The Obelisk Presents: The Top 20 Short Releases of 2016

Posted in Features on December 30th, 2016 by JJ Koczan

the obelisk top 20 short releases

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Yeah, I know I said as much when the Top 20 Debut Albums of 2016 went up, but I take it back: this is the hardest list to put together. And to be honest, there’s a part of me that’s hesitant even to post it because I know as soon as I do someone’s going to be like, “No way you dick your entire existence is shit because you forgot Release X,” and very likely they’ll be right. Up to the very moment this post is going live, I’ve been making changes, and I expect I’ll continue to do so for a while after it’s out there.

So what’s a “short release?” That’s another issue. Pretty much anything that’s not an album. Singles, digital or physical, as well as EPs, splits, demos, and so on. The category becomes nebulous, but my general rule is if it’s not a full-length, it qualifies as a short release. Sounds simple until you get into things like, “Here’s a track I threw up on Bandcamp,” and “This only came out as a bonus included as a separate LP with the deluxe edition of our album.” I’m telling you, I’ve had a difficult time.

Maybe that’s just me trying to protect myself from impending wrath. This year’s Top 30 albums list provoked some vehement — and, if I may, prickishly-worded — responses, so I might be a bit gunshy here, but on the other hand, I think these outings are worth highlighting, so we’re going forward anyway. If you have something to add, please use the comments below, but remember we’re all friends here and there’s a human being on the other end reading what’s posted. Thanks in advance for that.

And since this is the last list of The Obelisk’s Best-of-2016 coverage, I’ll say thanks for reading as well. More to come in the New Year, of course.

Here we go:

scissorfight chaos county

The Obelisk Presents: The Top 20 Short Releases of 2016

1. Scissorfight, Chaos County EP
2. Earthless / Harsh Toke, Split
3. Mars Red Sky, Providence EP
4. Mos Generator, The Firmament
5. Soldati, Soldati
6. Monolord, Lord of Suffering / Die in Haze EP
7. Wren, Host EP
8. Goya, The Enemy EP
9. The Sweet Heat, Demo
10. River Cult, Demo
11. Stinkeye, Llantera Demos
12. Megaritual, Eclipse EP
13. Ragged Barracudas / Pushy, Split
14. Mindkult, Witchs’ Oath EP
15. Iron Jawed Guru, Mata Hari EP
16. Brume, Donkey
17. Bison Machine / Wild Savages / SLO, Sweet Leaves Vol. 1 Split
18. BoneHawk / Kingnomad, The Second Coming of Heavy: Chapter Three Split
19. Wicked Gypsy, EP
20. Love Gang, Love Gang EP

Honorable Mention

An expansive category as ever. In addition to what’s above, the following stood out and no doubt more will be added over the course of the next few days. If you feel something is missing, please let me know.

Presented alphabetically:

Cambrian Explosion, The Moon EP
Candlemass, Death Thy Lover EP
Cultist, Cultist EP
Danava, At Midnight You Die 7″
Dos Malés, Dos Malés EP
Druglord, Deepest Regrets EP
Fu Manchu, Slow Ride 7″
Geezer, A Flagrant Disregard for Happiness 12″
Gorilla vs. Grifter, Split
Holy Smoke, Holy Smoke! It’s a Demo!
Karma to Burn, Mountain Czar
LSD and the Search for God, Heaven is a Place EP
Pallbearer, Fear and Fury
Reign of Zaius, Planet Of…
Sea of Bones / Ramlord, Split
Shallows, The Moon Rises
The Skull, EP
Snowy Dunes, “Atlantis Part I” digital single
Sun Voyager / The Mad Doctors, Split
Valborg, Werwolf 7″

Notes

Was it just the raw joy of having Scissorfight back? No, but that was for sure part of it. It was also the brazenness with which the New Hampshire outfit let go of their past, particularly frontman Christopher “Ironlung” Shurtleff, and moved forward unwilling to compromise what they wanted to do that made their Chaos County so respectable in my eyes. Having always flourished in the form, they delivered an EP of classic Scissorfight tunes and issued a stiff middle finger to anyone who would dare call them otherwise. They couldn’t have been more themselves no matter who was in the band.

At the same time, it was a hard choice between that and the Earthless / Harsh Toke split for the top spot. I mean, seriously. It’s Earthless — who at this point are the godfathers of West Coast jamadelica — and Harsh Toke, who are among the style’s most engaging upstart purveyors, each stretching out over a huge and encompassing single track. I couldn’t stop listening to that one if I wanted to, and as the year went on, I found I never wanted to.

I was glad when Mars Red Sky included the title-track of the Providence EP as a bonus cut on their subsequent album, Apex III (Praise for the Burning Soul), both because it tied the two releases together even further and because it gave me another opportunity to hear it every time I listened to the record. Their short releases have always shown significant character apart from their full-lengths, and this was no exception. I still tear up when I hear “Sapphire Vessel.”

To bounce around a bit: Had to get Mos Generator on the list for the progressive expansion of the live-recorded The Firmament. Stickman was right to put that out on vinyl. Both Monolord and Goya provided quick outings of huge riffs to sate their respective and growing followings, while Megaritual’s Eclipse basked in drone serenity and the debut release from Sergio Ch.’s Soldati provided hard-driving heavy rock with the particular nuance for which the former Los Natas frontman is known. It’s the highest among a slew of first/early outings — see also The Sweet Heat, Wren (Host was their second EP), River Cult’s demo, Stinkeye, Mindkult, Iron Jawed Guru, Brume, Wicked Gypsy and Love Gang.

Ultimately, there were fewer splits on the list this year than last year, but I’ll credit that to happenstance more than any emergent bias against the form or lack of quality in terms of what actually came out. The BoneHawk and Kingnomad release, the Ragged Barracudas and Pushy split, and that heavy rocking onslaught from Bison Machine and company were all certainly welcome by me, and I’ll mention Gorilla vs. Grifter there too again, just because it was awesome.

One more time, thank you for reading, and if you have something to add, please do so in the comments below. Your civility in that regard is appreciated.

This is the last of my lists for 2016, but the Readers Poll results are out Jan. 1 and the New Year hits next week and that brings a whole new round of looking-forward coverage, so stay tuned.

As always, there’s much more to come.

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Maryland Doom Fest 2017: Set Times Announced

Posted in Whathaveyou on November 14th, 2016 by JJ Koczan

So I guess we’re pretty much ready to roll on Read and Download Ways To Improve Critical Thinking Free Ebooks in PDF format - CALIFORNIA ALGEBRA 1 WORKBOOK ANSWERS JUMBLED SENTENCES WITH ANSWERS ICS 100 ANSWERS FINAL Maryland Doom Fest 2017, right? We’ve had the lineup announced, we’ve got the schedule now. Might be another couple weeks getting t-shirts together — and hoodies; should’ve gotten a hoodie this year, which admittedly is something that occurs to one way less at the end of June than in mid-November — but then I’d say we’re about good to go. No need to wait until next summer on it. Let’s do this thing.

Maybe that’s just me being excited at the prospect of that Friday night lineup, which seems particularly strong front to back — not to take away from any of the other days, but you know I dig me some Our blog College Essays For Sale Online is the easiest way to get highly relevant, researched, and professionally written content, for your website on a regular basis. Lo-Pan — but either way, if We have certain principles of work with Home Page that we are guided by. First of all we take care that the work you buy and present at your school has a proper academic level. Besides, we care about the validity of every research to keep the level of scientific and scholar work high as well. What we do not accept or allow is plagiarism and low-quality papers. We consider it unfair, that some students might get their degrees presenting invalid research results or stolen thesis. We believe Maryland Doom Fest‘s now-three-year tenure has been marked by anything it’s a lack of bullshit. A fervent get-down-to-business-and-kick-as-doing-it mentality. It’s perhaps the most “Maryland doom” aspect to the whole event. Every essay is a structured text with arguments presented in http://maidstone-magazine.co.uk/cover-letter-for-a-resume/s online makes a students life much buying custom papers is the best Maryland Doom Fest 2017 is clearly no different. Here we are more than half a year from the event kicking off and I know what time I need to be there on Thursday to watch We provide source links and we have qualified experts who have experience of responding various queries and research of others. We offer you our best dissertation editing services on cheap prices as well as currently we are providing dissertation writing help for many different fields and subjects. Spillage start the pre-party. This is information I’m glad to have.

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Earthride, Live at Jason McCash Benefit, 2014

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Sweet Heat, Demo: To Crawl and Entice (Plus Full Stream)

Posted in audiObelisk, Reviews on November 4th, 2016 by JJ Koczan

swee-heat-demo-cover

[Click play above to stream Sweet Heat’s Sweet Heat Demo in full. They play with The Golden Grass and Pilgrim on Saturday at Dusk in Providence, RI, and will appear at Maryland Doom Fest 2017.]

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They may be the same players, but the ground they’re exploring on Sweet Heat‘s four-song debut demo, aptly-titled Demo or Sweet Heat Demo, differs greatly from the darkened and moody tonality of the prior outfit. Of course, they’re just starting out, so where they might end up after these 18 minutes remains to be seen — they may well return to the dark side — but as a debut offering, Sweet Heat‘s first skillfully blends impulses out of classic heavy rock with a riffy foundation. There are some flashes of doom or at very least proto-metal on opener “Night Crawler,” but even as “The Enticer” digs into Sabbathian roll, Sage‘s guitar scorches in a manner altogether more rocking.

Likewise, “How it’s Done” seems to owe as much to Radio Moscow as Pentagram, and one can hear some residual Uncle Acid influence in the buzz and shuffle of “Night Crawler,” though Blackhound‘s vocals — his presence as a frontman was a major factor in Balam as well — assures the overall feel doesn’t come too close to anyone else. It’s a demo, of course, so basically Sweet Heat are showing off an initial batch of songs trying to encourage people to investigate further, be it at a show or their inevitable next release. But even that feeds into their aesthetic. In a day where a band doesn’t have to do anything more than slap a cover together and post it on Bandcamp, a demo easily becomes a “first EP,” but it’s telling that Sweet Heat embrace the rougher-feeling impression that even the word “demo” gives off. Cassette-ready.

sweet-heat-demo-back-cover

And the music follows suit (though actually the release is on CD). There is a noticeable shift in production and volume between “Night Crawler” and “The Enticer,” and though the feel remains live and energetic into “How it’s Done” (premiered here) and the eponymous closer “Sweet Heat,” the actual sound is cleaner. On an album that might be jarring, but here it just feeds into the notion that Sweet Heat are exploring a new style and coming together as songwriters in a new way. It is laced with attitude. In the swagger of “The Enticer” and “How it’s Done,” the foursome build on the swing of “Night Crawler” and as they close out with “Sweet Heat,” they do so with classically metallic defiance: fist-pumping, a pervasive self-othering, and chug. Righteous and crisply, efficiently executed.

As “Sweet Heat” moves into its chorus, “We are the ones that you fear/You don’t like us?/We don’t care/We are who we are,” the band not only once more reinforce the perspective of the Demo as a whole, but provide their first outing with its most landmark hook while showing an ability to fluidly turn from one side to another in their play between rock and metal. From Blackhound‘s convicted recitation through Coffey‘s cymbal work and Arruda holding the rhythm together under Sage‘s blazing multi-layered solo in the second half, Sweet Heat live little to wonder as to why the finale of their demo wound up being the song that took their name. I wouldn’t be surprised if, on whatever kind of offering comes next for them, the track didn’t show up again, though of course one never knows.

In any case, Sweet Heat‘s Demo more than lives up to the tasks before it in establishing the group as an entity separate from their past work together, giving listeners a glimpse of their ample chops in songwriting and performance delivery, and setting a foundation on which they can continue to build as they move forward. There isn’t much more one could ask of it on the whole than it delivers, but the punch Sweet Heat‘s first batch of material packs goes beyond “band starting out” and finds their potential all the more bolstered by the chemistry they so clearly and so rightly wanted to preserve.

Sweet Heat on Bandcamp

Sweet Heat website (coming soon)

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The Obelisk Presents: The Golden Grass, Pilgrim & The Sweet Heat in Providence, RI, Nov. 5, 2016

Posted in The Obelisk Presents on October 4th, 2016 by JJ Koczan

the-golden-grass-dusk

On Saturday, Nov. 5, Brooklyn’s The Golden Grass head north to Providence, Rhode Island. They’ll play a show at Dusk with two of the area’s finest outfits in doomers Pilgrim and heavy rock newcomers Sweet Heat, who formed after the dissolution of Balam, and I couldn’t be more pleased to say The Obelisk will present the show. Three bands, all excellent, each with something of their own to bring. Who the hell wouldn’t want to put a logo on a gig like that?

The Golden Grass head north supporting earlier-2016’s Coming Back Again (review here), their progressive-leaning second album and debut on Listenable Records. Meanwhile, Rhode Island doom forerunners Pilgrim continue their slog back from the abyss. In August, they ran alongside Castle for a handful of shows and continue to reap acclaim for their 2014 sophomore outing, II: Void Worship (review here).

And though The Sweet Heat only recently unveiled their first demo recording, the four-piece arrive with immediate intrigue owing to their past participation in the classically doomed Balam. They’re a brand new band emerging with newfound purpose.

Drummer/vocalist Adam “Adzo” Kriney of The Golden Grass was kind enough to discuss the night a little bit. You’ll find his comments below. He’s right when he says you should show up:

Adzo speaks:

November 5 will be a memorable evening at Dusk. This will be THE GOLDEN GRASS’ triumphant and highly anticipated return after a two-year absence! And we couldn’t be more enthused than to share the stage with two of our favorite local-ish groups, the shimmering doom brilliance of PILGRIM and the throbbing monolith that is SWEET HEAT, who are none other than the newest band featuring four out of five members of BALAM, bringing ever-so-tasty hard rock to the festivities.

Boogie hard straight to your doom everyone! This night gonna be a killer, and anyone who lives within a three-hour radius of this concert had better be there as it’s gonna be one for the records… and everyone gonna get high through the night!

The concert is being graciously presented by The Obelisk.

Amazing eye-popping show poster by the ever-righteous designer Stephen Voland.

Thanks to the bands and venue for allowing The Obelisk to present the show. More info and tickets available from the links below.

The Golden Grass, Coming Back Again (2016)

The Golden Grass on Thee Facebooks

Show event page

Dusk on Thee Facebooks

Dusk website

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