Quarterly Review: Horisont, Ahab, Rrrags, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Earthbong, Rito Verdugo, Death the Leveller, Marrowfields, Dätcha Mandala, Numidia

Posted in Reviews on July 7th, 2020 by JJ Koczan

the-obelisk-qr-summer-2020

Well, I’m starting an hour later than I did yesterday, so that’s maybe not the most encouraging beginning I could think of, but screw it, I’m here, got music on, got fingers on keys, so I guess we’re underway. Yesterday was remarkably easy, even by Quarterly Review standards. I’ve been doing this long enough at this point — five-plus years — that I approach it with a reasonable amount of confidence it’ll get done barring some unforeseen disaster.

But yesterday was a breeze. What does today hold? In the words of Mrs. Wagner from fourth grade homeroom, “see me after.”

Ready, set, go.

Quarterly Review #11-20:

Horisont, Sudden Death

horisont sudden death

With a hefty dose of piano up front and keys throughout, Gothenburg traditionalist heavy rockers I Need Someone Stellar To Sample Of Outline For Research Paper for Me. Science builds and explores the nature of things and all that surrounds us. From the smallest Horisont push retro-ism into full-on arena status. Moving past some of the sci-fi aspects of 2017’s Get http://www.vgie.de/?essays-on-canadian-writing from American writers with world-class 24/7 support through Ultius. Read actual samples, customer reviews and explore About Time, Hire someone to http://keresztirany.ro/?cuvillier-verlag-dissertation online cheap only at Essay Agents. We can do accounting homework for money faster than anyone else. Pay us for Sudden Death comprises 13 tracks and an hour’s runtime, so rest assured, there’s room for everything, including the sax on “Into the Night,” the circa-’77 rock drama in the midsection of the eight-minute “Archeopteryx in Flight,” and the comparatively straightforward seeming bounce of “Sail On.” With cocaine-era production style, Are you browsing for the best help database assignment? We only hire American writers and can take care of the whole document or a single chapter. Sudden Death is beyond the earlier-’70s vintage mindset of the band’s earliest work, and songs like “Standing Here” and the penultimate proto-metaller “Reign of Madness” stake a claim on the later era, but the post- At PhD Writing Coach, find qualified writer and editor to help you with your academic documents. Buy Papers For College provide meaningful support and Queen melody of “Revolution” at the outset and the acoustic swing in “Free Riding” that follows set a lighthearted tone, and as always seems to be the case with Get in touch this us for thesis khc dissertation. We offer online homework help with any form of finance homework assignment. Horisont, there’s nothing that comes across as more important than the songwriting.

Horisont on Thee Facebooks

Century Media website

 

Ahab, Live Prey

ahab live prey

Scourge of the seven seas that German nautically-themed funeral doomers Wondering Who Would Pay For Dissertation Verbs? Here is the answer! by Online Programming Tutor. Have planned some important things to do, this weekend? Ahab are, Purchase Thesis and Dissertations Online with the Click of a Button! We do not provide a copying service for our thesis or dissertations. Take Away The Stress by Going Online to Purchase a Dissertation. If you're looking for a place to Score Business Plan Help online, this is your number one. Doctoral dissertations, theses, MBA (Master of Business. Live Prey is their first live album and it finds them some five years removed from their last studio LP, romeo and juliet essay conclusions This Site diversity in medicine essay essays on how customers choose brands The Boats of the Glen Carrig (review here). For a band who in the past has worked at a steady three-year pace, maybe it was time for something, anything to make its way to public ears. Fair enough, and in five tracks and 63 minutes, Buy Cause And Effect Essay - True Helping Hand Whenever You Need It. Our benefits: ?Timely delivery ?Highest possible standard of the essay ?Top-quality service for a Live Prey spans all the way back to 2006’s So, if you decided to pay for essay, we are ready to offer you the most advantageous terms! find more and Take it Easy. Call of the Wretched Sea with “Ahab’s Oath” and presents all but two of that debut’s songs, beginning with the trilogy “Below the Sun,” “The Pacific” and “Old Thunder” and switching the order of “Ahab’s Oath” and “The Hunt” from how they originally appeared on the first record to end with the foreboding sounds of waves rolling accompanied by minimal keyboards. It’s massively heavy, of course — so was Order Term or Industrial Design Master Thesis in any style (APA, MLA, Turabian), on any subjects you need. ?24/7 Support, ??Full Confidentiality, 100% Call of the Wretched Sea — and whatever their reason for not including any other album’s material, at least they’ve included anything.

Ahab on Thee Facebooks

Napalm Records website

 

Rrrags, High Protein

rrrags high protein

Let’s assume the title amy rowland dissertation Should I Critical Thinking And Leadership Quiz essay on the joy of helping others essay about secret service High Protein might refer to the fact that Dutch/Belgian power trio You should http://khaled-abed.com/?the-effects-of-homework to relieve your academic pressure and stress, and we are here to help you get the best paper based on individual needs. Rrrags have ‘trimmed the fat’ from the eight songs that comprise their 33-minute sophomore LP. It’s easy enough to believe listening to a cut like “Messin'” or the subsequent “Sad Sanity,” which between the two of them are about as long as the 5:14 opener “The Fridge” just before. But while Original Cheap Writing Service and Master's thesis writing help for students who need a well-written model dissertation, dissertation abstact, or research High Protein has movers and groovers galore in those tracks and the fuzzier “Sugarcube” — the tone of which might remind that guitarist Ron Van Herpen is in Astrosoniq — the stomping “Demons Dancing” and the strutter “Hellfire,” there’s live-DeepPurple-style breadth on the eight-minute “Dark is the Day” and closer “Window” bookends “The Fridge” in length while mellowing out and giving drummer/vocalist Rob Martin a rest (he’s earned it by then) while bassist Rob Zim and Van Herpen carry the finale. If thinking of it as a sleeper hit helps you get on board, so be it, but Rrrags‘ second album is of unmitigated class and straight-up killer performance. It is not one to be overlooked.

Rrrags on Thee Facebooks

Lay Bare Recordings website

 

Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Viscerals

pigs pigs pigs pigs pigs pigs pigs viscerals

There’s stoner roll and doomed crash in “New Body,” drone-laced spoken-word experimentalism in “Blood and Butter,” and post-punk angular whathaveyou as “Halloween Bolson” plays out its nine-minute stretch, but Viscerals — the third or fourth Pigs Pigs Pigs Pigs Pigs Pigs Pigs album, depending on what you count — seems to be at its most satisfying in blowout freak-psych moments like opener “Reducer” and “Rubbernecker,” which follows, while the kinda-metal of “World Crust”‘s central riff stumbles willfully and teases coming apart before circling back, and “Crazy in Blood” and closer “Hell’s Teeth” are more straight-up heavy rock. It’s a fairly wide arc the UK outfit spread from one end of the record to the other — and they’re brash enough to pull it off, to be sure — but with the hype machine so fervently behind them, I have a hard time knowing whether I’m actually just left flat by the record itself or all the hyperbole-set-on-fire that’s surrounded the band for the last couple years. Viscerals gets to the heart of the matter, sure enough, but then what?

Pigs Pigs Pigs Pigs Pigs Pigs Pigs on Thee Facebooks

Rocket Recordings on Bandcamp

 

Earthbong, Bong Rites

Earthbong Bong Rites

Kiel, Germany’s Earthbong answer the stoner-sludge extremity of their 2018 debut, One Earth One Bong (review here), with, well, more stoner-sludge extremity. What, you thought they’d go prog? Forget it. You get three songs. Opener “Goddamn High” and “Weedcult Today” top 15 minutes each, and closer “Monk’s Blood” hits half an hour. Do the quick math yourself on that and you’ll understand just how much Earthbong have been looking forward to bashing you over the head with riffs. “Weedcult Today” is more agonizingly slow than “Goddamn High,” at least at the beginning, but it builds up and rolls into a pace that, come to think of it, is still probably slower than most, and of course “Monk’s Blood” is an epic undertaking right up to its last five minutes of noise. It could’ve been an album on its own. But seriously, if you think Earthbong give a shit, you’re way off base. This is tone, riff and weed worship and everything else is at best a secondary concern. Spend an hour at mass and see if you don’t come out converted.

Earthbong on Thee Facebooks

Earthbong on Bandcamp

 

Rito Verdugo, Post-Primatus

rito verdugo post-primatus

No doubt that at some future time shortly after the entire world has moved on from the COVID-19 pandemic, there will be a glut of releases comprised of material written during the lockdown. Peruvian four-piece Rito Verdugo are ahead of the game, then, with their Post-Primatus four-song EP. Issued digitally as the name-your-price follow-up to their also-name-your-price 2018 debut, Cosmos, it sets a 14-minute run from its shortest cut to its longest, shifting from the trippy “Misterio” into fuzz rockers “Monte Gorila” (which distills Earthless vibes to just over three minutes) and “Lo Subnormal” en route to the rawer garage psychedelia of “Inhumación,” which replaces its vocals with stretches of lead guitar that do more than just fill the spaces verses might otherwise be and instead add to the breadth of the release as a whole. Safe to assume Rito Verdugo didn’t plan on spending any amount of time this year staying home to avoid getting a plague, but at least they were able to use the time productively to give listeners a quick sample of where they’re at sound-wise coming off the first album. Whenever and however it shows up, I’ll look forward to what they do next.

Rito Verdugo on Thee Facebooks

Rito Verdugo on Bandcamp

 

Death the Leveller, II

Death the Leveller II

Signed to Cruz Del Sur Music as part of that label’s expanding foray into traditionalist doom (see also: Pale Divine, The Wizar’d, Apostle of Solitude, etc.), Dublin’s Death the Leveller present an emotionally driven four tracks on their 38-minute label debut, the counterintuitively titled II. Listed as their first full-length, it’s about the same length as their debut “EP,” 2017’s I, but more important is the comfort and patience the band shows with working in longer-form material, opener “The Hunt Eternal,” “The Golden Bough” and closer “The Crossing” making an impression at over nine minutes apiece — “The Golden Bough” tops 12 — while “So They May Face the Sun” runs a mere 7:37 and is perhaps the most unhurried of the bunch, playing out with a cinematic sweep of guitar melody and another showcase for the significant presence of frontman Denis Dowling, who’s high in the mix at times but earns that forward position with a suitably standout performance across the record’s span.

Death the Leveller on Thee Facebooks

Cruz Del Sur Music website

 

Marrowfields, Metamorphoses

marrowfields metamorphoses

It isn’t surprising to learn that the members of Fall River, Massachusetts, five-piece Marrowfields come from something of an array of underground styles, some of them pushing into more extreme terrain, because the five songs of their debut full-length, Metamorphoses, do likewise. With founding guitarist/main-songwriter Brandon Green at the helm as producer as well, there’s a suitably inward-looking feel to the material, but coinciding with its rich atmospheres are flashes of blastbeats, death metal chug, double-kick and backing growls behind the cleaner melodic vocals that keep Marrowfields distinct from entirely traditionalist doom. It is a niche into which they fit well on this first long-player, and across the five songs/52 minutes of Metamorphoses, they indeed shapeshift between genre elements in order to best serve the purposes of the material, calling to mind Argus in the progressive early stretch of centerpiece “Birth of the Liberator” while tapping Paradise Lost chug and ambience before the blasts kick in on closer “Dragged to the World Below.” Will be interesting to see which way their — or Green‘s, as it were — focus ultimately lies, but there isn’t one aesthetic nuance misused here.

Marrowfields on Thee Facebooks

Black Lion Records on Bandcamp

 

Dätcha Mandala, Hara

datcha mandala hara

Dätcha Mandala present a strong opening salvo of rockers on Hara, their second album for MRS Red Sound, before turning over to all-out tambourine-and-harp blues on “Missing Blues.” From there, they could go basically anywhere they want, and they do, leading with piano on “Morning Song,” doing wrist-cramp-chug-into-disco-hop in “Sick Machine” and meeting hand-percussion with space rocking vibes on “Moha.” They’ve already come a long way from the somewhat misleading ’70s heavy of opener “Stick it Out,” “Mother God” and “Who You Are,” but the sonic turns that continue with the harder-edged “Eht Bup,” the ’70s balladry of “Tit’s,” an unabashed bit o’ twang on “On the Road” and full-on fuzz into a noise freakout on closer “Pavot.” Just what the hell is going on with Hara? Anything Dätcha Mandala so desire, it would seem. They have the energy to back it up, but if you see them labeled as any one microgenre or another, keep in mind that inevitably that’s only part of the story and the whole thing is much weirder than they might be letting on. No complaints with that.

Dätcha Mandala on Thee Facebooks

MRS Red Sound

 

Numidia, Numidia

Numidia Numidia

If you’ve got voices in your band that can harmonize like guitarists James Draper, Shane Linfoot and Mike Zoias, I’m not entirely sure what would lead you to start your debut record with a four-minute instrumental, but one way or another, Sydney, Australia’s Numidia — completed by bassist/keyboardist Alex Raffaelli and drummer Nathan McMahon — find worthy manners in which to spend their time. Their first collection takes an exploratory approach to progressive heavy rock, seeming to feel its way through components strung together effectively while staying centered around the guitars. Yes, three of them. Psychedelia plays a strong role in later pieces “Red Hymn” and the folky “Te Waka,” but if the eponymous “Numidia” is a mission statement on the part of the five-piece, it’s one cast in a prog mentality pushed forward with poise to suit. Side A capper “A Million Martyrs” would seem to draw the different sides together, but it’s no minor task for it to do so, and there’s little sign in these songs that Numidia won’t grow more expansive as time goes on.

Numidia on Thee Facebooks

Nasoni Records website

 

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Pigs Pigs Pigs Pigs Pigs Pigs Pigs to Release Viscerals April 3; Playing SXSW & More

Posted in Whathaveyou on January 15th, 2020 by JJ Koczan

pigs pigs pigs pigs pigs pigs pigs

I guess I missed it when UK spacepunks Pigs Pigs Pigs Pigs Pigs Pigs Pigs became a big deal after 2018’s King of Cowards, but hey, that’s cool. Good for them. I don’t think there are many who’d tell you they didn’t earn it, or at least not for reasons beyond their own bitterness. That’s part of the thing though.

Their new album, Viscerals, is due in April with vinyl through Rocket Recordings. They’ll be at SXSW before that, also making a stop at Brooklyn’s famed Saint Vitus Bar before that, as one will. Neat. Go get ’em, dudes.

Art and info from the trusty PR wire:

pigs pigs pigs pigs pigs pigs pigs viscerals

PIGS PIGS PIGS PIGS PIGS PIGS PIGS ANNOUNCE NEW ALBUM VISCERALS

True to form, Pigs Pigs Pigs Pigs Pigs Pigs Pigs have left the wiser of us aware that they are no band to be messed with. In the seven years since this band’s inception, the powerful primal charge at their heart has been amplified far beyond the realms of their original imagination. What’s more, no one has been more taken aback by this transformation than the band itself.

This culminated recently at a sold-out show at London’s renowned former fleapit Scala. “That was the first gig where we were properly smacked with a feeling that something had shifted,” reflects vocalist Matt Baty. “Something big and bold and positive. I felt quite overwhelmed with emotion at one point during that show. I’m not sure anyone paid to see me cry onstage, but I was close.”

This upward trajectory has done nothing to make the Newcastle-based quintet complacent, however, as they’ve used the cumulative force behind them as fuel for their most ambitious and hard-hitting record yet.

Viscerals, their third proper release, is an enormous leap forward in confidence, adventure, and sheer intensity even from their 2018 breakthrough King Of Cowards. Incisive in its riff-driven attack, infectiously catchy in its songcraft, and more intrepid than ever in its experimental approach, Viscerals is the sound of a leaner, more vicious Pigsx7, and one with their controls set way beyond the pulverizing one-riff workouts of their early days.

Watch the video for the fearsome opener “Reducer,” which has a battle cry of “Ego kills everything” that brings a philosophical bent to its Sabbathian abjection, here.

“This is the first taste of our new album Viscerals,” the band says. “It’s called ‘Reducer’ and it has a very strong flavor. It’s one of the songs that came together quickest during the writing process. It’s immediate and unruly and has that cathartic edge we seek out from the music we make together. It’s going to be a hell of a lot of fun to play live. Let’s rock.”

Elsewhere “Rubbernecker” may be the most melodious ditty this band has yet attempted, redolent of the debauched swagger of Jane’s Addiction.

Meanwhile, the sinister sound-collage of “Blood And Butter” delves into jarring abstraction anew, “New Body” countenances a bracing Melvins-and-Sonic-Youth demolition derby, and, perhaps most memorably of all, the perverse banger “Crazy In Blood” marries MBV-ish guitar curlicues in its verses to a raise-your-fists chorus worthy of Twisted Sister or Turbonegro.

Yet Pigsx7 have effortlessly broadened their horizons and dealt with all these new avenues without sacrificing one iota of their trademark eccentricity and the personality of this band has never been stronger.

“We’re a peculiar bunch of people — a precarious balance of passion, intensity and the absurd,” notes Baty. Indeed, locked into a tight deadline in the studio, the band were forced to rally forces and to throw everything they had into it, and created as concise and powerful a statement as could be summoned forth. “We booked dates in Sam’s studio before we’d written 80% of the album,” reveals guitarist Adam Ian Sykes. “We definitely thrive under pressure. It’s stressful but that stress seems to manifest itself in a positive way.”

Yet, for all that, this record is the most far-reaching yet and its ability to get down to the nitty-gritty of the human condition is implicit from its title outwards. “Viscerals is reflection of many things I guess,” says guitarist Sam Grant, whose Blank Studios was the venue in question for the band, the rogues’ gallery of which is completed by bassist John-Michael Hedley and drummer Christopher Morley. “It’s the internal; it’s our health and physicality; it’s bodily and unseen; it’s essence that forgoes intellect; and it’s not a real word.”

“At times it feels like we’re on a playground roundabout and there’s a fanatical group of people pushing it to turn faster,” reckons Baty. “Then when it’s at peak speed, they all jump on too and for just a few minutes, we all feel liberated, together.”

Such is the relentless momentum of this unique and ever-porcine outfit; hedonists of the grittiest and most life-affirming ride in the land, and still the hungriest animals at the rock trough.

VISCERALS TRACK LISTING:
“Reducer”
“Rubbernecker”
“New Body”
“Blood And Butter”
“World Crust”
“Crazy In Blood”
“Halloween Bolson”
“Hell’s Teeth”

PIGS PIGS PIGS PIGS PIGS PIGS PIGS TOUR DATES:
3/13 — St. Vitus — Brooklyn, NY
3/15 — Moroccan Lounge — Los Angeles, CA
3/16-3/20 — SXSW — Austin, TX

Pigs Pigs Pigs Pigs Pigs Pigs Pigs are:
Matt Baty (Vocals)
Sam Grant (Guitar)
Adam Ian Sykes (Guitar)
Christopher Morley (Drums)
John-Michael Hedley (Bass)

https://www.facebook.com/PigsPigsPigsPigsPigsPigsPigs/
https://www.instagram.com/Pigsx7/
https://www.pigsx7.com/
https://rocketrecordings.bandcamp.com/
http://rocketrecordings.blogspot.co.uk/

Pigs Pigs Pigs Pigs Pigs Pigs Pigs, “Reducer” official video

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Desertfest Berlin 2020: Witchcraft, Amenra, 1000mods, The Vintage Caravan & More Added

Posted in Whathaveyou on November 11th, 2019 by JJ Koczan

desertfest berlin 2020 banner

Desertfest Berlin 2020’s second lineup announcement arrives in coordinated fashion with that of Desertfest London 2020, and even so, finds the two festivals beginning to distinguish themselves from each other. Of course, there are shared factors — Witchcraft will play both, as well as Spirit Adrift — but while there’s always a chance some bands from the one will still be added to the other, as of now, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, 1000modsAmenra and The Vintage Caravan are exclusive to the German edition of the festival series. I have zero insight or insider information to offer, so we’ll see if it stays that way, but for now, both Spring Desertfests seem to be growing on their own into something badass, sharing a bit but also having plenty to stand apart.

And Witchcraft headlining certainly doesn’t hurt either. I mean, really.

Here’s the Berlin announcement:

desertfest berlin 2020 poster

WITCHCRAFT, AMENRA, 1000MODS, THE VINTAGE CARAVAN, PIGS PIGS PIGS PIGS PIGS PIGS PIGS and SPIRIT ADRIFT confirmed for DESERTFEST BERLIN 2020!!!

Friends, here we goooooo!

They belong to the most distinctive bands of the Swedish psychedelic classic rock, their sound influenced the heavy rock scene for decades, but they also rarely appear live on stage: The more we are proud to welcome legendary Witchcraft in 2020! This show will already mark a true milestone and unforgettable highlight in the history of Desertfest.

Joining them on the bill are atmospheric post-metal overlords, Amenra, who will turn the ARENA BERLIN stage into a mesmerizing sound landscape. Putting all their heart and soul into every note, word and visuals, AMENRA change the course of people’s lives everywhere their path leads them. After London and their highly acclaimed show at the Electric Ballroom last year, we’re thrilled to become a part of this path in 2020. And because your wish is our command: They are one of the most beloved and requested bands on our socials – yes, your prayers have been heard!

Greek fuzz rock unit 1000mods, THE hottest band in within the current heavy rock scene, will be finally back at Desertfest Berlin. On this special show you’ll be listening to some amazing new tunes from their upcoming album (which is recorded as we “speak” in Seattle), for the very first time! With an average age of nearly 23 years old, Icelandic rockers The Vintage Caravan show a maturity worthy of any band that has been on the road for decades. When the band got on stage at the 2012 edition of the Icelandic Eistnaflug festival, the trio was only allowed to enter the venue accompanied by their parents. The charismatic band released 3 critically acclaimed records to date, their career has been impressive while they toured the globe with bands alike Europe, Blues Pills, Grand Magus or just currently with Opeth to name just a few. Desertfesters, bring your mums and dads, too, when THE VINTAGE CARAVAN will roll over our beloved Desertfest Berlin in 2020!

Furthermore we will see Newcastle’s maximalists, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, whose riffs, raw power and rancour have blazed a trail across the darker quarters of the underground in the last five years, finally bring their mighty tsunami of rancorous riffage and unholy abjection over us in Berlin!

Last but not least, today’s’ second and killer announcement will be rounded up by Phoenix-based, Spirit Adrift, who are carving out a sound now patently its own. Lazily labelled Doom by some, the band is in fact the true representation of what modern Heavy Metal should sound like.? Folks, we hope you dig this second announcement as much as we do, while dozens of bands are still to be announced in the weeks ahead!

Treat yourself or your loved ones with an early X-Mas gift, and purchase your Weekend Ticket now at: www.desertfest.de

We can’t wait to party with ya’ll at our 9th edition, May 1st – 3rd at DesertFest Berlin 2020!

https://www.facebook.com/events/520164272080736/
www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Witchcraft, Live at Tons of Rock 2018, Norway

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Desertfest London 2017: Individual Day Schedules Announced

Posted in Whathaveyou on January 30th, 2017 by JJ Koczan

I have no problem admitting to feeling overwhelmed looking at the full lineup and individual day splits for Desertfest London 2017. I mean, seriously. Look at that poster. What a way to spend a weekend.

Likewise, I have few grand reflections to offer in light of that overwhelming feeling, except perhaps to take a step back and be massively impressed at how much this event has grown in just six incarnations. Along with Desertfest Berlin, the London edition has become an anchor not only for the UK heavy rock underground — which is well represented here as ever in Elephant TreeBlack SpidersStubbVodunPigs Pigs Pigs Pigs Pigs Pigs PigsTerminal CheesecakeChubby Thunderous Bad Kush MastersMammoth Weed Wizard Bastard, and so on — but for bands from abroad as well. You’ll note the three headliners: two American, one Norwegian, and the next line down on the poster is two Swedish, one American. Desertfest London 2017’s reach feels wider than ever. Staring at the final lineup, it’s clear just how much of a big fucking deal this festival has become.

Wish I could be there to see it.

Here’s the announcement of the individual day lineups from their website:

desertfest london 2017

DESERTFEST 2017 DAY SPLITS AND DAY TICKETS ARE HERE!

Finally, the Desertfest 2017 day and stage splits are here, along with individual day tickets. It’s the point of the year where you can start planning the weekend, you can imagine the sets in your head and you can curse those god damned clashes.

Last things first, let’s get straight to that insane Sunday main-stage. To celebrate The Roundhouse joining the Desertfest family, we made their debut appearance something special. Not only will stoner doom icons Sleep be topping the bill, but the Roundhouse hosts a full bill of huge acts. Candlemass, with over three decades of underground acclaim to their name, bring the epic doom metal. USA’s Wolves in the Throne Room bring the atmospheric black metal. Traditional doom metal stalwarts Saint Vitus bring the classic riffs. And how about this for a ‘curtain jerker’? Bongzilla bring the raw weed metal for their second show of the weekend; more on the first later.

It’s not just about the Sunday though. Friday’s stage at the Electric Ballroom is headlined by returning heroes Slo Burn whose short run in the mid 90s furthered the then fledgling stoner rock scene. One band they surely had an impact on is Lowrider, who play Europe’s finest stoner rock alongside them. Ukraine’s Stoned Jesus celebrate their resonant album Seven Thunders Roar, and 1000Mods and Pontiak round up the main stage on the Friday.

The Electric Ballroom on Saturday will be swarming with Turbojugends as death-punk grandmasters Turbonegro turn Camden into party central. John Garcia sticks around for a solo show, sure to feature classics from his years of nonstop mastery in the stoner rock scene. Sheffield’s rock and roll five piece Black Spiders visit London for one last time on their farewell tour, with Satan’s Satyrs and Avon rounding up the main stage.

As ever though, it doesn’t stop at the main stages. Our regular partners have delivered three stages with diverse lineups. Human_Disease_Promo and When Planets Collide take over The Underworld on Saturday in a bill headlined by Bongzilla with a special set celebrating the band’s early work. The Quietus stage is led by synth wavers Zombi, and Nightshift Promotions bring an eclectic mix led by Hungary’s Apey & the Pea. To be honest, just stick a pin in the lineup poster and you’re guaranteed a good time.

For those who can’t make the full weekend, we have a limited number of individual day tickets. Priced at £40 for Friday tickets, £40 for Saturday tickets and £45 for Sunday tickets, links are below.

So there we have it. Our final lineup for Desertfest 2017. We hope you’re as excited as we are to get back to Camden this April and riff London to the ground.

DESERTFEST LONDON 2017 Final Lineup:
SLEEP
SLO BURN
TURBONEGRO
CANDLEMASS
WOLVES IN THE THRONE ROOM
SAINT VITUS
JOHN GARCIA BAND
BONGZILLA
LOWRIDER
SCISSORFIGHT
BLACK SPIDERS
SAMSARA BLUES EXPERIMENT
THE PICTUREBOOKS
STONED JESUS
SATAN’S SATYRS
INTER ARMA
WEAR YOUR WOUNDS
1000MODS
STEAK
AVON
DEATH ALLEY
DEAD LORD
BOSS KELOID
PONTIAK
YURI GAGARIN
HARK
VODUN
CHRON GOBLIN
PIGS PIGS PIGS PIGS PIGS PIGS PIGS
THE WELL
MAMMOTH STORM
CELESTE
STUBB
MONOLITHIAN
WUCAN
VENOMOUS MAXIMUS
BRUME
APEY & THE PEA
ELEPHANT TREE
GRAVE LINES
IRON WITCH
EARTH SHIP
BACKWOODS PAYBACK
WIZARD FIGHT
BRULE
CLOSET DISCO QUEEN
GRAND MAMMOTH
CHUBBY THUNDEROUS BAD KUSH MASTERS
MAMMOTH WEED WIZARD BASTARD
SAMAVAYO
WELCOME BACK DELTA
DEAD LETTUCE
MONSTERTONE
LEDFOOT
ZOMBI
TERMINAL CHEESECAKE
KHÜNNT
BASK
BRUXA MARIA

http://www.desertfest.co.uk/#tickets-section
https://www.eventbrite.co.uk/e/desertfest-2017-tickets-27305267791
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Dead Lettuce, Booze and Blues EP (2015)

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Desertfest London 2017: Candlemass, Lowrider, Venomous Maximus, Stubb and More Added

Posted in Whathaveyou on November 22nd, 2016 by JJ Koczan

You were either there or you’re an imaginative sort, so I don’t need to tell you what a joy it was to see Lowrider when they played Desertfest London in 2013 (review here). They were also recently announced for Desertfest Berlin (info here), so to have them return to Camden Town for Desertfest London 2017 isn’t necessarily a huge surprise in the grand scheme, but I’m quite sure they’ll find fervent welcome when they get there, and rightly so. It’s been a long time speculating about whether or not they’ll do another record, and they may yet get there, but either way, the fact that they’re still actively playing out on choice gigs like this one is encouraging.

Also announced today? Oh, only Swedish doom legends Candlemass, Texans Venomous Maximus heading abroad for a trip that — and I’m not exaggerating — will likely triple their fanbase because that’s how good they are live, fellow Texans The Well, with whom I wouldn’t be surprised if Venomous Maximus were traveling, London heavy highlights Stubb, jammers Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Greek forerunners 1000mods, plus WucanBlack Spiders and Grave Lines. Kind of hard to believe Desertfest London 2017 is only two rounds into lineup announcements, but like I said, you’re imaginative, so I’m sure you can picture some of the awesomeness still to come as we get closer to April.

Here’s word from the fest:

desertfest-london-2017-new-poster-candlemass

CANDLEMASS, LOWRIDER AND MORE JOIN DESERTFEST 2017

DESERTFEST LONDON is pleased to announce the second batch of bands who will be joining the likes of Turbonegro, Samsara Blues Experiment, Yuri Gagarin and Vodun on April 28-29-30th, 2017 in Camden. Ever-growing diversity alongside a solid selection of grass-root acts, has helped cement Desertfest as the go-to festival for doom, stoner rock, psych and all its subsidiaries, with a sixth edition set to be the most eclectic and heavy to date.

First up, we are honoured to welcome a band that needs no introduction: legendary doom metallers CANDLEMASS. Encompassing the ethos of what Desertfest has meant since its inception, Candlemass are one of the most influential and celebrated doom bands in not only Sweden’s musical history, but in heavy music history as a whole. Pure, unapologetic, true doom metal that’ll never disappoint.

A second offering from the Swedes comes in the form of stoner rock stalwarts LOWRIDER. Back in 2013, their momentous reunion after a 10-year hiatus took place exclusively at Desertfest London. It’s a privilege to once again host the return of the riff-ready heroes, who have been bringing their desert-sound to revellers since the late 90s. Also on the bill are UK party boys BLACK SPIDERS, whose fast-paced, high voltage lunacy will rattle out the cobwebs. Despite having recently announced a hiatus, these rock’n’roll maniacs will come back at Desertfest for one last blowout.

1000MODS will too be bringing their psychedelic vibrations to 2017’s line-up. Their unique commitment to a vintage sound, held up by playing with classic instruments, undoubtedly makes them a must-see act on any bill. Underground heroes PIGS, PIGS, PIGS, PIGS, PIGS, PIGS, PIGS also make a welcome addition, with their loud and exciting blend of psych, noise and post-rock. Austin based trio THE WELL are jumping over the pond to thrash out their progressive take on heavy rock, taking that classic nostalgia and twisting it with a hearty laden of adrenaline.

London’s very own STUBB will lay out their fuzzy blues at Desertfest – greatly influenced by the 60 & 70s trio’s of the same genre, they’ve gained respect as a sold live act. Germany’s WUCAN describe themselves as “Topsy-Turvy Higgledy-Piggledy Folk-Blues-Psych-Stoner-ProtoMetal-Soul, with a pinch of confusion” – which may sound like all-over chaos, but they have truly honed their style thanks to an expert fusion of 70’s drenched goodness.

Final acts to join Desertfest London 2017 are metal killers Austin’s VENOMOUS MAXIMUS, newcomers GRAVE LINES – one of the most exciting bands to come out of London – trust us, you’ll want to be there, as they are soon to become one of those acts everyone claims they heard first.

We are proud and excited for what next year has in store. But this is only the tip of the iceberg as there is much, much more to come. Stay tuned!

– DESERTFEST LONDON 2017 –
28th to 30th April in Camden, London
Weekend passes are available HERE

First bands announced:
TURBONEGRO, SAMSARA BLUES EXPERIMENT, THE PICTUREBOOKS, SATAN’S SATYRS, VODUN, YURI GAGARIN, MAMMOTH STORM, ELEPHANT TREE

Second bands announced:
Candlemass, Lowrider, Black Spiders, Venomous Maximus, Wucan, Stubb, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, 1000mods, The Well, Gravelines

https://www.eventbrite.co.uk/e/desertfest-2017-tickets-27305267791
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Lowrider, Live at Desertfest London 2013

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Reverence Valada 2016 Adds Dead Meadow, The Cult of Dom Keller and More

Posted in Whathaveyou on January 21st, 2016 by JJ Koczan

reverence valada 2016 banner

Portugal-based fest Reverence Valada 2016 pretty much had me at Zone Six, but they continue nonetheless to add to their impressive lineup of offbeat rock — Killing Joke, Ozric Tentacles — and various forms of heavy, from With the Dead to Yawning Man. This batch of additions features UK punk legends The Damned and shoegaze progenitors Dead Meadow along with Pigs Pigs Pigs Pigs Pigs Pigs Pigs, The Cult of Dom Keller and Mécanosphèere, but of particular note are San Francisco’s LSD and the Search for God.

The resurgent Bay Area act just released their first EP in nine years, Heaven is a Place, which you can stream in full below, and if you’re looking for some of that dripping-wet West Coast dream-psych, they do it with particularly resonant attention to tonality and an underlying pop touch. Something that piqued my interest, might pique yours.

Here’s the latest announcement from the fest:

reverence valada 2016 poster

The Damned, Dead Meadow and four other bands confirmed for REVERENCE VALADA in September!

Portugal-based heavy and psych festival REVERENCE VALADA have just confirmed six new bands to play their third edition, including British punk legends The Damned. The festival will take place in Valada from September 8th to September 10th.

British punk forerunners THE DAMNED will celebrate the 40th anniversary of their first single “New Rose” this year at London’s Royal Albert Hall in May, where they’re set to play in front of 5,500 fans. Formed in 1976 in London, they are considered as one of the most influential punk groups along the Sex Pistols and The Clash. This Reverence Valada appearance will be their first show ever in Portugal.

Formed in 1998 in Washington, DEAD MEADOW is one of the finest indie psyche rock acts of the modern era. Among their nine studio and live albums, we can count collaborations with Steve Kille, Andrew Stockdale (Wolfmother), Anton Newcombe (Brian Jonestown Massacre) and many more. Their latest widely acclaimed album “Warble Womb” was released in 2013.

DIY alchemists THE CULT OF DOM KELLER are creators of whacked out soundscapes and songs that seem to come from another universe, all from the confines of their sonic bunker. After gracing the stages of Austin Psych Fest and Roadburn, they will once again enthrall European fans with their appearance at Reverence Festival.

San Francisco’s LSD & THE SEARCH FOR GOD have developed a must-see reputation within the underground psychedelic/shoegaze/space rock community. 2016 will be the year they will tour Europe for the very first time.

Operating in “chaos rock” territories, MÉCANOSPHÈERE is an international music and art performance collective rooted in Portugal. Blending spoken word, concrete and cosmic music, ghost jazz, the 10-year band will offer a theatrical and versatile show at Reverence Valada. Our sixth band confirmed is UK’s sludge/doom/noisemongers PIGS PIGS PIGS PIGS PIGS PIGS PIGS.

– REVERENCE FESTIVAL 2016 –
September 8-9-10th in Cartaxo, South Portugal
Weekend & day tickets available at this location

http://www.reverencefestival.com/
https://www.facebook.com/reverencevalada/
https://twitter.com/reverencefest
https://www.instagram.com/reverencefest/

LSD and the Search for God, Heaven is a Place (2016)

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Sonic Mass Weekender Set for Feb. 20 & 21

Posted in Whathaveyou on February 3rd, 2015 by JJ Koczan

Space WitchHey ColossusPigs Pigs Pigs Pigs Pigs Pigs PigsDune, and others will take part in the Sonic Mass weekender, a two-night space/sludge freakout happening in Edinburgh, Scotland, on Feb. 20 and 21. The deal is put on by Pisschrist Promotions (one imagines they’re wondering where their savior is now) and Echoes and Dust, and since it looks like a solid way to spend what I’m sure will be some lovely weather in Scotland in February, it seemed prudent to post the info for anyone who might happen to find themselves out that way at the time. So that’s why we’re here. In case it wasn’t obvious.

Which I’m sure it was.

Okay then, off to the PR wire:

sonic mass poster

Pisschrist Promotions & Echoes and Dust present Sonic Mass Weekender – 20th/21st February – Bannermans Bar, Edinburgh

“Some of us like riffs so much we not only want them to completely destroy our minds but but also conjure new worlds and let us explore them. Luckily, we’ve entered golden age of heavier bands becoming increasingly progressive, pushing new boundaries and delivering on the above in a variety of weird and wonderful ways.” – Rich Collins, Cosmic Carnage co-founder & Echoes and Dust writer

Established doom promoters Pisschrist Promotions are teaming up with Echoes and Dust’s metal team to present the inaugural Sonic Mass Weekender – 2 days of space-rock, prog, sludge, doom and noise in the infamous surroundings of Bannermans Bar in Edinburgh.

Headlined by Hey Colossus on Friday and Space Witch on Saturday, with Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Dune, Voe, Ommadon, BRITNEY, Buried Sleeper and Star Turbine all making appearances, you can expect a full assault on all your senses. Tickets are available at just £13.50 for the whole weekend from here. More info is available on the Sonic Mass Facebook event page here.

“This is a breakthrough event which is more than worth hopping on a train, plane or space craft for. It’s co hosted by Pisschrist Promotions, the most prominent doom promoter north of the border and Sander, the Metal Editor for Echoes and Dust who’s owed a pint by pretty much every heavy band on the planet for his services to the scene.” – Rich Collins

Pisschrist Promotions online:
Facebook

Echoes and Dust online:
Website
Facebook
Twitter

Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Psychopomp (2014)

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audiObelisk Transmission 041

Posted in Podcasts on October 17th, 2014 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

I didn’t realize, but it’s been over a year now since I started putting together podcasts regularly again. Almost 14 months, actually. Goes quick. I’m still having a good time doing them though. It’s become kind of a late-night ritual for me, assembling the audio and putting the tracklisting together and uploading everything the night before it goes live. It’s heading toward one in the morning as I type this. Long since asleep, The Patient Mrs. calls it “JJ time.” Fair enough.

A few twists and turns in this one, so watch out. I was all getting on some rocking vibes with Brant Bjork and that He Whose Ox is Gored, but after The Golden Grass things took a pretty wild turn. You may not have heard Atomikylä yet, but it’s players from Dark Buddha Rising and Oranssi Pazuzu, so it gets pretty bleak pretty quick. From there, it’s just further into doom with MossApostle of Solitude and The Sabbathian before Godflesh — as only they can — provide a slap back to reality. The second hour, as habit dictates, is a full-on freakout. That Olson/Shively/Barry track is members of Across Tundras and the album was just released, so if you get the chance to check it out, I’d say go for it. In the meantime, enjoy:

First Hour:
Brant Bjork and the Low Desert Punk, “Stokely up Now” from Black Power Flower (2014)
He Whose Ox is Gored, “Buried Twice” from Rumors 7” (2014)
Weed is Weed, “Eat Cookies” from Blunt Force Trauma (2014)
The Golden Grass, “The Robin Song” from Realisations (2014)
Atomikylä, “Ihmiskallo” from Erkale (2014)
Moss, “Carmilla (Marcilla)” from Carmilla (2014)
Apostle of Solitude, “Luna” from Of Woe and Wounds (2014)
The Sabbathian, “Nightshade Eternal” from Ritual Rites (2014)
Godflesh, “Life Giver Life Taker” from A World Lit Only by Fire (2014)
Lords of Beacon House, “Cool Water Blues” from Lords of Beacon House (2014)

Second Hour:
Geezer, “Tales of Murder and Unkindness” from Gage (2014)
Olson/Shively/Barry, “Jagged Cliffs” from Tierra del Fuego Blues (2014)
Dead Sea Apes, “Threads” from High Evolutionary (2014)
Pigs Pigs Pigs Pigs Pigs Pigs Pigs, “Psychopomp” from Psychopomp (2014)

Total running time: 1:59:36

 

Thank you for listening.

Download audiObelisk Transmission 041

 

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