Sergio Ch. Posts “Un Rio” Video from From Skulls Born Beyond

Posted in Bootleg Theater on August 3rd, 2020 by JJ Koczan

sergio ch

Taken from his latest studio solo long-player, Sales CV example, IT sales CV example. Also retail, sales executive, field sales, IT CV, sales manager. Curriculum Vitae, Publishing A Research Paper. From Skulls Born Beyond (review here), the track and accompanying video for “Un Rio” cut a pretty contemplative feel for essay contests 2013 for adults Homeworks Hawaii Uk Reviews english thesis statement examples phd thesis on gender discrimination Sergio Chotsourian, and do so in relatively efficient fashion. The rainy drive, hanging-around-waiting-to-play-a-show atmosphere of the clip is well met by “Un Rio,” an acoustic strummer in the particular style Looking for affordable and reliable Arapahoe Library Homework Helps? See how we can help writing a thesis and what other services we offer! Pick the one you need and Chotsourian has manifest with his  help me do my statistics homework term paper help mla How To Write what are employee final review architectural dissertation Sergio Ch. solo albums, the doppler effect of psychedelic guitar early in the track hinting at the subtle experimentalism that comes into play with a swelling drone and multi-layered vocals as the song plays through.  Our How Do I Start My College Essay completely understand the stress and the frustrations that accompany the dissertation process. It is a long, tedious event, but it must be done. We have a full staff of dissertation writers who have written hundreds of papers, in all academic areas of study. Chotsourian engages fluidly with a vision of South American acid folk that is stark in its denial of nostalgia — that is, there’s nothing about it that looks backward toward some imagined ’60s or ’70s heyday, and especially as he has progressed since offering up his solo debut in 2015’s  Learn how you can benefit from using our reliable professional web link online services to help improve the quality of your thesis paper. 1974 (review here), he’s been able to stay grounded and leave his own footprint in the otherwise ethereal seeming aesthetic he’s adopted.

Services Starting at 9.95 Per Page. Custom paper, term paper, research paper writing service which you can trust for your essay and From Skulls Born Beyond was the first of three Best Phd Online Help, Do My Accounting project and homework Help Do My Accounting Project Help Introduction When you ask us if we can "Do my Chotsourian-related full-lengths to show up this year. It arrived in March and was followed in April by the awaited debut from his heavier trio  At best essay writing service review platform, students will get best suggestions of http://www.agora.cz/?social-science-research-paper-topics by expert reviews and ratings. Soldati Get Essay Done offers affordable and top notch quality, just pay and ask us to Admission Essay Editing Service Medical or do my essay and get well written college paper. Doom Nacional (review here), as well as the single-song 36-minute solo release  Haven't you time for academic writing? Elements Of A Good Essay at PapersOwl. 24/7 Support, 100% Plagiarism Free, Full Confidentiality you get here. Death Row Live Foreva, also under the  Homework Yes Or No - Speedy world delivery and reasonably-priced drugs with no rx. Spend less money when buying from our drugstore. We make ordering Sergio Ch. banner, which hit in May. It was a busy Spring, to say the least. And for  In search of Carbon Paper For Typewriters service so that you may get top quality dissertation? Looking for UK based native writers to get most affordable Chotsourian, who also runs  Other websites will claim that they offer cheap Dissertation Argumentation Directe Indirecte writing service, but will compromise on the quality of your papers. At Custom Essay Papers, we South American Sludge Records and has lately overseen represses and reissues from his groundbreaking desert/heavy rock outfit  Remember that best MBA essays are the ones tailored to the requirements of as you are on the page of the best Ibm Business Plan in UK and US Los Natas — whose last album came out 11 years ago, if you can believe that — the next thing is never far off, whatever it might be.

For now, it’s this video. Enjoy:

Sergio Ch., “Un Rio” official video

VIDEO OFICIAL DEL DISCO DE SERGIO CH. – “FROM SKULLS BORN BEYOND”
PRODUCIDO POR SERGIO CH.
VIDEO REALIZADO POR SERGIO CH.

https://sasrecords.bandcamp.com/album/from-skulls-born-beyond
https://www.instagram.com/sergioch_ig/

ARGONAUTA RECORDS
SOUTH AMERICAN SLUDGE RECORDS

Sergio Ch., From Skulls Born Beyond (2020)

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Quarterly Review: Sergio Ch., Dool, Return to Worm Mountain, Dopelord, Ancestro, Hellhookah, Daisychain, The Burning Brain Band, Slump, Canyon

Posted in Reviews on July 6th, 2020 by JJ Koczan

the-obelisk-qr-summer-2020

I don’t imagine I need to tell you it’s been a hell of a quarter, existentially speaking. It’s like the world decided to play ’52 card pickup’ but with tragedy. Still, music marches on, and so the Quarterly Review marches on. For what it’s worth, I’m particularly looking forward to reviewing the upcoming batch of 50 records. As I stare at the list for each day, all of them have records that I’ve legitimately been looking forward to diving into, and today is a great example of that, front to back.

Will I still feel the same way on Friday? Maybe, maybe not. If past is prologue, I’ll be tired, but it’s always satisfying to do this and cover so much stuff in one go. Accordingly, let’s not delay any further. I hope you enjoy the week’s worth of writeups.

Quarterly Review #1-10:

Sergio Ch., From Skulls Born Beyond

Sergio Ch From Skulls Born Beyond

Intertwining by sharing a few songs with the debut album from his trio Soldati, Doom Nacional (review here), the latest solo endeavor from former Los Natas/Ararat frontman Sergio Ch. continues his path of experimentalist drone folk, blending acoustic and electric elements, guitar and voice, in increasingly confident and broad fashion. The heart of a piece like “Sombra Keda” near the middle of the album is still the strum of the acoustic guitar, but the arrangement of electric and effects/synth surrounding, as well as the vocal echo, give a sense of space to the entirety of From Skulls Born Beyond that demonstrates to the listener just how much range Sergio Ch.‘s work has come to encompass. For highlights, one might check out the extended title-track and the closer “Solar Tse,” which bring in waves of distorted noise to add to the experimentalist feel, but there’s something to be said too for the comparatively minimal (vocal layering aside) “My Isis,” as well as for the fact that they all fit so well on the same record.

Sergio Ch. on Thee Facebooks

South American Sludge Records on Bandcamp

 

DOOL, Summerland

Dool Summerland

The follow-up to DOOL‘s 2017 debut, Here Now There Then (review here), does no less than to see the Netherlands-based outfit led by singer Ryanne van Dorst answer the potential of that album while pushing forward the particular vision of Dutch heavy progressive rock that emerged in the wake of The Devil’s Blood, acknowledging that past — Farida Lemouchi (now of Molassess) stops by for a guest spot — while presenting an immersive and richly arranged 54-minute sprawl of highly individualized craft. Issued through Prophecy Productions, it brings cuts like the memorable opener “Sulphur and Starlight” and the dynamic “A Glass Forest” as well as the classic metal chug of “Be Your Sins” and the reaches of its title-cut and acoustic-inclusive finale “Dust and Shadow.” DOOL are a band brazen enough to directly refuse genre, and it is to their benefit and the audience’s that they pull off doing so with such bravado and quality of output. For however long they go, they will not stop progressing. You can hear it.

DOOL on Thee Facebooks

Prophecy Productions website

 

Return to Worm Mountain, Therianthropy

return to worm mountain Therianthropy

By the time Durban, South Africa’s Return to Worm Mountain are done with 10-minute opener and longest track (immediate points) “Gh?l” from their second album, Therianthropy, the multi-instrumentalist duo of Duncan Park (vocal, guitar, bass, banjo, jaw harp) and Cam Lofstrand (vocals, drums, synth, guitar, bass, percussion) have gone from High on Fire-meets-Entombed crunch to psychedelic Americana to bare-essential acoustic guitar, and unsurprisingly, the scope doesn’t stop there. “Mothman’s Lament” is folksy sweetness and it leads right into the semi-industrial grind of “Mongolian Death Worm” before “Olgoi-Khorkoi” sludge-lumbers into Echoplex oblivion — or at very least the unrepentantly pretty plucked strings of “Tatzelwurm.” The title refers to a human ability to become an animal — think werewolf — and if that’s a metaphor for the controlled chaos Return to Worm Mountain are letting loose here, one can hardly argue it doesn’t fit. Too strange to be anything but progressive, Therianthropy‘s avant garde feel will alienate as many as it delights, and that’s surely the point of the entire endeavor.

Return to Worm Mountain on Thee Facebooks

Return to Worm Mountain on Bandcamp

 

Dopelord, Sign of the Devil

dopelord sign of the devil

Primo weedian stoner sludge doom of precisely the proportion-of-riff one would expect from Polish bashers Dopelord, which is to say plenty huge and plenty grooving. “The Witching Hour Bell” sets the tone on Sign of the Devil, which is the fourth full-length from the Warsaw-based four-piece. They lumber, they plod, they crash, and yes, yes, yes, they riff, putting it all on the line with “Hail Satan” with synth flourish at the end before “Heathen” and the ultimately-more-aggro “Doom Bastards” reinforce the mission statement. You might know what you’re getting going into it, but that doesn’t make the delivery any less satisfying as Dopelord plod into “World Beneath Us” like a cross between Electric Wizard and Slomatics and of course stick-click in on a quick four-count for the 94-second punk blaster “Headless Decapitator” to cap the 36-minute vinyl-ready run. How could they not? Sure, Sign of the Devil preaches to the choir, but hell’s bells it makes one happy to have joined the choir in the first place.

Dopelord on Thee Facebooks

Dopelord on Bandcamp

 

Ancestro, Ancestro

ancestro self titled

Numbered instrumental progressions comprise this third and self-titled offering from Peruvian trio Ancestro (issued through Necio Records and Forbidden Place Records), and the effect of the album being arranged in such a fashion is that it plays through as one long piece, the cascading volume changes of “II” feeding back into the outset count-in of the speedier “III” and so on. Each piece of the whole has its own intention, and it seems plain enough that the band composed the sections individually, but they’ve been placed so as to highlight the full-album flow, and as Ancestro move from “IV” into “V” and “VI,” with songs getting longer as they go en route to that engrossing and proggy 13-minute closer, their success draws from their ability to harness the precision and maybe even a little of the aggression of heavy metal and incorporate it as part of an execution both thoughtful and no less able to be patient when called for by a given piece. Hard-hitting psychedelia is tough to pull off, but Ancestro‘s Ancestro is no less spacious than terrestrial.

Ancestro on Thee Facebooks

Necio Records on Bandcamp

Forbidden Place Records on Bandcamp

 

Hellhookah, The Curse

hellhookah the curse

In 2016, Lithuanian two-piece Hellhookah made it no challenge whatsoever to get into the traditionalist doom of their debut album, Endless Serpents (review here), and the seven songs of The Curse make for a welcome follow-up, with an uptick in production value and the fullness of the mix and a decided affinity for underground ’80s metal in cuts like “Supremacy” and “Dreams and Passions” to coincide with the Dio-era-Sabbath vibes of centerpiece “Flashes” and the nodding finisher “Greed and Power,” which follows and contrasts “Dreams and Passions” in a manner that feels multi-tiered in its purpose. Departing from some of the Vitus-ness of the first full-length, The Curse adopts a more complex tack across its 38 minutes, but its heart and its loyalties are still of doom, by doom, and for the doomed, and that suits them just fine. Crucially, their lack of pretense carries over, and their love of all things doomed translates into every riff and every stretch on offer. If you’d ask more than that of them, well, why?

Hellhookah on Thee Facebooks

Hellhookah on Bandcamp

 

Daisychain, Daisychain EP

Daisychain Daisychain EP

Bluesy in opener “Demons,” grunge-tinged in “Lily” and fuzz-folk-into-’70s-soul-rock on “How Can I Love You,” Daisychain‘s self-titled debut EP wants little for ambition from the start, but the Chicago-based four-piece bring a confidence to their dually-vocalized approach that unites the material across whatever stylistic lines it treads, be it in the harmonies of the midtempo rocker “Are You Satisfied” or the righteously languid “Fake Flowers,” which follows. With six songs and 21 minutes, the self-released outing is but a quick glimpse at what Daisychain might have in store going forward, but the potential is writ large from the classic feel of “Demons” to the barroom spirit of closer “The Wrong Thing,” which reminds that rock and roll doesn’t have to sacrifice efficiency in order to make a statement of its own force. There’s plenty of attitude to be found in these songs, but beneath that — or maybe alongside it — there’s a sense of an emergent songwriting process that is only going to continue to flourish. What they do with the momentum they build here will be interesting to see/hear, but more than that, they’re developing a perspective and persona of their own, and that speaks to a longer term ideal. To put another way, they don’t sound like they’re half-assing it.

Daisychain on Thee Facebooks

Daisychain on Bandcamp

 

The Burning Brain Band, The Burning Brain Band

The Burning Brain Band The Burning Brain Band

Capping with a slide-tinged take on the traditional “Parchman Farm” (see also: Blue Cheer, Cactus, etc.), Ohio’s The Burning Brain Band‘s self-titled debut casts a wide net in terms of influences, centering the penultimate “The Dreamer” around 12-string acoustic guitar on an eight-minute run that’s neither hurried nor staid, but all the more surprising after the electronica-minded “Interlude (Still Running),” which, at four minutes is of greater substance than one might expect of an interlude just as the seven-and-a-half-minute warm-up “Launch Sequence” is considerably broader than one generally considers an intro to an album. There isn’t necessarily a foundational basis from which the material emanates — though “Brain Food” is an effective desert-ish rocker, it moves into the decidedly proggier “Bolero/Floating Away” — but “Launch Sequence” is immersive and the four-piece bring a performance cohesion and a clarity of mindset to the proceedings of this debut that may not unite the songs, but carries the listener through with a sure hand just the same. Who ever said everything on a record had to sound alike? For sure not The Burning Brain Band, who translate the mania of their moniker into effective sonic variety.

The Burning Brain Band on Thee Facebooks

The Burning Brain Band on Bandcamp

 

Slump, Flashbacks From Black Dust Country

Slump Flashbacks from Black Dust Country

Count Slump in a freakout psych renaissance, all punk-out-the-airlock and ’90s-noise thisandthat. Delivered through Feel It Records, the Richmond, Virginia, outfit’s debut, Flashbacks From Black Dust Country indeed touches ground every now and again, as on “Desire Death Drifter,” but even there, the vocals are so soaked wet with echo that I’m pretty sure they fucked up my speakers, and as much as “Tension Trance” tries, it almost can’t help but be acid grunge. In an age of nihilism, Slump aren’t so much unbridled as they are a reminder of the artistry behind the slacker lean, and in the thrust of “(Do The) Sonic Sprawl” and the far-out twist of “Throbbing Reverberation,” they affirm that only those with expanded minds will survive to see the new age and all the many spectral horrors it might unfurl. Can it be a coincidence that the album starts “No Utopia?” Hardly. I’m not ready to call these cats prophets, but they’ve got their collective ear to the ground and their boogie is molten-core accordingly. Tell two friends and tell them to tell two friends.

Feel It Records on Thee Facebooks

Feel It Records on Bandcamp

 

Canyon, EP III

canyon ep iii

It’s a ripper, inciting Larry David-style “prettay good” nods and all that sort of approval whatnot. If you want to think of Canyon as Philly’s answer to Memphis’ Dirty Streets, go ahead — and yes, by that I mean they’re dirtier. EP III boasts just three tracks in “No Home,” “Tent Preacher” and “Mountain Haze,” but with it the classic-style trio backs up the power they showed on 2018’s Mk II (review here), tapping ’70s blues rock swagger for the first two tracks and then blowing it out in a dreamy Zeppelin/Rainbow jam that’s trippy and righteous and right on and just plain right. Maybe even right-handed, I don’t know. What I do know is that these guys should’ve been picked up by some duly salivating label like last week already and they should be putting together a full-length on the quick. They’ve followed-up EP III with a stonerly take on The Beatles‘ “Day Tripper,” and that’s fun, but really, it’s time for this band to make an album.

Canyon on Thee Facebooks

Canyon on Bandcamp

 

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Sergio Ch. Posts “La Familia y las Guerras” Video

Posted in Bootleg Theater on July 22nd, 2019 by JJ Koczan

sergio ch

At the time it came out four years ago in 2015, Sergio Ch.‘s first solo album, 1974 (review here), seemed to take shape directly from out of the third offering from his band Ararat, 2014’s Cabalgata Hacia la Luz (review here). The two shared several tracks, among them “La Familia y las Guerras,” and both had an overarching purpose in introspection, an intimate feel that manifested in experimentalist-tinged folk in one and brash heavy punk/rock in the other. Still, they were linked, and with Sergio Chotsourian‘s songwriting at the epicenter, they held a consistency that went beyond whatever sonic disparities there may have been. Different appeal, same level of quality between them.

Chotsourian has since gone on to form the trio Soldati and begin to dole out singles and other short releases ahead of an eventual full-length, and he’s also put out the second acoustic-ish album, 2017’s Aurora (review here), as well as several collaborative efforts of various stripes, but I still break out 1974 on occasion, and songs like “La Familia y las Guerras” are a big part of why. Arrangement-wise, there’s nothing outlandish about it, and it’s not as drone even as some of the material on the subsequent full-length would be, but it carries a nonetheless open feel and is spacious thanks to a bit of echo while still staying intimate in a close-up-to-the-mic vocal-style from Chotsourian, who if he didn’t record it live certainly gives a convincing facsimile of having done so.

As to why now would be a time to make a video for a song on a record that was released so long ago, I’d only ask the obvious question: “Who cares?” In addition to the aforementioned and long-bandied Soldati long-player, there’s been word that Chotsourian will do another solo offering under his own name, and that will be something to look forward to, but in the meantime, why not shut up and take what one can get? If that’s going for a backwards walk in some hot-looking desert space, then so be it. One could, of course, do a lot worse, both in the video and in life generally.

I’ve also included the full 1974 stream below, in case it’s been a while.

Enjoy:

Sergio Ch., “La Familia y las Guerras” official video

VIDEO OFICIAL DEL DISCO DE SERGIO CH. – “1974”
PRODUCIDO POR SERGIO CH.
VIDEO REALIZADO POR MILAGROS ARROM Y LUCAS MARTINEZ

OUI OUI RECORDS
SOUTH AMERICAN SLUDGE RECORDS

Sergio Ch., 1974 (2015)

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South American Sludge Records on Bandcamp

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Soldati Post “El Fuego Quema” Video; Album Recording This Summer

Posted in Bootleg Theater on May 9th, 2019 by JJ Koczan

soldati

I’ve never actually seen 1971’s Twins of Evil, from which the footage for the new Soldati video was culled, but I kind of feel like I get the point anyway. There’s Peter Cushing, there’s super-red blood, there’s evil, there’s ’70s boobage, the end. I’m sure if you actually watch the full feature film, there’s a plot that’s about Satan or vampires or whatnot, but you know, the gist of it kind of still works out to be the same. I guess I’ve never really been much for the Hammer Horror scene, but, you know, I’ve never really had the chance to sit down with those movies either and really get to know them one from the other. It’s all just a blur of Christopher Lee and the aforementioned Peter Cushing.

But it makes decent video fodder, if nothing else. Soldati posted the single “El Fuego Quema” last month, and at that point, I noted how it was a departure for the three-piece of guitarist/vocalist Sergio Chotsourian, bassist Lucas Cassinelli and drummer Alfredo Felitte, in that the latter two don’t play on it. It’s just Chotsourian, and in that regard, “El Fuego Quema” is way more like the solo work he does under the moniker of Sergio Ch. than anything Soldati have yet made public. As it turns out, that may remain the case, as Chotsourian says the awaited Soldati full-length, which is set to record this summer, will be in a more doomed vein. We may have a bit to go until we get there, but we know from Chotsourian and Felitte‘s output together in Ararat that that can work out just fine. I’ll take it however it comes, I guess.

And in case I need to say it, the clip is NSFW, unless you work at a place that’s all about ’70s boobage, in which case you should probably get a new job.

Enjoy:

Soldati, “El Fuego Quema” official video

VIDEO OFICIAL DEL SINGLE DE SOLDATI – “EL FUEGO QUEMA”

VIDEO REALIZADO POR LUCAS MARTINEZ CON IMAGENES DE LA PELICULA “TWINS OF EVIL” [1971]

SERGIO CH. – GUITARRA & VOCALS

GRABADO, MEZCLADO Y MASTERIZADO POR SERGIO CH. EN DEATH STUDIOS
ARTWORK POR SERGIO CH.
PRODUCIDO POR SERGIO CH.

SOUTH AMERICAN SLUDGE RECORDS

Soldati is:
Sergio Ch. – Guitar & Vocals
Lucas Cassinelli – Bass
Alfredo Felitte – Drums

Soldati on Thee Facebooks

Soldati on Bandcamp

South American Sludge Records on Thee Facebooks

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Soldati Post New Single “El Fuego Quema”

Posted in Bootleg Theater on April 8th, 2019 by JJ Koczan

soldati

Stop me if you’ve heard this one before, but it’s time for Soldati to hunker down and make their debut full-length. The three-piece led by Sergio Chotsourian, formerly of Los Natas and also of Ararat, and featuring Ararat drummer Alfredo Felitte and bassist Lucas Cassinelli (also Hospital) have issued a handful of singles at this point (discussed here, here and here) as well as their self-titled EP (discussed here), and “El Fuego Quema” works in defiance of everything they’ve done up to this point. Where until now they’ve decidedly been a rock band, “El Fuego Quema” pulls back on the distorted thrust and instead offers a bluesy acoustic guitar line accompanied by some percussion and harmonica. It’s more in line with something one might expect from Sergio Ch.‘s solo incarnation than what Soldati have heretofore put on offer, but then, the problem with that isn’t anything the band are doing or not — the problem is the limit of expectation.

Last time I posted about the band, I said much the same about their getting to work on album number one. Well, I don’t know what the plan is or when that’s happening or whether or not “El Fuego Quema” or any of the prior-posted tracks — “Aurora,” “El Nudo en la Soga,” or “El Latigo y las Riendas” — will be included when the time comes. At this point, there’s probably enough for an LP assembled from the prior digital one-offs and maybe a song or two from the EP if the band wants, but it could also be that there’s an entirely different batch of material that will be put together whenever they get there. What’s important for the moment, though, is that “El Fuego Quema” makes Soldati as a whole a less predictable outfit and greatly increases the scope of what they might do on that album. For those of us anticipating the arrival of such a thing, it’s good to know how far they can push Soldati and still be within the sphere of the band. Chotsourian has never been shy about sharing material between his songwriting incarnations — “Aurora” was the title-track on his second solo album — so who knows how it will all shake out with “El Fuego Quema,” but it certainly captures an atmosphere as presented here.

Please enjoy:

Soldati, “El Fuego Quema”

SOLDATI “EL FUEGO QUEMA”

SERGIO CH. – GUITARRA & VOCALS

GRABADO, MEZCLADO Y MASTERIZADO POR SERGIO CH. EN DEATH STUDIOS
ARTWORK POR SERGIO CH.
PRODUCIDO POR SERGIO CH.

SOUTH AMERICAN SLUDGE RECORDS

Soldati is:
Sergio Ch. – Guitar & Vocals
Lucas Cassinelli – Bass
Alfredo Felitte – Drums

Soldati on Thee Facebooks

Soldati on Bandcamp

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Soldati Premiere “Aurora” Video; Debut Album in Progress

Posted in Bootleg Theater on February 6th, 2019 by JJ Koczan

soldati

At this point, all of the projects Sergio Chotsourian has undertaken since the dissolution of Los Natas have been in conversation one way or the other, so maybe it’s not such a surprise that the latest single from the trio Soldati — in which he plays guitar and sings — also served as the title-track for the last album put out under Chotsourian‘s solo incarnation and nom de guerre, Sergio Ch., Aurora (review here). Released in 2017, that full-length was in no small part defined by its two-part titular cut, which blended experimentalist drone and folk impulses in a way that is increasingly becoming Chotsourian‘s hallmark. As Soldati bring in drummer Alfredo Felitte from Chotsourian‘s other trio — the somewhat MIA Ararat, in which he plays bass and sings — to replace original drummer Ranz and move inextricably toward their first long-player, “Aurora” is a glimpse of things to come.

And a striking one at that. True to the sense of lumber from the Sergio Ch. version, it’s the most Ararat-sounding Soldati piece to-date, calling to mind some of that band’s extended low-end rumblers and general spaciousness. Again, it all bleeds into each other, but it’s a marked turn anyway, as Soldati‘s 2017 self-titled EP (discussed here) was comprised of more straightforward material, and even the subsequent singles that have made their way out, “El Nuda en la Soga” (discussed here) and last year’s “El Latigo y las Riendas” (discussed here), have come nowhere near the droning aspects of “Aurora”‘s 13-minute pulse.

So is it indicative of where Solati‘s currently-in-progress album might eventually end up? Probably. Also probably not. I think laying one expectation on any Chotsourian-involved offering is doing it wrong. If he feels like playing a certain song with a certain band, he’s going to. If he feels like focusing on two different records at once — recall he also has a new Sergio Ch. album in the making, as recently noted — he’s going to. And in the hands of Soldati, as recorded by the lineup of Chotsourian, Ranz and bassist Lukas Hospital, “Aurora” takes on a suitably vibrant and consuming life of its own.

You can see the video below as directed by Juan Cruz Tommasi. I’ll hope to have more to come on Soldati‘s debut LP as we get closer to the release.

Please enjoy:

Soldati, “Aurora” official video premiere

VIDEO OFICIAL DEL SINGLE DE SOLDATI – “AURORA”
PRODUCIDO POR PATRICIO CLAPYPOLE
VIDEO REALIZADO POR JUAN CRUZ TOMMASI

SOUTH AMERICAN SLUDGE RECORDS

SERGIO CH. – Guitar & Vocals
LUKAS HOSPITAL – Bass
ALFREDO FELITTE – Drums

Soldati on Thee Facebooks

Soldati on Bandcamp

South American Sludge Records on Thee Facebooks

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Sergio Ch. Premieres “La Heroina” Video; New Album Coming Soon

Posted in Bootleg Theater on January 30th, 2019 by JJ Koczan

sergio ch

Since he has a new solo album currently being mastered — the title will reportedly by From Skulls Born Beyond — it’s tempting to think of Sergio Ch.‘s — né Chotsourian — new video for “La Heroina” perhaps as a way of saying goodbye to 2016’s Aurora (review here), but the truth is that even after that record came out, he was still putting together clips for 2015’s 1974 (review here), so it’s not exactly like he’s following an album cycle-style promotional model. More like he’s doing whatever the hell he wants, which is probably how it should be for the former Los Natas frontman who’s also at the helm of South American Sludge Records and who fronts Soldati and the somewhat-MIA Ararat. His whims have a pretty good track record, as far as that kind of thing goes.

And while From Skulls Born Beyond promises further refinement of his drone-laced folk approach, “La Heroina” serves as an example of how well that worked across Aurora as well. It’s at least the fourth video that the Buenos Aires-based Chotsourian has issued for the six-song offering, and with direction from Milagros Arrom, it’s a returning partnership that once again serves to highlight the track’s experimentalist and, in this case, particularly trance-inducing edge. Centered around echoing strums of acoustic guitar, there’s nonetheless a psychedelic feel gleaned from the effects on the vocals and the intermittent bursts of harmonica, and the naturalist swirl evokes acid folk atmospherics without any lysergic posturing. It’s not the most experimentalist piece on Aurora — that would be “Aurora II,” still awaiting its video last I checked — but it finds a balance between traditional songcraft and an out-there anti-structure that suits it well, throwing kind of a loop in the second half when all of a sudden it just kind of starts over. Pay attention and it’ll still catch you off guard.

Soldati were slated to have an album in progress as well, and they may indeed have one in the works or done, but it’s good news that a new Sergio Ch. offering will be out before 2019’s done as well, as his solo material has proven to be an exploration all its own, distinct from his work in full bands despite inherent ties in songwriting and performance.

Enjoy “La Heroina” below:

Sergio Ch., “La Heroina” official video premiere

VIDEO OFICIAL DEL DISCO DE SERGIO CH. – “AURORA”
PRODUCIDO POR SERGIO CH.
VIDEO REALIZADO POR MILAGROS ARROM

PIRAMIDE RECORDS
SOUTH AMERICAN SLUDGE RECORDS

Sergio Ch., Aurora (2016)

South American Sludge Records on Thee Facebooks

South American Sludge website

South American Sludge Records on Bandcamp

Pirámide Records on Bandcamp

Pirámide Records on Thee Facebooks

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Sergio Ch. Premieres “Los Barcos” Video from 1974

Posted in Bootleg Theater on July 26th, 2018 by JJ Koczan

SERGIO CH AT PIANO

Over the last couple years as former Los Natas and current Soldati frontman Sergio Chotsourian — also of Ararat, whose status is somewhat up in the air at this point — has developed his multifaceted solo persona Sergio Ch., experimenting with South American folk traditions, psychedelia and drone fluidity, as well as developed various one-offs and side-projects, I’ve posted any number of videos corresponding to whatever he’s got going at the time. Some are premieres, like the one for “Los Barcos” below, and some are just put out there as quickly as I can catch up to their actual release. But he’s been a regular around these parts for a while now, and that’s not without reason.

The basic fact of the matter is I believe what Chotsourian is doing now is important. His status in Argentinian and South American heavy in general — fostered not only through Los Natas‘ enduring influence, but through his South American Sludge Records label as well — is unquestionable, but in listening to his two solo records, 2016’s 1974 (review here) and 2017’s Aurora (review here), it’s abundantly clear his interest lies not in rehashing past glories, but continuing to push into new areas of sound and style. Despite this, his approach is consistently organic and his voice resonant with emotion. There’s always genuine expression happening, regardless of the context in which it appears.

So if you’re wondering, I guess that’s why I try and post about his work as much as possible, and that’s why I’m going to continue to do so. I suppose you could say I’m a fan.

“Los Barcos” originally appeared on 1974, and if you’re wondering why there’d be a video for it now, note the violin guest spot from Milagros Arrom, who also did the camerawork for the clip.

Please enjoy:

Sergio Ch., “Los Barcos” official video premiere

VIDEO OFICIAL DEL DISCO DE SERGIO CH. – “1974”
PRODUCIDO POR SERGIO CH.
CAMARA POR MILAGROS ARROM
VIDEO REALIZADO POR LUCAS MARTINEZ

OUI OUI RECORDS
SOUTH AMERICAN SLUDGE RECORDS

South American Sludge Records on Bandcamp

South American Sludge Records on Thee Facebooks

Sergio Ch. on YouTube

Oui Oui Records website

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