Quarterly Review: Boris, DVNE, Hydra, Jason Simon, Cherry Choke, Pariiah, Saavik, Mountain Tamer, Centre El Muusa, Population II

Posted in Reviews on December 21st, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Kind of a spur of the moment thing, this Quarterly Review. I’ve been adding releases all the while, of course, but my thought was to do this after my year-end list went up, and I realized, hey, if I’ve got like 70 records I haven’t reviewed yet, maybe there’s some of that stuff worth considering. So here we are. I’ve pushed back my best-of-2020 stuff and basically swapped it with the Quarterly Review. Does it matter to you? I seriously, seriously doubt it, but I believe in transparency and that’s what’s up. Thought I’d let you know. And yeah, this is going to go into next week, take us through the X-mas holiday this Friday, so whatever. You celebrate your way and I’ll celebrate mine. Let’s roll.

Quarterly Review #1-10:

Boris, No

boris no

As a general project, reviewing try here - Moneysaving shopping for medications at our drugstore. Online pharmacy with affordable deals. Save money when ordering from our Boris is damn near pointless. One might as well review the moon: “uh, it’s big and out there most of the time?” The only reason to do it is either to exercise one’s own need to hyperbolize or help the band sell records. Well, In our Dissertation Hypothesis Statement, you can order the service of writing, editing, or proofreading. ? Here at Essay Service, transparency is one of our top priorities, that’s why we give you the opportunity to calculate the cost of your work before hiring professional essay writers. Simply choose the type of work you need done, set the deadline, and the number of pages. After that, we will Boris doesn’t need my push and I don’t need to tell them how great they are. No is 40 minutes of the widely and wildly lauded Japanese heavy rock(s) experimentalists trying to riff away existing in 2020, delving high speed into hardcore here and there and playing off that with grueling sludge, punk, garage-metal and the penultimate “Loveless,” which is kind of Gaining all these benefits can prove to be difficult for a lot of students, especially when there are a number of academic service providers available online, which promise to deliver Daniel Zerbino Phd Thesis, but may instead deliver a low quality help with dissertation at exorbitant rates. Many services may even scam students by extracting the payment but not delivering what they promise them. As a result, students requiring assistance with dissertations may feel helpless eventually. Boris being their own genre. Much respect to the band, and I suppose one might critique If you need somebody to help you with your task, you have got to the right lab Writing Websites. We offer reasonable pricing and high quality. Place Boris for, what?, being so ABC Assignment Help is one of the leading companies to assist a number of scholars with reliable and proficient online Essay For Helping Others services helping them attain top-notch grades in their exams. We know it is certainly not easy for students to prepare top-quality dissertation within a short period of time. To submit the top quality dissertation within the stated time, the writer must have complete knowledge of the subject and also must have excellent writing skills to back that Boris-y?, but there really isn’t a ton that hasn’t been said about them because such a ton has. I’m not trying to disparage their work at all — Professional Thesis Writing Service will Help you with Your Thesis or Dissertation Online. Hire an Expert PhD Dissertation Statement Thesiser to write, edit, correct or No is just what you’d expect as regards defying expectation — but after 20-plus years, there’s only so many ways one wants to call a band genius.

Boris on Thee Facebooks

Boris on Bandcamp

 

DVNE, Omega Severer

DVNE Omega Severer

Kind of a soft-opening for Edinburgh’s http://www.yoshikiminatoya.com/opinion-essay-military-service/ free download - Academic, Papers, Academic Plagiarism Checker, and many more programs DVNE as an act on Any writing paper is a real challenge no matter where you are studying at school, college or university. Professional Creative Writing Outline will Metal Blade Records, unless of course one counts the two songs on the Omega Severer EP itself, which are post-metallic beasts of the sort that would and should make Our http://www.nuotohydros.net/school-assignment/er online is the expert, whom you need to submit flawless assignments and various college papers for sale. Don’t worry if you know nothing about the proper citation styles or the right way to write a research paper. We are ready to help you out! We hire a team of professionals to submit excellent and timely projects that contain no mistakes. Why Should I Consider Professional The Ocean blush. Progressive, heavy, and remarkably ‘next-wave’ feeling, Welcome to leading platform of source url services. We offering all kind of academic writing services like Best Paper Writing Service, Top DVNE‘s awaited follow-up to 2017’s Hire industry leading Choosing A Research Paper Topic writing services from most qualified and professional writers. We are recognized as top dissertation help company Asheran may only be about 17 and a half minutes long, but it bodes remarkably well as the band master a torrent of intensity on the 10-minute opening title-cut and answer that with the immediately galloping “Of Blade and Carapace,” smashing battle-axe riffing and progressive shimmer against each other and finding it to be an alchemy of their own. Album? One suspects not until they can tour for it, but if Your half nothing years write an essay about my self then old and Diversity Officer Resume but while a. So it's the number of pellets may do my homework Omega Severer is Affordable essay & http://www.hof.uni-frankfurt.de/?writing-narrative-papers from our expert editors at NerdPro. Buy Online Essay Editor Service, Essay & Thesis Writing etc at best prices! DVNE serving notice, consider the message received loud, clear, dynamic, crushing, spacious, and so on. Already veterans of Psycho Las Vegas, they sound like a band bent on capturing a broader audience in the metallic sphere.

DVNE on Thee Facebooks

Metal Blade Records website

 

Hydra, From Light to the Abyss

hydra from light to the abyss

There’s no questioning where Hydra‘s heart is at on their debut full-length, From Light to the Abyss. It belongs to the devil and it belongs to Black Sabbath. The Polish four-piece riff hard and straightforward throughout most of the five-track offering (released by Piranha Music), and samples set the kind of atmosphere that should be familiar enough to the converted — “No One Loves Like Satan” reminds of Uncle Acid in its initial channel-changing and swaggering riff alike — but doomly centerpiece “Creatures of the Woods” and the layered vocal melodies late in closer “Magical Mind” perhaps offer a glimpse at the direction the band could take from here. What matters though is where Hydra are at today, and that’s bringing riffs and nod to the converted among the masses, and From Light to the Abyss offers no pretense otherwise. It is doom rock for doom rockers, grooves to be grooved to. They’re not void of ambition by any means — their songwriting makes that clear — but their traditionalism is sleeve-worn, which if you’re going to have it, is right where it should be.

Hydra on Thee Facebooks

Piranha Music on Bandcamp

 

Jason Simon, A Venerable Wreck

jason simon a venerable wreck

Dead Meadow guitarist/vocalist Jason Simon follows 2016’s Familiar Haunts (review here) with the genre-spanning A Venerable Wreck, finding folk roots in obscure beats and backwards this-and-that, country in fuzz, ramble in space, and no shortage of experimentalism besides. A Venerable Wreck consists of 12 songs and though there are times where it can feel disjointed, that becomes part of the ride. It’s not all supposed to make sense. Yet what happens by the time you get around to “No Entrance No Exit” is that Simon (and a host of cohorts) has set his own context broad enough so that the drone reach of “Hollow Lands” and sleek, organ-laced indie of closer “Without Reason or Right” can coexist without any real interruption of flow between them. The question with A Venerable Wreck isn’t so much whether the substance is there, it’s whether the listener is open to it. Welcome to psychedelic America. Please inject this snake venom and turn in your keys when you leave.

Jason Simon on Bandcamp

BYM Records website

 

Cherry Choke, Raising Salzburg Rockhouse

Cherry Choke-Raising Salzburg Rockhouse-Cover

You won’t hear me take away from the opening psych-scorch hook of “Mindbreaker” or the fuzzed-on, boogie-down, -up, and -sideways of “Black Annis” which follows, but there’s something extra fun about hearing Frog Island’s Cherry Choke jam out a 13-minute, drum-solo-inclusive version of “6ix and 7even” that makes Raising Salzburg Rockhouse even more of a reminder of how underrated both they are as a band and Mat Bethancourt is as a player. Look no further than “Domino” if you want absolute proof. The whole band rips it up at the Austrian gig, which was recorded in 2015 as they supported their third and still-most-recent full-length, Raising the Waters (review here), but Bethancourt puts on a Hendrixian clinic in the nine-minute cut from 2011’s A Night in the Arms of Venus (review here), which is actually less of a clinic than it is pure distorted swagger followed by a mellow “cheers, thanks” before diving into “Used to Call You Friend.” A 38-minute set would be perfect for an vinyl release, and anytime Cherry Choke want to get around to putting together a fourth studio album, well, that’ll be just fine too.

Cherry Choke on Thee Facebooks

Cherry Choke on Bandcamp

 

Pariiah, Swallowed by Fog

Pariiah swallowed by fog

It’s a special breed of aggro that emerges as a result of living in the most densely populated state in the union, and New Jersey’s Pariiah have it to spare. Bringing together sludge tonality with elder-style New York hardcore lumbering riffs on their Trip Machine Laboratories tape, Swallowed by Fog, they exude a thickened brand of pissed off that’s outright going to be too confrontation for many who take it on. But if you want a middle finger to the face, this is what it sounds like, and the six songs (compiled into four on the digital version of the release) come and go entirely without pretense and leave little behind except bruises and the promise of more to come. They’re a new band, started in this most wretched of years, but there’s no learning curve whatsoever among the members of Devoid of Faith, The Nolan Gate, Kill Your Idols, Changeörder and others. I’d go to Maplewood to see these cats. I’m just saying. Maybe even Elizabeth.

Pariiah on Bandcamp

Trip Machine Laboratories website

 

Saavik, Saavik

saavik saavik

So you’ve got both members of Holly Hunt in a four-piece sludging out with spacey synth and the band is named after a Star Trek character? Not to get too personal, but that’s going to pique my interest one way or the other. Saavik — and they clearly prefer the Kirstie Alley version, rather than Robin Curtis, going by drummer Beatriz Monteavaro‘s artwork — are damn near playing space rock by the end of “He’s Dead Jim,” the opener of their self-titled debut EP, but even that’s affected by a significant tonal weight in Didi Aragon‘s bass and the guitar of Gavin Perry, however much Ryan Rivas‘ synth and effects-laced vocals might seem to float overhead, but “Meld” rolls along at a steadier nod, and “Horizon” puts the synth more in the lead without becoming any less heavy for doing so. Likewise, “Red Sun” calls to mind Godflesh in its proto-machine metal stomp, but there’s more concern in Saavik‘s sound with expanse than just pure crush, and that shows up in fascinating ways in these songs.

Saavik on Thee Facebooks

Other Electricities on Bandcamp

 

Mountain Tamer, Psychosis Ritual

mountain tamer psychosis ritual

There’s been a dark vibe all along nestled into Mountain Tamer‘s sound, and that’s certainly the case on Psychosis Ritual, with which the Los Angeles-based trio make their debut on Heavy Psych Sounds. It’s their third full-length overall behind 2018’s Godfortune // Dark Matters (review here) and 2016’s self-titled debut (review here), and it finds their untamed-feeling psychedelia rife with that same threat of violence, not necessarily thematically as much as sonically, like the songs themselves are the weapon about to be turned on the listener. Maybe the buzz of “Warlock” or the fuckall echo of the prior-issued single “Death in the Woods” (posted here) aren’t out there trying to be “Hammer Smashed Face” or anything, but neither is this the hey-bruh-good-times heavy jams for which Southern California is known these days. Consider the severity of “Turoc Maximus Antonis” or the finally-released screams in closer “Black Noise,” which bookends Psychosis Ritual with the title-track and seems at last to be the point where whatever grim vibe these guys are riding finally consumes them. Mountain Tamer continue to be unexpected and righteous in kind.

Mountain Tamer on Thee Facebooks

Heavy Psych Sounds on Bandcamp

 

Centre El Muusa, Centre El Muusa

centre el muusa centre el muusa

Hypnotic Estonian psychedelic krautrock instrumentals not your thing? Well that sounds like a personal problem Centre El Muusa are ready to solve. The evolved-from-duo four-piece get spaced out amid the semi-motorik repetitions of their self-titled debut (on Sulatron), and that seems to suit them quite well, thanksabunch. Drone trips and essential swirl brim with solar-powered pulsations and you can set your deflectors on maximum and route all the secondaries to reinforce if you want, there’s still a decent chance 9:53 opener an longest track “Turkeyfish” (immediate points, double for the appropriately absurd title) is going to sweep you off what you used to call your feet when that organ line hits at about six minutes in. That’s to say nothing of the cosmic collision later in “Burning Lawa” or the just-waiting-for-a-Carl-Sagan-voiceover “Mia” that follows. Even the 3:46 “Ain’t Got Enough Mojo” lives long enough to prove itself wrong. Interstellar tape transmissions fostered by obvious weirdos in the great out-there in “Szolnok,” named for a city in Hungary that, among other things, hosts the goulash festival. Right fucking on.

Centre El Muusa on Thee Facebooks

Sulatron Records webstore

 

Population II, À La Ô Terre

Population II a La o Terre

The first Population II album, a 2017 self-titled, was comprised of two tracks, each long enough to consume a 12″ side. Somehow it’s fitting with the Montreal-based singing-drummer trio’s aesthetic that their second long-player, À la Ă” Terre, would take a completely different tack, employing shorter freakouts like “L’Offrande” and “La Nuit” and the garage-rocking “La Danse” and what-if-JeffersonAirplane-but-on-Canadian-mushrooms “Ă€ la Porte de Demain” and still-more-drifting finisher “Je Laisse le Soleil Briller” amid the more stretched out “Attaction,” the space-buzzer “Ce n’est RĂ©ve” while cutting a middle ground in the greaked-out (I was gonna type “freaked out” and hit a typo and I’m keeping it) “Il eut un Silence dans le Ciel,” which also betrays the jazzy underpinnings that somehow make all of Ă€ la Ă” Terre come across as progressive instead of haphazard. From the start to the close, you don’t know what’s coming next, and just because that’s by design doesn’t make it less effective. If anything, it makes Population II all the more impressive.

Population II on Thee Facebooks

Castle Face Records website

 

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Hydra Premiere From Light to the Abyss Live Session

Posted in Bootleg Theater on November 23rd, 2020 by JJ Koczan

hydra live session

At this point in the pandemic, I’m going to assume that if you’re reading this you’ve watched a ‘live stream’ of one sort or another, whether that’s actually a band playing live as it goes out or a special airing of a prior-recorded performance or set. And I feel safe making that assumption because it’s been 10 months, we’ve all had a lot of time at home, and my social media feed has been filled with people increasingly wistful in their “I miss live shows” posts. Myself included.

Well, Hydra, from Pleszew, Poland, released their first album, From Light to the Abyss, through Piranha Music this past August. Only together for about a year before issuing the five-tracker, the band quickly prove with it that they’ve got their heads together when it comes to knowing what they want to do in doom rock and classic, darker-tinged rolling riffage. Wearing their Iommi on their collective sleeve, the band’s songs move between the catchy, almost Uncle Acid-ic “No One Loves Like Satan” to the more oldschool doom of “Secrets of the Undead,” with guitarist Dabek (there’s an ogonek on the ‘a’ his name I can’t get to show up in WordPress, and for that I apologize) and bassist Vanat sharing vocal duties atop the steady progression filled out by guitarist Mieszko and drummer Yahoo. They ask little of the listener in terms of indulgences, riff righteously and very clearly came into their debut knowing what they wanted to accomplish in terms of sound. If you can’t respect that, I’ve got nothing for you.

hydra from light to the abyssIn addition to the five cuts from From Light to the Abyss itself, the live session premiering in its 47-minute entirety below also includes the new song “The Unholy Ceremony,” which finds the four-piece ranging into including keys for the first time, already showing a propensity for growth and moving forward from the album, which again, has been out for about three months. The video and audio were recorded at their own Acoustic Studio, which might well be named for the tiles of the drop ceiling situated directly above the band as they play. There are three or four cameras working throughout, the audio is pro-shop, and the band are situated with their amps isolated and Yahoo positioned somewhere that I can’t even tell if he’s facing the other three or somewhere else entirely. He gets his own camera and earns it through his play.

So you’ve seen live steams. Fine. Probably you’ve seen one for a band you already know, maybe that you miss seeing on stage. Here’s a chance to do that other great thing that live music lets you do, and that’s discover something cool you might not have encountered before. I’m not about to tell you Hydra are a genre revolution — they’re not — but they’re a band who wanted to make a racket and they’re doing exactly that here. If that doesn’t get you through to the killer nod at the outset of “Magical Mind” in the video below, chances are it’s your own loss.

Because the songs of From Light to the Abyss are presented out of order, and because it’s a cool record, I’ve included the full album stream from Bandcamp at the bottom of this post as well. Some comment from Vanat and more background follows the clip itself.

Please enjoy:

Hydra, From Light to the Abyss live session at Acoustic Studio premiere

Vanat (bass) on From Light to the Abyss live session:

“During the past few months many of our shows have been cancelled. We really missed playing live and so we got inspired to record a live stream. We had many ideas on how to present our material on the web but we finally settled on recording a full show in our studio (Acoustic Studio) where we have also recorded our first album. We wanted it to sound properly which would be hard to achieve without professional support. The space in the studio was quite small but with the help of our friend Szymon we managed to create a nice video.

“Even though we cannot play many concerts right now, we keep on working. We have recently came up with a new single “The Unholy Ceremony” which will probably appear on the next album, but you can already hear this one on the live stream. In this track we maintain our classic style but we also used a synthesizer for the first time to give it a different vibe.”

Recorded at Acoustic Studio by Marcel Kraszkiewicz
https://www.acousticstudio.pl/
Pictures & VFX by Szymon Szpunt
https://www.instagram.com/szpuntoo/

Setlist:
00:00 – Creatures of the Woods
08:10 – No One Loves Like Satan
15:03 – Secrets of the Undead
21:52 – The Unholy Ceremony (NEW!)
30:06 – When the Devil’s Coming Down
38:15 – Magical Mind

HYDRA was formed in 2019 in Pleszew, the hometown of the beautiful stoner doom RED SMOKE FESTIVAL. The band consists of Vanat (bass), Yahoo (drums), Mieszko (guitar) and Dabek (guitar & vocal), who is also well known from another Polish act – Red Scalp.

Piranha Music, an independent label from Toru?, released their full-length debut, “From Light to the Abyss,” on 21 August 2020. The amazing album artwork was designed by Pawel Mioduchowski (of almighty Dopelord).

Hydra is:
Dabek – voc, git
Mieszko – git
Vanat – bass, voc
Yahoo – drums

Hydra, From Light to the Abyss (2020)

Hydra on Thee Facebooks

Hydra on Bandcamp

Piranha Music on Thee Facebooks

Piranha Music on Bandcamp

Piranha Music on Instagram

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Deville Run the Edge in “The Knife” Video

Posted in Bootleg Theater on April 22nd, 2014 by JJ Koczan

Following up on a Heavy Psych Sounds reissue of their 2007 Come Heavy Sleep debut, Swedish heavy rockers Deville have a new video for the song “The Knife.” The track comes from the Malmö four-piece’s 2013 full-length, Hydra (review here), which was also their first release on Small Stone Records. As timing would have it, Deville head out on a European tour this week, having finalized the dates at the start of April, and “The Knife” makes a solid argument for showing up to see them if you happen to be in that part of the world. One doubts they’ll be playing on top of a giant guitar or that there will be huge spinning blades — probably for the best — but as Deville stand in a fine tradition of their country’s heavy rock without bowing to the retro pressures of the current scene, they only make themselves more individualized for their efforts.

Between that conceptual appeal and the actual fruit of Deville‘s songwriting, it doesn’t seem like a way to lose out. “The Knife” was among the most memorable cuts on Hydra, so whether you caught wind of the album or not last year, it’ll be worth either the refresher or the initial exposure to check it out. Rock and roll:

Deville, “The Knife” official video

Music video by Deville performing The Knife.
Taken from the album “Hydra” Small Stone Records 2013.
Directed by: Henrik Christoffersson
Filmed by: Henrik Christoffersson & Peter Tarpgaard
Edited by: Henrik Christoffersson

Europe spring tour is up! New dates added!

25/4 GER Duesseldorf-Pitcher
26/04 CH Lugano TI/STREET/ART Festival
27/04 IT Pescara-Orange Rock Cafè
28/04 IT Roma-Sinister Noise
29/04 IT Santa Croce Sull’ Arno-Rock City
30/04 IT Montecchio Maggiore-E20
01/05 IT Piacenza-Cuncertass Festival
01/05 IT Seregno-Sala Malasangre
02/05 CH St Gallen-Rumpeltum
03/05 IT Torino-Cafè Liber
04/05 FRA Lyon-Le Moko
05/05 FRA Draguignan-Bucephale
06/05 IT Padova-Sotterranei
07/05 FRA Besanqon-Les passagers du Zinc
08/05 BEL Hasselt-Carpe Diem
09/05 GER Munster-Rare Guitar
10/05 GER Berlin-Jaegerklause

Deville on Thee Facebooks

Small Stone Records

Heavy Psych Sounds’ Bandcamp

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Deville, Hydra: The Birthing of Battles

Posted in Reviews on March 21st, 2013 by JJ Koczan

Even before Hydra is a heavy rock album, it’s a rock album. The third full-length from Malmö, Sweden’s Deville and first for their new label, Small Stone Records, has its roots in Foo Fighters as much as, if not more than Kyuss, and it’s a difference of presentation and method that runs deeper than one might initially think. A lot of the trad stoner tonality that showed up on Deville‘s first two studio offerings, 2007’s Come Heavy Sleep and 2009’s Hail the Black Sky, has dissipated, but if you listen to those two albums in line with the 11 tracks of Hydra, the latest still seems a logical extension of their methods, if one driven in a more straightforward, less fuzz-reliant direction. The band recorded themselves, with drummer Markus Nilsson handling the engineering, so one imagines they knew what they were doing and that the clean, crisp, professional sound they wound up with on these songs wasn’t an accident. Even in terms of the songs themselves, one can see a difference. Not troubling itself with intros, outros or interludes, Hydra also finds Deville tightening the structures of their material, so that in its varied array of moods, there’s only one song reaching over five minutes long — the penultimate “Imperial,” at 6:31 — where each of the prior two offerings has had four. That’s probably not a conscious decision on the band’s part, that is, they likely didn’t sit down and say, “Okay guys, time to write shorter parts,” but it’s another example of Deville departing their stonerly beginnings in favor of a more straightforward take, skirting the lines between hard and heavy rock an an almost track-by-track basis.

Clocking in at a vinyl-ready 44:35, Hydra makes a strong opening statement in its first three tracks, “Lava,” “Iron Fed” and “In Vein.” Each is opened by Nilsson‘s drums and finds vocalist/guitarist Andreas Bengtsson leading the band with guitarist Martin Hambitzer and bassist Markus Åkesson contributing to the momentum. Right away, the band carries across their sonic shift — again, not so drastic that if you heard Deville before you wouldn’t guess you were listening to them again, but still a marked change from the first two records — but if Hydra‘s first volley proves anything, it’s that the tradeoff comes in the band being tighter performance-wise and clearer in their intent. “Iron Fed” chugs through its verse en route to one of the album’s finest hooks, something mid-period Dozer would’ve been proud to hang their hats on, and keeps motion central even in its lead break, which hits right where it should at the end of the second third of the track, right before the chorus comes back in, once and then again with more feeling. Hardly a slowdown, “In Vain”  sees Ă…kesson come forward in the mix, joined by a guitar swell in the chorus, as Bengtsson pulls back on the vocal thrust to ride the groove kept active by Nilsson‘s upbeat snare. It’s in line structurally with most of the rest of Hydra, but “In Vain” also serves as the first signal that Deville have more to offer in terms of mood than the driving rock they’ve so far presented.

Read more »

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Deville Announce European Tour in Support of Hydra

Posted in Whathaveyou on February 25th, 2013 by JJ Koczan

Leading to a performance at this year’s Desertfest in London, Swedish heavy rockers Deville have announced a run of shows that will take them around Western Europe in support of their new album, Hydra. Their debut on Small Stone (third album overall), Hydra also reportedly has a vinyl issue coming from the Detroit imprint, which sent over the dates and info below:

Sweden’s Deville will be hitting the road starting April 9th in Berlin Germany @ White Trash. The three week tour will also include stops in Italy, France, Spain, Belgium, The Netherlands, and a UK date at Desertfest London on April 26th. In the meantime, do yourself a favor an go get their brand new album Hydra, It is rather fantastic. And yes, there will also be 180g ltd vinyl version available in a few months, but the cd and digital download versions are now available.

Deville on tour
04/09 Berlin, Germany White Trash
04/10 Vienna, Austria The Shelter
04/11 Hohenems, Austria ProKonTra
04/12 Sull’arno, Italy Santa Croce Rock City
04/13 Vercelli, Italy Officine Meccaniche
04/14 Treviso, Italy Punkyreggae pub
04/15 Torino, Italy United Club
04/16 Bologna, Italy Distilleria
04/17 Pescara, Italy Qube
04/18 Milano, Italy Ligera
04/19 Lyon, France Trokson
04/20 Aix-en-Provence, France Le Korigan
04/21 Barcelona, Spain Rock Sound
04/22 Madrid, Spain Sala Barracudas
04/23 Iluntz Taberna Guipuzcoa, Spain
04/24 Paris, France Le KLub
04/25 La Louviere, Belgium La Taverne du Theatre
04/26 London, UK Desertfest UK
04/27 Den Helder, The Netherlands De Engel

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Deville’s New Album Hydra Streaming Now

Posted in Whathaveyou on January 16th, 2013 by JJ Koczan

Well, Small Stone certainly seems to have taken Bandcamp by the proverbial horns. The venerable Detroit imprint will issue the label debut from Swedish heavy rockers Deville come March 26, and though that’s still more than a full two months off, Hydra is streaming in its entirety now on the player below. Maybe Small Stone wanted to get the word out on the record early in advance of Deville performing at the annual Small Stone SXSW showcase this coming March — a gig that will hopefully come surrounded by a run of US shows that also includes a NY-area date. Likely more on that in the weeks ahead and I’ll have a review of the album at some point before it’s released as well.

Till then, guitarist/vocalist Andreas Bengtsson sends word about the stream and some of the band’s doings for 2013:

Small Stone Records streaming new Deville album!

Hi! Small Stone Records are streaming the new Deville album “Hydra”!

Here: http://smallstone.bandcamp.com/album/hydra

Out 26th of March!

Deville signed to Small Stone Records and are confirmed for SXSW Austin, Texas, Desertfest London 2013, SFTU, Erfurt among other festivals and tours.

During 2011 and 2012 Deville have been stuck in the studio most of the time except for some european festivals and random shows. After two full length albums and a couple of hundred shows all around Europe the new record is a product of that. Trying to take this experience of what the band does best and what works live this new record is more wide than previous releases.

best regards!
Andreas/Deville

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