a live video premiered here a little while back for the Wabi Wu title-track, but they’re also streaming the studio album in its entirety as of late last year, so I’ve included both below, because being thorough is how I do. I’m not as good at it as they are at being unpredictable, but I try.

From the PR wire:

the legendary flower punk

Psychedelic Rockers THE LEGENDARY FLOWER PUNK Announce European Live Dates!

New Album Wabi Wu out 21 February.

Started in 2012 as an obscure side project of Kamille Sharapodinov (guitarist of established Russian heavy psych proggers The Grand Astoria), The Legendary Flower Punk quickly became a beast of its own. The band mixes psychedelia, space rock, funky fusion and electronics in a joyful manner like no one else in the scene. Krautrock, Japanoise, and Jazz are also no stranger words in the vocabulary of the band.

The Legendary Flower Punk knows no boundaries. The unique sound of the Russian trio combines pure Psychedelic Rock with classic Prog Rock elements.

To celebrate the brilliant varied and exciting mix that is Wabi Wu, The Legendary Flower Punk is out in clubs to play it live on these dates:

15.03.2020 – “Les”, St.Petersburg (RU)
09.04.2020 – “Empty Brain Resort”, Vilnius (LT)
10.04.2020 – “2Kola”, Warsaw (PL)
11.04.2020 – “Tief”, Berlin (DE)
12.04.2020 – “KuZe”, Potsdam (DE)
13.04.2020 – “Werft”, Dresden (DE)
14.04.2020 – “Klubovna”, Prague (CZ)
17.04.2020 – “Divadlo Pod Lampou”, Plzen (CZ)
18.04.2020 – “P8”, Karlsruhe (DE)
19.04.2020 – “Space Meduza”, Berlin (DE)
20.04.2020 – “Anemone Studio Session”, Halle (DE)
22.04.2020 – “Dirty Dancing”, Osnabruck (DE)
23.04.2020 – “Potemkin”, Bielefeld (DE)
24.04.2020 – “Ruinebauer”, Bremen (DE)
25.04.2020 – “Sputnikhalle”, Munster (DE)
26.04.2020 – “Bar 227”, Hamburg (DE)
16.05.2020 – “Solar Systo Festival, St.Petersburg (RU)
28.05.2020 – “Massolit”, Moscow (RU)
29.05.2020 – “Papin Garage”, Yaroslavl (RU)
07.08.2020 – “Amore del Tropico”, Poznan (PL)
08.08.2020 – “Aquamaria Festival”, Plattenburg (DE)

https://www.facebook.com/thelegendaryflowerpunk
https://thelegendaryflowerpunk.bandcamp.com/
https://www.facebook.com/Tonzonen/
https://www.instagram.com/tonzonenrecords/
https://www.tonzonen.de

The Legendary Flower Punk, Wabi Wu (2020)

The Legendary Flower Punk, “Wabi Wu” live at Galernaya 20

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