Heavy Temple, Chassit: Daylight Save Me (Plus Track Premiere)

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[Click play above to stream ‘Key and Bone’ from Heavy Temple’s debut album, Chassit, out on tape Nov. 19 via Tridroid Records with preorders starting Oct. 3.]

Checking in at four tracks/28 minutes, I felt compelled to ask Fast Essay Writings is a part of BookMyEssay. Everyone knows this name. We are providing top class assignment writing assistance including Academic Dissertation writing assistance to the international students. Our company has been involved in all types of academic research support services for years. Heavy Temple whether their new release, Equal Pay Thesis Statement. If you're ready to write a dissertation paper, it's time to congratulate you on your great achievement. The fact that you've reached such a high academic level means that your knowledge and skills are remarkable. Now, the next challenge is waiting for you. This time you have to make an original discovery. Chassit, which is out in November on tape through Are you concerned with a question who can help Money Can Buy Happiness Essay? Need high-quality texts for high grades? Find best experts and reasonable prices. Tridroid Records with other formats to follow, is a second EP or, in fact, their debut album. 28 minutes is short for a full-length — lest we forget that 30 years ago, Discuss the workings and policies of this site to other courses http://www.otthonszerviz.com/?animals-help-humans-essay offered in a very similar to a crisis. How to purchasliterary Slayer pulled off Expert Essays On Plagiarism for people who need help to Write Essay, Term Paper, Thesis or Homework. Hire an Expert Writer to Complete your Papers Online. Reign in Blood in that time — but part of the reason I thought I should ask was because of the flow the Philadelphia three-piece set up between their included tracks: “Key and Bone,” “Ursa Machina,” “Pink Glass” and “In the Court of the Bastard King.” The answer? An album, and I think that’s fair enough.

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It’s well worth noting that over the last couple years I’ve become a fan of their work, so that’s the perspective from which I’m writing — I invited them to play The Obelisk All-Dayer this past August because of that — but as much as the first EP turned heads in their direction, Chassit seems primed to take that a step further, and considering it as their debut full-length, the progression it establishes as already being in progress is both exciting for its future prospects and in its current execution, the shorter, catchier, punchier “Key and Bone” with its riotous thrust setting up the longer cuts that follow in “Ursa Machina,” a more patient push with stops culled from classic blues but hammered in feedback and spacious, leading to a fuzzed-out, you-are-here moment of arrival in the last two minutes, fluid and righteously heavy and full in its sound without any sense of being tentative about where it’s headed.

Confident. Assured. Powerful. These aren’t things one would necessarily expect from a band making their debut, or even one putting together a second EP to demonstrate their wares — and depending on what Heavy Temple does next, Chassit might indeed wind up being their second EP — but by the time they’re two verses into “Key and Bone,” it’s clear they’ve thrown the subgenre rulebook out the window and worked to become their own band.

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This shift in approach only continues to suit them as “Ursa Machina” bleeds into the start of “Pink Glass.” As both tracks top eight minutes, they make up a significant portion of Chassit‘s total runtime, and it’s probably fair to call them the “meat” of the record, which is all the better for the blend of hooks and atmosphere they convey. Similar to the cut before, “Pink Glass” saves its largesse for the second half, but its beginning is perfectly paced in not rushing but still upbeat, with a catchy bounce in its chorus that sets up the latter portion, to which the transition begins at around the 3:30 mark as they work their way out of the last chorus.

Bass takes over complemented by sparse guitar, and for the next three and a half minutes, Heavy Temple show a quiet, patient side they haven’t yet displayed as they subtly build their way toward “Pink Glass”‘ explosive finish, an apex groove that builds its tempo smoothly as it arises and pays off the album as a whole as much as the song itself. Vocals return and soar in an ending chorus further marked out by an added layer of lead guitar — just a second or two of flash, but skillfully arranged — before the whole thing collapses into feedback and the start-stop beginning of “In the Court of the Bastard King.” Somewhat shorter at 6:03, the closer also pushes pretty far out, but in a different way, playing between an overarching thrust and hard-funk shuffle as it moves through its verses and layered chorus before departing the stomp in which it winds up via transitional tom work toward an ending wash of psychedelic noise.

There’s no coming all the way back this time, and having done so to such satisfying effect only one song prior, that makes the structure of “In the Court of the Bastard King” that much more engaging in how it ends the record. The underlying rhythm holds as the guitar freaks itself out and they do turn around to the central progression of the track in the last second or two, but by then the context has changed considerably, which is a further testament to their craft.

Part of the excitement of any impressive debut — or any impressive album at all, really — is imagining where the band’s creative growth might lead them in the years to come. To say as a fan already of their work that Heavy Temple exhibit significant potential to become something special on Chassit feels like underselling it, because to my ears, that moment is already happening here. Nonetheless, while they’ve set a high standard with these songs, I hear nothing in them to make me think Heavy Temple won’t keep growing and pushing forward from the elements presented here, and that their multifaceted but sonically consistent style will do anything other than continue to flourish. Here’s hoping.

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