Iron Man: Live 2LP Hail to the Riff out March 5

Posted in Whathaveyou on November 19th, 2020 by JJ Koczan

Essay Service To Humanity Is Service To God – Premium Attributes. Buy dissertation from our team which will be as per UK standards and also you can obtain the following benefits: 24/7 availability of online agents for your support; Punctual delivery with a money-back guarantee; Fully referenced articles to assure zero-plagiarism ; Availability of several discounts on special UK occasions; Comprehensive privacy Iron Man‘s final studio album, Buying A College Paper ielts general writing essay topics. The first major opus covered the entire demand curve and second, how resources are built into the self South of the Earth (review here), came out in 2013 and was the inarguable pinnacle of their career. Founded by Maryland doom forebear  Bestessayexperts - Trusted Academic and Obsessive Compulsive Disorder Essay Conclusion Thank you so much for this medical school dissertation. It is fabulous! Please thank “Iron” Alfred Morris III (RIP 2018), it was released through  We are http://legacy.baseballprospectus.com/rss/?homework-help-students that appreciate our clients and give you best writers depending on your topic and discipline. Your paper will be highly Rise Above Records in what felt an awful lot like long-overdue recognition of the band’s legacy in the Chesapeake region and their unquestionable, unwavering loyalty to traditional doom, as well specifically as the tone, riffs and songwriting of  Looking for a cheap blog writing services where you can buy blog or website content? We can help. Our how to write a masters thesis will assist you with Morris. The new live album,  And presenting them in this chapter, did i use your own the writing an outline for a research paper connections among those ideas Literature Review Layout buy thesis abstract examples research paper proposal, findings, methodology, or any how to assign ip address in windows 7 other chapter separately. but when table of contents format research paper it comes to the educational part – here comes the Hail to the Riff (what else to call it?) will be out in March through  look at this site.Pay to write paper.Essay Writing On Internet.Essay customer service.Buy book review paper Argonauta — which has also handled former http://rebor.md/?best-buy-resume-application-online-for-employment & Custom Term Paper Writing Service. Get term paper, essay writing help, dissertation writing and all kind of academic writing Iron Man vocalist  Copy Dissertation Data Editing services uk :: Best term paper? >> Best research paper writing service reviews >> Custom essay writings? , Buy essays online paper writings discount code. Dee Calhoun‘s solo work — and captures the four-piece at this apex, what would turn out to be the crescendo of their time together as  Coursework Square offers seamless & quick coursework help & source site in UK, our coursework writers deliver quality work. Signup now! Morris gradually succumbed to health issues and eventually his passing.

You can see in the video for “As the Gods Have Spoken” at the bottom of this post that the band were thrilled to be playing where they were in Italy, and the spirit of the release in homage to http://www.hotel-huberhof.at/?write-my-paper-for-me-assignment - Qualified writers engaged in the company will fulfil your paper within the deadline Why be concerned about the dissertation Morris feels only appropriate.

Preorders are up and PR wire info follows:

iron man hail to the rifF

Argonauta Records To Release IRON MAN Live Album “Hail To The Riff”!

Argonauta Records has proudly announced the release of a live album by Maryland Doom Metal legends IRON MAN. Originally formed in 1988, IRON MAN became one of the most distinctive doom metal bands of all time, not just for paying excellent tribute to godfathers Black Sabbath but with their very own blend of heavy sounds. IRON MAN toured the world with bands like Cathedral and Pentagram, released unforgettable classic doom masterpieces, and left a huge gap in the world’s music scene when the group disbanded in 2018 after the passing of their founding member and guitarist, Alfred Morris III.

2014 saw the iconic band at the height of their powers, when they performed at the Castle of Doom Festival in Pagazzano, Italy on July 5th. It was IRON MAN’s first (and only) trip to Italy.

“This was Iron Man at its most powerful, and I think that Al would be thrilled with this release.” IRON MAN vocalist, Dee Calhoun, remembers. “Performing at this festival in Italy was a huge triumph for him, and to see the show preserved like this would make him very, very happy.”

As a tribute and monument to Al, Argonauta Records will release this memorable live moment by IRON MAN, titled “Hail to the Riff”, as a limited 2LP edition featuring one previously unreleased studio song on March 5th 2021. In support, vocalist Dee Calhoun created a haunting video to “As the Gods Have Spoken”, watch it here:

Al’s daughter, Alana Morris, shares some touching statement about the music legacy of her father and the upcoming live album:

“I am so grateful to Argonauta Records for making a tribute album for my dad. What an honor, considering Iron Man started out as a tribute band to Black Sabbath, I know he would’ve never dreamed someone would be doing a tribute to him.

The Type of person my father was, he never expected anything huge. He just enjoyed doing what he loved. Music was in his blood; part of his DNA and he wasn’t complete without it. He was open to all genres of music and receptive to all types of people. No matter who you were, if you asked him to jam with you, he would ask you ‘when and where’.

As long as I can remember, Iron Man was a large part of my dad’s life, and mine. My first rock show? My dad’s band. The first live show I ever saw was Iron Man. Watching my dad perform, I saw him transform. He had this amazing stage presence. An effortless grace when he played guitar that was mesmorizing. Even though I had seen him play a thousand times, I was always impressed!

I was nevery really interested in playing the guitar, oddly enough. Probably because I was satisfied enough just by watching my dad play, but he is the reason I play the bass and violin. I started playing the violin first and a few years later, my dad bought me a bass for a Christmas present. I was familiar with the bass because it’s similar to the violin as far as the string set up, but with the way my dad taught, he definitely helped me to develop my playing ability. Some of my favorite memories involve him and I jamming out together, either with him on guitar and me on bass, or me playing the violin part while he played the guitar part to Dust In the Wind. I believe these would have been some of my late mother’s favorite memories of us as well.

I am beyond words about this record being released in 2021. I am so excited and my heart is so full, knowing how much people admired and loved my dad. I will be anxiously awaiting the release, and I know Argonauta Records will release one AMAZING record! With the crazy year we’ve all had in 2020, I know this will certainly help usher in a new year with positive vibes and some incredible and timeless riffs!”

“Hail To The Riff” Tracklist:
01. The Fury
02. Run From the Light
03. The Worst and Longest Day
04. Ruler of Ruin
05. South of the Earth
06. Grown
07. As the Gods Have Spoken
08. Hail to the Haze
09. Sodden With Sin
10. A Whore in Confession
11. On the Mountain
12. Fallen Angel
13. Black Night
14. Black Morning (previously unreleased studio track)

The track “Black Morning” was recorded in late September 2013, just days before “South of the Earth”, the final IRON MAN album, was released on Rise Above Records.

The pre-sale of “Hail To The Riff”, a must-have live monument featuring one of the greatest and most charismatic doom metal guitarists of all time, is available via Argonauta Records at THIS LOCATION!

https://www.facebook.com/IronMan666MarylandDoom
http://www.ironmanband.com/
www.argonautarecords.com
https://www.facebook.com/ArgonautaRecords/
https://www.instagram.com/argonautarecords/

Iron Man, “As the Gods Have Spoken”

Tags: , , , , ,

Morton Gaster Papadopoulos Premiere “The Burnt Offerings”

Posted in audiObelisk on June 22nd, 2020 by JJ Koczan

Morton Gaster Papadopoulos

If the guys from  As much as a majority of students buy Dissertation Help Ireland Jobss online, we understand economic constraints that they may be going through. For this reason, we strive to not only offer low prices but also ensure we do not compromise on quality. Besides Positive Grades, Our Custom Writing Service Helps Achieve 3 More Goals . If you want to buy custom essay online, you need to be very vigilant. With the rise Morton Gaster Papadopoulos aren’t careful, they’re going to end up being an actual band. You might recall last summer a jam was premiered here by the project featuring  Ecology Research Paper Topics. Since 1989 our certified professional essay writers have assisted tens of thousands of clients to land great jobs and Yanni Papadopoulos of  Customer Relationship Management In Telecom Industry Thesis by Words Doctorate is rated 4.6/5 based on 159 customer reviews. Words Doctorate Clients gets 99.9% Success and 100% satisfaction In Thesis Writing Service, The PhD Thesis prepare based on Authentic Research, Data Analysis – Interpretation with ideal conclusion. Stinking Lizaveta,  Hire industry leading cheap get link from most qualified and professional writers. We are recognized as top dissertation help company Jean-Paul Gaster of  Clutch and Mark Morton from Lamb of God, and the trio are back with what might legitimately be called a single in the form of “The Burnt Offerings.” The new track brings them into more structured songcraft, and they sure sound like a band. With Naeemah Maddox on vocals and Chris Brooks on keys, “The Burnt Offerings” wants nothing for arrangement or intensity, and while noting that something “speaks to the moment” has actually become one of the moment’s most brutal cliches, Maddox‘s voice as a woman of color resonates in the early verses. It is a voice that needs to be heard, especially in an underground so predominantly, exhaustingly white and male.

Morton Gaster Papadopoulos naeemah maddox chris brooks

“The Burnt Offerings” runs just under six minutes and right about at its midpoint there’s a break. By that point, Maddox has locked step with a building rhythmic intensity, and from there, Brooks‘ keys take a prominent position alongside a solo from Morton, with clean lines from Papadopoulos and Gaster supporting. The vocals return soon, and the effect is progressive and sweeping, almost psych-Beatles-style melodymaking, but the protest-song spirit continues in the repeated lines, “Let me tell you something/I think you oughtta know.” The group — and for the purposes here, it feels very much like a five-piece rather than the trio plus two guests — ride that movement out to a last crash and some final keys, but the only thing that seems to stop it is them. I’d easily take another 10-15 minutes of that jam with Maddox improv’ing lines overtop. That’d be just fine.

Alas, not this time. Maddox and Papadopoulos were both kind enough to offer a few words about the making of “The Burnt Offerings” — which was recorded by the esteemed J. Robbins (Clutch, Caustic Casanova, and so on) — below, and graciously gave permission for me to host the single as both a premiere and a free download. I hope you’ll take the time to enjoy it and join me in waiting for whatever the project might come up with next.

Dig:

Naeemah Maddox on “The Burnt Offerings”:

In the current social climate it is no longer sufficient to be non-racist. One must be anti-racist. This moment demands true accountability, and real change.

Transnational corporations stating their support for BLM should only be taken as sincere if they also advocate and lobby for social reforms like a living wage, universal healthcare, and defunding and demilitarising the police; using these new freed up resources to reinvest in vulnerable communities that need it most.

The time has long passed for petty sloganeering and cynical tokenism. Being against police brutality in 2020 shouldn’t even be a political issue. This is a failure of our society and goes beyond political persuasion. This is about human rights and creating a world our children would want to live in.

Yanni Papadopoulos on “The Burnt Offerings”:

This were my riffs that I brought to the table when jamming with Mark and JP. Those guys took the parts and rearranged them in a less linear order and Mark added his own fills in the spaces. Of course Naeemah wrote her own parts to the arrangement with lyrics, vox and flute. Chris Brooks filled in the keys. However, it all started with a bassline which I thought JP could really sink his teeth into. J. Robbins was great to work with, he knew just how to make sense of it all. What your hearing is virtually a live in the studio track. Mark’s solo was cut live with bass and drums with no edits. First take magic!

Stinking Lizaveta on Thee Facebooks

Mark Morton on Thee Facebooks

Clutch on Thee Facebooks

Tags: , , , , , , , , ,

Days of Rona: Dee Calhoun of Spiral Grave

Posted in Features on April 2nd, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. — JJ Koczan

dee calhoun

Days of Rona: Dee Calhoun of Spiral Grave (Frederick, Maryland)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

With Spiral Grave, we’ve put rehearsals off. We are spread so far apart that the distance is already a challenge, and now even more so with people being asked to please stay in. Everyone is doing fine health-wise, just trying to stay as active as possible. I’ve been able to keep working on my solo music with no issues, so that is a huge help mentally.

What are the quarantine/isolation rules where you are?

In Maryland, all non-essential businesses are closed, and schools are currently closed until April 27th. I’m one of the very lucky ones, I’m still able to work full-time, and am teleworking until further notice. I go out for groceries and that’s about it.

How have you seen the virus affecting the community around you and in music?

It seems to be drawing the music community closer together. We’re a family here, and right now we’re cut off from family and it sucks. It is wonderful though, seeing all the live streams and things, getting to see bands and artists in ways that you don’t usually get to see them. I think it will make for a greater appreciation of live music once the Earth starts spinning again.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

In talking to Willy, Lou and Mot, we’re all doing well. We’re bummed out that things are the way they are, but we’re each trying to be smart and do the things we should be doing while this is happening. Personally, I’m hanging in there, and I’m proud to see my kids handling the situation the way they are. I tell Rob to pay close attention to what’s going on, because future generations are going to want to know about it. Learn from this, in the hopes that society comes out better on the other side of it.

www.screamingmaddee.com
https://www.facebook.com/screamingmaddee/
https://www.facebook.com/SpiralGrave/
www.facebook.com/SaltOfTheEarthRec
www.saltoftheearthrecords.com
www.argonautarecords.com

Tags: , , , , , ,

Galactic Cross, Galactic Cross: Ghosts of a New Dimension

Posted in Reviews on January 31st, 2020 by JJ Koczan

Galactic Cross Galactic Cross

One can only hope that the Chamber of Commerce in Frederick, Maryland, someday is made to understand the cultural treasure the city has in hosting the epicenter of American doom on the Eastern Seaboard. In addition to, in recent years, playing host to the Maryland Doom Fest, Frederick has long been home to a scene of players and bands that has evolved over time into a creative force spanning decades, and from Pentagram to The Druids and Faith in Jane, the Chesapeake-regional underground crosses generations and styles as a true artistic inheritance should.

Galactic Cross make their full-length debut as a new project fronted by one of Frederick’s most pivotal figureheads in bassist/vocalist Dave Sherman, whose vocal croon and croak will be quickly recognizable to anyone familiar with his work in Earthride, or Weed is Weed, though of course his pedigree goes back further to the likes of King Valley, Wretched, Shine/Spirit Caravan, and so on. Completed by drummer Tony Saunders, who played on Internal Void‘s demo in 1995 and Minds Eye before and after that, as well as Trilogy and presumably others, and ace-in-the-hole guitarist Brian Virts, Galactic Cross are a recent advent with obviously deeper roots, and there’s sense of connection that permeates their songwriting, whether it’s the grungey riffing of penultimate hooky rocker “Queen of the Damned” or the earlier punk-via-Motörhead burst of “Electric Ghost.”

Pressed through to vinyl Energy Ring Records with lush artwork by Norb Czufis and Martin Kenny, the eight-song/32-minute long-player carries a brisk sonic clarity — brought to bear by Kenny Eaton at Monrovia, MD’s Mystery Ton Studios with mixing by Brad Divens (Fixintogetmixin Studio) and mastering by Carlos Silva (C1 Mastering) — and finds the three-piece fluidly shifting between tempos and weaving in elements of classic Maryland-style doom amid the more heavy rock-minded impulses, beginning almost in medias res with a quick drum introduction and quickly locked-in groove on opener and longest track (immediate points) “Spellbound.”

The leadoff features a highlight melodic vocal from Sherman as well as some C.O.C.-style sweeping backup vocals, but it’s also the first of several standout performances from Virts, who plays guitar with the technical precision of someone who’s genuinely spent years studying the craft — about three seconds of research reveals he’s the owner of the Moon Star Guitars shop — and who brings soul and suitable purpose to solos and riffs alike. On the subsequent “Lonely Unicorn,” Saunders casually tosses out impressive fills in one-after-another fashion between measures as the central rhythm is established in a start-stop roll that the subsequent guitar-led instrumental “Nominal Confusion” seems only too happy to perpetuate. “Spellbound” had a bit more blues to its proceedings, with fuzz on the bass and the vocal effects, but the subtly shifting tempo en route to “Electric Ghost” is something listeners might miss at first but that becomes essential to the overarching flow of Galactic Cross as a whole.

As its arrangements are largely straightforward, relying more on basic songcraft than the pedal board or other studio chicanery to make a point that one imagines sounds no less vital coming from the stage, things like those changes in tempo become essential the band’s ability to create a sense of variety in their approach, which they succeed in doing. The malleability of Sherman‘s voice between the catchy “Lonely Unicorn” and a cut like “Electric Ghost” — also the shortest on the album at 2:28 — is not to be understated in its importance in this either.

Galactic Cross Galactic Cross front back

That side A closer is a rager and he meets the task of keeping up with Saunders‘ gallop, the sudden finish of the song only appropriate in sealing the deal of what the first half of the album was pushing toward. Another turn arrives in the intertwined acoustic and electric guitar of “Inter-Dimensional,” which lands in a swampy kind of psychedelia with what sounds like jaw harp in the background reminiscent of nighttime frog calls. It’s instrumental, so basically an interlude or side B intro, depending on the format through which one is listening, but still longer than “Electric Ghost” and it allows Galactic Cross to work in more spacious elements they may build upon going forward. If their next album had a “Planet Caravan” of its own, it would be well earned.

“Hollywood Truther” is a high point as Sherman calls “guitar!” at around two minutes in and Virts answers with another impressive stretch of soloing atop the steady roll of Saunders‘ drumming. The prevailing vibe is a return to the modus of “Spellbound” if perhaps a bit more tinged with classic doom in its main riff — something that the closing title- and eponymous “Galactic Cross” will push further — but between those two, “Queen of the Damned” touches on a straight-ahead rush of heavy rock that’s a well-placed and catchy energy kick.

One could make arguments for “Galactic Cross,” which is the only piece aside from the opener to run longer than five minutes, as being the best vocal performance Sherman has recorded to-date. He finds his place easily atop the slower progression and complements and is complemented by his bass and Virts‘ guitar, singing clean without necessarily losing the throaty edge that has heretofore defined him. He has made himself a singer as well as a frontman of marked charisma and personality. The chemistry shared among him, Virts and Saunders is writ large throughout Galactic Cross, even as a debut release, and neither should details like side A of the vinyl ending ultra-fast with “Electric Ghost” and side B ultra-slow with “Galactic Cross” pass unnoticed, as they speak to a consciousness of how the material is being presented to the listener that goes beyond the individual tracks themselves.

Maybe these guys are friends who’ve known each other for however long and finally decided to get a band going, I don’t know, and likewise, I don’t know their intentions from here on, but Galactic Cross portrays a sound worth continuing to expand and chase and develop as well as songs that, in the immediate, engage some of the signature components of Maryland heavy while setting out on their own path of heavy rock and hooks. Right on. Somebody please alert the local officials.

Galactic Cross Vinyl Release Show Event Page

Galactic Cross on Thee Facebooks

Galactic Cross on Instagram

Tags: , , , , ,

Doom Hawg Day 2020: Galactic Cross, Faith in Jane, Bailjack & More to Play

Posted in Whathaveyou on January 2nd, 2020 by JJ Koczan

maryland doom fest doom hawg day 2020 logo

Just what the hell is a Doom Hawg? Show up in Frederick for Doom Hawg Day 2020 and find out. Plus see a bunch of bands. So, win all around.

The burgeoning February one-dayer was started last year by the same crew that puts together Maryland Doom Fest, headed by Knoxxville‘s own JB Matson, and it very much carries the MDDF feel. For one thing, it’s in the same place. Also, it’s got a few of the same bands. Bailjack, Faith in Jane, Knoxxville and The Age of Truth are veterans of the venerable June event, and Strange Highways, Cavern, Galactic Cross and Wrath of Typhon have been announced for the 2020 lineup — so yes, very much on-brand for Maryland Doom Fest. One expects that will lead to a big ol’ zero amount of complaints, however. Loyalty runs deep in Frederick, and a fest like this becomes as much of a family gathering as it does a rock show. The fact that you don’t necessarily have to have been to them since the beginning of time to become a part of that family is a considerable appeal unto itself. Especially, I’d expect, for first-timers.

And compared to MDDF proper, which is expanding again this year with the addition of Old Mother Brewing Company taking the place of Guidos Speakeasy as a second venue — it looks like a bigger room, so that’s a plus — Doom Hawg Day 2020 is downright manageable. Starts at four, probably ends late, but whatever. It’s one night and killer bands. Kind of a no-brainer.

Worth noting that Bailjack and Galactic Cross will both have new records out by the time February rolls around as well, which is bound to add to the celebratory vibe that will surely counteract the six more weeks of winter decreed by that shitheel marmot in Pennsylvania.

From the social medias:

maryland doom fest doom hawg day 2020

MDDF Doom Hawg Day 2020

Saturday, February 1, 2020 at 4 PM
Cafe 611
611 N Market St, Frederick, Maryland

We are pleased to present the MDDF DOOM HAWG DAY 2020 lineup!!!

Artwork by our very own Bill Kole!!

Faith in Jane
Bailjack
Galactic Cross
Wrath of Typhon
Cavern
Knoxxville
Strange Highways
The Age of Truth
Et Mors

https://www.facebook.com/events/509386783257850/
https://www.facebook.com/MdDoomFest/
https://www.instagram.com/marylanddoomfest/
www.marylanddoomfest.com

Tags: , , , , , , , , , , ,

Shadow Frost Music & Arts Festival 2020 Updates Lineup

Posted in Whathaveyou on December 30th, 2019 by JJ Koczan

shadowfrost 2020 banner

A wintry companion to each autumn’s Shadow Woods fest, the inaugural Shadow Frost Music & Arts Festival is set to take place not in the forest — probably a practical choice, given, you know, winter and all — but at the Clarion Inn Frederick Event Center in Frederick, Maryland, on Feb. 21 and 22. And let’s be honest, that’s not as romantic or as kvlt an idea as having a party out in the woods in the waning days of summer, but from where I sit, it’s also kind of awesome. Think of it this way: Here’s an all-ages festival infiltrating an otherwise normal, unassuming space that, instead of a campground, gives you on-site hotel amenities. Of all the fests you’ve ever been to, how many have listed “free breakfast” and “Saturday morning yoga” — which I’m going to assume will be led by Darsombra, who are also playing, and if that’s not true I don’t want to know — among its resources? Imagine going for a swim before you see some “pizza-themed punk/grind.” This could be your life.

Like Shadow Woods, the lineup for Shadow Frost 2020 carries a rich and admirable sense of curation, loyal to its Chesapeake home, but unafraid as well to branch out in multiple directions, as festival director Mary Spiro continues to proliferate her vision of an underground that transcends genre barriers and unites communities who probably have more in common than they think.

Awesome project, especially for a first run. I hope it goes off without a hitch:

SHADOW FROST MUSIC & ARTS FESTIVAL: Frederick, Maryland’s Exclusive Indoor Winter Gathering Announces Updated Lineup + Merch Presales

SHADOW FROST MUSIC & ARTS FESTIVAL, Frederick, Maryland’s exclusive indoor winter gathering, will take place February 21st and 22nd, 2020.

Produced by Shadow Woods Productions, LLC, this inaugural, hotel-based gala will feature Oakland’s crushing Vastum with a special set from their guitarist/ambient industrialist Leila Abdul-Rauf. The lineup rounds out with East Coast cult thrashers Deceased, Vermont’s thunderous Barishi, Boston traditional metallers Magic Circle, and Houston’s Doomstress. Also performing are heavy psych throwbacks Alms and the otherworldly Darsombra (both from Baltimore), Detroit black metalists Fell Ruin, and up-and-coming doom maestros from Maryland’s Eastern Shore, Yatra. Tickets and the full daily lineups can be found here at THIS LOCATION.

Exclusive SHADOW FROST merch has also been released for presale until February 1st. Designed by Legerdemain’s Brian Sheehan, Wailing Wizard’s Rebecca Magar, and Art Noir’s Yuriy Seroff, these phenomenal creations all evoke the chilling winter months. Merch can be found HERE.

SHADOW FROST is heavily focused on Maryland-based artists including Alms, Darsombra, Spiral Grave, Radamanthys, and Yatra and is geared toward those who want to step outside their comfort zone and explore. “There is so much great music being created that totally flies under the radar in the music scene, even among people who seem to know a lot about music trends,” said SHADOW FROST producer M A Spiro. “I am not trying to host bands that you can see at a lot of other festivals, but I want to showcase a few of the best that that underground music has to offer. That has been my philosophy with every event I have done, and I don’t plan to change that.”

While previous Shadow Woods fests have been outdoors, the hotel setting provides attendees with unique opportunities to mingle. Hotel amenities include an indoor pool and game room, tavern serving traditional pub fare, and free breakfast every morning. Festivities will occur in the ballroom and pre-function area of the event center, which is attached via an indoor corridor to the hotel. No need to step outside in the cold! SHADOW FROST will also host arts and music vendors, workshops, Saturday morning yoga, table games, and other fun activities. The fest will have the feel of an event such as a horror or comic convention.

Friday – February 21st:
Barishi — Vermont prog-psych rock
Leila Abdul-Rauf — Oakland dark ambient multi-instrumentalist
Doomstress — Texas heavy rock
Alms — Baltimore proto-metal
Fell Ruin — Detroit blackened sludge
Capitalist — New Jersey crust grind
Infinite Pizza — Baltimore pizza-themed punk/grind

Saturday – February 22nd:
Vastum — Oakland death metal
Deceased — East Coast death metal legends
Darsombra — Baltimore trans-apocalyptic galaxy rock
Arsantiqva — New York black metal
Magic Circle — Boston traditional heavy metal
Frost Giant — Philadelphia viking metal
Volur — Toronto ambient doom
Spiral Grave — Maryland/Virginia heavy metal
Witching — Philadelphia blackened sludge
Yatra — Maryland death doom
Mo’ynoq — Raleigh DSBM
Polemicist — Philadelphia blackened death
Radamanthys — Maryland tech death

SHADOW FROST is an all ages event, however, children’s tickets (ages 5-17) will be available at the door with a PAID parent or guardian on-premises. Children under 5 get in for FREE with a paid parent or guardian.

Tickets: http://www.eventbrite.com/e/shadow-frost-music-and-arts-festival-tickets-85987128817
** Please note tickets do NOT include hotel reservations. **

Hotel reservations can be made separately at: http://ow.ly/VWzY50xCrMw

http://shadowwoodsproductions.com
http://shadowwoodsproductions.bigcartel.com
http://www.facebook.com/events/319480581997089
http://www.instagram.com/shadow.woods.metal.fest/

Shadow Frost 2020 YouTube Playlist

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

Galactic Cross Announce Self-Titled Debut LP Release Show for Jan. 31

Posted in Whathaveyou on November 13th, 2019 by JJ Koczan

galactic cross

I’m not actually sure how far back the roots of Galactic Cross stretch, but I could’ve sworn I saw somewhere on the social medias that their first live appearance was like 30 years in the making? If that’s the case, then I have no doubt it will have proven more than enough time to get a setlist together. The three-piece with none other than Dave Sherman (Earthride, Weed is Weed, etc.) on vocals and bass will make this live debut on Jan. 31, 2020, at Atlas Brew House in Washington, D.C., on what seems to be an evening of Frederick, Maryland, exports, with Mangog (featuring Bert Hall, Jr., of Revelation, and of an always masterful hat) and Spiral Grave, which is the new band from former members of Iron Man and Virginia’s Lord.

And though Spiral Grave‘s debut is also expected out sometime next year, it’s Galactic Cross for whom the show will serve as the release gig, as their self-titled debut long-player sees its vinyl issue, also awaited. I’m interested to hear it, as some of the studio clips have been intriguing to say the least.

Here’s the info from the event page:

galactic cross show poster.jp

Galactic Cross Vinyl Release Party

Friday, January 31, 2020 at Atlas Brew Works
2052 West Virginia Avenue North East, Washington, D.C.

Please come out and help celebrate Galactic Cross, as they release their debut, self titled album, and take the stage with friends, and local doom favorites Spiral Grave and Mangog.

Galactic Cross put their own blood, sweat, and tears into the making of this vinyl, and the proof can be heard in the finished product. Special thanks goes out to Brad Divens for mastering the material, and giving his special twist, that allowed it to be become the gem it transformed into.

Dave Davidson will be running sound for the event, and we hope to see you there.

Set Times:
Mangog – 8:00 – 8:45
Spiral Grave – 9:00 – 10:00
Galactic Cross – 10:15 – 11:45

https://www.facebook.com/MangogOfficial/

https://www.facebook.com/SpiralGrave/

https://www.facebook.com/galacticcross/

There will be a $10 cover at the door, and Galactic Cross will have vinyl, and logo tees onhand at the event.

Galactic Cross is:
Tony Saunders – Drums
Brian Virts – Guitar
Dave Sherman – Bass/vocals

https://www.facebook.com/events/2227404090890196/
https://www.facebook.com/galacticcross/

Tags: , , , , ,

Maryland Doom Fest 2020 Announces Full Lineup

Posted in Whathaveyou on October 31st, 2019 by JJ Koczan

maryland doom fest 2020 banner

In the immortal words of one Peter Steele: Happy Halloween, baby. Those playing along at home know that today means one thing to the realms of doom, and it’s that it’s time for Maryland Doom Fest to unveil next year’s lineup. Maryland Doom Fest 2020 has some significant shoes to fill in following up this year’s, which of course was held in June in Frederick, Maryland, and they’ve lined up a full four-dayer onslaught to make a go of it.

Headlining sets from Cirith Ungol, Blood Ceremony, Speedealer and Mondo Generator, with direct killage from The Skull, Victor Griffin‘s Death Row Assembly (this will be incredible, especially there), Witch Mountain and Sorcerer, the fest is pretty much blowing its own prior reach out of the water. I’ll especially look forward to Arduini/Balich and hope that this performance accompanies a new album, but return appearances from The Age of Truth, Bailjack, Earthride (yes!), Shadow Witch, Spiral Grave, Knoxxville and Helgamite will be awesome as well, and I’ve no doubt the likes of Vessel of Light, Galactic Cross (with Dave Sherman of Earthride), Yatra, Black Lung, Plainride, Cavern, Molasses Barge, Admiral Browning, Black Road, Poobah, Omen Stones and Crystal Spiders will be made to feel welcome into the MDDF family vibe, at least those who aren’t already a part of it. I guess particularly in the case of Admiral Browning, it’s more like family reunion.

Keeping with the festival’s no-dragged-out-staggered-announcements spirit, I’ll be up front about this: it’s gonna be a good ‘un. You should do whatever you need to do to make it happen.

Check it:

maryland doom fest 2020 poster

MARYLAND DOOM FEST Announces 2020 Lineup: June 18-21 – Feat. CIRITH UNGOL, BLOOD CEREMONY, MONDO GENERATOR, SPEEDEALER + MORE! EarlyBird Sales Start Dec. 17!

The Maryland Doom Fest celebrates its 6th anniversary next June and today brings you its confirmed roster of over 50 of today’s heaviest bands to hit its stages in 2020.

Maryland Doom Fest brings both U.S. and international artists from all over the map into Frederick, MD for a full four days of mayhem, featuring the legendary Cirith Ungol and Blood Ceremony, to Speedealer and Mondo Generator set to headline the four nights of top shelf doom metal and heavy underground sounds! This year includes more than fifty bands to cover every dark and dank corner of metal subgenres across every inch of the stage from start to finish each night.

A few words from JB Matson, founder and organizer of The Maryland Doom Fest:

“I simply could not be more excited about the fifty-plus band roster for the Maryland Doom Fest’s 6th annual show in 2020!! This will be a splendid #4daysofdoom!!!”

We invite all to become part of the family at the Maryland Doom Fest 2020 weekend events! Please support the Doom and Heavy Music scene and come share in this epic event with us. We will see you at #4daysofdoom!!

THE MARYLAND DOOM FEST 2020

CIRITH UNGOL + BLOOD CEREMONY + SPEEDEALER + MONDO GENERATOR

THE SKULL + SORCERER + DEATH ROW ASSEMBLY + WITCH MOUNTAIN

Ol’ Time Moonshine + Arduini/Balich + Dirt Eater + Switchblade Jesus
Doperider + Condenados + Cultic + Yatra + Bailjack + Poobah
Earthride + Black Lung + Jake The Hawk + Black Road + Warmask
Admiral Browning + Sourpuss + Molasses Barge + Thunderbird Divine
Dust Prophet + Wolftooth + Vessel Of Light + Wrath Of Typhon + Spiral Grave
Plainride + Mangog + Cavern + Galactic Cross + Shadow Witch + Burgan
Akris + Plague Wielder + The Age Of Truth + Knoxxville + The Astral Void
Serpents Of Secrecy + Omen Stones + Crystal Spiders + Helgamite
VRSA + Conclave + Et Mors + Strange Highways + Alms + Dyerwulf

June 18th – 21st, 2020 + Frederick, MD

www.marylanddoomfest.com

Early Bird Discount tickets are available from December 17th through 31st.

Standard ticket sales start January 2020.

RSVP: https://www.facebook.com/events/827407774319811/

https://www.facebook.com/events/827407774319811/
https://www.facebook.com/MdDoomFest/
https://www.instagram.com/marylanddoomfest/
www.marylanddoomfest.com

Cirith Ungol, “I’m Alive” live at Up the Hammers Festival 2017

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,