Live Review: Freak Valley Festival 2026 – Day 1

Posted in Reviews on June 5th, 2026 by JJ Koczan

I slept a bit at the airport, I’m glad to say. I was in the international arrivals area, outside baggage claim, with my head on my luggage and the hoodie I brought as a pillow. Not what you’d call ideal, but better than the plane. I was off and on from about 8AM to noon, then up from then till 2PM, waiting with Tony Reed until Isaiah Mitchell came and said the rest of Seedy Jeezus had already gone to the Vortex Surfer club where they were going to rehearse as Tranquonauts for the first time ahead of their set on Saturday. So, time to go.

Unclear on the way as to whether or not I would make it for the start of the fest, with Sunnata, but I did. Stowed my luggage in back, no time to hit the hotel beforehand. Here’s how the day went from there:

Sunnata

Sunnata (Photo by JJ Koczan)

I got to the AWO grounds where the fest is held with about 10 minutes to spare, so didn’t even grab a coffee before Poland’s Sunnata went on to kick the thing off. They’re kind of a darker sound for Freak Valley, meditative and post-metallic as they are, but the weather cooperated — it was raining; I’d bought a raincoat about an hour before going to the airport and had my luggage on hand, so was ready for it — and there was a really good early crowd, so between that and Sunnata’s dual-vocal interplay of loud/quiet trades and righteously heavy ritualizing, the early going had no lack of vibe. I downed a bottle of water that I’d soon refill and watched from the front for a bit before adjourning to the back by the swings, where kids were already playing. They’ve put out two records since the last time I saw them at Høstsabbat 2019 (review here), so while I had a clue of what to expect, they were still a surprise with more complex songs and fluid brooding passages, crying to and from the void to lead into the next explosion.

Child

Child (Photo by JJ Koczan)

Rockpalast started filming early, and with good reason. This was my first time seeing Child, and it was among the sets I’d most been looking forward to. I can’t think of many other bands who embody Freak Valley’s love of heavy blues than the Aussie power trio led by gold-mic vocalist/guitarist Matthias Northway. They have a new record out later this month called Rebirth that’s following on from 2023’s Soul Murder (review here), and that’s a thing to celebrate, so they did, but it’s a different kind of party in the pouring rain and quickly it occurred to me that the water falling from the sky and my too-nice-for-my-ass-anyhow camera probably didn’t mix, so I headed for shelter, but even undercover, the richness of Child’s fuzz, the soul in Northway’s vocals and the sleek, slow grooves of their riffs came through. They’re ’70s-rooted, jam-rooted and blues-rooted, and those balances were malleable across the set, but cohesive throughout; as clear a case of band-guides-crowd as you could hope to encounter. Not the last blues of the weekend by any means, but a display of obviously special chemistry. By the time they finished, the sky was turning blue again.

Brown Spirits

Brown Spirits (Photo by JJ Koczan)

Two Australian acts in a row felt — and was — luxurious, especially as Brown Spirits picked up the mantle of jazzy heavy psych and space rock and ran with it straight into a cloud of ether. Rhythmic momentum built up to push forward melodic textures from the guitar and keys, and though there were some shades of Earthless in that gallop, the dimensionality of it and the feeling of improv beneath made them all the more immersive. People danced, people whistled as the band cosmic-shimmied out another post-airlock bassline, and if you caught the theremin sounds from the keyboard as part of the thing, so much the better. They didn’t come across as performative in their progressivism, but that was a factor just the same and I found myself wanting a(nother) coffee just to try to keep up. So I did that, merrily bobbing my way to the back to get some, and then the downpour started, so I figured maybe I’d hang out a minute rather than get soaked with so much night still to go. I was glad to have heard the bounce I did in Brown Spirits though, and for knowing basically nothing about them going in, I feel like getting an early-weekend-takeaway band is a pretty solid outcome.

Ratsalad

Ratsalad (Photo by JJ Koczan)

Three in a row? Freak Valley was clearly just showing off. Three non-headlining Australian bands back-to-back-to-back, as John Sterling might say, and on the first day of the thing, was remarkable, and it’s not like having bands from Oz is new here. Ratsalad had an energy distinct from Brown Spirits or Child, but if you were inclined, you could make a thread from one to the next based on more than geography. The torrent ended quickly — that cloud passed — but a steady rain continued, and I slammed one of the three pouches of almond butter I brought with me ahead of Ratsalad starting, and that was the right idea. Fortification. All my favorite foods are ingredients. Anyways, I took all of maybe-one photo, as conditions seemed to permit, but the rain lessened over the time they played and my understanding was that was the worst and perhaps last of it, but the band were hitting it from the start, and the heavy punk rock reminded of past Freak Valley editions without being overly derivative. The “can I get a fucking hell yeah?” was met with due uproar. People were ready to let loose, weather be damned, and Ratsalad allowed for just that, and didn’t miss a chance to engage the crowd along the way.

Stoned Jesus

Stoned Jesus (Photo by JJ Koczan)

I was dragging copious ass, namely my own, but it would be difficult not to appreciate a band who write such memorable songs as Stoned Jesus do, or maybe I just really dug the last record? Either way, they were a kick in the pants that I very much needed, and hearing them echo around the hillside made it feel all the more like I’d arrived at Freak Valley Festival, though that isn’t to take away from the day to that point. They had the Rockpalast feed going on the two side screens and the back one with colors changing out overlaid; it looked cool and it wasn’t raining anymore, so all the better. They played “Low” from last year’s Songs to Sun (review here) and guitarist/vocalist Igor Sydorenko teased the due-in-October follow-up, Songs to Moon, with a new song called “Under the Skin” that they apparently hadn’t played live before, Sydorenko sharing vocals with bassist Andrew Rodin, whose harsher screams added to the metal emerging in their sound. The US still hasn’t caught on to Stoned Jesus, but this was my second time seeing them and the professionalism of their delivery made them a standout. I will look forward to that record, not that I wasn’t anyhow. One of the cameras shooting popped up with a message on the screen behind them that said it had a low battery and it was time to change it, and I related so hard to it that I’ll say I was emotionally moved, but then they hit into “See You on the Road,” and brought me back to life again. Again. Of course they did “I’m the Mountain,” their signature piece. They knew it was coming, the crowd knew it was coming. It was inevitable and still glorious, and the ability to do that is what makes Stoned Jesus a great band. Everyone in the pit seemed to be having a good time, including when Igor jumped out and crowdsurfed.

Pigs Pigs Pigs Pigs Pigs Pigs Pigs

Pigs Pigs Pigs Pigs Pigs Pigs Pigs (Photo by JJ Koczan)

When I saw the UK psychbangers at Bear Stone 2024 (review here), I said I’d never again abbreviate their name, but write it in full every time as a sign of respect. They were similarly inspiring in the headliner role for the first night at Freak Valley, taking immediate and absolute ownership of the stage. They didn’t have an easy act to follow — people were into Stoned Jesus for sure — but cosmic bombast is a house specialty for Pigs Pigs Pigs Pigs Pigs Pigs Pigs, and the onslaught was not long in arriving. With tempo behind them, they’re all the more of a force sound-wise, but I also think they were just plain louder than everybody who played earlier, so that was a factor even in the slower parts. Bass to swallow planets, and a kick drum you could feel in your chest standing near the front; this is normative stuff for Pigs Pigs Pigs Pigs Pigs Pigs Pigs, but it’s not something I run into every day and they are their fair share of jawdropping, very much in the manner of something to see if you never have, or, frankly if you have as well. Destroy destroy destroy. Shake the plugs right out of your ears.

Coltaine

Coltaine (Photo by JJ Koczan)

Mystique born of their sound as much as the rampant fog. Coltaine were among my most anticipated sets of the whole weekend, which In hope tells you I think they’re a band you should check out. Fitting that this was my first time seeing them and it’s Freak Valley, since this is where I found out about them in the first place. They’re less accessible than some bands who might be considered of their slow-churning post-metal ilk, but as far as I’m concerned that only makes them less predictable and better overall, and if you didn’t catch 2025’s Brandung (review here), the songs from it are worlds to lose yourself in. On the big stage, with the lights, the aforementioned fog, the huge sound, their dark scope felt like a bookend to the day with Sunnata way back in the rainy afternoon, but they are their own beast and they’re growing. I’m glad I could see them play Brandung material before their next record outdoes it, and I’m twice as grateful to have seen them in the context I did, after the day I’d had, that sense of intermittent cathartic release was fortifying. You know how some bands have potential and you know exactly for what the potential is, how it will manifest? I don’t have a clue where Coltaine’s against-genre-grain journey will take them, but I’m happy to be on board to find out. Call me a fan.

The cab driver told me no at first when I said the name of the hotel. I guess it wasn’t far enough? I don’t know. When my head dropped and I went “ah man,” he said, “fine, get in,” and took off with all good speed to drop my ass. Then I didn’t have cash and that was my next fuckup. I do my best, people. About 20 minutes later, I was asleep. On purpose.

First day was a lot, but a lot of awesome. Day two starts with yoga, thank goodness, unless you want to count sorting photos at breakfast, which was the right choice. More to come, and pics after the jump in the meantime. Thanks for reading.

Read more »

Tags: , , , , , , , , , , ,

Freak Valley 2026 Completes Lineup

Posted in Whathaveyou on February 4th, 2026 by JJ Koczan

Freak Valley 2026 has been sold out for months at this point, but if you think that would prevent the Netphen, Germany-based execution of the heavy-hippie ideal from adding more badassery to its bill, well, you probably haven’t stopped to think about the reason it’s already been sold out for months. Did that make sense? I don’t know, but the point is Freak Valley looks friggin’ awesome, again, still, whatever. From Uncle Acid and Goat at the top of the bill on down, taking in the now-complete lineup gives some sense of the sonic scope of the thing, surely broadened by bringing in the likes of Pigs Pigs Pigs Pigs Pigs Pigs PigsMessaGoat and Tranquonauts, and yeah. If you’re one of the few who managed to get tickets before they were gone, you don’t need me to tell you.

I’ve been lucky enough to attend Freak Valley four times now, and the atmosphere, the people, the music, the presentation, the location, the setup of merch and distractions, the sprinklers and little corners in the shade to cool off — it’s got everything you could want and more you woudn’t even think of like when they light the trees up at night and for just a moment it’s kind of like what the whole world could be if only it were entirely different than it is. A sanctuary of sound for weirdos, and an incredible time, to say the least.

From social media:

Freak Valley 2026 final poster sq

FREAK VALLEY FESTIVAL 2026 – 🔥FINAL ADDITIONS 🔥

The last bands to complete this year’s Freak Valley line-up – and what a way to finish things off.

@pigsx7
Hailing from the UK, they deliver massive riffs, raw energy and pure intensity. One of the most uncompromising heavy bands of the last decade – loud, hypnotic and impossible to ignore.

@seedyjeezus
Coming all the way from Australia, Seedy Jeezus bring raw, expansive psychedelic rock with a love for long jams. Trippy, loud and perfect for getting lost in the moment.

@margaritawitchcult
Straight out of the UK with dark, fuzz-drenched heavy rock and a fierce attitude. Fast, filthy and straight to the point – exactly how we like it.

@sunnataofficial
From Poland, Sunnata combine doom, psych and post-metal into a heavy, ritualistic and deeply atmospheric sound that pulls you in and doesn’t let go.

The Grant East
Originating from the Netherlands, they blend vintage rock vibes with soul, groove and swagger – classic at heart, modern in punch.

@sergeantthunderhoof
This UK-based heavy prog powerhouse brings huge grooves, epic melodies and raw emotion – powerful and tailor-made for an open-air stage.

@frenzee.band
Born in Australia and raised in Greece, Frenzee deliver pure high-energy punk rock. Fast, loud and explosive – no brakes, no compromises.

@fightsoslo
Coming from Norway, Fights deliver intense, emotional hardcore punk with melody and heart. Short, sharp and straight in your face.

ROCKBLOG. BLUESSPOT PRESENTS @trailoffical
Rooted in Darmstadt, Germany, Trail bring heavy psych and desert-soaked grooves – laid-back yet powerful, perfect for drifting away down the Valley.

That’s it.
We’re sold out.
See you in the Valley. 💚🌵

@rockfreaksrec
Artwork: @branca_studio

http://www.freakvalley.de/
http://www.rockfreaks.de/
https://www.instagram.com/freakvalleyfestival/
https://www.facebook.com/freakvalley

Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Death Hilarious (2025)

Tags: , , , , , , , , , , , ,

Sonic Whip 2025 Adds The Cosmic Dead, Sunnata & Thee Alcoholics; Lineup Complete

Posted in Whathaveyou on March 5th, 2025 by JJ Koczan

All three of these bands had releases out in 2024. In the case of London heavypunkers Thee Alcoholics, they had two. Poland’s Sunnata released Chasing Shadows (review here) and Scottish psychfreaks The Cosmic Dead proffered Infinite Peaks (review here) last Spring, and both have set about supporting the records ever since. The three bands join the lineup for Nijmegen’s Sonic Whip Festival alongside a righteous host of acts from various genres, from Frankie and the Witch Fingers‘ heady garage-psych-punk to Temple Fang‘s farthest-out soulful prog, to Orsak:Oslo‘s Scandidrone and Osees‘ how-do-they-do-it-oh-yeah-cocaine-and-ADHD chicanery, among others.

Two days, all killer. ElderSlomosa and The Devil and the Almighty Blues sharing the stage with GraveyardKhan and Dutch prog-boogie upstarts Heath holding it down next to Rickshaw Billie’s Burger Patrol and Lord Buffalo. Whether it’s those two from the US, Khan from Australia or others from around Europe, there’s 23 acts on this bill and each one brings something different to the proceedings than the others. Yeah, there are elements shared — it’s a genre-based heavy fest; not a new concept — but if you get a sense of personality looking at the assembled names of the final Sonic Whip 2025 lineup below, I don’t think that’s a coincidence.

There have been a few ‘Live at Sonic Whip’-type releases the past few years as well. If anybody wanted to get that The Devil and the Almighty Blues set on tape, I’m pretty sure a live album from those guys would make the world a better place. See also everybody.

From social media:

LINE-UP SONIC WHIP 2025 COMPLETE

With the addition of the exploratory Scottish spacerockers The Cosmic Dead, ritualistic Polish doomsters SUNNATA and raunchy noise UK five piece Thee Alcoholics the line-up for this year is now complete. Three killer bands next to twenty other amazing acts making the 2025 edition surely one not to be missed!

Tickets & info: https://bit.ly/Sonic-Whip-2025

https://www.facebook.com/Sonicwhipfestival
https://www.instagram.com/sonic_whip/
https://www.doornroosje.nl/festival/sonic-whip/

Sunnata, Chasing Shadows (2024)

The Cosmic Dead, Infinite Peaks (2024)

Thee Alcoholics, Bear Bites Horse Sessions (2024)

Tags: , , , , , ,

Quarterly Review: Lamp of the Universe Meets Dr. Space, Inter Arma, Sunnata, The Sonic Dawn, Rifflord, Mothman and the Thunderbirds, The Lunar Effect, Danava, Moonlit, Doom Lab

Posted in Reviews on May 24th, 2024 by JJ Koczan

The-Obelisk-Quarterly-Review

This is it. This one’s for all the marbles. Well, actually there are no marbles involved, but if you remember way back like two weeks ago when this started out, I told you the tale of a hubristic 40-something dickweed blogger who thought he could review 100 albums in 10 days, and assuming I make it through the below without having an aneurysm — because, hey, you never know — today I get to live that particular fairy tale.

If you’ve kept up, and I hope you have, thanks. If not, click here to see all the posts in this Quarterly Review. Either way, I appreciate your time.

Quarterly Review #91-100:

Lamp of the Universe Meets Dr. Space, Enters Your Somas

Lamp of the universe meets dr space Enter Your Somas

Who’s ready to get blasted out the airlock? New Zealand solo-outfit Lamp of the Universe, aka multi-instrumentalist Craig Williamson (also Dead Shrine, ex-Datura, etc.), and Portugal-residing synth master Dr. Space, aka Scott Heller of Øresund Space Collective, Black Moon Circle, and so on, come together to remind us all we’re nothing more than semi-sentient cosmic dust. Enters Your Somas is comprised of two extended pieces, “Enters Your Somas” (18:39) and “Infiltrates Your Mind” (19:07), and both resonate space/soul frequencies while each finds its own path. The title-track is more languid on average, where “Infiltrates Your Mind” reroutes auxiliary power to the percussive thrusters in its first half before drifting into drone communion and hearing a voice — vague, but definitely human speech — before surging back to its course via Williamson‘s drums, which play a large role in giving the material its shape. But with synthy sweeps from Heller, Mellotron and guitar coming and going, and a steady groove across both inclusions, Lamp of the Universe Meets Dr. Space offer galactic adventure limited only by where your imagination puts you while you listen.

Lamp of the Universe on Facebook

Dr. Space on Facebook

Sound Effect Records website

Inter Arma, New Heaven

inter arma new heaven

Richmond, Virginia’s Inter Arma had no small task before them in following 2019’s Sulphur English (review here), but from the tech-death boops and bops and twists of New Heaven‘s leadoff title-track through the gothic textures of “Gardens in the Dark,” self-aware without satire, slow-flowing and dramatic, this fifth full-length finds them continuing to expand their creative reach, and at this point, whatever genre you might want to cast them in, they stand out. To wit, the blackdeath onslaught of “Violet Seizures” that’s also space rock, backed in that by the subsequent “Desolation’s Harp” with its classically grandiose solo, or the post-doom lumber of “Concrete Cliffs” that calls out its expanse after the seven-minute drum-playthrough-fodder extremity of “The Children the Bombs Overlooked,” or the mournful march of “Endless Grey” and the acoustic-led Nick Cavey epilogue “Forest Service Road Blues.” Few bands embrace a full spectrum of metallic sounds without coming across as either disjointed or like they’re just mashing styles together for the hell of it. Inter Arma bleed purpose in every turn, and as they inch closer to their 20th year as a band, they are masters unto themselves of this form they’ve created.

Inter Arma on Facebook

Relapse Records website

Sunnata, Chasing Shadows

sunnata chasing shadows

The opening “Chimera” puts Chasing Shadows quickly into a ritualized mindset, all the more as Warsaw meditative doomers Sunnata lace it and a decent portion of their 11-track/62-minute fifth album with an arrangement of vocals from guitarists Szymon Ewertowski and Adrian Gadomski and bassist/synthesist Michal Dobrzanski as drummer/percussionist Robert Ruszczyk punctuates on snare as they head toward a culmination. Individual pieces have their own purposes, whether it’s the momentary float of “Torn” or the post-Alice in Chains harmonies offset by Twin Peaks-y creep in “Saviours Raft,” or the way “Hunger” gradually moves from light to dark with rolling immersion, or the dancier feel with which “Like Cogs in a Wheel” gives an instrumental finish. It’s not a minor undertaking and it’s not meant to be one, but mood and atmosphere do a lot of work in uniting the songs, and the low-in-the-mouth vocal melodies become a part of that as the record unfolds. Their range has never felt broader, but there’s a plot being followed as well, an idea behind each turn in “Wishbone” and the sprawl is justified by the dug-in worldmaking taking place across the whole-LP progression, darkly psychedelic and engrossing as it is.

Sunnata on Facebook

Sunnata on Bandcamp

The Sonic Dawn, Phantom

The Sonic Dawn Phantom

Among the most vital classic elements of The Sonic Dawn‘s style is their ability to take spacious ideas and encapsulate them with a pop efficiency that doesn’t feel dumbed down. That is to say, they’re not capitulating to fickle attention spans with short songs so much as they’re able to get in, say what they want to say with a given track, and get out. Phantom is their fifth album, and while the title may allude to a certain ghostliness coinciding with the melancholy vibe overarching through the bulk of its component material, the Copenhagen-based trio are mature enough at this stage to know what they’re about. And while Phantom has its urgent stretches in the early going of “Iron Bird” or the rousing “Think it Over,” the handclap-laced “Pan AM,” and the solo-topped apex of “Micro Cosmos in a Drop,” most of what they’re about here harnesses a mellower atmosphere. It doesn’t need to hurry, baby. Isn’t there enough rush in life with all these “21st Century Blues?” With no lack of movement throughout, some of The Sonic Dawn‘s finest stretches here are in low-key interpretations of funk (“Dreams of Change,” “Think it Over,” “Transatlantique,” etc.) or prog-boogie (“Scorpio,” “Nothing Can Live Here” before the noisier crescendo) drawn together by organ, subdued, thoughtful vocal melodies and craft to suit the organic production. This isn’t the first The Sonic Dawn LP to benefit from the band knowing who they are as a group, but golly it sure is stronger for that.

The Sonic Dawn on Facebook

Heavy Psych Sounds website

Rifflord, 39 Serpent Power

RIFFLORD 39 Serpent Power

It’s not until the hook of second cut “Ohm Ripper” hits that Rifflord let go of the tension built up through the opening semi-title-track “Serpent Power,” which in its thickened thrashy charge feels like a specific callout to High on Fire but as I understand it is just about doing hard drugs. Fair enough. The South Dakota-based five-piece of bassist/vocalist Wyatt Bronc Bartlett, guitarists Samuel Hayes and Dustin Vano, keyboardist Tory Jean Stoddard and drummer Douglas Jennings Barrett will echo that intensity later in “Church Keys” and “Tumbleweed,” but that’s still only one place the 38-minute eight-track LP goes, and whether it’s the vocals calling out through the largesse and breadth of “Blessed Life” or the ensuing crush that follows in “LM308,” the addled Alice in Chains swagger in the lumber of “Grim Creeper” or the righteously catchy bombast of “Hoof,” they reach further than they ever have in terms of sound and remain coherent despite the inherently chaotic nature of their purported theme, the sheer heft of the tonality wielded and the fact that 39 Serpent Power has apparently been waiting some number of years to see release. Worth the wait? Shit, I’m surprised the album didn’t put itself out, it sounds so ready to go.

Rifflord on Facebook

Ripple Music website

Mothman and the Thunderbirds, Portal Hopper

Mothman and the Thunderbirds Portal Hopper

At the core of Mothman and the Thunderbirds is multi-instrumentalist and songwriter Alex Parkinson, and on the band’s second album, Portal Hopper, he’s not completely on his own — Egor Lappo programmed the drums, mixed, and plays a guitar solo on “Fractals,” Joe Sobieski guests on vocals for a couple tracks, Sam Parkinson donates a pair of solos to the cause — but it’s still very much his telling of the charmingly meandering sci-fi/fantasy plot taking place across the 12 included progressive metal mini-epics, which he presents with an energy and clarity of purpose that for sure graduated from Devin Townsend‘s school of making a song with 40 layers sound immediate but pulls as well from psychedelia and pop-punk vocals for an all the more emphatic scope. This backdrop lets “Fractals” get funky or “Escape From Flatwoods” hold its metallic chicanery with its soaring melody while “Squonk Kingdom” is duly over-the-top in its second-half chase soon enough fleshed out by “So Long (Portal Hopper)” ahead of the lightly-plucked finale “Attic.” The specificity of influence throughout Portal Hopper can be striking as clean/harsh vocals blend, etc., but given the narrative and the relative brevity of the songs complementing the whims explored within them, there’s no lack of character in the album’s oft-careening 38-minute course.

Mothman and the Thunderbirds on Instagram

Mothman and the Thunderbirds on Bandcamp

The Lunar Effect, Sounds of Green and Blue

The Lunar Effect Sounds of Green & Blue

Given its pro-shop nature in production and performance, the ability of The Lunar Effect to grasp a heavy blues sound as part of what they do while avoiding either the trap of hyper-dudely navelgazing or cultural appropriation — no minor feat — and the fluidity of one piece into the next across the 40-minute LP’s two sides, I’m a little surprised not to have been sick of the band’s second album, Sounds of Green and Blue before I put it on. Maybe since it’s on Svart everyone just assumed it’s Finnish experimentalist drone? Maybe everybody’s burnt out on a seemingly endless stream of bands from London’s underground? I don’t know, but by the time The Lunar Effect make their way to the piano-laden centerpiece “Middle of the End” — expanding on the unhurried mood of “In Grey,” preceding the heavy blues return of “Pulling Daisies” at the start of side B that mirrors album opener “Ocean Queen” and explodes into a roll that feels like it was made to be the best thing you play at your DJ night — that confusion is a defining aspect of the listening experience. “Fear Before the Fall” picks on Beethoven, for crying out loud. High class and low groove. Believe me, I know there’s a lot of good stuff out already in 2024, but what the hell more could you want? Where is everybody?

The Lunar Effect on Facebook

Svart Records website

Danava, Live

danava live

Even if I were generally inclined to do so — read: I’m not — it would be hard to begrudge Portland heavy rock institution Danava wanting to do a live record after their 2023’s Nothing But Nothing (review here) found them in such raucous form. But the aptly-titled Live is more than just a post-studio-LP check-in to remind you they kick ass on stage, as side A’s space, classic, boogie, heavy rocking “Introduction/Spinning Temple” and “Maudie Shook” were recorded in 2008, while the four cuts on side B — “Shoot Straight with a Crooked Gun,” “Nothing but Nothing,” “Longdance,” “Let the Good Times Kill” and “Last Goodbye” — came from the European tour undertaken in Fall 2023 to support Nothing But Nothing. Is the underlying message that Danava are still rad 15 years later? Maybe. That certainly comes through by the time the solo in “Shoot Straight with a Crooked Gun” hits, but that also feels like reading too much into it. Maybe it’s just about representing different sides of who Danava are, and if so, fine. Then or now, psych or proto-thrashing, they lay waste.

Danava on Instagram

Heavy Psych Sounds website

Moonlit, Be Not Afraid

moonlit be not afraid

A free three-songer from Varese, Italy’s Moonlit, Be Not Afraid welcomes the listener to “Death to the World” with (presumably sampled) chanting before unfurling a loose, somewhat morose-feeling nighttime-desert psych sway before “Fort Rachiffe” howls tonally across its own four minutes in more heavy post-rock style, still languid in tempo but encompassing in its wash and the amp-hum-and-percussion blend on the shorter “Le Conseguenze Della Libertà” (1:57) gives yet another look, albeit briefly. In about 11 minutes, Moonlit — whose last studio offering was 2021’s So Bless Us Now (review here) — never quite occupy the same space twice, and despite the compact presentation, the range from mid-period-QOTSA-gone-shoegaze (plus chanting! don’t forget the chanting!) to the hypnotic Isis-doing-space-push that follows with the closer as a but-wait-there’s-more/not-just-an-afterthought epilogue is palpable. I don’t know when or how Be Not Afraid was recorded, whether it’s portentous of anything other than itself or what, but there’s a lot happening under its surface, and while you can’t beat the price, don’t be surprised if you end up throwing a couple bucks Moonlit‘s way anyhow.

Moonlit on Instagram

Moonlit on Bandcamp

Doom Lab, Northern Lights

Doom Lab Northern Lights

Much of Northern Lights is instrumental, but whether or not Leo Scheben is barking out the endtimes storyline of “Darkhammer” — stylized all-caps in the tracklisting — or “Night Terrors,” or just digging into a 24-second progression of lo-fi riffing of “Paranoid Isolation” and the Casio-type beats that back his guitar there and across the project’s 16-track latest offering, the reminder Doom Lab give is that the need to create takes many forms. From the winding scales of “Locrian’s Run” to “Twisted Logic” with its plotted solo lines, pieces are often just that — pieces of what might otherwise be a fleshed-out song — and Doom Lab‘s experimentalism feels paramount in terms of aural priorities. Impulse in excelsis. It might be for the best that the back-to-back pair “Nice ‘n’ Curvy” and “Let ’em Bounce” are both instrumental, but as madcap as Scheben is, he’s able to bring Northern Lights to a close with resonant homage in its title-track, and cuts like “Too Much Sauce on New Year’s Eve” and “Dark Matter” are emblematic of his open-minded approach overall, working in different styles sometimes united most by their rawness and uncompromising persona. This is number 100 of 100 records covered in this Quarterly Review, and nothing included up to now sounds like Doom Lab. A total win for radical individualism.

Doom Lab on YouTube

Doom Lab on Bandcamp

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Desertfest Berlin 2024: Lineup Finalized; Sleepover Option Announced

Posted in Whathaveyou on May 6th, 2024 by JJ Koczan

Desertfest Berlin 2024 has rolled out its last lineup additions — headed up by Poland’s Sunnata, who’ll support their expansive, released-this-week new LP, Chasing Shadows — and the afterparties and even a sleepover ticket option for those who want to camp out on-site.

I’ve heard of that kind of thing before, and it seems to me that if you’re making the weekend a party, that’s gonna be a way to keep it going. Looking at the day-splits and the rest of the lineup additions — Kombynat RobotronBottenhavetCavaZukunftNight BeatsHeckspoiler — there’s plenty of stylistic variety between them, which isn’t necessarily a surprise but should make for fun fest-days. If you’re headed out for it, stay safe and enjoy. It remains an annual daydream.

Poster and final lineup announcement follow, courtesy of the PR wire:

desertfest berlin 2024 final lineup poster

DESERTFEST BERLIN Reveals Final Band Line-Up!

Tickets + “Sleep Over” Options available at: https://desertfest-tickets.de/produkte

Desertfest Berlin has released its final band line-up for this year, and announces SUNNATA, BOTTENHAVET, CAVA, NIGHT BEATS plus bands for the outdoor stage: HECKSPOILER, KOMBYNAT ROBOTRON and ZUKUNFT!

They are joining the eclectic 2024 line-up featuring iconic PENTAGRAM at their last(!) Berlin show ever, Chris Goss’ mighty MASTERS OF REALITY, Californian krautrock frontrunners OSEES, post-metal masters AMENRA, desert rock legends BRANT BJORK TRIO, MONKEY3 with the new album “Welcome To The Machine” under their belt, and so many more. Get ready for THE riff party of the year – aside a wild and high-class blend of finest psychedelia, stoner rock, doom, desert punk blues, sludge and all that is metal, the official aftershow party will be happening on Friday Night, followed by the legendary Magic “Karaoke” on Saturday.

Furthermore, and due to incredibly expensive accommodation prizes in the German capitol, Desertfest Berlin is now offering sleep over options! For only 15€/night, guests can now book their “sleepover” ticket. Columbia Theater will be covered with pond foil for Desertfesters to stay the night with sleeping mat and sleeping bag.

Desertfest Berlin will take place between May 24 – 26, 2024 at Columbiahalle and Columbia Theater. Weekend Passes, Day Tickets + Sleep Over Options, are available to book at: www.desertfest-tickets.de

[Artwork by Error! Design]

www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Sunnata, Chasing Shadows (2024)

Tags: , , , , , , , , ,

Sunnata Announce Chasing Shadows Coming May 10; New Single “Chimera” Posted

Posted in Whathaveyou on March 15th, 2024 by JJ Koczan

sunnata (photo by Kamil Parzychowski)

If you keep up with Sunnata on social media, I’m not sure how much of this info will be new to you, as the Polish prog-heavy ritualists have been talking about their new album, Chasing Shadows, for a while now and posted “Saviours Raft” as a first single from it. But the May 10 release date is an occasion I want to mark, and between that and the finalized (as much as these things ever are) tour dates, opening cut “Chimera” as the second single, and the details about the LP, I figure fair enough to post. Truth be told, I’ve heard the record at this point and this is information I’ll want later to review. As to the thing itself, I’m just getting to know it, so I’m not going to dig into absolutes or pretend I’m ready to have something substantive to offer as far as an opinion, but if you’ve been looking forward to it, I doubt you’ll be disappointed.

More to come, then. Same as ever for release announcements. Fine. As you take on “Chimera,” understand it’s the beginning of a larger unfolding, and if you can put your body someplace where Sunnata are going to be, I recommend you do that. Either way you go, immersed is where you’re headed.

Onward:

sunnata chasing shadows

Polish doom band Sunnata announce new album Chasing Shadows; release haunting new single

Single ‘Chimera’ streaming now

Band are touring Europe / UK from May

Feral wilderness prophets Sunnata, (sanskr. noun emptiness, voidness) have announced their fifth full-length album Chasing Shadows will be self-released on 10th May. Ahead of the album, the band have released their beguiling new single ‘Chimera’ with accompanying music visualiser.

Pre-order Chasing Shadows here: https://sunnataofficial.bandcamp.com/album/chasing-shadows

Sunnata commented on the new single: “‘Chimera’, the opening track from Chasing Shadows, manifests the presence of duality across the entire universe. Just like a mythical hybrid creature, the song is a bizarre mix of different genres and ideas, glued together into a compelling passage. From a blast beat and Pattonesque vocals, through a ceremonial trance-inducing build-up to a heavy, rock n rolling riffage, ‘Chimera’ proves to be an amalgamation, binding those pieces together to form a single entity.

“The song’s lyrics bind many paradoxes together, posing them as something inherent to reality. Dreamy recall of hinduistic Maya sets the tone of the piece – an ever-evolving appearance, an ever-changing shape. The cycle of life – the one who comes from the horizon and goes away – is prevalent like an imperative. Those who try to deny it and shape the world to their individual needs are fighting for the cause that is unreachable.

“The evolution binds units together, but also sets them apart. Paradoxes are part of us. Only the one, who is born and dead at the same time, prevails.”

The four piece Warsaw-based doom metal magi have been paving their own way to higher metal skies since their 2014 debut Climbing The Colossus. Their spellbinding sophomore album Zorya (2016) made the band gather even more momentum with regard to the European alternative heavy scene. Third album Outlands (2018) brilliantly brought out even more character, confidently crossing the frontier of progressive doom to land in even more melancholic and mind-expanding alleys. Fourth release Burning in Heaven, Melting on Earth (2021) was their most transcendent, melding together all the heaviness, intensity and tenderness into a graceful, cross-pollinating form, to create something incredible that grabbed the attention of fans and press worldwide, demanding attention and respect.

Chasing Shadows sees Sunnata expanding their sonic spectrum with their most complex record to date. Exploring both the most extreme aspects and subtle incarnations of their essence, Chasing Shadows is a mind-altering doomscape painted with everlasting, captivating stories. Hitting high notes in the eyes of fans and journalists, from here Sunnata are free to roam wherever.

Commenting on the album: “The fifth album for a band like ours is no joke. We are extremely proud on one hand, but also exhausted on the other as the creative process pushed us to the current limits. It’s the most complex and longest Sunnata record to date. Filled with nuances, genre blends and confident expansion of the band’s sound spectrum. Anyone familiar with our discography can easily tell that both change and experimentation are part of our nature, but at the same time – the constant need to push ourselves outside of the comfort zone, go beyond – is what stretches one’s limits. Maybe this is why we liked the title so much – we are chasing the uncatchable – shadows, illusions, visions and try to frame them with our musical language.”

Known for their expressive and atmospheric live performances, Sunnata have already taken part in various international festivals and been invited to open for Mastodon, Paradise Lost, Entombed AD, Rotting Christ, Sleep, Uncle Acid & The Deadbeats and The Sword. To celebrate the album release Sunnata will hit the road this summer on the following dates.

May 10: (PL) Warsaw – Hybrydy – Release Party
May 13: (CZ) Brno, Kabinet Muz
May 14: (HU) Budapest, Robot
May 15: (AT) Salzburg, Rockhouse
May 16: (DE) Jena, Klub Kuba
May 17: (BE) Liege, La Zone
May 18: (UK) London, Desertfest
May 20: (FR) Lille, La Bulle Cafe
May 21: (BE) Brussels, Le Lac
May 22: (NL) Nijmegen, Merelyn
May 23: (DE) Dresden, Ostpol
May 24: (PL) Poznan, 2Progi
May 25: (PL) Cracow, Studio
May 31: (DK) Esbjerg, Fuzztival Esbjerg
Aug 17: (UK) ArcTanGent

Tickets available at: https://www.atonal.agency/tickets

Sunnata are:
Szymon Ewertowski – guitar, vocals
Adrian Gadomski – guitar, vocals
Michal Dobrzanski – bass guitar/synth
Robert Ruszczyk – drums, percussion

https://www.facebook.com/sunnataofficial
https://www.instagram.com/sunnataofficial/
http://sunnataofficial.bandcamp.com/
https://www.youtube.com/user/sunnataofficial/videos

Sunnata, “Chimera”

Sunnata, Chasing Shadows (2024)

Tags: , , , ,

Sunnata Post New Single “Saviour’s Raft”; Announce New Album Chasing Shadows

Posted in Whathaveyou on January 18th, 2024 by JJ Koczan

It takes a fair amount these days to even tempt me to engage with Spotify, but I’ll tell you in all honesty I’ve spent the last eight minutes hooked into my personal least favorite streaming service — all of the strengths of YouTube, by which I mean obnoxious ads, with none of Bandcamp’s band-benefit sales tie-in, mostly lazy curation and an intrusive app — to hear Sunnata‘s new single “Saviour’s Raft.” The song comes from their hotly anticipated fifth full-length, the title of which is newly revealed as Chasing Shadows, ahead of further delving into the record itself next week, when “Saviour’s Raft” will pull into harbor at the aforementioned Bandcamp, along with preorders, probably some cool shirts, this and that. You know the drill.

But the song itself — oof that’s good. Post-metallic intensity met with their established meditative psych modus: it’s a blend that works so fluidly from Sunnata that I’ve heard nobody else come close to, however many shades of post-metal might be out there by now. In any case, they’re among the forerunners of Polish heavy, and like their countrymen in Dopelord, Spaceslug, and so on, Sunnata have an identity keyed into a style without necessarily being subjected to its restrictive aspects. They’ve only ever grown to this point. I haven’t heard the full album yet, but “Saviour’s Raft” bodes well for continuing that streak.

From the internet:

sunnata (Photo by The Buried Herald)

SUNNATA – AT LAST! FIRST SINGLE IS OUT NOW!

Listen it here: open.spotify.com/track/10UXYQZeRWiARJrSFi1uyW?si=UyzIamxHRFeWOtG3eRsg8A

We are delighted to share the first song “Saviour’s Raft” from the upcoming 5th album “Chasing Shadows”. Inspired by “The Raft of The Medusa” painting, it’s a sonic exploration of its meaning and a complex, 8 minute long story.

It will appear on Bandcamp together with album and merch preorder next week.

Stream it now on Spotify!

sunnata euro tour updateSUNNATA live:
13.05 Brno CZ Kabinet Muz
14.05 Budapest HU Robot
15.05 Salzburg AT Rockhouse
16.05 Jena DE Klub Kuba
17.05 Liege BE La Zone
18.05 London UK Desertfest London 2024
20.0 Lille FR La Bulle Cafe
21.05 Brussels BE Le Lac
22.05 Nijmegen NL Merleyn
23.05 Dresden DE Ostpol

GET YOUR TICKETS HERE: https://www.atonal.agency/tickets

SUNNATA ARE:
Szymon Ewertowski – guitar, vocals
Adrian Gadomski – guitar, vocals
Michal Dobrzanski – bass guitar
Robert Ruszczyk – drums, percussion

Photo by The Buried Herald.

https://www.facebook.com/sunnataofficial
https://twitter.com/followsunnata
http://sunnataofficial.bandcamp.com/
https://www.youtube.com/user/sunnataofficial/videos

Tags: , , , ,

Sunnata Announce Spring Tour and New Album Release

Posted in Whathaveyou on December 22nd, 2023 by JJ Koczan

As of earlier this week, Polish ritualized progressive heavy rockers Sunnata had completed the tracking of their next full-length and set down to mix. That can take an afternoon or it can take six weeks, but when it’s done, they’ll be off to mastering and in light of what they say below about it in announcing this initial batch of tour dates, they’re looking toward a Spring release.

So be it. One looks forward to the next step from the group after 2021’s Burning in Heaven, Melting on Earth (review here) continued their outward-facing, inward-looking trajectory of meditative heftcraft. They’ll be 10 years removed from their debut under the Sunnata moniker, 2014’s Climbing the Colossus (discussed here), and their work since then has shown a crucially willful progress. They are a band who want to keep growing, in other words. They’ve got their sound and their tonality, but they’ve yet to present an album that didn’t put some kind of new spin on that, and it doesn’t feel like a reach to expect that to apply to their next work as well. They set a high standard, and at this point one should be comfortable they’ll hit it on their way to the next marker.

And if you’re still reading and you haven’t seen them live, you’re not late. They’ll be at Desertfest London (I don’t know about Berlin, but it’s definitely possible) along with the following:

Sunnata tour

We slowly reveal plans for 2024.

Following the release of our not-yet-officially-announced album, we will tour Europe. More dates in May will be uncovered soon. Tickets are on sale so get’em now – it really helps us get the things going. Link in the comments! 💥

Meanwhile, we start mixing of you-know-what.

13.05 Brno CZ Kabinet Muz
14.05 Budapest HU Robot
15.05 Salzburg AT Rockhouse
16.05 Jena DE Klub Kuba
17.05 Liege BE La Zone
18.05 London UK Desertfest London 2024
21.05 Brussels BE Le Lac

GET YOUR TICKETS HERE: https://www.atonal.agency/tickets

SUNNATA ARE:
Szymon Ewertowski – guitar, vocals
Adrian Gadomski – guitar, vocals
Michal Dobrzanski – bass guitar
Robert Ruszczyk – drums, percussion

https://www.facebook.com/sunnataofficial
https://twitter.com/followsunnata
http://sunnataofficial.bandcamp.com/
https://www.youtube.com/user/sunnataofficial/videos

Sunnata, Burning in Heaven, Melting on Earth (2021)

Tags: , ,