Quarterly Review: Celestial Season, Wren, Sumokem, Oginalii, Völur, Wedge, SpellBook, Old Blood, Jahbulong, Heavy Trip

Posted in Reviews on December 25th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

The end of the week for the Quarterly Review is a special time, even if this particular QR will continue into next Monday and Tuesday. Also apparently today is Xmas? Okay. Whatever, I’ve got writing to do. I hope you’re safe and not, say, traveling out of state to see family against the urging of the CDC. That would be incredibly irresponsible, etc. etc. that’s what I’m doing. Don’t get me started.

However you celebrate or don’t, be safe. Music will help.

Quarterly Review #41-50:

Celestial Season, The Secret Teachings

celestial season the secret teachings

Like many of the original death-doom set, Dutch masters So, customers will buy literature essays written on a high level. Due to the timing rhythm of the students' life, it is much easier to make a "do my essay" order and pay for an essay instead of completing writing of the assignment independently. Today many students decide to pay someone to write an essay. The result is they pay for essay, give all instructions to the author, but receive not the order Celestial Season gave up the style during their original run, departing toward heavy rock after 1995’s When the need arises to Essay Writing For Scholarships, care should be taken to ensure that you get only from a reliable source that can promise a positive result Solar Lovers. At an hour’s run spread across 13 tracks including ambient guitar and violin/cello interludes, Annotated Bibliography Paper - Get to know common tips as to how to get the greatest research paper ever Proofreading and proofediting services from best writers. The Secret Teachings has no time for such flighty fare. Reunited with original vocalist Features of process when you http://www.rctritec.com/?parts-of-a-research-proposal here. First of all, he or she will find a good topic for your essay or any other type of academic paper. It will be the one that corresponds to your stage in education. If you do it for yourself, youll probably find a topic that requires minimum reading and is well-discussed. Stefan Ruiters and bassist Cheap http://www.samavayo.com/technical-writing-services/. We do not favor plagiarism and don't promote it. We write original research papers for sale, and all our research papers are written from scratch. Our company is well-known all over the world. Every day we serve dozens of students from around the globe. We write research papers that help these students get the Lucas van Slegtenhorst, the band return in grand fashion for their first full-length in 20 years, and songs like “Long Forlorn Tears” and “Salt of the Earth” conjure all the expert-grade morose plod one could possibly ask, as each side of the 2LP begins with its own intro and sets its own mood, from the almost-hopeful wistfulness of opener/longest track (immediate points) “The Secret Teachings of All Ages” at the start to the birdsong-laced “Beneath the Temple Mount” that leads the way into “A Veil of Silence” and “Red Water” at the finish, the latter a Can someone write a paper for Order Now tab on the top of the website and enter your http://www.bivteam.de/?equipment-leasing-business-plans requirements regarding Type O Negative cover that fits well after the crescendo of the song before it.

Celestial Season on Thee Facebooks

Burning World Records website

 

Wren, Groundswells

wren groundswells

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Wren on Thee Facebooks

Gizeh Records website

 

Sumokem, Prajnaparadha

sumokem prajnaparadha

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Sumokem on Thee Facebooks

Cursed Tongue Records webstore

 

Oginalii, Pendulum

Oginalii Pendulum

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Oginalii on Thee Facebooks

Devil in the Woods on Bandcamp

 

Völur, Death Cult

Völur death cult

Toronto’s Völur offer their third album, Death Cult, in cooperation with Prophecy Productions, and it comes in four string-laced tracks that waste little time in pushing genre limits, bringing folk influences in among doom, blackened metallurgy and more ethereal touches. Arrangements of violin, viola, cello, double-bass, keys, and the shared vocals of Laura Bates and Lucas Gadke (the latter also of Blood Ceremony) give a suitably arthouse feel to the proceedings rounded out by the drums and percussion of Justin Ruppel, and it’s far from unearned as the four songs play out across 37 minutes, “Dead Moon” veering into lumbering death-doom in its apex ahead of the jazz-into-choral-into-drone-into-freer-jazz-into-progressive-black-metal of the 11-minute “Freyjan Death Cult,” subsequent closer “Reverend Queen” leaving behind the chaos in its last few minutes for an epilogue of mournful strings and drums; a dirge both unrepentantly beautiful and still in keeping with the atmospheric weight throughout. Bands like this — rare — make other bands better.

Volur on Thee Facebooks

Volur at Prophecy Productions

 

Wedge, Like No Tomorrow

wedge like no tomorrow

Bursting with enough energy to make one miss live music, Wedge‘s third album, Like No Tomorrow, transcends vintage-ism in its production if not its overall mindset, bringing clarity to Deep Purple organ-tics on opener “Computer” while keeping the lyrics purposefully modern. Bass leads the way in “Playing a Role” and the spirit is boogie fuzz until the jam hits and, yeah, they make it easy to go along for the ride. “Blood Red Wine” has arena-rock melody down pat while centerpiece and likely side A closer “Across the Water” at last lets itself go to that place, following the guitar until the surge that brings in “Queen of the Night” indulges purer proto-metal impulses, still accomplished in its harmonized chorus amid the charge. Is that the guitar solo in “U’n’I” panning left to right I hear? I certainly hope so. The shortest cut on Like No Tomorrow feels like it’s in a hurry to leave behind a verse, and sets up the surprisingly modestly paced “At the Speed of Life,” which is lent a cinematic feel by the organ and layered choral vocals that bolsters yet another strong hook, while the nine-minute “Soldier” is bluesier but still sounds like it could be the live incarnation of any of these tracks depending on where a given jam takes Wedge on any given night. Here’s hoping, anyhow.

Wedge on Thee Facebooks

Heavy Psych Sounds website

 

SpellBook, Magick and Mischief

SpellBook Magick and Mischief

About a year and a half after issuing Otherworldly (review here), their third album under the moniker Witch Hazel, the dukes of York, PA, are back with a new name and a refreshed sound. As SpellBook, vocalist Nate Tyson, guitarist Andy Craven, bassist Seibert Lowe and drummer Nicholas Zinn push through two vinyl sides of classic heavy f’n metal, less concerned with doom than they were but still saving a bit of roll for the longer centerpiece “Not Long for This World” and the airy, dramatic closer “Dead Detectives.” Elsewhere, “Black Shadow” brings a horns-at-the-ready chorus, “Motorcade” reminds that the power of Judas Priest was always in the basslines (that’s right, I said it), and “Ominous Skies” brims with the vitality of the new band that SpellBook are, even as it benefits from the confidence born of these players’ prior experience together.

SpellBook on Thee Facebooks

Cruz Del Sur Music website

 

Old Blood, Acid Doom

old blood acid doom

Kudos to L.A.’s Old Blood for at least making the classification part easy when it comes to their debut album, conveniently titled Acid Doom, though that category hardly accounts for, say, the piano stretch of second cut “Bridge to Nowhere,” or the heavy rock theatricality in “Heavy Water” or the horn sounds of “Slothgod” a few songs later, but I suppose one has to start somewhere, and ‘acid doom’ is fair enough when it comes to accounting for the sleekery in the vocals of Lynx, the weight of the riffs of C. Gunner, the roll of bassist Octopus and drummer Diesel and the classic-style organ work of J.F. Stone. But if Old Blood want to unfurl something deceptively complex and stylistically intricate on their debut, that’s certainly cool as far as I’m concerned. Production is a strong presence throughout in a way that pulls a bit from what the impact of the songs might be on stage (remember stages?), but the songwriting is there, and Lynx‘s voice is a noteworthy presence of its own. I’m not sure where they’ll end up sound-wise, but at the same time, Acid Doom comes across like nothing else in the batch of 70 records I’m doing for this Quarterly Review, and that in itself I find admirable.

Old Blood on Thee Facebooks

Metal Assault Records on Bandcamp

DHU Records webstore

 

Jahbulong, Eclectic Poison Tones

JAHBULONG ECLECTIC POISON TONES

Just because you know the big riff is going to kick in about a minute into opening track “Under the Influence of the Fool” on Jahbulong‘s tarot-inflected stoner doom four-songer Eclectic Poison Tones doesn’t make it any less satisfying when it happens. The deep-rolling three-piece from Verona make their full-length debut with the 45-minute offering through Go Down Records, and the lurching continues in “The Tower of the Broken Bones” and “The Eclipse of the Empress,” which is the only cut under 10 minutes long but still keeps the slow-motion Sabbath rolling into the 15-minute closer “The Eremite Tired Out (Sweed Dreams)” (sic), which plays off some loud/quiet changes fluidly without interrupting the nod that’s so central to the entirety of the album. Look. These guys know the gods they’re worshiping — Sleep, Black Sabbath, Electric Wizard maybe, etc. — and they’re not trying to get away with saying they invented any of this. If you can’t get down with 45 minutes of slower-than-slow grooves, maybe you’re in the wrong microgenre. For me, it’s the lack of pretense that makes it.

Jahbulong on Thee Facebooks

Go Down Records website

 

Heavy Trip, Heavy Trip

heavy trip heavy trip

Heavy Trip. Four songs. Two sides. Three dudes. Instrumental. Accurately named. Yeah, you’ve heard this story before, but screw it. They start out nice and spacious on “Hand of Shroom” and they finish with high-speed boogie in the 13-minute “Treespinner,” and all in between Heavy Trip make it nothing less than a joy to go along wherever it is they’re headed. The Vancouver three-piece make earlier Earthless something of an elephant in the room as regards influences, but the unhurried groove in second cut “Lunar Throne” is a distinguishing factor, and even as “Mind Leaf” incorporates a bit more shove, it does so with enough righteousness to carry through. As a debut, Heavy Trip‘s Heavy Trip might come across more San Diego than Vancouver, but screw it. Dudes got jams like Xmas hams, and the chemistry they bring in holding listener attention with tempo changes throughout here speaks to a progressive edge burgeoning in their sound.

Heavy Trip on Thee Facebooks

Burning World Records on Bandcamp

 

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Wedge Premiere “Computer”; Like No Tomorrow out Jan. 15

Posted in audiObelisk, Whathaveyou on October 13th, 2020 by JJ Koczan

wedge new shot

Wedge‘s third album, Like No Tomorrow, will see release on Jan. 15, 2021, through Heavy Psych Sounds. Preorders are up as of today. Any other year, that title would be endearing and maybe somewhat quizzical, or otherwise embodying a rock and roll, live-in-the-moment kind of mentality. In 2020, it’s pretty foreboding because, like, there might not be a tomorrow. Or perhaps even worse — there might be!

But for just about four minutes and 44 seconds, let’s put the overarching special brand of anxiety that this year has produced aside. Difficult, I know. Nigh on impossible. Stay off Twitter. Don’t even glance at the YouTube ads telling you about how Donald Trump is a COVID-beating superhero and Joe Biden is somehow holding a secret socialist agenda (if only!) and simultaneously the most boring person who ever lived. Log out of Facebook. Just log out. It sounds dangerous somehow, doesn’t it? Disconnect for a couple minutes. See what happens.

wedge like no tomorrowFor all the good knowing-a-thing-with-proven-science sometimes does these days, it is a documented fact that the human relationship to technology has changed the manner in which our brains work, and perhaps that’s where Wedge are coming from in the go-unplugged message of their new single “Computer.” Perhaps suitably, the organ-laced cut hits with a nostalgic feel somewhere between Deep Purple‘s “Strange Kind of Woman” and “Pictures of Home,” but after six years and three records, one shouldn’t be surprised to find guitarist/vocalist Kiryk Drewinski (ex-Liquid Visions), drummer Holger “The Holg” Grosser and bassist/organist Dave Götz working in their own personality as well, as one can hear in the ’60s-inflected winding solo section backed by righteous classic-style shuffle.

Message and groove both come through clearly, and while I can’t speak for the entirety of Like No Tomorrow as I haven’t heard it yet, but at least this lead track sounds like a fitting follow-up to 2018’s Killing Tongue (discussed here) as the band dig into some proggy nuance without losing the well-honed dynamic between the players.

And I guess if you actually disconnected when I urged you to above you wouldn’t still be reading this — oops — but if you are, you can stream “Computer” below.

Please enjoy:

Wedge on “Computer”:

The tune is a straightforward organ-driven boogie rocker with a slightly progressive edge due to ever changing grooves and time signatures. (Hear if you can spot the 11/8 beat ; ). Lyrically it’s a cynical ode to our ubiquitous master, the computer. While on one hand our digital buddies are a portal to the world of knowledge and sweet distraction, they’re also the source of misinformation and… well, sweet distraction. “Computer” is our personal invitation for everybody to log out for once, even if it’s only for just one day or the length of a full album.

New album ‘Like No Tomorrow’ out January 15th, 2021 on Heavy Psych Sounds as:
15 Ultra Ltd Test Press
200 Half Half Black-Red Vinyl
450 Yellow Solid Vinyl
Black Vinyl
Digipak
Digital

Preorder: https://www.heavypsychsounds.com/

WEDGE is:
Kiryk – Vocals/Guitars
The Hog – Drums/Percussion
David – Bass/Organ/Electric Piano/Mellotron

Wedge on Thee Facebooks

Wedge on Instagram

Wedge website

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds on Bandcamp

Heavy Psych Sounds website

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Heavy Psych Sounds Fest Announces Berlin and Dresden Editions

Posted in Whathaveyou on May 27th, 2019 by JJ Koczan

heavy psych sounds logo

Remember like a very, very short time ago — maybe last week? — when I was talking about how Heavy Psych Sounds was taking over the world, one band, tour and festival at a time? Well here we are with the announcements for four nights in Germany this December that one assumes — but never knows for sure — will round out a busy 2019 for the Italian label/booking agency/one-stop-shop. Monolord, The Sonic DawnWedgeGorilla and 1782 are thus far announced with apparently more to come. No big surprise they’re not done, as it seems increasingly like they’re never done. Did you see the pictures from the West Coast Heavy Psych Sounds package tour? It looked pretty amazing.

I guess that’s what happens when you put everything you have into what you do and what you do kicks ass.

From the PR wire:

heavy psych sounds fest berlin dresden

HEAVY PSYCH SOUNDS announces BERLIN + DRESDEN FEST; featuring MONOLORD, THE SONIC DAWN & more!

Headquartered in Rome, Italy, Heavy Psych Sounds specializes in presenting the best artists in the global heavy psych, doom, fuzz blues and space rock realms, and their Festival- series will be no exception, spotlighting the ever-growing label’s dedication to its craft. While the first HPS Fests were held in Italy, the label has since extended its live reach into the UK, Belgium, Netherlands, Austria and even the USA: The underground cult label is not only THE address for all heavy rock record collectors, but has also become an important live and festival institution; with a brisk participation from heavy music fans all over the world.

Now, Heavy Psych Sounds is set to bring the ROCK to Germany: Dresden and Berlin with the just-announced special shows taking place this December! Each stop of the traveling festival tour will feature diverse line-ups including both genre leaders and fast-rising acts, all ready to prove their place among the world’s best. In cooperation with Greyzone Concerts and ElbSludgeBooking, Heavy Psych Sounds has just revealed the first bands featuring heavy doom weights MONOLORD, psychedelic rockers THE SONIC DAWN and more:

[ artwork by Branca Studio ]

Taking place December 6th and 7th 2019 in Berlin and Dresden, the tickets are now on sale at:

BERLIN
Event: www.facebook.com/events/328145071206018/

DRESDEN
Event: www.facebook.com/events/658161097944810/

https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com
www.greyzone-concerts.de
www.facebook.com/Elbsludgebooking

Monolord, Rust (2017)

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The Golden Grass Announce European Tour Dates with Wedge

Posted in Whathaveyou on January 24th, 2019 by JJ Koczan

the golden grass

Brooklyn trio The Golden Grass are headed back to Europe this Spring and will tour in late March and throughout April in the company of German trad-rockers Wedge. Pretty good show, and they’re covering a decent swath of ground in Poland, Austria, Germany, Switzerland and Italy. Of course, The Golden Grass go supporting their 2018 third album, Absolutely (review here), and they also went to Europe last year, touring in the company of Heat. If nothing else, they know how to find a fit for bands to hit the road with.

The narrative of Absolutely was that it pulled back on some of the more meandering impulses of its predecessor, 2016’s Coming Back Again (review here), but The Golden Grass have a new EP in the works that they’ve posted a couple social media teasers for, and it seems that the boogie remains strong with their upbeat sound. Throw in some of the choicest harmonies in heavy — as they reliably do — and you’re good to go.

To Europe, in this case. I haven’t seen a release date kicked around for the EP, but wouldn’t it make an awful lot of sense if it came out before the tour? Or at least was available for them to sell on the road? Yeah, that seems reasonable to me too. More when I hear it.

Here’s the poster and info in the meantime:

WEDGE-THE GOLDEN GRASS online poster

The Golden Grass & Wedge March / April Tour

27.03. (PL) Torun Swa Swiaty
28.03. (PL) Warszawa Chmury
29.03. (PL) Krakow Alchemia
30.03. (PL) Poznan Pog Minoga
31.03. (PL) Wroclaw D.K. Luksus
01.04. (AT) Vienna 3Raum
02.04. (AT) Salzburg Rockhaus
03.04. (DE) Mannheim 7er Club
04.04. (DE) Höxter Toneburg
05.04. (DE) Chemnitz Die Zukunft
06.04. (DE) Berlin Zukunft/Ostkreuz
07.04. (DE) Leipzig Moertelwerk
08.04. (DE) TBA
09.04. (CZ) Bilina Moskva
10.04. (CZ) Brno Kabinet Muz
11.04. (AT) Innsbruck PMK
12.04. (IT) Bologna Freakout
13.04. (IT) Milano COX18
14.04. (CH) Martigny Caves du Manoir
15.04. TBA
16.04. TBA
17.04. TBA
18.04. (CH) Olten Coq d’Or
19.04. (DE) Münster Rare Guitar
20.04. (DE) Oldenburg MTS

http://www.facebook.com/thegoldengrass
http://www.twitter.com/TheeGoldenGrass
http://www.thegoldengrass.bandcamp.com
www.wedgeband.com
www.magnificentmusic.de
www.swampbooking.com
http://www.listenable.net
http://www.facebook.com/listenablerecs
http://www.twitter.com/Listenable

The Golden Grass, Absolutely (2018)

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Heavy Psych Sounds Announces Vol. III Label Sampler

Posted in Whathaveyou on February 7th, 2018 by JJ Koczan

You gotta watch out for these. They’re sneaky. Label samplers can be tricky in general — sometimes it’s nothing but rehashed tracks from years ago with one or two new songs from a band somebody’s trying to push, but with Heavy Psych Sounds, their annual sampler series has been a way of sneaking new tracks out for first public showcases. Last year, new Black Rainbows showed up, and sure enough they appear here as well, and there also seems to be some new stuff from The Freeks included, which as far as I’m concerned is reason enough on its own to chase the thing down. Also Tons will have a track on there ahead of their album release in April, and new Killer Boogie, so yeah, plenty to grab onto, and even the stuff that’s already out — Mother Engine, Fvzz Popvli, The Lords of Altamont, Nick Oliveri — is all still current, and righteous. That “Kyuss Dies” song is hilarious.

Full tracklisting follows here, courtesy of the PR wire:

heavy psych sounds sampler iii

As every Year, my little dear, what we have here is: HPS074 ***HEAVY PSYCH SOUNDS SAMPLER VOL.3***

We’re so proud to announce the new Sampler, is the third year we are going to release this, and tracklist look awesome!

You will find it in your HPS boxes when you will purchase from the site, or at some good festival in Europe for free at the merch table, or on tour with HPS bands…

RELEASE DATE:
16th MARCH 2018

PRESALE:
8th FEBRUARY 2018

Enjoy the tracklist!

Avon – Red Barn
Black Rainbows – High To Hell
Deadsmoke – Emperor Of Shame
Fvzz Popvli – Lost In Time
High Reeper – Die Slow
House Of Broken Promises – Toranado
Killer Boogie – Atomic Race
Monsternaut – Landslide
Mother Engine – Tokamak
Nebula – Between Time
Nick Oliveri (Kyuss Lives) – Kyuss Dies
The Freeks – American Lighning
The Lords Of Altamont – Going Downtown
Tons – 99 Weed Balloons
Turn Me On Dead Man – Vimana
Wedge – Lucid

https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com/
https://heavypsychsoundsrecords.bandcamp.com/

VA, Heavy Psych Sounds Records Sampler Vol. II

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Wedge Expand European Tour Set to Begin Jan. 9

Posted in Whathaveyou on January 5th, 2018 by JJ Koczan

wedge sami grill

It was a pretty substantial tour when it was just taking place in Germany, but as it turns out, Berlin heavy rockers Wedge will venture well outside the confines of their home country in support of their new album, Killing Tongue, which is out next month on Heavy Psych Sounds. Thus far, shows in Belgium, France, Spain and Italy have been added to the run starting in March after the initial burst beginning next week, and there’s the promise of more to come, so yeah, keep an eye out. The newly-announced portion of the tour takes them into April, so I wouldn’t be surprised if they hit up some festivals here or there along their way.

The PR wire has it like this:

wedge euro tour poster

The German vintage retro ’70 rock’n’roll band Wedge will tour Europe in 2018. Supporting their german acts the rockers Big Foot.

Wedge will play also new stuff of their sophomore album Kiling Tongue which will be released in february 2018 via Heavy Psych Sounds.

Wedge European Tour Dates:
09.01. (DE) HANNOVER · Cafe Glocksee
10.01. (DE) KIEL · Schaubude
11.01. (DE) HAMBURG · Hafenklang*
12.01. (DE) JENA · Kulturbahnhof*
13.01. (DE) EISENACH · Schlachthof*
01.02. (DE) NÜRNBERG · Z-Bau*
02.02. (DE) FRANKFURT A.M. · Feinstaub*
03.02. (DE) HEILBRONN · Emma 23*
04.02. (DE) FREIBURG · Slow Club*
05.02. (DE) TÜBINGEN · Münzgasse*
07.02. (DE) KÖLN · Sonic Ballroom*
08.02. (DE) OLDENBURG · Polyester Club*
09.02. (DE) HUSUM · Speicher*
10.02. (DE) BERLIN · Zukunft am Ostkreuz*
14.02. (DE) LEIPZIG · Black Label*
15.02. (DE) MÜNCHEN · Import/Export*
16.02. (DE) KELLBERG · tba*
17.02. (DE) RAVENSBURG · Haus am See*
21.02. (DE) GÖTTINGEN · Dots*
22.02. (DE) BIELEFELD · Forum*
23.02. (DE) DÜSSELDORF · R25/Kulturschlachthof*
24.02. (DE) MÜNSTER · Rare Guitar*
18.03. (NL) TILBURG · tba
19.03. (BE) ANTWERP · tba
21.03. (FR) PARIS · International
22.03. (FR) NANTES · La Scene Michelet
23.03. (FR) BORDEAUX · Le Petit Maurian
24.03. (ES) GIJÓN · Sala Memphis
25.03. (ES) BILBAO · La Nube Cafe Teatro
26.03. (ES) BARCELONA · Rocksound
27.03. (ES) SAN SEBASTIÁN · Dadabada
28.03. (FR) MONTPELLIER · Up&Down
30.03. (IT) TORINO · Blah Blah
31.03. (IT) PISA · Albatross
01.04. (IT) MANTOVA · Spazio FCErec
02.04. (IT) ZEROBRANCO · Altroquando
03.04. (IT) PARMA · Tonic
04.04. (IT) BOLOGNA · Mikasa
05.04. (IT) BERGAMO · Druso
06.04. (IT) ROMA · Let It Beer
07.04. (IT) CASTEL FIDARDO · On Stage
09.04. (IT) PESCARA · Scumm
*w/ Bigfoot

WEDGE is a 60s-sounding, psychedelic and heavy rockin’ Berlin trio founded by guitarist/singer Kiryk Drewinski (ex-Liquid Visions/The Magnificent Brotherhood), drummer Holger “The Holg” Grosser and bassist/organist Dave Götz, and named themselves after the first stone tool of human history. Their sound is accordingly archaic, extremely effective, made from “solid rock” and, when used correctly, it causes fire… especially on stage!

WEDGE IS
Kiryk Drewinski- Vocals / Guitars / Harmonica
Holger ‘The Holg’ Grosser – Drums / Percussion
David Götz – Bass / Organ / Electric Piano / Mellotron

https://www.facebook.com/wedgeband/
http://www.wedgeband.com/home.html
https://www.facebook.com/HEAVYPSYCHSOUNDS/
https://twitter.com/HEAVYPSYCHSOUND
https://heavypsychsoundsrecords.bandcamp.com/

Wedge, “Lucid” official video

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Wedge Post “Lucid” Video & Announce German Tour Dates

Posted in Bootleg Theater on December 14th, 2017 by JJ Koczan

wedge germany tour

German vintage-style heavy rockers Wedge are getting ready to tour the hell out of their home country. I mean, really. Touring the hell right out of it. The Berlin-based three-piece will issue their second long-player, Killing Tongue, via Heavy Psych Sounds on Feb. 9, and in following up their 2014 self-titled debut, they’ve begun to push into a sonic realm more of their own within the sphere of their genre. They’ve got shows booked in January and they’ll spend most of February on the road as well, without ever leaving Germany. Pretty wild. I can’t remember the last time I saw a string of dates this long in Europe just focused on one country. It’s 21 shows!

Because I’m an ignorant-ass American, I don’t know how far the cities listed below are from each other, but as an exercise, this seems like an awesome and intense way for Wedge to continue to hone their craft. I’m going to assume that at no point will they be spending more than, say, four or five hours, on a single drive between shows, and just by way of an example, Kiel to Hamburg is about 90 minutes. So yeah, they’re on tour, but without the stress of crossing long distances, Wedge will have all the more opportunity to focus on what’s important: playing the shows themselves. I’d suspect the flipside of that coin is an awful lot of hurry-up-and-wait before they get on stage every night, but that would happen even if they spent all that extra time traveling between countries in the EU, or anywhere else, for that matter.

I also don’t know the size of the venues they’re playing, but even if it’s small concert spaces and barrooms, the experience is invaluable, and aside from saying something about the economics and cultural situation in greater Europe — mostly it says “Germany gets all the shows” — it just seems to me like there’s an opportunity here for Wedge to make it something really special and grow as artists. It’s hardly their first tour — they were out on a couple weekender runs with Wucan in November on which five of the seven included dates were also in Germany — but even so. As far as playing live goes, it’s an interesting project. I wonder if they’d do it in any other countries as well. You know Heavy Psych Sounds could make that happen in Italy…

I had intended here to talk about the video and the sound of “Lucid” itself, which departs some of the post-Kadavar vibes of the self-titled, but got sidetracked thinking about the good times these guys could potentially have on this tour. I hope it goes well and would be interested to know if it changes how they feel about Killing Tongue by the time it’s done.

Should you happen to be in Germany in Jan./Feb., dates follow the video here.

Please enjoy:

Wedge, “Lucid” official video

Heavy Psych Sounds Records & Booking is proud to announce the WEDGE GERMAN TOUR 2018

a Magnificent Music production

The German vintage retro ’70 rock’n’roll band Wedge will tour Germany in winter 2018. Supporting their acts the rockers Big Foot. Wedge will play also new stuff of their sophomore album Kiling Tongue which will be released in february 2018 via Heavy Psych Sounds.

09.01. Hannover, Cafe Glocksee
10.01. Kiel, Schaubde
11.01. Hamburg, Hafenklang
12.01. Jena, Kulturbahnhof
13.01. Eisenach, Schlachthof
01.02. Nürnberg, Z-Bau
02.02. Frankfurt/M., Feinstaub
03.02. Heilbronn, Emma23
04.02. Freiburg, Slow Club
05.02. Tübingen, Münzgasse
07.02. Köln, Sonic Ballroom
08.02. Oldenburg, Polyester Klub
09.02. Husum, Speicher
10.02. Berlin, TBA
14.02. Leipzig, Black Label
15.02. München, Import/Export
17.02. Ravensburg, Haus am See
21.02. Göttingen, Dots
22.02. Bielefeld, Forum
23.02. Düsseldorf, R25
24.02. Münster, Rare Guitar

WEDGE was born into the spotlight in 2014. The trio was founded in Berlin by guitarist/singer Kiryk Drewinski (ex-Liquid Visions & ex-The Magnificent Brotherhood), drummer Holger “The Holg” Grosser & bassist/organist Dave Götz and named itself after the first stone tool of human history. Their sound is accordingly archaic, extremely effective, “made from solid rock” and, when used correctly, causes fire … especially live! WEDGE blends mainly elements of classic rock, 60s garage and some Psychedelic with a proper dose of joy while playing.

WEDGE IS
Kiryk Drewinski- Vocals / Guitars / Harmonica
Holger ‘The Holg’ Grosser – Drums / Percussion
David Götz – Bass / Organ / Electric Piano / Mellotron

Wedge on Thee Facebooks

Wedge website

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds on Twitter

Heavy Psych Sounds on Bandcamp

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Wedge to Release Killing Tongue in February; Preorders Available Nov. 3

Posted in Whathaveyou on October 30th, 2017 by JJ Koczan

wedge

On first impression, the second album from Berlin vintage-style heavy rockers Wedge feels immediately more their own. The trio debuted in 2014 on Heavy Psych Sounds with a self-titled long-player, and as of Friday, preorders will be open for Killing Tongue, their nine-song follow-up, to be released via the same label on Feb. 9.

There hasn’t been any audio made public from it yet, which kind of makes sense considering we’re still three months out from it landing, and I’m not saying I’ve got it on right now or anything, but the turns sound a bit sharper, the songwriting feels more efficient, and the most-definitely-post-Kadavar vibe that pervaded the self-titled seems to have abated somewhat. All the better for the young band to come into their own with a blues-psych track like “Fire Eyes,” with its pairing of rhythmic chain crunch and airy guitar and vocals.

One to look forward to for 2018 for sure and one I’m looking forward to getting to know better for sure.

Info follows from the PR wire, and Wedge also have some shows this coming month for which I hoisted the dates from social media:

wedge killing tongue

WEDGE sign to Heavy Psych Sounds ; new album coming February 2018!

PRESALE STARTS: OCTOBER 30th
RELEASE DATE: FEBRUARY 9th

Heavy Psych Sounds Records is proud to announce the return of German vintage rock’n’rollers WEDGE! The Berlin-based trio decided to renew their deal with the Italian label for the release of their sophomore full-length, due out February 2018.

The trio released their first studio album on Heavy Psych Sounds in September 2014, which quickly sold out. Following the buzz of WEDGE’s debut, the group now unveils their eagerly awaited follow-up “Killing Tongue” …and it truly kills! Although also deeply rooted in the rock’n’roll of the late 60s & early 70s, this album clearly is a strong progression from its precursor, presenting a multicolored spectrum of sounds and more diverse songwriting. Power trio-untypical arrangements and instruments like electric sitar, clavinet and harpsichord among others are accompanying especially some of the new psychedelia soaked tunes. But of course you can expect plenty of good old fuzz guitar and Hammond organ driven material as well.

Killing Tongue was recorded & mixed at LowSwing Studios in Berlin by Guy Sternberg and mastered by Brian Lucey at Magic Garden Mastering in California/USA.

WEDGE is a 60s-sounding, psychedelic and heavy rockin’ Berlin trio founded by guitarist/singer Kiryk Drewinski (ex-Liquid Visions/The Magnificent Brotherhood), drummer Holger “The Holg” Grosser and bassist/organist Dave Götz, and named themselves after the first stone tool of human history. Their sound is accordingly archaic, extremely effective, made from “solid rock” and, when used correctly, it causes fire… especially on stage!

WEDGE IS
Kiryk Drewinski- Vocals / Guitars / Harmonica
Holger ‘The Holg’ Grosser – Drums / Percussion
David Götz – Bass / Organ / Electric Piano / Mellotron

WEDGE shows in November:
02.11. (de) Munich, backstage *
03.11. (en) Milan, space space *
04.11. (CH) Chur, Palazzo Beat Club *
16.11. (de) Fulda, culture cellar *
17.11. (de) Leipzig, moritzbastei *
18.11. (de) Regensburg cultural centre old malthouse at gogo low fest vol. II ***
19.11. (de) Berlin, Cassiopeia **
* W / Wucan
** W / Wucan & Eat Ghosts
*** W / Siena Root, Swan Valley Heights & Welcome Inside The Brain

https://www.facebook.com/wedgeband/
http://www.wedgeband.com/home.html
https://www.facebook.com/HEAVYPSYCHSOUNDS/
https://twitter.com/HEAVYPSYCHSOUND
https://heavypsychsoundsrecords.bandcamp.com/

Wedge, “’61 SG” official video

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