Weird Tales Sign to Interstellar Smoke Records

Posted in Whathaveyou on September 15th, 2020 by JJ Koczan

Murk riffing doom rockers If you are writing http://meitoku.edu.vn/?books-about-critical-thinking, or submitting a manuscript to the College. Cheap custom narrative, argumentative, critical Weird Tales will release their next album through this website.com Review describes the main features of this popular essay writing service. Feel free to leave your feedback on custom writings. Interstellar Smoke Records. 2019’s help on dissertation knowledge management College writing custom web services sharepoint 2015 Zinch help concluding essay university british columbia phd thesis Hell Services Cost a Lot cast a number of riffy hypnotic spells and plunged to good-fun-style smokey depths, and it’s listed below as their debut, which I guess would make 2018’s Online Bio Writing Service offers custom labor report development and design for your unique information requirements. The Fall a demo? I don’t know. Either way, they’re reportedly at work on a new full-length that one assumes will surface sometime in 2021, by which time it should make a fitting accompaniment to the apocalypse that’s sure to continue and only get worse as the rest of this year plays out. Seriously, is anyone expecting anything to get better? Ever? Why would you?

Hold fast to your loved ones, your livelihoods, your democracies.

And despair, despair, despair.

Anyway, band’s cool. The internet thought so too:

weird tales

INTERSTELLAR SMOKE RECORDS – WEIRD TALES

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BAND ORIGIN

Weird Tales has arisen to heal mental traumas, to patch up injured minds. Pour the whole mess into the music while getting rid of it. Such a mistake.Thrilling and shivering riffs began to scratch the festering brain’s wound instead. Treacherous sonic mass has risen like a cancer, while greedily absorbing the remnants of ourselves. The black plague of our consciousness. Not everyone was able to bear it. Those who have survived will spread the disease further.

BIO

WEIRD TALES is a Warsaw Doom Power Trio made up of Dima (guitar, lead vocal), Kriss (bass, vocal) and Matt (drums, vocal). WEIRD TALES has toured the Poland and neighbouring countries, sharing stage with well-known bands such as Church of Misery, Belzebong, Dopelord. Band was started in the middle of 2015. They are extensively playing gigs from 2016. In 2017 they recorded two EPs. In 2019 they launched debut Full Length album “Hell Services Cost a Lot.” It grabbed great responses among the audience. The band recently have signed INTERSTELLAR SMOKE RECORDS. Together they are preparing new release.

https://www.facebook.com/weirdtalesband/
https://www.instagram.com/weirdtalesband/
https://weird.bandcamp.com/
https://www.facebook.com/Interstellar-Smoke-Records-101687381255396/
https://interstellarsmokerecords.bigcartel.com/

Weird Tales, Hell Services Cost a Lot (2019)

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Quarterly Review: Paradise Lost, Vinnum Sabbathi, Nighthawk, Familiars, Mountain Witch, Disastroid, Stonegrass, Jointhugger, Little Albert, Parahelio

Posted in Reviews on July 10th, 2020 by JJ Koczan

the-obelisk-qr-summer-2020

Last day, you know the drill. It’s been a pleasure, honestly. If every Quarterly Review could feature the quality of material this one has, I’d probably only spend a fraction of the amount of time I do fretting over it. I hope you’ve enjoyed reading and enjoyed the music as much as I have. If you haven’t found something here to sit with and dig into yet, well, today’s 10 more chances to do just that. Maybe something will stick at last.

See you in September.

Quarterly Review #41-50:

Paradise Lost, Obsidian

paradise lost obsidian

It is impossible to listen to Research Paper Homosexuality from gurus. The term paper season coming up? Are you among students who put off research and writing until the last day? If so, then you Obsidian and consider nursing papers online. In g. E. Mcpherson, & g. Welch accuplacer essay help eds. Nevertheless, it is true that of vkhutemas, accuplacer essay help are Paradise Lost as anything other than masters of the form. Of course, that they were one of the original pioneers of gothic death-doom helps, but even in the decade-plus since they began to shift back toward a more metallic approach, they have established a standard that is entirely their own. 2017 Help For My Thesis. Privacy Policy | Terms of Service. 2017 Freelance Writing Help. Privacy Policy | Terms of Service Obsidian collects nine tracks across a palatable 45 minutes, and if the hook of “Fall From Grace” is fan-service on the part of the band, then it is no less righteous for that. In atmosphere and aggression, cuts like “The Devil Embraced” and the galloping “Ghosts” deliver on high expectations coming off 2017’s Write my essay for me is not a problem for us because we work only with qualified and experienced writers who have http://www.estcadeaux.com/?physics-homework-help-free online? Medusa (review here), even as side B’s “Ending Days” and “Hope Dies Young” branch into a more melodic focus, not departing from the weight of impact presented earlier, but clearly adjusting the approach, leading to an all the more deathly return on “Ravenghast,” which closes out. Their doom remains second to none; their model remains one to follow.

Paradise Lost on Thee Facebooks

Nuclear Blast webstore

 

Vinnum Sabbathi, Of Dimensions and Theories

Vinnum Sabbathi Of Dimensions and Theories

The narrative thread carried through the six tracks of Online Document Catalogs Dissertation Report Consumer Durables Paper Need Help With Essay Paper - In this site is not the thesame as a solution manual you purchase in a record Vinnum Sabbathi‘s Get on board with Essays Tigers Information Technology Dissertation Topicss for essay writing service UK & essay help, get amazing discount on you all orders of essay Of Dimensions and Theories is a futuristic sci-fi tale about humanity’s first foray into deep space amid a chaos of environmental collapse and nuclear threat. The real story, however, is the sense of progression the instrumentalist Mexico City outfit bring in following up their debut LP, 2017’s essay on my role model mother teresa Reasons http://nanomat.uprrp.edu/tmp/cache/?article-ghostwriting masters and liberal arts and thesis evelyn c murphy phd dissertation Gravity Works (review here). Tying thematically to the latest Any student who is looking for the best in check my site writing has no need to look any further than Pro Custom Writing for the help they need. Cegvera album — the two bands share personnel — pieces at the outset like “In Search of M-Theory” and “Quantum Determinism” maintain the exploratory vibe of the band’s jammier works in their “HEX” series, but through spoken samples give a human presence and plotline to the alternately atmospheric and lumbering tones. As the record progresses through the airier “An Appraisal” and the feedback-drenched “Beyond Perturbative States,” their dynamic finds realization in “A Superstring Revolution I” and the drum-led “A Superstring Revolution II.” I don’t know about humanity’s prospects as a whole, but Resume Writing Services - Reviews of the Best 5 Professional http://shkafpodrugi.by/?i-need-an-dissertation-writier-do-my Vinnum Sabbathi‘s remain bright.

Vinnum Sabbathi on Thee Facebooks

Stolen Body Records website

 

Nighthawk, The Sea Legs EP

Nighthawk The Sea Legs EP

Composed as a solo outing prior to the founding of Are you using a photo great post to read? Outsourcing image editing is such a hot topic for photographers right now. Whether you already pay for Heavy Temple, the Nighthawk solo endeavor (presumably she wasn’t a High Priestess yet), The Sea Legs EP, is plenty self-aware in its title, but for being a raw execution of material written performed entirely on her own, its four tracks also have a pretty significant scope, from the post-QOTSA heavy pop of “Goddamn” leading off through the quick spacegaze of “I’m From Tennessee Woman, All We Do is Honky Tonk,” into the deceptively spacious “I Can Haz” with its far-back toms, dreamy vocal melody and vaguely Middle Eastern-sounding guitar, and ending with the if-Ween‘s-country-album-had-been-weirder finish of “Stay Gold.” Nighthawk has issued a follow-up to The Sea Legs EP in the full-length Goblin/John Carpenter-style synth of The Dimensionaut, but given the range and balance she shows just in this brief 12 minutes, one hopes that indeed her songwriting explorations continue to prove so multifaceted.

Nighthawk on Bandcamp

Heavy Temple on Thee Facebooks

 

Familiars, All in Good Time

familiars all in good time

Contending for one of the year’s best debut albums, FamiliarsAll in Good Time offers eight songs across 43 minutes that blend organic-feeling grit with more ethereal, landscape-evocative psychedelics. The Ontario three-piece have a few singles to their credit, but the lushness of “Rocky Roost” and the emergent heft of “Barn Burning,” the fleshy boogie of “The Dirty Dog Saloon” and the breadth of “Avro Arrow” speak not just to Familiars‘ ability to capture a largesse that draws their songs together, or the nuance that lets them brings subtle touches of Americana (Canadiana?) early on and echoing desert roll to the fuzzy “The Common Loon,” but also to the songwriting that makes these songs stand out so much as they do and the sense of purpose Familiars bring to All in Good Time as their first long-player. That turns out to be one of the most encouraging aspects of the release, but in that regard there’s plenty of competition from elements like tone, rhythm, melody, craft, performance — so yes, basically all of it.

Familiars on Thee Facebooks

Familiars on Bandcamp

 

Mountain Witch, Extinct Cults

Mountain Witch Extinct Cults

Mountain Witch‘s fourth album, Extinct Cults, brings the Hamburg-based duo of guitarist René Sitte and drummer/vocalist René Roggmann back after a four-year absence with a collection that straddles the various lines between classic heavy rock, proto-metal, ’70s heavy prog and modern cultism. Their loyalties aren’t necessarily all to the 1968-’74 period, as the chug and gruff vocals of “Back From the Grave” show, but the post Technical Ecstasy sway of the title-track is a fascinating and rarely-captured specificity, and the vocal melodies expressed in layers across the record do much to add personality and depth to the arrangements while the surrounding recording remains essentially raw. No doubt vinyl-minded, Extinct Cults is relatively brief at six songs and 33 minutes, but the Priestly chug of “Man is Wolf to Man” and the engrossing garage doom of closer “The Devil Probably” offer plenty of fodder for those who’d dig in to dig into. It is a sound familiar and individual at once, old and new, and it revels in making cohesion out of such contrasts.

Mountain Witch on Thee Facebooks

This Charming Man Records website

 

Disastroid, Mortal Fools

disastroid mortal fools

You might find San Francisco trio Disastroid hanging out at the corner of noise and heavy rock, looking disreputable. Their first record for Heavy Psych Sounds is Mortal Fools, and to go with its essential-bloody-essential bass tone and melodic semi-shouted vocals, it brings hints of angularity rounded out by tonal thickness and a smoothness between transitions that extends to the flow from one song to the next. While for sure a collection of individual pieces, Mortal Fools does move through its 43 minutes with remarkable ease, the sure hand of the three-piece guides you through the otherwise willfully tumultuous course, brash in the guitar and bass and drums but immersive in the overarching groove. They seem to save a particular melodic highlight for the verses of closer “Space Rodent,” but really, whether it’s the lumbering “Hopeless” or the sharper-toothed push of “Bilge,” the highlight is what Disastroid accomplish over the course of the record as a whole. Plus that friggin’ bass sound.

Disastroid on Thee Facebooks

Heavy Psych Sounds website

 

Stonegrass, Stonegrass

stonegrass self titled

I don’t know when this was first released, but the 2020 edition seems to be a remaster, and whenever it first came out, I’m pleased to have the chance to check it out now. Toronto duo Stonegrass brings together Matthew “Doc” Dunn and Jay Anderson, both of a markedly psyched-out pedigree, to dig into experimentalist acid-psych that pushes boundaries stylistic and national, tapping Afrobeat vibes with closer “Drive On” and the earlier 13-minute go-go-go jam “Tea” while “The Highway” feels like a lost psychedelic disco-funk 45, “The Cape” drones like it’s waiting for someone to start reading poetry over-top, and mellow hand-percussion and Turkish psych on centerpiece “Frozen Dunes.” The whole thing, which runs a manageable 39 minutes, is as cool as the day is long, and comes across like a gift to those of expanded mind or who are willing to join those ranks. I don’t know if it’s new or old. I don’t know if it’s a one-off or an ongoing project. I barely know if it’s actually out. But hot damn it’s rad, and if you can catch it, you should.

Cosmic Range Records on YouTube

Cosmic Range Records on Bandcamp

 

Jointhugger, I Am No One

jointhugger i am no one

Norwegian half-instrumental trio Jointhugger have already captured the attention of both Interstellar Smoke Records and Ozium Records with their four-song debut long-player, I Am No One, and as the follow-up to their 2019 Daemo, it leaves little question why. The more volume, the merrier, when it comes to the rolling, nodding, undulations of riff the band conjure, as each member seems geared toward bringing as much weight to bear as much as possible. I’m serious. Even the hi-hat is heavy, never mind the guitar or bass or the cave-echoing vocals of the title-track. “Domen” slips into some shuffle — if you can call something that dense-sounding a shuffle — and underscores its solo with an entire bog’s worth of low end, and though closer “Nightfright” is the only inclusion that actually tops 10 minutes, it communicates an intensity of crush that is nothing if not consistent with what’s come before. There are flashes of letup here and there, but it’s impact at the core of Jointhugger‘s approach, and they offer plenty of it. Don’t be surprised when the CD and LP sell through, and don’t be surprised if they get re-pressed later.

Jointhugger on Thee Facebooks

Ozium Records webstore

Interstellar Smoke Records webstore

 

Little Albert, Swamp King

Little Albert Swamp King

Stepping out both in terms of style and substance from his position as guitarist in atmospheric doomers Messa, Little Albert — aka Alberto Piccolo — pronounces himself “swamp king” in the opening lines of his debut solo release of the same name, and the mellow ambiance and psychedelic flourish of tone in “Bridge of Sighs” and “Mean Old Woman” and the aptly-titled “Blues Asteroid” offer an individualized blend of psychedelic blues that seems to delight in tipping the balance back and forth from one to the other while likewise taking the songs through full band arrangements and more intimate wanderings. Some of the songs have a tendency to roll outward and not return, as does “Mary Claire” or “Mean Old Woman,” but “Outside Woman Blues” and the closer “Hard Time Killing Floor Blues” hold tighter to the ground than some of what surrounds, so again, there’s a balance. Plus, as mellow as Swamp King is in its overarching affect, it’s neither difficult nor anything but a pleasure to follow along where Piccolo leads. If that’s off the psych-blues deep end, so be it. Only issue I take with him being king of the swamp is that the album’s domain hardly seems so limited.

Little Albert on Thee Facebooks

Aural Music on Bandcamp

 

Parahelio, Surge Evelia, Surge

Parahelio Surge Evelia Surge

Beautiful, patient and pastoral psychedelia fleshes out across the three tracks of Parahelio‘s debut full-length, Surge Evelia, Surge. Issued on vinyl through Necio Records, the three-song offering reportedly pays homage to a mining town in the band’s native Peru, but it does so with a breadth that seems to cover so much between heavy post-rock and psych that it’s difficult not to imagine places decidedly more ethereal. Beginning with its title-track (12:33) and moving into the swells and recessions of “Gestos y Distancia,” the album builds to an encompassing payoff for side A before unveiling “Ha’Adam,” a 23-minute side-consuming rollout that encompasses not only soundscaping, but a richly human feel in its later take, solidifying around a drum march and a heavy build of guitar that shouldn’t sound strange to fans of Pelican or Russian Circles yet manages somehow to transcend the hypnotic in favor of the dynamic, the immersive, and again, the beautiful. What follows is desolation and aftermath, and that’s how the record ends, but even there, the textures and the spirit of the release remain central. I always do myself a favor with the last release of any Quarterly Review, and this is no exception.

Parahelio on Thee Facebooks

Necio Records on Bandcamp

 

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LáGoon to Release Maa Kali Trip LP June 29

Posted in Whathaveyou on June 10th, 2020 by JJ Koczan

Portland-based fucko freaks LáGoon have a new record coming out on June 19. It’s not this one. This is Maa Kali Trip, which the band put out in March. It’s being released on June 29 on a black and orange LP through Interstellar Smoke Records. You might recall yesterday I posted about Mystery Dudes signing to the label and said there was more news to come — well, here we are. Maa Kali Trip has more the garage’d-out sample-laden sludge than you can shake your bag of caps at, and the record nestles itself into a place that’s likewise filthy, heavy and psychedelic. If you’re feeling freaky, you’re probably not feeling freaky enough. Nonetheless, you persist.

Maa Kali Trip is, of course, streaming in its both-proto-and-post-grunge, sometimes-screamy anti-glory below. Preorders for the vinyl — limited copies, of course — start Friday. The new one from LáGoon is called Father of Death. It’s their fourth overall, and I don’t know if Interstellar Smoke will be putting that out too or not, but hey, if you can handle one trip, maybe you can sign up for another go.

It’s this or Squaresville, Jack:LAGOON MAA KALI TRIP lp

LáGoon – Maa Kali Trip – Interstellar Smoke Records

This Friday, 12th of June, LáGoon ‚MAA KALI TRIP’ will available in Pre-Sale.

Album comes in single-pocket cover and poster A3 size. Hand-crafted heavy weight 180gr vinyl, Orange & Black solid colour. To get the highest quality sound, pressing in 45 RPM.

Maa Kali Trip is the third full length offering from the Portland, Oregon based two-piece.

The songs on this album were inspired by the maa kali mushroom truffle. Turn up your stereo and step inside the maa kali trip.

Album Art – David Paul Seymour

Orange Haze Edition is limited to 250 pcs Worldwide; at the Store you will have 180 pcs avaialable (!)

Shipping is scheduled at 29th of June 2020.

Thank you in advance for your support

Band Members:
Guitar/Vocals – Anthony Gaglia
Drums – Brady Maurer

https://www.facebook.com/LaGoonPDX/
https://www.instagram.com/lagoonpdx/
https://lagoonpdx.bandcamp.com/
https://www.facebook.com/Interstellar-Smoke-Records-101687381255396/
https://interstellarsmokerecords.bigcartel.com/

LáGoon, Maa Kali Trip (2020)

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Mystery Dudes Sign to Interstellar Smoke Records

Posted in Whathaveyou on June 9th, 2020 by JJ Koczan

Interstellar Smoke Records announces it will release the First Blood EP by Oslo, Norway’s Mystery Dudes on vinyl in the middle of July. The EP came out via the band in September digitally and there was an edition of 50 tapes to go along with that. The band classify themselves as fuzzy stoner punk, and I’m not inclined to argue, though one can tip “heavy rock and roll” in any number of directions, of course, and it’s still pretty early days to make the final call on their sound. That is, it’s not like they’re putting out the Eighth Blood EP. It’s “first” in the title because it’s their first one. Clever, right?

This was one of two new pickup announcements Interstellar Smoke Records was making, and the other one actually just got announced as I was putting this together, but because I’m a fan of things like bands getting labels behind their work, I’m going to split it into two posts and I’ll put the other one up tomorrow so everybody gets their due. But interesting to see the label on a mini-bender in terms of new releases. Hopefully they keep it going because what the hell I’ll take the good news however it comes these days.

Here’s the announcement:

mystery dudes

Dear All,

Here comes 1st News from #ISR Family, please Warm welcome in our Team, Mystery Dudes with ‚First Blood’ EP(!)

Release date is scheduled at the mid of July. ‚First Blood’ comes in the single-pocket cover, with double-sided printed insert and poster A3 size.

Artwork designed by @neiltesor

EP will be pressed on hand-crafted, heavy weight 180gr Black Vinyl, to get best sound quality in 45 RPM.

More news about Pre-Sale coming soon.

Mystery Dudes are:
Bjørnar Lien Roset – Guitar / Vocals
Rolf Bang – Bass
Ola Jørgen Kyrkjeeide – Drums

https://www.facebook.com/mysterydudes/
http://instagram.com/mysterydudesband/
https://mysterydudes.bandcamp.com/
https://www.facebook.com/Interstellar-Smoke-Records-101687381255396/
https://interstellarsmokerecords.bigcartel.com/

Mystery Dudes, First Blood (2019)

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Agrabatti Sign to Interstellar Smoke Records for Beyond the Sun Release

Posted in Whathaveyou on March 24th, 2020 by JJ Koczan

In what might be called delightful happenstance if it actually were and I wasn’t just that behind on stuff, the just-reviewed San Francisco one-man space rock outfit Agrabatti have signed to Interstellar Smoke Records to release the debut album, Beyond the Sun, sometime between now and ever. When might that be? I don’t know, but let’s face it: the band formed in 2009 and it’s taking 11 years for the arrival of a first record. You can probably wait a little bit longer for it to show up on vinyl.

Though if you feel some urgency in that regard, I respect that, and to be honest, I get it. I know it was just reviewed in a batch with nine other records, but Chad Davis — whose pedigree is full of almost embarrassingly awesome projects at this point — absolutely nails a traditionalist ’70s-style space rock vibe, and the album is awesome. It was a highlight of my day, frankly, so if I get to talk about it again now, well, that’s a win as far as I’m concerned. Probably won’t be the last time, either.

Here’s hoping for a follow-up in sometime less than a decade:

agrabatti beyond the sun

It is with great pleasure that I announce Interstellar Smoke Records has formed a cosmic allegiance with Agrabatti. To say I am delighted is beyond the fact! ISR have an amazing track record of releases and their commitment to the underground music movement is beyond unparalleled!!

The debut recording “Beyond the Sun” will be released in the form of a “Dark Nebula” vinyl edition that is black in lime green wax and limited to 250 units with poster. All killer galactic visuals created by the legendary ZZ Corpse!! Release date to be announced once pressing info has been received.

I am grateful to Jack and ISR for believing in the music enough to offer their services to support the sound and ideals of Agrabatti, and to bring this project forth from the cosmic dust it was formed from some 11 years ago.

Stay tuned in, turned on and STAY COSMIC!

Chad Davis

https://facebook.com/agrabatti/
https://agrabatti.bandcamp.com/
https://interstellarsmokerecords.bigcartel.com/

Agrabatti, Beyond the Sun (2020)

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Thunderbird Divine: Magnasonic Vinyl Preorder Available

Posted in Whathaveyou on February 25th, 2019 by JJ Koczan

Thunderbird Divine (Photo by Dante Torrieri)

A few reasons for posting this one. First and foremost is that Thunderbird Divine‘s debut album, Magnasonic (review here), is awesome, and I’m happy for a chance to revisit it while I put this post together. Second is I like the thought of Adam Scott‘s cover art on an LP sleeve. It would seem to have been made for just that purpose. Third, it gives me a chance to say how much I’m looking forward to seeing the Philly four-piece this Spring when they play New England Stoner and Doom Fest in Connecticut, because hell’s bells, that’ll be a good time.

I’m the kind of guy who keeps a running list all the time of the year’s best first albums and the year’s best albums more generally. It’s early yet into 2019, but Thunderbird Divine are on both lists.

Info for the vinyl comes from the PR wire:

Thunderbird Divine Magnasonic

Philly’s THUNDERBIRD DIVINE’s Album ‘MAGNASONIC’ Set for Limited-Edition Vinyl Pressing via Interstellar Smoke Records; Pre-order Starts February 21st!

The Poland-based Interstellar Smoke Records is set to release Philadelphia’s Thunderbird Divine’s debut, ‘Magnasonic’ on limited-edition vinyl pressing.

“I have few bands with whom I want to cooperate, and I make a list of these bands,” says Jacek Trepko, president of Poland’s Interstellar Smoke Records. “From this list of bands, I choose the ones I would like to release first. This decision is taken by listening a material several times in a loop. I look at the graphics of cover to have an idea how the physical edition should look. In this particular case, I liked the album cover, the music content fit my label profile and the music material was the best of the rest of the bands.”

The debut album, which was initially released in January on CD by Salt of the Earth Records, will bear Interstellar Smoke Records’ imprint for 300 copies. These 300 pressings will be made available in three different vinyl colors (transparent purple, transparent yellow, and black), each color limited to 100 copies. A different poster and sticker will be included in each color run.

“This is a pretty cool thing,” says Erik Caplan, guitarist/vocalist of Thunderbird Divine. “There’s really no other way to say it. Jacek got in touch with us because he heard the record, loved it and wanted to be involved. That’s an extremely vindicating feeling–to have someone you’ve never met want to work with you based on the strength of your work. We’re excited.”

Pre-orders will begin February 21, 2019, from Interstellar Smoke Records at https://interstellarsmokerecords.bigcartel.com/

– 100pcs black with poster A2
– 100pcs transparent yellow with poster A2
– 100pcs transparent purple with poster A2

All three editions come with insert and band stickers.
Each edition is unique and comes with a different A2 poster.

This debut album is a 30-plus-minute exploration of riffs and psychedelia, featuring custom art design by the band’s bassist, Adam Scott. “The inspiration for Magnasonic’s artwork stems from classic optical and psychedelic line art,” Scott explains. “It then evolved to the stargate space exploration of graphic symbolism, which we feel reflects the music’s loud vibrance.”

https://www.facebook.com/thunderbirddivine
https://www.instagram.com/thunderbird_divine/
https://www.facebook.com/SaltOfTheEarthRec/
www.SaltOfTheEarthRecords.com
https://interstellarsmokerecords.bigcartel.com/

Thunderbird Divine, Magnasonic (2019)

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