The Obelisk Show on Gimme Radio Recap: Episode 19 (Maryland Doom Fest Special)

Posted in Radio on July 22nd, 2019 by JJ Koczan

the obelisk show banner

Yeah, I know, Maryland Doom Fest 2019 was like a month ago. Quit livin’ in the past and all that. Well, this show was supposed to air July 5, so whatever. It got pushed back because apparently July 4 is some kind of holiday now — what.ever. — and it was kicked down the line to two weeks later with re-runs on in the interim. Did anyone notice? Did anyone care? I did. But I’m glad to have had the chance to pay homage to MDDF one way or the other, since it was such a killer time and boasted a lineup of so many good bands.

Of course I had to lead off with Beelzefuzz and Foghound, two staples of the Frederick diet, and the show unfolds from there with new stuff from Zed and Lo-Pan and Kings Destroy amid the likes of Devil to Pay and Earthride and Backwoods Payback and Greenbeard. I made sure to put Solace and Freedom Hawk and Horehound and Toke and Witchkiss in here because their sets were particularly righteous — not to mention Year of the Cobra! — and in addition to representing the headliners in Conan, Mothership and Earthride, I had to include WarHorse since their reunion set was something so particularly special and such a huge part of the festival.

For those who didn’t hear the show, Gimme Radio runs the ‘Gimme Brigade’ which you can sign up for. I think it’s $5 a month or something like that, but you get access to their full archive and help them with hosting costs, etc., so fair enough. If you got to hear this one, thanks. If not, the basic point of the thing was that Maryland Doom Fest 2019 kicked ass, which I sincerely hope also came across in the reviews.

Here’s the full playlist:

The Obelisk Show – 07.19.19

Beelzefuzz All the Feeling Returns Beelzefuzz (2013)
Foghound Known Wolves Awaken to Destroy (2018)
Zed Chingus Volume*
Lo-Pan Savage Heart Subtle*
BREAK
Devil to Pay Ten Lizardmen and One Pocketknife Fate is Your Muse (2013)
Kings Destroy Yonkers Ceiling Collapse Fantasma Nera*
Earthride Vampire Circus Vampire Circus (2005)
Witchkiss Seer The Austere Curtains of Our Eyes (2018)
Year of the Cobra Cold Burn Your Dead (2017)
BREAK
Solace Khan (World of Fire) The Black Black (2007)
Backwoods Payback Whatever Future Slum (2018)
Toke Blackened Orange (2017)
Greenbeard WCCQ Onward, Pillager (2018)
Conan Battle in the Swamp Monnos (2012)
Apostle of Solitude Ruination Be Thy Name From Gold to Ash (2018)
The Age of Truth Come Back a God Threshold (2017)
BREAK
Horehound Dier’s Dirge Holocene (2018)
Freedom Hawk Danger Beast Remains (2018)
Mothership Midnight Express High Strangeness (2017)
Warhorse Lysergic Communion As Heaven Turns to Ash (2001)

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Aug. 2. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Live Review: Maryland Doom Fest 2019 Pre-Fest, 06.20.19

Posted in Reviews on June 21st, 2019 by JJ Koczan

maryland doom fest shod preparty poster

One could go on at some length about the legacy of the Stoner Hands of Doom Festival, which, like much of the pre-social-media universe, feels like part of some bygone era, when in fact the last edition was held in 2013. The Maryland Doom Fest 2019 pre-fest party — which I’ll only argue with because, really, when you have nine bands playing, that’s a festival one way or the other — was co-billed as SHoD XX in honor of the 20th anniversary of that fest’s first edition in 1999. Two of the bands on the evening’s bill were actually there in Virginia and Maryland on that weekend — Solace and WarHorse — but everyone who took the stage at Cafe 611 in Frederick, MD, was a veteran of it one way or the other. Slow Horse and Tummler remain sadly unaccounted for.

SHoD traveled — that first Arizona lineup is legendary — but spent a few pivotal years in Frederick down the road at what used to be Krug’s Place, and in both mission and manifestation, there isn’t a better festival to inherit the mantle than Maryland Doom Fest, though at the same time, it’s never been so plain just how much MDDF has come onto its own and found its place among the wider festival sphere. The WarHorse reunion is a coup, but for the greater incorporation of Guido’s as a second venue and the expansion to four days, Maryland Doom Fest has expanded its reach across borders and styles in a way that has only added to and enriched its original purpose. Earthride headlining tied it all together as only they possibly could.

It was a 5:30 start and I rolled into the venue about half an hour before that. Already, familiar faces were in ample supply, and they’d only be more so over the course of the evening. I have the feeling it’s going to be that kind of weekend. Right on.

The night went like this:

After the Sun

After the Sun (Photo by JJ Koczan)

Along with Earthride and Solace (who were two for two at that point), Ohio’s After the Sun played SHoD in 2000, the same year they formed. They’d return in 2001 as well. Given their style, it’s pretty notable that they’re actually not from Maryland itself, as their traditional take on doom definitely seemed to have been born of an awareness of the likes of The ObsessedPentagramUnorthodox, and so on. After putting out an EP in 2001, they released their first full-length just last year in the form of a seven-song self-titled, and they served it well live, making a highlight out of “Delusion of Sanity” late in the set. They had a new short release, The Demise, out for the festival, and were solid, workingman’s doom rock, the guttural belt-out of vocalist Doug Perry recalling earlier metallic grit while the chug of Lance Collier‘s bass and Rob Perkins‘ guitar and the thud of Bryan Kaiser‘s drums provided suitable backing for such conviction. The fact that they’ve released more music in the last nine months than in the prior 17 years shouldn’t be lost, and one has to wonder what their future plans are with this feeling very much like a return set, on-stage altar and all.

Freedom Hawk

Freedom Hawk (Photo by JJ Koczan)

This band just rocks. It hasn’t been that long since the last time I saw them, and they were still one of the sets for which I was most excited. There’s no bullshit to Freedom Hawk. They’ve got the songs. They plug in and kick ass and then they’re done. Five records deep, they know they’re doing it right and they play with that conviction. “Blood Red Sky,” “Lost in Space,” “Solid Gold,” “The Darkness and the Light,” “Radar,” “Executioner” and “Indian Summer” made for a quick set that seemed even faster than it was, but the Virginia Beach four-piece very obviously made the most of their time. I still have “Indian Summer” stuck in my head, if that’s any indication. Freedom Hawk only played the final Stoner Hands of Doom in 2013, which was held in Richmond, Virginia, and saw fest-organizers Rob and Cheryl Levey hand the reins to Brendan Burns (who at the time ran the Eye of the Stoned Goat festival), but any excuse to have them in just about any lineup is cool as far as I’m concerned. They’re just doing a weekender around Maryland Doom Fest, but they absolutely brought it like they’d been on the road for weeks.

Weed is Weed

Weed is Weed (Photo by JJ Koczan)

Double-duty Sherman! And on guitar, no less! With Gary Isom playing drums! With the incense-burning bong-shaped mic stand present and accounted for, Earthride frontman Dave Sherman took the stage with the three-guitar riff machine Weed is Weed to bask in crunchy nodder vibes and, as they always seem to do, have a really good time. I’ve been lucky enough to see them a couple times now — always in Maryland — and I don’t think they’ve ever had the same lineup twice. Sherman playing guitar was a nice touch, and Isom‘s move back to drums (from guitar) was of course nothing to complain about either. They lurched into “The Bong Remains the Same” and the eponymous “Weed is Weed” and sundry other greatest hits, and the room was with them all the way. I don’t know if they’d get the same reception anywhere else, but at Cafe 611, they were home, and it was a family atmosphere all the way through. The lights were green, and by the time they were done, they only seemed greener. If the East Coast had the Pacific region’s same proclivity for using the word “gnarly,” Weed is Weed might be the standard by which that was measured.

Deer Creek

Deer Creek (Photo by JJ Koczan)

At some point early in the set, Deer Creek guitarist/vocalist Paul Vismara noted that it was the band’s first show east of the Mississippi River in something like 17 or 18 years, and he thanked all the bands who have played their native Colorado in the meantime because, as he put it, “that’s a long fucking drive.” I believe it. Vismara — currently working on cover art for the next Solace record — and fellow guitarist Conan Hultgren, who also ran Game Two Records — the first Sourvein, the Halfway to Gone/Alabama Thunderpussy split, releases from Pale Divine, Negative Reaction, etc. — led the four-piece through a round of massively-riffed tonal plunge, a noisy, sludgy aggression cutting through the thickness of Hultgren‘s and Paul Vismara‘s guitars and Stephanie Hopper‘s bass, set to roll from drummer Marc Brooks. Their late-2018 EP, Quisling, wanted nothing for atmospherics, and their live presentation had that same sense of open-space, but neither was the impact neglected, the band hitting hard and locking into raw doom and sludge with an abandon more willful than reckless and a focus on mood that no one else would touch for the remainder of the evening.

Devil to Pay

Devil to Pay (Photo by JJ Koczan)

I know Indianapolis’ Devil to Pay played SHoD in 2012, because I was there. It was the one in New London, Connecticut. They also played in 2004, 2007, 2009 (I was there, too), and indeed 2013, so with five appearances total, that makes them the most-SHoDded of the bands playing the first night of Maryland Doom Fest. Not a minor distinction, but of course they’ve done plenty since as well, making their debut on Ripple with 2013’s Fate is Your Muse (review here) and following it with 2016’s A Bend Through Space and Time (review here). They’re about due for a new record — though now sharing guitarist/vocalist Steve Janiak with Apostle of Solitude (playing this weekend) as well as The Gates of Slumber — and indeed they had new songs called “Heave Ho” and “37 Trillion” in the set alongside favorites like “Ten Lizardmen and One Pocketknife,” which seemed to fit well alongside their melodic, heavy and straightforwardly structured songs. Like Freedom Hawk, they’re rarely dug into frills of any kind, and it had been too long since I saw them, but they reminded of what a well-kept secret they are and gave me something to look forward to in their next record, whenever it might show up.

Wasted Theory

Wasted Theory (Photo by JJ Koczan)

Big news coming next week from Wasted Theory. I’m not going to spoil it, but it’s not a new record — according to drummer Brendan Burns that’s still in the “messing around with riffs” stage, and fair enough since they released Warlords of the New Electric (review here) just last year — but it’s big news. And cool news. You know, I don’t always get down with where Wasted Theory land in terms of theme and whatnot, but as I watched guitarist/vocalist Larry Jackson, Jr. lead the band — Burns, guitarist Andrew Petkovic, bassist Corey Pettingill — through the set, I thought back to the first time I saw them early in 2013, and the difference six years have made in their sound is huge. On every level in terms of songs and performance, they’re a more professional, realized band, and yeah, they should be with three full-lengths out, but it’s still striking just how far they’ve come and how much work they’ve put in to find their place in Southern heavy rock. They’ve locked into their niche and set about developing as players and songwriters, and despite lineup changes they’ve never done anything but move forward. Look out for that news this week and join me in being vicariously happy for the band when the time comes.

Solace

Solace (Photo by JJ Koczan)

Solace are chaos. So much chaos. From the about-to-fly-off-the-rails dual-leadwork of Justin Daniels and Tommy Southard to the fact that they had Danny Golin (Halfway to Gone) sitting in on drums for the set after only rehearsing with him twice, to frontman Justin Goins spilling all the beer, the New Jersey five-piece are barely able to be contained on a stage — and at Maryland Doom Fest, they weren’t; Goins definitely spent some time in the crowd. They started recording their new album a year ago, reportedly, and I’ve already put up I think more than one news piece about it being done, but indeed, the thing’s still in progress, but whatever they do, wherever they go, Solace bring that sense of punk-metal danger with them, and it’s not just about a threat of violence, though maybe that too, even in the one new song they played, but the material itself has this frenetic energy to it that pushes everything into the red — figuratively and literally in terms of the lighting in this case — and when their set was done, you could almost feel the crowd at Cafe 611 exhale the breath it had been holding while they played. Hey, Solace — finish the goddamn album already. The world needs more of this kind of destructive catharsis. Badly.

WarHorse

Warhorse (Photo by JJ Koczan)

Yeah, so I know Massachusetts’ WarHorse only have two shows booked — this and Psycho Las Vegas in August — but I’m going to tell you straight up that this reunion is going to have to be a real thing whether they like it or not. The offers are going to keep coming. As in: “start writing songs and get your passports ready.” Already on the lips of fest-goers since the start of the day, the trio of bassist/vocalist Jerry Orne, drummer Mike Hubbard and Terry Savastano laid waste to the room. If Solace were the bull in the china shop, WarHorse were the steamroller knocking over the building afterward. It was magnificent. I never saw them during their original run, but their lone LP, As Heaven Turns to Ash (discussed here), is the stuff of legend — especially in the Northeast — and within the first five minutes of “Horizons Burn Red,” it was obvious they need to keep going. The set was that, plus “I am Dying,” “Scrape,” “Lysergic Communion” and “Black Acid Prophecy,” and when they were done, people were shouting for more. Rightly so. You know how you’ve been listening to that record for all these years and thinking like, “Wow, this must’ve been amazing to see live?” Well, it still is. Tour, new songs, album, festivals, all of it. They sounded like a band ready to get their due.

Earthride

Earthride (Photo by JJ Koczan)

I’m not sure how else you could hope to close out the night but with Earthride, who, again, tied together the spirit of Stoner Hands of Doom with Maryland Doom Fest perfectly. There was some problem early on with the bass rig, but it got worked out and after being introduced by drummer Eric Little‘s daughter — he looked pretty flabbergasted — they were off and rolling soon enough into the quintessential Chesapeake nod of “Something Wicked,” the title-track of their most recent album (review here), which came out in 2010. The intervening years have found vocalist Dave Sherman involved in Weed is Weed and the Spirit Caravan reunion that morphed into the current incarnation of The Obsessed, as well as other projects in the works and lineup changes in Earthride itself mostly in the bassist role — Greg Ball has handled guitar for the last several years — and true, they had the Witch Gun 7″ out in 2017, but even so, it’s time for a fourth Earthride album. I was dragging ass by the time they went on, but Earthride are kingpins of Maryland’s heavy underground and there’s nothing quite like seeing them on their home turf. As ever, I came out of doing so with no regrets whatsoever. They are a definitive band for what Maryland Doom Fest is all about.

It was, uh, late, when I got back to the AirBNB where I’m staying a few blocks away from the venue. I crashed on the futon in this room at about 2AM and was up before 7 thinking I needed to start making coffee and writing. Correct on both accounts. Today is another packed day — they all are — but it starts a little later, so I’ll see if I can’t crash for a bit this afternoon ahead of making my way over to Cafe 611 again. Also need to buy a toothbrush, so yeah, I think I’ll go do that. After I sort pictures.

More pics after the jump. Thanks for reading.

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New England Stoner and Doom Fest II: More Lineup Announcements; Pre-Party Added

Posted in Whathaveyou on February 5th, 2019 by JJ Koczan

new england stoner doom festival 2019 art

It’s time to talk about the real potential of the New England Stoner and Doom Fest. No, I don’t mean the lineup. That’s awesome. You know it and I know it. I’m talking about the acronym. That’s always huge for a festival. How is it abbreviated? Think MDDF or SHoD or any of the DFs spread around the universe. These things matter.

I’ve seen NESDF tossed around for New England Stoner and Doom Fest, and that’s cool, but it’s missing the opportunity. You could have a festival abbreviated NES! Who the hell wouldn’t buy that t-shirt? I hereby cast my vote in the imaginary referendum on festival abbreviations for New England Stoner and Doom Fest to henceforth and forthwith and withhence be known as NES fest. Second the motion?

There’s reportedly one more band to be added and reportedly several in the running for that slot, so this might not be the final update before May 3-5 gets here and NES fest kicks off (see me using the acronym already?), and the lineup for a pre-party at 33 Golden St. in New London has been announced as well, which will be headlined by Fox 45, so, you know, more of a good thing and all that.

The full lineup as has been revealed follows. Note the Wretch reunion. NES fest!

New England Stoner & Doom Fest II

The New England Stoner and Doom Festival will make its return in 2019 on May 3,4, and 5 at Altones in Jewett City, CT.

Earthride
Brimstone Coven
Wretch
Kings Destroy
+1 TBA
Foghound
Pale Divine
Vessel of Light
Spiral Grave
Solace
Black Road
Curse the Son
Shadow Witch
Hell Camino
Clamfight
Eternal Black
Thunderbird Divine
Stonecutters
When the Deadbolt Breaks
Mourn the Light
Entierro
Bone Church
Buzzard Canyon
The Age of Truth
Void King
Horseburner
Scuzzy Yeti
Witchkiss
Cortez
Benthic Realm
Faith in Jane
Conclave
Set Fire
3 Parts Dead
Insano Vision
Old Earth Analog
Pinto Graham
The Stone Eye
Sentinel Hell

Pre-party @ 33 Golden St.:
Fox 45
VRSA
Dark Ritual
Owl Maker
Feed the Beast

www.newenglandstoneranddoomfest.com
https://www.facebook.com/events/1613285008788252/
https://www.facebook.com/NewEnglandStonerAndDoomFest/
https://www.saltoftheearthrecords.com/

Wretch, Bastards Born (2017)

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Maryland Doom Fest 2019 Early-Bird Tickets Limited; Day Lineups Announced

Posted in Whathaveyou on December 28th, 2018 by JJ Koczan

maryland doom fest 2019 poster square

The actual schedules aren’t out yet for the four days of Maryland Doom Fest 2019, but even the day-splits for the massive lineup are good to know since this will be the first one with two venues and, thus, the first one with schedule conflicts (assuming the rooms run at the same time). That will invariably lead to some difficult choices, but so it goes in the land of doom — aka Frederick, MD. One way or another, the lineup is maddeningly good from its headliners in Pentagram, Conan, Earthride and Mothership right on down through the likes of Seasick Gladiator and Greenbeard, playing earlier in the day. But it’s good to get some basic idea of who will be where, when, because given the swath of bands, it’s going to be one to schedule where your feet are at any moment in order to miss as little as humanly possible.

By the way, how fucking awesome is the idea of Maryland Doom Fest paying homage to the 20th anniversary of the long-running/now-defunct Stoner Hands of Doom festival? That lineup could hardly be more perfect if they got Eternal Elysium over for it as SHoD once did. Especially the top three there. Unstoppable.

Here’s the info. There’s a lot of it:

Early Bird Discount Ends 12/31! THE MARYLAND DOOM FEST 2019 – 5th Anniversary – June 20th-23rd with PENTAGRAM, CONAN, EARTHRIDE, MOTHERSHIP, WARHORSE, 40+ More!

The Maryland Doom Fest celebrates its 5th anniversary this upcoming June and has confirmed FIFTY of today’s heaviest bands to grace the stages of two venues in 2019. For the first time in its history, MD Doom Fest brings international artists, the mighty CONAN from the United Kingdom and INTERITUM from Tasmania, with 48 hallowed USA acts coming from coast to coast!

In a dual-ceremonial event, the MD Doom Fest Pre-Party on Thursday, June 20th is a 20th Anniversary celebration of the Stoner Hands of Doom Festival (ShoD), with a spectacular lineup. All bands have performed at fantastic SHoD fests of years past! The Pre-Fest / SHoD 20th Anniversary Celebration will be monumental. We invite everyone to become part of the family at The Maryland Doom Fest 2019 events for #4daysofdoom!!

THE MARYLAND DOOM FEST 2019
June 20th – 23rd, 2019 + Frederick, MD

PENTAGRAM + CONAN + EARTHRIDE + MOTHERSHIP

Year Of The Cobra + Lo Pan + Freedom Hawk + Warhorse + Pale Divine + Apostle Of Solitude + Kings Destroy + Solace + Foghound + Beelzefuzz + ZED + Wasted Theory + The Age Of Truth + Atala + Toke + Backwoods Payback + Weed Is Weed + Forming The Void + Sixes + After The Sun + Shadow Witch + Faith In Jane + Clouds Taste Satanic + Pale Grey Lore + Knoxxville + Devil To Pay + Eternal Black + Thonian Horde + Kingsnake + Greenbeard + Interitum + Benthic Realm + Horehound + Funeral Horse + Thousand Vision Mist + Deer Creek + Crooked Hills + Stone Dust Riders + Thunderchief + Wolf Blood + The Druids + Atomic 26 + Dead Sisters + Seasick Gladiator + Electric Age + Temptations Wings

+++ Early Bird Discount Weekend Passes available until December 31st +++

https://www.marylanddoomfest.com/tickets/

MD Doom Fest Pre-Party
SHoD 20th Anniversary Celebration
Thursday, June 20th

+ Cafe 611 +
Earthride
Warhorse
Solace
Wasted Theory
Devil to Pay
Deer Creek
Weed is Weed
Freedom Hawk
After the Sun

DAY ONE
Friday, June 21st

+CAFE 611+
Mothership
Pale Divine
Lo Pan
Year of the Cobra
The Age of Truth
Backwoods Payback
Kingsnake
Interitum
The Druids

+GUIDO’S SPEAKEASY+
Clouds Taste Satanic
Benthic Realm
Dead Sisters
Funeral Horse

DAY TWO
Saturday, June 22nd

+CAFE 611+
Pentagram
Apostle of Solitude
Foghound
Beelzefuzz
Atala
Sixes
Forming the Void
Knoxxville
Atomic 26
Eternal Black
Greenbeard

+GUIDO’S SPEAKEASY+
Electric Age
Pale Grey Lore
Thunderchief
Seasick Gladiator
Crooked Hills

DAY THREE
Sunday, June 23rd

+CAFE 611+
Conan
ZED
Kings Destroy
Toke
Thousand Vision Mist
Horehound
Thonian Horde
Shadow Witch
Faith in Jane

+GUIDO’S SPEAKEASY+
Temptations Wings
Wolf Blood
Stone Dust Riders

Early Bird Discount Weekend Passes are available until December 31st, 2018!
(Early Bird Discount is only for Weekend Passes- $74.)

On January 1, 2019, all regular price ticket options will be available.
Weekend Passes $89. Single Night: Fri. $35 / Sat. $40 / Sun. $35
Weekend Pass holders can attend Pre-Fest/SHoD for $15 at the door, all others: $30.

https://www.facebook.com/events/371836710006412/
https://www.facebook.com/MdDoomFest/
https://www.themarylanddoomfest.com/

Apostle of Solitude, “Keeping the Lighthouse” official video

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New England Stoner and Doom Fest II Makes First Lineup Announcement; Earthride, Brimstone Coven, Youngblood Supercult & More to Play

Posted in Whathaveyou on November 14th, 2018 by JJ Koczan

new england stoner and doom fest ii

Welp, I guess I know what I’m doin’ on May 3 and 4 next year. Calendar is marked. I was otherwise occupied during the first New England Stoner and Doom Fest earlier this year, but with the usual caveat that a piano might fall on my head between now and then, my plan is to hit New England Stoner and Doom Fest II as a priority, and the first lineup announcement has done nothing to dissuade me from that intention. Shadow Witch, Earthride, and Brimstone Coven are all vets of Maryland Doom FestEarthride are of course kingpins of that scene though release through NESDF-related Salt of the Earth Records — but Vessel of Light, Youngblood Supercult, Black Road, Set Fire and others it will be my first time seeing, so all the more reason to look forward to getting to Altones, which I hear kicks ass anyway.

And yes, I’m among the presenting media for the festival, but I don’t have the inside track or anything on who’s playing, so as the announcements come through for the bill, I’ll be just as surprised as everyone else. I’m looking forward to that too. There’s a good bit of diversity of sound already in the lineup, and any chance you get to see Brimstone Coven‘s harmonies in-person, you should do that. Bottom line is there’s a lot to like here so far, so dig in, and when I see the next round come through, that’ll get the same treatment.

For now, here’s the first poster and the list as posted on the fest event page on Thee Facebooks:

new england stoner and doom fest ii first poster

The New England Stoner and Doom Festival will make its return in 2019 on May 3 & 4 at Altones in Jewett City, CT.

Stay tuned for details!

www.newenglandstoneranddoomfest.com

Featuring:
Brimstone Coven
Earthride
Black Road
Vessel Of Light
Shadow Witch
Youngblood Supercult
Set Fire
Mourn The Light
Entierro

Many many more to be announced.

www.newenglandstoneranddoomfest.com
https://www.facebook.com/events/1613285008788252/
https://www.facebook.com/NewEnglandStonerAndDoomFest/
https://www.saltoftheearthrecords.com/

Earthride, Live in Los Angeles, June 13, 2018

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Maryland Doom Fest 2019 Announces Lineup: Pentagram, Conan, Earthride, Mothership, Lo-Pan and More to Play

Posted in Whathaveyou on October 31st, 2018 by JJ Koczan

maryland doom fest 2019 announcement

Holy fucking shit. It’s a good thing Maryland Doom Fest 2019 isn’t until next June, because it’s going to take me that long to process how badass this lineup is. It’s like JB decided this was the year everybody plays. A fourth day has been added. A second venue has been added — it’s Cafe 611 and Guido’s Speakeasy now — and wow. Just, fucking, wow. The headliners: PentagramConanEarthride and Mothership. And the list of bands that follows is absolutely staggering. Of course some things are bound to change between now and then, and there are announcements yet to be made about the pre-show, but really. They’ve absolutely, positively gone to a completely new level of festival here.

It’s gonna be crowded.

And it’s gonna be a blast. If you need me, I’ll be booking my room at the Motel 6 in Frederick.

The announcement was simple and came just in the form of the poster — art is by Kyle Stratton, whose band Atala also make a return to the bill — and from near and far, far and wide, acts are coming in to make what looks like it’ll be an absolutely unforgettable weekend (-plus) of heavy.

Here’s the lineup:

maryland doom fest 2019 poster

MARYLAND DOOM FEST 2019 – JUNE 20-23

DOOMSTERS, GRUNGERS, SLUDGERS, STONERS, & PAGANS —

We are extremely pleased to present to you……The Maryland Doom Fest 2019 lineup!!!

50 of the heaviest, most talented bands to grace the stage.

We bring you INTERITUM from Tasmania, CONAN from England, PENTAGRAM from our soil, and an additional 47 top performing USA acts traveling from all across the continent!!

As if that’s not enough, the MDDF Pre-Fest Party will be celebrating the 20th Anniversary of the SHoD (Stoner Hands of Doom) Festival with a spectacular lineup of bands who have performed at the great SHoD fests in years past!! The Pre-Fest / SHoD 20th Anniversary Celebration will be monumental in countless ways!!!!

Please support the Doom scene and share this epic event with your comrades and we will see you at #4daysofdoom !!!!

EARLY BIRD Discounted ticket sales start Dec. 17th, 2018 – for two weeks only.

This astronomical lineup and the 2019 festivities are dedicated to my very good friend and prior MDDF partner from 2015 – 2018, Mark Cruikshank!!

DooM !!! ~JB

Lineup:
Earthride
Warhorse
Solace
Wasted Theory
Devil to Pay
Deer Creek
Weed is Weed
Freedom Hawk
After the Sun
Mothership
Pale Divine
Lo Pan
Year of the Cobra
The Age of Truth
Backwoods Payback
Kingsnake
Interitum
The Druids
Clouds Taste Satanic
Benthic Realm
Dead Sisters
Funeral Horse
Pentagram
Apostle of Solitude
Foghound
Beelzefuzz
Atala
Sixes
Forming the Void
Knoxxville
Atomic 26
Eternal Black
Greenbeard
Electric Age
Pale Grey Lore
Thunderchief
Seasick Gladiator
Crooked Hills
Conan
ZED
Kings Destroy
Toke
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Temptations Wings
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Earthride, Live at Maryland Doom Fest 2018

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Live Review: Maryland Doom Fest 2018 Night Two, 06.23.18

Posted in Features, Reviews on June 24th, 2018 by JJ Koczan

maryland doom fest 2018 night two poster

This scene is staggering. In terms of enclaves of hard and heavy, Maryland doom might be rivaled only by Floridian death metal and New York hardcore for longevity, and I’m pretty sure neither of those dates back to the early ’70s. Think about that. For almost as long as there’s been an idea of “heavy,” there’s been Maryland doom. And the number of lifers in bands and out boggles the mind. At best, I’m an interloper here, and I’d never claim otherwise. Every year or two or three, I’m lucky enough to come down for a fest or something like that, poke my head around and be humbled by the spirit that lives in this place. To actually be a part of it? I can’t imagine.

Maryland Doom Fest has taken on the responsibility not only of representing its native creatives, but in providing the scene a bridge to the outside world as well. The second day of Maryland Doom Fest 2018 did like day one and branched out in geography and sound, the scope of the festival increasing each year even as it maintains its ties to the place whose banner it flies. There’d be plenty of doom, but noise and heavy rock as well, metal both tangible and intangible, and more besides. You bet your ass it’s overwhelming. Maryland Doom Fest comes but once a year. Gotta make it count.

Another rainy day in Frederick set the gray-sky tone for a bill that would start out dark and work its way to the murkiest finish of all with Windhand headlining. Here’s how it happened:

Electropathic

Electropathic (Photo JJ Koczan)

As with Unorthodox last night, the new band fronted by Gary Isom, guitarist in Weed is Weed and former drummer in Spirit Caravan, Pentagram, Valkyrie and others, is a cross-generational affair. Along with drummer Ronnie Kalimon (formerly of Asylum, Unorthodox, etc.), Electropathic features young bassist/backing vocalist Zak Suleri and lead guitarist Eli Watson, both of Et Mors, and with Isom in the frontman role, they ran through a set of classic Maryland doom. Defined in no small part by their lack of pretense, they seemed to still be feeling out where they were ultimately headed as a band. They formed in the back half of last year by all appearances, so while none of them is a stranger to the stage, they’re in the process of developing their chemistry and sound. Likewise, Isom was still internalizing his position at the fore — even in Weed is Weed, he’s off to the side of the stage. He held it down though and their riffs resounded like a clarion to the converted still making their way in — time to go to church, school, whatever. Just time to go.

Molasses Barge

Molasses Barge (Photo JJ Koczan)

Hailing and hauling from Pittsburgh, Molasses Barge reaffirmed the connection between Steel City and Maryland doom that’s been there since the days of Dream Death‘s original run and probably even before that. The five-piece released their self-titled album in 2017 on Blackseed Records and had songs from that and new material in tow, which frontman Brian “Butch” Balich announced from the stage saying drummer Wayne Massey “calls this one ‘Tin Snake,'” or something thereabouts (hard to read the notes, sorry if I’ve got the title wrong). Balich is a formidable presence on his own, as he’s proven over the years in Penance, Argus and most recently Arduini/Balich, and in Molasses Barge he sets his powerful voice the task of cutting through the low end tone rollout from guitarists Justin Gizzi and Chuck Forsythe and bassist Amy Bianco that, presumably is what gives the band its name. Classic heavy riffs and a touch of metal underpinning, they were unsurprisingly met with welcome by the early crowd, and brought out Iron Man frontman Dee Calhoun to co-front a cover of that band’s “On the Mountain” to pay righteous homage to founding guitarist “Iron” Alfred Morris III, who passed away earlier this year.

Shadow Witch

Shadow Witch (Photo JJ Koczan)

I said as much to vocalist Earl Walker Lundy after their set, but I’ve always sensed something a little weird in Shadow Witch. Across the Kingston, New York, four-piece’s two albums to-date, last year’s Disciples of the Crow (review here) and 2016’s Sun Killer (discussed here), there’s been an edge of something standing them out from the pack. Having now seen them live, I feel like I have a better sense of what it is. In no small part, it’s Lundy himself. He carries across his vocals with utmost conviction and purpose, and backed by bassist David Pannullo, guitarist Jeremy Hall and drummer Doug Thompson, he ran his voice through a range of effects and performed barefoot — a bravery in itself considering the amount of spillage I’ve seen on that stage over the last two days — as free in is movement physically as his voice was to carry across the songs. They dwell in a between-genre space and remaining excitingly difficult to classify, but what matters is they carried their passion over to the audience, who met it with welcome. Good band. Better band than people know. Better band than I knew.

Doomstress

Doomstress (Photo JJ Koczan)

Speaking of bands I should’ve seen already, I went into Doomstress‘ set with the distinct impression that their recorded material to-date has yet to do them proper justice. They tour regularly on week and week-plus runs and had been on the road for four nights already en route to Cafe 611, so it seemed likely the Houston four-piece would be on top of their game. Not to toot my own horn, but I was right. They’re a better band than they’ve shown on either of their short releases. It’s a question of balance in their sound. Not just between tonal heft and aggression/attitude or the commanding stage presence of Doomstress Alexis on bass and vocals with guitarists Brandon Johnson and Matt Taylor and drummer Buddy Hachar (also of Greenbeard), or of between the classic and the modern, but between the actual instruments themselves. The live wash of tone suits them, with Alexis‘ vocals cutting through, where on their recordings thus far there’s more separation of instruments. It’s dirtier live, and for the high quality riffs they play, that dirt fits really well. Especially coupled with the fact that their performance was so tight, it was like they were daring the crowd to match their energy level.

The Age of Truth

The Age of Truth (Photo JJ Koczan)

Another band it was my first time seeing (that’s five in a row!), Philly four-piece The Age of Truth had been hanging out all weekend and getting down with some shenanigans the first night of Maryland Doom Fest, but when they got on stage, it was all business. Well, mostly business. One seems to recall vocalist Kevin McNamara saying something before they went on about taking his shirt off and rubbing his nipples on the microphone — it didn’t happen, though it might’ve been an interesting bit of performance art; “what do those nipples signify?” and so on — but with the start of the set, he, guitarist Mike DiDonato, bassist Bill Miller and drummer Scott Fressetto launched into the most noise-rocking set the festival has thus far featured. Their blend of heavy rock groove and crunching tones and riffs made their Kozmik Artifactz-delivered debut, Threshold (review here), an aggro joy, and their live interpretation of those songs as well as the new cut “Palace of Rain” was all the more engaging for the ferocity of its realization. The slow-rolling-int0-quicker-shuffle of “Caroline” was a highlight, but I won’t take anything away from the impact of “Honey Pot” or anything else either. With an injection of melody into the newer stuff, they left some intrigue as to where they might be headed — a proper tease of something to watch for. It’ll be worth keeping an eye out.

Switchblade Jesus

Switchblade Jesus (Photo JJ Koczan)

Before Switchblade Jesus took the Cafe 611 stage, I was asked by Borgo Pass drummer and all-around-excellent-human-being Joe Wood what they sounded like. The first two words that came out of my mouth were “Texas” and “riffs.” To be fair, that’s not by any means all the three-piece of guitarist/vocalist Eric Calvert, bassist/vocalist Chris Black and drummer Jon Elizondo have to offer, but if you’ve never heard them before, it’s a start. They made an encouraging self-titled debut (review here) in 2013 and followed up last year with a contribution to Ripple Music‘s The Second Coming of Heavy split series (review here), which took the foundation of that initial offering and expanded it significantly, pulling back on some of the burl in favor of a more nuanced approach. Their set in Maryland? With Calvert and Black sharing vocal duties and Elizondo pounding away behind, they rose to the occasion. In front of the stage, the crowd headbanged and raised fists and dug in nearly as much as the band itself, whose set was flawless near as I could tell. I’ve seen them twice now, been impressed both times, and could only expect that trend to continue for the next round, whenever that might be.

Foghound

Foghound (Photo JJ Koczan)

The weekend’s emcee, Dave Benzotti, choked up in reading his intro to Foghound, which also served as a remembrance of those the Maryland doom scene has lost over the last year, including bassist Rev. Jim Forrester of Foghound (also Serpents of Secrecy, ex-Sixty Watt Shaman, etc.), and reasonably so given the tragedy of the circumstances of his passing. The inevitability of that loss working its way into the current chapter of Foghound‘s life as a band was thick as the Baltimore four-piece got going, but if they were working toward catharsis, they were doing so with volume and intensity as their means. Their third album, Awaken to Destroy,on which Forrester performs bass and new bassist Adam Heinzmann contributes vocals alongside those of drummer Chuck Dukeheart III and guitarists Dee Settar and Bob Sipes, is done and in the can, and they played material from it both during their own set — the title-track — and afterwards through the P.A., which went unnoticed by many by Dukeheart later explained was a way to get Forrester‘s playing heard even if people didn’t realize they were hearing it at the time. As they also played with a portrait of Forrester signed by many with messages of love (I didn’t have the courage), his presence and absence were both deeply felt by the room, but the music was a fitting tribute and a comfort alike.

Cavern

Cavern (Photo JJ Koczan)

Prog prog prog. Also, prog. It’s fun to watch a band who so delight in being bizarre or outside the norm, and while local instrumentalists Cavern were for sure the odd men out on the bill, that suited them remarkably well and I can only imagine it wasn’t the first time they’ve found themselves in that position. Drummer Stephen Schrock played a kit with his toms out flat before him while Zach Harkins ran his guitar through one of the most elaborate pedal boards I’ve seen this weekend and still had room on stage for a Moog to add atmosphere to the intricate and complex songs they played. Denizens of Grimoire Records, they were a perfectly timed departure. Following Foghound with another straight-up rock band would only be doing said band a disservice, but Cavern were coming from somewhere else completely, so there was no real comparing the two outfits. A jolt to the flow of the night that only served Cavern well, since with all their looped parts, woven-through noise and underlying groove, “jolt” seemed to be the whole idea. It would be all-go riffing from here on out, but whether one considers them on their own merits or in the context of the Maryland Doom Fest 2018 lineup, their efforts toward the bizarre were duly appreciated.

The Watchers

The Watchers (Photo JJ Koczan)

The second Ripple Music act on the bill to have made the trip from the Bay Area behind ZED, four-piece The Watchers delivered one of the most professional sets I’ve seen so far this weekend. I mean, The Obsessed were pro-shop, right? And so were ZED, since they’ve been mentioned, but The Watchers had it all down — from riffs to looks to delivery to vocalist Tim Narducci and guitarist Jeremy Epp working the crowd with natural showmanship while bassist Cornbread and drummer Carter Kennedy locked in groove after groove of rock-solid heavy rock, playing selections from this year’s Black Abyss (review here) as well as the preceding EP, Sabbath Highway (review here). They had a near-commercial level of catchiness, but since that’s not a thing that exists anymore, I’ll just note that as much clear effort as they put into their presentation, the accessibility of the songs came from the songs themselves and the quality of their construction. Were they up there selling it? Absolutely. And kicking ass while doing so, but if the material itself wasn’t so strong the whole thing would’ve fallen flat. The foundation of the entire show was the material itself, and accordingly that show was an utter joy to watch.

Earthride

Earthride (Photo JJ Koczan)

I actually went back and looked up the last time I saw Earthride. It was at Days of the Doomed in 2012 (review here). I also recalled seeing them in Brooklyn in 2011 sharing the stage with When the Deadbolt Breaks, which was a noteworthy coincidence since that band’s guitarist/vocalist, Aaron Lewis, happened to be playing bass in Earthride, having joined just prior to the Maryland band’s just-ended tour with The Skull. Still, six years (and eight days) of not seeing Earthride? Far too fucking long. Dave Sherman, who’d been hanging out all weekend, took the stage in celebration of the welcome-home party that their set was, and with Lewis, guitarist Greg Ball and drummer Eric Little behind him, he held court for what was an absolute highlight of the fest as a whole. I’d been thinking of them as headliners the whole day, and while they didn’t play last, there was definitely a main-event feel going into their set, which started out with “Earthride,” boasted the new single “Witch Gun” (discussed here), the title-track to 2010’s Something Wicked (review here) and capped with “Fighting the Devils Inside You” from 2005’s sophomore LP, Vampire Circus (discussed here). Sherman held the audience and never relinquished his grasp on their attention, and the crowd was as switched on as I’d seen the whole fest. Like I said, they weren’t the headliners in name, but really, they kind of were. And rightly so.

Castle

Castle (Photo JJ Koczan)

Man, I want to hear Castle‘s new album. So bad. The core duo of bassist/vocalist Elizabeth Blackwell and guitarist/vocalist Mat Davis will issue that long-player through a yet-to-be-announced label, but they’re a touring band at their core. They get out. In talking to Davis after their set, he called their current stint a “quick one.” To put that in perspective, it’s a cross-country tour with 12 dates. I’m assuming what he meant was that it was nothing like the weeks-long voyages that will invariably follow the new full-length’s release, and I guess that’s fair, but 12 dates isn’t nothing either. Last time I saw Castle was Maryland Doom Fest 2016 (review here) as they were marking the release of that year’s Welcome to the Graveyard (review here), and though I knew it was coming, I was still blindsided by their intensity. Thrash, doom, classic metal, heavy groove and delighted pummel. Think of them as extreme traditional metal. They bring a classic sound to bear in their material — a number of classic sounds, actually — but have a ferocity to their execution of that which sets them apart from anything that might be considered “retro.” Coupled with the willful eeriness of their atmospheres and cultish themes, they can be all over the place, but that only makes them harder to pin down, and thus, all the more a thrill to watch. As the penultimate act of the evening, they were a last-minute kick in the ass before things got as far out as they would go, and though it had been a long day by then, Castle revived the spirit even as they seemed to herald its demise.

Windhand

Windhand (Photo JJ Koczan)
Windhand were the night’s headliner. They could’ve slinked in late, hid themselves backstage, got on, done their set, collected whatever there was to collect afterward and been on their way. Instead, the Richmond, Virginia, four-piece, who are arguably the most successful East Coast doom band of their generation and whose influence only continues to spread — trying to come up with another name and can’t; if you have one, I’d love to talk it out — hung around all day. They were back and forth through the venue, watching bands, meeting people, this and that. They had the option to take part or not to take part and they took part. And for a group at their level, on Relapse, having toured the world, etc., that’s not nothing. When they finally got on stage and got going, their fog-drenched riffs were as overwhelming as I remembered, and even though they’ve pared down from a five-piece, there was no discernible gap in volume from vocalist Dorthia Cottrell, guitarist Garrett Morris, bassist Parker Chandler and drummer Ryan Wolfe, who produced a soulful, lurching onslaught the likes of which Maryland Doom Fest had not yet known. Their new album, Eternal Return, was announced in April and will be released by Relapse as the follow-up to 2015’s Grief’s Infernal Flower (review here). No doubt it’s one of the most anticipated doom records for the rest of 2018 and whenever it rears its head will be yet another grueling landmark in a catalog that, at this point, teems with them while also constantly showcasing Windhand‘s progression. It was late, but in front of the stage was a press of humanity, and Windhand justified the urgency with a wash of volume and low end that was on a level all its own. A headlining slot well earned.

It’s almost 1PM on Sunday as I wrap this up and I still need to sort photos, shower and change clothes before I head out from Sparks to Frederick, so I’ll turn you over quickly to the pics after the jump and just say thanks for reading.

Because really, thanks for reading. More tomorrow, if you can believe it.

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Friday Full-Length: Earthride, Vampire Circus

Posted in Bootleg Theater on June 15th, 2018 by JJ Koczan

Earthride, Vampire Circus (2005)

Like any long-lived scene, Maryland doom has watched ’em come and go. Bands get together, bands fall apart, mix members, grow into something else, etc. Lifers in anything are fewer and farther between. About 30 seconds into watching Dave Sherman front Earthride and there’s no imagining he’s anything else.

Sherman has fronted Earthride for over 20 years. The band got their start while he was still playing bass in the original incarnation of Spirit Caravan and released their self-titled debut EP in 2000 that was a clarion to the converted. Even more than the deeply weighted grooves and tonal low end thick enough to feel it in your chest, Earthride‘s Earthride was marked by a pervasive grit that would become a hallmark of the band along with classic-style hooks and a self-awareness of their place within the sphere of American doom. Over time, that place would only become more their own as they signed to Southern Lord Recordings for the release of their 2002 full-length debut, Taming of the Demons and its 2005 follow-up, Vampire Circus.

Both albums are nothing short of essential stoner doom. Earthride offer such a specific vision of what heavy is and should be, and on Vampire Circus, sometimes that’s aggressive, as with “Understand” and all its talk of coffin nails, and sometimes it’s just about following the riff, as on the bouncing title-track or the leadoff cut “Fighting the Devils Inside You,” which would become a hallmark of the band’s approach and the start of an opening salvo that by the time it’s done winds up comprising the entire first half of the record through the organ-laced “Dirtnap” and up to the aptly-titled “Interlude,” although quite frankly it’s not like there’s any dip in quality as “God’s Own Medicine” layers screams into its chorus and finds drummer Eric Little thudding out on his toms through verses telling tales of addiction horrors and igniting a chase with Kyle van Steinburg‘s guitar and Rob Hampshire‘s bass. Or anywhere, for that matter. The laid back fuzzer “Loss” follows with a mellow opening of drift that holds for nearly a minute and a half of its near-six-minute stretch. It’s a departure from the more straightforward material before it, but the character of the song is consistent to be sure, and even when it gets heavy — which, yes, it most certainly does — “Loss” retains that semi-psychedelic mood enough that it’s no surprise when it dips down again after the initial hook. Blues. Psychedelic blues. The chugging riff that emerges is quintessential Earthride in its nod, and van Steinburg makes a highlight of the solo just before the four-minute mark.

“Loss” is also a departure in its finish in that it jams out. As loose as Earthride sometimes sound in their ultra-swinging, cauldron-stirring rhythms on Vampire Circus, the structures of their songs are generally pretty straightforward. Cuts like “Fighting the Devils Inside You” and “Understand” and even “God’s Own Medicine” take a relatively traditional approach to craft: verses, choruses, bridges, solos, and so on. Identifiable parts making up the pieces that when put together make for memorable tracks. The ideal scenario, and an essential facet of Earthride‘s sound in terms of a deceptive simplicity that unfolds its true depths on repeated listens. Where “Loss” leaves that behind is after the aforementioned solo, as it moves back through a heavy chorus and into a spontaneous-sounding ending that makes one realize just how tight everything up to that point has been. It won’t belong before the speedy and winding “For Wrath and Ruin” is offering the advice to “Rip your head off and smoke your brain,” but even the context in which song appears is changed because of the breadth that “Loss” adds to entire album. And again, it’s subtle. It’s not something immediate. But it’s crucial to the overall impression the record makes.

Likewise, as much as “Fighting the Devils Inside You,” “Understand,” “Vampire Circus” and “Dirtnap” marked out their place at the start of Vampire Circus, so too does “For Wrath and Ruin” begin an ending salvo that’s quicker than just about anything before it. A reference to Black Sabbath‘s “Heaven and Hell” in the penultimate “The World I Live” is continually appreciated, and though it’s not as motoring as “For Wrath and Ruin” before it — some residual Spirit Caravan stylization there, perhaps; one can hear it too in “God’s Own Medicine,” and fair enough given Sherman‘s contributions to that band — the mood is still more uptempo than on the earlier material or even “Loss” after which the shift into the higher gear is made. “Swamp Witch” finishes and brings back the organ from “Dirtnap” — played by Mick Shauer, then also of Clutch — and finds itself capping Vampire Circus locked once more into a classic heavy midtempo groove, more Mountain than Sabbath, but with obvious Deep Purple overtones thanks to Shauer‘s guest spot.

Earthride are in conversation there and throughout with Southern metal and heavy blues — an engineering job from Mike Dean of Corrosion of Conformity is never going to hurt in that regard — but the real success of Vampire Circus lies in taking what Earthride were feeling out through the Earthride EP and Taming of the Demons and telling their audience, “this is ours,” owning their sound and truly making it their own. The album ends its 10-track/43-minute run cold with a sweep of organ keys and a sudden cutoff of the riff, as if to mark out the inevitability of more to come. It’d be five years before Earthride would answer Vampire Circus with 2010’s Something Wicked (review here) on Doomentia Records, and though the years subsequent would be a tumult, with Sherman taking part in the reunion of Spirit Caravan, that band’s becoming a revived The Obsessed and an eventual split there that found him going back to Earthride to release last year’s Witch Gun single (discussed here) through Salt of the Earth Records, the extended time between full-length outings has found Earthride nonetheless increasing their profile among Maryland’s always prolific doom underground. As I type this, they’re wrapping a tour with The Skull that finds Sherman joined by a new lineup that includes When the Deadbolt Breaks‘ Aaron Lewis on bass, and they’ll be making an appearance at Maryland Doom Fest 2018 next week in Frederick, where no doubt they’ll be greeted with the respect and admiration they’ve long deserved and reaped by a scene that considers them one of its own. I can’t wait to see it.

As always, I hope you enjoy. Thanks for reading.

Coffee’s good this morning. It’s a little past 4:20 in the morning now and I’ve been up for about two hours. Enough time to make my way through a first pot off the Chemex with my lighter roast that I call The Obelisk Heavy Psych Blend, because I fantasize about someday having my own coffee in a way more than just filling out bean proportions on a web form through Dean’s Beans. There were talks for a minute there, but nothing seems to have come of it to-date. Oh well. In any case, coffee’s good. I’m on the last cup and I’d grind more but don’t want to wake the baby and thereby also The Patient Mrs., thus making myself Dickweed of the Morning, which is a role I’ve played too many times already.

We’ve been down in Jersey all week, staying at a house in Parsippany that used to belong to my grandmother, who passed away last September. I grew up about two minutes up the road, at a house in a neighborhood called Glacier Hills on a street called Forum Ct. where my mother still lives with my sister, her husband and their two sons. They just got a new kitten. It showed up in their driveway and they named it Solo, because Han, and Star Wars.

Saw them a lot this week, and it was great to be with my family. I’ve missed out on a lot with my nephews living in Massachusetts and it’s a little sad to see, but I’m happy for the time I’ve had with them. It’s not over, necessarily. The Patient Mrs. and I will be back here, but the next two weeks are more running around. We’re back up to Connecticut later today, then to Massachusetts on Monday until probably Wednesday. Wednesday we’re back to Connecticut because we’re hitting the Yankee game on Thursday — day game; bringing the baby to his first baseball game; so stoked — and I’m picking up my new camera at B&H in Manhattan, then it’s back here for the night and on to Maryland on Friday morning in time for the start of the aforementioned Maryland Doom Fest, which will be the first test of that camera. Going to be a crazy, packed weekend, but my goal is to see all of it. A couple late nights ahead. None of that going-to-sleep-at-8:30 stuff I’ve been doing for the last however long. Kind of bit me in the ass last night (earlier tonight?), I guess. I’ve always liked some me time on the overnights though. Music and coffee and the clacky of the keyboard. Mark it a win.

No doubt by this afternoon I’ll be saying something else.

I miss New Jersey. This is my home. I speak the way people here speak. The food here tastes right. The trees look the way I see trees when I close my eyes. Not that I have money to hit them, but I know where the record stores are and the fastest way to get to each. I know where to buy the pesto that it’s worth the 25 minutes to drive to buy.

Anyway.

Before all the shenanigans next weekend — I won’t close out next week because I’ll be writing over those days — next week is packed full. Subject to change, of course, but here’s what’s in the notes:

Mon.: Lord review/track premiere; Captain Caravan video; announcement from Ripple Music.
Tue.: Pushy review/track premiere; Death Hawks video.
Wed.: War Cloud video premiere. Maybe a review of the new Chubby Thunderous Bad Kush Masters or something else.
Thu.: Mountain of Smoke review/track premiere.
Fri.: Announcement from Cursed Tongue Records. Review of something or other.

I lost a lot of stuff for the Quarterly Review when my laptop was stolen in the UK, including my notes for what would be included. I’ve built some of that back up, but am still down on a bunch of things I know are just gone. There may be reviews I promised to people that won’t happen now. I don’t even know. In any case, I should be good to go on it by the start of next month, the week of July 4, I think. It’s in the planning stage now, and behind schedule, obviously.

Not gonna leave on that bummer note though, but rather relish the opportunity to get to know a whole new crop of albums, EPs, and so on. I also confirmed this week that I’ll be attending SonicBlast Moledo in Portugal in August. More on that to come, but obviously I’m very much looking forward to it.

Thanks for reading this week, and if you’re at Maryland Doom Fest next weekend, I’ll hope to see you there. Fingers crossed that new camera happens/works. I’d feel like a dope standing there taking photos on my phone all weekend. Ha.

Please have a great and safe weekend. Forum and radio.

The Obelisk Forum

The Obelisk Radio

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