DVNE‘s Bandcamp updated overnight (or at least I saw the email this morning) to account for the new release, and the PR wire made it official just a bit ago that Voidkind, the third LP from the Edinburgh-based progressive/post-metallers, will be out April 19 on Metal Blade. Am I crazy or does that seem like a time crunch? Singles are starting to roll out for records that aren’t coming until June, and April 19 is just five weeks away.

Maybe they’re in a hurry, and with the coinciding tour also coming up quickly, fair enough. Keeping good company as they go, DVNE will embark on their Spring tour of the UK and Europe on April 23, just on the other side of Voidkind‘s release weekend. So perhaps that’s where some of the urgency comes from, or maybe that’s just me feeling the after-effects of listening to the new single “Plerõma,” with its winding riff and striking melodic turn. As with DVNE‘s 2021 long-player, Etemen Ænka (review here), the new album will be out on Metal Blade.

I’ll also note this isn’t the first time a band has cited the game Dark Souls (released 2011 for PS3/Xbox, remastered in 2018, with sequels in 2012 and 2016) as inspiration. I only mention it in case you, like me, just got out of an 835-hour relationship with Tears of the Kingdom and are looking for something on the rebound.

Meanwhile, preorders are up, the video’s at the bottom of the post and the album info and tour dates came from the PR wire.

Have at it:

DVNE: Scottish Progressive Post-Metal Collective To Release Voidkind April 19th On Metal Blade Records; New Video/Single Now Playing + Preorders Available

Scottish progressive post-metal act DVNE will release their new full-length, Voidkind, on April 19th via Metal Blade Records.

Formed in Edinburgh in 2013 by Frenchman Victor Vicart and native Scot Dudley Tait, progressive post-metal/sludge artisans DVNE have been building a powerful head of steam since their second album, 2021’s kaleidoscopically mesmerizing Etemen Ænka. Their first release for the legendary Metal Blade Records label, the LP was a concerted hike up the greasy pole for this enigmatic outfit, enabling DVNE to embark on UK and European headline tours and win spots at such discerning festivals as Hellfest, ArcTanGent, Desertfest, Damnation, and Resurrection. A live EP of reimagined album tunes, 2022’s Cycles Of Asphodel, kept up their profile while satiating demand from a rapidly mushrooming fanbase, and now in 2024, stunning third album Voidkind looks set to propel this expanded five-piece line-up (welcoming Maxime Keller on keyboards) to the top of their game.

Voidkind succeeds in finding new modes of expression for DVNE. The songs are more pointed, direct, and memorable, but the soundscape still has a radiant, evolving, hypnotic flow, the effect achieved with fewer layers of sonic ornamentation, consciously urging closer to DVNE’s incendiary live sound. And despite the addition of a full-time keyboardist, Vicart has no doubt about the album’s defining feature, “We wanted very distinct left and right guitars, and punchier drums and bass, which would transcribe better live. And the synths needed to be clearer; it’s very easy to put five guitars on each side, loads of different vocals and keys, but then you end up watching a band with an album you really like, and the songs sound nothing like the record. That’s what we wanted to avoid. As soon as the song starts, we want people to immediately recognise the riff.”

Conceptually, the lyrics continue the band’s overarching narrative – “following a religious group through the generation line from the beginning to its end” – while Voidkind’s extraordinary sleeve art depicts the main theme of this chapter, namely, “a godlike entity seducing and luring followers through their dreams and these followers’ multigenerational journey to reach their god dimension.”

One book that has been particularly impactful on the band’s thought process: 1989 novel Hyperion by Dan Simmonds. Notes Vicart, “It’s a very dark Sci-Fi book with loads of interesting parts, so you can go really prog with it, but you can also go more violent and animalistic.” Further inspirational touchstones include FromSoftware video game Dark Souls, and the Japanese manga series that inspired it, Berserk, “It’s a very cool, violent, psychedelic, medieval dark fantasy,” explains Vicart. “We wanted to have these kinds of visuals and aesthetics on this album, in this mix-up of things. Even without the vocals we wanted to evoke something, different places and spaces, and take the listener on a journey.”

Vicart further elaborates on the themes driving “Plerõma,” the first single from Voidkind, and its accompanying video, which was directed by Vicart, “Plerõma is a concept that has appeared in Gnosticism, Greek Philosophy, and Judeo-Christian religions. In Gnosticism, it is the spiritual universe as the abode of God and of the totality of the divine powers and emanations. It is also the ultimate source of transformation. ‘Plerõma’ is a key moment of the album narrative where religious followers are consuming the essence of their deity and reach a new sense of awakened existence. It is the first step in their transformation. Musically, it also represents something similar to us, as it is a song that is bringing new elements that we didn’t explore musically until that point.”

Voidkind was recorded between September and November 2023 in Edinburgh at Craigiehall Temple and Byres Farm in Scotland and features the stunning artwork of Felix Abel Klae.

The record will be released on CD and digital formats as well as 2xLP in the following color variants:

Burnt Skin Marble (US)
White Black Marble (US)
Dark Crimson Marbled (EU)
180g Black (EU)
Grey Brown w/ Black Smoke (EU – ltd. 500)
Crystal Clear (EU – ltd. 300)
White/Black Dust (EU – ltd. 300)
Clear w/ Black Smoke (EU – ltd. 666)
Clear w/ Black, Red + Gold Splatter (EU – ltd.200)
Clear w/ Black Smoke (Band Exclusive – ltd. 666 available HERE)
Clear w/ Black, Red + Gold Splatter (Band Exclusive – ltd. 200 available HERE)

Find preorders at metalblade.com/dvne.

Voidkind Track Listing:
1. Summa Blasphemia
2. Eleonor
3. Reaching for Telo
4. Reliquar
5. Path of Dust
6. Sarmatae
7. Path of Ether
8. Abode of the Perfect Soul
9. Plerõma
10. Cobalt Sun Necropoli

Following the release of Voidkind, DVNE will embark on a European Spring tour which includes shows with Sleemo, Conjurer, and My Diligence on select dates. See all confirmed dates below.

DVNE Live:
4/23/2024 The Cluny – Newcastle, UK w/ Sleemo
4/24/2024 Brudenell — Leeds, UK w/ Sleemo
4/25/2024 Voodoo Daddies – Norwich, UK w/ Sleemo
4/26/2024 Green Door Store – Brighton, UK w/ Sleemo
4/27/2024 The Exchange – Bristol, UK w/ Sleemo
4/28/2024 Devils Dog – Birmingham, UK w/ Sleemo
5/04/2024 Headbangers – Ball Izegem, BE w/ Conjurer
5/05/2024 P8 – Karlsruhe, DE w/ Conjurer
5/07/2024 Casseopia – Berlin, DE w/ Conjurer
5/08/2024 Rosenkeller – Jena, DE w/ Conjurer
5/09/2024 Schon Schön – Mainz, DE w/ Conjurer
5/10/2024 Dunk Festival – Ghent, BE
5/11/2024 Hall Of Fame – Tilburg, NL w/ Conjurer
5/16/2024 La Belle Angele – Edinburgh, UK
5/19/2024 Desertfest, – London, UK
5/22/2024 Le Ferrailleur – Nantes, FR w/ My Diligence
5/23/2024 Le Confort Moderne – Poitiers, FR w/ My Diligence
5/24/2024 Le Rex – Toulouse, FR w/ My Diligence
5/26/2024 L’Antirouille – Montpellier, FR w/ My Diligence
5/28/2024 Les Caves du Manoir – Martigny, CH w/ My Diligence
5/29/2024 Amperage – Grenoble, FR w/ My Diligence
5/30/2024 La Laiterie – Strasbourg, FR w/ My Diligence
5/31/2024 Black Lab – Lille, FR w/ My Diligence
6/01/2024 Le Petit Bain – Paris, FR w/ My Diligence
6/02/2024 Club Zentral – Stuttgart, DE
6/04/2024 Rockhouse – Salzburg, AT
6/05/2024 Dürer Kert – Budapest, HU
6/06/2024 Escape – Vienna, AT
6/08/2024 Mystic Festival – Gdansk, PL
6/09/2024 Into The Grave Festival – Leeuwarden, NL
6/11/2024 Le Botanique – Brussels, BE w/ My Diligence
6/19/2024 Copenhell – Copenhagen, DK

DVNE Album Lineup:
Allan Paterson – guitars, bass
Daniel Barter – vocals
Dudley Tait – drums
Maxime Keller – keys, vocals
Victor Vicart – guitars, keys, vocals

DVNE Live Lineup:
Allan Paterson – bass
Daniel Barter – guitar, vocals
Dudley Tait – drums
Maxime Keller – keys, vocals
Victor Vicart – guitar, vocals
Occasional Live Member:
Alexandros Keros – bass

https://www.facebook.com/DvneUK
https://www.instagram.com/dvne_uk/
https://songs-of-arrakis.bandcamp.com/

https://www.facebook.com/metalbladerecords
https://www.instagram.com/metalbladerecords/
https://www.metalblade.com/

DVNE, “Plerõma” official video

DVNE, Voidkind (2024)

So I guess this is the last announcement for the lineup of Desertfest London 2024, and I’ll just say I kind of love the casual manner in which the festival set for May 17-19 tosses in another 30-plus names for the bill. Oh no big deal but here’s like two more fests we’re just gonna add while we give you the schedule. Badass. There’s a lot to dig here on all levels, from the headliners — that Friday at The Electric Ballroom, also Saturday and Sunday, looks pretty sweet — and while I’d set up camp at The Underworld on Saturday, no question I’d have to abscond from that home base to at least catch a bit of Saint Karloff, Acid King, and so on, and, well, on Sunday I’m actually kind of relieved I’m just pretending to have to pick one spot to be in, as each room has a distinctive pull. DVNE and Morag Tong or Borracho and Kadabra? Ufomammut and Monolord or Stinking Lizaveta, Darsombra and Orme? This shit is hard sometimes.

You could go on here in choose-your-adventure daydreaming, and frankly I’d encourage you to do just that. Worst that happens is you end up listening to good music. Or, you know, going to the fest, which would also be the best thing that could happen. Here’s why:

Desertfest London announces day splits and 32 additional artists

Friday 17th May – Sunday 19th May 2024
Weekend & Day Tickets now on sale

Desertfest London has revealed their day and stage splits for their 13th edition, taking place this May across multiple venues in Camden, London.

The festival proudly welcomes Masters of Reality as Friday’s Electric Ballrooms headliners, with Chris Goss at the helm providing a master-class in desert sounds. Plus, newly announced for this stage are Colour Haze and Frankie and The Witch Fingers who will join Brant Bjork Trio and Mondo Generator to kick off the weekend in true Desertfest style. Mantar and Raging Speedhorn will shake-up the Underworld, whilst Brume and Alber Jupiter psych-out at The Black Heart.

Saturday sees skate-punk legends Suicidal Tendencies back in London for the first time in seven years, as they decimate the equally legendary Roundhouse. Joined by Cancer Bats, Bongripper, Acid King and newest addition to the bill, Pest Control. Saturday’s Roundhouse stage is undeniably a melting pot of genres, but celebrating one common thread – insane live performances. Elsewhere, Maserati, Monkey3, Domkraft, Wet Cactus and many more will level Camden to the ground.

Back at the Ballroom on Sunday night, the festival enters its final day with a dose of experimental heaviness from Godflesh, Ozric Tentacles, Monolord, Ufomammut & Ashenspire. Additionally, Desertfest will be welcoming Bat Sabbath, the Black-Sabbath cover band formed by Cancer Bats to close out the entire weekend at our Underworld Stage after-party. Plus, DVNE, Nightstalker, Astroqueen, Stinking Lizaveta & The Grudge, with a hell of a lot more will be rounding off the weekend’s festivities.

Across the weekend, Desertfest has also newly announced the likes of Morag Tong, Borracho, Noisepicker, Gramma Vedetta, Lodestar, Kulk, Earth Tongue, Skypilot, Wolfshead, Weedsnake, Orsak:Oslo, WAXY, Horndal, Silverburn, Fires In The Distance, Sleemo, Midwich Cuckoos, Akersborg, Grand Atomic, Voidlurker, Under The Ashes and Fuz Caldrin.

Weekend & Day Tickets for the event are on sale now via www.desertfest.co.uk

Full line-up
SUICIDAL TENDENCIES | MASTERS OF REALITY | GODFLESH | OZRIC TENTACLES BONGRIPPER | MONOLORD | ACID KING | UFOMAMMUT | COLOUR HAZE | BRANT BJORK TRIO | MASERATI | MANTAR | MONDO GENERATOR | CLOAKROOM | MONKEY3 | FRANKIE & THE WITCH FINGERS | NIGHTSTALKER | BLANKET | BAT SABBATH | DVNE | PEST CONTROL | RAGING SPEEDHORN | ASHENSPIRE | DOMKRAFT | ASTROQUEEN | PIJN | SUNNATA | BRUM | WAKE | KAL-EL | ALBER JUPITER | SUGAR HORSE | STINKING LIZAVETA | WET CACTUS | PSYCHLONA | MORAG TONG | KADABRA | BORRACHO | THE GRUDGE | DARSOMBRA | SERGEANT THUNDERHOOF | GRAMMA VEDETTA | SAINT KARLOFF | LODESTAR | LORD ELEPHANT | GOZER | ACID THRONE | KULK | EARTH TONGUE | DUSKWOOD| GOBLINSMOKER | SKYPILOT | BOREHEAD | ORME | WOLFSHEAD | CLOUDS TASTE SATANIC | WEEDSNAKE | NOISEPICKER | ORSAK:OSLO | WAXY | HORNDAL | SILVERBURN | FIRES IN THE DISTANCE | SLEEMO | SAGAN | MIDWICH CUCKOOS | AKERSBORG | WARPSTORMER | GRAND ATOMIC | VOID LURKER | UNDER THE ASHES | SONIC TABOO | WIZDOOM | FUZ CALDRIN

DAY / STAGE SPLITS FOR DESERTFEST LONDON 2024

Friday 17th May
Electric Ballroom
MASTERS OF REALITY
COLOUR HAZE
BRANT BJORK
MONDO GENERATOR
FRANKIE & THE WITCH FINGERS

Underworld
MANTAR
RAGING SPEEDHORN
WAKE
WEEDSNAKE
GRAND ATOMIC

Dingwalls
CLOAKROOM
BLANKET
SUGAR HORSE
PIJN
SLEEMO

Black Heart
BRUME
ALBER JUPITER
CLOUDS TASTE SATANIC
ORSAK:OSLO
SAGAN
BOREHEAD

The Dev
GOBLINSMOKER
WARPSTORMER
WOLFSHEAD
VOIDLURKER
AKERSBORG

Saturday May 18th
Roundhouse
SUICIDAL TENDENCIES
CANCER BATS
BONGRIPPER
ACID KING
PEST CONTROL

Underworld
MASERATI
MONKEY3
DOMKRAFT
SUNNATA
SERGEANT THUNDERHOOF
KAL-EL

Black Heart
WET CACTUS
DUSKWOOD
EARTH TONGUE
SAINT KARLOFF
LORD ELEPHANT
SONIC TABOO

The Dev
ACID THRONE
HORNDAL
UNDER THE ASHES
FIRES IN THE DISTANCE
WIZDOOM

Sunday May 19th
Electric Ballroom
GODFLESH
OZRIC TENTACLES
MONOLORD
UFOMAMMUT
ASHENSPHIRE

The Underworld
BAT SABBATH (after-party)
NIGHTSTALKER
ASTROQUEEN
PSYCHLONA
BORRACHO
KADABARA
NOISEPECKER

Dingwalls
DVNE
MORAG TONG
KULK
LODESTAR
SILVERBURN

Black Heart
STINKING LIZAVETA
DARSOMBRA
GOZER
SKYPILOT
ORME
GOAT MAJOR

The Dev
THE GRUDGE
GRAMMA VEDETTA
WAXY
MIDWICH CUCKOOS
FUZ CALDRIN

TICKETS ON SALE – www.desertfest.co.uk

http://www.desertscene.co.uk/support
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://www.desertfest.co.uk/

Monkey3, “Collision” visualizer

Edinburgh-based heavy progressive metallers DVNE are set to hit the road across the UK next April as a precursor to appearing at Resurrection Fest in Spain and ArcTanGent in England. They go ostensibly as they continue to support 2021’s Etemen Ænka (review here), which will be two years old by the time these shows start, but is a cause worth supporting nonetheless. And for the merch table, they did issue a live album earlier this year. Actually, I wouldn’t necessarily be surprised if they put together an EP or something ahead of next Spring and Summer and hit the road harder again, but if this is it, then at least they’re getting out. Certainly right around March 2021 there wasn’t a lot of that happening, UK or elsewhere.

I was fortunate enough to catch DVNE for the second time this past summer as they appeared at Freak Valley Festival (review here), and hearing the complex structures and melodies from Etemen Ænka come through with no letup on impact — that blend of progressivism and heft — was only reassuring when it comes to their presentation of the work live. I guess that’s my way of saying if you dug the record — stream is below for a refresher — you won’t be disappointed by how they present it live, as sharply-produced as that album is.

Shows shows shows. You like shows, right? Cool:

DVNE 2023 UK tour kicking off in April!

We’ll be playing 6 headlining shows with a beautiful tour support (soon to be revealed). Tickets info at:
https://www.songsofarrakis.com/pages/tour

TUE 11 APRIL Stereo Glasgow, UK
WED 12 APRIL Nottingham Bodega Nottingham, UK
THU 13 APRIL The Corporation Sheffield, UK
FRI 14 APRIL Crofters Rights Bristol Bristol, UK
SAT 15 APRIL Oslo Hackney London, UK
SUN 16 APRIL Soup Manchester, UK
WED 28 JUNE – SAT 1 JULY Resurrection Fest 2023 Viveiro, Spain
WED 16 AUGUST ArcTanGent 2023 Compton Martin, UK

Excited to get back on the road.

Art by Chris J Alliston

Dvne line-up:
Victor Vicart – guitar, vocals, keys
Dudley Tait – drums
Daniel Barter – guitar, vocals
Allan Paterson – bass
Maxime Keller – keys

https://www.facebook.com/DvneUK
https://twitter.com/SongsOfArrakis
https://www.instagram.com/dvne_uk/
https://songs-of-arrakis.bandcamp.com/

https://www.facebook.com/metalbladerecords
https://www.instagram.com/metalbladerecords/
https://www.metalblade.com/

DVNE, Etemen Ænka (2021)

Freak Valley Festival 2022 – Day 2

Thu. – 12:47PM – In a tent

A lot going on as the festival and its many volunteers — designated by crew shirts from various years — get ready for the first full day. First band is on in about 70 minutes.

I crashed out hard last night after a vigorous round of nesting — pillows here, water bottle there, white noise on, window open to let cool air in, book loaded on tablet so I could look at words for about seven seconds before falling asleep, etc. — and woke up with the alarm at 10AM, which is only ironic because that’s 4AM at home and I might be up then on any given day anyhow. What jetlag?

Hydrated. Took ibuprofen, drank three cups of drip coffee and some assemblage of espressos — two doubles and then some — ate a protein bar and got my head right before coming back here. DVNE growling through soundcheck right now is hilarious. Not everyone can do that without music behind. Now singing clean in French. Chuckles from those lounging nearby.

The sun is out and there’s more of a breeze so far, though it will get warmer over the next couple hours. It doesn’t matter though. FVF provides places to be, whether it’s the seats on the side or this tent or the hammocks under the trees in back, and so on. People go, have a smoke, catch their breath, rest before the next thing. I am sitting in a chair, as opposed to a bench or on the ground. This itself feels like a novelty, and backstage has its own amenities, including bathrooms and places to fill your water bottle.

There are three more bands on the bill today than yesterday and the last of them is Pelican, which I hope will feel like a wonderful moment of arrival after the long stretch. But we’re in it now with doors open and the hangover soon to give way to new drunkenness. Folks went hard last night, and it wasn’t just Mr. Roomtwentynine. I’ll be interested to see how it goes once the music starts, which it will soon enough.

Notes on the day, taken as it happened:

DVNE

What a way to start the day. The largely uptempo UK post-metal outfit probably aren’t used to playing in sunshine, but all the better to see them obliterate. I’ve been lucky enough to catch DVNE live before, at Psycho Las Vegas a few years back (everything was a few years back), but the Etemen Ænka (review here) record that they put out between them and now brought them to a new level. They sound like a band who put work and conscious thought into the atmospheres they create — progressive in that way — and their clear desire to not do the same thing all the time, to distinguish themselves even among the crowded sphere of post-metal is something to deeply respect, all the more because they do it. And just when they seem to get all caught up in a mire of tense, complicated prog-metal noodling, that’s when they turn around and bash you over the head with a riff and if you can’t get down with that, why even have ears? Their sound goes as deep as you’re willing to follow it and on stage they back that cerebralness with due passion-derived force. Or, if you prefer the short version, this is a cool fucking band. I was surprised it wasn’t being filmed, but I guess one can’t have everything.

—

Supersonic Blues

Hey, guess what? Been a few years since I last saw Netherlands classic rockers Supersonic Blues. Shocking, right? Well, earlier this year they put out their awaited debut album, It’s Heavy (review here) on Who Can You Trust? Records, and man, that record is a burner. A boogie burner, even better. Seeing and hearing them play songs from it put them high on my list of anticipated bands for Freak Valley 2022, but that they played as a two-guitar four-piece and seemed to take a special jammy pleasure in doing so made them even more enjoyable to watch. You wouldn’t call them innovative — and that’s not intended as a slight, they’re actively trying not to reinvent the wheel — but their songs and vibes are tremendous fun. One of those bands who are mellow no matter how heavy they get, and who seem to find a sweet spot between ’70s grooves and a kind of laid back melodicism. There’s a part of me that hopes they never add a keyboardist and go prog — which is what a goodly portion of the bands who influenced Supersonic Blues ended up doing — but time will tell of their ultimate direction. Right now, and for the last five or so years, they’re a blast. A party that’s been waiting for you to show up. They brought their own drums.

—

Kosmodome

My first time seeing Kosmodone, whose name I’ve seen around a lot. I’ve played them on the Gimme Metal show before, but not really written about them, but they remind a bit of Hypnos 69’s warm prog, their stage arrangement such that the drummer/vocalist is off to the side rather than behind the guitars and bass, which is kind of where the keys are. They’re young, which means they can play prog without needing to stand still on stage and maybe have some Motorpsycho influence, and it’s hard to be really immersive when it’s broad daylight and still heating up, but whatever, it’s a good time. In the hills around there are hawks circling the woods, or maybe that’s the campsite, I don’t know. Either way, Kosmodome released their self-titled album last December and dedicated “The 1%” from it to all the children in the crowd, and yes, there are plenty of them and a few more clearly impending. I can’t imagine my family, my wife and son, would enjoy this — he might for a while but then would be trying to get on stage, she simply wouldn’t — but it would be an interesting experiment. Kosmodome came here from Bergen, Norway, and it occurs to me I have no clue how far away that is. Hard to get your bearings at a thing like this. But I know today’s Thursday, because that’s when Kosmodome played. They closed with “Orbit,” which also finishes the record, and I might have to buy this album now.

—

Les Big Byrd

Hell yes Swedish space rock. This was my first experience with Les Big Byrd — and they pronounced it “less” on stage rather than the French “lay” Big Byrd — but however you want to say it they brought trance groove to the hottest part of the day, riding motorik groove and a balance between songwriting and jamming with similar ease. As I’d never heard them, their synth-laced sound hit a laid back feel just right, and they also had a side-of-stage drummer, like Kosmodome, except on the other side, and he did backing vocals. They said they’ll have a new record out this Fall, and if I had any idea what month it is, I might know how far away that is from now, but at least I’ll know to keep an eye out for it. I’d dozed in the shade prior to their going on, my new hippie hat over my face, and they made easing back to full consciousness smoother than, say, Mondo Generator probably would. I chased down some coffee later in the set in the interest of remaining upright for the second half of the day’s lineup and they were done by the time I got back, but I’d watched a bit out front on the grass, people dancing on either side of me to the fluid sounds. I’ll take it.

—

Mondo Generator

Would you fuck with Mondo Generator? I wouldn’t. Seems like a good way to get punched. They’re like punk rock aggro taken to its natural extreme; a legacy of dirty, fucked up, angry — and in their case, heavy — rock and roll that is dangerous and in pursuit of danger as the end. Nick Oliveri doubles in Stöner with Brant Bjork these days, but it’s been nearly a decade since last time I saw Mondo Generator (review here) and they were a four-piece then, but they worked well as a trio. The rawer the better. Mike Pygmie I saw a few weeks ago playing with John Garcia at Desertfest New York (review here), but it’s been years since I watched the malleable Mike Amster bash away at a drum kit, and that was a pleasure as well. I don’t think I’ll ever be intense enough for Mondo Generator, but I’m honestly not sure anyone is. All the more reason to put Kyuss and Queens of the Stone Age songs in the set: no one’s gonna argue with “Green Machine” and “Thirteenth Floor,” or at very least no one here. Even when they slow down though, they’re mean, and after they closed with “Tension Head” into “Allen’s Wrench” and “Millionaire,” just to make sure everybody goes home happy after getting their ass kicked., the crowd called for one more and apparently they had time, so they threw in Queens of the Stone Age’s “Six Shooter” with Oliveri putting down the bass and just singing. That was a fun 90 seconds for sure.

—

The Atomic Bitchwax

Yay! If we’re being completely honest with each other, that’s about the extent of my depth of insight watching The Atomic Bitchwax right now. I’ll never claim to be impartial about this band, however many times I may be so fortunate as to see them or write about them, but they’re just one of the tightest heavy rock acts you’ll ever see. A couple weeks ago they absolutely flattened me at Saint Vitus Bar in Brooklyn (review here) and it was nothing but a joy. Similar set here, the lines about songs about Kung Fu and shouting out “Kiss the Sun” to the ladies, etc., but they tore into it and were a blowout and a blast and probably six or seven other adjectives that collectively round down to “quite exciting, indeed,” while also exuding glee at doing so, Bob Pantella, Garrett Sweeney and Chris Kosnik (who I’m starting to think of writing in for the upcoming US midterm congressional election) simply working at another level from just about everybody and giving Mondo Generator a run for their money without the same kind of aggression behind it. What a tour that would be. ‘Too Fast for Your Brain 2022.’ I know things are about to take a mellower turn, but these guys were the kick in the ass I needed heading into the rest of the night. A heartfelt fucking a, The Atomic Bitchwax. Thanks for the boost. And for “So Come On.” And that slowdown and speed up in “Shitkicker.” And the Deep Purple. Right on.

—

Toundra

After 9PM just now and still very light out. I guess that’s why I was disoriented last night, because night happened at a different time. Also the no sleep. I’ll admit to being relieved watching Toundra. I was expecting a big post-Bitchwax comedown, but that’s not at all what Spanish instrumentalists Toundra delivered. I’ve heard them before, written about them before, but as dug-in as their style is in that vaguely-My-Sleeping-Karma-ish progressive-meditative-sans-vocal heavy, they were jumping around on stage while they played it. It can be done! And even the dreamier stretches were given a push that was a perfect accompaniment to the richness of their tones and the lead guitar lines floating overhead. For a crowd who’ve largely spent already the last seven-plus hours drinking, or just for me who could use another coffee (perpetually), they were outright engaging to the crowd — very definitely a show — without giving up their progressive aspects. That’s not an easy thing to pull off, and they were treated with due respect by the crowd, I’m sure some of whom saw them here when they played in 2016. As I didn’t, I’m glad I’m seeing them now. If that makes me late to the party or whatever, fine. Story of my life. And yes, they had their “Stones From the Sky” moment. Someone in the back behind the lawn, by the merch and food, was burning incense. Balloons were being batted around until meeting their inevitable end. Kids sat on parents’ shoulders. Freak Valley could give classes in how to define heavy peace. Subsection on the syllabus for this set right now. How lucky I am to be here.

—

Endless Boogie

The app I use to order pizza just sent me a “hey you should order a pizza notification.” It’s like somehow it knew Endless Boogie were playing. It’s usually right anyway, and the theory applies here if not the logistics. Paul Major, center stage, guitar in hand, occasionally grumping into the microphone while grooving out — this is kind of a band you need to see live to understand. And they’re from New York. And I live in New Jersey. And I’ve seen them once before this. And it was in Europe. If you have a “go figure” file, that can go right in there. They’re hitting it though. As mellow as their records can be, and as only-on-their-own-clock as they come across, their material isn’t staid or unipolar. It’s a classic kind of dynamic and nothing fancy on paper, but if you want dig a band Endless Boogie are a band to dig, and that’s a compliment. What they’re doing on paper couldn’t be simpler — starting out and seeing where it goes — but what distinguishes them is their personality as players — and that’s not just Major either — and the conversing they do as they ooze through one movement to the next, one jam to the next. I’ll spare you wax poetics in the spirit of Manhattan concrete, but whatever they might have in common with whoever, they are their own thing. Once again, people are dancing, even bigger bubbles are being blown, and meanwhile the band is on stage ripping it up. They dedicated the entire last half-hour of their set to one song, a flowing jam with repeated cycles about smoking in the house that also magically became space rock. There really is nothing like a band who keep their word.

—

Pelican

I’m going to try to assemble a few coherent thoughts, but I can’t promise anything as regards making sense. What I didn’t realize throughout today was just how much it was building toward Pelican, and just how much the veteran Chicago instrumental four-piece were positioned as a culmination. They were the point of convergence. I’m not going to list the tie to each act, because why would I?, but as well as setting the course for an innumerable amount of acts in terms of their influence, they also kick a good deal of ass. That is to say, they’re a headliner on paper as well as in reality. I lost my left earplug right before they went on — I’d left my bag on the other side of the photo pit, and getting there was a journey; just trust me — but even with two full festival days left, I’m less distraught at the ringing in my ear with them as the cause than I might be other under circumstances. It got chilly after the sun went down, but I found a spot in back to watch them for just a bit before moving elsewhere and the swirling lights, the presence of the band on stage, the volume even after I replaced that earplug — staggering. I don’t even know how many times I’ve used the word “beautiful” in the last two days at Freak Valley, and this probably won’t be the last one either, but that’s really what it was. The end of a long day, people slouching with fatigue, booze, whatever. And then Pelican comes on and it’s this massive waveform of positive energy. A celebration, maybe. I don’t know, but it felt like resonant joy pushed through all that crunching tonality, all that hugeness of nod. Heart. In a universe where authenticity is a myth, Pelican communicate something essential — not quite primal, but not far off — for those ready to accept the invitation to hear it. That’s all. No big deal.

—

06.17.22 – Fri. – 10:54AM – Hotel

Liebe freunden — as the fellow says; it’s a kind of catchphrase for the fest and an appropriate, organic one — it occurred to me last night that I hadn’t had a meal since before I flew out on Tuesday, and that that last meal was composed entirely of Swiss cheese. So yes, breakfast. Some peppery eggs, assorted slices of cheese, coffee. The Karma to Burn of meals. Keep it simple as much as possible. Hydrate. I drank about half a liter of water per band yesterday. Take Advil. Sit down. Breathe to the extent that whatever allergy it is allows. Exist.

I’ve said a fair amount about the music so far, but the atmosphere here shouldn’t be neglected either. The spirit of the place, the green trees, green grass, yes. But also the kindness of the people. I was in the photo pit last night and someone up front in the crowd tapped me on the shoulder and said he probably wouldn’t be there if not for this site. I met a married couple (who’d gotten engaged at the festival in 2017) who were lovely and whose names I remember but won’t say, because, you know.

It’s not for me to be taking pictures of the crowd, of people who aren’t performing, who are there to hang out and enjoy themselves. It seems intrusive. But understand that, being here, the kindness of everybody I’ve met has been as essential as the music, as the setting. The people, the place, the thing. It is all the nouns, spiritually restorative.

Today I will pack a hoodie for the nighttime. Forgive me for being out of practice. I was burning yesterday afternoon and ended up buying a hat as well, so yes, you learn and relearn as you go. But strangers, friends, and strangers who become friends help along the way. Maybe not with showering — that I’ll do on my own — but the rest of it. As loud and raucous and go-go-go as it can be, it’s serene too. An existential butterfly landing on your nose. Just for a moment, I know. Two more days.

Thank you for reading. More pics after the jump.

Read more »

My flight is booked and I’m beyond excited to say that after years of longing to do so even before the covid-19 pandemic, I’ll be attending Freak Valley Festival for the first time in June. I’m not sure yet where I’m staying or how I’m getting to the actual event from the airport, let alone back afterward, but you know, a flight isn’t nothing and I’m honored to have that like I’m honored to see a logo for The Obelisk on the poster. I wrote the announcement below — composed it in the back end of this very post, as it happens — and I’ll drop a hint and say that I know who the special guest is if you can make a fantastic getaway to get to see them. Actually that’s way too vague a hint. Sorry, I can’t think of anything else. If you have your head keyed into early aughts Nasoni Records releases, maybe you’ll come up with it. If not, sorry.

In any case, to say I’m looking forward to this — seeing Geezer and The Atomic Bitchwax on foreign soil, seeing friends in and out of bands, seeing IAH and Temple Fang and Villagers of Ioannina City and Duel and Supersonic Blues and The Midnight Ghost Train‘s reunion and Planet of Zeus and Pelican — well, hot shit, to say I’m looking forward to it borders on laughable. In my head, I’m already there.

Here’s that announcement:

Freaks!

Spring has come to Freak Valley, and somehow the universal image of the season meaning new life manifests for us in an especially killer lot of band announcements. Hey, we don’t judge. Don’t you either.

Did we mention BAND ANNOUNCEMENTS?

Good. Here they are:

THE ATOMIC BITCHWAX

More than 20 years on from their legendary debut album, The Atomic Bitchwax are the train of riffs that wouldn’t stop anyway if it could. They are nothing less than stoner rock royalty and we’re thrilled to welcome them to our lineup. Top frickin’ shelf rock and roll.

ENDLESS BOOGIE

The New York City jammers are nothing if not aptly named. If you’re not familiar, check out last year’s ‘Admonitions’ LP and we know you’ll find it stunningly easy to get on board. When these guys play they’re in their own world. We look forward to getting a glimpse of that.

DVNE

We’re just going to assume that, yes, you heard ‘Etemen Ænka’ when DVNE released it and so you don’t need us to tell you how excited we are to welcome these progressive metallers to the Freak Valley stage. Duh, right? We thought so. Years from now you’ll brag about seeing this band.

TYLER BRYANT AND THE SHAKEDOWN

Tyler Bryant and the Shakedown’s 2020 album, ‘Pressure,’ was a high point of a shit year, and we knew immediately we had to have this Nashville-born blues rocking outfit to our stage. They’ve toured with the likes of Guns ‘n’ Roses and AC/DC, and their swagger is backed up by chops. You will not regret being here for this one.

MADMESS

Hell yes. That fuzz. That drift. That vibe. For a good time, call Madmess’ 2021 LP, ‘Rebirth.’ These Portuguese heavy psychedelic expansionists cast a warmth that’s cosmic and earthy in kind. Their jams are memorable and organic, and they deliver with an energy that’s raw power. Oh it’s gonna be so good. You don’t even know.

DJIIN

That’s not a typo. These French heavy proggers put out their ‘Meandering Soul’ album last year, and we’re still tripping on it. Ambitious landscapes of sound and scope meld fluidly with thoughtful songcraft and gorgeous vocal melodicism. They’re retro enough to be from the future, so it must be the sound of right now. We stoked to meet it in-person.

SPECIAL GUEST!!

Luckily we will also be able to sell some returned full festival tickets soon.

Also Wednesday Tickets for those who already own 3 Day tickets are still available.

Please buy them now!

Rock on – your Rock Freaks

Freak Valley Festival // No Fillers – Just Killers

Freak Valley Festival.

June 15-18 2022

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http://www.freakvalley.de/

The Atomic Bitchwax, Scorpio (2019)

Desertfest London 2022, has concocted the kind of lineup that you daydreamed about for the last two years. Adding 1000mods, Greenleaf, DVNE, Ritual King, Shooting Daggers, Old Horn Tooth and Personal Hell doesn’t hurt in that regard, and even at the cost of C.O.C. and others, I still can’t imagine anyone is gonna look at this lineup and call bullshit. Josiah headlining The Black Heart? YOB at the Roundhouse? Orange Goblin after Earthless at The Electric Ballroom? Holy mackerel. What more could you possibly want?

And if you say C.O.C., you’re missing the point.

It doesn’t look like I’m going to be there, as I was hoping to be, but if you are, you have my jealousy. If you’ll pardon me, I need to go change a diaper. Life.

From socials:

***1000MODS, GREENLEAF, DVNE + MORE ADDED TO DESERTFEST LONDON ’22***

Due to circumstances well beyond our control, the following artists are no longer able to perform at DF London ’22: Corrosion of Conformity, The Obsessed/Wino, Khemmis, Somali Yacht Club, Mos Generator, URNE, Shuck.

We know this news comes as a disappointment however, all is far from lost as we are thrilled to be welcoming 1000mods, Greenleaf, DVNE, Ritual King, Shooting Daggers, Old Horn Tooth & Personal Hell to the bill!

We hope you understand that touring is still extremely difficult to navigate during these times, with a lot of decisions taken out of our hands. But your continued support of independent live music means everything to us. We cannot wait to see you in a little over a month!

If you are still after a weekend ticket, the best thing to do is sign up to the DICE waiting list. Or you can nab yourself a Saturday + Sunday (Non-Roundhouse access) combo ticket here – https://link.dice.fm/Jb083c2cefc7

More info regarding after-parties, merch + a very exciting reveal of what’s going to be on offer down on Greenland Place is all to come.. stay tuned!

https://www.facebook.com/events/464163361105416/
http://www.desertscene.co.uk/support
https://www.facebook.com/DesertfestLondon
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https://www.desertfest.co.uk/

1000mods, Youth of Dissent (2020)

Pick your poison here, it’s all killer. Makes sense when you think about it, too. If you’ve been waiting to have a party for two years, don’t you want to do it up? Thus it is that Sound of Liberation‘s plague-delayed 15th anniversary celebrations have become 17th anniversary celebrations — and frankly, having survived those extra two years is no mean feat either for a booking concern, or, you know, anyone — and the parties will be held June 10-11 in Munich and June 24-25 in Wiesbaden, Germany.

Simply put, the lineups aren’t fucking around. Colour Haze, Fu Manchu, High on Fire, 1000mods, Elder, Ufomammut, My Sleeping Karma, Yawning Man, Monkey3, The Well, Toundra, Villagers of Ionnina City, DVNE, Slomosa, Stoned Jesus, Lucid Void, and more to be announced. That pushes beyond “killer party” and into “this is actually a festival” territory, and after so much delay, I seriously doubt any of the concerned parties have a problem with that.

These will be significant evenings. If you’re going, drink it in.

As posted on socials:

17 YEARS SOUND OF LIBERATION FESTIVALS 2022

*** New Bands *** Day Splits *** Warm-Up Show ***

Dear friends and fans, we are excited to share a bunch of amazing news for our SOL Birthday Bashes in Munich and Wiesbaden with you.

We added some more outstanding acts to our line-ups and there’s an additional warm-up evening happening in Wiesbaden!

17 years Sound of Liberation • Backstage Munich

We’re stoked to finally share the day-splits with you!

Friday, 10th June 2022
Backstage, Munich (GER)
Line-Up: Colour Haze, High On Fire, Elder, UFOMAMMUT, Villagers of Ioannina City, Toundra, DVNE + more TBA
Tickets: http://www.sol-tickets.com

Saturday, 11th June 2022
Backstage, Munich (GER)
Line-Up: Fu Manchu, 1000mods, MY SLEEPING KARMA – OFFICIAL, Yawning Man (Official), monkey3, The Well + more TBA
Tickets: http://www.sol-tickets.com

Single-Day Tickets & Weekend Tickets are available.

17 years Sound of Liberation • Wiesbaden

Our party does now start a day earlier!

We’re proud to welcome no other than mighty UFOMAMMUT (ITA) and rising stars Slomosa (NOR) (+ one more band TBA) to rip down the Kesselhaus at Schlachthof Wiesbaden on June 24th and warm-up our neck muscles for the following full festival day!

Friday 24th June 2022
Official Festival Warm-Up
Schlachthof, Wiesbaden (GER)
Line-Up: UFOMAMMUT, Slomosa + 1 more band TBA
Tickets: http://www.sol-tickets.com

Saturday 25th June 2022
Schlachthof, Wiesbaden (GER)
Line-Up: 1000mods, Elder, MY SLEEPING KARMA – OFFICIAL, Stoned Jesus, The Well, Lucid Void + more TBA
Tickets: http://www.sol-tickets.com

We can’t wait for June, this is happening for real! Grab your tickets and join us in Munich and / or Wiesbaden

Stunning poster artwork by Malleus ROCK ART LAB

https://www.facebook.com/Soundofliberation/
https://www.instagram.com/soundofliberation/
https://www.soundofliberation.com/

High on Fire, “Speedwolf” live in Los Angeles, Aug. 23, 2021

The lineup for Desertfest Berlin 2022 is serious gosh darn business, and no less so with Baroness newly announced as the final night’s headliner. That puts them in the company of Orange Goblin, Kadavar and Electric Wizard, though frankly if you look further down the bill for each of the four days, it’s not like the headliners are the whole story. From Samavayo and Polymoon and YOB and Temple Fang, Lowrider and Black Rainbows to Rotor and Slomosa, it’s a packed roster that by the time it happens (thinking positively now) will have been more than two years in the making. Not, not, not to be trifled with.

Some personal favorites added today, among them SÂVER, Rotor and the aforementioned Temple Fang, but I’m pretty sure I said last time that if the lineup for Desertfest Berlin 2022 was done, they’d be good to go. That opinion hasn’t changed as the festival has gotten more badass.

From the PR wire:

BARONESS HEADLINES DESERTFEST SUNDAY – 10 NEW BANDS, DAY SPLITS & SINGLE DAY TICKETS ON SALE

Friends, we’re proud to present you 10 new names for our Desertfest Berlin 2022, including the last headlining act: the one and only BARONESS (USA)

Please welcome to the bill:

Baroness – BLACK RAINBOWS – DVNE – Rotor – SÂVER – Spirit Adrift – Steak – Temple Fang – Velvet Two Stripes – VUG

Additionally, you can check out the first day splits of our line-up and purchase single day tickets from now on.

TICKETS:
4 day passes + single day tickets are available via www.desertfest.de

INFO:
– 4 day passes are running really low! Be fast before they are gone
– remember that weekend passes from 2020 stay valid automatically but single day tickets from 2020 do NOT! Please check our website for further info

We’re looking forward to Desertfest Berlin A LOT and we hope so are you. Can’t wait to see you all again on May 26th – 29th 2022.

Love,
Your Desertfest Crew

https://www.facebook.com/events/520164272080736
www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Black Rainbows, “Evil Snake” Live at Desertfest Antwerp 2021