Days of Rona: Turner Midzain of Woodhawk

Posted in Features on April 24th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Woodhawk Turner Midzain

Days of Rona: Turner Midzain of Woodhawk (Calgary, Alberta)

Number of student asks us, can I pay you to Mfa Creative Writing Low Residency for me? Our experts always say yes that we do your dissertation efficiently at cheap. How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We’re dealing with it the best we can. We had to unfortunately postpone a lot of touring, which is the only real way a band like ours makes any money. We also had a couple of members laid off amidst this.

We’re trying to rebook our Canadian tour for August, but we’re being cautious as it could get cancelled again depending on the circumstances. But other than that, we’re all healthy and talk every day.

http://www.rndincentives.com/10-funny-reasons-why-i-didnt-do-my-homework/ - Let us take care of your Bachelor thesis. witness the advantages of professional writing help available here Receive an What are the quarantine/isolation rules where you are?

No groups over five [as of April 6]. But honestly a little too relaxed for the situation. Other provinces in Canada have locked down or shut down more business and limited outings, but it seems like bigger heads in Alberta are a little more concerned about other issues other than the pandemic…

pay someone to do my online homework Dieter Schwarzmann Dissertation Ivy League dissertation research methodologies funny college application essay How have you seen the virus affecting the community around you and in music?

Definitely. Most of our peers had to cancel tours or shows. Also, most of them aren’t rehearsing the way they used to. So I think it’s putting a strain on artists in many ways. But we’re a resilient community that will prevail. Like a lot of us, we fear the toll it will take on the music venues all over the world that are closed and have no funds to maintain existence without any revenue.

So I hope as many as possible stay open. But we’re unlikely to see a resurgence of patrons rushing to the pubs or venues as this pandemic settles. So even if a venue is able to reopen, it may not have the same income it used to.

To Get Pay Someone To Write My Research Paper Uk Service fill out the contact form here or email us at hi@geeksprogramming.com You can get in touch for any with programming assignments or projects in any of the modern programming languages. What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

If you can support artists or local businesses in your city, do it. Walmart will be fine at the end of this. But your local economy and business owners are going to take the biggest hit. Donate where possible, and buy local. Support where and when you can. Be nice to one and other. This sucks and we’re all going through it together.

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Woodhawk Announce Full Canadian Touring in March/April

Posted in Whathaveyou on March 2nd, 2020 by JJ Koczan

woodhawk

When you’re doing it right, you put out a record, then you tour. Sometimes you tour first. That’s cool too, so long as you tour again later. Point is, if you’re going to be the kind of band who tours, you frickin’ get up and you tour.

That’s what Siri Do My Homework For Me.Buy custom essay papers.Custom Dissertation Writing Services Gumtree.Buy custom written papers Woodhawk are doing and while I’m running my mouth in generalizations, I’ll say that I have no idea why more bands don’t tour Canada. Yes, About site. Every online business needs a 100% unique and SEO-friendly content. But writing that content every time takes a lot of time and Woodhawk are from Calgary, so its home turf, but why the hell aren’t more acts from the US hitting Sudbury? Or Winnipeg? Or Saskatoon? I see lists of shows from bands in the States and they play the same room three times in a year? Why not go see someplace new? Meet new people? Who maybe haven’t already seen you three times? Go tour Canada, is what I’m saying. Whether you’re Canadian or not. And hell’s bells, tour Mexico too.

Professional http://cheapessaywritings24.com/buy-a-law-essay/ buy a law essays. We write articles from scratch. Plagiarism- free guarantee. Money back guarantee. Any deadline and any topic - we've Woodhawk head out supporting later-2019’s Buy Academic Cv Writing online from professional college essay writing service. All custom college papers are written from scratch by qualified writers! Violent Nature (review here) beginning March 26. Dates follow here, courtesy of the PR wire:

woodhawk canadian tour

Riff Wizards WOODHAWK Announce “Violent Nature Canadian Tour”

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Calgary’s riff wizards Woodhawk announce they will be trekking across Canada once again in support of their latest album “Violent Nature” released this past November. The tour will kick off in Vancouver on March 26th and wrap up in Nelson, BC on May 23rd (dates listed below).

The band comments:

“We’re thrilled to be hitting the road in Canada again. This will be our largest Canadian tour yet, going from coast to coast. Always happy to get to some new places and meet some new people, and return to our favourite places. We were thrilled with how well our latest record ‘Violent Nature’ did in Canada, so it only felt natural to roll into as many cities as possible. See you at the gig!”

Woodhawk – “Violent Nature – Canadian Tour”
March 26 – Vancouver, BC – The Astoria
March 27 – Victoria, BC – Upstairs Cabaret
March 28 – Kelowna, BC – Doc Willoughbys
April 1 – Calgary, AB – Ship and Anchor
April 2 – Lethbridge, AB – The Owl Acoustic Lounge
April 3 – Regina, SK – The German Club
April 4 – Winnipeg, MB – The Handsome Daughter
April 6 – Sudbury, ON – The Asylum
April 7 – Windsor, ON – Phog Lounge
April 8 – Hamilton, ON – The Casbah
April 9 – Toronto, ON – The Monarch
April 10 – Ottawa, ON – House of TARG
April 11 – Montreal, QC – Turbo Haus
April 14 – Quebec City, QC – L’Anti
April 15 – Saint John, NB – Taco Pica
April 16 – Fredericton, NB – The Capital Complex
April 17 – Halifax, NS – Gus’ Pub
April 18 – Moncton, NB – The Caveau
April 20 – Oshawa, ON – TBD
April 21 – Sault Ste Marie, ON – Loplops
April 22 – Thunder Bay, ON – Black Pirates Pub
April 23 – Brandon, MB – The 40
April 24 – Saskatoon, SK – Amigos Cantina
April 25 – Edmonton, AB – The Aviary
May 22 – Invermere, BC – Ullr Bar
May 23 – Nelson, BC – The Royal

WOODHAWK:
Turner Midzain – Vocals, Guitar
Mike Badmington – Bass, Vocals
Kevin Nelson – Drums

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The Electric Highway 2020: Full Lineup & Pre-Party Announced

Posted in Whathaveyou on February 12th, 2020 by JJ Koczan

the electric highway poster

Last time, when dissertation defense netherlands http://www.badeloft.com/writing-homework-help/ what is a personal narrative essay essay on compare and contrast The Electric Highway 2020 called out its preliminary lineup, I decided to roll with calling it the inaugural-ish edition of the Calgary-based festival, as it’s grown out of the If you need a highly qualified high school http://www.awm-muenchen.de/?masters-dissertation, college essay helper, university essay helper as well as undergraduate essay helper, graduate essay helper or masters essay helper its no problem for our essay writers to cope with any essay assignment for any academic course level. 420 Music & Arts Festival of years prior, but still, there’s no question they’re doing it up for the occasion of the new name and presentation. Poster art by none other than Browse and Read Pay To Write Best Essay Writing Service Yahoo Answers Many people are trying to be smarter every day. David Paul Seymour has been unveiled, Graduate students rarely turn to I Don T Want To Do My Assignment out of mere Thesis writing presupposes researching the credible sources and drawing Mothership have joined on with Custom Essays Service. 655 likes. Services include: proofreading & editing, CVs, cover letters, business plans, copywriting, letters written to... Sasquatch, This comprehensive workshop provides you with a thorough understanding of modern blog link enabling you to write all types of documents more Wo Fat and Duel near the top of a Texas-dominant lineup — Sasquatch being the outlier geographically — and a pre-show has been announced with Seattle’s Year of the Cobra crossing the border to headline. These updates would seem to complete the proceedings as they’ll proceed, but of course April’s still a couple months out and you know, subject to change and all that. Still, it looks like a pretty badass time if you can make it.

Info came down the PR wire:

Festival Line-Up Announced! All Roads Lead To The Electric Highway In Calgary, AB, Canada!

Buckle up for The Electric Highway Festival, two days of killer bands, rad artists and fuzzy vibes April 17 & 18, 2020 at the historic Royal Canadian Legion #1 in downtown Calgary, Alberta, Canada.

The Electric Highway Festival has completed its lineup with the addition of the mighty Mothership from Dallas, Texas. The Supersonic Intergalactic Heavy Rock trio’s goal from the beginning has been to carry on the tradition of the classic rock style of the ’70s, updated and amped up for the modern-day. Mothership have created a unique sound that satisfies like a steaming hot stew of UFO and Iron Maiden, blended with the southern swagger of Molly Hatchet and ZZ Top, paired with a deadly chalice of Black Sabbath. Do not miss this chance to hop on board and join Mothership as they tear across the Universal Cosmos!

The Electric Highway Festival has also added Vancouver’s Empress to the lineup. Both Mothership and Empress will be performing at the festival on Saturday, April 18, 2020. That brings the total number of bands performing during the festival to 22.

The Electric Highway Festival is excited to release its official artwork created by the renowned dark surreal artist David Paul Seymour. David Paul Seymour is an internationally known illustrator based in Minneapolis, MN who has created artwork for Municipal Waste, Conan, Mastodon as well as Shadow Weaver and Wo Fat who are both performing at The Electric Highway Festival in 2020. David Paul Seymour is also a driving force behind The Planet of Doom, an Animated Tale of Metal and Art and the creator of the Kumasan comic series.

The rest of the 2020 lineup brings an electric offering of North American bands featuring headliners Sasquatch and Wo Fat laying down their brand of fuzzy, kick-ass Desert Rock & Heavy Psych. Duel from Austin, Texas will be playing Canada for the 1st time at The Electric Highway Festival along with Hippie Death Cult & LáGoon both from Portland, Oregon. Festival favorites La Chinga return from Vancouver for their 4th appearance and Calgary’s Gone Cosmic & Buzzard from Victoria, BC are just a few more of the wicked bands that will be playing on two stages over the two days of The Electric Highway Festival, the full lineup below.

The Electric Highway Official Lineup:
Sasquatch (Los Angeles, CA)
Wo Fat (Dallas, TX)
Mothership (Dallas, TX)
Duel (Austin, TX)
La Chinga (Vancouver, BC)
Gone Cosmic (Calgary, AB)
Hippie Death Cult (Portland, OR)
LáGoon (Portland, OR)
Buzzard (Victoria, BC)
Chunkasaurus (Victoria, BC)
Bazaraba (Calgary, AB)
Shadow Weaver (Calgary, AB)
Father Moon (Calgary, AB)
Set & Stoned (Crossfield, AB)
Row of Giants (Calgary, AB)
Hemptress (Kamloops, BC)
Pink Cocoon (Montreal, QC)
The Sleeping Legion (Winnipeg, MB)
The Basement Paintings (Saskatoon, SK)
Empress (Vancouver, BC)
Locutus (Calgary, AB)
The Worst (Calgary, AB)

The Electric Highway Festival is also getting the whole thing started with a Kick-Off Party on Thursday, April 16th, 2020 at The Palomino Smokehouse & Social Club. This killer line up features Seattle powerhouse psychedelic doom duo Year of the Cobra as they return to Calgary. They will be joined by Calgary’s Bloated Pig, Outlaws of Ravenhurst, and newcomers Falcotron along with Red Deer’s Smoothsayer.

2 Day Festival Pass holders can pick up their wristbands a day early at The Electric Highway Festival Kick-Off Party. This event will be free for festival pass holders or $13 at the door for non-pass holders. (Space is limited so make sure to get their early!) Pre-order merch sales will also be available for pick up at this event too. Beat the lineup and come for some bands, beer & BBQ at the Pal!

The Electric Highway 2020 —> www.facebook.com/events/1346173098884903/
The Electric Highway Kickoff Party—> www.facebook.com/events/809469542830729/
The Electric Highway Pinball Tournament —> www.facebook.com/events/2408742202725992/
The Electric Highway Arts Expo & Market —> www.facebook.com/events/476224713238363/

“All Roads Lead to the Electric Highway”

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www.TheElectricHighway.ca

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Quarterly Review: Sunn O))), Crypt Sermon, The Neptune Power Federation, Chron Goblin, Ethereal Riffian, Parasol Caravan, Golden Core, Black Smoke Omega, Liquid Orbit, Sun Below

Posted in Reviews on January 10th, 2020 by JJ Koczan

quarterly review

Hey all, we made it to the final day of the Winter 2020 Quarterly Review, so congrats to ‘us’ and by us I mean myself and anyone still reading, which is probably about two or three people. On my end today is completely manic in terms of real-life, offline logistics — much to do — but no way I’m letting one last batch of 10 reviews fall by the wayside, so rest assured, by the time this goes live, it’ll be complete, even though I’ve had to swap things out as some stuff has been locked into other coverage since I first slated it. Plenty around waiting to be written up. Perpetually, it would seem.

But before we dive in, thank you for reading if you’ve caught any part of this QR. I hope your 2020 is off to an excellent start and that finding new music to love is as much a part of your next 12 months as it can possibly be.

Quarterly Review #41-50:

Sunn O))), Pyroclasts

sunn o pyroclasts

The narrative — because of course there’s a narrative; blessings and peace upon it — is that drone-metal progenitors Sunn O))), while in the studio recording earlier-2019’s Life Metal (review here) with Steve Albini, began each day doing a 12-minute improvised modal drone working in a different scale. They used a stopwatch to keep time. Thus the four tracks of Pyroclasts were born. They all hover around 11 minutes after editing, which settles neatly onto two vinyl sides, and it’s the rawer vision of Sunn O))), with just Greg Anderson and Stephen O’Malley‘s guitars, rather than some of the more elaborate arrangements which they’ve been known to undertake. That they’d put out two studio records in the same year is striking considering it had been four years since 2015’s Kannon (review here), but I think the truth of the matter is they had these tapes and decided they were worth preserving with a popular release. I wouldn’t say they were wrong, and the immersion here is a good reminder of the core appeal of Sunn O)))‘s conjured depths.

Sunn O))) on Bandcamp

Southern Lord Recordings website

 

Crypt Sermon, The Ruins of Fading Light

Crypt Sermon The Ruins of Fading Light

Traditional doom rarely sounds as vital as it does in the hands of Crypt Sermon. The Philly five-piece return with The Ruins of Fading Light on Dark Descent Records as an awaited follow-up to 2015’s Out of the Garden (review here) and thereby bring forth classic metal with all the urgency of thrash and the poise of the NWOBHM. Frontman Brooks Wilson — also responsible for the album art — is in command here and with the firm backing of bassist Frank Chin and drummer Enrique Sagarnaga, guitarists Steve Jannson and James Lipczynski offer sharpened-axe riffs and solo scorch offset by passages of keyboard for an all the more epic vibe. The rolling “Christ is Dead” is pure Candlemass, but the galloping “The Snake Handler” might be the highlight of the 10-track/55-minute run, though that’s not to take away either from the Dehumanizer chug of “Key of Solomon” or the melodic reach of the closing title-track either. Take your pick, really. It’s all metal as fuck and glorious for that. If they don’t sell denim jackets, they should.

Crypt Sermon on Thee Facebooks

Dark Descent Records on Bandcamp

 

The Neptune Power Federation, Memoirs of a Rat Queen

the neptune power federation memoirs of a rat queen

“Can you dig what the Imperial Priestess is laying down?” is the central question of Memoirs of a Rat Queen, the first album from Sydney, Australia’s The Neptune Power Federation to be released through Cruz Del Sur Music, and it arrives over an ELO “Don’t Bring Me Down”-style arena rock beat on leadoff “Can You Dig?” as an intro to the rest of the LP. Strange, epic, progressive, traditional, heavy and cascading rock and roll follows, as intricate as it is immediately catchy, and whether it’s “Watch Our Masters Bleed” or “I’ll Make a Man out of You,” the Imperial Priestess Screaming Loz Sutch and company make it easy to answer in the affirmative. Arrangements are willfully over the top as “Bound for Hell” and “The Reaper Comes for Thee” engage a heavy rocker take on heavy metal’s legacy, maddened laughter and all in the latter track, which closes, and the affect on the listener is nothing less than an absolute blast — a reminder of the empowering sound of early metal on a disaffected generation in the late ’70s and early ’80s and how that same fist-pump-against-the-world has become timeless. No doubt the costumes and all that make The Neptune Power Federation striking live, but as Memoirs of a Rat Queen readily steps forward to prove, the songs are there as well.

The Neptune Power Federation on Thee Facebooks

Cruz Del Sur Music on Bandcamp

 

Chron Goblin, Here Before

chron goblin here before

Have Chron Goblin been here before? The title of their album speaks to a kind of creepy deja vu feeling, and that’s emblematic of the Canadian band’s move away from the party rock of their past offerings, their last LP having been Backwater (review here) 2015. Fortunately, while they seek out some new aesthetic ground, the 11 tracks of Here Before do maintain Chron Goblin‘s penchant for straight-ahead songcraft and unpretentious execution — and frankly, that wasn’t at all broken. Neither, perhaps was the let’s-get-drunk-and-bounce-around spirit of their prior work, but they sound more mature in a song like the six-minute “Ghost” and “Slipping Under” (premiered here) successfully melds the shift in presentation with the energy of their prior output. Maybe it’s still a party but we watch horror movies? I don’t know. They’ve still got “Giving in to Fun” early in the tracklisting — worth noting it follows the swaying “Oblivion” — so maybe I’m misreading the whole thing, or maybe it’s more complex than being entirely one thing or the other might allow for. Perish the thought. Either way, can’t mess with the songs.

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Ethereal Riffian, Legends

ethereal riffian legends

Ukrainian heavy rockers Ethereal Riffian make a pointed sonic shift with their Legends album (on Robustfellow), keeping some of the grunge spirit in their melodies as the eight-minute “Moonflower” and closer “Ethereal Path” show, but in songs like “Unconquerable” and the early salvo of “Born Again,” “Dreamgazer” and “Legends” and even the second half of “Kosmic” and “Pain to Wisdom,” they let loose from some of the more meditative aspects of their past work with a fiery drive and a theme of enlightenment through political and social change. A kind of great awakening of the self. There’s still plenty of “ethereal” to go with all that “riffian” in the intro “Sage’s Alchemy,” or the first half of “Kosmic” or the CD bonus “Yeti’s Hide,” but no question the balance has tipped toward the straightforward, and the idea seems to be that the electrified feel is as much a part of the message as the message itself. The only trouble is that since putting Legends out, Ethereal Riffian called it quits to refocus their energies elsewhere in the universe. Are they really done? I’m skeptical, but if so, then at least they went out trying new things, which always seemed to be a specialty, and on a note of directly positive attitude.

Ethereal Riffian on Thee Facebooks

Robustfellow Productions on Bandcamp

 

Parasol Caravan, Nemesis

parasol caravan nemesis

A second long-player behind 2015’s Para Solem, the eight-song/35-minute Nemesis is not only made for vinyl, but it’s made for rockers. Specifically, heavy rockers. And it’s heavy rock, for heavy rockers. Based in Linz, Austria, the double-guitar four-piece Parasol Caravan have their sound and style on lockdown, and their work, while not really keeping any secrets in terms of where it’s coming from in its ’70s-via-’90s modern take, is brought to bear with a clarity that seems particularly derived from the European heavy rock tradition. Para Solem was longer and somewhat fuzzier in tone, but the stripped down approach of the title-track at the outset and its side B counterpart, “Serpent of Time” still unfold to a swath of ground covered, whether it’s in the subdued instrumental “Acceptance” or “Transition,” which follows the driving “Blackstar” and closes the LP with a bit of a progressive metal edge. Even that has its hook, though, and that’s ultimately the point.

Parasol Caravan on Thee Facebooks

Parasol Caravan on Bandcamp

 

Golden Core, Fimbultýr

golden core fimbultyr

The title Fimbultýr translates to “mighty god” and is listed among the alternative names of Odin, which would seem to be who Oslo’s Golden Core have in mind in the leadoff title-track of their second album. Issued through Fysisk Format, it is not necessarily what one thinks of as “Viking metal” in the post-Amon Amarth or post-Enslaved context, but instead, the eight-song collection unfolds a biting modern sludge taking an edge of the earlier Mastodon lumber and bringing it to harshly-vocalized rollout. The 11-minute “Runatal” and only-seconds-shorter “Buslubben” are respective vocal points around which sides A and B of the release center, and each finds a way to give like emphasis to atmosphere and extremity, to stretch as well as pummel, and much to Golden Core‘s credit, they seem not only aware of the changes they’re presenting in their material, but in control of how and when they’re executed. The resulting linear flow of Fimbultýr, given the shifts within, isn’t to be understated as a victory on the part of the band.

Golden Core on Thee Facebooks

Fysisk Format on Bandcamp

 

Black Smoke Omega, Harbinger

Black Smoke Omega Harbinger

Harbinger may well be just that — a sign of things to come. The debut offering from Black Smoke Omega wraps progressive death-doom and gothic piano-led atmospherics around a thematic drawing from science-fiction, and while I’m not certain of the narrative being told by the Dortmund, Germany-based band, their method for telling it is fascinating. It’s not entirely seamless in its shifts, and it doesn’t seem like the band — seemingly spearheaded by multi-instrumentalist/vocalist Jack Nier, though Ashley James (The Antiquity) plays guitar on “A Man without a Heart” and Michael Tjanaka brings synth/piano to “Kainé” — want it to be, but there’s no denying that by the time “Falling Awake” seems to provide some melodic resolution to the often-slow-motion tumult prior, it’s doing so by bringing the different sides together. It’s a significant journey from the raw, barking shouts on “The Black Scrawl” and the lurching-into-chug-into-lurch of “The Man without a Heart” to get there, however. But this, too, seems to be on purpose. How it all might shake out feels like a question for the next release, but Black Smoke Omega seem poised here to leave heads spinning.

Black Smoke Omega on Thee Facebooks

Black Smoke Omega on Bandcamp

 

Liquid Orbit, Game of Promises

Liquid Orbit Game of Promises

While on the surface, Liquid Orbit might be on familiar enough ground with Game of Promises for anyone who has encountered the swath of up-and-comers working in the wake of Blues Pills, the Bremen, Germany, five-piece distinguish themselves through not just the keyboard work of Anders alongside Andree‘s guitar, Ralf‘s bass, Steve‘s drums and Sylvia‘s vocals, but also the shifts between funk, boogie, and edges of doom that play out in songs like “Shared Pain” and “Please Let Her Go,” as well as the title-track, which starts side B of the Nasoni Records-issued vinyl with a highlight guitar solo and an insistent snare tap beneath that works to bring movement to what’s still one of Game of Promises‘ shorter tracks at six and a half minutes, as opposed to the earlier eight-minute-toppers on side A or the psych-prog finale “Verlorene Karawane,” which translates in English to “lost caravan” and indeed basks in some Mideastern vibe and backward-effects vocal swirl. Bottom line, if you go into it thinking you know everything you’re getting, you’re probably selling it short.

Liquid Orbit on Thee Facebooks

Nasoni Records website

 

Sun Below, Black Volume III

Sun Below Black Volume III

As the title hints, the name-your-price Black Volume III is the third EP release from Toronto’s Sun Below. All three have been issued over roughly a year’s span, and the three-piece of guitarist/vocalist Jason Craig, drummer/backing vocalist Will Adams, bassist/backing vocalist Garrison Thordarson — who as far as I’m concerned wins this entire Quarterly Review when it comes to names; that’s an awesome name — and two have featured covers. On their debut, they took on “Dragonaut” by Sleep, and on Black Volume III, in following up the 12-minute nod-roller “Solar Burnout,” they thicken and further stonerize the catchy jaunt that is “Wires” by Red Fang. They’ve got, in other words, good taste. Black Volume III opens with “Green Visions” and thereby takes some righteous fart-fuzz for a walk both that and “Solar Burnout” show plenty of resi(n)dual Sleep influence, but honestly, it’s a self-releasing band with three dudes who sound like they’re having a really good time figuring out where they want to be in terms of sound after about a year from their first release, and if you ask anything else of Black Volume III than what it gives, you’re obviously lacking in context. Which is to say you’re fucking up. Don’t fuck up. Dig riffs instead.

Sun Below on Thee Facebooks

Sun Below on Bandcamp

 

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The Electric Highway Announces Inaugural Lineup with Wo Fat, Sasquatch, Nebula & More

Posted in Whathaveyou on November 6th, 2019 by JJ Koczan

A little bit of Cali, a little bit of Texas, a little bit of Portland, Oregon, and a whole lot of locals — the first lineup for The Electric Highway has been unveiled and the Calgary-based festival’s mission would seem to be directed toward kickass heavy and stoner rock. Thus, Sasquatch and Wo Fat headlining with Nebula and Duel also on board. And hey man, if you threw any kind of heavy rock and roll party in the entire nation of Canada — and Canada if frickin’ huge — and you didn’t at least invite La Chinga let alone actually have them play, your ass would just be negligent. That’s a band that’s never gonna do anything but make a strong rock bill stronger.

Calling this the inaugural The Electric Highway is fair enough, since it seems to be working under its own concept — pinball tournament! — but it formerly operated under the banner of the 420 Music and Arts Festival, and had a few years to its credit in that form. Still, a new name is a new name, so alright. Maybe “inaugural” with an asterisk. “Inaugural-ish.”

The PR wire has details. The fest has a hashtag that’s probably good advice anyway:

the electric highway poster

All Roads Lead To The Electric Highway Festival In Calgary, AB, Canada!

#BuckleUp baby, The Electric Highway is excited to announce our inaugural lineup! We wanted to put something special together for our first trip on the Highway and with over 20 bands in two daze, we think we have done exactly that…

Day One, Friday, April 17th Wo Fat from Dallas, Texas will be returning with their brand of Psychedelic Heavy Blues to headline night one, and we are flying in their bro’s in DUEL to share the stage with them that night too! Also laying waste to Friday night are BC’s Buzzard & CHUNKASAURUS, coming all the way from Portland, Oregon we have Hippie Death Cult & LáGoon, joining us from Montreal is PINK COCOON, and representing our amazing local scene will be Father Moon, Locutus, Row of Giants and The WORST.

Then on Day Two, Saturday, April 18th bringing the fuzz from California, we are STOKED AF to welcome back the mighty Sasquatch to headline our whole party and are psyched to have their buds Nebula along for the ride! As for the rest of Saturday, it just wouldn’t be a party without Vancouver’s La Chinga on the bill, along with local faves Gone Cosmic, Bazaraba, and Shadow Weaver from Calgary, Crossfield, Alberta’s Set & Stoned, Hemptress from Kamloops, BC, The Sleeping Legion from Winnipeg and rounding out our first lineup, from Saskatoon, The Basement Paintings.

The Electric Highway is taking place at the Royal Canadian Legion #1 in downtown Calgary, AB, Canada on April 17 & 18, 2020. Tickets go on sale at 10am MDT on Tuesday, November 5, 2019 at https://theelectrichighway.ecwid.com/.

The Electric Highway Official Lineup:
Sasquatch (Los Angeles, CA)
Wo Fat (Dallas, TX)
Nebula (Los Angeles, CA)
Duel (Austin, TX)
La Chinga (Vancouver, BC)
Gone Cosmic (Calgary, AB)
Hippie Death Cult (Portland, OR)
LáGoon (Portland, OR)
Buzzard (Victoria, BC)
Chunkasaurus (Victoria, BC)
Bazaraba (Calgary, AB)
Shadow Weaver (Calgary, AB)
Father Moon (Calgary, AB)
Set & Stoned (Crossfield, AB)
Row of Giants (Calgary, AB)
Hemptress (Kamloops, BC)
Pink Cocoon (Montreal, QC)
The Sleeping Legion (Winnipeg, MB)
The Basement Paintings (Saskatoon, SK)
Locutus (Calgary, AB)
The Worst (Calgary, AB)

The Electric Highway 2020 —> www.facebook.com/events/1346173098884903/
The Electric Highway Kickoff Party—> www.facebook.com/events/809469542830729/
The Electric Highway Pinball Tournament —> www.facebook.com/events/2408742202725992/
The Electric Highway Arts Expo & Market —> www.facebook.com/events/476224713238363/

#BuckleUp

“All Roads Lead to the Electric Highway”

www.facebook.com/ElectricHighwayFestival/
www.instagram.com/TheElectricHighway
www.TheElectricHighway.ca

Sasquatch, Live at Ace of Cups, Columbus, Ohio, Sept. 8, 2019

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Woodhawk Premiere “Heartstopper” from Violent Nature

Posted in audiObelisk on October 17th, 2019 by JJ Koczan

woodhawk

Calgary heavy rockers Woodhawk will release their second full-length, Violent Nature, on Nov. 1. Like their 2017 debut, Beyond the Sun (review here), it’s a self-release, and also like their 2017 debut, it’s rife with maddeningly catchy tracks of high-grade straightforward, weighted riffing and rhythmic drive. “Snake in the Grass,” the previously-posted single “Weightless Light” and “Dry Blood” in the opening salvo set the tone for what follows as a showcase of material that feels crafted to the point of having chiseled away the frills, extras and inefficiencies to get to the essential core of what matters most in terms of the songs themselves. At 44 minutes and nine tracks, the new collection is somewhat longer than its predecessor, but as guitarist/vocalist Turner Midzain, bassist/vocalist Mike Madmington and drummer Kevin Nelson return to the studio with Jesse Gander at the helm of the recording and mix (Alan Douches mastered), there’s a sonic consistency between those two outings.

That stands up even as Woodhawk refine their methods toward conveying an emotional undercurrent most especially in songs like the organ-laced “Old Silence” and “Clear the Air” — Gander played keys on the debut and one assumes does here as well — and the later finale duo “As a Friend” and “Our Greatest Weakness,” both of which confront loss and issues of mental health, depression, etc., in a way no less honest and upfront lyrically than the accompanying riffs are musically. The chuggy “Heartstopper” and mid-paced winding groove of the title-track do much to bolster the emotional confrontationalism happening in the songs surrounding, and even as the latter veers into mellow Truckfighters-style bass-and-vocals spaciousness in its second half, there’s a strong sense of sonic purpose to everything Woodhawk do. Violent Nature is very much a gathering of individual pieces, but they’re smoothly arranged with a flow in mind, and the sharpened corners of the song structures only seem to increase the overall impact made.

Quiet moments like the beginning stretch of “Our Greatest Weakness” — not to spoil it, but our greatest weakness is love — and the build across the first half of “Clear the Air” offset some of Violent Nature‘s more frenetic moments, like the shredding solo in “Heartstopper” or the initial barrage of hooks at the record’s outset, but Woodhawk‘s priority is without a doubt conveying a strong sense of songwriting. This is not a band who put together an album while pretending to do something else, like, “Oh yeah, we’ll just write some songs and see what happens.” No. Woodhawk‘s tracks are too clear and firm in their intent for such things, and further, for the kind of heavy rock they play — modern, informed by traditions of more commercial fare but not beholden to them in style — they make ideas like that seem silly. If a band could write songs like this and make an album of them, why the hell would they do anything else?

The underlying implication there is that not every band can write songs like this, and that’s true as well, let alone carry them across with genuine-feeling emotion as Woodhawk do here. That is, with material so structured and so obviously worked through and hammered out, the risk the band might run is to dull the heart behind them, but with upfront lyrics and dynamic performance, the trio and Gander are able to find a sweet spot between professionalism and expression that serves the material first on all levels. As they mark five years since the arrival of their self-titled debut EP — released Halloween 2014 — Violent Nature not only reaffirms the idea that they’ve known what they’re doing all along, but makes it no less plain to hear that they’ve found a way to grow and progress, and indeed get tighter, as they move forward from one offering to the next. What that might mean for them going forward, I wouldn’t guess as to specifics of theme or anything like that, but in terms of a foundation, one couldn’t ask for ground much more solid than that which Woodhawk are building on throughout Violent Nature. It’s no less method than madness.

Woodhawk have a new beer coming out in collaboration with New Level Brewing, and they’ll play a release show for that the night after Violent Nature arrives on Nov. 1. It’s one of several dates lined up for this Fall that you can see under the premiere of “Heartstopper” below, which is also followed immediately by some background on the track courtesy of Midzain.

Please enjoy:

Woodhawk, “Heartstopper” official track premiere

Turner Midzain on “Heartstopper”:

“Heartstopper was the first song we wrote for the album, and was definitely reworked more than anything else on the record. Usually we scrap the first few we write until we find our groove. But this one just stuck. It tells the tale of how I have friends who live in completely different worlds and live totally different lives. One on side, I have this friend who has faced every major health complication someone their age should ever have faced and perceived. But still has the most positive outlook on life. On the other side, the friends who abuse substances and cheat death to the closest point and have no true appreciation for their own life. The juxtaposition in this situation just kind of hit home with all of us.”

Heartstopper off the forthcoming album, Violent Nature 2019.

Written and Performed by Woodhawk
Recorded by Jesse Gander
Mixed by Jesse Gander
Mastered by Alan Douches
Art by Mark Kowalchuck
Animation by Felix von Liska

New album ‘Violent Nature’ out everywhere Nov/1/2019

Woodhawk live:
Oct 25- Vancouver, BC – Railway Club
Oct 26 – Kamloops, BC – Pogue Mahones
Nov 2 – Beer Launch Party – New Level Brewing in Calgary
(New Level Brewing and Woodhawk have teamed up to make a Violent Nature Beer! Come down to New Level Brewing, for the beer launch. Woodhawk will be down there all day spinning records, selling merch and drinking the fine nectars they’ve created with New Level Brewing.)
Nov 8 – Calgary, AB – Palomino (Album Release Show)
Nov 9 – Edmonton, AB – Temple w/ The Wild!

WOODHAWK:
Turner Midzain – Vocals, Guitar
Mike Badmington – Bass, Vocals
Kevin Nelson – Drums

Woodhawk website

Woodhawk on Thee Facebooks

Woodhawk on Instagram

Woodhawk on Bandcamp

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Woodhawk to Release Violent Nature Nov. 1; Stream “Weightless Light”

Posted in Whathaveyou on September 26th, 2019 by JJ Koczan

woodhawk

A change in approach to the lyrics to real-world concerns rather than real-world-concerns-presented-as-stories-about-monsters adds a level of intrigue to their new album, Violent Nature, and I’ll be interested to hear how that plays out across the full-length when/if I get the chance to hear it — I’d hope to, but one never knows. I dug their 2017 debut LP, Beyond the Sun (review here), as well, and going by the lead single “Weightless Light” it seems like whatever they’re making the songs about, Woodhawk still bring the same sense of songcraft to their material, which is always good to know. They’ve got preorders up for the sophomore outing, and you can stream the track below. You know the deal, so go to it.

Cool art too:

woodhawk violent nature

WOODHAWK: Calgarian Riffs of Prey Return with VIOLENT NATURE | Stream New Single and Album Pre-order

Violent Nature by Woodhawk is released 1st November 2019

Hailing from the foothills of the majestic Rocky Mountains, Woodhawk are undeniable masters of riff rock, harnessing the classic influences of Black Sabbath and Thin Lizzy with smooth grooves, cranked-up amps, and hard-hitting drums that coalesce into impressive soundscapes. With lyrical themes that span the imagination and incorporate elements of science fiction, mythicism and the more contemporary struggles of modern times, Woodhawk proudly wear their hearts on their sleeves.

Formed in 2014, following the release of their self-titled EP, the band returned with the critically acclaimed full length Beyond the Sun in 2017. A melodically rich and varied album, steeped in sci-fi vibes catchy riffs, Beyond the Sun cemented Woodhawk’s status as a desert rock band with the kind of potential to power from terrafirma into the great beyond.

Returning to Rain City Recorders in Vancouver earlier this year, Woodhawk worked with Jesse Gander? (ANCIIENTS?, BISON?, 3 Inches of Blood?, JAPANDROIDS?) to record their sophomore album Violent Nature, which is due for official release this November. Over the course of two weeks, Woodhawk tracked their strongest effort yet, producing songs that addressed the struggles of mental health on new material that abandoned the world of fantasy in pursuit of emotional authenticity and self-discovery. Grounded with one foot in the present and another in the future, Woodhawk’s outlook is as boundless as their command of the genre.

Violent Nature by Woodhawk is released 1st November 2019 and can be pre-ordered here – https://woodhawk.bandcamp.com

TRACK LISTING:
1. Snake in The Grass
2. Weightless Light
3. Dry Blood
4. Heartstopper
5. Old Silence
6. Clear the Air
7. Violent Nature
8. As A Friend
9. Our Greatest Weakness

WOODHAWK:
Turner Midzain – Vocals, Guitar
Mike Badmington – Bass, Vocals
Kevin Nelson – Drums

http://woodhawkriffs.com/
https://www.facebook.com/WoodhawkRiffs/
https://www.instagram.com/woodhawkriffs/
https://woodhawk.bandcamp.com

Woodhawk, “Weightless Light”

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Premiere: Chron Goblin & Isaak Stream Split Tape in Full

Posted in audiObelisk on September 6th, 2019 by JJ Koczan

chron goblin

isaak

Today, Sept. 6, marks the arrival of the new split tape from Canadian and Italian outfits Chron Goblin and Isaak. Issued name-your-price through Spikerot Records in a soon-to-be-gone limited edition of only 100 tapes, the offering features one track from each band, each representing something different from them. To wit, Chron Goblin are about to put out their fourth album, Here Before (track premiere here), on Sept. 27 through Grand Hand Records. Isaak, meanwhile, were last heard from with 2015’s Sermonize (review here) on Heavy Psych Sounds. The Chron Goblin track, “Signs,” however, was recorded in 2015 at the same session as their third album, Backwater (review here). The Isaak song, “Taste,” was tracked at the end of last year. So the split arises from some pretty complex circumstances. For one band, it represents a chance to showcase something older as they move onto something newer, and for the other, it marks a return after a few years’ absence from the studio, a kind of refresher for their audience and a reminder of what they do as a group. It’s a fair amount of context to pack into an eight-minute release.

Fortunately, in listening to “Signs” and “Taste,” there’s plenty to dig into for those who’d otherwise, you know, just want to listen to some previously unheard material. Chron Goblin begin with a bit of amp noise and are all-go, soon enough launching into a Roadsaw-style verse that careens through a gang-shout hook en route to a winding slowdown and bluesy solo in thechron goblin isaak split second half. The key moment is when everything but the bass drops out and the nod takes full shape before dropping out to complete the efficient 4:25. Done. Flip tape. Chron Goblin are in and out of “Signs” with an assurance of songwriting that leaves little to wonder why they’d dig up the track four years after the fact and still find it relevant enough to release: because quality songcraft is always relevant.

Isaak‘s answer back in “Taste” by building up over the first minute-plus to finally unleashing a forceful pummel of a riff met with likewise burly vocals. They’ve never wanted for brashness, and “Taste” is no exception to this as the low-end takes central position tonally and they cycle through the verse again as though coming back out of the corner for round two. The tension they manifest turns in the third minute to a more straightforward pop of snare and seems to run a little more forward rather than circular, but the let’s-kick-ass-and-worry-about-the-rest-later vibe remains consistent. They too finish clean. Surprisingly so for having seemed to throw so much sonic mud around, but maybe after a few years it’s just a sense of relief to be back with new material at all. I won’t speculate as to what their plans are without knowing, but Isaak certainly sound like they still have plenty more to say, as they did on their last record too.

And for Chron Goblin, there’s already the advantage of knowing the direction they’d take after recording “Signs,” so yeah, it’s a bit of a different situation from one band to the other, but the bottom line is it’s two tracks of hard-edged heavy rock and roll marked out by zero pretense and an efficient delivery, pressed up to a limited tape that will likely sell out before it even lands on the merch table, so yeah, there’s really no way to lose here. Bonus to anyone who listens to the stream on a Walkman.

Credits follow. Enjoy the tracks:

Link to the store here:
http://bit.ly/ChronGoblin_Isaak

Chron Goblin – Signs
Recorded and mixed by Adam Pike at Toadhouse Studios in Portland, OR in February, 2015
Mastered by Stephan Hawkes at Interlace Audio

Chron Goblin are:
Josh Sandulak
Devin Purdy
Richard Hepp
Brett Whittingham

Isaak – Taste
Recorded and Mixed by Mattia Cominotto at Greenfog Studio in Genoa in December 2018
Mastered by Andrea De Bernardi at Eleven Mastering

Isaak are:
Giacomo Boeddu
Francesco Raimondi
Davide Foccis
Gabriele Carta

Chron Goblin on Thee Facebooks

Chron Goblin on Instagram

Chron Goblin on Bandcamp

Isaak on Thee Facebooks

Isaak on Instagram

Isaak on Bandcamp

Spikerot Records on Thee Facebooks

Spikerot Records on Instagram

Spikerot Records website

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