The Obelisk Questionnaire: Eryka Fir from Coma Hole

Posted in Questionnaire on March 30th, 2022 by JJ Koczan

coma hole

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Eryka Fir from Coma Hole

How do you define what you do and how did you come to do it?

I make music as a cathartic and meditative process. What I do now musically compared to what I was even doing three years ago is vastly different and it really is a product of an impulsive decision to switch instruments 10 years into playing guitar.

Describe your first musical memory.

One of my first musical memories that left an impact on me was when I picked up a guitar at 11 years old. I had a younger cousin with one of those crappy Walmart kid’s guitars and I brought it outside to play it on the swing set my aunt and uncle had. My uncle asked me if I liked playing it and if I wanted one for Christmas and I said yes.

Describe your best musical memory to date.

It was a show we played last May. 33 Golden Street is the place we played our first gig in 2019 and then COVID happened and they didn’t have gigs for over a year. We played a bill with our friend’s band Marvelous Liars and it was 33’s first gig since they closed back in 2019. The bar was absolutely flooded; two band bill, each band having an hour long set, it was incredible. I think everyone was itching to finally get back out again and see live music and the energy was crazy. It was the funnest show I’ve ever played, and definitely the most money we’ve ever made.

When was a time when a firmly held belief was tested?

Growing up I felt I had a lot of doubt surrounding me regarding the musical path I wanted to pursue. People think unless you achieve celebrity status being an artist or musician is not a realistic career path and the lack of support I received from some of my teachers and some of the people very close to me only compounded with the insecurity I had about my own abilities. I’ve always known I’ve wanted to play and create music and that feeling has never changed, and I’m happy I didn’t allow others’ opinions to sway me into abandoning the things I’m truly passionate about.

Where do you feel artistic progression leads?

Investing in yourself continually can only breed more success. I think it can open yourself up to developing more connections with people and the more people you make friends with the more insight you can gain about your artistry and life in general that you can apply to your craft.

How do you define success?

I’ve always felt the definition of success is subjective. Something you may consider successful for yourself may not be what someone considers success for themselves. Everyone has different passions and skill sets, and if you invest in yourself and find fulfillment in the goals you achieve then I consider that successful. It’s whatever makes you happy.

What is something you have seen that you wish you hadn’t?

The movie Tusk.

Describe something you haven’t created yet that you’d like to create.

Recently I decided to do more research into block printing. I haven’t block printed since middle school art class and I have had so many ideas for band merch and prints and it makes me feel like my artistic flame has been reignited by a new form of art after a long period of creative burnout.

What do you believe is the most essential function of art?

I think there’s two functions; one is it functions as a vessel to channel ideas and emotions through as a cathartic process for yourself. The other part is how others receive it and how it helps them process their emotions. Everyone enjoys art for a different reason, but as someone who listens to and also creates music I can think of numerous times where certain albums or songs spoke to me at a particular time in my life. Whether it’s associated with positive times or negative ones, they’ve left their imprint on me and either aided me through something difficult or inspired me to create music myself. It’s a reciprocal relationship and I like to think maybe the music I make for myself that helps me through my emotions can do the same for others at some point. Maybe something in the music I make will speak to someone the way other people’s music has spoken to me.

Something non-musical that you’re looking forward to?

I cannot wait to go up to the White Mountains in New Hampshire this summer. I love camping and being out in nature, and I’m stoked to cook over an open fire, drink tequila, and go off kayaking or hiking.

www.facebook.com/comahole
www.instagram.com/coma_hole
www.comahole.bandcamp.com

Coma Hole, “Old Climb”

Tags: , , , ,

Maryland Doom Fest 2022 Announces Lineup

Posted in Whathaveyou on December 31st, 2021 by JJ Koczan

maryland-doom-fest-2022-logo

As suspected, the lineup announcement for the 2022 Maryland Doom Fest is relatively short on fluff. No flowery descriptions of the acts involved, no hype about how important it is to get together in these times of plague and support the community, the underground, whatever it is. That’s all true enough, but as ever, Maryland Doom Fest is putting the name out there for you to see, and if you know, you know. If you’re a part of that family down there in Frederick, you’ve already got your calendar marked. This is who’ll be at the reunion.

And to that, with bands like Horehound, Thunderbird Divine, Caustic Casanova, fest-organizer JB Matson‘s own Bloodshot, Faith in Jane, ZED, Helgamite, Shadow Witch, The Age of Truth, Apostle of Solitude, Horseburner, Dead East Garden, Strange Highways and Foghound on the bill, this one will no doubt feel like a reunion in no small part. These acts and some of the others as well have shared MDDF bills in the past, and indeed, some were included in the announcement for January’s Doom Hawg Day as well, as was speculated. Still cool to see some of those returning coming across the country to do it, though, be it ZED or Formula 400.

Set for June 23-26 at Cafe 611 and Olde Mother Brewing in Frederick, MD, and of course subject to some changes between now and June, the lineup for Maryland Doom Fest 2022 is as follows:

maryland doom fest 2022 poster final I think

Maryland Doom Fest 2022 Lineup

Black Road
Dust Prophet
Ol’ Time Moonshine
High Priestess
Wrath of Typhon
Alms
Black Lung
Thunderbird Divine
Atomic Motel
Byrgan
Faces of Bayon
Grief Collector
Crystal Spiders
Helgamite
Shadow Witch
The Age of Truth
Heavy Temple
Problem with Dragons
Strange Highways
Fellowcraft
Formula 400
Tines
Indus Valley Kings
The Stone Eye
Crow Hunter
Caustic Casanova
Coma Hole
Wizzerd
Mythosphere
Horehound
Bloodshot
NobleSoul
Coven
ZED
Faith in Jane
Future Projektor
Apostle of Solitude
Orodruin
Dead East Garden
Ritual Earth
Grave Next Door
Black Sabbitch
Lost Breed
Horseburner
Foghound
Hot Ram
Flummox

https://www.facebook.com/MdDoomFest/
www.marylanddoomfest.com

Apostle of Solitude, When the Darkness Goes (2021)

The Age of Truth, Resolute (2021)

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,