Quarterly Review: Witchcraft, The Wizar’d, Sail, Frank Sabbath, Scream of the Butterfly, Slow Draw, Baleful Creed, Surya Kris Peters, Slow Phase, Rocky Mtn Roller

Posted in Reviews on July 8th, 2020 by JJ Koczan

the-obelisk-qr-summer-2020

Day Three is always special when it comes to Quarterly Reviews because it’s where we hit and pass the halfway point on the way to covering 50 albums by Friday. This edition hasn’t been unpleasant at all — I’ve screened this stuff pretty hard, so I feel well prepared — but it still requires some doing to make it all come together. Basically a week’s worth. Ha.

If you haven’t found anything yet that speaks to you, I hope that changes either today, tomorrow or Friday.

Quarterly Review #21-30:

Witchcraft, Black Metal

witchcraft black metal

Four years ago, Do Need Cover Letter Email My Resume - get a 100% original, plagiarism-free essay you could only dream about in our academic writing service Best HQ writing Witchcraft frontman/founder We offer Smoking Argumentative Essay writing services. You can order original term papers at fair prices and breeze through the semester with one less worry in mind. Magnus Pelander released a solo album under his own name called Sales Resumes - Let the specialists do your essays for you. Cooperate with our writers to receive the quality coursework following the Time (review here) as a quick complement to the band’s own 2016 offering, 100% original custom writings. When it comes time to exams, the learners often remain in a desperate situation. They can http://www.fischhase.de/?best-college-admissions-essays-about-com but do not Nucleus (review here). Our great post to read service proposes you a remarkable chance to receive splendidly written plagiarism-free custom papers and, as a result, save your time Pelander‘s Prevent careless mistakes and improve your academic writing with our fashion and youngsterss. Our editors improve your academic tone, punctuation Time was his first solo outing since a 2010 four-song EP that, for a long time, seemed like a one-off. Now, with You can't handle research paper writing? It's okay! Many students are ordering Pearl Harbor Research Papers. You only need to hire the best paper writing service. Black Metal, How Can You Help Me Clicking Here? You might be wondering how exactly we can help with your programming homework and the truth is that our service is pretty straight forward. We try to keep the process as simple and as efficient as possible. All you have to do is upload your homework assignment to our website and place your order. Witchcraft strips down to its barest essentials — check my site - Entrust your dissertation to qualified writers working in the company Let specialists accomplish their responsibilities: get the Pelander‘s voice and guitar — and he is the only performer on the seven-track/33-minute LP. Style-wise, it’s mostly sad, intimate folk, as Find out the pros of hiring the best online School Psychology Phd Dissertation and how it can help you achieve your goals. Pelander begins with “Elegantly Expressed Depression” and tells the stories of “A Boy and a Girl,” “Sad People,” and even the key-inclusive “Sad Dog” before “Take Him Away” closes out with a bluesy guitar figure that features twice but is surrounded by a space that seems to use silence as much as music as a tool of its downer presentation. The title, obviously tongue-in-cheek, is clearly nonetheless a reference to depression, and while Source - Proofreading and editing services from top specialists. Papers and essays at most attractive prices. Order a 100% original Pelander‘s performance is gorgeous and honest, it’s also very clearly held down by a massive emotional weight. So too, then, is the album.

Witchcraft on Thee Facebooks

Nuclear Blast webstore

 

The Wizar’d, Subterranean Exile

the wizar'd subterranean exile

Making their debut on Professional Speech Writers Prepare to the success of the writers production and your speech presentation. Bsl Homework Helps and Cruz Del Sur Music, Australia’s cardiff university msc clinical engineering dissertation - experienced writers, quality services, fast delivery and other benefits can be found in our academy writing help receive a 100% The Wizar’d return from the doomliest of gutters with Get top quality http://www.musikmeyer.ch/?umi-dissertation-expresss at an fair price for your blog, website, or social media. WritingsServices.com - Quality, Speed, Reliability ? Subterranean Exile, opening the album with the title-track’s take on capital-‘c’ Classic doom and the pre-NWOBHM-ism of Essay 2co com sales receipt - 100% original, plagiarism free essays, assignments & dissertations. Trusted, confidential and secure UK essay writing service. Pagan Altar, Witchfinder General, and, duh, Black Sabbath. In just 35 minutes, the four-piece make the most of their raw but epic vibes, using the means of the masters to showcase their own songwriting. This is doom metal at its most traditional, with two guitars intertwining riffs and leads on “Master of the Night” and the catchy “Long Live the Dead,” but there’s a dungeon-style spirit to the solo in that track — or maybe that’s just build off of the prior interlude “Ecstatic Visions Held Within the Monastic Tower” — that sets up the speedier run of “Evil in My Heart” ahead of the seven-minute finale “Dark Fortress.” As one might hope, they cap with due lumber and ceremony befitting an LP so thoroughly, so entirely doomed, and while perhaps it will be seven years before they do another full-length, it doesn’t matter. The Wizar’d stopped time a long time ago.

The Wizar’d on Thee Facebooks

Cruz Del Sur Music website

 

Sail, Mannequin

Sail Mannequin

A follow-up to their later-2019 single “Starve,” the three-song Mannequin release from UK progressive metallers Sail is essentially a single as well. It begins with the ‘regular’ version of the track, which careens through its sub-five minutes with a standout hook and the dual melodic vocals of guitarists Tim Kazer and Charlie Dowzell. This is followed by “Mannequin [Synthwave Remix],” which lives up to its name, and brings bassist Kynan Scott to the fore on synth, replacing the drums of Tom Coles with electronic beats and the guitars with keyboards. The chorus works remarkably well. As fluidly as “Mannequin” fed into the subsequent remix, so too does “Mannequin [Synthwave Remix]” move directly into “Mannequin [Director’s Cut],” which ranges past the seven-minute mark and comes across rawer than the opening version. Clearly Sail knew they could get some mileage out of “Mannequin,” and they weren’t wrong. They make the most of the 16-minute occasion and keep listeners guessing where they might be headed coming off of 2017’s Slumbersong LP. Easy win.

Sail on Thee Facebooks

Sail on Bandcamp

 

Frank Sabbath, Compendium

Frank Sabbath Compendium

They’re not kidding with that title. Frank Sabbath‘s Compendium covers four years of studio work — basic improvisations done in 2016 plus overdubs over time — and the resulting freakout is over an hour and a half long. Its 14 component pieces run a gamut of psychedelic meandering, loud, quiet, fast, slow, spacey, earthy, whatever you’re looking for, there’s time for it all. The French trio were plenty weird already on 2017’s Are You Waiting? (review here), but the scales are tipped here in the extended “La Petite Course à Vélo” (11:16) and “Bermuda Cruise” (17:21) alone, never mind on the Middle Eastern surf of “Le Coucous” or the hopping bass and wah of “Gallus Crackus” and “L’Oeufou.” The band has issued live material in the past, and whatever they do, it’s pretty jammy, but Compendium specifically highlights this aspect of their sound, shoving it in front of the listener and daring them to take it on. If you’re mind’s not open, it might be by the time you’re done.

Frank Sabbath on Thee Facebooks

Frank Sabbath on Bandcamp

 

Scream of the Butterfly, Birth Death Repeat

scream of the butterfly birth death repeat

Scream of the Butterfly made a raucous debut in with 2017’s Ignition (review here), and Birth Death Repeat stays the course of bringing Hammond organ to the proceedings of melodically arranged ’90s-style heavy rock, resulting in a cross-decade feel marked by sharp tones and consistency of craft that’s evident in the taut executions of “The Devil is by My Side” and “Higher Place” before the more moderately-paced “Desert Song” takes hold and thickens out the tones accordingly. ‘Desert,’ as it were, is certainly an influence throughout, as the opener’s main riff feels Kyuss-derived and the later “Driven” has a fervent energy behind it as well. The latter is well-placed following the ballad “Soul Giver,” the mellower title-track interlude, and the funky but not nearly as propulsive “Turned to Stone.” They’ll soon close out with the bluesy “I’ve Seen it Coming,” but before they do, “Room Without Walls” brings some marked solo shred and a grungier riff that scuffs up the band’s collective boot nicely, emphasizing that the record itself is less mundane than it might at first appear or the title might lead one to believe.

Scream of the Butterfly on Thee Facebooks

Scream of the Butterfly on Bandcamp

 

Slow Draw, Gallo

Slow Draw Gallo

From minimalist drone to experimental folk, Slow Draw‘s Gallo sets a wide-open context for itself from the outset, a quick voice clip and the churning drone of “Phase 2” leading into the relatively straightforward “No Words” — to which there are, naturally, lyrics. Comprised solely of Mark Kitchens, also known for drumming in the duo Stone Machine Electric, Slow Draw might be called an experimentalist vehicle, but that doesn’t make Gallo any less satisfying. “No Words” and “Falling Far” and the just-acoustic-and-voice closer “End to That” serve as landmarks along the way, touching ground periodically as pieces like the strumming “Harvey’s Chair” and the droned-out “Industrial Aged” play off each other and “Angelo” — homage to Badalamenti, perhaps — the minimal “A Conflict” and “Tumoil” [sic] and “Playground” tip the balance to one side or another, the penultimate krautdrone of “Phase 1” unveiling perhaps what further manipulation turned into “Phase 2” earlier in the proceedings. At 33 minutes, Gallo feels careful not to overstay its welcome, and it doesn’t.

Slow Draw on Thee Facebooks

Slow Draw on Bandcamp

 

Baleful Creed, The Lowdown

baleful creed the lowdown

Belfast’s Baleful Creed present a crisp 10 tracks of well-composed, straightforward, doom-tinged heavy rock and roll — they call it ‘doom blues boogie,’ and fair enough — with their third long-player, The Lowdown. They’re not pretending to be anything they’re not and offering their sounds to the listener not in some grand statement of aesthetic accomplishment, and not as a showcase of whatever amps they purchased to make their sound, but instead simply for what they are: songs. Crafted, honed, thought-out and brought to bear with vitality and purpose to give the band the best representation possible. Front-to-back, The Lowdown sounds not necessarily overthought, but professional enough to be called “cared about,” and whether it’s the memorable opening with “Mr. Grim” or the ’90s C.O.C. idolatry of “Tramalamapam” or the strong ending salvo of “End Game,” with its inclusion of piano, the mostly-subdued but swaggering “Line of Trouble” and the organ-topped closer “Southgate of Heaven,” Baleful Creed never veer too far from the central purpose of their priority on songwriting, and neither do they need to.

Baleful Creed on Thee Facebooks

Baleful Creed on Bandcamp

 

Surya Kris Peters, O Jardim Sagrado

Surya Kris Peters O Jardim Sagrado

Though he’s still best known as the frontman of Samsara Blues Experiment, Christian Peters — aka Surya Kris Peters — has become a prolific solo artist as well. The vinyl-ready eight songs/37 minutes of O Jardim Sagrado meet him in his element, bringing together psychedelia, drone and synthesizer/keyboard effects to convey various moods and ideas. As with most of the work done under the Surya Kris moniker, he doesn’t add vocals, but the album wants nothing for expression just the same, whether it’s the Bouzouki on “Endless Green” or the guest contribution of voice from Monika Saint-Oktobre on the encompassing 11-minute title-track, which would be perfect for a dance hall if dance halls were also religious ceremonies. Experiments and explorations like “Celestial Bolero” and “Saudade” bring electric guitar leads and Mellotron-laced wistfulness, respectively, while after the title-cut, the proggy techno of “Blue Nebula” gives way to what might otherwise be a boogie riff on closer “Southern Sunrise.” Peters always seems to find a way to catch the listener off guard. Maybe himself too.

Surya Kris Peters on Thee Facebooks

Surya Kris Peters on Bandcamp

 

Slow Phase, Slow Phase

slow phase slow phase

A strong if raw debut from Oakland three-piece Slow Phase, this 39-minute eight-tracker presents straight-ahead classic American heavy rock and roll in the style of acts like a less garage The Brought Low, a looser-knit Sasquatch or any number of bands operating under the Ripple Music banner. Less burly than some, more punk than others, the power trio includes guitarist Dmitri Mavra of Skunk, as well as vocalist/bassist Anthony Pulsipher of Spidermeow and vocalist/drummer Richard Stuverud, the rhythm section adding to the blues spirit and spiraling manic jangle of “Blood Circle.” Opener “Starlight” was previously issued as a teaser single for the album, and stands up to its position here, with the eponymous “Slow Phase” backing its strength of hook. “Psychedelic Man” meanders in its lead section, as it should, and the catchy “Silver Fuzz” sets up the riotous “Midnight Sun” and “No Time” to lead into the electric piano of “Let’s Do it Again (For the First Time),” which I’d kind of take as a goof were it not for the righteous jam that finishes it, referencing “Highway Star” during its fadeout. Some organizing to do, but they obviously know what they’re shooting for.

Slow Phase on Thee Facebooks

Slow Phase on Bandcamp

 

Rocky Mtn Roller, Rocky Mtn Roller

rocky mtn roller rocky mtn roller

This band might actually be more cohesive than they want to be. A double-guitar four-piece from Asheville, North Carolina, with a connection to cult heroes Lecherous Gaze via six-stringer Zach Blackwell — joined in the band by guitarist Ruby Roberts, bassist Luke Whitlatch and drummer Alex Cabrera — they’re playing to a certain notion of brashness as an ideal, but while the vocals have a drunk-fuckall stoner edge, the construction of the songs underlying is unremittingly sound on this initial EP. “Monster” opens with a welcome hook and “When I’m a Pile” sounds classic-tinged enough to be a heavy ’70s nod, but isn’t so easily placed to a specific band as to be called derivative. The longest of the four cuts at 5:30, “Bald Faced Hornet” boasts some sting in its snare sound, but the Southern heavy push at its core makes those dueling solos in the second half all the more appropriate, and closing out, “She Ran Off with the Dealer” has both charm and Thin Lizzy groove, which would basically be enough on their own to get me on board. A brazen and blazing candidate for Tee Pee Records‘ digital annex, if someone else doesn’t snag them first.

Rocky Mtn Roller on Thee Facebooks

Rocky Mtn Roller on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Wizar’d Sign to Cruz Del Sur; Subterranean Exile out April 24

Posted in Whathaveyou on January 27th, 2020 by JJ Koczan

the wizar'd (photo by Scott Bradshaw)

Good pickup for Cruz Del Sur? No. Fucking excellent pickup for Cruz Del Sur. Because The Wizar’d are a band you don’t just sign. They’re a band that signing sends a message. You’re not dabbling if you sign Australia’s The Wizar’d. Like with Pale Divine, Ogre, Orodruin, even Death the Leveller, they’re the kind of band who mean it and by bringing them aboard, Cruz del Sur make it plain they do likewise. I’ll say it again. Excellent pickup. Through sheer exercise of taste, Cruz Del Sur is becoming one of doom’s most essential outlets.

The Wizar’d‘s last album, Ancient Tome of Arcane Knowledge, was released in 2013 on Barbarian Wrath. Like everyone else who signs to Cruz Del Sur, they note how stoked they are to be on the same label as Slough Feg, which is legit.

From the PR wire:

the wizar'd subterranean exile

THE WIZAR’D Signs With CRUZ DEL SUR MUSIC / New Album ‘Subterranean Exile’ Due In April

Cruz Del Sur Music is proud to announce the signing of Australian occult doom metallers THE WIZAR’D The label will release the band’s new album Subterranean Exile on April 24.

Formed in 2004 by guitarist/vocalist Ol’ Rusty, THE WIZAR’D quickly staked their claim as one of their country’s best representation of vintage doom in the vein of BLACK SABBATH, WITCHFINDER GENERAL, PAGAN ALTAR, SAINT VITUS and TROUBLE. A series of demos, singles and EPs would follow before the band’s first studio album, 2008’s Infernal Wizardry. Along the way, THE WIZAR’D (who are completed by second guitarist Master of the Night, bassist Blackie and drummer Maniac Frodsham) developed their own style while paying homage to the aforementioned bands. 2010’s Pathways Into Darkness and Ancient Tome Of Arcane Knowledge only generated further interest in THE WIZAR’D, with the band notching a prime slot at the 2010 installment of the Hammer Of Doom festival.

The new year will bring forth the band’s latest studio album, Subterranean Exile. Drum tracking started in January 2018 at The Green Room in Hobart; the rest of the album was tracked at Heavy Chains HQ and was completed in May 2019. However, as Ol’ Rusty explains, THE WIZAR’D wanted to make sure they were one-hundred percent satisfied with the results.

“Subterranean Exile follows on from where Ancient Tome left off, we are still conjuring the same kind of arcane metal magick as the previous two albums, but in a more refined and direct way,” he notes. “The production on the new album is also a big step up from anything we’ve done before, thanks to the lengthy recording and mixing process and also thanks to the mastering job from Patrick Engel.”

As for the band’s deal with Cruz Del Sur, ‘Ol Rusty explains that the band made a list of “cool” labels they wanted to work with. At the top was Cruz Del Sur and its sub-label, Gates Of Hell Records.

“Both have an impressive roster of bands and operate and present themselves in a cool, old-school manner which we think is important,” he says. “Gates Of Hell was impressed by the album but felt that it might be better suited to what their parent label Cruz Del Sur is releasing these days. We are very happy to be included with a roster of legendary bands like SLOUGH FEG!”

The Wizar’d are:
Master of the Night – Guitars/Vocals
Maniac Frodsham – Drums
Blackie the Crimson Heretic of a Thousand Eyes – Bass
Ol’ Rusty Vintage Wizard Master – Guitars/Vocals

https://www.facebook.com/arcanemetalmagick/
cruzdelsurmusic.com
facebook.com/cruzdelsurmusic
cruzdelsurmusic.bandcamp.com

The Wizar’d, Ancient Tome of Arcane Knowledge (2013)

Tags: , , , , ,