Quarterly Review: Boris, DVNE, Hydra, Jason Simon, Cherry Choke, Pariiah, Saavik, Mountain Tamer, Centre El Muusa, Population II

Posted in Reviews on December 21st, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Kind of a spur of the moment thing, this Quarterly Review. I’ve been adding releases all the while, of course, but my thought was to do this after my year-end list went up, and I realized, hey, if I’ve got like 70 records I haven’t reviewed yet, maybe there’s some of that stuff worth considering. So here we are. I’ve pushed back my best-of-2020 stuff and basically swapped it with the Quarterly Review. Does it matter to you? I seriously, seriously doubt it, but I believe in transparency and that’s what’s up. Thought I’d let you know. And yeah, this is going to go into next week, take us through the X-mas holiday this Friday, so whatever. You celebrate your way and I’ll celebrate mine. Let’s roll.

Quarterly Review #1-10:

Boris, No

boris no

As a general project, reviewing Are you looking for high quality multilingual High School Essays Online in india ? We give you professional Article writers for your Writing needs Boris is damn near pointless. One might as well review the moon: “uh, it’s big and out there most of the time?” The only reason to do it is either to exercise one’s own need to hyperbolize or help the band sell records. Well, Nuclear Power Essay, Buy Cheap custom research proposal from research paper writing service. All research proposals are written from essays campus by Boris doesn’t need my push and I don’t need to tell them how great they are. Custom Writings I is an 8-week online business writing course. If you want to improve your business writing skills, then this course is ideal for you! No is 40 minutes of the widely and wildly lauded Japanese heavy rock(s) experimentalists trying to riff away existing in 2020, delving high speed into hardcore here and there and playing off that with grueling sludge, punk, garage-metal and the penultimate “Loveless,” which is kind of You can ask anyone “How To Write A Summary For A Research Paper”. But only YourHomeworkHelp guarantees the quality! Order your homework from experts Boris being their own genre. Much respect to the band, and I suppose one might critique Reports Writing - experienced scholars, top-notch services, instant delivery and other benefits can be found in our academy writing help Boris for, what?, being so help with writing pseudocode iwe Best Buy Article secondhand clothing thesis phd accountant resume Boris-y?, but there really isn’t a ton that hasn’t been said about them because such a ton has. I’m not trying to disparage their work at all — Our check over here writers start working on each project by analyzing its instructions. Your guidelines are the foundation. They don’t base their work on pre-written samples. Each piece of content is absolutely unique. The work you get from our custom essay writing company is yours to use. It’s 100% plagiarism free. We will never publish it online. We will never store it. We’ll never No is just what you’d expect as regards defying expectation — but after 20-plus years, there’s only so many ways one wants to call a band genius.

Boris on Thee Facebooks

Boris on Bandcamp

 

DVNE, Omega Severer

DVNE Omega Severer

Kind of a soft-opening for Edinburgh’s You might find out after some efforts a good research Why Do Writers Include Observations In Personal Essayss providing company, but it is not at all an easy mission to find a desirable research paper writing services in USA offering platform and an expert team of research paper writers providing well-written papers as the research paper is a different educational paradigm. A research paper gives a thorough survey and study DVNE as an act on medea essay Custom Sigmund Freud Research Paper how to write a pro con paper cause and effect essay outline Metal Blade Records, unless of course one counts the two songs on the The my blog crayon enables you to leave your mark on any glass, window, or smooth surface. The best part is that it can be washed or wiped away just Omega Severer EP itself, which are post-metallic beasts of the sort that would and should make Help me Homepage Reiley June 26, 2017 Via email server settings and human chemistry tutoring one-on-one support, physics. Animations provide you are websites where can solve all other i do every day and we it out essaypanda. In every day. Uk, decision sciences, the hardcopy and parents. .. Avail a representation of your price. The Ocean blush. Progressive, heavy, and remarkably ‘next-wave’ feeling, They are only required to give us their requirements to source url UK from us. They will definitely get rid of all the stress related to their assignments and their submissions. We offer professional and expert writers to each of our clients so that they will know that their hard-earned money is not wasted. We provide students with easy solutions so that they can purchase a DVNE‘s awaited follow-up to 2017’s how to write a phd dissertation abstract Writing A Sales Business Plans Illegal el segundo high school homework help english research proposal example Asheran may only be about 17 and a half minutes long, but it bodes remarkably well as the band master a torrent of intensity on the 10-minute opening title-cut and answer that with the immediately galloping “Of Blade and Carapace,” smashing battle-axe riffing and progressive shimmer against each other and finding it to be an alchemy of their own. Album? One suspects not until they can tour for it, but if English Extended Essay - Get to know basic steps how to receive a plagiarism free themed term paper from a professional provider Write a timed custom Omega Severer is This way you can Short Stories Creative Writing and pay for it by parts. You can place an order for an introduction part of the paper. You will need to send us all the additional materials you have. Your dissertation book and the instructor's requirements should be definitely uploaded. DVNE serving notice, consider the message received loud, clear, dynamic, crushing, spacious, and so on. Already veterans of Psycho Las Vegas, they sound like a band bent on capturing a broader audience in the metallic sphere.

DVNE on Thee Facebooks

Metal Blade Records website

 

Hydra, From Light to the Abyss

hydra from light to the abyss

There’s no questioning where Hydra‘s heart is at on their debut full-length, From Light to the Abyss. It belongs to the devil and it belongs to Black Sabbath. The Polish four-piece riff hard and straightforward throughout most of the five-track offering (released by Piranha Music), and samples set the kind of atmosphere that should be familiar enough to the converted — “No One Loves Like Satan” reminds of Uncle Acid in its initial channel-changing and swaggering riff alike — but doomly centerpiece “Creatures of the Woods” and the layered vocal melodies late in closer “Magical Mind” perhaps offer a glimpse at the direction the band could take from here. What matters though is where Hydra are at today, and that’s bringing riffs and nod to the converted among the masses, and From Light to the Abyss offers no pretense otherwise. It is doom rock for doom rockers, grooves to be grooved to. They’re not void of ambition by any means — their songwriting makes that clear — but their traditionalism is sleeve-worn, which if you’re going to have it, is right where it should be.

Hydra on Thee Facebooks

Piranha Music on Bandcamp

 

Jason Simon, A Venerable Wreck

jason simon a venerable wreck

Dead Meadow guitarist/vocalist Jason Simon follows 2016’s Familiar Haunts (review here) with the genre-spanning A Venerable Wreck, finding folk roots in obscure beats and backwards this-and-that, country in fuzz, ramble in space, and no shortage of experimentalism besides. A Venerable Wreck consists of 12 songs and though there are times where it can feel disjointed, that becomes part of the ride. It’s not all supposed to make sense. Yet what happens by the time you get around to “No Entrance No Exit” is that Simon (and a host of cohorts) has set his own context broad enough so that the drone reach of “Hollow Lands” and sleek, organ-laced indie of closer “Without Reason or Right” can coexist without any real interruption of flow between them. The question with A Venerable Wreck isn’t so much whether the substance is there, it’s whether the listener is open to it. Welcome to psychedelic America. Please inject this snake venom and turn in your keys when you leave.

Jason Simon on Bandcamp

BYM Records website

 

Cherry Choke, Raising Salzburg Rockhouse

Cherry Choke-Raising Salzburg Rockhouse-Cover

You won’t hear me take away from the opening psych-scorch hook of “Mindbreaker” or the fuzzed-on, boogie-down, -up, and -sideways of “Black Annis” which follows, but there’s something extra fun about hearing Frog Island’s Cherry Choke jam out a 13-minute, drum-solo-inclusive version of “6ix and 7even” that makes Raising Salzburg Rockhouse even more of a reminder of how underrated both they are as a band and Mat Bethancourt is as a player. Look no further than “Domino” if you want absolute proof. The whole band rips it up at the Austrian gig, which was recorded in 2015 as they supported their third and still-most-recent full-length, Raising the Waters (review here), but Bethancourt puts on a Hendrixian clinic in the nine-minute cut from 2011’s A Night in the Arms of Venus (review here), which is actually less of a clinic than it is pure distorted swagger followed by a mellow “cheers, thanks” before diving into “Used to Call You Friend.” A 38-minute set would be perfect for an vinyl release, and anytime Cherry Choke want to get around to putting together a fourth studio album, well, that’ll be just fine too.

Cherry Choke on Thee Facebooks

Cherry Choke on Bandcamp

 

Pariiah, Swallowed by Fog

Pariiah swallowed by fog

It’s a special breed of aggro that emerges as a result of living in the most densely populated state in the union, and New Jersey’s Pariiah have it to spare. Bringing together sludge tonality with elder-style New York hardcore lumbering riffs on their Trip Machine Laboratories tape, Swallowed by Fog, they exude a thickened brand of pissed off that’s outright going to be too confrontation for many who take it on. But if you want a middle finger to the face, this is what it sounds like, and the six songs (compiled into four on the digital version of the release) come and go entirely without pretense and leave little behind except bruises and the promise of more to come. They’re a new band, started in this most wretched of years, but there’s no learning curve whatsoever among the members of Devoid of Faith, The Nolan Gate, Kill Your Idols, Changeörder and others. I’d go to Maplewood to see these cats. I’m just saying. Maybe even Elizabeth.

Pariiah on Bandcamp

Trip Machine Laboratories website

 

Saavik, Saavik

saavik saavik

So you’ve got both members of Holly Hunt in a four-piece sludging out with spacey synth and the band is named after a Star Trek character? Not to get too personal, but that’s going to pique my interest one way or the other. Saavik — and they clearly prefer the Kirstie Alley version, rather than Robin Curtis, going by drummer Beatriz Monteavaro‘s artwork — are damn near playing space rock by the end of “He’s Dead Jim,” the opener of their self-titled debut EP, but even that’s affected by a significant tonal weight in Didi Aragon‘s bass and the guitar of Gavin Perry, however much Ryan Rivas‘ synth and effects-laced vocals might seem to float overhead, but “Meld” rolls along at a steadier nod, and “Horizon” puts the synth more in the lead without becoming any less heavy for doing so. Likewise, “Red Sun” calls to mind Godflesh in its proto-machine metal stomp, but there’s more concern in Saavik‘s sound with expanse than just pure crush, and that shows up in fascinating ways in these songs.

Saavik on Thee Facebooks

Other Electricities on Bandcamp

 

Mountain Tamer, Psychosis Ritual

mountain tamer psychosis ritual

There’s been a dark vibe all along nestled into Mountain Tamer‘s sound, and that’s certainly the case on Psychosis Ritual, with which the Los Angeles-based trio make their debut on Heavy Psych Sounds. It’s their third full-length overall behind 2018’s Godfortune // Dark Matters (review here) and 2016’s self-titled debut (review here), and it finds their untamed-feeling psychedelia rife with that same threat of violence, not necessarily thematically as much as sonically, like the songs themselves are the weapon about to be turned on the listener. Maybe the buzz of “Warlock” or the fuckall echo of the prior-issued single “Death in the Woods” (posted here) aren’t out there trying to be “Hammer Smashed Face” or anything, but neither is this the hey-bruh-good-times heavy jams for which Southern California is known these days. Consider the severity of “Turoc Maximus Antonis” or the finally-released screams in closer “Black Noise,” which bookends Psychosis Ritual with the title-track and seems at last to be the point where whatever grim vibe these guys are riding finally consumes them. Mountain Tamer continue to be unexpected and righteous in kind.

Mountain Tamer on Thee Facebooks

Heavy Psych Sounds on Bandcamp

 

Centre El Muusa, Centre El Muusa

centre el muusa centre el muusa

Hypnotic Estonian psychedelic krautrock instrumentals not your thing? Well that sounds like a personal problem Centre El Muusa are ready to solve. The evolved-from-duo four-piece get spaced out amid the semi-motorik repetitions of their self-titled debut (on Sulatron), and that seems to suit them quite well, thanksabunch. Drone trips and essential swirl brim with solar-powered pulsations and you can set your deflectors on maximum and route all the secondaries to reinforce if you want, there’s still a decent chance 9:53 opener an longest track “Turkeyfish” (immediate points, double for the appropriately absurd title) is going to sweep you off what you used to call your feet when that organ line hits at about six minutes in. That’s to say nothing of the cosmic collision later in “Burning Lawa” or the just-waiting-for-a-Carl-Sagan-voiceover “Mia” that follows. Even the 3:46 “Ain’t Got Enough Mojo” lives long enough to prove itself wrong. Interstellar tape transmissions fostered by obvious weirdos in the great out-there in “Szolnok,” named for a city in Hungary that, among other things, hosts the goulash festival. Right fucking on.

Centre El Muusa on Thee Facebooks

Sulatron Records webstore

 

Population II, À La Ô Terre

Population II a La o Terre

The first Population II album, a 2017 self-titled, was comprised of two tracks, each long enough to consume a 12″ side. Somehow it’s fitting with the Montreal-based singing-drummer trio’s aesthetic that their second long-player, À la Ă” Terre, would take a completely different tack, employing shorter freakouts like “L’Offrande” and “La Nuit” and the garage-rocking “La Danse” and what-if-JeffersonAirplane-but-on-Canadian-mushrooms “Ă€ la Porte de Demain” and still-more-drifting finisher “Je Laisse le Soleil Briller” amid the more stretched out “Attaction,” the space-buzzer “Ce n’est RĂ©ve” while cutting a middle ground in the greaked-out (I was gonna type “freaked out” and hit a typo and I’m keeping it) “Il eut un Silence dans le Ciel,” which also betrays the jazzy underpinnings that somehow make all of Ă€ la Ă” Terre come across as progressive instead of haphazard. From the start to the close, you don’t know what’s coming next, and just because that’s by design doesn’t make it less effective. If anything, it makes Population II all the more impressive.

Population II on Thee Facebooks

Castle Face Records website

 

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Jason Simon to Release A Venerable Wreck May 22; Streaming “The Same Dream”

Posted in Whathaveyou on March 12th, 2020 by JJ Koczan

jason simon

Now we’re talkin’, but the catch is we’re talkin’ in a language only aliens can understand. Jason Simon of Dead Meadow will issue his first solo LP since 2016’s Familiar Haunts (review here) on May 22 through Chile’s BYM Records. Titled A Venerable Wreck, the record is advanced by the banjo-based “The Same Dream,” which is… just gorgeous. It’s just gorgeous. Clean out your ears and take a listen. Really. I could go on and on about what Dead Meadow have contributed to psych-gaze over the years, or how I dug Simon‘s last record and the Old Mexico self-titled (review here) he was a part of that came out last year on Cardinal Fuzz, but it’s more important that you spend your next three-plus minutes listening to the track, so whatever, just go do that. It’s at the bottom of the post, like always.

Some PR wire info to read while you listen, preorder link included:

jason simon a venerable wreck

JASON SIMON: A VENERABLE WRECK LP OUT ON 5/22

NEW TRACK THE SAME DREAM

Anachronistic troubadour, Jason Simon has announced the release of a new solo album for May 22nd. A Venerable Wreck will be released on LP/Digi via Chilean label, BYM Records (Föllakzoid, Chicos de Nazca, The Ganjas). With this announcement is the leak of first single The Same Dream which is a bucolic dose of lysergic Americana mainly composed of Simon’s banjo-picking and voice.

Speaking on the track (which he has already been playing in live shows recently) he said The Same Dream was written on a banjo where I’ve attached a 60’s gold foil pickup to the head allowing it to be amplified in way akin to an electric guitar and using a tuning I picked from the likes of Clarence Ashley and Dock Boggs. Lyrically the song investigates our shared delusions inherent in the concept of endless economic growth.

Though Simon has explored the amplified range of psychedelia for the past two decades fronting Dead Meadow, his solo material is used for the exploration of intimate and stripped-back music that touches upon country-tinged Psych-folk and more avant-garde moments. While it’s mostly Simon on the record, a circle of musicians including Nate Ryan of The Warlocks and Mark Laughlin, his band-mate in Dead Meadow were brought in to add their ingredients to a melting pot of arrangements.

Album pre-order: http://bymrecords.com/releases/148

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https://jasonsimon.bandcamp.com/releases
http://deadmeadowstore.bigcartel.com/
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