Quarterly Review: Lamp of the Universe Meets Dr. Space, Inter Arma, Sunnata, The Sonic Dawn, Rifflord, Mothman and the Thunderbirds, The Lunar Effect, Danava, Moonlit, Doom Lab

Posted in Reviews on May 24th, 2024 by JJ Koczan


This is it. This one’s for all the marbles. Well, actually there are no marbles involved, but if you remember way back like two weeks ago when this started out, I told you the tale of a hubristic 40-something dickweed blogger who thought he could review 100 albums in 10 days, and assuming I make it through the below without having an aneurysm — because, hey, you never know — today I get to live that particular fairy tale.

If you’ve kept up, and I hope you have, thanks. If not, click here to see all the posts in this Quarterly Review. Either way, I appreciate your time.

Quarterly Review #91-100:

Lamp of the Universe Meets Dr. Space, Enters Your Somas

Lamp of the universe meets dr space Enter Your Somas

Who’s ready to get blasted out the airlock? New Zealand solo-outfit Lamp of the Universe, aka multi-instrumentalist Craig Williamson (also Dead Shrine, ex-Datura, etc.), and Portugal-residing synth master Dr. Space, aka Scott Heller of Øresund Space Collective, Black Moon Circle, and so on, come together to remind us all we’re nothing more than semi-sentient cosmic dust. Enters Your Somas is comprised of two extended pieces, “Enters Your Somas” (18:39) and “Infiltrates Your Mind” (19:07), and both resonate space/soul frequencies while each finds its own path. The title-track is more languid on average, where “Infiltrates Your Mind” reroutes auxiliary power to the percussive thrusters in its first half before drifting into drone communion and hearing a voice — vague, but definitely human speech — before surging back to its course via Williamson‘s drums, which play a large role in giving the material its shape. But with synthy sweeps from Heller, Mellotron and guitar coming and going, and a steady groove across both inclusions, Lamp of the Universe Meets Dr. Space offer galactic adventure limited only by where your imagination puts you while you listen.

Lamp of the Universe on Facebook

Dr. Space on Facebook

Sound Effect Records website

Inter Arma, New Heaven

inter arma new heaven

Richmond, Virginia’s Inter Arma had no small task before them in following 2019’s Sulphur English (review here), but from the tech-death boops and bops and twists of New Heaven‘s leadoff title-track through the gothic textures of “Gardens in the Dark,” self-aware without satire, slow-flowing and dramatic, this fifth full-length finds them continuing to expand their creative reach, and at this point, whatever genre you might want to cast them in, they stand out. To wit, the blackdeath onslaught of “Violet Seizures” that’s also space rock, backed in that by the subsequent “Desolation’s Harp” with its classically grandiose solo, or the post-doom lumber of “Concrete Cliffs” that calls out its expanse after the seven-minute drum-playthrough-fodder extremity of “The Children the Bombs Overlooked,” or the mournful march of “Endless Grey” and the acoustic-led Nick Cavey epilogue “Forest Service Road Blues.” Few bands embrace a full spectrum of metallic sounds without coming across as either disjointed or like they’re just mashing styles together for the hell of it. Inter Arma bleed purpose in every turn, and as they inch closer to their 20th year as a band, they are masters unto themselves of this form they’ve created.

Inter Arma on Facebook

Relapse Records website

Sunnata, Chasing Shadows

sunnata chasing shadows

The opening “Chimera” puts Chasing Shadows quickly into a ritualized mindset, all the more as Warsaw meditative doomers Sunnata lace it and a decent portion of their 11-track/62-minute fifth album with an arrangement of vocals from guitarists Szymon Ewertowski and Adrian Gadomski and bassist/synthesist Michal Dobrzanski as drummer/percussionist Robert Ruszczyk punctuates on snare as they head toward a culmination. Individual pieces have their own purposes, whether it’s the momentary float of “Torn” or the post-Alice in Chains harmonies offset by Twin Peaks-y creep in “Saviours Raft,” or the way “Hunger” gradually moves from light to dark with rolling immersion, or the dancier feel with which “Like Cogs in a Wheel” gives an instrumental finish. It’s not a minor undertaking and it’s not meant to be one, but mood and atmosphere do a lot of work in uniting the songs, and the low-in-the-mouth vocal melodies become a part of that as the record unfolds. Their range has never felt broader, but there’s a plot being followed as well, an idea behind each turn in “Wishbone” and the sprawl is justified by the dug-in worldmaking taking place across the whole-LP progression, darkly psychedelic and engrossing as it is.

Sunnata on Facebook

Sunnata on Bandcamp

The Sonic Dawn, Phantom

The Sonic Dawn Phantom

Among the most vital classic elements of The Sonic Dawn‘s style is their ability to take spacious ideas and encapsulate them with a pop efficiency that doesn’t feel dumbed down. That is to say, they’re not capitulating to fickle attention spans with short songs so much as they’re able to get in, say what they want to say with a given track, and get out. Phantom is their fifth album, and while the title may allude to a certain ghostliness coinciding with the melancholy vibe overarching through the bulk of its component material, the Copenhagen-based trio are mature enough at this stage to know what they’re about. And while Phantom has its urgent stretches in the early going of “Iron Bird” or the rousing “Think it Over,” the handclap-laced “Pan AM,” and the solo-topped apex of “Micro Cosmos in a Drop,” most of what they’re about here harnesses a mellower atmosphere. It doesn’t need to hurry, baby. Isn’t there enough rush in life with all these “21st Century Blues?” With no lack of movement throughout, some of The Sonic Dawn‘s finest stretches here are in low-key interpretations of funk (“Dreams of Change,” “Think it Over,” “Transatlantique,” etc.) or prog-boogie (“Scorpio,” “Nothing Can Live Here” before the noisier crescendo) drawn together by organ, subdued, thoughtful vocal melodies and craft to suit the organic production. This isn’t the first The Sonic Dawn LP to benefit from the band knowing who they are as a group, but golly it sure is stronger for that.

The Sonic Dawn on Facebook

Heavy Psych Sounds website

Rifflord, 39 Serpent Power

RIFFLORD 39 Serpent Power

It’s not until the hook of second cut “Ohm Ripper” hits that Rifflord let go of the tension built up through the opening semi-title-track “Serpent Power,” which in its thickened thrashy charge feels like a specific callout to High on Fire but as I understand it is just about doing hard drugs. Fair enough. The South Dakota-based five-piece of bassist/vocalist Wyatt Bronc Bartlett, guitarists Samuel Hayes and Dustin Vano, keyboardist Tory Jean Stoddard and drummer Douglas Jennings Barrett will echo that intensity later in “Church Keys” and “Tumbleweed,” but that’s still only one place the 38-minute eight-track LP goes, and whether it’s the vocals calling out through the largesse and breadth of “Blessed Life” or the ensuing crush that follows in “LM308,” the addled Alice in Chains swagger in the lumber of “Grim Creeper” or the righteously catchy bombast of “Hoof,” they reach further than they ever have in terms of sound and remain coherent despite the inherently chaotic nature of their purported theme, the sheer heft of the tonality wielded and the fact that 39 Serpent Power has apparently been waiting some number of years to see release. Worth the wait? Shit, I’m surprised the album didn’t put itself out, it sounds so ready to go.

Rifflord on Facebook

Ripple Music website

Mothman and the Thunderbirds, Portal Hopper

Mothman and the Thunderbirds Portal Hopper

At the core of Mothman and the Thunderbirds is multi-instrumentalist and songwriter Alex Parkinson, and on the band’s second album, Portal Hopper, he’s not completely on his own — Egor Lappo programmed the drums, mixed, and plays a guitar solo on “Fractals,” Joe Sobieski guests on vocals for a couple tracks, Sam Parkinson donates a pair of solos to the cause — but it’s still very much his telling of the charmingly meandering sci-fi/fantasy plot taking place across the 12 included progressive metal mini-epics, which he presents with an energy and clarity of purpose that for sure graduated from Devin Townsend‘s school of making a song with 40 layers sound immediate but pulls as well from psychedelia and pop-punk vocals for an all the more emphatic scope. This backdrop lets “Fractals” get funky or “Escape From Flatwoods” hold its metallic chicanery with its soaring melody while “Squonk Kingdom” is duly over-the-top in its second-half chase soon enough fleshed out by “So Long (Portal Hopper)” ahead of the lightly-plucked finale “Attic.” The specificity of influence throughout Portal Hopper can be striking as clean/harsh vocals blend, etc., but given the narrative and the relative brevity of the songs complementing the whims explored within them, there’s no lack of character in the album’s oft-careening 38-minute course.

Mothman and the Thunderbirds on Instagram

Mothman and the Thunderbirds on Bandcamp

The Lunar Effect, Sounds of Green and Blue

The Lunar Effect Sounds of Green & Blue

Given its pro-shop nature in production and performance, the ability of The Lunar Effect to grasp a heavy blues sound as part of what they do while avoiding either the trap of hyper-dudely navelgazing or cultural appropriation — no minor feat — and the fluidity of one piece into the next across the 40-minute LP’s two sides, I’m a little surprised not to have been sick of the band’s second album, Sounds of Green and Blue before I put it on. Maybe since it’s on Svart everyone just assumed it’s Finnish experimentalist drone? Maybe everybody’s burnt out on a seemingly endless stream of bands from London’s underground? I don’t know, but by the time The Lunar Effect make their way to the piano-laden centerpiece “Middle of the End” — expanding on the unhurried mood of “In Grey,” preceding the heavy blues return of “Pulling Daisies” at the start of side B that mirrors album opener “Ocean Queen” and explodes into a roll that feels like it was made to be the best thing you play at your DJ night — that confusion is a defining aspect of the listening experience. “Fear Before the Fall” picks on Beethoven, for crying out loud. High class and low groove. Believe me, I know there’s a lot of good stuff out already in 2024, but what the hell more could you want? Where is everybody?

The Lunar Effect on Facebook

Svart Records website

Danava, Live

danava live

Even if I were generally inclined to do so — read: I’m not — it would be hard to begrudge Portland heavy rock institution Danava wanting to do a live record after their 2023’s Nothing But Nothing (review here) found them in such raucous form. But the aptly-titled Live is more than just a post-studio-LP check-in to remind you they kick ass on stage, as side A’s space, classic, boogie, heavy rocking “Introduction/Spinning Temple” and “Maudie Shook” were recorded in 2008, while the four cuts on side B — “Shoot Straight with a Crooked Gun,” “Nothing but Nothing,” “Longdance,” “Let the Good Times Kill” and “Last Goodbye” — came from the European tour undertaken in Fall 2023 to support Nothing But Nothing. Is the underlying message that Danava are still rad 15 years later? Maybe. That certainly comes through by the time the solo in “Shoot Straight with a Crooked Gun” hits, but that also feels like reading too much into it. Maybe it’s just about representing different sides of who Danava are, and if so, fine. Then or now, psych or proto-thrashing, they lay waste.

Danava on Instagram

Heavy Psych Sounds website

Moonlit, Be Not Afraid

moonlit be not afraid

A free three-songer from Varese, Italy’s Moonlit, Be Not Afraid welcomes the listener to “Death to the World” with (presumably sampled) chanting before unfurling a loose, somewhat morose-feeling nighttime-desert psych sway before “Fort Rachiffe” howls tonally across its own four minutes in more heavy post-rock style, still languid in tempo but encompassing in its wash and the amp-hum-and-percussion blend on the shorter “Le Conseguenze Della Libertà” (1:57) gives yet another look, albeit briefly. In about 11 minutes, Moonlit — whose last studio offering was 2021’s So Bless Us Now (review here) — never quite occupy the same space twice, and despite the compact presentation, the range from mid-period-QOTSA-gone-shoegaze (plus chanting! don’t forget the chanting!) to the hypnotic Isis-doing-space-push that follows with the closer as a but-wait-there’s-more/not-just-an-afterthought epilogue is palpable. I don’t know when or how Be Not Afraid was recorded, whether it’s portentous of anything other than itself or what, but there’s a lot happening under its surface, and while you can’t beat the price, don’t be surprised if you end up throwing a couple bucks Moonlit‘s way anyhow.

Moonlit on Instagram

Moonlit on Bandcamp

Doom Lab, Northern Lights

Doom Lab Northern Lights

Much of Northern Lights is instrumental, but whether or not Leo Scheben is barking out the endtimes storyline of “Darkhammer” — stylized all-caps in the tracklisting — or “Night Terrors,” or just digging into a 24-second progression of lo-fi riffing of “Paranoid Isolation” and the Casio-type beats that back his guitar there and across the project’s 16-track latest offering, the reminder Doom Lab give is that the need to create takes many forms. From the winding scales of “Locrian’s Run” to “Twisted Logic” with its plotted solo lines, pieces are often just that — pieces of what might otherwise be a fleshed-out song — and Doom Lab‘s experimentalism feels paramount in terms of aural priorities. Impulse in excelsis. It might be for the best that the back-to-back pair “Nice ‘n’ Curvy” and “Let ’em Bounce” are both instrumental, but as madcap as Scheben is, he’s able to bring Northern Lights to a close with resonant homage in its title-track, and cuts like “Too Much Sauce on New Year’s Eve” and “Dark Matter” are emblematic of his open-minded approach overall, working in different styles sometimes united most by their rawness and uncompromising persona. This is number 100 of 100 records covered in this Quarterly Review, and nothing included up to now sounds like Doom Lab. A total win for radical individualism.

Doom Lab on YouTube

Doom Lab on Bandcamp

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Sunnata Announce Chasing Shadows Coming May 10; New Single “Chimera” Posted

Posted in Whathaveyou on March 15th, 2024 by JJ Koczan

sunnata (photo by Kamil Parzychowski)

If you keep up with Sunnata on social media, I’m not sure how much of this info will be new to you, as the Polish prog-heavy ritualists have been talking about their new album, Chasing Shadows, for a while now and posted “Saviours Raft” as a first single from it. But the May 10 release date is an occasion I want to mark, and between that and the finalized (as much as these things ever are) tour dates, opening cut “Chimera” as the second single, and the details about the LP, I figure fair enough to post. Truth be told, I’ve heard the record at this point and this is information I’ll want later to review. As to the thing itself, I’m just getting to know it, so I’m not going to dig into absolutes or pretend I’m ready to have something substantive to offer as far as an opinion, but if you’ve been looking forward to it, I doubt you’ll be disappointed.

More to come, then. Same as ever for release announcements. Fine. As you take on “Chimera,” understand it’s the beginning of a larger unfolding, and if you can put your body someplace where Sunnata are going to be, I recommend you do that. Either way you go, immersed is where you’re headed.


sunnata chasing shadows

Polish doom band Sunnata announce new album Chasing Shadows; release haunting new single

Single ‘Chimera’ streaming now

Band are touring Europe / UK from May

Feral wilderness prophets Sunnata, (sanskr. noun emptiness, voidness) have announced their fifth full-length album Chasing Shadows will be self-released on 10th May. Ahead of the album, the band have released their beguiling new single ‘Chimera’ with accompanying music visualiser.

Pre-order Chasing Shadows here: https://sunnataofficial.bandcamp.com/album/chasing-shadows

Sunnata commented on the new single: “‘Chimera’, the opening track from Chasing Shadows, manifests the presence of duality across the entire universe. Just like a mythical hybrid creature, the song is a bizarre mix of different genres and ideas, glued together into a compelling passage. From a blast beat and Pattonesque vocals, through a ceremonial trance-inducing build-up to a heavy, rock n rolling riffage, ‘Chimera’ proves to be an amalgamation, binding those pieces together to form a single entity.

“The song’s lyrics bind many paradoxes together, posing them as something inherent to reality. Dreamy recall of hinduistic Maya sets the tone of the piece – an ever-evolving appearance, an ever-changing shape. The cycle of life – the one who comes from the horizon and goes away – is prevalent like an imperative. Those who try to deny it and shape the world to their individual needs are fighting for the cause that is unreachable.

“The evolution binds units together, but also sets them apart. Paradoxes are part of us. Only the one, who is born and dead at the same time, prevails.”

The four piece Warsaw-based doom metal magi have been paving their own way to higher metal skies since their 2014 debut Climbing The Colossus. Their spellbinding sophomore album Zorya (2016) made the band gather even more momentum with regard to the European alternative heavy scene. Third album Outlands (2018) brilliantly brought out even more character, confidently crossing the frontier of progressive doom to land in even more melancholic and mind-expanding alleys. Fourth release Burning in Heaven, Melting on Earth (2021) was their most transcendent, melding together all the heaviness, intensity and tenderness into a graceful, cross-pollinating form, to create something incredible that grabbed the attention of fans and press worldwide, demanding attention and respect.

Chasing Shadows sees Sunnata expanding their sonic spectrum with their most complex record to date. Exploring both the most extreme aspects and subtle incarnations of their essence, Chasing Shadows is a mind-altering doomscape painted with everlasting, captivating stories. Hitting high notes in the eyes of fans and journalists, from here Sunnata are free to roam wherever.

Commenting on the album: “The fifth album for a band like ours is no joke. We are extremely proud on one hand, but also exhausted on the other as the creative process pushed us to the current limits. It’s the most complex and longest Sunnata record to date. Filled with nuances, genre blends and confident expansion of the band’s sound spectrum. Anyone familiar with our discography can easily tell that both change and experimentation are part of our nature, but at the same time – the constant need to push ourselves outside of the comfort zone, go beyond – is what stretches one’s limits. Maybe this is why we liked the title so much – we are chasing the uncatchable – shadows, illusions, visions and try to frame them with our musical language.”

Known for their expressive and atmospheric live performances, Sunnata have already taken part in various international festivals and been invited to open for Mastodon, Paradise Lost, Entombed AD, Rotting Christ, Sleep, Uncle Acid & The Deadbeats and The Sword. To celebrate the album release Sunnata will hit the road this summer on the following dates.

May 10: (PL) Warsaw – Hybrydy – Release Party
May 13: (CZ) Brno, Kabinet Muz
May 14: (HU) Budapest, Robot
May 15: (AT) Salzburg, Rockhouse
May 16: (DE) Jena, Klub Kuba
May 17: (BE) Liege, La Zone
May 18: (UK) London, Desertfest
May 20: (FR) Lille, La Bulle Cafe
May 21: (BE) Brussels, Le Lac
May 22: (NL) Nijmegen, Merelyn
May 23: (DE) Dresden, Ostpol
May 24: (PL) Poznan, 2Progi
May 25: (PL) Cracow, Studio
May 31: (DK) Esbjerg, Fuzztival Esbjerg
Aug 17: (UK) ArcTanGent

Tickets available at: https://www.atonal.agency/tickets

Sunnata are:
Szymon Ewertowski – guitar, vocals
Adrian Gadomski – guitar, vocals
Michal Dobrzanski – bass guitar/synth
Robert Ruszczyk – drums, percussion


Sunnata, “Chimera”

Sunnata, Chasing Shadows (2024)

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Sunnata Post New Single “Saviour’s Raft”; Announce New Album Chasing Shadows

Posted in Whathaveyou on January 18th, 2024 by JJ Koczan

It takes a fair amount these days to even tempt me to engage with Spotify, but I’ll tell you in all honesty I’ve spent the last eight minutes hooked into my personal least favorite streaming service — all of the strengths of YouTube, by which I mean obnoxious ads, with none of Bandcamp’s band-benefit sales tie-in, mostly lazy curation and an intrusive app — to hear Sunnata‘s new single “Saviour’s Raft.” The song comes from their hotly anticipated fifth full-length, the title of which is newly revealed as Chasing Shadows, ahead of further delving into the record itself next week, when “Saviour’s Raft” will pull into harbor at the aforementioned Bandcamp, along with preorders, probably some cool shirts, this and that. You know the drill.

But the song itself — oof that’s good. Post-metallic intensity met with their established meditative psych modus: it’s a blend that works so fluidly from Sunnata that I’ve heard nobody else come close to, however many shades of post-metal might be out there by now. In any case, they’re among the forerunners of Polish heavy, and like their countrymen in Dopelord, Spaceslug, and so on, Sunnata have an identity keyed into a style without necessarily being subjected to its restrictive aspects. They’ve only ever grown to this point. I haven’t heard the full album yet, but “Saviour’s Raft” bodes well for continuing that streak.

From the internet:

sunnata (Photo by The Buried Herald)


Listen it here: open.spotify.com/track/10UXYQZeRWiARJrSFi1uyW?si=UyzIamxHRFeWOtG3eRsg8A

We are delighted to share the first song “Saviour’s Raft” from the upcoming 5th album “Chasing Shadows”. Inspired by “The Raft of The Medusa” painting, it’s a sonic exploration of its meaning and a complex, 8 minute long story.

It will appear on Bandcamp together with album and merch preorder next week.

Stream it now on Spotify!

sunnata euro tour updateSUNNATA live:
13.05 Brno CZ Kabinet Muz
14.05 Budapest HU Robot
15.05 Salzburg AT Rockhouse
16.05 Jena DE Klub Kuba
17.05 Liege BE La Zone
18.05 London UK Desertfest London 2024
20.0 Lille FR La Bulle Cafe
21.05 Brussels BE Le Lac
22.05 Nijmegen NL Merleyn
23.05 Dresden DE Ostpol

GET YOUR TICKETS HERE: https://www.atonal.agency/tickets

Szymon Ewertowski – guitar, vocals
Adrian Gadomski – guitar, vocals
Michal Dobrzanski – bass guitar
Robert Ruszczyk – drums, percussion

Photo by The Buried Herald.


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