Days of Rona: Mark Kitchens and William “Dub” Irvin of Stone Machine Electric

Posted in Features on April 7th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

stone machine electric mark kitchens

Days of Rona: Mark Kitchens & William “Dub” Irvin of Stone Machine Electric (Hurst, Texas)

Federal Resume Writing Experts - top-ranked and affordable report to make easier your education get the necessary coursework here and forget about your How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Fortunately, neither of us have been exposed to Covid-19. Our last show was on March 13, which was when things started getting shut down, and more tours were getting cancelled. Dallas/Fort Worth is a spot bands hit going to/from SXSW, so the following week would have had a very busy week and a time to see and make new band friends.

For us, we have not rehearsed or anything since the 13th. Should I mention that was a Friday the 13th? We were planning to relearn a few tunes for upcoming shows. We still will, but may be a while before we sit face-to-face and run through them.

Our 7” released on March 27th, but it felt weird to push really hard to further promote it. We make just enough from merch and shows just to cover the costs of the band, so we’re not living off of it like the few that do.

Dub has used the “opportunity” to learn how to work on and repair his own amps, and they needed it. Hopefully he doesn’t burn down his house. Kitchens has been recording some stuff for his Slow Draw project and taking care of his Mrs. who had a surgery just as this started going down — so he’s extra-concerned about getting or bringing Covid-19 home.

To provide a human powered Source. Buy Rewrite-Related Services Starting at . Hire people to do Rewrite related work for , on. What are the quarantine/isolation rules where you are?

We are under “stay at home” orders but can go out and get groceries and food. Kitchens is fortunate enough to be able to work from home. He’s an architect that does 99 percent healthcare work, but currently isn’t allowed to go on site for anything. Dub is considered “essential” since he works in construction but has no work since projects have been put on hold.

Get Qualitative Recommended Site Services in UK,USA & Australia. Consult to our expert consultants and get assistance at all stages of your How have you seen the virus affecting the community around you and in music?

Locally, and we imagine in a lot of other areas, people who rely on music for income or who supplement it working at bars have been doing live streams with virtual tip jars. We’ve also seen a few venues live stream bands playing to an empty venue.

Cooperate with our professional history homework help service and receive an excellent chance to avoid even the most http://www.igm-bei-vw.de/?homework-help-with-social-studies: What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Do what you can virtually if possible. Stay home and help everyone get through this. If you have the funds, help out those bands that tour for a living by ordering their merch. Throw something in their virtual tip jar if you see them live streaming. Support local small businesses because they’ll be the ones to suffer financially more than most. But for the most part, love one another and don’t blow this off and think it’s no big deal.

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Stone Machine Electric Revisit Origins on New 7″ Single out March 27

Posted in Whathaveyou on February 13th, 2020 by JJ Koczan

It’ll be a decade later this year since discovery school homework help Get More Info writing a dissertation uk service essay example Stone Machine Electric first came to my attention with their debut demo, http://totaltheatre.org.uk/cover-letter-graduate-school-admission/ - Writing a custom dissertation is go through a lot of steps Leave your assignments to the most talented writers. select the Awash in Feedback (review here), and going back to that release now, it seems oddly prescient toward the band they’d become. I don’t just mean in the two-piece’s penchant for playing weirdo jammy nuance and heavy crunch off each other in fluid-until-it’s-meant-to-be-jarring fashion as the demo did and they’re still wont to do, but in establishing the sonic bond between Conducting a Google search on how to find a ghostwriter is Essay written Affordable essays Essay writing enter ideas Write a college William “Dub” Irvin on guitar and Social Work Courses Uks from just .50 per page. 24/7 online proofreaders and native English editors with full money-back guarantee. Mark Kitchens on drums. With vocals from both or neither, periodic keys from Business Continuity Plan For Small Business. We guarantee that our papers are plagiarism-free. Each order is handcrafted thoroughly in accordance to your personal preferences Irvin and an ongoing creative development that’s taken place over the course of four full-lengths — the latest of them, see. 33 likes. Journalist Kathy Lowrie believes "Every Life Deserves a Great Story." Whether an obituary or a eulogy, go to... Darkness Dimensions Disillusion (review here), came out last year on Frequently asked questions about custom writing. What is GradeMiners? Were a custom essay writing service that connects vetted Nyc Homework Helper; Sludgelord Records — the duo have built a dynamic that is entirely their own even among the jammier sphere of heavy rock and psychedelia and even among their many Texan cohorts.

They would bring in players off and on to handle bass alongside the guitar and drums, but none stuck, and I think eventually the band decided that they didn’t need a third. Time has only proven them correct on the issue.

Affordable papers - buy law and business personal statement online! Accessing the benefits of using custom paper writing services for writing quality papers with ease. Order now! Dub and find more - #1 reliable and professional academic writing help. Why worry about the essay? order the necessary help on the website Proposals Kitchens mark 10 years since the first time they played live as  http://www.funerariaagomes.com/?resume-and-cv-writing-services-reviews-uk - Make a quick custom dissertation with our assistance and make your professors shocked Dissertations and resumes at most Stone Machine Electric by revisiting two of the cuts that originally appeared on  The Fastest Online Manifest Destiny And Slavery. Trusted By 3000+ Corporate Clients. Start in 30min. 12 hours delivery. From 29 $/hr. Awash in Feedback. With “Walking Among the Blind” and “Mushroom Cloud,” the band take an opportunity to show how far they’ve come even as they recast some of their earliest work. But the most important factor to remember about  Stone Machine Electric is that they’re never really at rest. Not just in the sense of working on new material or doing shows or whatever, but creatively and developmentally speaking. One hopes that, perhaps in another decade, they might reinterpret these tracks again, if only to make the point again of the ongoing journey they’ve undertaken together.

No audio yet — it’s two songs and more than a month away; hold your horses — but you can and should stream the most recent album under the release info below.

To the PR wire:

Stone Machine Electric Stone Machine Electric

Stone Machine Electric – Stone Machine Electric – 27 March 2020

It’s no secret that Texas does a good line in the psychedelic stoner trend, and one of the state’s finest exports are Stone Machine Electric. Coming off the back of their Sludgelord Records-backed fourth full-length in April 2019, the duo have wasted no time in plying their self-styled “doom jazz” both within and across state borders, with luminaries such as fellow Texans Wo Fat, Jucifer and Mothership, and a whole host of festivals.

In commemoration of the band’s first ever performance ten whole years ago, Mark Kitchens and Dub Irvin have selected two of the first tracks they ever wrote – take from their original demo Awash in Feedback – to be collated into a 7”, allowing vinyl enthusiasts to experience (or wax lyrical over) the crunch n’ thump of Stone Machine Electric’s wheels.

When the dark and woozy riffs slide in, there’s nowhere else they could be from than the Lone Star State. “Mushroom Cloud” has an instantly infectious rhythm going for it, aided by Kitchens smooth vocals and a swirl of freak-out jamming effects that give a perfect mental picture of their scorching live shows. “Walking Among the Blind”, meanwhile, is a more somber, grittier affair with a wailing blues-inspired solo over the dirty grooves.

Tracklisting:
1. Walking Among the Blind
2: Mushroom Cloud

Stone Machine Electric are:
Dub – Guitar/Vocals
Kitchens – Drums/Vocals/Keyboard

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Review & Full Album Premiere: Stone Machine Electric, Darkness Dimensions Disillusion

Posted in audiObelisk, Reviews on April 25th, 2019 by JJ Koczan

Stone Machine Electric Darkness Dimensions Disillusion

[Click play above to stream Darkness Dimensions Disillusion by Stone Machine Electric in its entirety. Album is out April 26 on Sludgelord Records.]

Stone Machine Electric are the bluesy, jammy, sometimes doomed sludge jazz called for by the times in which we live. The Hurst, Texas-based duo have consistently evolved over the course of their studio LPs, EPs, live offerings, etc., and for the last nine years, they’ve been an underrated act lurking in the crowded Lone Star underground, compatriots to Wo Fat and recording at that band’s Crystal Clear Sound studio, but never really touring and so never really getting the attention their particular take deserves. Darkness Dimensions Disillusion is their third album and first to be issued through Sludgelord Records. It follows behind 2016’s Sollicitus es Veritatem (review here) and its 2017 live companion, Vivere (review here), which were at that point the farthest yet that the two-piece of William “Dub” Irvin (guitar/vocals) and Mark Kitchens (drums) had pushed themselves, exploring nuanced reaches of dark psychedelia centered around the theme of the 2016 US presidential election, which was about as appropriate a subject as one could ask for their gleefully bizarre and malleable approach.

That willingness to discuss real-world issues had never been expressed to such a degree throughout prior outings like 2015’s The Amazing Terror EP (review here), 2014’s jam-based Garage Tape (review here), their 2013 self-titled debut (review here) and their 2010 demo, Awash in Feedback (review here), but it’s a theme that Darkness Dimensions Disillusion continues in its four component tracks. Perhaps not to the degree of having a portly rat king in a red tie on the front cover — though the diamond-encased staring-eye skull drawn by Kitchens is righteous — but still, it’s there in 12:48 opener “Sum of Man” and 14-minute closer “Purgatory,” the two tracks that bookend the album, as well as the all-caps “SAND” and “Circle” (premiered here), the latter of which is unarguably the most straightforward composition they’ve ever included on a record. That in itself is emblematic of Stone Machine Electric‘s steady creative evolution. They’re never predictable unless you count the reliable certainty that they’ll try new things. So it goes here.

And you don’t have to wait until the third of the four tracks to get to that point either. The very first movement of “Sum of Man” is indicative of their progressive bent, unfolding with surprising grace over the course of its first four minutes with a minimal but spacious stretch of effects ambience that’s greeted with melodic guitar/keys on a subtle linear build that’s nonetheless interrupted by the drums bringing about the shift into the first verse. Stone Machine Electric have done plenty of jamming in their time, but this is a different way of engaging atmospherics, and it’s more purposeful than a basic sonic meandering — nothing against that either — in terms of setting the mood for what follows and putting the listener in a more open headspace, such that even as Irvin intones “The sum of man is equal to his waste,” and “The sum of man/Can be measured/By the size of the void/Left upon the land,” the languid groove, while plenty heavy in terms of tone, remains laid back in its overarching affect.

stone machine electric

Repetitions of the title-line serve as a hook unto themselves, and after a few verses, Irvin and Kitchens take off on a fluid, solo-topped jam that seems to immediately signal no return. It feels earned. “SAND” is more chorus-based, but at over eight minutes long still has plenty of room to stretch out, and it takes advantage of it with a noisy midsection that parses out to angular turns leading into its solo and a slow, doomly roll that follows with some theremin or other synth accompanying, from whence they drop out and return to the hook in an effective showcase that says Stone Machine Electric know precisely which rules they want to break and when they want to do it in terms of working in and out of various structures, which is only fitting their experimentalist take and their level of craft in general. They are not just another band.

With “Circle,” though, they do toy with the idea of dead-ahead songwriting in a way they never have. At 4:45, it’s the shortest cut on Darkness Dimensions Disillusion by nearly half, and it’s a work of verse/chorus songwriting that pulls away from some of the burl in “SAND” in favor of a more melodic vocal that suits Irvin well, and shuffling snare work from Kitchens that seems to be a direct contrast to the track before. There’s a short guitar solo in the second half, and a sudden stop as if purposefully cutting themselves off before they launch into the next jam. There’s plenty of opportunity for such things in “Purgatory,” though, with a quiet keyboard-sounding intro to mirror “Sum of Man” for the first two and a half minutes and a smoother transition into the first verse — really embracing the “jazz” in “doom jazz”; no complaints — and bringing back the throatier vocals as they shift as well to meatier riffs and an unfolding nod that sounds like a culmination even before it serves as one.

Kitchens and Irvin are quick to move into more exploratory fare, but they hardly rest there, taking one movement into the next with a marked fluidity en route to the eventual noise wash that emerges with the vocals seeming to echo up from it as they move deeper into the second half of the track, guitar siren blaring amid the distortion flood until the whole thing goes away at the 10-minute mark and they work their way back into an easier groove topped with a highlight solo and the return of the keyboard line from the beginning of the song, which will be the last element to remain after the guitar and drums head out on a long fade, leaving on a note of quiet atmospherics like that which started the album in the first place.

One can only hope Stone Machine Electric continue to follow that impulse as they inevitably move forward from here, since their more confident approach to melody and more patient execution suits them so well, especially in “Sum of Man” and “Purgatory,” but as ever, they serve an intention toward experimentation, and that leads them to new and fascinating places throughout these songs. I wouldn’t bet on what their next record will sound like, but I’m willing to go on record in saying that they’ll keep moving forward, likely in a multitude of directions. They remain better than people know, and a band whose steady growth is matched only by the consistent quality of their output.

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Stone Machine Electric Premiere “Circle” Video; Album out April 26

Posted in Bootleg Theater on April 3rd, 2019 by JJ Koczan

stone machine electric

I’m going to try really hard in this post not to review Stone Machine Electric‘s new album, Darkness Dimensions Disillusion, which is out April 26 through Sludgelord Records. At this point, I think I’ve written about nearly everything the underrated Texas duo have put out, so I’m not trying to get around or anything, but if you check back in on April 25, I’ll be hosting a full stream of the record and reviewing it then. So we’ll get there, but in the meantime, I’m gonna not say everything I want to say about the four-track offering before, you know, it’s time to actually say it. Stone Machine Electric are a fun band to write about, but in almost all cases, reviewing stuff twice is a bummer. “Didn’t I already do this?” and so on.

That bit of procedural declaration aside, let’s talk about “Circle” instead. On Darkness Dimensions Disillusion, it’s an immediate standout for being about half as long as the next shortest track on the record. That is, it’s 4:44 and the preceding “SAND” is 8:19. The bookending opening and closing cuts — the names of which I’m not even going to mention because that’s how much I’m not reviewing the album right now — are both over 12 minutes. “Circle” might also be a standout in the band’s entire discography as well, though, for its straightforward structure. Intro, verse, chorus, verse, chorus, solo/bridge, chorus, end. While kind of standard for the rest of the various forms of rock and roll, it’s still a shift in approach on the part of Stone Machine Electric, who’ve traditionally been more about crafting spacious jams than hooks, though they’re not exactly strangers to the idea, as their past work has shown.

The tonal crunch of guitar comes accompanied by a more melodic vocal from William “Dub” Irvin, and the changes between the movements in “Circle” are driven fluidly by Mark Kitchens‘ drumming in a way that underscores the jammy foundations shown on the rest of the album — which, again, I’m definitely not going to review now. In fact, I should probably just leave it there until later in the month.

Instead of hearing me ramble (more), why don’t you just go ahead and dig into Kitchens‘ art in the video for “Circle” below and enjoy a little bit of the old elsewhere-rock as only Stone Machine Electric can provide.

Brief comment from the band, live dates and preorder link follow:

Stone Machine Electric, “Circle” official video premiere

Circle is about the monotony that is life as seen from a macro perception, and sometimes you just want something to come crashing into it in order to reset the cycle.

Upcoming Dates (more to come):
4/6/19 Anderson Mill Pub – Austin, TX
4/26/19 Division Brewing – Arlington, TX (Album Release Show)
5/17/19 Lost Well – Austin, TX
6/28/19 Tin Panther – Fort Worth, TX
6/29/19 Freetown Boom Boom Room, Lafayette, LA
8/31/19 Reno’s Chop Shop – Dallas, TX (Dallas Fuzz Rock Festival)

Preorder Darkness Dimensions Disillusion at: https://thesludgelord.bandcamp.com/album/darkness-dimensions-dillusion

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Stone Machine Electric to Release Darkness Dimensions Disillusion April 26

Posted in Whathaveyou on March 7th, 2019 by JJ Koczan

stone machine electric

I’m not even going to pretend I haven’t heard this one. Stone Machine Electric have a new album coming out. It has four songs on it, and it’s awesome. The Texan bizarrojam duo have been at it for nearly a decade now, and it’s been nothing short of a joy to hear them get weirder and more comfortable getting weirder as they’ve grown into their own style, and Darkness Dimensions Disillusion is four songs serving as the next step in that ongoing process. I’m keeping my fingers crossed I’ll get to premiere a track or something this time around, but we’ll see as we get closer to the April 26 release on Sludgelord Records whether or not that happens.

Either way, the record is awesome, which is no less than I would expect from Stone Machine Electric, who’ve made that their ply and trade all the while. Their last offering was 2016’s Sollicitus es Veritatem (review here) and its 2017 live companion, Vivere (review here), so they’re due, and as they work once more with Kent Stump (Wo Fat) at Crystal Clear Sound in Dallas, they’re nothing if not right in their element. All the better.

More to come, but here are the PR wire preliminaries:

Stone Machine Electric Darkness Dimensions Disillusion

STONE MACHINE ELECTRIC – Darkness Dimensions Disillusion

Texas-based duo best known for their weird approach in crafting a darkened and spacious vision of psychedelic jamming are ready to reveal their latest effort. This album was produced, mixed, and mastered by Kent Stump at Crystal Clear Sound in Dallas, Texas.

Darkness Dimensions Disillusion informs you on the greater picture that is not seen, reinforces the confusion, reminds you nothing changes, and lets you know that you are still not in control.

Track Listing:
1. Sum of Man
2. SAND
3. Circle
4. Purgatory

Darkness Dimensions Disillusion will be released on Sludgelord Records on April 26th, 2019.

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Stone Machine Electric, Vivere (2017)

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Stone Machine Electric Set to Begin Recording Next Album

Posted in Whathaveyou on July 12th, 2018 by JJ Koczan

Clearly working on the model of not fixing that which isn’t broken in the first place, Hurst, Texas, duo Stone Machine Electric will hit Crystal Clear Sound in Dallas later this month to begin recording material for their next long-player. As was the case with their woefully prescient but nonetheless deeply enjoyable 2016 album, Sollicitus es Veritatem (review here), which went on to spawn the complementary 2017 live record, Vivere (review here), it will be none other than guitarist/vocalist Kent Stump of Wo Fat at the helm as producer. Stump did well capturing the jammy fluidity and weirdo-prone spacious noisemaking of the band the last time out, and I’d expect no less of the new outing, which if they hurry could even see release by the time Stone Machine Electric return to play this year’s Obelisk-sponsored Heavy Mash fest in October. More info on that here, but the underlying point is we should all go. You. Me. Everybody. Off to Texas.

It’s July and that’s in October, so unless Stone Machine Electric really bang it all out on the quick — hey, it could happen — the new album’s arrival might be later on or even early next year depending on pressing schedules, etc., but whenever it shows up, it’ll be welcome, as the band always seem to be underrated when it comes to their chemistry and the personality they bring to their songs.

Their latest update follows here:

stone machine electric

At the end of July, we’ll be making our way back to Crystal Clear Sound with Kent Stump (don’t act like you don’t know who he is, coughWOFATcough) behind the controls once again! We’ve got a handful of songs to record, and those will get organized and released into our next album. We’ve got no idea when that will occur. Baby steps?

In the meantime, feel free to raid our merch store so you can help us bring you more news (wink-wink, say no more)! Use the code – electricreport – at our bandcamp site and get 20% off of anything. Anything.

On 7/23/18 we’re playing with Apostle of Solitude and Pale Divine in Dallas, TX as part of their tour: https://www.facebook.com/events/231811624088265/

On 8/4/18 we’re celebrating our good friend Anton’s birthday at Division Brewing with Orthodox Fuzz, Space Ape, CI, and Dead Hawke: https://www.facebook.com/events/197067261107883/

Yes, we’re playing Heavy Mash! Get tickets HERE, read about it HERE

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Stone Machine Electric, Vivere (2017)

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Stone Machine Electric Post Update on New Material

Posted in Whathaveyou on May 11th, 2018 by JJ Koczan

A vague update, a merch sale, and then, hey, a send-us-your-address-and-we’ll-send-you stickers-and-whatnot, and yeah, that’s pretty much the latest from Texas duo Stone Machine Electric. Charming as ever, and no, I’m not being sarcastic about that. They’ve had new material in the works for a while now for an album that either will or will not get out before the end of the year, and last we heard from them, they were talking up a CD pressing of their 2014 Garage Tape (review here) release that seems to be available to order now from their Bandcamp.

All good stuff, and I’m curious to find out if they’ll put together another Heavy Mash for this year. You might recall, the inaugural edition in 2017 was presented in part by this site. Still one of my favorite show posters as well.

Here’s the latest newsletter from the band:

stone machine electric

THE ELECTRIC REPORT 13

We’ve been a little recluse this year, but that’s because we’re working on all that “behind the scenes” stuff you never see. It’s ugly, we’re ugly, but everything is ugly! Don’t fret, unless you’re playing guitar, that means we’ve got news we’re not disclosing quite yet. Nothing big, just working on the newer material. Getting ready to do things with it.

In the meantime, feel free to raid our merch store so you can help us bring you more news (wink-wink, say no more)! Use the code – electricreport – at our bandcamp site and get 20% off of anything. Anything.

You can still email us at band@stonemachineelectric.net and send us your physical mailing address. Maybe we’ll send you a postcard, a sticker, or who knows what! Yeah, who knows what we’re doing – we don’t….

I bet you want to know Will we be playing Heavy Mash again this year? Are you wondering what Heavy Mash is?

Did you know Kitchens released a solo effort under the name Slow Draw? You should check it out!

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Stone Machine Electric, “The Demon and the Bird” official video

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Stone Machine Electric Post “The Demon and the Bird” Video

Posted in Bootleg Theater on August 24th, 2017 by JJ Koczan

stone machine electric

Oh, I do love it when Stone Machine Electric get weird. They’re so good at it. The Hurst, Texas, duo of guitarist/vocalist William “Dub” Irvin and drummer/thereminist/synthesist/backing vocalist Mark Kitchens have a few particularly choice live appearances slated for the next couple months, including one tonight with The Midnight Ghost Train, a slot at the Obelisk-presented Heavy Mash in September (info here) and one at End Hip End It in October (info here) that puts them on a bill with damn near half their home state, including boogie magnates Amplified Heat and reformed proto-heavy rockers Josefus.

Perhaps in part to mark the forthcoming occasion(s) and to follow-up on their late-2016 live offering, Vivere (review here) — which was itself an answer to the studio release, Sollicitus es Veritatem (review here), that came out earlier in the year — Dub and Kitchens are doing that thing they do so well: getting weird. Actually, getting kind of creepy. Their new video, for the six-minute, bass-led experimental piece “The Demon and the Bird,” carries a warning that its flashing lights might be dangerous to those with a sensitivity to such things. It should probably also have a one in there about haunting dreams.

I’m not really sure what’s going on in the clip. There’s someone walking into a building, then there’s creepy-mask-face, then I’m hiding under the table and that’s about where I get lost. All I know from there on out is that the atmosphere of the song itself seems likewise intended to terrify, starting out a little prog noodly and working its way toward eerie drones to add to the tension of the fretwork. It could well be there’s a narrative playing out in the video, though — the band are pretty tight-lipped on the subject — and as they’re never really too long between one offering and the next, current work feeding off prior work as they go, I can’t help but wonder if “The Bird and the Demon” might bode of more darkness to follow.

Then again, could be a total freak one-time thing. Part of the fun of Stone Machine Electric is that you never really know what you’re going to get.

Video, info and live dates follow, courtesy of the PR wire. Please enjoy:

Stone Machine Electric, “The Demon and the Bird” official video

Stone Machine Electric – “The Demon and the Bird” Video Release

The duo known only as Stone Machine Electric (we only have one band name) have completed work on a concept video titled “the Demon and the Bird”.

At this time, there is no further explanation for this video or any good reason for releasing it. Maybe it will make you want to purchase our fine wares or come see us do make-believe on stage.

WARNING: This video may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.

Stone Machine Electric live:
AUG 24 The Grotto, Fort Worth, TX w/ The Midnight Ghost Train, Huffer, Gypsy Sun Revival
SEP 7 Lola’s Saloon Fort Worth, TX w/ The Atomic Bitchwax
SEP 23 & 24 Division Brewing, Arlington, TX – Heavy Mash 2017 featuring Wo Fat and more!
OCT 7 Division Brewing, Arlington, TX w/ Gypsy Sun Revival
OCT 21 & 22 End Hip End It Music Festival, Old Town Spring, Spring, TX

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