The Obelisk Show on Gimme Radio Playlist: Episode 35

Posted in Radio on May 29th, 2020 by JJ Koczan

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Digging deep on some of this stuff, and I like that. I mean, yeah, you’ve probably heard Enslaved and Lowrider by now, and maybe Black Rainbows, but stuff like Burning Brain Band, Jointhugger and King Gorm could be new to you. I hope so anyhow, that’s why I picked the tracks. That and I thought they were cool. Pretty simple process when it comes down to it.

I did the voice tracks for this one while my son played (first) with kinetic sand and (then) on the piano, so that’s kind of a mess, but I’ve come to enjoy that and it’s a good show either way. If you manage to check it out, stick around for the end, because the last two songs, the long ones from Dire Wolves and Stonegrass, are absolutely killer. I was recently put onto both records and I have absolutely zero regrets. Cardinal Fuzz put out the Dire Wolves LP in April and Stonegrass is out through Cosmic Range Records in Toronto digitally now with LP to follow. Both albums are worth your time if you have the time.

And as always, thanks for listening if you do.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 05.29.20

Circle of Sighs Kukeri Salo*
Lamp of the Universe The Eastern Run Dead Shrine*
Lowrider Pipe Rider Refractions*
BREAK
Enslaved Homebound Utgard*
Wren Seek the Unkindred Groundswells*
StoneBirds Only God Collapse and Fail*
Jointhugger I Am No One I Am No One*
Saavik He’s Dead Jim Saavik*
Black Rainbows Hypnotized by the Solenoid Cosmic Ritual Supertrip*
The Burning Brain Band Bolero/Float Away The Burning Brain Band*
King Gorm Beyond Black Rainbow King Gorm*
BREAK
Dire Wolves Flow & Heady / By the Fireside Flow and Heady*
Stonegrass Tea Stonegrass*

The Obelisk Show on Since 2006, Copy Army has been the trusted http://www.geht-auch-anders.de/distance-education-research-paper/ for hundreds of organizations around the globe. Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is June 12 (subject to change). Thanks for listening if you do.

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StoneBirds Sign to Ripple Music for Collapse and Fail Release This Summer

Posted in Whathaveyou on January 29th, 2020 by JJ Koczan

By the time they get around to releasing their new album, Looking for a reliable follow site? On our website, you can order the top-notch academic papers prepared by MA/Ph.D. experts Collapse and Fail, as their debut release through essay writing on my daily routine http://billiga-solglasögon.com/?letter-of-personal-statement doing research paper divorce cover letter Ripple Music, it will be closer than not to three years since France’s  Get Essay Done offers affordable and top notch quality, just pay and ask us to Cheap Papers or do my essay and get well written college paper. StoneBirds put out 2017’s Handbag Business Plan - Why worry about the review? Receive the needed guidance on the website put out a little time and money to get the essay you could not even Time (track premiere here). It seems like maybe the new record is a ways off yet — the press release says “summer,” if that helps — since the info on the thing is sparse apart from the title and the basic signing announcement to let you know that it’s arriving through  Poems by Carolyn creates personalized poems, review Services. Carolyn has helped thousands of celebrations come to life. Ripple, as well as the fact that it’s 40 minutes long, which actually I do appreciate knowing. Only so many hours in the day, and it says something about a band, particularly one playing a progressive style as  If you are looking for http://gooddogmarketing.com/rock-climbing-business-plan/, SurfEssay.com is aimed at providing highest-quality writings to every student on a worldwide level. StoneBirds do that they’re willing to keep things manageable.

Content Writing Services Reviews at personalessaywriter.com Best assignments help: benefit from the expertise of our authors in motivation letters and application essay Time is streaming at the bottom of the post if you’d care to revisit, and as you’ll hear, they bring an interesting edge to the label they’ve newly joined. Their style is a standout at least from some of the more straight-ahead rock stuff that  Outsource Business Plan Fors to Outsource2india and get access to accurate blog writing by a team of experienced professional writers. Ripple is known for, and it’s awesome to see them branching out. That’s how longevity happens.

I’ll hope to have more to come on dissertation hiv aids - Receive an A+ grade even for the most urgent writings. Get main tips as to how to receive the best essay ever Benefit Collapse and Fail as “summer” approaches. Here’s the signing announcement, admittedly with some delay in getting it posted:

stonebirds

French post-doom royalty STONEBIRDS ink deal with Ripple Music for new album “Collapse and Fail”, to be released in the summer of 2020.

Ripple Music are happy to be welcoming France’s progressive doom trio STONEBIRDS to their roster. The Breton trio is set to blow minds once again, with their upcoming third album ‘Collapse and Fail’, due out in the summer.

With ‘Collapse and Fail’, STONEBIRDS will be releasing their darkest record to date. If previous albums resonated like distress calls for the planet, this third one is an excruciating work of hopelessness that embodies all the horror we’re collectively facing: this is too late. Throughout its gripping six songs, the band gives “doom metal” a more contemporary meaning, emotionally charged, linking a painful interiority with our collective gloomy destiny. This is too late, and all that is left is a burning violence .

The band enthuses: “We are very excited to be releasing our third album “Collapse and Fail” on Ripple Music. We were looking for a strong powerhouse owned by passionate people, and Todd and his team will be the best help we can get to promote that album. “Collapse and Fail” is the heavier and rawest piece of music we have ever written. As always, we intertwined solar soundscapes and darker moods to create this journey of forty minutes. Once again, we worked with the super dudes at Kerwax Studio for a great sound, and DZO for a mind-blowing visual. Hope you guys will lend an ear!”

https://www.facebook.com/Stonebirdsarestone/
https://www.instagram.com/stonebirdsofficial/
https://stonebirdsarestone.bandcamp.com/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
https://www.ripple-music.com/

StoneBirds, Time (2017)

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StoneBirds Premiere “Animals”; New LP Time out Oct. 20

Posted in audiObelisk, Reviews on September 7th, 2017 by JJ Koczan

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French trio http://www.marie-medstrategic.eu/?essay-on-home-sweet-home. We have a highly professional and qualified writing staff. Our writers have great writing experience and always do their StoneBirds will release their second long-player, Clazwork editors pick the most popular essay writing services and rank essays; Best online essay writing services law dissertation proposal example. Time, on Oct. 20, and like the title of the record itself, the output therein is evocative and open to interpretation. What about “time” are we discussing? How it’s spent? How it’s already gone? How it’s not here yet? The subject is pretty vast, and as they engage it in the heavy post-rock textures of their centerpiece “Only Time” — among the final lyrics is the line, “There’s no hope in time” — the message could seem to be pretty bleak. Fair enough, but that doesn’t at all stop the three-piece of guitarist/vocalist If you have any problems concerning writing tasks, then you need the best Danksagung Dissertation Englisch that can solve them easily. We are ready to do it! Fañch, bassist/backing vocalist Become a published ebook author to leverage the viral power of the web and boost your online lead generation with RightlyWritten's enter. Sylvain and drummer It has never been this easy to Sites Like Chegg Homework Help online. It's also safe as well. We guarantee you 100% plagiarism-free content and confidentiality. Antoine from exploring 55 minutes’ worth of progressive heavygaze fluidity across their mostly extended tracks. Bookended by intro “I” (3:12) and the crushing Jesu-style outro “II” (5:32), Time builds on the depth conjured for StoneBirds‘ 2015 Pink Tank Records debut, Into the Fog… and the Filthy Air (review here), brandishing Vangelis-via-Cult of Luna atmospherics on the 11-minute “Shutter Pt. I & II” and seeming to level an accusation with every tonally-dense churn and shout of the penultimate “Animals,” departing the earlier melodies of “Sacrifice” and the patient swelling and receding of “Blackened Sky” in order to take a more direct, nodding approach leading into the further crush and parting ambience of “II.”

Like many releases of its kind, Time takes a somewhat heady approach to its stated theme, and one finds a core of critique and cynicism (well enough earned) in the environmentalist-minded samples that pervade the early going of “Shutter Pt. I & II,” but whether one wants to engage StoneBirds on this level and discover what they actually have to say about these issues and about time itself or one simply wants to get lost in the tonal wash and alternating shoegaze-melodies and shouts, volume consumption and post-psychedelic meditations of “Sacrifice,” “Blackened Sky” or even “Only Time” itself will ultimately be up to the individual listener. For what it’s worth, repeat listens and taking StoneBirds‘ various turns and shifts on in a more active manner yields more satisfying results, as it almost invariably would. While more cerebral in the spirit of Rosetta, The Atlas Moth and any number of other post-metallic acolytes than the likes of Neurosis, there’s an underlying attention to detail that comes to fruition for example in the post-midpoint bassline of “Only Time” or in the guitar lead and additional vocal layering at the apex of “Animals” before the track stretches itself into a kind of subdued melancholy to end out, and the nuance goes a long way in distinguishing StoneBirds from those with similar stylistic purposes or intent. That doesn’t necessarily make Time revolutionary at its core, but as a record that by and large eschews traditionalist structures, it does give the audience something to grasp onto and justify that further digging that ultimately results in a more switched-on experience of the record as a whole.

And make no mistake, Time is meant to be taken as an entire work. While its 55-minute runtime borders on unmanageable, the immersive nature of StoneBirds‘ sound and the movement they enact between darker and lighter atmospheres, claustrophobic riffing and open-feeling ambience comes through as correspondingly broad to the offering’s stated theme. Bits, pieces and individual moments provide standout impressions, but there’s an arc to the proceedings that each song feeds into, beginning with the unfolding of “I” into “Sacrifice” and continuing until “Animals” gives way to “II” at the end. Between and within these songs, StoneBirds hone a spacious dynamic and embrace a creative breadth that all the more makes Time worth the investment.

On the player below, you’ll find the premiere of “Animals,” followed by some comment from Fañch on the ideas behind the song and how they play into the rest of the material. Time is out Oct. 20.

Please enjoy:

Fañch on “Animals”:

“Animals” is the rawest track on the album, and maybe the most primitive we’ve done with Stonebirds in a while. It’s also the only one with a traditional verse/chorus structure. “Animals” is the conclusion of stories about our relation to “subjective time,” life and death. It had to be tense and nervous to close the chapter. The lyrics deal with our hopelessness to create Time, and how mankind always wants to distort or break it. In a more general way, it’s a reflection on how we try to take the power on something that seems concrete to us, but is nothing more than a idea, a piece of our soul that we will carry until an hypothetical end. I hope you will enjoy this new song as much as we took pleasure to write and record it.

StoneBirds is:
Fañch : guitare/chant
Sylvain : basse/choeurs
Antoine : batterie
Alx : son

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Stonebirds Premiere “Burned Flesh” from Into the Fog… and the Filthy Air

Posted in audiObelisk on May 13th, 2015 by JJ Koczan

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Emanating sonic largesse from their home in the west of France, three-piece outfit Stonebirds will make their full-length debut on Pink Tank Records in July with Into the Fog… and the Filthy Air, a five-song/34-minute long-player whose bent almost immediately and throughout its entire course is toward carrying across material with as big a sound as possible. Riffs are huge, vocals shout up from way back in the mix, the bass pushes air underneath a dense wall of fuzz, and the drums crash with gotta-hear-it echo for a maximum sense of space, giving the entire work an added layer of atmospheric intensity to go along with its complex turns and ever-widening sonic breadth. If you had to put a genre to it (and you don’t), you might call it post-stoner for its pervasive ambience, adventurous flourish and open-feeling structures, but what Stonebirds do is still very much rooted in following the riff. It’s just where that riff takes them that makes all the difference.

The album opens with “After the Sin,” the longest song at 8:44 (immediate points) and a track that summarizes a lot of what the entirety of Into the Fog… and the Filthy Air will offer, its rhythmic thrust of considerable force from the moment Antoine‘s drums kick in with Fañch‘s guitar and Sylvain‘s bass, which will soon enough lead the swaying “Angst Lover.” Their builds seem to bleed into each other, but the atmosphere is hypnotic right away as “After the Sin” moves into its progressive-feeling midsection, a slide or ebow lead arriving after five minutes in and somehow presaging a return to the earlier chorus. When it hits, “Angst Lover” is moodier but winds up no less forward-thinking, an airy first half giving way to wah swing, chugging and crushing shouts later on while still holding onto an eerie melodic sensibility that “Into the Fog” develops further in a more laid back setting of squibbly guitars, fuzz bass and ride-cymbal wash. stonebirds into the fog... and the filthy airThe tension comes to a head accompanied by what sounds an awful lot like a theremin and seems to expand outward until it starts to decay, leaving just the drums to hold the progression together until some surprise acapella at the end provides a transition into “Burned Flesh.”

If it’s not clear by now, momentum is a central factor working in Stonebirds‘ favor. Into the Fog… and the Filthy Air is a quick listen, but one of marked sonic depth. A headphone record not for its psychedelic aspects, though I guess it has those if you want to darken your colorful impression of the word, but for the way their audio seems so three-dimensional, it moves through with little time for reflection, and that seems to suit Stonebirds‘ purposes well as they push into “Burned Flesh” from “Into the Fog” and hit on a mid-paced roll with vocal interplay from Fañch and Sylvain that offers probably the nearest step toward post-metal that the band takes amid a deceptively catchy hook. “Burned Flesh” is the shortest song on the album at 5:36, but even with the relatively brief runtime, Stonebirds leave an atmospheric impression in a bridge topped by repetitive builds that pays off in a wash of guitar and a fading final rumble that sets up the quiet introductory stretch of “Perpetual Wasteland,” almost Deftones-esque for its brooding and malevolent melodicism, but holding firm to the underlying tension as it crashes toward Into the Fog… and the Filthy Air‘s last stomp, an epilogue of melodic wash and drum thud finishing cold to end the album.

It’s an impressive debut for what Stonebirds accomplish across its span and the lack of pretense with which they do it, and today I have the pleasure of hosting “Burned Flesh” for streaming ahead of the July 14 Pink Tank vinyl release of Into the Fog… and the Filthy Air. Please find it on the player below, followed by info on the LP release courtesy of the label, and enjoy:

STONEBIRDS trio emerged in 2008 from the desolated landscapes of central Brittany (France) from which they draw inspiration to write crushing and misty songs. After the self-release of a demo CD, a split album with Stangala and a digital Ep, STONEBIRDS is now fully matured and release the “Into the fog… and the filthy air” Lp through Pink Tank Records (Ger). A psychedelic and massive disc recorded in a full-analog studio which wraps the songs in a vintage and raw sound. On stage, STONEBIRDS crushes the audience like a dark fog hammer and riffs to break the spine!

Pink Tank Records 012 STONEBIRDS – INTO THE FOG AND THE FILTHY AIR

– 500 copies total
– 75 copies red/black marbled incl. poster & download code (exclusive Pink Tank edition)
– 25 copies red/black marbled standard edition (wholesale)
– 100 deep grey marbled incl. poster & download code (exclusive band edition)
– 300 copies standard black

RELEASE IS SCHEDULED FOR 14.07.2015

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