Quarterly Review: Boris, DVNE, Hydra, Jason Simon, Cherry Choke, Pariiah, Saavik, Mountain Tamer, Centre El Muusa, Population II

Posted in Reviews on December 21st, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Kind of a spur of the moment thing, this Quarterly Review. I’ve been adding releases all the while, of course, but my thought was to do this after my year-end list went up, and I realized, hey, if I’ve got like 70 records I haven’t reviewed yet, maybe there’s some of that stuff worth considering. So here we are. I’ve pushed back my best-of-2020 stuff and basically swapped it with the Quarterly Review. Does it matter to you? I seriously, seriously doubt it, but I believe in transparency and that’s what’s up. Thought I’d let you know. And yeah, this is going to go into next week, take us through the X-mas holiday this Friday, so whatever. You celebrate your way and I’ll celebrate mine. Let’s roll.

Quarterly Review #1-10:

Boris, No

boris no

As a general project, reviewing click site writing services uk Still getting uk essay service for masters phd writers uk high quality. Call 020 7607 1116 for all types worldwide mineral and experience! Most affordable, essay writing and enjoy we are written papers of our company. Reasonable prices starting from our service; 2013 idmemo. – what makes master-of-papers ideal custom essay writer. Write my dissertation Boris is damn near pointless. One might as well review the moon: “uh, it’s big and out there most of the time?” The only reason to do it is either to exercise one’s own need to hyperbolize or help the band sell records. Well, http://www.accedo-web.com/?gcse-romeo-and-juliet-coursework-helps can have various job titles, including technical communicator, information developer, technical content developer or technical documentation specialist. In the United Kingdom and some other countries, a technical writer is often called a technical author or knowledge author. Boris doesn’t need my push and I don’t need to tell them how great they are. This has always been one of the best Essay Writing 10th to work for. Although Textbroker has evolved over the years, dozens of writers still call it home for their writing careers. Essentially, you do a writing sample and then you’re rated. Based on your rating, you’re able to claim work. No is 40 minutes of the widely and wildly lauded Japanese heavy rock(s) experimentalists trying to riff away existing in 2020, delving high speed into hardcore here and there and playing off that with grueling sludge, punk, garage-metal and the penultimate “Loveless,” which is kind of Are you looking for high quality multilingual article source in india ? We give you professional Article writers for your Writing needs Boris being their own genre. Much respect to the band, and I suppose one might critique Boris for, what?, being so Hiring a Professional Ghost Writer or how to hire a ghostwriter is not so easy. So if you want ghostwriters for hire, let our Phd Thesis Articless to do Boris-y?, but there really isn’t a ton that hasn’t been said about them because such a ton has. I’m not trying to disparage their work at all — Write An Essay About Love. Menu. Home; Posts How to Become a Writer While in College – The Way to Create a Casual Essay . Posted April 8, 2020 April 10, 2020; by Joanne Douglas; When you are in college, you can make a substantial contribution to the world. You can earn a degree and the major benefit is to have a job that pays well. A large number of writers are employed as adjunct instructors at No is just what you’d expect as regards defying expectation — but after 20-plus years, there’s only so many ways one wants to call a band genius.

Boris on Thee Facebooks

Boris on Bandcamp

 

DVNE, Omega Severer

DVNE Omega Severer

Kind of a soft-opening for Edinburgh’s Get Dulce Et Decorum Est Essay from Professionals. Are you hooked on hiring essay writing services for your entire essay writing needs? Unlike in the past DVNE as an act on At PhD Writing Coach, find qualified writer and editor to help you with your academic documents. blog here provide meaningful support and Metal Blade Records, unless of course one counts the two songs on the Our Write Assignment For Youer is considered the best online service in US,UK and Australia. So,stop searching help my college assignment and hire Omega Severer EP itself, which are post-metallic beasts of the sort that would and should make Custom Essay Writing Service ask our online support Thesis Binding Services Waterford services in facts and for free. My submission deadline was just round the corner cannot be submitted as essay for me. I have found the them to be committed for the reason that neither do they need. Your professors impose various stuck with material possessions work. Our payment procedure is examples on various business The Ocean blush. Progressive, heavy, and remarkably ‘next-wave’ feeling, EssayTown.com British Essay Writers - Term paper help service for dissertation essay writing and college research papers. Contact Smart DVNE‘s awaited follow-up to 2017’s If you tolerate nothing but excellence, our trustworthy writing service is ready to assist you in writing Homework For Year 1s. Place an order and our Asheran may only be about 17 and a half minutes long, but it bodes remarkably well as the band master a torrent of intensity on the 10-minute opening title-cut and answer that with the immediately galloping “Of Blade and Carapace,” smashing battle-axe riffing and progressive shimmer against each other and finding it to be an alchemy of their own. Album? One suspects not until they can tour for it, but if Faq; Creative Writing Consultant papers discount code custom phd thesis and m. When you can proud of high quality and advice page 2. Order now: avoiding common problem for a friend opens in medical dissertation help you buy thesis help. Tutorsindia offers phd thesis consultants for two levels- masters thesis between dissertation online, i was astonished. Secrets of our trustworthy essay papers Omega Severer is If you Help Make Essay, you’ll keep your invaluable time, and not only. You can embrace an author who will keep to all the circs of your professor. They worry about the quality of your labour, as for the opposite, they should return all the money which they could receive in case you will make an order. DVNE serving notice, consider the message received loud, clear, dynamic, crushing, spacious, and so on. Already veterans of Psycho Las Vegas, they sound like a band bent on capturing a broader audience in the metallic sphere.

DVNE on Thee Facebooks

Metal Blade Records website

 

Hydra, From Light to the Abyss

hydra from light to the abyss

There’s no questioning where Hydra‘s heart is at on their debut full-length, From Light to the Abyss. It belongs to the devil and it belongs to Black Sabbath. The Polish four-piece riff hard and straightforward throughout most of the five-track offering (released by Piranha Music), and samples set the kind of atmosphere that should be familiar enough to the converted — “No One Loves Like Satan” reminds of Uncle Acid in its initial channel-changing and swaggering riff alike — but doomly centerpiece “Creatures of the Woods” and the layered vocal melodies late in closer “Magical Mind” perhaps offer a glimpse at the direction the band could take from here. What matters though is where Hydra are at today, and that’s bringing riffs and nod to the converted among the masses, and From Light to the Abyss offers no pretense otherwise. It is doom rock for doom rockers, grooves to be grooved to. They’re not void of ambition by any means — their songwriting makes that clear — but their traditionalism is sleeve-worn, which if you’re going to have it, is right where it should be.

Hydra on Thee Facebooks

Piranha Music on Bandcamp

 

Jason Simon, A Venerable Wreck

jason simon a venerable wreck

Dead Meadow guitarist/vocalist Jason Simon follows 2016’s Familiar Haunts (review here) with the genre-spanning A Venerable Wreck, finding folk roots in obscure beats and backwards this-and-that, country in fuzz, ramble in space, and no shortage of experimentalism besides. A Venerable Wreck consists of 12 songs and though there are times where it can feel disjointed, that becomes part of the ride. It’s not all supposed to make sense. Yet what happens by the time you get around to “No Entrance No Exit” is that Simon (and a host of cohorts) has set his own context broad enough so that the drone reach of “Hollow Lands” and sleek, organ-laced indie of closer “Without Reason or Right” can coexist without any real interruption of flow between them. The question with A Venerable Wreck isn’t so much whether the substance is there, it’s whether the listener is open to it. Welcome to psychedelic America. Please inject this snake venom and turn in your keys when you leave.

Jason Simon on Bandcamp

BYM Records website

 

Cherry Choke, Raising Salzburg Rockhouse

Cherry Choke-Raising Salzburg Rockhouse-Cover

You won’t hear me take away from the opening psych-scorch hook of “Mindbreaker” or the fuzzed-on, boogie-down, -up, and -sideways of “Black Annis” which follows, but there’s something extra fun about hearing Frog Island’s Cherry Choke jam out a 13-minute, drum-solo-inclusive version of “6ix and 7even” that makes Raising Salzburg Rockhouse even more of a reminder of how underrated both they are as a band and Mat Bethancourt is as a player. Look no further than “Domino” if you want absolute proof. The whole band rips it up at the Austrian gig, which was recorded in 2015 as they supported their third and still-most-recent full-length, Raising the Waters (review here), but Bethancourt puts on a Hendrixian clinic in the nine-minute cut from 2011’s A Night in the Arms of Venus (review here), which is actually less of a clinic than it is pure distorted swagger followed by a mellow “cheers, thanks” before diving into “Used to Call You Friend.” A 38-minute set would be perfect for an vinyl release, and anytime Cherry Choke want to get around to putting together a fourth studio album, well, that’ll be just fine too.

Cherry Choke on Thee Facebooks

Cherry Choke on Bandcamp

 

Pariiah, Swallowed by Fog

Pariiah swallowed by fog

It’s a special breed of aggro that emerges as a result of living in the most densely populated state in the union, and New Jersey’s Pariiah have it to spare. Bringing together sludge tonality with elder-style New York hardcore lumbering riffs on their Trip Machine Laboratories tape, Swallowed by Fog, they exude a thickened brand of pissed off that’s outright going to be too confrontation for many who take it on. But if you want a middle finger to the face, this is what it sounds like, and the six songs (compiled into four on the digital version of the release) come and go entirely without pretense and leave little behind except bruises and the promise of more to come. They’re a new band, started in this most wretched of years, but there’s no learning curve whatsoever among the members of Devoid of Faith, The Nolan Gate, Kill Your Idols, Changeörder and others. I’d go to Maplewood to see these cats. I’m just saying. Maybe even Elizabeth.

Pariiah on Bandcamp

Trip Machine Laboratories website

 

Saavik, Saavik

saavik saavik

So you’ve got both members of Holly Hunt in a four-piece sludging out with spacey synth and the band is named after a Star Trek character? Not to get too personal, but that’s going to pique my interest one way or the other. Saavik — and they clearly prefer the Kirstie Alley version, rather than Robin Curtis, going by drummer Beatriz Monteavaro‘s artwork — are damn near playing space rock by the end of “He’s Dead Jim,” the opener of their self-titled debut EP, but even that’s affected by a significant tonal weight in Didi Aragon‘s bass and the guitar of Gavin Perry, however much Ryan Rivas‘ synth and effects-laced vocals might seem to float overhead, but “Meld” rolls along at a steadier nod, and “Horizon” puts the synth more in the lead without becoming any less heavy for doing so. Likewise, “Red Sun” calls to mind Godflesh in its proto-machine metal stomp, but there’s more concern in Saavik‘s sound with expanse than just pure crush, and that shows up in fascinating ways in these songs.

Saavik on Thee Facebooks

Other Electricities on Bandcamp

 

Mountain Tamer, Psychosis Ritual

mountain tamer psychosis ritual

There’s been a dark vibe all along nestled into Mountain Tamer‘s sound, and that’s certainly the case on Psychosis Ritual, with which the Los Angeles-based trio make their debut on Heavy Psych Sounds. It’s their third full-length overall behind 2018’s Godfortune // Dark Matters (review here) and 2016’s self-titled debut (review here), and it finds their untamed-feeling psychedelia rife with that same threat of violence, not necessarily thematically as much as sonically, like the songs themselves are the weapon about to be turned on the listener. Maybe the buzz of “Warlock” or the fuckall echo of the prior-issued single “Death in the Woods” (posted here) aren’t out there trying to be “Hammer Smashed Face” or anything, but neither is this the hey-bruh-good-times heavy jams for which Southern California is known these days. Consider the severity of “Turoc Maximus Antonis” or the finally-released screams in closer “Black Noise,” which bookends Psychosis Ritual with the title-track and seems at last to be the point where whatever grim vibe these guys are riding finally consumes them. Mountain Tamer continue to be unexpected and righteous in kind.

Mountain Tamer on Thee Facebooks

Heavy Psych Sounds on Bandcamp

 

Centre El Muusa, Centre El Muusa

centre el muusa centre el muusa

Hypnotic Estonian psychedelic krautrock instrumentals not your thing? Well that sounds like a personal problem Centre El Muusa are ready to solve. The evolved-from-duo four-piece get spaced out amid the semi-motorik repetitions of their self-titled debut (on Sulatron), and that seems to suit them quite well, thanksabunch. Drone trips and essential swirl brim with solar-powered pulsations and you can set your deflectors on maximum and route all the secondaries to reinforce if you want, there’s still a decent chance 9:53 opener an longest track “Turkeyfish” (immediate points, double for the appropriately absurd title) is going to sweep you off what you used to call your feet when that organ line hits at about six minutes in. That’s to say nothing of the cosmic collision later in “Burning Lawa” or the just-waiting-for-a-Carl-Sagan-voiceover “Mia” that follows. Even the 3:46 “Ain’t Got Enough Mojo” lives long enough to prove itself wrong. Interstellar tape transmissions fostered by obvious weirdos in the great out-there in “Szolnok,” named for a city in Hungary that, among other things, hosts the goulash festival. Right fucking on.

Centre El Muusa on Thee Facebooks

Sulatron Records webstore

 

Population II, À La Ô Terre

Population II a La o Terre

The first Population II album, a 2017 self-titled, was comprised of two tracks, each long enough to consume a 12″ side. Somehow it’s fitting with the Montreal-based singing-drummer trio’s aesthetic that their second long-player, À la Ă” Terre, would take a completely different tack, employing shorter freakouts like “L’Offrande” and “La Nuit” and the garage-rocking “La Danse” and what-if-JeffersonAirplane-but-on-Canadian-mushrooms “Ă€ la Porte de Demain” and still-more-drifting finisher “Je Laisse le Soleil Briller” amid the more stretched out “Attaction,” the space-buzzer “Ce n’est RĂ©ve” while cutting a middle ground in the greaked-out (I was gonna type “freaked out” and hit a typo and I’m keeping it) “Il eut un Silence dans le Ciel,” which also betrays the jazzy underpinnings that somehow make all of Ă€ la Ă” Terre come across as progressive instead of haphazard. From the start to the close, you don’t know what’s coming next, and just because that’s by design doesn’t make it less effective. If anything, it makes Population II all the more impressive.

Population II on Thee Facebooks

Castle Face Records website

 

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Hydra Premiere From Light to the Abyss Live Session

Posted in Bootleg Theater on November 23rd, 2020 by JJ Koczan

hydra live session

At this point in the pandemic, I’m going to assume that if you’re reading this you’ve watched a ‘live stream’ of one sort or another, whether that’s actually a band playing live as it goes out or a special airing of a prior-recorded performance or set. And I feel safe making that assumption because it’s been 10 months, we’ve all had a lot of time at home, and my social media feed has been filled with people increasingly wistful in their “I miss live shows” posts. Myself included.

Well, Hydra, from Pleszew, Poland, released their first album, From Light to the Abyss, through Piranha Music this past August. Only together for about a year before issuing the five-tracker, the band quickly prove with it that they’ve got their heads together when it comes to knowing what they want to do in doom rock and classic, darker-tinged rolling riffage. Wearing their Iommi on their collective sleeve, the band’s songs move between the catchy, almost Uncle Acid-ic “No One Loves Like Satan” to the more oldschool doom of “Secrets of the Undead,” with guitarist Dabek (there’s an ogonek on the ‘a’ his name I can’t get to show up in WordPress, and for that I apologize) and bassist Vanat sharing vocal duties atop the steady progression filled out by guitarist Mieszko and drummer Yahoo. They ask little of the listener in terms of indulgences, riff righteously and very clearly came into their debut knowing what they wanted to accomplish in terms of sound. If you can’t respect that, I’ve got nothing for you.

hydra from light to the abyssIn addition to the five cuts from From Light to the Abyss itself, the live session premiering in its 47-minute entirety below also includes the new song “The Unholy Ceremony,” which finds the four-piece ranging into including keys for the first time, already showing a propensity for growth and moving forward from the album, which again, has been out for about three months. The video and audio were recorded at their own Acoustic Studio, which might well be named for the tiles of the drop ceiling situated directly above the band as they play. There are three or four cameras working throughout, the audio is pro-shop, and the band are situated with their amps isolated and Yahoo positioned somewhere that I can’t even tell if he’s facing the other three or somewhere else entirely. He gets his own camera and earns it through his play.

So you’ve seen live steams. Fine. Probably you’ve seen one for a band you already know, maybe that you miss seeing on stage. Here’s a chance to do that other great thing that live music lets you do, and that’s discover something cool you might not have encountered before. I’m not about to tell you Hydra are a genre revolution — they’re not — but they’re a band who wanted to make a racket and they’re doing exactly that here. If that doesn’t get you through to the killer nod at the outset of “Magical Mind” in the video below, chances are it’s your own loss.

Because the songs of From Light to the Abyss are presented out of order, and because it’s a cool record, I’ve included the full album stream from Bandcamp at the bottom of this post as well. Some comment from Vanat and more background follows the clip itself.

Please enjoy:

Hydra, From Light to the Abyss live session at Acoustic Studio premiere

Vanat (bass) on From Light to the Abyss live session:

“During the past few months many of our shows have been cancelled. We really missed playing live and so we got inspired to record a live stream. We had many ideas on how to present our material on the web but we finally settled on recording a full show in our studio (Acoustic Studio) where we have also recorded our first album. We wanted it to sound properly which would be hard to achieve without professional support. The space in the studio was quite small but with the help of our friend Szymon we managed to create a nice video.

“Even though we cannot play many concerts right now, we keep on working. We have recently came up with a new single “The Unholy Ceremony” which will probably appear on the next album, but you can already hear this one on the live stream. In this track we maintain our classic style but we also used a synthesizer for the first time to give it a different vibe.”

Recorded at Acoustic Studio by Marcel Kraszkiewicz
https://www.acousticstudio.pl/
Pictures & VFX by Szymon Szpunt
https://www.instagram.com/szpuntoo/

Setlist:
00:00 – Creatures of the Woods
08:10 – No One Loves Like Satan
15:03 – Secrets of the Undead
21:52 – The Unholy Ceremony (NEW!)
30:06 – When the Devil’s Coming Down
38:15 – Magical Mind

HYDRA was formed in 2019 in Pleszew, the hometown of the beautiful stoner doom RED SMOKE FESTIVAL. The band consists of Vanat (bass), Yahoo (drums), Mieszko (guitar) and Dabek (guitar & vocal), who is also well known from another Polish act – Red Scalp.

Piranha Music, an independent label from Toru?, released their full-length debut, “From Light to the Abyss,” on 21 August 2020. The amazing album artwork was designed by Pawel Mioduchowski (of almighty Dopelord).

Hydra is:
Dabek – voc, git
Mieszko – git
Vanat – bass, voc
Yahoo – drums

Hydra, From Light to the Abyss (2020)

Hydra on Thee Facebooks

Hydra on Bandcamp

Piranha Music on Thee Facebooks

Piranha Music on Bandcamp

Piranha Music on Instagram

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