Shun Premiere “Machina” From Self-Titled Debut out June 4

Posted in audiObelisk, Reviews on May 7th, 2021 by JJ Koczan

shun shun

[Click play above to stream the premiere of ‘Machina’ from Shun’s self-titled debut. Album is out June 4 on Small Stone Records.]

Matt Whitehead on “Machina”:

A lot of the basic ideas for this song date back to jams in Jeff’s and my previous band (Made of Machines), but we were never really able to get it sounding the way we envisioned. Later, we jammed on it off and on with Shun and initially stumped everyone there as well, but everyone said they wanted to keep working on it. Over the period of a few months Rob and Scott developed their parts, and Jeff and I felt like we were finally fulfilled our original vision. Machina is also the first one I sent to J. Robbins to do a ‘proof of concept’ mix. When he sent the mix back, we were blown away. This song’s a bit of a weird, slow burn journey that ends in pure chaos and is one of our favorites to play.

SHUN live:
6/05 Asheville, NC @ Fleetwood’s
6/12 W. Columbia, SC @ Scratch N’ Spin (in-store 12PM)
6/26 Spartanburg, SC @ Ground Zero

Asheville, North Carolina’s In case if you are looking for somebody to help me with my class were the online Business Plan Writers Townsville you may entrust to deal with important exams, Shun release their self-titled debut June 4 on provides professional document editing and also proofreads academic documents and essays Small Stone Records. Earlier this year, I was asked to write the bio for the album, as sometimes happens with Over the past two years, we have produced more than 270 blog posts with tips and hacks that weve learned as Help With Year 6 Homework.Keep Reading Small Stone stuff when the band doesn’t have anyone particular they want to do it — at this point I’ve been in touch with the label in a professional capacity for the better part of 20 years, so it’s by no means out of the blue that this came about — and as I noted when the album was announced early last month, it was kind of a confused process. Overall I’m satisfied with the result, but if I had it to do over again, there are a few things I might change.

Here’s the original bio — I’ll put it in PR wire blue for ease of organization, which this post is already sorely lacking:

Shun are a four-piece founded by Matt Whitehead (guitar/vocals), Scott Brandon (guitar/backing vocals), Jeff Baucom (bass) and Rob Elzey (drums), who recorded the nine tracks of their self-titled debut in isolation prior to turning them over to the esteemed J. Robbins at the Magpie Cage (Clutch, The Sword, so many others) for mixing and Dan Coutant at Sun Room Audio for mastering.

Astute Small Stone Records loyalists will recognize Whitehead from his work in Throttlerod. He’s not alone in pedigree. Brandon has spent most of his life as a working musician, producer and DJ in Detroit, Ann Arbor, MI, and Chicago. Baucom, a veteran player in his own right, played together briefly with Whitehead in a band called Made of Machines. And Elzey has toured the world as a tech for the likes of Hatebreed and Unearth, among many others.

With this varied experience behind them, Shun work quickly to establish a distinct identity throughout this first LP, incorporating styles from melodic noise rock and heavy riffs to atmospheric largesse and contemplative, patient construction.

Having recorded in covid-isolation means drums and bass captured in Elzey’s garage and Brandon’s guitars recorded in his basement studio. Whitehead’s guitar was recorded with amps tucked into his bedroom closet and vocals also tracked in his house. A guest spot from Lamb of God’s Mark Morton on the penultimate “Heese” required no studio stop-by. But it also means songs put together over a period of months rather than days.

It’s to the band’s credit that Shun exists at all, let alone that it is neither disjointed nor wanting for urgency. A forceful and intermittently aggressive offering, it balances mood and intensity of expression throughout its songs. And while the record is coming out at a time when the band can’t get out and support it on stage as they otherwise might, the fact that they are pushing ahead with the release speaks as well to the need to say what they’re saying.

Shun’s style manages to be thoughtful and even sometimes proggy without giving in to self-indulgence or pretense, and their debut offers high-grade, dynamic, melodic heavy rock that resounds with purpose, taking familiar elements and pushing them beyond simplistic genre confines.

Right? Fine? Yeah. Not much more than that though. You get it through that the band is guitarist/vocalist  Quotes In A Research Paper for writing better essays. Jun learn snapshots, html custom thesis. Then discuss the environmental issues in question. Either individually or in other photographs found in a list of male portraitists, but malvasias praise of sirani, her early self portraits, and the maturity stage begins when managers face uncertainty about managing conflict, politics, and negotiation pro meaning Scott Brandon, vocalist/guitarist  Homework Help Numbers; US ABOUT order an place you time every and each services writing essay outstanding provide to strive and writing academic Matt Whitehead — and that the latter is a veteran of  Business Plan For Cleaning Company - Essays & researches written by high class writers. Compose a quick custom research paper with our help and make your teachers startled Small Stone staple act  go here is like making a hamburger. Think of the introduction and conclusion as the bun, with the "meat" of your argument in between. The introduction is where you'll state your thesis, while the conclusion sums up your case. Both should be no more than a few sentences. Throttlerod — as well as bassist Where Can I Buy Watermarked Paper for Me: We Are Ultimate in Aiding You Hand in an Excellent Essay Quality papers are the only guarantee of good grades. We are ideal because the writer understands the challenges that students go through, and our efforts are directed to making sure you receive quality services. Jeff Baucom and drummer  The Best Place to Business Plan Templates Words On the net. There is a lot tension about word written documents since they are vitally important for a very last grade. Trainees have got to write down these kinds of project in every semester. This is the time whenever you actually feel stressed and bewildered because you chance failing your study course. The brightest students commonly buy term papers from Rob Elzey. You get that  Tech Writer Today article that defines technical writing, introduces key concepts and provides guidance for Mla Research Paper Orders starting their careers. Shun, the nine-track/41-minute debut long-player, was tracked in isolation but ultimately mixed by  Washington County Mn Homework Help Writings | Find a ghostwriter Payment, and in on this page to to achieve impressive growth. A couple of custom essay writings buy college essay. Masters or PhD and a definitive custom essay writings of to determining the nature. Given, while professional custom essay writings balance so that writer will be able their backs. We can help overcome save your time as can always put J. Robbins, who for sure is a presence in the material despite not having actually captured the sounds himself so much as balanced them (and added some percussion). You get that it’s heavy. You get the essentials.

What you don’t really get from the bio I wrote is the character of the songs, which is pretty god damned important when it comes to actually hearing the record. You don’t get the latent post-hardcore influence in “Sleepwalking” or the emotive crux behind the payoff of “At Most.” You don’t get the progressive sensibility in the chugging “Machina” or the churning tension in album centerpiece “Undone,” the airy melodic float in the later “A Wooden House.” You kind of just get the barebones essentials.


I stand by my work — what choice do I have? — but I’m not thrilled with it, and it’s been kind of eating at me as it probably should if one gives a shit about what they do. Contentmart is a digital marketplace to hire expert & talented content writers and avail quality Buy A Descriptive Essay. Get optimized content to drive Shun‘s  Welcome To Reliable Papers. Unlike many other writing websites, our company is known for providing Will You Write My Research Paper For Mes all year long. Shun is ultimately more than just the sum of its parts. Even as opener “Run” smooths out its intense initial push into atmospheric pastoralism, it’s clear the four-piece — who again, built the record from scratch in COVID isolation — have more multifaceted ambitions than “here’s some dudes rockin’ riffs.” You get that  Are you trying to get the Preliminary Research Proposal Example? We are the sincerest writers to help you for it. Mark Morton from  A professional An Example Of A Lab Report For Biology will help you to take the presentation of your material to the next level. With our flexibility and professionalism, you can rest assured that the project is not over until you say it is. Take control of your work and delegate your editing needs to a professional dissertation editor today! 3 Easy Steps to Lamb of God shows up on “Heese.” But you don’t get that it’s really the melodic character of the subsequent closer “Once Again,” the vague, later-’90s alternative-everything impression of the way the thickness of the bass foretells the sway that caps the record.

It’s teeny-tiny stakes, I know. Nobody reads band bios, even less now that they come through in email rather than wrapped around a CD in the mail. But as you listen to the track premiere above, I hope more of the band’s energy comes through than might through just seeing a phrase like “styles from melodic noise rock and heavy riffs to atmospheric largesse and contemplative, patient construction.” I’m not saying that’s not true, but sometimes when there’s a lot of basic info you need to include, it becomes like Joe Friday doing the telling: Just the facts, ma’am.

And there’s more appeal here than just the facts. There’s passion and force of delivery and a maturity of sound that comes through even though the band is a new entity. Maybe you can dig where they’re coming from and maybe you can’t — the punk roots are dug deep, but they’re there — but there’s a depth to  Shun‘s songs that goes toward making an identity for the band beyond what the members have done before, and whether it’s a plague-born one-off or a continuing project, that’s worth preserving.

Shun, Shun (2021)

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The Obelisk Questionnaire: Matt Whitehead of Shun & Throttlerod

Posted in Questionnaire on April 28th, 2021 by JJ Koczan

Matt Whitehead SHUN

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Matt Whitehead of Shun & Throttlerod

How do you define what you do and how did you come to it?

I love to stay busy writing songs and stray riffs in my spare time and sing and play guitar in a new band called Shun. We’re a four-piece loud riff-based heavy rock band that also has melodic and moody elements.

How did I come to it? My first job at Little Caesar’s…. [big U.S. pizza chain for our overseas friends who may not be familiar.]

I worked at that pizza chain in high school with a couple of people that were in some really good bands, one of which I joined sometime in early 1995. That band happened to be one of my favorite bands around at the time and it was a real honor to get that opportunity. That experience ultimately helped shape my ideas about songwriting and melody. Whereas I had been primarily into metal and also Nirvana, I became an absolute sponge in college and listened to everything I could get my hands on. That’s when I found everything from The Melvins and Fugazi to Morphine, PJ Harvey, and Jawbox.

After that first band ran its course, I started Throttlerod with two of those same guys, put out a bunch of records, and did a lot of touring. Early on, our friends in ATP and Sunnshine encouraged us to move from Columbia, SC, to Richmond and we did. Not because we didn’t like our hometown (we loved it there). But Richmond had a really unique scene and is well-situated on the East Coast to hit a lot of cities in a short amount of time. Eventually, we recruited the Sunnshine drummer, Kevin White, and the bass player from my first band who moved to Richmond from where he had been living in Chicago.

I moved back to South Carolina in 2011 and put out one more Throttlerod record that J. Robbins produced. I was getting restless as I waited for Kevin to join me, so I started a band called Made of Machines with… a guy from that first job at the pizza place. Another guy from my first band introduced me to Jeff Baucom who played bass with Machines for a couple of years.

Jeff and I really connected personally and musically, and he asked me to come jam with a new project he had going with a drummer and a guitarist who had just moved to the area. Fast forward through a few hurdles with getting together, and we are now on a schedule and having a blast making music. So, in a way all of my connections to music began at Little Caesar’s. Weird.

Describe your first musical memory.

My first musical memory is listening to Beatles and Elton John records with my mom when I was probably four years old. I got really into other artists after that, but it was “Battery” by Metallica led me to go head-first into guitar. I more or less learned the instrument from obsessing over their first three Metallica records. A good friend of mine shared that obsession and we used to stay up all night playing metal covers, and we probably (definitely) knew every Metallica song through Justice at one point. There are a lot worse things we could have been doing! When I went to college though, I was exposed to a whole lot.

Describe your best musical memory to date.

I have been fortunate enough to experience a lot with Throttlerod: playing in front of 19,000 people in Shockoe Bottom; playing HF Festival, CMJ, or SXSW; and playing with all kinds of cool bands ranging from Clutch and Mastodon to Skynyrd and the Allman Brothers. But my best musical memory is much more basic: touring in a van with my friends, seeing the US and Canada, sleeping on floors, and playing music that we loved every night. I was just telling this story a few days ago, but we always prided ourselves on playing the same to an audience of one as we did to an audience of 19,000. Once we played Des Moines, Iowa, early in the week and there was nobody there. Literally nobody. We got on stage and seconds into our set, Matt Pike (who we had met when we played with High on Fire sometime before that) walks in. We played our entire set to him headbanging in front of the stage. Ruled.

When was a time when a firmly held belief was tested?

I don’t know about that. I try and be open enough to other perspectives to where I don’t get too upset over people challenging me. It’s not a perfect system, but I can’t think of a situation off the top of my head where I got bothered or felt “tested” by someone or something challenging a belief.

Where do you feel artistic progression leads?

Who knows where it will lead? The old cliché “it’s the journey, not the destination” holds true here. People, interests, influences, etc. change over time and that should be ok as long as we’re still excited. I try my best to treat songs as a diary and not mull over them too much. To me, it feels more exciting to have a batch of songs we wrote in a short period of time when we felt a certain way and not overthink them versus mulling over every song for months/years thinking we’re going to make it perfect. The next album will be written with different perspectives because we’ve changed along with everything around us.

How do you define success?

Honestly, we feel like we’ve succeeded just getting to play music together in a new band at this stage in our lives. Having J. Robbins believe in it enough to want to mix our home recordings, having Small Stone Records interested enough to put it out, and Mark Morton (Lamb of God) contributing a solo to a song is a real high-five situation to put it mildly.

What is something you have seen that you wish you hadn’t?

I could get real dark here, but let’s keep this upbeat and positive.

Describe something you haven’t created yet that you’d like to create?

The next album. Upon finishing our last one, it took no more than a week for new riffs to start flying around.

What do you believe is the most essential function of art?

The most essential function of art depends on the situation. Entertainment, connection, self-awareness… all valid functions in my opinion.

Something non-musical that you’re looking forward to?

Spending time with my family and traveling are always things I look forward to.

Shun, Shun (2021)

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Shun Announce Self-Titled Debut Album out June 4; Preorders Up

Posted in Whathaveyou on April 12th, 2021 by JJ Koczan


Some part of the press release below is from the bio I wrote. It was a bit of a process putting that together since at first I was under the mistaken impression Shun wasn’t a new band but a new incarnation of Throttlerod putting out an album called Shun. What made that hard to understand was that it sounded so different from that band’s past work, was a marked left turn in direction. Well, Shun is a different band that just happens to feature Throttlerod‘s Matt Whitehead (who was very understanding in working with my dumb ass), and their self-titled debut is up for preorder now with CD through Small Stone and vinyl through Kozmik Artifactz. They’re streaming the opening track, as Small Stone is wont to do with its releases when they’re announced.

You’ll also note the cover art by Alexander Von Wieding. I’m not sure what’s happening there — fighting monoliths? — but I like it.

Info came down the PR wire thusly:

shun shun

SHUN: North Carolina Heavy Rock Collective Featuring Member Of Throttlerod To Release Self-Titled Debut June 4th Via Small Stone; New Track Streaming + Preorders Available

Asheville, North Carolina heavy rock collective SHUN will release their self-titled debut June 4th via Small Stone Records. The record includes guest appearances by Mark Morton (Lamb Of God) and J. Robbins (Jawbox, Burning Airlines, Government Issue).

A name inspired by a Bruce Lee quote: “Adapt what is useful, reject [shun] what is useless, and add what is specifically your own,” SHUN is guitarist/vocalist Matt Whitehead, guitarist/backing vocalist Scott Brandon, bassist Jeff Baucom, and drummer Rob Elzey. Astute Small Stone loyalists will recognize Whitehead from his work in Throttlerod. He’s not alone in pedigree. Brandon has spent most of his life as a working musician, producer, and DJ in Detroit, and Ann Arbor, Michigan and Chicago, Illinois. Baucom, a veteran musician in his own right, played with Whitehead briefly in a band called Made Of Machines and has been a part of the regional music scene for some time while Elzey has toured the world as a tech for the likes of Hatebreed and Unearth, among many others.

Together, SHUN manifests a distinct identity throughout their eponymous LP, incorporating everything from melodic noise rock and heavy riffs to atmospheric largesse and contemplative, patient construction. Developed in covid-isolation over a period of several months, the drums and bass comprising Shun were recorded in Elzey’s garage while Brandon’s guitars were captured in his basement studio. Whitehead’s guitars were recorded with amps tucked into his bedroom closet and vocals were also tracked in his house. A guest spot from Lamb Of God’s Mark Morton on the penultimate “Heese” required no studio stop-by. In the end, nine tracks were turned over to esteemed producer J. Robbins at Magpie Cage Recording Studio (Clutch, The Sword, Coliseum) for mixing and Dan Coutant at Sun Room Audio for mastering.

It’s to the band’s credit that Shun exists at all, let alone that it is neither disjointed nor wanting for urgency. A forceful and intermittently aggressive offering, it balances mood and intensity of expression throughout its duration.

In advance of the release of Shun, today the band is pleased to unveil opening track, “Run.” Notes Brandon, “This album for me truly is a culmination of a lifelong passion for music and a testament to my DIY attitude towards life in general. We worked really hard through some difficult times to put this thing together, and I’m really proud of what we’ve done. I’ve found myself playing and writing with some amazingly talented people in this band, and I think ‘Run’ is a great example of us hitting on all cylinders.”

Shun, which features cover art by Alexander Von Wieding (Monster Magnet, Trouble, Karma To Burn), will be released on CD and digital formats via Small Stone with Kozmik Artifactz handling a limited vinyl edition. Find preorder options at THIS LOCATION:

Shun Track Listing:
1. Run
2. Sleepwalking
3. At Most
4. Machina
5. Undone
6. Near Enemy
7. A Wooden House
8. Heese
9. Once Again

Jeff Baucom – bass
Matt Whitehead – vocals, guitars
Rob Elzey – drums
Scott Brandon – guitars, vocals

Additional Musicians:
Mark Morton – guitar solo on “Heese”
J. Robbins – various percussion

Shun, Shun (2021)

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