The Obelisk Show on Gimme Metal Playlist: Episode 40

Posted in Radio on August 21st, 2020 by JJ Koczan

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I frontloaded this one with heavy. Heavy heavy heavy heavy. Heavy enough across the first three that by the time you get to  Write My Essay. Geology Research Paper Topics Creative and innovative essays written by professional writers Wren having already made it through  Alpha Assignmenst For Money provides you the best in class, plagiarism free and value for money reports at your convenient time from expert writers. Jupiterian A wide range of writing services are offered. High School History Homework Helper. Providing students with a full assistance and quality support. Always Hymn and http://www.cleode.fr/en/?we-will-write-an-essay-for-you - witness the advantages of professional writing help available here forget about your worries, place your order here and get your Primitive Man, their crushing post-metal feels like a break. I felt in putting the playlist together like I wanted to kind of wash away the last two weeks. “Sonic catharsis” is how I put it in the voice track I recorded the other day. That’s still as good as anything else I can come up with to explain it.

From there, we rock and trip out a bit, going from Athens-based  Custom Mba Thesis writing online a fair price and choose an academic writer who will provide an original and complete well-researched college paper in return. Honeybadger into Nashevillian psych rockers  When Our Online Writing Paper Service Will Be of Use to You: If the question "Who can http://www.hdtv-forum.ch/?how-to-write-an-statements professionally?" bothers you a lot and you need an Oginalii ahead of the hypnotic riffs of  Looking for essay http://www.kpria.cz/?phd-thesis-in-political-science in Portland, Oregon USA? Essay Writing Services Online is best for Essay Writing. We will help you in how to Slow Green Thing and  Read More Here? If you need professional help with your paper, you have come to the right place. Essay-Lib.com have a great support team. Black Helium and the ever-moody experimental neo-folk of  That is why our online site Your Homework Help can help you not only to do the statistics homework but also request- Graduate Nursing Essay For Admission. Neurosis‘ own  Looking for an essay helper? With Grademiners, We do all, so your do my source link experience will be nothing less than great! Steve Von Till, whose new record, unsurprisingly, is gorgeous. The show closes with  Learn how we can provide you with all the help that you need to Dissertation Economie Creation Monetaire to the highest of standards. AXIOM9, a newer Madrid-based psych-jam outfit I got put onto last week and have been digging. That’s a 45-minute sample-laced ride right there, but no regrets for including it. Sometimes I like weirding out the Gimme listenership. People are usually pretty open-minded about it.

This is the 40th episode of The Obelisk Show, so let me give my heartfelt appreciation to  Get this pageing from Professionals. Looking for somebody who can proofread your academic paper, an e-mail or memo? Wish to get help from a Gimme Metal/ Order Ad Hoc Assignments Meaning & Secure Highest Grades at a lowest price of (/page). Assignment writing service provided by MyAssignmenthelp. 4500+ PhD writers Gimme Radio for continuing to give me time on their bandwidth to do this silly thing. And of course, thank you for listening if you can.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 08.21.20

Jupiterian Mere Humans Protosapien*
Hymn Exit Through Fire Breach Us*
Primitive Man Consumption Immersion*
Wren Chromed Groundswells*
VT
Honeybadger The Wolf Pleasure Delayer*
Oginalii Scapegoat Pendulum*
Slow Green Thing Dreamland Amygdala*
Black Helium Death Station of the Goddess The Wholly Other*
Steve Von Till Shadows on the Run No Wilderness Deep Enough*
VT
AXIOM9 The Space Bong Witch The Acid Wizard and the Space Bong Witch*

The Obelisk Show on Where to order custom research papers? Take a look here, the Need Help Writing Paper writing site will do your assignment from scratch on time. Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is Sept. 4 (subject to change). Thanks for listening if you do.

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The Obelisk Show on Gimme Radio Playlist: Episode 35

Posted in Radio on May 29th, 2020 by JJ Koczan

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Digging deep on some of this stuff, and I like that. I mean, yeah, you’ve probably heard Enslaved and Lowrider by now, and maybe Black Rainbows, but stuff like Burning Brain Band, Jointhugger and King Gorm could be new to you. I hope so anyhow, that’s why I picked the tracks. That and I thought they were cool. Pretty simple process when it comes down to it.

I did the voice tracks for this one while my son played (first) with kinetic sand and (then) on the piano, so that’s kind of a mess, but I’ve come to enjoy that and it’s a good show either way. If you manage to check it out, stick around for the end, because the last two songs, the long ones from Dire Wolves and Stonegrass, are absolutely killer. I was recently put onto both records and I have absolutely zero regrets. Cardinal Fuzz put out the Dire Wolves LP in April and Stonegrass is out through Cosmic Range Records in Toronto digitally now with LP to follow. Both albums are worth your time if you have the time.

And as always, thanks for listening if you do.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 05.29.20

Circle of Sighs Kukeri Salo*
Lamp of the Universe The Eastern Run Dead Shrine*
Lowrider Pipe Rider Refractions*
BREAK
Enslaved Homebound Utgard*
Wren Seek the Unkindred Groundswells*
StoneBirds Only God Collapse and Fail*
Jointhugger I Am No One I Am No One*
Saavik He’s Dead Jim Saavik*
Black Rainbows Hypnotized by the Solenoid Cosmic Ritual Supertrip*
The Burning Brain Band Bolero/Float Away The Burning Brain Band*
King Gorm Beyond Black Rainbow King Gorm*
BREAK
Dire Wolves Flow & Heady / By the Fireside Flow and Heady*
Stonegrass Tea Stonegrass*

The Obelisk Show on http://www.stainz.at/?custom-essay-and-dissertation-writing-service-it-2014 - Instead of spending time in inefficient attempts, receive specialized assistance here professional writers engaged in the company Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is June 12 (subject to change). Thanks for listening if you do.

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Wren to Release Groundswells June 26; New Single Playing Now

Posted in Whathaveyou on May 21st, 2020 by JJ Koczan

wren

I had a quick conversation with my brain while listening to the new  Wren track. It went like this:

ME: “New Wren‘s a banger.”

MY BRAIN: (While chewing a wheat stalk and intermittently spitting) Yup.

That’s pretty much how it went.

The London post-metal four-piece have linked arms with Gizeh Records and will release their new offering, Groundswells, in about a month’s time. The song in question — “Seek the Unkindred,” streaming at the bottom of this post — well encapsulates their rawer post-Neurosis undulations and the emergent progressive streak that goes along with it. Their debut, 2017’s Auburn Rule (discussed here), was followed by the 19-minute single-song EP, Thrall, which Gizeh issued on CD, so it’s not exactly a new association, but it is exactly a new album, and I’m pretty damn pleased about that prospect. My brain is too, though it tries to play it cool.

Ladies and gents, I give you the PR wire:

wren groundswells

WREN – GROUNDSWELLS

June 26th 2020 • Digital
September 25th 2020 • LP/CD
GZH99

‘GROUNDSWELLS’ is the third chapter in Wren’s seasonal lore exploration, and their first through Gizeh Records. These six melancholy-shrouded sonic ruminations swell between intimate performances devoid of adornment, and evolving soundscapes of auditory ruin. Tracing an elemental arch, ‘GROUNDSWELLS’ captures Wren delving into earthen awakenings.

Launching into a monochromatic dirge, ‘Chromed’ announces the LPs stylistic intentions, forgoing the trappings of traditional harmony with deliberate pendulums of pitch and tone. Swarms of percussion drag the track to its conclusion in a collage of insidious feedback, with oscillations sculpted by the record’s producer, Scott Evans of Kowloon Walled City.

Elsewhere, swift variance is displayed in Wrens’ deft handling of genre and form, refusing to be solely one of either. The record courses between rigid post-punk, broad waves of dreaded sludge, and austere choral reverberations. Pulsating Krautrock themes present in their previous work are revisited, with a focus on embracing archetypal motorik technique, as the LP stretches compositions to their furthest tensions through profuse repetition, straining the cracks between.

Inviting physical, elemental surrounds into ‘Subterranean Messiah’, Wren allow space for the sudden cloudburst of Middle Farm Studios in the introductory passage via location recording, embracing the interplay between source and locality. Combined with the painterly fretwork and ghostly chants of Fvnerals, the collaboration seeks an emotive new path of melodic vulnerability. In contrast, the closing elegy is layered with disharmonious cycles of agonised cello from Jo Quail. As with other conclusions on the LP, the track’s commitment to strained repetition is rewarded with sonic climaxes of blackened psychedelia, led by stalagmitic spirals of atonalism.

Throughout the LP, Wren draws from their long-standing apologue, with a partnership of vocalists showcasing a lyrical and vocal interplay thick with a dense lore new to their compositions. ‘GROUNDSWELLS’ brings Wren to an equinox in their earthly contemplations. Ruminating on the decaying inanition that engenders renewal, this record is a revelry in the cyclical, repetitious infinity of planetary permanence.

Recorded by Scott Evans at Middle Farm Studios in South Devon, assisted by Chris Edkins.
Mixed by Scott Evans at Antisleep Audio in Oakland.
Mastered by Magnus Lindberg at Redmount Studios in Stockholm.
Additional Vocals and Guitars on ‘Subterranean Messiah’ performed and recorded by Tiffany Ström and Syd Scarlet of Fvnerals. Additional Cello on ‘Subterranean Messiah by Jo Quail. Artwork by Joey Pearson of Smokin’ Bones Club.

https://www.facebook.com/Disciplesofwren/
https://disciplesofwren.bandcamp.com/
http://www.disciplesofwren.com/
http://www.facebook.com/gizehrecords
http://www.instagram.com/gizehrecords
https://gizehrecords.bandcamp.com/
http://www.gizehrecords.com/

Wren, Groundswells (2020)

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Wren Post “The Herd” Video

Posted in Bootleg Theater on June 15th, 2017 by JJ Koczan

wren

Preorders are up now for Wren‘s debut album, Auburn Rule, which is out July 14 via Holy Roar Records. How’s that old song go? To everything, churn, churn churn? Something like that. The post-sludging UK four-piece seem to have taken that ethic to heart either way, if “The Herd” is anything to go by. It’s the first audio to be made public from Auburn Rule, which follows Wren‘s 2016 EP, Host (review here), a 2015 split with Irk (review here) and their 2014 self-titled debut EP (review here), and it would seem to be the next logical step forward in their sonic development, which has proven equal parts menacingly heavy and markedly progressive.

Like the song itself, the video for “The Herd” wants little for atmosphere. In fact, that’s kind of the whole thing. Black and white nature shots, hooded figure, dark grayscale kaleidoscopic imagery — all of it is appropriately suited to Wren‘s aggressive but spacious aural crux. The band has pointedly evolved with each new offering, and “The Herd” seems to take its cues from where they were with Host in its cerebral flow from one movement to the next as Wren evoke bleak pastures akin to the clip’s visual depictions. Hardcore roots shine through in starts and stops and the buried-beneath-tone shouted vocals, lending even more bite strength to the track’s sharpened-tooth assault.

Auburn Rule is out in less than a month, and I have my doubts “The Herd” will be the last sneak preview given to listeners before it arrives, so keep an eye out. I’ve been looking forward to finding out what Wren can do in the context of a first full-length since I heard the EP three years ago, and I continue to be excited at the prospect after getting to know this track better. I’ll hope to have more to come soon.

Till then, dig in and enjoy:

Wren, “The Herd” official video

Taken from their debut album ‘Auburn Rule’.

Out 14.07.17 on Holy Roar Records, preorder now: www.holyroarrecords.com

Directed by: www.gardenback.com

Following on from the release of their ‘Host’ EP last year, London-based progressive sludge/noise-rock four-piece Wren, have announced details of their new album ‘Auburn Rule’, which is due out 14th July 2017 via Holy Roar Records.

To coincide with the release of ‘Auburn Rule’ Wren have also announced a short UK release tour with Fvnerals, they will be playing the following dates:

30th June – London – Birthdays
1st July – Birmingham – The Flapper
2nd July – Bristol – The Cube
3rd July – Cardiff – The Full Moon
4th July – Brighton – The Prince Albert

Wren on Thee Facebooks

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Wren Announce Debut Full-Length Auburn Rule Due in July; UK Tour Dates

Posted in Whathaveyou on April 18th, 2017 by JJ Koczan

wren

Whether or not you heard it, Wren‘s 2016 EP, Host (review here) was one of last year’s best short releases. Their second four-songer behind a 2014 self-titled (review here) that was likewise moody and brutal, the latter release pushed into growlier, harsher terrain, more metal on the whole as well as basking in the post-hardcore-meets-sludge vibes of its predecessor. What their sonic development might hold for Auburn Rule, I don’t know, but the safe bet is it’s going to be heavy in some ridiculous proportion. What will serve as their first full-length will be out July 14 following a quick UK tour with Fvnerals and will be released by Holy Roar Records, which if you’ll recall also put out Host. If it ain’t broke.

These cats have done nothing but impress since they got going, and my big question going into the record is how much of their focus will be on atmosphere vs. pummel, since that seems to be the dichotomy at work in their aesthetic thus far. Where that balance will come down this time out as they take this crucial step in putting out their first album.

Hopefully I’ll have more to come on this one before it’s released. Here’s info from the PR wire in the interim:

wren auburn rule

Wren announce new album ‘Auburn Rule’ and UK tour.

AUBURN RULE | 14.07.17

Following on from the release of their ‘Host’ EP last year, London-based progressive sludge/noise-rock four-piece Wren, have announced details of their new album ‘Auburn Rule’, which is due out 14th July 2017 via Holy Roar Records.

The band have released the artwork for the new album (above) and have detailed the track listing as below:

1. In Great Yield
2. Scour The Grassland
3. The Herd
4. Traverse
5. Dwellers Of The Sepulchre

To coincide with the release of ‘Auburn Rule’ Wren have also announced a short UK release tour with Fvnerals, they will be playing the following dates:

30th June – London – Birthdays
1st July – Birmingham – The Flapper
2nd July – Bristol – The Cube
3rd July – Cardiff – The Full Moon
4th July – Brighton – The Prince Albert

https://www.facebook.com/Disciplesofwren/
https://disciplesofwren.bandcamp.com/
http://twitter.com/disciplesofwren
http://www.disciplesofwren.com/
http://www.holyroarrecords.com/

Wren, Host (2016)

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The Obelisk Presents: The Top 20 Short Releases of 2016

Posted in Features on December 30th, 2016 by JJ Koczan

the obelisk top 20 short releases

Please note: This post is not culled in any way from the Year-End Poll, which is ongoing. If you haven’t yet contributed your favorites of 2016 to that, please do.

Yeah, I know I said as much when the Top 20 Debut Albums of 2016 went up, but I take it back: this is the hardest list to put together. And to be honest, there’s a part of me that’s hesitant even to post it because I know as soon as I do someone’s going to be like, “No way you dick your entire existence is shit because you forgot Release X,” and very likely they’ll be right. Up to the very moment this post is going live, I’ve been making changes, and I expect I’ll continue to do so for a while after it’s out there.

So what’s a “short release?” That’s another issue. Pretty much anything that’s not an album. Singles, digital or physical, as well as EPs, splits, demos, and so on. The category becomes nebulous, but my general rule is if it’s not a full-length, it qualifies as a short release. Sounds simple until you get into things like, “Here’s a track I threw up on Bandcamp,” and “This only came out as a bonus included as a separate LP with the deluxe edition of our album.” I’m telling you, I’ve had a difficult time.

Maybe that’s just me trying to protect myself from impending wrath. This year’s Top 30 albums list provoked some vehement — and, if I may, prickishly-worded — responses, so I might be a bit gunshy here, but on the other hand, I think these outings are worth highlighting, so we’re going forward anyway. If you have something to add, please use the comments below, but remember we’re all friends here and there’s a human being on the other end reading what’s posted. Thanks in advance for that.

And since this is the last list of The Obelisk’s Best-of-2016 coverage, I’ll say thanks for reading as well. More to come in the New Year, of course.

Here we go:

scissorfight chaos county

The Obelisk Presents: The Top 20 Short Releases of 2016

1. Scissorfight, Chaos County EP
2. Earthless / Harsh Toke, Split
3. Mars Red Sky, Providence EP
4. Mos Generator, The Firmament
5. Soldati, Soldati
6. Monolord, Lord of Suffering / Die in Haze EP
7. Wren, Host EP
8. Goya, The Enemy EP
9. The Sweet Heat, Demo
10. River Cult, Demo
11. Stinkeye, Llantera Demos
12. Megaritual, Eclipse EP
13. Ragged Barracudas / Pushy, Split
14. Mindkult, Witchs’ Oath EP
15. Iron Jawed Guru, Mata Hari EP
16. Brume, Donkey
17. Bison Machine / Wild Savages / SLO, Sweet Leaves Vol. 1 Split
18. BoneHawk / Kingnomad, The Second Coming of Heavy: Chapter Three Split
19. Wicked Gypsy, EP
20. Love Gang, Love Gang EP

Honorable Mention

An expansive category as ever. In addition to what’s above, the following stood out and no doubt more will be added over the course of the next few days. If you feel something is missing, please let me know.

Presented alphabetically:

Cambrian Explosion, The Moon EP
Candlemass, Death Thy Lover EP
Cultist, Cultist EP
Danava, At Midnight You Die 7″
Dos Malés, Dos Malés EP
Druglord, Deepest Regrets EP
Fu Manchu, Slow Ride 7″
Geezer, A Flagrant Disregard for Happiness 12″
Gorilla vs. Grifter, Split
Holy Smoke, Holy Smoke! It’s a Demo!
Karma to Burn, Mountain Czar
LSD and the Search for God, Heaven is a Place EP
Pallbearer, Fear and Fury
Reign of Zaius, Planet Of…
Sea of Bones / Ramlord, Split
Shallows, The Moon Rises
The Skull, EP
Snowy Dunes, “Atlantis Part I” digital single
Sun Voyager / The Mad Doctors, Split
Valborg, Werwolf 7″

Notes

Was it just the raw joy of having Scissorfight back? No, but that was for sure part of it. It was also the brazenness with which the New Hampshire outfit let go of their past, particularly frontman Christopher “Ironlung” Shurtleff, and moved forward unwilling to compromise what they wanted to do that made their Chaos County so respectable in my eyes. Having always flourished in the form, they delivered an EP of classic Scissorfight tunes and issued a stiff middle finger to anyone who would dare call them otherwise. They couldn’t have been more themselves no matter who was in the band.

At the same time, it was a hard choice between that and the Earthless / Harsh Toke split for the top spot. I mean, seriously. It’s Earthless — who at this point are the godfathers of West Coast jamadelica — and Harsh Toke, who are among the style’s most engaging upstart purveyors, each stretching out over a huge and encompassing single track. I couldn’t stop listening to that one if I wanted to, and as the year went on, I found I never wanted to.

I was glad when Mars Red Sky included the title-track of the Providence EP as a bonus cut on their subsequent album, Apex III (Praise for the Burning Soul), both because it tied the two releases together even further and because it gave me another opportunity to hear it every time I listened to the record. Their short releases have always shown significant character apart from their full-lengths, and this was no exception. I still tear up when I hear “Sapphire Vessel.”

To bounce around a bit: Had to get Mos Generator on the list for the progressive expansion of the live-recorded The Firmament. Stickman was right to put that out on vinyl. Both Monolord and Goya provided quick outings of huge riffs to sate their respective and growing followings, while Megaritual’s Eclipse basked in drone serenity and the debut release from Sergio Ch.’s Soldati provided hard-driving heavy rock with the particular nuance for which the former Los Natas frontman is known. It’s the highest among a slew of first/early outings — see also The Sweet Heat, Wren (Host was their second EP), River Cult’s demo, Stinkeye, Mindkult, Iron Jawed Guru, Brume, Wicked Gypsy and Love Gang.

Ultimately, there were fewer splits on the list this year than last year, but I’ll credit that to happenstance more than any emergent bias against the form or lack of quality in terms of what actually came out. The BoneHawk and Kingnomad release, the Ragged Barracudas and Pushy split, and that heavy rocking onslaught from Bison Machine and company were all certainly welcome by me, and I’ll mention Gorilla vs. Grifter there too again, just because it was awesome.

One more time, thank you for reading, and if you have something to add, please do so in the comments below. Your civility in that regard is appreciated.

This is the last of my lists for 2016, but the Readers Poll results are out Jan. 1 and the New Year hits next week and that brings a whole new round of looking-forward coverage, so stay tuned.

As always, there’s much more to come.

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Wren, Host: No Seance for the Living (Plus Full EP Stream)

Posted in audiObelisk, Reviews on April 22nd, 2016 by JJ Koczan

wren host

[Click play above to stream Wren’s Host in its entirety. EP out April 29 on Holy Roar Records.]

It was only two years ago that London post-sludge outfit Wren made their debut with a self-titled EP (review here) that found them immediately distinguished from among their many peers in the UK undergound. Since that early 2014 EP, Wren have put together a 2015 split with Irk (review here) the four-song EP Host, forthcoming from Holy Roar Records, both of which have featured changes in the lineup. Operating as the four-piece now of Owen Jones, Chris Pickering, Robert Letts and John McCormick, the band retain the sonic force of their two earlier/earliest offerings, but complement it with a cohesiveness of songcraft that’s on display here in a swaying cut like “The Ossuary” and the catchy “No Seance” (video posted here) that makes their overarching attack that much stronger.

Adding to that a structure that has Host playing two sides off each other to give its four inclusions a longer-shorter/shorter-longer flow and a pervasive sense of atmosphere in even the heaviest, rawest moments, and Host‘s densely weighted roll finds Wren beginning to pay off the potential that the first EP and split showed, even with different personnel involved at very least in terms of who’s fronting the band. A resounding churn will find Host compared to Isis and maybe Amenra, but there’s a post-hardcore bark in Wren‘s shouts that keeps them attuned to a sense of sludgy rawness while also adding aggression to the already smoldering material.

Opener “Stray” and closer “Loom” sandwich “No Seance” and “The Ossuary.” Both songs top eight minutes, and “Stray” begins with an immediate push of deep low-end and interplay of atmospheric riffing, the groove weighted but already in motion with the first verse. It’s not the most urgent thrust of Host, but it recalls some of Swarm of the Lotus‘ less chaotic moments and leads to an instrumental bridge that winds its way back toward a churn and interwoven layers of noise-rock guitar to fill out the chugging insistence. A slowdown before the halfway mark pushes the vocals farther back, but is short-lived as Wren are soon back up and steamrolling forward again toward a break of grabbed-cymbals and manic guitar-led rhythm that takes them to the song’s halfway point, which moves toward a wash of feedback that seems like it’s going to end the track, but at 5:39 kicks into a full-toned post-metallic crunch that provides an apex prior to the actual finish, also in feedback and noise.

wren (Photo by Gardenback)

Bass starts “No Seance” and is joined soon by guitar feedback and the drums. Though the shortest track on Host, “No Seance” is a highlight without question. More straightforward structurally than “Stray,” but also given a release-defining hook, it also makes no less of an impact, opening farther as it moves toward its second chorus, the drums holding a steady forward pattern to propel the chugging riff before swapping back to toms for nod-ready starts and stops that finish out, staggeringly heavy, completely in control and unremitting in their aggression.

That sense of poise and purpose continues onto “The Ossuary” at what’s the start of the vinyl’s side B. Though also shorter than either “Stray” or “Loom,” it’s nonetheless more open-feeling than “No Seance,” which was so much about its call and response in the chorus, and executes its linear course with a patient tempo early, swapping out at its midpoint toward a more unbridled push that gradually smooths itself into another crash-pushed nod, only to turn around again and move through once more. In that way, “The Ossuary” is almost like two songs put together, but especially in the context of Host as a whole, it works. Further, it readjusts the scope of the EP as a whole in a way that lets “Loom” go just about wherever it wants.

With echoing room-mic vocals over cycles of guitar, bass and tom runs, the opening of the closer recalls some of the first EP’s most post-rock moments, but on the whole, Wren have become a much more aggressive act in the last two years, and as “Loom” moves into its fierce push, a reminder of that is served. Some slow-motion blasting transitions back into the intro progression but degrades into noise to setup the final movement in the fuller second half, which plays out like a more single-minded version of “The Ossuary” but ultimately locks into a rolling riff that fades to close the EP, Wren leaving just a bit of threat behind that they might fade back in any any moment without actually doing so. I said as much when I posted the video for “No Seance,” but Host is an easy candidate for one of 2016’s best short releases, and while I don’t know if Wren have completely settled their lineup once and for all, if they were to press forward with a debut full-length as they are on these four tracks, there’s no way you wouldn’t call them ready for the task.

Wren on Thee Facebooks

Wren website

Wren on Bandcamp

Wren at Holy Roar Records

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Wren Post “No Seance” Video

Posted in Bootleg Theater on March 31st, 2016 by JJ Koczan

wren (photo by gardenback)

However loud you have the volume, you’re going to want it to be louder. UK post-sludge crushers Wren demand nothing less than a hyperbole assult. If it’s not doing physical, possibly irreversible damage, then you’re not quite there yet. Keep going.

You get the point.

Wren will release their second standalone EP, Host (review here), via Holy Roar Records on April 29. It is their second four-tracker behind a 2014 self-titled (review here) and also follows a 2015 split with Irk (review here) as the latest installment documenting the band’s solidification of lineup and aesthetic. As “No Seance,” the track from Host for which you can view the new video below, demonstrates, they’ve clearly done a lot of hammering out at this point.

And by that I mean the rhythm of the song feels like it’s hammering your skull. Or it should, when played at the proper volume.

But as “No Seance” also shows, Wren are not a creature of lurch and crush. Maddeningly catchy in its hook, “No Seance” is also representative of Host in its commitment to establishing an atmosphere and mood, building tension as it moves through its five-minute course. If nothing else, I take this as a sign that, should they continue on in this form — and hey, who knows, right? — Wren are decidedly ready to take on the task of a debut full-length. They pretty much beat the doors down on one, actually. They have some shows coming up in the UK over the next month-plus, heading into and following the release, and I don’t know if they’ll do any wider touring or go back to writing or both or neither, but not only do they show there’s still life and room to progress in something that might be called post-metallic, but they do so while sounding like genre isn’t a consideration in the slightest. Awesome.

Enjoy the creepy weirdo vibes of “No Seance” below, followed by the aforementioned live dates:

Wren, “No Seance” official video

‘No Seance’ in the visual realm.

Video by: gardenback

Taken from the EP ‘Host’ out on Holy Roar Records on April 29th.

Wren live:
Mon 11 Apr 2016 The Alexandra Beer Emporium Southampton, UK
Fri 29 Apr 2016 JT Soar Nottingham, UK
Fri 20 May 2016 Unicorn Camden London, UK

Wren on Thee Facebooks

Wren on Bandcamp

Holy Roar Records

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