Rebreather Announce The Line, its Width and the War Drone Due in December

Posted in Whathaveyou on August 27th, 2021 by JJ Koczan

rebreather (Photo by Mollie Crowe)

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The years pass.

Video and song are awesome and at the bottom of the post. Looking forward to the album. Here’s details from the PR wire:

Rebreather The Line its Width and the War Drone

Rebreather to Release New LP, ‘The Line, Its Width, and the War Drone’, December 3

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Youngstown, Ohio noise rock / sludge metal band Rebreather creates punishing, tenacious, and metallic music that seethes and breathes. More than a barrage of stark noise and earthen sludge, Rebreather creates songs; glorious, winding songs that allow dissonant, harmonic guitar/bass tones to soothe before they strike, drumming that builds and then batters, and vocals that display a powerful, shimmering vulnerability. On December 3, Rebreather will release its fifth full-length LP, ‘The Line, Its Width, and the War Drone’, via Aqualamb Records. Pre-orders are live at Aqualamb.org.

Produced by Rebreather and mastered by Carl Saff (John Carpenter, Bongzilla, Elder), ‘The Line, Its Width, and the War Drone’ takes trickles from both the band’s past releases and 20 years experience and coalesces the trio’s “cave pop” into a roaring river of soaring sound. Flush with oddly accessible, dazzlingly tight metalcraft, ominous, propulsive basslines, and a rampaging rhythmic verve, the record’s widescreen sheen gleams with a mercurial mystique befitting of only the most tight-knit, veteran units. Today, Rebreather releases a video for the new song, “Drown”, which is a true collaboration with fellow Ohioans and Aqualamb lablemates Frayle.

“We finished recording “Drown” and got through the overdubs, but there was a sense that it felt like just a little something was missing,” says Rebreather guitarist/vocalist Barley Rantilla. “We ended up shooting what we had finished over to our friends Sean and Gwyn to see if they were interested in adding some of their “Frayle” magic to it. When they sent back the demo of what they wanted to add, we were blown away. This was not only “our” song anymore
it was totally possessed by Frayle. Gwyn’s vocals added such a great dark melody and Sean’s guitar layers pushed everything into the right space. A couple weeks later, Sean hit us up with an idea to film a video for the song. Shooting was cool. We definitely inhaled more than enough water being drowned by Gwyn, but we all survived in the end.”

Frayle vocalist Gwyn Strang adds, “We were excited when Rebreather asked us to collaborate with them on their song, “Drown”. Adding our layers of vocals and guitars over another band’s song was a new experience for us. It was interesting to combine our approach to sounds and songwriting with Rebreather’s aggressive and stripped-down composition.”

Rebreather’s new LP, ‘The Line, Its Width, and the War Drone’, will be released on December 3 via Aqualamb Records.

‘The Line, Its Width, and the War Drone’ track listing:

1.) Sicksicksick
2.) It Comes In Three’s
3.) Silent H
4.) Choke On It
5.) Residual Madness
6.) Drown
7.) Pets (Porno for Pyros cover)

This Friday, August 27, Rebreather and Frayle will share the stage at the Westside Bowl in Youngstown, Ohio for a celebration of the bands’ collaboration. Noted Brewery, Noble Creature, who brew small batch Wild Ales & Lagers in a former church in Youngstown, has brewed a special limited-edition beer — also named Drown — in honor of the release of the new song and video.

Rebreather tour dates:

August 27 Youngstown, OH Westside Bowl (w/ Frayle)
August 28 Cleveland, OH Grog Shop
September 3 Akron, OH Musica
September 4 Columbus, OH Spacebar

Rebreather is:
Barley Rantilla – Guitars and Vocals
Steven Gardner – Drums
Steve Wishnewski – Bass

https://www.facebook.com/rebreather-372407815879/
https://www.instagram.com/rebreather_band/
https://rebreather-ohio.bandcamp.com/
http://www.stevewishnewski.com/rebreather
http://www.aqualamb.org
http://www.aqualamb.bandcamp.com
http://www.facebook.com/aqualambrecords

Rebreather w/ Frayle, “Drown” official video

Rebreather, “Pets” official video

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Quarterly Review: Papir, Kosmodemonic, Steve Von Till, Sex Blender, DĂ©hĂ , Thunder Horse, Rebreather, Melmak, Astral Magic, Crypt Monarch

Posted in Reviews on July 6th, 2021 by JJ Koczan

the-obelisk-fall-2016-quarterly-review

Day two already, huh? It’s a holiday week here in the States, which means people are on vacation or have at least enjoyed a long weekend hopefully without blowing any body parts off with fireworks or whatnot. For me, I prefer the day on rather than the day off, so we proceeded as normal yesterday in beginning the Quarterly Review. “We now return to our regularly scheduled,” and so on.

There’s a lot of good stuff here, as one would hope, and since we’re still basically at the start of this doublewide edition of the Quarterly Review — 10 down, 90 to go — I won’t delay further. Thanks for reading.

Quarterly Review #11-20:

Papir, Jams

papir jams

Two sessions, three days apart, three pieces from each, resulting in six tracks running just about 80 minutes that Dissertation To Buy Job Description . Job Data: Job Title: Service Writer . Department: Service Department, Pro Power Sports & Marine, Inc. Supervisor: Service Papir are only within their rights to have titled simply as The Critical Thinking Sample Questionss is dedicated to providing customers with top-notch research and assignment help services. Our expert writers and researchers are Jams. With this outing, the Copenhagen-based psychedelic trio present their process at its most nakedly exploratory. I don’t know if they had any parts pre-planned when they went into the studio, but the record brims with spontaneity, drums jazzing out behind shimmering guitar and steadily grooving basslines. Effects are prevalent and add to the spaciousness, and the sessions from whence these songs came, whether it’s the key-led four-minute “20.01.2020 #2” or the 20-minute opener “17.01.2020 #1” — all tracks sharing the same date-and-number format as regards titles — feel vibrant and fluid in a way that goes beyond even the hazy hypnotics of “20.01.2020 #3.” Free Dissertation Consulting Service Nottingham, Software and Services Papir‘s instrumental dynamic is of course a huge part of what they do anyway, but to hear their chemistry come through in freer fashion as it does here can only be refreshing. I hope they do more like this.

Papir on Facebook

Stickman Records website

 

Kosmodemonic, Liminal Light

Kosmodemonic Liminal Light

Brooklyn outfit Kosmodemonic exist almost exclusively within genre border regions. Their second album, Liminal Light, fosters an approach that’s too considered not to be called progressive, but that owes as much to the cosmic doom of YOB as to black metal as to noise rock as to Voivod as to any number of other various ores in the metallic sphere. In their sprinting moments or in the consuming dark grandeur of centerpiece “Ipomoea,” they are pointedly individual, and cuts like “Drown in Drone” and the later slammer “Brown Crown” owe much to sheer impact as to the cerebral underpinnings of their angularity. Liminal Light is vicious but methodical, and feels executed with a firm desire to catch the audience sleeping and then blindside them with a change, be it in moving from one song to another or within one song itself, like when the penultimate “Chains of Goddess Grove” rears back from its lurching movement and spews thrashier fire in its final minute. Put these moments together and you get a record that challenges on multiple levels and is unflinchingly worth the effort of close engagement.

Kosmodemonic on Facebook

Transylvanian Tapes on Bandcamp

 

Steve Von Till, A Deep Voiceless Wilderness

Steve Von Till A Deep Voiceless Wilderness

The sixth solo offering from Neurosis guitarist/vocalist Steve Von Till is a first for being completely instrumental. The narrative — blessings and peace upon it — goes that Von Till wrote the music for 2020’s No Wilderness Deep Enough (review here) late during jetlagged nights alone on his wife’s family’s property in Germany, where her family has lived for 500 years, only to later be convinced by producer Randall Dunn to write lyrics and record vocals for the songs. A Deep Voiceless Wilderness, as the title hints, pulls those vocals back out of these re-named pieces, allowing elements like the quiet textures of keyboard and piano, horns and mellotrons to shine through in atmospheric fashion, layers of drone intertwining in mostly peaceful fashion. It is the least guitar-based record Von Till has ever done, and allows for a new kind of minimalism to surface along with an immersive melodic hum. Subdued, meditative, exploratory, kind of wonderful.

Steve Von Till website

Neurot Recordings store

 

Sex Blender, Studio Session I

Sex Blender Studio Session I

Based in Lviv, Ukraine, instrumentalist krautrock bizarros Sex Blender have two full-lengths behind them, and Studio Session I takes the consumingly fuzzed “Diver” from 2018’s Hormonizer and three cuts from 2020’s The Second Coming and turns them into a stirring 44-minute set captured on video for a livestream. Reportedly some of the arrangements are different, as will certainly happen, but as someone being introduced to the band through this material, it’s easy to be struck by the palpable sense of glee with which Sex Blender present their songs. “Crimson Master” is the shortest of the bunch at just over six minutes — it’s the only one under 11 — but even there, the manipulated keyboard sounds, drum fluidity and undercurrent of rumbling distortion push Sex Blender into a place that’s neither doom nor prog but draws from both, crawling where the subsequent “Rave Spritz” can’t help but bounce with its motorik drums and intertwined synth lines. May just be a live session, but they shine all the same.

Sex Blender on Facebook

Drone Rock Records website

 

DĂ©hĂ , Cruel Words

DĂ©hĂ  Cruel Words

DĂ©hĂ ‘s third long-player Cruel Words was originally issued in 2019 and is seeing a first vinyl pressing on Burning World Records. The Brussels solo outfit has released no fewer than 17 other full-length outings — possibly more, depending on what counts as what — in the two years since these songs initially surfaced, but, well, one has to start someplace. The 2LP runs 75 minutes and includes bonus tracks — an acoustic version of opener “I Am Mine to Break,” a cover of The Gathering‘s “Saturnine” and the piano-into-post-metal “Comfort Me II” — but the highlights are on the album itself, such as the make-Amenra-blush 12-minute crux of “Dead Butterflies,” wherein a lung-crushing weight is given patient drama through its prominent keyboard layers, or the goth early going of “Pain is a Wasteland,” which seems to brood until it finally can’t take it anymore and bashes its head (and yours) into the wall. Surprisingly methodical for the manic pace at which DĂ©hĂ  (nĂ© Olmo Lipani) works, it makes artistry of its arrangement as well as performance and is willfully overwhelming, but engaging in that.

DĂ©hĂ  on Facebook

Burning World Records website

 

Thunder Horse, Chosen One

Thunder Horse Chosen One

Big riffs, big grooves, big hooks, Thunder Horse‘s second long-player, Chosen One, sees the San Antonio, Texas, outfit inherit some aspects from the members’ past outfits, whether it’s the semi-industrial vocal style of Stephen Bishop on “Among the Dead” or the classically shredding solo work of Todd Connally. With Dave Crow on bass and Jason “Shakes” West on drums, Thunder Horse elbow their way into a nod quickly on Chosen One and hold their ground decisively, with Dehumanizer-esque tones and flourish of keys throughout that closes in lead position on the outro “Remembrance” in complement to the strumming, whistling “Texas” a short while earlier. Even when they shuffle, as on the second half of “Song for the Ferryman,” Thunder Horse do it heavy, and as they did with their 2018 self-titled debut (review here), they make it hard to argue, either with the atmosphere or the sheer lumber of their output. An easy record to dig for the converted.

Thunder Horse on Facebook

Ripple Music website

 

Rebreather, Pets / Orange Crush

Rebreather Pets Orange Crush

Heads up children of — or children of children of — the 1990s, as Youngstown, Ohio’s Rebreather effectively reinterpret and heavy up two of that decade’s catchiest hooks in Porno for Pyros‘ “Pets” and R.E.M.‘s “Orange Crush.” Taking songs that, if they ever left your head from rock radio, will certainly be right back in there now, and trying to put their own spin on them is ambitious, but Rebreather have no trouble slowing down the already kinda languid “Pets” or emphasizing the repetitive urgency of “Orange Crush,” and the tonal weight they bring to both honors the original versions as well as who Rebreather are as a band, while showcasing the band’s heretofore undervalued melodies, with call and response vocal lines in both cuts nodding to their sludge/noise rock roots while moving forward from there. They chose the songs well, if nothing else, and though it’s only about 10 minutes between the two cuts, as the first new Rebeather material since their 2018 self-titled EP (discussed here), I’ll take the two covers happily.

Rebreather on Facebook

Aqualamb Records website

 

Melmak, Down the Underground

Melmak Down the Underground

Spanish duo Melmak — guitarist/vocalist Jonan Etxebarria and drummer/vocalist Igor Etxebarria — offer an awaited follow-up to their 2016 long-player Prehistorical (review here) and demonstrate immediately that five years has not dulled their aggressive tendencies. Opener “Black Room” is a minute-long grindfest, and though “Scum” finds its way into a sludgy groove, it’s not far behind. “Poser” starts out as a piano ballad but turns to its own crushing roll, while “The Scene” rumbles out its lurch, “You Really Don’t Care” samples a crying baby over a sad piano line and “Ass Kisser” offers knee-to-the-face bruiser riffing topped with echoing gutturalism that carries the intensity into the seven-minute, more spacious “Jaundiced,” which gives itself over to extremity in its second half as well, and the closing noise wash of “The Crew.” What we learn from all this is it would seem Melmak find the heavy underground wanting in violent terms. They answer that call in bludgeoning fashion.

Melmak on Facebook

Melmak on Bandcamp

 

Astral Magic, Visions of Infinity

Astral Magic Visions of Infinity

Ostensibly a solo-project from Dark Sun bassist Santtu Laakso, Astral Magic‘s debut LP, Visions of Infinity, features contributions from guitarist Martin Weaver (Wicked Lady, Doctors of Space) and Scott “Dr. Space” Heller (Doctors of Space, Øresund Space Collective), as well as Samuli Sailo on ukulele, and has been mixed and mastered and released by Heller, so perhaps the plot thickens as regards just how much of band it is. Nonetheless, Astral Magic have all the cosmos to work with, so there’s plenty of room for everybody, as Visions of Infinity harnesses classic Hawkwindian space rock and is unafraid to add droning mysticism to the ever-outward procession on “Ancient Mysteries” or “Onboard the Spaceship,” to grow playful on “I Was Abducted” or bask in cosmic serenity on “Winds of Time” and “Wizards.” Off we go, into the greater reaches of “out there.” It’s a fun ride.

Astral Magic on Facebook

Space Rock Productions website

 

Crypt Monarch, The Necronaut

Crypt Monarch The Necronaut

Costa Rican trio Crypt Monarch offer their debut full-length in the form of the three-song/36-minute The Necronaut, the sound of which makes the claim on the part of the band — bassist/vocalist Christopher De Haan, guitarist Jose Rodriguez, drummer/vocalist J.C. Zuñiga — that it was made live in a cabin in the woods easy enough to believe. Though mixed and mastered, the 15-minute opener “Morning Star Through Skull” (15:41) and ensuing rollers “Rex Meridionalis” (10:12) and “Aglaphotis” (10:08) maintain a vigilant rawness, laced with noise even as De Haan and Zuñiga come together vocally on the latter, clean singing and gurgles alike. It is stoner metal taken to a logical and not entirely unfamiliar extreme, but the murk in which Crypt Monarch revel is dense and easy to get lost within. This, more than any single riff or lumbering groove, speaks to the success of the band’s intention in crafting the record. There is no clearly marked exit.

Crypt Monarch on Facebook

Electric Valley Records website

 

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Descendants of Crom IV Lineup Announced: Bongzilla, Evoken, Ruby the Hatchet, Orodruin & More Confirmed

Posted in Whathaveyou on March 1st, 2020 by JJ Koczan

descendants of crom iv logo

The annual Descendants of Crom in Pittsburgh has become a reliable assemblage of heavy, with a lineup diverse in sound woven together by a consistent quality of taste that unites across styles. For evidence of the ongoing nature of this phenomenon, look no further than the first two names on the poster of Descendants of Crom IV — Bongzilla and Ruby the Hatchet. The former, a recongealed stoner-sludge exercise in Midwestern working-class bomber crust, and the latter, a more urbane newschool-via-oldschool heavy rock outfit laced with keys and nigh-on-glam melodicism.

Those differences are stark, but I’ll be damned if both don’t fit well at the top of the bill here, which includes plenty of shouldn’t-be-missed names in the likes of Orodruin, Valley of the Sun, Heavy Temple, Rebreather, Pale Divine, Horehound, Cavern, on and on. I guess I could probably just run down the whole list at that point. It’s a good fest, and more even than last year, you begin to see the sense of curation and the personality of the festival emerge in its blend of styles. It’s not just about more, more, more, in an overwhelming onslaught of bands, but about what each specifically brings to the lineup as a whole. Kudos, as ever, to Shy Kennedy and her crew on a job on its way to being well done.

Here’s the announcement:

descendants of crom iv poster

DESCENDANTS OF CROM IV – A GATHERING OF THE HEAVY UNDERGROUND

FRIDAY, OCTOBER 2nd & SATURDAY, OCTOBER 3rd

CATTIVO NIGHTCLUB – ­­­PITTSBURGH, PA, USA

The fourth annual Descendants of Crom will be held this year again in Pittsburgh on both floors of Cattivo Nightclub. The events begin early Friday evening and are followed by a Saturday all-dayer.

The underground scene of heavy rock and metal here is healthy and thriving and we’re feeding great regional bands to a hungry crowd and utilizing legendary, international fan-favorites to entice music fans in the door with the support of our amazing local artists. Descendants of Crom was planted in 2017 as a little black seed and has been growing and strong contender among other established annual music festivals. We aspire to become the premier music event of the Northeast and invite you to become part of the 2020 event. After all, we are all Descendants of Crom!

This year’s DESCENDANTS are:

Bongzilla, Ruby the Hatchet, Black Tusk, Valley of the Sun, Evoken, Orodruin, Rebreather, Horseburner, Heavy Temple, Horehound, Cavern, Pale Divine, Howling Giant, Ironflame, Cruces, God Root, Zom, The Long Hunt, Makeshift Urn, and We, the Creature.

Schedule and tickets will be on sale Friday, March 6th for single-day as well as two-day passes.

We’re looking for sponsors, vendors, and any entity that supports the heavy underground and all things psych, stoner, doom, sludge, and occult to reach out and be a part of our event and community.

Additionally, in anticipation for this year’s Descendants of Crom, there will be a DOC showcase held at Cattivo on Saturday, March 21st featuring bands that have all been part of the Descendants of Crom history. Urns, The Long Hunt, Horehound, Horesburner (WV), and Ironflame. This showcase is a taster of what sort of musicianship and energy that DOC brings to the stages.

Rritual event page: https://www.facebook.com/events/509381869977026/

https://www.facebook.com/DescendantsOfCrom/
www.instagram.com/descendantsofcrom/
https://www.facebook.com/events/437759083832580/
www.descendantsofcrom.com/Tickets.php
http://descendantsofcrom.com

Ruby the Hatchet, Live in Atlanta, GA, Dec. 5, 2019

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Blackout Cookout 10 Confirms Full Lineup; It’s Pretty Insane

Posted in Whathaveyou on May 3rd, 2019 by JJ Koczan

the blackout cookout 10 art

Congrats to Ohio’s The Blackout Cookout on making it to their Xth edition. That’s 10, in case you were wondering. Doing anything for 10 years in a row these days is pretty admirable. And I’m not just saying that because this site also started in 2009, but because it’s true, and whether it’s something that’s a passion project like putting on this festival — because I imagine nobody’s yet gotten rich off basically hosting an annual barbecue with friends and other cool bands — or just staying at the same job, a decade is a long time. Most people get high and wander off somewhere long before that mark is reached.

Blackout Cookout X however has a badass celebratory lineup, with Inter Arma and Big Business in headlining spots for its two-day run, and Ohio-based regular-types like Bridesmaid and Lo-Pan and the reactivated Rebreather slated to appear. Look out for Caustic Casanova, Brujas del Sol, Album and of course KENmode as well. Bottom line is it’ll be a good time, and it’s a party, and I guarantee there will be people there who’ve been to all 10 Blackout Cookouts, but if you’ve never been before and you show up and, like, don’t know where the bathroom is or something, I bet they wouldn’t be a dick about it. They’d just be like, “Yeah, it’s over there” and point you on your way. People helping people. The stuff of life.

Here’s the full lineup, as seen on the social medias:

the blackout cookout 10 poster

The Blackout Cookout 10 – Sept. 6 & 7

Westside Bowl
2617 Mahoning Avenue, Youngstown, Ohio 44509

The Blackout Cookout is an annual celebration of heavy music, friends and BBQ at Westside Bowl in Youngstown, Ohio.

Friday Sept. 6
INTER ARMA
Brain Tentacles
Homewrecker
ALBUM
Bridesmaid
Something Is Waiting
Caustic Casanova
Wallcreeper
DAGGRS
Modem

Saturday Sept. 7
Big Business
KEN mode
Lo-Pan
Rebreather
Fully Consumed
Microwaves
Brujas del Sol
Goosed
Persistent Aggressor
Matter of Planets
Lake Lake
Black Spirit Crown
Cheap Heat

Poster by Chris Smith.

https://www.facebook.com/events/324565261529821/
https://www.facebook.com/theblackoutcookout/

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Rebreather Return with Self-Titled EP Release

Posted in Whathaveyou on November 1st, 2018 by JJ Koczan

rebreather

Ohio’s Rebreather always brought a sense of character and individuality to sludge, and while it’s been the better part of a decade since their last release, they still do. The Youngstown trio — who will forever live in doom trivia by being the first band ever to grace the Nyabinghi stage at the inaugural Emissions from the Monolith Festival in 2000 — are back with a six-song self-titled EP that follows up on their return to the stage and general band activity. “Open Your Eyes” and “Countdown” have plenty of the bombast for which they’re known, the rawness taken from noise rock and slowed to a pummel, while “Sunday” forms a melodic center around which the rest of the EP seems to revolve, getting an answer in the rawer heavy rock of closer “Five.”

Because they can be so scathing when they want to be, they’ve always been a band whose atmospheres are somewhat deceptive, but going back to 2002’s Need Another Seven Astronauts — a title that was as topical at the time — and that essential characteristic is certainly revived in the depth of these songs. If this is Rebreather declaring who they are in 2018, I’ll take it.

From the PR wire:

rebreather self-titled ep

REBREATHER RELEASE NEW EP

Ohio band returns after indefinite hiatus

Heavy Ohio rock outfit Rebreather have self-released a new EP. The band, originally formed in 1999, exited the doom/stoner/sludge music scene in 2013 with no immediate plans for return. Fast-forward to 2017, when founding member and vocalist/guitarist Barley Rantilla and drummer Steve Gardner began playing shows of back catalog material with new bassist Steve Wishnewski. Momentum built quickly, and the band’s 18-year fanbase returned in full force to fill up venues.

“Things picked up very rapidly when we started playing shows again, and it just made sense to continue and see what would develop.” – Barley Rantilla

Rebreather invite you to review the new EP, as well as peruse their entire back catalog at https://rebreather-ohio.bandcamp.com

“The sleeping giant awakens
” – Josh Roman, MindRocket Recording Studio

Tracklisting:
1. Open Your Eyes 05:04
2. Starved 03:09
3. Sunday 05:43
4. Countdown 05:13
5. Destroy That Silence 04:11
6. Five 04:21

Rebreather is:
Barley Rantilla – Guitars and Vocals
Steve Gardner – Drums
Steve Wishnewski – Bass

https://www.facebook.com/rebreather-372407815879/
https://www.instagram.com/rebreather_band/
https://rebreather-ohio.bandcamp.com/
http://www.stevewishnewski.com/rebreather

Rebreather, Rebreather EP (2018)

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