West Coast fuzz heavies MYiNK go now focuses on helping businesses stand out with professional brand development, content marketing and enticing original Snail will release their new album, Curious Writing College Admissions Essays. 682 likes � 5 talking about this. CuriousSCIENCEwriters (cSw) is a platform for publishing student science writing.... Fractal Altar, through Essay Of Mother Teresa >> lektorat bachelorarbeit erfahrung | Writing essay help Our authors with of all the powers that time. Your own, our agency commission fee per their plate. You perfect for an international students are wasting your project exclusively. There necessary details, so far off the development of less importance. The endless hours at an excellent papers or conceptual framework Argonauta Records. The announcement and pickup comes after the Spring 2020 unveiling of the single “Nothing Left for You” (posted here), which will also feature as the second cut on the eight-song long-player. The Los Angeles and Washington-based trio’s last full-length was 2015’s I wonder if I could pay someone to Continue Reading. Thanks to Online Class Helpers, you can pay an expert to ace your work. Feral (review here), so they’re well enough due an album, particularly as they’re approaching the 30th anniversary of their originally getting together in 1992 — their self-titled debut (review here) came out in ’93, the Dissertations completed will not be reused or paraphrased. We value your requirements and ensure maximum deliverance of quality. The four key features depicted by our assignment help experts in I Believe Essays include Transparency, Communication, Professionalism and Integrity. Experts value the importance of One-to-one communication and All Channels are Open EP (review here) followed in ’94 and then they disbanded until 2009’s  That's why as soon as you contact us, we'll give you the personalised custom Resources that you need. We hire in only the best writers to work on your assignments, too. Every writer is a graduate in their respective field, so we know we can match you to a writer who can really help with essay. Not only that, but a good proportion of our writers have Master's or doctoral degrees, too. If you Blood (review here; discussed here) — and as a fan of their work across the board, news of a fifth full-length is only welcome as far as I’m concerned.

Spring release, so maybe April? May? Whenever it arrives, it will be greeted as a fuzzy liberator.

From the PR wire:

SNAIL Signs Worldwide Deal With Argonauta Records! New album “Fractal Altar” due out in Spring 2021!

Six years since their last album, heavy psych prophets SNAIL have announced the worldwide signing with Argonauta Records for the release of a new and hotly-anticipated full-length studio album!

Entitled “Fractal Altar” and slated for a release in the Spring of 2021, SNAIL’s forthcoming, fifth record picks up where their last LP “Feral” left off — heavy, fuzzy melodic tunes with floating harmonies and lyrics that explore both inner and outer space. But this time, the band comes recharged and rejuvenated, enthusiastically triumphing over their dark side and reveling in their power trio roots.

Six years in gestation, recording for “Fractal Altar” led all three original SNAIL members Marty Dodson, Mark Johnson and Matt Lynch to convene the brotherhood to record their new album at All Welcome Records in Inglewood, CA. Since the members are spread out all over the West Coast ranging from Seattle to Los Angeles and San Diego, the proceedings took on the air of an astrological event. SNAIL in the studio is a celebration of both sonics and friendship, and after 30 years of playing together, it didn’t take long to lock in and feel the synergy ignite.

During the last year, the masters of heavy slowness have already shared a sneak peak of the fruits of their labors, but showcasing faster driving rhythms and Stooges-style leads with the track “Nothing Left for You”.

“We are very excited to be working with Argonauta and feel honored to be a part of their amazing roster of talent.” SNAIL comments. “Their enthusiasm and dedication to realizing our vision for this release means so much to us and we can’t wait to deliver this new record to our fans all over the world.”

Dropping the needle on the LP’s opening track “Mission from God”, the listener gets a nod to the Blues Brothers, while the song turns the line on its head with a hard rocking tune about going “far out” to bring back the psych knowledge for the less experienced masses. After ranging from poppy jangle to fuzzy singalongs and Camaro rocking proto-metal, the record closes with the album’s title song, “Fractal Altar”, a nine minute sludge behemoth that will leave listeners renewed and satisfied that they sat down to commune with the elders.

Welcome back the kings of fuzz, and stay tuned for many more details and new tracks to follow in the weeks ahead!

Snail is:
Matt Lynch (Bass/Vocals)
Marty Dodson (Drums)
Mark Johnson (Lead Vocals/Guitar)

www.snailhq.com
www.facebook.com/snailhq
https://www.instagram.com/snail_hq/
https://snailhq.bandcamp.com/
www.argonautarecords.com
www.facebook.com/argonautarecords

Snail, Nothing Left for You / Fearless (2020)

Snail, “Nothing Left for You” official video

I did the voice tracks for this episode yesterday sitting on the wood edge of a large sandbox in a closed public park in Morris Plains, NJ, while my son played with the various digger trucks that adorn the place. Fitting that I should be here now too, writing this. He loves it here. Did last summer too, but is now capable of a bunch more imaginative play than he was a few months ago. Pandemic boredom and being stuck at home has expanded his capacity in that regard notably.

That’s life I guess.

While I’m thinking about it, I don’t really explore it in the show, but I’m continually fascinated by the perceived dichotomy between art and “real life,” as though the function of your day should be menial and any creative endeavor hidden away like a secret masturbatory fetish. No. The art is life. They go together. If you need the one, you need to make it part of the other or you’re sunk. Even if you create alone, you don’t do it in a vacuum and to pretend otherwise is just dumb.

Anyway, the show. It’s good and you should check it out. Will you? Probably not, but if you like lists of bands, here’s one. If you do listen, I kind of go on about music as an escapist trance in the second voice break. Again, while my son digs in the sand. That’s life.

Thanks for listening if you do.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 05.15.20

The Obelisk Show on Dissertation Sandra Jaeckel Statement . Who can I get to do my thesis statement? Many students who have no idea on how to get started may find themselves asking this question. Writing a thesis can be challenging, since it has to follow a certain structure in order to help you have a written thesis paper or dissertation. Whether you have limited time to complete the work on your own, or you feel you may Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is May 29 (subject to change). Thanks for listening if you do.

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New To avail our pages in US, you can reach to us at info@dissertationrevision.com. View all Services here . Changes as per comments. Correcting dissertation in accordance with your reviewer�s comment takes a long time, energy, and precision. Give your reviewer�s comments to us along with your dissertation and we will correct your thesis with perfection. Read more Snail video, you say? Don’t mind if I do, thanks. The timing certainly works, as the Pacific Coast — Seattle-ish and Los Angeles — three-piece have newly issued the single Are you one of those people who is looking for someone to Dissertation Acknowledgements Examples an essay? Hire our essay writers today at affordable rates Nothing Left for You/Fearless, with the second cut being a cover of online journalism essay for college essay for sale. April 14, 2020 Best dissertation writers for ut physics homework service. Posted on custom speech editor service gb by thesis outline on abortion. There is a consensual understanding about how genuine the differences are usually hypothetical interpolations between best dissertation writers measured values or, worse, extrapolations beyond Meddle-era Writing Services.com Writing dissertation papers is one of the most complex tasks. If you are also dealing with such complexity and wondering how to write a good dissertation paper to get the desirable grades, we at My Assignment Services are always there to help you with the cheap dissertation help. Pink Floyd and the first cut being their first recording since later-2015’s  Hire http://www.latienda-weltladen.de/?games-for-critical-thinking today! Get rid of junk assignments, learn from the masters and enjoy college life from a fresh perspective Feral (review here). They hit the studio in January to get going on their next long-player, and while “Nothing Left for You” will feature on that album, it’s hard to know how representative it might be of the upcoming-at-some-point batch of material either way, but it does find them making some interesting turns in sound, with some of the raw buzz one might find in their 1993 self-titled debut (review here) resurfacing along with the speedier groove than one has come to expect. It’s also catchy as hell, so if I haven’t said this before about it — and I’m pretty sure I have — I’m glad to take it as it comes.

They are right at home in “Fearless” as well, with guitarist  How To Write Introduction Essay Service Hassle-Free. When you decide to pay for cheap thesis writing, the customer experience you receive should go beyond the money you pay for it. Our website is quite user-friendly. You can open an account with us through a few mouse clicks. Our order form is also simple and easy to use. All you have to do is indicate the discipline your thesis falls under and then leave the crucial instructions that must be followed. Getting cheap services has been made easier with Mark Johnson‘s dreamy vocal melody floating out over his own watery effects, backed by bassist/recording engineer  Any how do i solve this problem writing service that wants to gain the trust of clients must always provide the highest security level. By no means should user information be stored in public view. Thus, you must be sure that no one can access your name, account, credit card number, etc. Transparency. Transparency is all about the possibility to view a writer�s samples before he or she starts working on Matt Lynch with drummer  full assignment Writing Master http://www.koredge.fr/research-paper-subheadings/ essay on how i become a writer law school admissions essay length Marty Dodson keeping the groove grounded and rolling forward. As much as “Nothing Left for You” is about shove — and particularly ‘shove-away,’ in terms of its lyrical theme — Snail make “Fearless” into a deep-dive melodic showcase, emphasizing not only the influence of Pink Floyd, but the grittier, and weightier edge they bring to what was already there. Both songs end with a fadeout, and the underlying message of the release is clearly that there’s more to follow, and as a fan of the band, I can only look forward to the next album whenever it might arrive. Everyone’s plans being shot as they are this year, I wouldn’t hazard a guess as to when something might manifest, but in the interim, the video for “Nothing Left for You” has some fun with being stuck at home during quarantine, and again, I’ll take it as it comes.

And it bears mentioning that Lynch mixed and mastered Nothing Left for You/Fearless at his Mysterious Mammal Recordings in L.A. (they tracked at All Welcome Records) and as discussed in his days of rona, he’s up for mixing whatever you’ve got and is looking for remote clients. When I finally get to recording that spoken word/keyboard drone album, I’ll definitely be sending it to him to edit out the burps.

Enjoy the video:

Snail, “Nothing Left for You” official video

From the single Nothing Left For You / Fearless released 5/1/2020. Get your copy here: https://snailhq.bandcamp.com/

Video edited and produced by Matt Lynch. Music by Snail (Mark Johnson, Matt Lynch, Marty Dodson)

Recorded by Matt Lynch at All Welcome Records, Los Angeles USA. Mixed and mastered by Matt Lynch at Mysterious Mammal Recordings Los Angeles. Additional recording by Mark Johnson at home in Seattle. Engineered by Jennifer Hendrix.

Snail is:
Matt Lynch (Bass/Vocals)
Marty Dodson (Drums)
Mark Johnson (Lead Vocals/Guitar)

Snail, Nothing Left for You / Fearless (2020)

The new original track buzzes with a neo-psych edge that Snail‘s never quite shown in this way before, and the B-side is a take on Meddle-era Pink Floyd, so yes, the first new music from Snail in a whopping half-decade is welcome. Nothing Left for You / Fearless comes topped off with artwork by Sean “Skillit” McEleny and is intended as something of a precursor to the next Snail long-player, which the band reports is already mostly done. That’s good news too, frankly, since it’s going on five years since 2015’s Feral (review here) and that means they’re certainly due. “Nothing Left for You” bodes well of what that album might portend tonally — it doesn’t quite drift, but the guitars seem to have loosed some heft in favor of shimmer and that’s interesting to hear from a band whose trade has been psych-through-lumber for so long.

Fascinating, as Spock would say.

He’d also say you should check it out on Friday when it’s released. No, I don’t know what day it is, but I know it’s not Friday because the song isn’t on their Bandcamp yet. That’s all I’ve got to go on.

Well, that and this from the PR wire:

Snail to Release First New Music in Six Years

Snail will release their first new music since 2014’s Feral on May 1, 2020. “Nothing Left For You,” the advanced single from their forthcoming as-yet-untitled LP, will be accompanied by a cover of Pink Floyd’s “Fearless”. This is only the second time Snail has recorded a cover song in its 27-year existence. The two songs will be available as a digital-only download from Bandcamp. “Nothing Left For You” will appear on the LP in physical form in the future, but “Fearless” will be an exclusive digital release.

“Nothing Left For You” is a particularly vicious rant against an unnamed entity. It’s fuzzy, driving, and pissed off.

Says Snail: “We’ve all had someone or something in our lives that were just toxic, and no amount of expended energy could turn that around. This song is a final kiss-off; a cathartic, scathing take down that is sometimes necessary to move past a relationship and regain a sense of self and power.”

Why cover “Fearless”? “Having been Floyd fans forever, we have been talking about doing that tune for 25 years. It’s a great song, and seemed open for a heavy interpretation. When writing “Nothing Left For You,” I actually used some characters from “Fearless” in the lyrics, so it only made sense to pair these two and finally realize the vision,” says Matt Lynch, bassist/producer.

Snail’s full length LP is currently in the overdub and mixing stage, and should be ready for release in the summer. The band recorded enough material back in January to complete an EP as well, so watch the newswire for updates.

SNAIL:
Marty Dodson – Drums and Percussion
Mark Johnson – Guitar and Lead Vocals
Matt Lynch – Bass, Keys and Vocals

Artwork by Skillit.

www.snailhq.com
www.facebook.com/snailhq
https://www.instagram.com/snail_hq/
https://snailhq.bandcamp.com/

Snail, “Nothing Left for You” drum recording

Snail, Feral (2015)

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Days of Rona: Matt Lynch of Snail & Mysterious Mammal Recording (Los Angeles, California)

—

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

So far everyone’s health is good. Mark is convinced that he and his wife had it in late January in Seattle. Of course, this is conjecture but the symptoms matched up. This was before it was even on our radar and no testing but Seattle was the first place it showed up in the States. They are okay now though. I’m in Los Angeles, Mark is in Seattle and Marty is in San Diego, so we don’t play live that often and didn’t have any tour plans yet. We were already in the middle of recording our record and Mark is in the overdub phase up in Seattle so fortunately we are in a good place there. I edit and mix and overdub once Mark is done, so luckily this is something we can continue to do in isolation. I am going to have more time to do this now because I have been laid off from my day job at a travel marketing agency. Not a lot of work going on there, so I’m freed up for mixing and mastering the Snail stuff and finishing Collyn’s Diesel Boots record as well as projects for other artists.

What are the quarantine/isolation rules where you are?

We are in a shelter-in-place here in Los Angeles. We go out for groceries and to walk our dogs. All non-essential businesses are closed, which means everything except medical, grocery, and media. All the beaches and parks are shut down, including bike and walking paths. They tried to keep them open but there are just too many people here in general and we aren’t great at following rules apparently.

How have you seen the virus affecting the community around you and in music?

Everything is closed except to get groceries. My job is gone, at least for the time being. Gigs are all cancelled. There have been a lot of cool live streams happening with music though, and the time to enjoy them. A lot of people are coming together virtually in my community, sharing information, helping each other with groceries and where to find them, trading food items among neighbors for recipes. People are cooking more again, playing music as a family – a bit of the old ways are creeping back in, which is a nice positive. It seems that musicians, or the musicians I know anyway, are generally into cooking. I think there is a parallel there of putting individual elements together to make a whole that is stronger than its parts that appeals to musicians.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I think the most important takeaway from this for me is that this has proven just how fast society can change. We are going to come out on the other side of this to a new normal — it won’t be the same — so now is the time to take stock and decide for yourself what you want that new normal to look like, and work towards making it happen.

https://mysteriousmammal.com/
www.snailhq.com
www.facebook.com/snailhq
https://www.instagram.com/snail_hq/
www.smallstone.com
http://www.facebook.com/smallstonerecords
http://www.smallstone.bandcamp.com

At the core of the album, the lessons of Snail‘s Blood (review here) are relatively straightforward: rhythm and melody. The mostly languid grooves and the overlaid stoner drift from the originally-Seattle-based then-four-piece came across as revelatory in 2009, but their roots of course went back much further in that Blood was the first Snail record in 16 years. That time differential, and the fact that most the 11 songs on the 57-minute offering dated back that far — only opener “Mental Models,” “Underwater” and “Via/Penny Dreadful” don’t appear on Snail‘s The ’93-’94 Blood Demos collection released in 2012 (the band talk about their demo process here) — are important for understanding where the album was coming from at the time of its release. Indeed, 16 years before 2009 was 1993, and that was when Snail issued their self-titled debut (review here), following the next year with the All Channels are Open EP (review here) before the trio of guitarist/vocalist Mark Johnson, bassist Matt Lynch and drummer Marty Dodson called it quits, leaving the demos for what would’ve been Blood at the time unrealized.

When they came back and finally recorded the album proper, Johnson, Lynch and Dodson recruited second guitarist Eric Clausen, who fleshed out the riffs and leads fluidly, meshing well with the founding members. Really though, the overarching atmosphere of Blood is so laid back that, even 11 years after its release, it still feels like all are welcome. True, Blood‘s just-under-an-hour runtime feels honest to its CD-era origins and borders on unmanageable by today’s standards, but they use the vast majority of that time well, setting up immersive tonality and an underlying psych-grunge atmosphere that permeates “Relief” and the speedier, hookier second track “Sleep” — originally “Sleepshit” on the demos — as well as the later push of “Cleanliness” and the nonetheless-airy “Not for Me” which appears ahead of the predominantly-mellow-but-still-volatile eight-minute closer “Blacklight,” itself a testament to Snail‘s ability to change up their songwriting approach while staying united by tone and general sonic resonance, the use of effects and so on. Even now, the depth of mix Blood conjures draws the listener in, and the strength of the underlying structures in place — the verses and choruses to songs like “Underwater” or the especially-blissed “Relief” — gave Snail the ground on which to build this towering sound. The initial surge and chug of “Mental Models,” following a quick intro, is righteous, but doesn’t by any means tell the whole story of the album. It really does require the time it takes to flesh out.

And the patience of Snail‘s tempos when they’re not meting out punkish rush is especially noteworthy. Dodson sets a march in “Mental Models” and a push in “Sleep” and a crash and thud and shuffle in “Underwater” and a pull-back, in-pocket riff-surfing progression in “Committed” that could easily serve as a clinic in heavy rock drumming, and while Johnson‘s vocals and riffs, Clausen‘s leads and Lynch‘s oh-hell-yes bass tone are of course no less crucial, the drums are somewhat understated but accomplished in their versatility and able to find just what the song most needs at any given time, whether it’s the rim hits in “Cleanliness” like a ticking clock counting down to the next explosion of soloing and Johnson repeatedly urging “get high! get high!” or the masterful roll in “Via/Penny Dreadful” and “Screen” that becomes a defining element of Blood as a whole. With the shifts in tempo and style, it’s the tone and songwriting that bring cohesion, and Snail‘s consistency in that regard is at a high level from front to back, and they use that diversity in their approach as an asset in shifts like those between the nodder “Blood” and the more upbeat “Cleanliness,” which on vinyl would probably be side C of a 2LP version that, frankly, feels like it’s ripe for some label to get behind.

Blood appeared during an era of rebirth for MeteorCity after original owners Jadd Shickler (now of Blues Funeral Recordings) and Aaron Emmel sold it, Stonerrock.com and the All That is Heavy webstore to Dan Beland and Melanie Streko (now of Hellmistress Records). Along with Snail, releases from Let the Night Roar, Leeches of Lore, Humo del Cairo, Freedom Hawk — not to mention the first Elder record — helped reestablish the label’s presence in the heavy underground, so in that regard, Blood was all the more a good fit for the label, given that it was essentially a rebirth for the band as well.

It’s worth noting in listening to Johnson‘s wailing on “Screen” just how dated Blood doesn’t sound. To give some context to revisiting the album, I went back and listened again to the self-titled as well as The ’93-’94 Blood Demos and it’s kind of astonishing how much the songs hadn’t changed when one considers the modern feel of Blood as a whole. The production is more fleshed out, certainly clearer, etc., but the underlying method is largely intact. Its grunge-era origins aren’t forgotten — Seattle? yup. early ’90s? yup. — but the band succeeded in drawing a line to the past while representing a forward potential as well, and one that, thankfully, they’d go on to realize on subsequent offerings.

By the time Clausen left the band in 2013, they had already put out the follow-up CD, Terminus (review here), and they signed to Small Stone for Feral (review here) in 2015, which subsequently saw them come to the East Coast for the first time in 2016 to play The Obelisk All-Dayer in Brooklyn and other shows around that, as well as do Psycho Las Vegas and more besides. They’ve never been a heavily touring band whether a four-piece or trio, but they bring a chemistry to the stage just the same that, from my own experience as a fan of their work, adds another layer of enjoyment to the proceedings. Some bands work together. Snail come across more like a family, eyes rolling at each other and all.

They reportedly have a new album in the works — they’re recording — that will see release this year, and that’s only good news as far as I’m concerned. Feral was their best work to-date, and five years after that and some 27 years after their debut, it’ll be exciting to hear where they take what has become their signature style. You can dig on Snail or don’t, but if you don’t, you’re missing out.

As always, I hope you enjoy. Thanks for reading.

—

New episode of The Obelisk Show on Gimme Radio today. 1PM. It’s moving to 5PM and will be on every week at that time with new episodes every other week. That’s starts Valentine’s Day. Because love.

Next week is totally full. I can’t talk about some of it yet, but holy shit it’s gonna be awesome. Cool streams, cool announcements. Couple good reviews thrown in. Really, stay tuned.

The week after already has reviews and premieres booked too. And the Monday and Wednesday after that. And shit is happening today like Elder announcing their record and Candlemass announcing an EP. What’s a boy to do about trying to keep up? Even if I had a staff of 20 writers they’d look at my notes and tell me to kiss my ass.

Oh my poor notes.

I went to the doctor this morning, got a flu shot. I needed to update my prescriptions since I ran out of refills from my primary care doctor in Massachusetts, and hell, Boston’s a long way to go for pills. There was a whole hullabaloo with switching insurance plans. I take 40mg of Citalopram a day for depression, and I have off and on for the better part of a decade. At this point it’s been at least the last three years? Something like that. When I think about it I find it amazing I still manage to be such a miserable bastard on the regular. Nothing like overachieving.

There was a lag of about 10 days between running out of one supply of pills though and convincing our insurance to give us the month we were still owed — I’d be totally lost without The Patient Mrs.; imagine a human being, but like, actually competent; she’s like a higher lifeform — and in that time, if I’m totally honest, I could feel it. The first couple days were fine, but there’s a kind of severity that emerges in my framing of myself and what’s around me. I can feel it. It’s hard to explain, but I know when it’s there. They call it a weight — that’s a whole different issue for me, of course — and that’s fair, but it’s like if your blood got more viscous.

I also mentioned the doc some trouble I’ve been having with anxiety, and contrary to my being anxious about mentioning it — dude knows my history; he was my doctor when we lived in NJ previously and treats most of my family — and I thought maybe it was time to do something about it. The way I’ve seen it manifest is big-time reticence to go to shows at unknown venues. I’ve been to Saint Vitus Bar a few times, and Ode to Doom at Arlene’s Grocery in Manhattan, but social anxiety and the thought of being in a new place and a strange place, even at a gig, right now already I can feel the hair on my arms stand on end. I’ve missed several good gigs. I didn’t go see Om in New York.

So yeah. Try something out to help. We’ll see how it goes.

Maybe I’ll be a little easier to live with.

I am going out tomorrow though. It’s Warhorse at Saint Vitus Bar with Yatra and Green Dragon. I’ve never seen Green Dragon and I like their recorded stuff a lot, so that’s a bonus, and I know Yatra and Warhorse will destroy. I expect it to be crowded. Hydration, as ever, will be key. As will earplugs.

Review of that on Monday.

The Pecan started preschool this week, which I’ll note mostly for self-posterity — I might happen upon this post years from now writing about Snail and appreciate seeing the memory; to that end, I was also reminded of feeding him off my finger when he was super-little. He’ll go Wednesday and Thursday to a place about 10 minutes from my ancestral homestead for four hours each day. He apparently got frustrated and tried to bite another kid (or two, ugh) on his first day, but he sat at the table for lunch, which he never does with me. You take the bad with the good. Some you win, some you lose.

Alright, this post has already gone on longer than I’ve intended. I hope you have a great and safe weekend. Have fun, be kind. Please don’t forget The Obelisk Show is on at 1PM Eastern (which is coming right up). Thanks if you check it out.

FRM: Forum, Radio, Merch at MiBK.

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As 2019 starts to wind down, it’s time to start looking ahead at some of what next year will offer, and I can pretty much tell you right now that if a new Snail full-length actually materializes, there’s just about no damn way I’m not going to spend a lot of time telling you to listen to it. Now then, the three-piece based in Los Angeles and Seattle aren’t quite recording the LP yet — that starts next month. But they’re currently tracking a take on Pink Floyd‘s “Fearless” as well as a new song called “Nothing Left for You” that will feature alongside it on a precursor single. Digital release seems to be how it’s going to happen, given the timing, but of course they’re open to a 7″, because why wouldn’t they be, should someone be up for releasing. Can’t imagine there wouldn’t be a taker there.

So we’re not to titles or release dates for the album yet. Hold your horses and I’ll do the best to do the same, but realizing it will have been five years since 2015’s Feral (review here) was released by the time the new one arrives, well, I think you’re almost justified in letting the anticipation run wild. It’s officially “a while in the making” as far as I’m concerned.

Bassist/vocalist/recording engineer Matt Lynch — pictured above with drummer/vocalist Marty Dodson this past weekend, while vocalist/guitarist Mark Johnson will track his parts in the Pacific Northwest — was kind enough to give an update on the proceedings:

We are recording Pink Floyd’s Fearless and a song I wrote that has lyrics partially inspired by Fearless [“Nothing Left for You”]. We have been wanting to cover Fearless for over 20 years now and feel the time is finally right. This will be released as an advanced digital single for the coming LP. Unless of course someone wants to put it out on a 7”, which would rule.

Currently no working title for the LP. We want to release this advance single for the new year, so early January. We are recording the rest of the basic tracks for the LP the second week of January. The material’s direction is similar to Feral in that it is varied with a wide range of sound and influences. There is melodic psych and heavy doom. Straight up Camaro stoner rock to galloping metal.

These two [tracks] Mark will do his parts from home in Seattle. The rest of the LP we will all do together at [Mysterious Mammal Recording/All Welcome Records] as much as possible with continued overdubs for Mark’s parts at home as usual.

SNAIL IS
Mark Johnson – Guitars, lead vocals, keys
Matt Lynch – Bass, keys, vocals
Marty Dodson – Drums, percussion, vocals

www.snailhq.com
www.facebook.com/snailhq
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www.smallstone.com
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Snail, “Nothing Left for You” drum recording

Snail, Feral (2015)

This was my 2019 preview… of sorts. By which I mean that it in no way encompassed everything coming out this year and that some of it was basically me being like, “golly, it sure would be nice if BAND X put out a record in the next 12 months.” Still fun, but I think definitely well earning that “of sorts” tag.

I keep notes with a running list of things like albums coming out and best records of the year, artwork, EPs, etc., and in my notes for what’s coming out in 2019 I have over 50 bands listed so far. Here they are, cut and paste-style:

Cities of Mars, Mr. Peter Hayden, Curse the Son, High Fighter, No Man’s Valley, Destroyer of Light, Year of the Cobra, Buffalo Fuzz, Zaum, The Sonic Dawn, Alunah, Candlemass, Elepharmers, Grandier, Dorre, Abrahma, Mars Red Sky, Eternal Black, Elephant Tree, Atala, No Man’s Valley, Sun Blood Stories, Crypt Sermon, The Riven, Hibrido, Snail, Red Beard Wall, 11Paranoias, Dead Witches, Monte Luna, Captain Caravan, Swallow the Sun, Oreyeon, Motorpsycho, Vokonis, Hexvessel, Saint Vitus, Mammoth Weed Wizard Bastard, Kind, Mastiff, Shadow Witch, Kings Destroy, Lo-Pan, Samsara Blues Experiment, Papir, Conan, Green Lung, BUS, Worshipper, Volcano, Mos Generator, Earth, Nebula Drag, Elder, Daxma, Besvärjelsen, Bellrope, The Sabbathian,

Some of that has been officially announced, some hasn’t, and some is rampant speculation, but many of these, and there’s always the contingency that expected releases can be delayed owing to recording and tour schedules, pressing concerns, pianos falling on heads, and so on, but I wouldn’t be surprised to find a bunch of those records on my year-end list in December. Whoopee.

What’s more important to stress, however, is that this is by no means the be-all-end-all list of things coming out. It’s a long year, and it’s January right now. There will be offerings in September and October that no one knows now are even in the works, and still more that aren’t. That’s why the list ends with a comma and a space instead of a period. There’s more to be added.

That said, this is a damn good show and I stand by it. Some of the inclusions could/would/will be among the year’s best albums — the new Worshipper is fantastic, and the new Kings Destroy owns my soul — but I wanted to put some stuff in here that the Gimme audience, which I tend to think of as being more metal though I have absolutely nothing to base that on, isn’t familiar with. Curse the Son, Snail, Sun Blood Stories.

It’s fun to talk about new albums coming out — I had a particular blast mentioning how annoyed I am at the universe for there being a new Sun Blood Stories album and I haven’t heard it yet — and even if some of it is speculative, that’s a good time too.

If you missed the show last night, it’s on tomorrow at 9AM at: http://gimmeradio.com.

The Obelisk Show Ep. 08 – 01.20.19

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Tuesday at 9AM. Next show is Feb. 3. Thanks for listening if you do.

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