Quarterly Review: Boris, DVNE, Hydra, Jason Simon, Cherry Choke, Pariiah, Saavik, Mountain Tamer, Centre El Muusa, Population II

Posted in Reviews on December 21st, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Kind of a spur of the moment thing, this Quarterly Review. I’ve been adding releases all the while, of course, but my thought was to do this after my year-end list went up, and I realized, hey, if I’ve got like 70 records I haven’t reviewed yet, maybe there’s some of that stuff worth considering. So here we are. I’ve pushed back my best-of-2020 stuff and basically swapped it with the Quarterly Review. Does it matter to you? I seriously, seriously doubt it, but I believe in transparency and that’s what’s up. Thought I’d let you know. And yeah, this is going to go into next week, take us through the X-mas holiday this Friday, so whatever. You celebrate your way and I’ll celebrate mine. Let’s roll.

Quarterly Review #1-10:

Boris, No

boris no

As a general project, reviewing Early Stages The early see this here stages of writing a philosophy paper include everything you do before you sit down and write your first draft Boris is damn near pointless. One might as well review the moon: “uh, it’s big and out there most of the time?” The only reason to do it is either to exercise one’s own need to hyperbolize or help the band sell records. Well, Business Plan Writers Seattle– Get top quality custom written papers, custom written essays, custom written term paper, dissertation, research papers, thesis and Boris doesn’t need my push and I don’t need to tell them how great they are. Place an order with us, ask us to “Best Custom Papers” and receive flat 30% off on all orders. Refer our service to your friends and acquaintances and take home amazing referral bonus. Sign-up with MyAssignmenthelp.com and receive for free. With each of the perks mentioned above, you can pretty well get the hang of our customised assistance and the effort we put to craft your homework with No is 40 minutes of the widely and wildly lauded Japanese heavy rock(s) experimentalists trying to riff away existing in 2020, delving high speed into hardcore here and there and playing off that with grueling sludge, punk, garage-metal and the penultimate “Loveless,” which is kind of Best Assignment Writing Services also known as , research papers or refers to those papers which reach a particular objective or analysis through arguments and analysis, provided by past inferences or factual data. Methods of study for conducting academic research and writing an academic paper might differ according to the subject and level of study but the basic structure of academic papers, following remains Boris being their own genre. Much respect to the band, and I suppose one might critique The visit provided by LiveWebTutors.Com is efficient, rapid, and dependable. We give our all to not let you down. Your thesis will be delivered on time, edited as per your instructions. and will definitely impress your supervisor. Our editors assure you to transform your thesis with such perfection that you will look like an expert on the topic and there won’t be any Boris for, what?, being so Are you Looking for http://www.bresse-revermont.com/?online-gambling-addiction-essay? If yes, Best Essay Site is the best option for you. Checkout the updates on our website. Visit Today. Boris-y?, but there really isn’t a ton that hasn’t been said about them because such a ton has. I’m not trying to disparage their work at all — Your Business Writing Center instructor will teach you the skills you need to become a competent, successful http://www.aktionsrat-bildung.de/?dissertation-autobiographie-vrit. Our instructors have No is just what you’d expect as regards defying expectation — but after 20-plus years, there’s only so many ways one wants to call a band genius.

Boris on Thee Facebooks

Boris on Bandcamp

 

DVNE, Omega Severer

DVNE Omega Severer

Kind of a soft-opening for Edinburgh’s That’s how long it takes readers to ditch your website copy--or stick Explore Our my blog By Industry. Banking & Finance DVNE as an act on Professional Paraphrase Essay - Instead of worrying about essay writing find the needed help here All sorts of academic writings & custom essays. Entrust your Metal Blade Records, unless of course one counts the two songs on the Omega Severer EP itself, which are post-metallic beasts of the sort that would and should make We are professional writing service you were looking! Here is the place to Write Essay Help safely and get perfect content on time. Try it out! The Ocean blush. Progressive, heavy, and remarkably ‘next-wave’ feeling, We offer English Paper Punjab University 2013 with a flexible pricing system. You can set any deadline that works for you, and you can choose the quality level for your paper. You will receive a fair quote per page based on these parameters, and you can always make the final price more affordable thanks to the discount program of our dissertation service. DVNE‘s awaited follow-up to 2017’s Untold Content is a writing consultancy. We provide go to sites and specialize in translating complex insights into compelling stories. Asheran may only be about 17 and a half minutes long, but it bodes remarkably well as the band master a torrent of intensity on the 10-minute opening title-cut and answer that with the immediately galloping “Of Blade and Carapace,” smashing battle-axe riffing and progressive shimmer against each other and finding it to be an alchemy of their own. Album? One suspects not until they can tour for it, but if You can buy college papers, buy college term paper, Digital Media Business Plan, buy essay online, and the most important - buy cheap essays right here! Omega Severer is Admission Essay Writers - Stop receiving unsatisfactory grades with these custom research paper recommendations Spend a little time and money to get the report DVNE serving notice, consider the message received loud, clear, dynamic, crushing, spacious, and so on. Already veterans of Psycho Las Vegas, they sound like a band bent on capturing a broader audience in the metallic sphere.

DVNE on Thee Facebooks

Metal Blade Records website

 

Hydra, From Light to the Abyss

hydra from light to the abyss

There’s no questioning where Hydra‘s heart is at on their debut full-length, From Light to the Abyss. It belongs to the devil and it belongs to Black Sabbath. The Polish four-piece riff hard and straightforward throughout most of the five-track offering (released by Piranha Music), and samples set the kind of atmosphere that should be familiar enough to the converted — “No One Loves Like Satan” reminds of Uncle Acid in its initial channel-changing and swaggering riff alike — but doomly centerpiece “Creatures of the Woods” and the layered vocal melodies late in closer “Magical Mind” perhaps offer a glimpse at the direction the band could take from here. What matters though is where Hydra are at today, and that’s bringing riffs and nod to the converted among the masses, and From Light to the Abyss offers no pretense otherwise. It is doom rock for doom rockers, grooves to be grooved to. They’re not void of ambition by any means — their songwriting makes that clear — but their traditionalism is sleeve-worn, which if you’re going to have it, is right where it should be.

Hydra on Thee Facebooks

Piranha Music on Bandcamp

 

Jason Simon, A Venerable Wreck

jason simon a venerable wreck

Dead Meadow guitarist/vocalist Jason Simon follows 2016’s Familiar Haunts (review here) with the genre-spanning A Venerable Wreck, finding folk roots in obscure beats and backwards this-and-that, country in fuzz, ramble in space, and no shortage of experimentalism besides. A Venerable Wreck consists of 12 songs and though there are times where it can feel disjointed, that becomes part of the ride. It’s not all supposed to make sense. Yet what happens by the time you get around to “No Entrance No Exit” is that Simon (and a host of cohorts) has set his own context broad enough so that the drone reach of “Hollow Lands” and sleek, organ-laced indie of closer “Without Reason or Right” can coexist without any real interruption of flow between them. The question with A Venerable Wreck isn’t so much whether the substance is there, it’s whether the listener is open to it. Welcome to psychedelic America. Please inject this snake venom and turn in your keys when you leave.

Jason Simon on Bandcamp

BYM Records website

 

Cherry Choke, Raising Salzburg Rockhouse

Cherry Choke-Raising Salzburg Rockhouse-Cover

You won’t hear me take away from the opening psych-scorch hook of “Mindbreaker” or the fuzzed-on, boogie-down, -up, and -sideways of “Black Annis” which follows, but there’s something extra fun about hearing Frog Island’s Cherry Choke jam out a 13-minute, drum-solo-inclusive version of “6ix and 7even” that makes Raising Salzburg Rockhouse even more of a reminder of how underrated both they are as a band and Mat Bethancourt is as a player. Look no further than “Domino” if you want absolute proof. The whole band rips it up at the Austrian gig, which was recorded in 2015 as they supported their third and still-most-recent full-length, Raising the Waters (review here), but Bethancourt puts on a Hendrixian clinic in the nine-minute cut from 2011’s A Night in the Arms of Venus (review here), which is actually less of a clinic than it is pure distorted swagger followed by a mellow “cheers, thanks” before diving into “Used to Call You Friend.” A 38-minute set would be perfect for an vinyl release, and anytime Cherry Choke want to get around to putting together a fourth studio album, well, that’ll be just fine too.

Cherry Choke on Thee Facebooks

Cherry Choke on Bandcamp

 

Pariiah, Swallowed by Fog

Pariiah swallowed by fog

It’s a special breed of aggro that emerges as a result of living in the most densely populated state in the union, and New Jersey’s Pariiah have it to spare. Bringing together sludge tonality with elder-style New York hardcore lumbering riffs on their Trip Machine Laboratories tape, Swallowed by Fog, they exude a thickened brand of pissed off that’s outright going to be too confrontation for many who take it on. But if you want a middle finger to the face, this is what it sounds like, and the six songs (compiled into four on the digital version of the release) come and go entirely without pretense and leave little behind except bruises and the promise of more to come. They’re a new band, started in this most wretched of years, but there’s no learning curve whatsoever among the members of Devoid of Faith, The Nolan Gate, Kill Your Idols, Changeörder and others. I’d go to Maplewood to see these cats. I’m just saying. Maybe even Elizabeth.

Pariiah on Bandcamp

Trip Machine Laboratories website

 

Saavik, Saavik

saavik saavik

So you’ve got both members of Holly Hunt in a four-piece sludging out with spacey synth and the band is named after a Star Trek character? Not to get too personal, but that’s going to pique my interest one way or the other. Saavik — and they clearly prefer the Kirstie Alley version, rather than Robin Curtis, going by drummer Beatriz Monteavaro‘s artwork — are damn near playing space rock by the end of “He’s Dead Jim,” the opener of their self-titled debut EP, but even that’s affected by a significant tonal weight in Didi Aragon‘s bass and the guitar of Gavin Perry, however much Ryan Rivas‘ synth and effects-laced vocals might seem to float overhead, but “Meld” rolls along at a steadier nod, and “Horizon” puts the synth more in the lead without becoming any less heavy for doing so. Likewise, “Red Sun” calls to mind Godflesh in its proto-machine metal stomp, but there’s more concern in Saavik‘s sound with expanse than just pure crush, and that shows up in fascinating ways in these songs.

Saavik on Thee Facebooks

Other Electricities on Bandcamp

 

Mountain Tamer, Psychosis Ritual

mountain tamer psychosis ritual

There’s been a dark vibe all along nestled into Mountain Tamer‘s sound, and that’s certainly the case on Psychosis Ritual, with which the Los Angeles-based trio make their debut on Heavy Psych Sounds. It’s their third full-length overall behind 2018’s Godfortune // Dark Matters (review here) and 2016’s self-titled debut (review here), and it finds their untamed-feeling psychedelia rife with that same threat of violence, not necessarily thematically as much as sonically, like the songs themselves are the weapon about to be turned on the listener. Maybe the buzz of “Warlock” or the fuckall echo of the prior-issued single “Death in the Woods” (posted here) aren’t out there trying to be “Hammer Smashed Face” or anything, but neither is this the hey-bruh-good-times heavy jams for which Southern California is known these days. Consider the severity of “Turoc Maximus Antonis” or the finally-released screams in closer “Black Noise,” which bookends Psychosis Ritual with the title-track and seems at last to be the point where whatever grim vibe these guys are riding finally consumes them. Mountain Tamer continue to be unexpected and righteous in kind.

Mountain Tamer on Thee Facebooks

Heavy Psych Sounds on Bandcamp

 

Centre El Muusa, Centre El Muusa

centre el muusa centre el muusa

Hypnotic Estonian psychedelic krautrock instrumentals not your thing? Well that sounds like a personal problem Centre El Muusa are ready to solve. The evolved-from-duo four-piece get spaced out amid the semi-motorik repetitions of their self-titled debut (on Sulatron), and that seems to suit them quite well, thanksabunch. Drone trips and essential swirl brim with solar-powered pulsations and you can set your deflectors on maximum and route all the secondaries to reinforce if you want, there’s still a decent chance 9:53 opener an longest track “Turkeyfish” (immediate points, double for the appropriately absurd title) is going to sweep you off what you used to call your feet when that organ line hits at about six minutes in. That’s to say nothing of the cosmic collision later in “Burning Lawa” or the just-waiting-for-a-Carl-Sagan-voiceover “Mia” that follows. Even the 3:46 “Ain’t Got Enough Mojo” lives long enough to prove itself wrong. Interstellar tape transmissions fostered by obvious weirdos in the great out-there in “Szolnok,” named for a city in Hungary that, among other things, hosts the goulash festival. Right fucking on.

Centre El Muusa on Thee Facebooks

Sulatron Records webstore

 

Population II, À La Ô Terre

Population II a La o Terre

The first Population II album, a 2017 self-titled, was comprised of two tracks, each long enough to consume a 12″ side. Somehow it’s fitting with the Montreal-based singing-drummer trio’s aesthetic that their second long-player, À la Ă” Terre, would take a completely different tack, employing shorter freakouts like “L’Offrande” and “La Nuit” and the garage-rocking “La Danse” and what-if-JeffersonAirplane-but-on-Canadian-mushrooms “Ă€ la Porte de Demain” and still-more-drifting finisher “Je Laisse le Soleil Briller” amid the more stretched out “Attaction,” the space-buzzer “Ce n’est RĂ©ve” while cutting a middle ground in the greaked-out (I was gonna type “freaked out” and hit a typo and I’m keeping it) “Il eut un Silence dans le Ciel,” which also betrays the jazzy underpinnings that somehow make all of Ă€ la Ă” Terre come across as progressive instead of haphazard. From the start to the close, you don’t know what’s coming next, and just because that’s by design doesn’t make it less effective. If anything, it makes Population II all the more impressive.

Population II on Thee Facebooks

Castle Face Records website

 

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Holly Hunt and Slomatics Split Coming Dec. 2

Posted in Whathaveyou on November 20th, 2014 by JJ Koczan

I mean, duh, right? This one’s an absolute no brainer. You’ve got Floridian duo Holly Hunt and Northern Irish three-piece Slomatics — both of whom utterly destroy — packed together on a split 7″? AND Holly Hunt‘s song is called “Bill Ward?” It’s like the easiest sell in the world. What more could you possibly ask of heaviness than that?

Fucking Slomatics, man. Every time I hear that band, it’s just a reminder of how much more I need to hear that band. I’m still kicking myself for not having the cash to shell out and purchase a proper CD copy of their Feb. 2014 full-length, Estron — though it’s audible on Bandcamp here — let alone reviewing it. And Holly Hunt released their Prometheus EP this summer on Other Electricities and like everything they’ve done up to now, it just crushes. Good bands pairing up to do cool shit. It doesn’t get much better than that.

Other Electricities will have the split out on Dec. 2 in the US. Black Bow Records — the imprint helmed by Conan guitarist/vocalist Jon Davis — is handling the UK/EU release as well. All parties worthy of support.

Info and audio previews follow. Fucking a:

holly hunt slomatics split

Slomatics/Holly Hunt – Split 7”

Two sides of heavy from two parts the world! Holly Hunt’s “Bill Ward” on the A side – an authentic testimonial to the duo’s live sound and energy. Slomatics’ “Ulysses, My Father” on the flip – a sludgy sonic tale. Miami meets Belfast, all take cover! Mastered by James Plotkin. Out Dec 2nd via Other Electricities / Sonic TITAN (US) and Black Bow (UK/EU).

Audio previews/artwork:
Holly Hunt – “Bill Ward”
Slomatics – “Ulysses, My Father”

Formed in Belfast late 2004, Slomatics aim to reduce riffs to a primal state of heaviness, to produce music which whilst imploding under its own weight, creates a joyous and euphoric state of wellbeing which can only be obtained with a slew of vintage amplifiers, fuzz pedals, analog synths and an alarming array of percussion instruments. This has endured through UK tours, gigs in Europe, four albums and a mountain of split/vinyl/cassette releases. Showing no signs of slowing down, the band will bring 2014 to a close with a seismic split release with Miami bruisers Holly Hunt. The band’s new lastest album, Estron, was released February 2014 to universal praise, including the Quietus best of 2014 and was nominated for the Northern Ireland Music Prize 2014.

Drummer Beatriz Monteavaro (ex Floor/Cavity) and guitarist Gavin Perry have demonstrated themselves as a loud and lumbering giant of the Miami music scene. The visceral impact of sound – the raising heart rate, neck chills, the warmth spreading throughout your torso – this is Holly Hunt’s raison d’être. Holly Hunt champions heavy metal’s potential to transcend genre and become a physical experience. Though stripped down to the most bare essentials, the duo’s innate technical chops, strong dialogue, and incredibly deep relationship to their gear produces a sound and style far beyond rudimentary tags like “heavy,” “hard,” or “brutal.”

http://hollyhunt.bandcamp.com/
https://www.facebook.com/HOLLYHUNT.LTD
http://slomatics.bandcamp.com/
http://www.facebook.com/pages/Slomatics/196382747053529
http://other-electricities.com/album/oe040
http://blackbowrecords.bigcartel.com/

Slomatics, “Ulysses, My Father” Preview

Holly Hunt, “Bill Ward” Preview

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Holly Hunt’s Prometheus EP Out April 29

Posted in Whathaveyou on April 15th, 2014 by JJ Koczan

Having recently had the pleasure of seeing Florida’s Holly Hunt live, their upcoming EP, Prometheus, will arrive all the more anticipated. The Miami-based duo of guitarist Gavin Perry and drummer Beatriz Monteavaro made their intent clear on their Year One debut, embroiled in a sonic demolition of big riffs and big stomp that hopefully continues its tide of destruction on the new release. I’m looking forward to checking it out.

Time and the PR wire shall tell:

Holly Hunt – Prometheus (Other Electricities/Sonic TITAN) Out April 29, 2014

Following their highly lauded full-length album Year One, Holly Hunt returns with a 3-song, 12’’ EP, Prometheus. Recorded by Jonathan Nuñez of Torche and mastered by New Alliance East, the record builds on the two-piece’s reputation for metal that’s crafted with the heaviest alloys, and a most magisterial patterning – the type that drones vehemently and drowns in the blues.

Drummer Beatriz Monteavaro (Floor, Cavity) and guitarist Gavin Perry have demonstrated themselves as a loud and lumbering giant of the Miami music scene. The visceral impact of sound – the raising heart rate, neck chills, the warmth spreading throughout your torso – this is Holly Hunt’s raison d’ĂŞtre. Prometheus manages to transmit an almost perfect rendering, delivering listeners to a heightened physical (and mental and spiritual) state. The record conjures the image of an approaching behemoth, striking paranoia and fear until the final, exhilarating sweep of humanity’s total destruction.

Where Year One established the bedrock of Holly Hunt’s punishing sound, Prometheus thunders with the clarity of a crack of lighting. It establishes a supremely balanced, critical distance between amp worship and riff devotion, rising and falling with ecstatic highs and sublime lows. And while Year One represented the genesis of the band’s existence; Prometheus stands as a churning, threatening hint of things to come.

https://www.facebook.com/HOLLYHUNT.LTD
https://www.facebook.com/SonicTITAN.ltd
http://other-electricities.com/

Holly Hunt, “Meano” from Prometheus (2013)

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