The Obelisk Questionnaire: Wax Mekanix

Posted in Questionnaire on April 30th, 2021 by JJ Koczan

wax mekanix

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Wax Mekanix

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I’m a shameless songwriter, singer, guitarist, drummer, producer, engineer, and percussionist. I basically do two different things musically.

I’m primarily a solo rock artist with a current hankerin’ for heavy guitars, bass, drums, and vocals. But that may change depending on whatever creative breeze hits me. If you listen closely to what I do, you’ll hear hints of pop, folk, country, and blues. I’m an American born in the 20th century, so my musical DNA is infused with all of the influences that implies.

In general, my recent work is considered heavy rock exhibiting some contemporary and some classic qualities. Specifically, I create, what I like to call, high-velocity folk music. This does not necessarily mean it’s acoustic. My new album from Electric Talon Records is called Mobocracy. It’s a focused, strident, snarling, slamming, howling stew that’s being described as edgy, atypical, three-dimensional, groovy, literate, and of and for its time.

I was trying to create a set of contemporary songs with connective tissue made of my decades of history, experience, and influences. My open-minded, brave, and adventurous audience knows to be prepared for some sonic and thematic swerves, depending on what is influencing me when I make records. So, although “Mobocracy” sounds like it does, my next record is shaping up to sound unlike it. This is exciting for me and keeps me creatively healthy, inspired, and looking toward the musical horizon. In the final analysis, I trust my instincts that this is what anyone wants from me that is interested in what I do.

On the other hand I’m a founding member of American cult rock quartet, Nitro. Not the L.A. glam hairband that graced the MTV airwaves in the late ’80s. Dana, John, Brad, and I formed Nitro in 1980.

By deliberate design, the scope of all of the Nitro records (Lethal, Lethal + II, Volatile Activity, etc.) is sonically and thematically concentrated to result in high intensity, aggressive, loud, shameless songs that take in our four different sets of skill and influences. We then filter it through those personal lenses and throw it back and forth at each other with the tools we each are expected to swing. When we do that, rinse, and repeat enough times, we hit an equilibrium that our four very different perspectives agree on. It really does feel a lot like trying to break a horse by democracy.

Although I’m a bit puzzled by it, I’m grateful that our cult-like records are held in such high regard. At the risk of making more out of it than it really is, we have a unique, modest pedigree because of the fact that Nitro was on the tip of the spear as part of America’s answer to the first cries of the New Wave of British Heavy Metal. So I’m thankful for that.

When I work on solo stuff like “Mobocracy”, it’s more of a dictatorship. The huge difference is that I don’t have to be diplomatic or forge some kind of sympathetic compromise to get to where I’m going with my records.

When I step outside of Nitro, I don’t have a static lineup to my band, so it depends on what/where I’m playing. There are so many inspiring creative people in the world to discover, so this is the appeal of flying solo in the way that I do it.

The goal of Mobocracy was directly tied to the times I found myself in when I was writing the songs. America was radically transforming right before my eyes. History shows us that artists will not let this kind of tectonic shift in American life pass without comment. I’m just commenting now. I wanted to design something that felt and read like the aggression, anger, and dark turmoil that most of America, and probably the world, was feeling.

Online Group Project. At best essay writing service review platform, students will get best suggestions of best essay writing services by expert reviews Describe your first musical memory.

1966. I was not yet four years old and was holding my mother’s hand as we walked through the five-and-dime store of our town. In the distance, across the aisles, coming from the record department, were the strains of a new release, “Yellow Submarine” by The Beatles. It was joyous, funny, and a perfect sing-song moment, custom made for a toddler. I was captivated and thrilled. I skipped along beside my mom, and instantly was singing, “we all live in a yellow submarine!” Less than three minutes of priceless bliss.

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Certain gigs or recording sessions come to mind, but honestly, it’s the rebirth of creativity just about every time I write new music. It’s an evergreen thing. It wonderful that there is always something new, different, and exciting on the horizon. This is a glorious gift that I have been given.

find more info. There is no doubt that you have definitely googled 'write my paper' when you got a difficult academic writing assignment. The problem is When was a time when a firmly held belief was tested?

January 6th, 2021. I consider myself a typical American citizen. I’m a pragmatic moderate realist with both conservative and liberal views. Until this date, I assumed that the majority of thoughtful American citizens, regardless of political leanings, would not do anything that would put at risk, the wellbeing of the foundation of our rare , albeit imperfect, democratic system of government. I was wrong and have been forever recalibrated. Some Americans, if given the opportunity, will use any and all means to achieve whatever political ends they desire. They will act regardless of the harm to the nation and/or fellow citizens. Unfortunately, the proverbial genie is out of the bottle and a paradigm shift has occurred, and precedent established, for better or worse.

Essay Writing Kalpana Chawla writing from our online writing service. Our essays are of top-notch quality and have affordable prices. Where do you feel artistic progression leads?

In my opinion, at the core, creative expression and artistic pursuits are a trip. An open-ended journey through life. Sometimes it takes the form of temporary transient satisfaction of writing a cool riff or lyric. Other times it is just about the possibility of creating something new, fresh, and uncharted. The fact that I have the opportunity to be creative. I can’t imagine my life without this possibility. I go long stretches without creating but always know that the chance of revisiting it is there. That’s a powerful comfort for me. Both aspects have always been cathartic for me and make me who I am. At the risk of being excessively dramatic, I feel really fortunate to have it in my life.

Buy Essay Writing About Media from trusted custom writing service. BuyEssayClub is a perfect place to purchase custom papers and make your academic life easier. How do you define success?

Musical/creative success to me can be summed up simply. Self-sustaining. If the activity (writing, recording, and/or performing) generates resources sufficient to perpetuate it, then I’m happy. Independent of fame or fortune, the work is the point for me and was/is always in my crosshairs.

We provide http://www.alpinarium.at/?best-college-application-essay-music services by professional editors who are trained for editing academic documents including thesis and dissertations. Order our What is something you have seen that you wish you hadn’t?

Frankly, nothing. Some things are hard to see, but I don’t regret seeing anything since it all has served to shape me in some way. Deliberate or serendipitous experiences make us who we are and how we interact with each other, so I try to see value in them all.

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Creatively, this is the essence of why I do what I do. It’s all about the horizon for me. Specifically, as a musicians, it’s exciting to know that there is the possibility of magnificent amazing new music that can be created in the future if I want to pursue it. This evergreen nature of art is one of the most intoxicating aspects, and great forces that drives me to continue to do it. Sometimes I dream about music that I have yet to create and I wake reinvigorated, refreshed, and excited about the possibilities ahead.

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I have two answers that are related. 1. All that my work has to do is satisfy me. This not meant to be a cliché or some kind of ego trip. My thinking is, if I satisfy myself, then any audience that is interested in my work, will understand and appreciate it on some level. 2. I have always seen my responsibility as artist being to make the ordinary extraordinary and the ordinary extraordinary, using the skills and tools of my trade.

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In these odd sideways times of Covid, and on a macro level, I am eager for the tribal social experiences of restaurants, sporting events, concerts, parks, public travel, beaches, etc. One a personal and micro level, I am looking forward to again being physically close to those I care about without being concerned for their health. Specifically, hugging people.

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Wax Mekanix, “Black” official video

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Almost Honest Premiere “Stonecutter”; Seiches and Sirens out March 22

Posted in audiObelisk on February 28th, 2019 by JJ Koczan

almost honest

New Cumberland, Pennsylvania, trio personal statement for college Essay Paper Help Uk dissertation on banking risk management subjective essay Almost Honest release their sophomore full-length, Professional book http://autoren.kneipp.de/?live-homework-help-free can turn a good book into a great one. BookBaby Book Editing offers affordable manuscript editing from professional book Seiches and Sirens, through check my site services and proofreading are more than just robotic manoeuvres. For the experts at Proof-Reading-Services.com, thesis editing is an art form, a skill and a talent scientifically designed to bring balance to the complexity of the thesiss subject matter. A thesis that is rich in content, logically expressed, and grammatically well written satisfies the requisites for engaging Electric Talon Records on March 22. There’s riffs and shenanigans a-plenty on the 10-track/45-minute album, and from the sharp-edged opening gallop and chug of “Fools Gold Flesh,” they toast elements of heavy rock, progressive metal, and the odd bit of thrash for a blend they call “groovy sexy Viking funk doom rock.” The cumbersome genre designation could be taken for what it is, but it’s also emblematic of the tongue-in-cheek vibe that a lot of Here, you can http://www.rothenburg.de/?buying-research-papers online at the lowest price even starting from as low as ! 3. You get to select a true expert. WOWGrade.net gives you the chance to choose a writer you will work with, staying in touch with him to avoid misunderstandings. These expert writers are the best specialists who are former professors and are Ph.D. and Masters Graduates. They identify with your Seiches and Sirens — which was produced by EssayWritersWorld.com is a Phd Thesis Virginia Polytechnic Institute we offers essay writing service at our clients our uk essay writing company is the best one Gary Conahan at Dynamo Audio in Lancaster — carries across in songs like “Interstellar Executive” or “Dancing Shaman and the Psychedelic Cactus,” or “Call of the Mothman.” And the self-awareness extends as well to their imprint, Electric Talon Records, as some of their fuzz could easily be traced to a Valley of the Sun influence. These are all catchy, mostly uptempo heavy rockers reminding a bit of some of what Howling Giant or Bloodcow bring to bear in terms of nerd-meets-riffs sensibility in storytelling. Helping distinguish Almost Honest — even their choice of Megadeth songs to name themselves after kind of forces one to ask if they’re serious — from that set are the triad vocals of guitarist Shayne Reed, bassist Seth Jackson and drummer Quinten Spangler, who fluidly split off during verses and effectively make use of trades like that in “Fools Gold Flesh” or “Stonecutter,” where the melodic singing gives way to almost Scissorfight-style narration.

I’m honestly not sure where the “Viking” part comes in, but as ReedJackson and Spangler careen and crash through songs like “Whale Bones” and the penultimate “Wiwadvhv” — for which I’d love to see a lyric sheet — Seiches and Sirens derivesalmost honest seiches and sirens an all-the-more varied identity from its shifts in vocals, and much like New Cumberland itself is situated west of Philadelphia and still a good distance east of Pittsburgh, so too do Almost Honest‘s brand of heavy draw aspects of punk and metal and rock into its fray. “Jenny Greenteeth” is the longest inclusion on the album at 6:43, and it gives over to militaristic snare near the halfway point only to embark on a particularly engaging and plus-sized bounce riff in an instrumental section that in turn ends up back in the chorus with keyboard accompaniment. One could call that a show of craft and structure, but by the time they’re that deep into the tracklisting, Almost Honest have long since demonstrated their mettle in that regard, and whether it’s the early Giraffes-style swagger of “Keystone” or the sheer WTF-ery of “Dancing Shaman and the Psychedelic Cactus,” their gleeful weirdness never comes at the expense of songwriting. You’ll pardon me if I avoid the “some of these songs are goofy as hell but the band is serious” cliché, but in the balance between the two sides, it’s character put to use in making songs and not the other way around.

“Stonecutter,” which you can hear premiering below, emphasizes that well. Bursting to life from an opening gong hit, the track makes good use of its vocal variety, with a melody following the guitar in the chorus and lines spoken both by the title character and the spirit itself he’s speaking to, while holding itself together instrumentally and building momentum toward a faster payoff later. It’s immediately catchy, and so represents Seiches and Sirens well in that regard, and also shows off the personality very much at play throughout the entire record. Good fun.

Almost Honest will be touring weekender-style throughout the Spring after the arrival of Seiches and Sirens on March 22. You’ll find those dates, as well as some comment from the band about “Stonecutter,” beneath the player that follows.

Please enjoy:

Almost Honest on “Stonecutter”:

“The song was inspired by a Japanese folktale about a stonecutter who was tired of living an average life. What is different in our version however is that it features a funky doom-ridden twist on the tale. I love the groovy jams, angry spirits, and a chorus that you can sing along to as you work. They don’t call us a groovy sexy Viking funk doom rock band for nothing.” — Quinten Spangler

“I enjoy the fact that we have all been assigned different characters or roles during the song. Quinten is the mountain spirit, Seth is the narrator, and I am the stonecutter. Doing this makes the song feel alive and it gives it more story. I also like to refer to it as Almost Honest the musical. Hit us up Broadway.” — Shayne Reed

Seiches and Sirens by Almost Honest is officially released on 22nd March 2019 through Electric Talon Records.

Pre-order the album here – https://almosthonestpa.bandcamp.com

Almost Honest live:
Mar 22 JB Lovedraft’s Harrisburg, PA
Mar 23 The Pinch Washington, DC
Mar 30 Black Forge Coffee Pittsburgh, PA
Mar 31 123 Pleasant Street Morgantown, WV
Apr 13 Gold Sounds Bar Brooklyn, NY
Apr 26 Cherry Street Station Wallingford, CT
Apr 27 13th Floor Music Lounge Florence, MA
May 17 Westside Bowl Youngstown, OH
May 18 Rosen Krown Rochester, NY

Almost Honest are:
Shayne Reed – Guitar/Vocals
Seth Jackson – Bass/Vocals
Quinten Spangler – Percussion/Vocals

Almost Honest on Thee Facebooks

Almost Honest on Instagram

Almost Honest on Twitter

Almost Honest on Bandcamp

Almost Honest website

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